Trick Riding Quotes

We've searched our database for all the quotes and captions related to Trick Riding. Here they are! All 100 of them:

Anyone who imagines that bliss is normal is going to waste a lot of time running around shouting that he has been robbed. The fact is that most putts don’t drop, most beef is tough, most children grow up to be just like people, most successful marriages require a high degree of mutual toleration, and most jobs are more often dull than otherwise. Life is just like an old time rail journey ... delays, sidetracks, smoke, dust, cinders, and jolts, interspersed only occasionally by beautiful vistas and thrilling bursts of speed. The trick is to thank the Lord for letting you have the ride.
Jenkin Lloyd Jones
Life is just like an old time rail journey ... delays, sidetracks, smoke, dust, cinders, and jolts, interspersed only occasionally by beautiful vistas and thrilling bursts of speed. The trick is to thank the Lord for letting you have the ride.
Jenkin Lloyd Jones
Orion sniffed. "Good. Then, worthy centaur, perhaps you could give me a ride to the village on your way back. Then I can make a few pennies wth my verses while you build us a shack and perform circus tricks for passersby." This was such a surprising statement that Foaly briefly considered jumping into the hole to get away.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
Anyone who imagines that bliss is normal is going to waste a lot of time running around shouting that he’s been robbed. The fact is that most putts don’t drop, most beef is tough, most children grow up to just be people, most successful marriages require a high degree of mutual toleration, most jobs are more often dull than otherwise. Life is like an old time rail journey…delays…sidetracks, smoke, dust, cinders and jolts, interspersed only occasionally by beautiful vistas and thrilling burst of speed. The trick is to thank the Lord for letting you have the ride.
Jenkin Lloyd Jones
They would always be a family, but if she'd learned anything in the past few weeks it was that a family wasn't a static thing. There were always changes going on. Like with continents, sometimes the changes were invisible and underground, and sometimes they were explosive and deadly. The trick was to keep your balance. You couldn't control the direction of your family any more than you could stop the continental shelf from breaking apart. All you could do was hold on for the ride.
Kristin Hannah (Winter Garden)
The trick to having obedient, unquestioning children was to have death be the other option
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
You are overwhelmed and haven’t learned to be your own friend through this yet. You will. Your fear of jumping without a net is so valid, and the trick that you haven’t learned yet is that that’s life, always and everywhere. There are no nets. Life is a big, long free fall, and the sooner you can embrace what is beautiful about that, the sooner you will start to enjoy the ride.
Sara Bareilles (Sounds Like Me: My Life (So Far) in Song)
Orion sniffed. "Good. Then, worthy centaur, perhaps you could give me a ride to the village on your back. Then I can make a few pennies with my verses while you build us a shack and perform circus tricks for passerby." This was such a surprising statement that Foaly briefly considered jumping into the hole to get away.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
Sometimes I think life is just a rodeo, the trick is to ride and make it to the bell.
John Fogerty
Orion sniffed. "Good. Then, Worthy Centaur, perhaps you could give me a ride to the village on your back. Then I can make a few pennies with my verses while you build us a shack and perform circus tricks for passersby." This was such a surprising statement that Foaly briefly considered jumping into the hole to get away. "This isn't Middle Earth, you know. We're not in a novel. I am not noble, neither do I have a repertoire of circus tricks." Orion seemed disappointed. "Can you juggle at least?
Eoin Colfer
Love is like riding or speaking French. If you don’t learn it young, it’s hard to get the trick of it later.
Julian Fellowes
Time passes, as the novelist says. The single most useful trick of fiction for our repair and refreshment: the defeat of time. A century of family saga and a ride up an escalator can take the same number of pages. Fiction sets any conversion rate, then changes it in a syllable. The narrator’s mother carries her child up the stairs and the reader follows, for days. But World War I passes in a paragraph. I needed 125 pages to get from Labor Day to Christmas vacation. In six more words, here’s spring.
Richard Powers (Generosity: An Enhancement)
On the ride back south, she tapped all the anger-management tricks they'd given her in job training. They played across her windshield like PowerPoint slides. Number One: It's not about you. Number Two: Your plan is not the world's. Number Three: The mind can make a heaven of hell, a hell of heaven.
Richard Powers (The Echo Maker)
Medicine's great magic trick is how it convinces us we're here saving lives when more often what we're doing is witnessing death.
Kevin Hazzard (A Thousand Naked Strangers: a Paramedic's Wild Ride to the Edge and Back)
Never fight fair-- that's not how you win. Use every dirty trick you can, Expect pain. Expect to get hurt. If you're surprised by the pain, you just lost.
James Patterson
36 A trick rider had claimed that he could jump a car while riding two horses simultaneously,
Laura Hillenbrand (Seabiscuit: An American Legend)
Maybe this is the case for many of us: No matter who we become or what we accomplish, we still feel that we’re essentially the kid we were at some simpler time long ago. Somehow that’s the trick of leadership, too, I think, to hold on to that awareness of yourself even as the world tells you how powerful and important you are. The moment you start to believe it all too much, the moment you look yourself in the mirror and see a title emblazoned on your forehead, you’ve lost your way. That may be the hardest but also the most necessary lesson to keep in mind, that wherever you are along the path, you’re the same person you’ve always been.
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
I didn't see it happening, but the wheels were falling off of me. I didn't care about responsibilities like paying rent, I was just on a runaway train ride. The horribly ironic cosmic trick of drug addiction is that drugs are a lot of fun when you first start using them, but by the time the consequences manifest themselves, you're no longer in a position to say, 'Whoa, gotta stop that.' You've lost that ability, and you've created this pattern of conditioning and reinforcement. It's never something for nothing when drugs are involved.
Anthony Kiedis (Scar Tissue)
There seems to be a superstition among many thousands of our young who hold hands and smooch in the drive-ins that marriage is a cottage surrounded by perpetual hollyhocks, to which a perpetually young and handsome husband comes home to a perpetually young and ravishing wife. When the hollyhocks wither and boredom and bills appear, the divorce courts are jammed. Anyone who imagines that bliss is normal is going to waste a lot of time running around shouting that he's been robbed. The fact is that most putts don't drop. Most beef is tough. Most children grow up to be just ordinary people. Most successful marriages require a high degree of mutual toleration. Most jobs are more often dull than otherwise. . . . Life is like an old-time rail journey—delays, sidetracks, smoke, dust, cinders, and jolts, interspersed only occasionally by beautiful vistas and thrilling bursts of speed. The trick is to thank the Lord for letting you have the ride.
Jenkin Lloyd Jones
We’ve already altered our relationship with last night,” Nick said. “We’ll never get that back.” “I know,” Kelly said softly. “We can stop here and just go to sleep. ”Kelly narrowed his eyes, a smile flitting across his lips. “You’re going to look for the exit at every turn, aren’t you?” Nick huffed. Kelly began to unbutton his shirt. “Well there ain’t no exits on this ride, babe, ’cause I know all your tricks.
Abigail Roux (Shock & Awe (Sidewinder, #1))
When Seymour and I were five and three, Les and Bessie played on the same bill for a couple of weeks with Joe Jackson -- the redoubtable Joe Jackson of the nickel-plated trick bicycle that shone like something better than platinum to the very last row of the theater. A good many years later, not long after the outbreak of the Second World War, when Seymour and I had just recently moved into a small New York apartment of our own, our father -- Les, as he'll be called hereafter -- dropped in on us one evening on his way home from a pinochle game. He quite apparently had held very bad cards all afternoon. He came in, at any rate, rigidly predisposed to keep his overcoat on. He sat. He scowled at the furnishings. He turned my hand over to check for cigarette-tar stains on my fingers, then asked Seymour how many cigarettes he smoked a day. He thought he found a fly in his highball. At length, when the conversation -- in my view, at least -- was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at once, and in the special way he always answered questions from Les -- as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn't sure he had ever got off Joe Jackson's beautiful bicycle.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
She'll live. I've already seen her return from among the dead once before, and those who learn the trick never forget it. I speak from experience. To return from the dead is a bit like riding a bike, or unfastening a girl's bra with a single hand. It's all a question of getting the knack.
Carlos Ruiz Zafón (The Labyrinth of the Spirits)
Rape culture manifests in a myriad ways…but its most devilish trick is to make the average, noncriminal person identify with the person accused, instead of the person reporting the crime. Rape culture encourages us to scrutinize victims’ stories for any evidence that they brought the violence onto themselves – and always to imagine ourselves in the terrifying role of Good Man, Falsely Accused, before we ‘rush to judgment’. We're not meant to picture ourselves in the role of drunk teenager at her first college party, thinking 'Wow, he seems to think I'm pretty!' Or the woman who accepts a ride with a 'nice guy,' who's generously offered to see her safely home from the bar. Or the girl who's passed out in a room upstairs, while the party rages on below, so chaotic that her friends don't even notice she's gone. When it comes to rape, if we're expected to put ourselves in anyone else's shoes at all, it's the accused rapist's. The questions that inevitably come along with 'What was she wearing?' and 'How much did she have to drink?' are, 'What if there was no rape at all? What if she's lying? What happens to this poor slob she's accusing? What if he goes to prison for a crime he didn't commit?
Kate Harding (Asking for It: The Alarming Rise of Rape Culture and What We Can Do about It)
These ears aren't to be trusted. The keening in the night, didn't you hear? Once I believed all the stories didn’t have endings, but I realized the endings were invented, like zero, had yet to be imagined. The months come around again, and we are in the same place; full moons, cherries in bloom, the same deer, the same frogs, the same helpless scratching at the dirt. You leave poems I can’t read behind on the sheets, I try to teach you songs made of twigs and frost. you may be imprisoned in an underwater palace; I'll come riding to the rescue in disguise. Leave the magic tricks to me and to the teakettle. I've inhaled the spells of willow trees, spat them out as blankets of white crane feathers. Sleep easy, from behind the closet door I'll invent our fortunes, spin them from my own skin. (from, The Fox-Wife's Invitation)
Jeannine Hall Gailey
The trick is to ride the wave, Fast, wide-open and in deep Now-magic. Free, burning fear for fuel Generous, knowing there is always more where that came from. Cresting, spray of liquid jewels hanging, shining in the sun and wind. Flying down the wave in graceful slices. Rolling, tumbling under, over Breathless falling, floating into the deep dark beneath. Rising, face breaks the surface Laughing Kneeling, standing Riding again. Sunset waits behind the horizon But daylight begs us to swim Out beyond Where our feet can’t touch bottom. Into the deep wild Where the next wave can sweep us higher, Show us what else is possible In this marvelous place.
Jacob Nordby
They would always be a family, but if she’d learned anything in the past few weeks it was that a family wasn’t a static thing. There were always changes going on. Like with continents, sometimes the changes were invisible and underground, and sometimes they were explosive and deadly. The trick was to keep your balance. You couldn’t control the direction of your family any more than you could stop the continental shelf from breaking apart. All you could do was hold on for the ride.
Kristin Hannah (Winter Garden)
When you say you want all peoples to unite, you really mean that you want all peoples to unite to learn the tricks of your people. If the Bedouin Arab does not know how to read, some English missionary or schoolmaster must be sent to teach him to read, but no one ever says, 'This schoolmaster does not know how to ride on a camel; let us pay a Bedouin to teach him.' You say your civilisation will include all talents. Will it? Do you really mean to say that at the moment when the Esquimaux has learnt to vote for a County Council, you will have learnt to spear a walrus? I recur to the example I gave. In Nicaragua we had a way of catching wild horses—by lassooing the fore feet—which was supposed to be the best in South America. If you are going to include all the talents, go and do it. If not, permit me to say what I have always said, that something went from the world when Nicaragua was civilised.
G.K. Chesterton (The Napoleon of Notting Hill)
Orion sniffed. “Good. Then, worthy centaur, perhaps you could give me a ride to the village on your back. Then I can make a few pennies with my verses while you build us a shack and perform circus tricks for passersby.” This was such a surprising statement that Foaly briefly considered jumping into the hole to get away.
Eoin Colfer (Artemis Fowl: The Atlantis Complex (Artemis Fowl, #7))
Spider Jockey — spider jockeys are spiders that have a skeleton riding them. They rarely spawn, but if they do, unless you have a lot of arrows and a huge space, you need to run for your life.
Gerone Adams (Minecraft: Top Minecraft Tricks and Secrets)
I have five flashlights and each performs its own trick. I have a raincoat with zippers and net material so I never get too hot in a downpour. I have a shelf crammed with books and a shortwave that speaks Arabic, Japanese, Dutch and Russian. They have mud huts with maybe a few chairs and faded pages of old magazines fastened to the wall. I ride my twenty-one speed Peace Corps-issue bike to Ferke not to save a dollar on transport but for the luxury of exercise. They ride in from their settlements on cranky old mopeds or bikes with a single cog because it's the only option. And they give me charity. I just stare at it - near tears. To refuse their offer would be pure insult. So I do the rounds again shaking hands with all the men in boubous saying over and over "An y che " Thank you.
Sarah Erdman (Nine Hills to Nambonkaha: Two Years in the Heart of an African Village)
The achievement of star status itself would seem to be based not on talent or good looks any more, but on the risks taken for the camera by a whole host of stuntmen brought in from the fairgrounds and circuses: trick riding, controlled falls, suspended accidents and suicidal exploits, leading, with the coming of 'live' transmission, to the 'confessional' TV programme, to the so-called reality show, which shades over, at the edges, into the snuff movie.
Paul Virilio (The Information Bomb (Radical Thinkers))
They would always be a family, but if she'd learned anything in the past few weeks it was that a family wasn't a static thing. There were always changes going on. Like with continents, sometimes the changes were invisible and underground and sometimes they were explosive and deadly. The trick was to keep your balance. You couldn't control the direction of your family any more than you could stop the continental shelf from breaking apart. All you could do was hold on for the ride.
Kristin Hannah (Winter Garden)
In the morn when they woke, it was Halloween Day. There was bobbing for apples and rides in the hay. There were costume parties, and games to be played. Cupcakes and candy and, of course, a parade! After dinner was served, and the kids were done eating, it was finally time to go trick-or-treating! Moms re-painted faces, and straightened clown hats, put wings back on fairies, angels, and bats. Jack-o-lanterns were set out on porches with care. Their grins seemed to say, “Knock if you dare.
Natasha Wing (The Night Before Halloween)
He surveyed what remained of his crew. Rotty still hovered by the wreckage of the longboat. Jesper sat with elbows on knees, head in hands, Wylan beside him wearing the face of a near-stranger; Matthias stood gazing across the water in the direction of Hellgate like a stone sentinel. If Kaz was their leader, then Inej had been their lodestone, pulling them together when they seemed most likely to drift apart. Nina had disguised Kaz’s crow-and-cup tattoo before they’d entered the Ice Court, but he hadn’t let her near the R on his bicep. Now he touched his gloved fingers to where the sleeve of his coat covered that mark. Without meaning to, he’d let Kaz Rietveld return. He didn’t know if it had begun with Inej’s injury or that hideous ride in the prison wagon, but somehow he’d let it happen and it had cost him dearly. That didn’t mean he was going to let himself be bested by some thieving merch. Kaz looked south toward Ketterdam’s harbors. The beginnings of an idea scratched at the back of his skull, an itch, the barest inkling. It wasn’t a plan, but it might be the start of one. He could see the shape it would take—impossible, absurd, and requiring a serious chunk of cash. “Scheming face,” murmured Jesper. “Definitely,” agreed Wylan. Matthias folded his arms. “Digging in your bag of tricks, demjin?” Kaz flexed his fingers in his gloves. How did you survive the Barrel? When they took everything from you, you found a way to make something from nothing. “I’m going to invent a new trick,” Kaz said. “One Van Eck will never forget.” He turned to the others. If he could have gone after Inej alone, he would have, but not even he could pull that off. “I’ll need the right crew.” Wylan got to his feet. “For the Wraith.” Jesper followed, still not meeting Kaz’s eyes. “For Inej,” he said quietly. Matthias gave a single sharp nod. Inej had wanted Kaz to become someone else, a better person, a gentler thief. But that boy had no place here. That boy ended up starving in an alley. He ended up dead. That boy couldn’t get her back. I’m going to get my money, Kaz vowed. And I’m going to get my girl. Inej could never be his, not really, but he would find a way to give her the freedom he’d promised her so long ago. Dirtyhands had come to see the rough work done.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I wasn’t ready for a fight. But as I drew even with Oberon and put a calming hand on the back of his neck, the blood drained from my face when I saw a lone figure limping toward us across the dry red rock. It looked like a little old lady, and she could not have been more out of place; it was like watching Elmo ride in to the Sturgis biker rally in South Dakota. Granuaile
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
Built around 1780... a two-hour train ride from Paris... the neighbor keeps his horses in my backyard... pies made with apples from my own trees..." I caught the highlights of Hugh's broadcast and understood that my first goal was to make him my boyfriend, to trick or blackmail him into making some sort of commitment. I know it sounds calculating, but if you're not cute, you might as well be clever.
David Sedaris (Me Talk Pretty One Day)
I have come back but disorder is not what it was. I have lost the trick of it! The innocence of it!… Anne, Anne, flee on your donkey, flee this sad hotel, ride out on some hairy beast, gallop backward pressing your buttocks to his withers, sit to his clumsy gait somehow. Ride out any old way you please! In this place everyone talks to his own mouth. That’s what it means to be crazy. Those I loved best died of it— the fool’s disease.
Anne Sexton (Anne Sexton: A Self-Portrait in Letters)
Five minutes later, Roth was riding next to Elizabeth Zott in the front seat of her old blue Plymouth, the dog and the photographer relegated to the back. “He doesn’t bite, does he?” the photographer asked as he crammed himself against the window. “All dogs have the ability to bite,” she said over her shoulder. “Just as all humans have the ability to cause harm. The trick is to act in a reasonable way so that harm becomes unnecessary.
Bonnie Garmus (Lessons in Chemistry)
She insisted that they focus their energies on raising a little girl who was, by nature, a tangle of mischief and motion and curiosity. Each day, Luna’s ability to break rules in new and creative ways was an astonishment to all who knew her. She tried to ride the goats, tried to roll boulders down the mountain and into the side of the barn (for decoration, she explained), tried to teach the chickens to fly, and once almost drowned in the swamp. (Glerk saved her. Thank goodness.) She gave ale to the geese to see if it made them walk funny (it did) and put peppercorns in the goat’s feed to see if it would make them jump (they didn’t jump; they just destroyed the fence). Every day she goaded Fyrian into making atrocious choices or she played tricks on the poor dragon, making him cry. She climbed, hid, built, broke, wrote on the walls, and spoiled dresses when they had only just been finished. Her hair ratted, her nose smudged, and she left handprints wherever she went.
Kelly Barnhill (The Girl Who Drank the Moon)
Miriam really hates for me to ride to and from the ranch alone so your coming along should make her feel better. Right, Miriam?" Miriam cast her a don't-play-my-own-tricks-on-me look. For her benefactress's peace of mind, less than for Rider's knowledge, Willow added, "I've told Miriam she doesn't need to worry about me. I always carry a pistol." Rider's brows shot up. "You pack a gun?" "Uh-huh, an old Colt .45. It was a present from Nick, my oldest brother." "And I bet you know how to shoot it, too." He smiled wryly. "I ain't no quick draw, but I usually hit what I aim at.
Charlotte McPherren (Song of the Willow)
Adelia began to get cross. Why was it women who were to blame for everything—everything, from the Fall of Man to these blasted hedges? “We are not in a labyrinth, my lord,” she said clearly. “Where are we, then?” “It’s a maze.” “Same difference.” Puffing at the horse: “Get back, you great cow.” “No, it isn’t. A labyrinth has only one path and you merely have to follow it. It’s a symbol of life or, rather, of life and death. Labyrinths twist and turn, but they have a beginning and an end, through darkness into light.” Softening, and hoping that he would, too, she added, “Like Ariadne’s. Rather beautiful, really.” “I don’t want mythology, mistress, beautiful or not, I want to get to that sodding tower. What’s a maze when it’s at home?” “It’s a trick. A trick to confuse. To amaze.” “And I suppose Mistress Clever-boots knows how to get us out?” “I do, actually.” God’s rib, he was sneering at her, sneering. She’d a mind to stay where she was and let him sweat. “Then in the name of Christ, do it.” “Stop bellowing at me,” she yelled at him. “You’re bellowing.” She saw his teeth grit in the pretense of a placatory smile; he always had good teeth. Still did. Between them, he said, “The Bishop of Saint Albans presents his compliments to Mistress Adelia and please to escort him out of this hag’s hole, for the love of God. How will you do it?” “My business.” Be damned if she’d tell him. Women were defenseless enough without revealing their secrets. “I’ll have to take the lead.” She stumped along in front, holding Walt’s mount’s reins in her right hand. In the other was her riding crop, which she trailed with apparent casualness so that it brushed against the hedge on her left. As she went, she chuntered to herself. Lord, how disregarded I am in this damned country. How disregarded all women are. ... Ironically, the lower down the social scale women were, the greater freedom they had; the wives of laborers and craftsmen could work alongside their men—even, sometimes, when they were widowed, take over their husband’s trade. Adelia trudged on. Hag’s hole. Grendel’s mother’s entrails. Why was this dreadful place feminine to the men lost in it? Because it was tunneled? Womb-like? Is this woman’s magic? The great womb? Is that why the Church hates me, hates all women? Because we are the source of all true power? Of life? She supposed that by leading them out of it, she was only confirming that a woman knew its secrets and they did not. Great God, she thought, it isn't a question of hatred. It’s fear. They are frightened of us. And Adelia laughed quietly, sending a suggestion of sound reverberating backward along the tunnel, as if a small pebble was skipping on water, making each man start when it passed him. “What in hell was that?” Walt called back stolidly, “Reckon someone’s laughing at us, master.” “Dear God.
Ariana Franklin (The Serpent's Tale (Mistress of the Art of Death, #2))
BT came up to the rear of the truck. “Who made you boss?” his voice boomed. “You know what, BT?” I said as I tried to make myself as tall and intimidating as possible. Not an easy trick to pull off when I was pretty much looking him in the sternum. “No, what?” he asked. “Rhetorical, BT, rhetorical. Nobody made me boss. In fact, I don’t want to be boss at all. That would make this entire fuck fest a lot easier if I didn’t have to worry about any of my decisions getting people killed. I would like nothing more than to lie in the back of that truck and help Igor polish off whatever liquor he has stowed away. So, my giant friend, feel free to take the reins of this carnival ride and do with it what you may. I’m just too tired to deal with it.
Mark Tufo (A Plague Upon Your Family (Zombie Fallout, #2))
what she’d felt before: not disappointment that her kids didn’t call, or fear that Jeff didn’t love her, or even worry that she had lost too much of herself. This new feeling was the realization that she wasn’t young anymore. The days of frolicking with her little girls were gone. Her children were on their own now, and Meredith needed to accept that. They would always be a family, but if she’d learned anything in the past few weeks it was that a family wasn’t a static thing. There were always changes going on. Like with continents, sometimes the changes were invisible and underground, and sometimes they were explosive and deadly. The trick was to keep your balance. You couldn’t control the direction of your family any more than you could stop the continental shelf from breaking apart. All you could do was hold on for the ride.
Kristin Hannah (Winter Garden)
Ekaterin glanced back over her shoulder. “He didn’t look very well this morning, Pym. You really shouldn’t have let him get out of bed.” “Oh, I know it, ma’am,” Pym agreed morosely. “But what’s a mere armsman to do? I haven’t the authority to countermand his orders. What he really needs, is looking after by someone who won’t stand his nonsense. A proper Lady Vorkosigan would do the trick. Not one of those shy, simpering ingénues all the young lords seem to be looking to these days—he’d just ride right over her. He needs a woman of experience, to stand up to him.” He smiled apologetically down at her. “I suppose so,” sighed Ekaterin. She hadn’t really thought about the Vor mating scene from the armsmen’s point of view. Was Pym hinting that his lord had such an ingénue in his eye, and his staff was worried it was some sort of mismatch?
Lois McMaster Bujold
He was going to kill her. “You dragged me up here for nothing.” “Your pride dragged you up here. If Van Eck senses anything amiss tonight, it’s all over. This isn’t a two-person job and you know it.” “Inej—” “My future is riding on this too, Kaz. I don’t tell you how to pick locks or put together a plan. This is what I’m good at, so let me do my job.” She yanked the rope taut. “And just think of all the time you’ll have for prayer and quiet contemplation on the way down.” She vanished over the side of the chapel. Kaz stood there, staring at the place she’d been only seconds before. She’d tricked him. The decent, honest, pious Wraith had outsmarted him. He turned to look back at the long expanse of roof he was going to have to traverse to get back to the boat. “Curse you and all your Saints,” he said to no one at all, then realized he was smiling.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The Arab world has done nothing to help the Palestinian refugees they created when they attacked Israel in 1948. It’s called the ‘Palestinian refugee problem.’ This is one of the best tricks that the Arabs have played on the world, and they have used it to their great advantage when fighting Israel in the forum of public opinion. This lie was pulled off masterfully, and everyone has been falling for it ever since. First you tell people to leave their homes and villages because you are going to come in and kick out the Jews the day after the UN grants Israel its nationhood. You fail in your military objective, the Jews are still alive and have more land now than before, and you have thousands of upset, displaced refugees living in your country because they believed in you. So you and the UN build refugee camps that are designed to last only five years and crowd the people in, instead of integrating them into your society and giving them citizenship. After a few years of overcrowding and deteriorating living conditions, you get the media to visit and publish a lot of pictures of these poor people living in the hopeless, wretched squalor you have left them in. In 1967 you get all your cronies together with their guns and tanks and planes and start beating the war drums. Again the same old story: you really are going to kill all the Jews this time or drive them into the sea, and everyone will be able to go back home, take over what the Jews have developed, and live in a Jew-free Middle East. Again you fail and now there are even more refugees living in your countries, and Israel is even larger, with Jerusalem as its capital. Time for more pictures of more camps and suffering children. What is to be done about these poor refugees (that not even the Arabs want)? Then start Middle Eastern student organizations on U.S. college campuses and find some young, idealistic American college kids who have no idea of what has been described here so far, and have them take up the cause. Now enter some power-hungry type like Yasser Arafat who begins to blackmail you and your Arab friends, who created the mess, for guns and bombs and money to fight the Israelis. Then Arafat creates hell for the world starting in the 1970s with his terrorism, and the “Palestinian refugee problem” becomes a worldwide issue and galvanizes all your citizens and the world against Israel. Along come the suicide bombers, so to keep the pot boiling you finance the show by paying every bomber’s family twenty-five thousand dollars. This encourages more crazies to go blow themselves up, killing civilians and children riding buses to school. Saudi Arabia held telethons to raise thousands of dollars to the families of suicide bombers. What a perfect way to turn years of military failure into a public-opinion-campaign success. The perpetuation of lies and uncritical thinking, combined with repetitious anti-Jewish and anti-American diatribes, has produced a generation of Arab youth incapable of thinking in a civilized manner. This government-nurtured rage toward the West and the infidels continues today, perpetuating their economic failure and deflecting frustration away from the dictators and regimes that oppress them. This refusal by the Arab regimes to take an honest look at themselves has created a culture of scapegoating that blames western civilization for misery and failure in every aspect of Arab life. So far it seems that Arab leaders don’t mind their people lagging behind, save for King Abdullah’s recent evidence of concern. (The depth of his sincerity remains to be seen.)
Brigitte Gabriel (Because They Hate)
I kissed Polly good night as we stood at her front door Now she's quite a proper lady, so I didn't ask for anything more But I was feeling oh so groovy that I went down to the movie And I sat down and guess just what I saw? I saw Polly in a porny Down at the dirty flicks I saw Polly in a porny I didn't know she knew them tricks What I seen nearly struck me blind I never knew she was theatrically inclined I saw Polly in a porny with a pony and it nearly blowed my mind Was she gallopin'? (no no no) Oh was she trottin'? (no no no) Oh was she riding across the country with some tall dark handsome person Oh was she wearin' her cowboy hat? Well, not exactly that But at least I recall she had her spurs on I love ol' Polly in a porny I keep on going back In the very last row I'm singin' low with my coat bouncin' in my lap I spend each dime I can afford I swear she's gonna win an Academy Award I saw Polly in a porny with a pony and the pony seemed a little bored
Shel Silverstein
I’m sorry,” said the kitty. “I’ve wrecked your broomstick ride.” “No matter,” said Witch Mildred. “We’re here. Let’s go inside!” The clock atop the castle read twenty after eight, but the promised buffet table held only emptied plates! “No eye or newt? No sautéed slug? No pickleworm pate? No casserole of cockroach! No spiderweb soufflé! Those greedy gobbling goblins left zilch for us to eat.” Said the starving skeleton, “Why don’t we trick-or-treat?” They passed a lighted cottage, from which rose song and laughter. The mummy boldly rang the bell, All others traipsing after. The children squealed and giggled as they greeted their new guests, for of all the trick-or-treaters, these costumes were the best! The hostess asked the callers to join them at their party. “Check out this spread!” the mummy said. The hostess said, “Eat hearty.” “Taffy apples! Candy corn! Purple punch, ice-cold! My tongue’s not touched such tastiness since I was six years old!” In the corner of the kitchen Witch Mildred found a mop. “I think this will do nicely while my broom is in the shop.” “May I, please?” asked Mildred, and seated her new friends. With a loud “Thank you!” away they flew, in loopy swoops and bends. That night Witch Mildred dreamed of cakes and lemonade, but far more sweet than party treats were the friendships she had made!
Elizabeth Spurr (Halloween Sky Ride)
Cribbage!” I declared, pulling out the board, a deck of cards, and pen and paper, “Ben and I are going to teach you. Then we can all play.” “What makes you think I don’t know how to play cribbage?” Sage asked. “You do?” Ben sounded surprised. “I happen to be an excellent cribbage player,” Sage said. “Really…because I’m what one might call a cribbage master,” Ben said. “I bet I’ve been playing longer than you,” Sage said, and I cast my eyes his way. Was he trying to tell u something? “I highly doubt that,” Ben said, “but I believe we’ll see the proof when I double-skunk you.” “Clearly you’re both forgetting it’s a three-person game, and I’m ready to destroy you both,” I said. “Deal ‘em,” Ben said. Being a horse person, my mother was absolutely convinced she could achieve world peace if she just got the right parties together on a long enough ride. I didn’t know about that, but apparently cribbage might do the trick. I didn’t know about that, but apparently cribbage might do the trick. The three of us were pretty evenly matched, and Ben was impressed enough to ask sage how he learned to play. Turned out Sage’s parents were historians, he said, so they first taught him the precursor to cribbage, a game called noddy. “Really?” Ben asked, his professional curiosity piqued. “Your parents were historians? Did they teach?” “European history. In Europe,” Sage said. “Small college. They taught me a lot.” Yep, there was the metaphorical gauntlet. I saw the gleam in Ben’s eye as he picked it up. “Interesting,” he said. “So you’d say you know a lot about European history?” “I would say that. In fact, I believe I just did.” Ben grinned, and immediately set out to expose Sage as an intellectual fraud. He’d ask questions to trip Sage up and test his story, things I had no idea were tests until I heard Sage’s reactions. “So which of Shakespeare’s plays do you think was better served by the Globe Theatre: Henry VIII or Troilus and Cressida?” Ben asked, cracking his knuckles. “Troilus and Cressida was never performed at the Globe,” Sage replied. “As for Henry VIII, the original Globe caught fire during the show and burned to the ground, so I’d say that’s the show that really brought down the house…wouldn’t you?” “Nice…very nice.” Ben nodded. “Well done.” It was the cerebral version of bamboo under the fingernails, and while they both tried to seem casual about their conversation, they were soon leaning forward with sweat beading on their brows. It was fascinating…and weird. After several hours of this, Ben had to admit that he’d found a historical peer, and he gleefully involved Sage in all kinds of debates about the minutiae of eras I knew nothing about…except that I had the nagging sense I might have been there for some of them. For his part, Sage seemed to relish talking about the past with someone who could truly appreciate the detailed anecdotes and stories he’d discovered in his “research.” By the time we started our descent to Miami, the two were leaning over my seat to chat and laugh together. On the very full flight from Miami to New York, Ben and Sage took the two seats next to each other and gabbed and giggled like middle-school girls. I sat across from them stuck next to an older woman wearing far too much perfume.
Hilary Duff (Elixir (Elixir, #1))
Even if we do not suffer from religious mania, unrequited love, loneliness or jealousy, most readers can identify with Burton’s account of information overload over three centuries before the invention of the internet, an extraordinary broadside which is worth quoting in full: I hear new news every day, and those ordinary rumours of war, plagues, fires, inundations, thefts, murders, massacres, meteors, comets, spectrums, prodigies, apparitions, of towns taken cities besieged in France, Germany, Turkey, Persia, Poland &c. daily musters and preparations, and such like, which these tempestuous times afford, battles fought, so many men slain, monomachies, shipwrecks, piracies, and sea-fights, peace, leagues, stratagems, and fresh alarms. A vast confusion of vows, wishes, actions, edicts, petitions, lawsuits, pleas, laws, proclamations, complaints, grievances, are daily brought to our ears. New books every day, pamphlets, currantoes, stories, whole catalogues of volumes of all sorts, new paradoxes, opinions, schisms, heresies, controversies in philosophy, religion &c. Now come tidings of weddings, maskings, mummeries, entertainments, jubilees, embassies, tilts and tournaments, trophies, triumphs, revels, sports, plays; then again, as in a new shifted scene, treasons, cheating tricks, robberies, enormous villanies in all kinds, funerals, burials, deaths of Princes, new discoveries, expeditions; now comical then tragical matters. To-day we hear of new Lords and officers created, to-morrow of some great men deposed, and then again of fresh honours conferred; one is let loose, another imprisoned; one purchaseth, another breaketh; he thrives, his neighbour turns bankrupt; now plenty, then again dearth and famine; one runs, another rides, wrangles, laughs, weeps &c. Thus I daily hear, and such like, both private and public news.37 And that way, Burton reminds us, that way madness lies…
Catharine Arnold (Bedlam: London and Its Mad)
Jack’s eyes glinted with humor. “Do we have to start with that?” “What else would we start with?” “Couldn’t you ask me something like, ‘How did your morning go?’ or ‘What’s your idea of the perfect day?’” “I already know what your idea of the perfect day is.” He arched a brow as if that surprised him. “You do? Let’s hear it.” I was going to say something flip and funny. But as I stared at him, I considered the question seriously. “Hmmn. I think you’d be at a cottage at the beach . . .” “My perfect day includes a woman,” he volunteered. “Okay. There’s a girlfriend. Very low-maintenance.” “I don’t know any low-maintenance women.” “That’s why you like this one so much. And the cottage is rustic, by the way. No cable, no wireless, and you’ve both turned off your cell phones. The two of you take a morning walk along the beach, maybe go for a swim. And you pick up a few pieces of seaglass to put in a jar. Later, you both ride bikes into the town, and you head for the outfitters shop to buy some fishing stuff . . . some kind of bait—” “Flies, not bait,” Jack said, his gaze not moving from mine. “Lefty’s Deceivers.” “For what kind of fish?” “Redfish.” “Great. So then you go fishing—” “The girlfriend, too?” he asked. “No, she stays behind and reads.” “She doesn’t like to fish?” “No, but she thinks it’s fine that you do, and she says it’s healthy for you to have separate interests.” I paused. “She packed a really big sandwich and a couple of beers for you.” “I like this woman.” “You go out in your boat, and you bring home a nice catch and throw it on the grill. You and the woman have dinner. You sit with your feet up, and you talk. Sometimes you stop to listen to the sounds of the tide coming in. After that, the two of you go on the beach with a bottle of wine, and sit on a blanket to watch the sunset.” I finished and looked at him expectantly. “How was that?” I had thought Jack would be amused, but he stared at me with disconcerting seriousness. “Great.” And then he was quiet, staring at me as if he were trying to figure out some sleight-of-hand trick.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Like A Rolling Stone" Once upon a time you dressed so fine You threw the bums a dime in your prime, didn't you? People'd call, say, "Beware doll, you're bound to fall" You thought they were all kiddin' you You used to laugh about Everybody that was hangin' out Now you don't talk so loud Now you don't seem so proud About having to be scrounging for your next meal How does it feel? How does it feel To be without a home Like a complete unknown Like a rolling stone? You've gone to the finest school all right, Miss Lonely But you know you only used to get juiced in it And nobody's ever taught you how to live out on the street And now you're gonna have to get used to it You said you'd never compromise With the mystery tramp, but now you realize He's not selling any alibis As you stare into the vacuum of his eyes And say do you want to make a deal? How does it feel? How does it feel To be on your own With no direction home A complete unknown Like a rolling stone? You never turned around to see the frowns on the jugglers and the clowns When they all did tricks for you You never understood that it ain't no good You shouldn't let other people get your kicks for you You used to ride on the chrome horse with your diplomat Who carried on his shoulder a Siamese cat Ain't it hard when you discover that He really wasn't where it's at After he took from you everything he could steal How does it feel? How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? Princess on the steeple and all the pretty people They're all drinkin', thinkin' that they got it made Exchanging all precious gifts But you'd better take your diamond ring, you'd better pawn it babe You used to be so amused At Napoleon in rags and the language that he used Go to him now, he calls you, you can't refuse When you ain't got nothing, you got nothing to lose You're invisible now, you got no secrets to conceal How does it feel How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? Bob Dylan, Highway 61 Revisited (1965)
Bob Dylan (Highway 61 Revisited)
Maybe nostalgia is itself the problem. A Democrat I met in Macon during a conversation we had about the local enthusiasm for Trump told me that “people want to go back to Mayberry”, the setting of the beloved old Andy Griffith Show. (As it happens, the actual model for Mayberry, Mount Airy, a bedraggled town in North Carolina, has gone all in on the Trump revolution, as the Washington Post recently reported.) Maybe it’s also true, as my liberal friends believe, that what people in this part of the country secretly long to go back to are the days when the Klan was riding high or when Quantrill was terrorizing the people of neighboring Kansas, or when Dred Scott was losing his famous court case. For sure, there is a streak of that ugly sentiment in the Trump phenomenon. But I want to suggest something different: that the nostalgic urge does not necessarily have to be a reactionary one. There is nothing un-progressive about wanting your town to thrive, about recognizing that it isn’t thriving today, about figuring out that the mid-century, liberal way worked better. For me, at least, that is how nostalgia unfolds. When I drive around this part of the country, I always do so with a WPA guidebook in hand, the better to help me locate the architectural achievements of the Roosevelt years. I used to patronize a list of restaurants supposedly favored by Harry Truman (they are slowly disappearing). And these days, as I pass Trump sign after Trump sign, I wonder what has made so many of Truman’s people cast their lot with this blustering would-be caudillo. Maybe what I’m pining for is a liberal Magic Kingdom, a non-racist midwest where things function again. For a countryside dotted with small towns where the business district has reasonable job-creating businesses in it, taverns too. For a state where the giant chain stores haven’t succeeded in putting everyone out of business. For an economy where workers can form unions and buy new cars every couple of years, where farmers enjoy the protection of the laws, and where corporate management has not been permitted to use every trick available to them to drive down wages and play desperate cities off one against the other. Maybe it’s just an impossible utopia, a shimmering Mayberry dream. But somehow I don’t think so.
Thomas Frank (Rendezvous with Oblivion: Reports from a Sinking Society)
A few hundred million years later, some of these eukaryotes developed a novel adaptation: they stayed together after cell division to form multicellular organisms in which every cell had exactly the same genes. These are the three-boat septuplets in my example. Once again, competition is suppressed (because each cell can only reproduce if the organism reproduces, via its sperm or egg cells). A group of cells becomes an individual, able to divide labor among the cells (which specialize into limbs and organs). A powerful new kind of vehicle appears, and in a short span of time the world is covered with plants, animals, and fungi.37 It’s another major transition. Major transitions are rare. The biologists John Maynard Smith and Eörs Szathmáry count just eight clear examples over the last 4 billion years (the last of which is human societies).38 But these transitions are among the most important events in biological history, and they are examples of multilevel selection at work. It’s the same story over and over again: Whenever a way is found to suppress free riding so that individual units can cooperate, work as a team, and divide labor, selection at the lower level becomes less important, selection at the higher level becomes more powerful, and that higher-level selection favors the most cohesive superorganisms.39 (A superorganism is an organism made out of smaller organisms.) As these superorganisms proliferate, they begin to compete with each other, and to evolve for greater success in that competition. This competition among superorganisms is one form of group selection.40 There is variation among the groups, and the fittest groups pass on their traits to future generations of groups. Major transitions may be rare, but when they happen, the Earth often changes.41 Just look at what happened more than 100 million years ago when some wasps developed the trick of dividing labor between a queen (who lays all the eggs) and several kinds of workers who maintain the nest and bring back food to share. This trick was discovered by the early hymenoptera (members of the order that includes wasps, which gave rise to bees and ants) and it was discovered independently several dozen other times (by the ancestors of termites, naked mole rats, and some species of shrimp, aphids, beetles, and spiders).42 In each case, the free rider problem was surmounted and selfish genes began to craft relatively selfless group members who together constituted a supremely selfish group.
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
Two fifty-five. It’s go time.” Chris unlocks the doors and gets out and hides behind an oak tree in the yard. My adrenaline is pumping as I hop out of Chris’s car, grab Kitty’s bike out of her trunk, and push it a few houses. Then I set it on the ground and drape myself over it in a dramatic heap. Then I pull out the bottle of fake blood I bought for this very purpose and squirt some on my jeans--old jeans I’ve been planning on giving to Goodwill. As soon as I see Trevor’s car approaching, I start to pretend sob. From behind the tree Chris whispers, “Tone it down a little!” I immediately stop sobbing and start moaning. Trevor’s car pulls up beside me. He rolls down the window. “Lara Jean? Are you okay?” I whimper. “No…I think I might have sprained my ankle. It really hurts. Can you give me a ride home?” I’m willing myself to tear up, but it’s harder to cry on cue than I would have thought. I try to think about sad things--the Titanic, old people with Alzheimer’s, Jamie Fox-Pickle dying--but I can’t focus. Trevor regards me suspiciously. “Why are you riding your bike in this neighborhood?” Oh no, I’m losing him! I start talking fast but not too fast. “It’s not my bike; it’s my little sister’s. She’s friends with Sara Healey. You know, Dan Healey’s little sister? They live over there.” I point to their house. “I was bringing it to her--oh my God, Trevor. Do you not believe me? Are you seriously not going to give me a ride?” Trevor looks around. “Do you swear this isn’t a trick?” Gotcha! “Yes! I swear I don’t have your name, okay? Please just help me up. It really hurts.” “First show me your ankle.” “Trevor! You can’t see a sprained ankle!” I whimper and make a show of trying to stand up, and Trevor finally turns the car off and gets out. He stoops down and pulls me to my feet and I try to make my body heavy. “Be gentle,” I tell him. “See? I told you I didn’t have your name.” Trevor pulls me up by my armpits, and over his shoulder Chris creeps up behind him like a ninja. She dives forward, both hands out, and claps them on his back hard. “I got you!” she screams. Trevor shrieks and drops me, and I narrowly escape falling for real. “Damn it!” he yells. Gleefully Chris says, “You’re done, sucker!” She and I high-five and hug. “Can you guys not celebrate in front of me?” he mutters. Chris holds her hand out. “Now gimme gimme gimme.” Sighing, Trevor shakes his head and says, “I can’t believe I fell for that, Lara Jean.” I pat him on the back. “Sorry, Trevor.” “What if I had had your name?” he asks me. “What would you have done then?” Huh. I never thought of that. I shoot Chris an accusing glare. “Wait a minute! What if he had had my name?” “That was a chance we were willing to take,” she says smoothly.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Each day, Luna's ability to break rules in new and creative ways was an astonishment to all who knew her. She tried to ride the goats, tried to roll boulders down the mountain and into the side of the barn (for decoration, she explained), tried to teach the chickens to fly, and once almost drowned in the swamp. (Glerk saved her. Thank goodness.) She gave ale to the geese to see if it made them walk funny (it did) and put peppercorns in the goat's feed to see if it would make them jump (they didn't jump; they just destroyed the fence). Every day she goaded Fyrian into making atrocious choices or she played tricks on the poor dragon, making him cry. She climbed, hid, built, broke, wrote on the walls, and spoiled dresses when they had only just been finished. Her hair ratted, her nose smudged, and she left handprints wherever she went
Kelly Barnhill (The Girl Who Drank the Moon)
Life is a bumpy ride. The trick is to relax, absorb the bumps - and learn to enjoy it.
Gary Hayden
I know what I should do.” “Oh?” “Yes. I should run away to Loire. I could…join a traveling show or something.” “I imagine folks would pay to see a noble who feeds pigs, massacres baskets, and runs a market stand,” Marie said. “I could learn how to ride a trick horse,” Cinderella said. “Of course.” “It would be a fine income,” Cinderella insisted. “Absolutely,” Marie said. The two girls stared at each other for a moment before erupting into laughter. “Y-you
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
The idea here is to stop your brain from wrongly interpreting the sensations of anxiety as a threat and instead to trick your anxious mind into an excited state, the same kind of arousal you might feel if you were riding a roller coaster.
Barry McDonagh (Dare: The New Way to End Anxiety and Stop Panic Attacks Fast)
She was wearing a hacking jacket and turtleneck, a riding hat tricked under her left arm. I wondered what the photo opportunity had been, and why she looked happy. She hated houses. Her hair was dark honey streaked with grey and cut in a soft, chin-length bob. It looked all wrong; my mother had had long hair for as long as I could remember. She had gained a few pounds. She looked younger and softer.
Nicola Griffith (Always (Aud Torvingen, #3))
Love doesn't stand in line waiting for its turn. It speeds along like a bullet train. You can either stand on the tracks and be run over, or you can jump on for the ride.
Ali Spooner (Hat Trick)
Silent Lucidity" Hush now, don't you cry Wipe away the teardrop from your eye You're lying safe in bed It was all a bad dream Spinning in your head Your mind tricked you to feel the pain Of someone close to you leaving the game of life So here it is, another chance Wide awake you face the day Your dream is over... or has it just begun? There's a place I like to hide A doorway that I run through in the night Relax child, you were there But only didn't realize and you were scared It's a place where you will learn To face your fears, retrace the years And ride the whims of your mind Commanding in another world Suddenly you hear and see This magic new dimension I- will be watching over you I- am gonna help you see it through I- will protect you in the night I- am smiling next to you, in Silent Lucidity (Visualize your dream) (Record it in the present tense) (Put it into a permanent form) (If you persist in your efforts) (You can achieve dream control) (Dream control) (How are we feeling today, better??) (Dream control, dream control) (Help me) If you open your mind for me You won't rely on open eyes to see The walls you built within Come tumbling down, and a new world will begin Living twice at once you learn You're safe from pain in the dream domain A soul set free to fly A round trip journey in your head Master of illusion, can you realize Your dream's alive, you can be the guide but... I- will be watching over you I- am gonna help to see it through I- will protect you in the night I- am smiling next to you.... Queensryche, Empire (1990)
Queensryche (The Very Best of Queensryche Songbook)
They had jet skis to hire at the beach club and we were clearly told the rules so there’s no excuse for Seb and Holly to ride past full throttle and cross in front just to splash me. If it’s not fun for everyone then it isn’t fun for anyone.
David Thorne (Wrap It In A Bit Of Cheese Like You're Tricking The Dog)
Some mornings I wake up and I sing while I'm getting ready. Or maybe I turn up the music and dance. On most days, I walk to school. Other days I take my bike, and every now and then my mind tricks me into thinking I'm just a regular girl out for a ride.
Jennifer Niven (All the Bright Places)
Your feelings of joy are not fake if you are having them! You are allowed to feel joy about sitting on the lap of a dog in a dream, and taking a ride in a van with open windows and sharing a seatbelt. God dammit, this is a gift from your fucking soul! Self-generate, don’t you see? Break the trap break the trap break the trap leave the trench! Activate the bomb in yourself and bust out, trick yourself out of that trench in any way you can!
Jenny Slate (Little Weirds)
The thing is, there are good days and bad days. I feel almost guilty saying they aren’t all bad. Something catches me off guard—a TV show, a funny one-liner from my dad, a comment in class—and I laugh like nothing ever happened. I feel normal again, whatever that is. Some mornings I wake up and I sing while I’m getting ready. Or maybe I turn up the music and dance. On most days, I walk to school. Other days I take my bike, and every now and then my mind tricks me into thinking I’m just a regular girl out for a ride.
Jennifer Niven (All the Bright Places)
Ever Wonder? by Stewart Stafford Ever wonder why the gales howl? Screams of the multitude departed, In all those mauling, biting attacks, Life numbed in interminable silence. Ever wonder why woods are tangled? Matted hair from a sprite's dwelling, To catch the lost, nosey and wandering, Their hair caught to make new tangles. Ever wonder how waves roll over white? Sea horses rising and diving underneath, The sun striking their wet necks glinting, A trick of the light of white horses riding. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
I feel so apart from these people. We’re the same age, but we’re different breeds. Different species entirely. While these motherfuckers were riding ponies and screaming at magicians, demanding more impressive tricks on their eighth birthdays, I was eating out of trash cans. When they were ten, they were going on vacations to The Hamptons and stuffing their faces on Maine’s finest lobster. Meanwhile, I was kneeling in a filthy back alley, shooting Narcan up my foster-carer David’s nose so he wouldn’t fucking OD and die. Apples. Oranges. I can never be like them. Understand them. Fuck, even tolerating them is going to be a challenge.
Callie Hart (Requiem)
Medicine’s great magic trick is how it convinces us we’re here saving lives when more often what we’re doing is witnessing death.
Kevin Hazzard (A Thousand Naked Strangers: A Paramedic's Wild Ride to the Edge and Back)
The ride into town reached funeral-procession levels of somberness.
Hailey Edwards (Old Dog, New Tricks (Black Dog, #3))
Son,” he’d said to Little Bad Wolf, “this road is just what we need. People always have plenty of food, and now they’ll be bringing it right into the forest. Why, tricking them out of food is easier than catching a three-legged rabbit. I’ll be back tonight with enough food to last us a week!” But
Timothy Tocher (Little Bad Wolf and Red Riding Hood (Newfangled Fairy Tales))
There was a full-sized seated skeleton in front of them on the steps. “The Walking Skeleton!” Benny said. Henry chuckled. “No, I guess you’d have to call it the Sitting Skeleton. It’s just sitting there as if it stopped to take a rest.” “I’m not afraid of Halloween tricks even when it’s not Halloween.” Benny scurried past the skeleton. Henry looked very serious. “Now I know someone is trying to scare us away from Skeleton Point again,” he said. “You’re probably right, Henry,” said Jessie. “But who could it be?” “William Mason and Hilda Stone,” said Benny, almost immediately. “They’re mean to us, and they don’t want us around.” “You’re right, Benny. Remember that man in town said William Mason wanted to buy Skeleton Point for himself? Maybe he’s mad at Charlotte for buying it first.” Jessie looked thoughtful. “What about Greeny?” she asked. “We know he doesn’t want us around, either--and we know he’s taking things from the house. Maybe he wants to scare us away so we won’t figure out what he’s up to. We should still keep an eye on him.” Henry agreed. “In fact, we should keep an eye on all of them.” When they returned to the house, the Aldens found that William had joined Hilda outside. Jessie waved. “Hi!” she called out, as if she had come straight from her errand across the lake. “Sorry we took so long. The hardware store was out of those light switches.” Hilda and William kept working. It seemed neither of them wanted to say anything. Finally Hilda spoke up. “Oh, it turns out we don’t need them after all.” William pushed back the brim of his red hat and checked his watch. “Half the day’s gone. I don’t see much use for you kids sticking around here. Hilda and I are doing some technical work Charlotte asked us to do--not something suitable for children.” “We know how to measure, too” Benny said. “I learned in kindergarten.” Hilda hesitated. “What we’re doing is a little more complicated than what you do in school. Now, why don’t you children go for a bike ride. Or a swim,” she suggested before going into the house. Henry turned to William. “We already went for a swim,” he said. “An unplanned one.” William didn’t say anything about untying the Alden’s boat, but he looked away and cleared his throat. “Well, then, go for a planned one this afternoon. Take tomorrow off, too. Everything’s under control here.” Before William turned to go into the house, the Aldens looked down. Just as they suspected, William was wearing heavy work boots that left deep prints just like the ones near the statue. The Mystery at Skeleton Point
Gertrude Chandler Warner (The Boxcar Children Halloween Special (The Boxcar Children Mysteries))
When summer began, I headed out west. My parents had told me I needed a rest. “Your imagination,” they said, “is getting too wild. It will do you some good to relax for a while.” So they put me aboard a westbound train. To visit Aunt Fern in her house on the plains. But I was captured by cowboys, A wild-looking crowd. Their manners were rough and their voices were loud. “I’m trying to get to my aunt’s house,” I said. But they carried me off to their cow camp instead. The Cattle Boss growled, as he told me to sit, “We need a new cowboy. Our old cowboy quit. We could sure use your help. So what do you say?” I thought for a minute, then I told him, “Okay.” Then I wrote to Aunt Fern, so she’d know where I’d gone. I said not to worry, I wouldn’t be long. That night I was given a new set of clothes. Soon I looked like a wrangler from my head to my toes. But there’s more to a cowboy than boots and a hat, I found out the next day And the day after that Each day I discovered some new cowboy tricks. From roping And riding To making fire with sticks. Slowly the word spread all over the land. “That wrangler ‘Kid Bleff’ is a first-rate cowhand!” The day finally came when the roundup was through. Aunt Fern called: “Come on over. Bring your cowboys with you.” She was cooking a barbecue that very same day. So we cleaned up (a little) and we headed her way. The food was delicious. There was plenty to eat. And the band that was playing just couldn’t be beat. But suddenly I noticed a terrible sight. The cattle were stirring and stamping with fright. It’s a scene I’ll remember till my very last day. “They’re gonna stampede!” I heard somebody say. Just then they came charging. They charged right at me! I looked for a hiding place-- A rock, or a tree. What I found was a tablecloth spread out on the ground. So I turned like a matador And spun it around. It was a new kind of cowboying, a fantastic display! The cattle were frightened and stampeded…away! Then the cowboys all cheered, “Bleff’s a true buckaroo!” They shook my hand and slapped my back, And Aunt Fern hugged me, too. And that’s how I spent my summer vacation. I can hardly wait for show-and-tell!
Mark Teague (How I Spent My Summer Vacation (Dragonfly Books))
But there’s a cheaper way to enjoy the con, and that is to take advantage of all the other factors that “trick” us into enjoying wine more. Like Troy Carter, you can ride to Napa and walk the vineyards before you buy a bottle. If you don’t live near wine country, you can talk to the manager of a wine store about the wines she loves. A nice pair of wine glasses, candles, and a picnic in a beautiful park all lend wine a refined air. All these strategies take advantage of the psychological biases that lead us to enjoy the same wine more than we would in other circumstances. And they do so without the rarefied price tag.
Priceonomics (Everything Is Bullshit: The greatest scams on Earth revealed)
Wait a goddamn minute!” Rick snapped. “You have to tell me about the fucking spaceship!” “Will your ride be waiting?” Jerry asked. “He’ll wait!” “Well, okay then. I was camping with a couple of friends. We were in Arizona, way out in the middle of nowhere. We’d been in Sedona, but we moved out into the desert. When my friends woke up in the morning, I was gone. I woke up—I don’t know when—inside this spaceship. I had no memory of being snatched. It was like silver glass on the inside and the people—the aliens—had on suits that covered them from head to toe, breathing like Darth Vader, and I was stripped bare and lying out on a silver table. They were studying me and poking at me and talking in what sounded like high-pitched squeaks. Like dolphins. “My friends got a search party going back in Arizona, but after two weeks of not being able to find me, they all gave up the search. They assumed I’d wandered off and died in the desert. But at some point, again in a total blackout, I found myself back in the desert of Arizona—alone. A park ranger found me and picked me up. The story goes that I wandered off from our camp and hallucinated due to dehydration, but that isn’t what happened.” “Maybe it did,” Rick said. Jerry shook his head. “I wasn’t dehydrated. And after weeks of being missing in the desert, my clothes weren’t damaged. Not torn or dirty or anything.” He looked at his watch. “I’ve researched—mine is not the lone account of such a thing. I’ll be glad to give you what other details I can remember at the end of our next session, if you’re interested.” Rick sat back in his chair and just stared at the guy. “How often does this spaceship trick work for you?” Jerry grinned. “Every time.” *
Robyn Carr (Paradise Valley)
Watching him pace around these homes, a twinkle in his eye, it struck me that this need to adapt to nature is what drives some people mad about renewables: even at a very large scale, they require a humility that is the antithesis of damming a river, blasting bedrock for gas, or harnessing the power of the atom. They demand that we adapt ourselves to the rhythms of natural systems, as opposed to bending those systems to our will with brute force engineering. Put another way, if extractive energy sources are NFL football players, bashing away at the earth, then renewables are surfers, riding the swells as they come, but doing some pretty fancy tricks along the way.
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
It had been a boy’s trick, Jerott remembered. Standing bareback on your father’s horses; somersaulting, chariot-riding. Francis, buried in books, had never publicly attempted it. What private practice, Jerott wondered fleetingly, had gone into that?
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
You can trick out a milk cow in crupper, crinet, and chamfron, and bard her all in silk, but that dosen't mean that you can ride her into battle.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Fire and Ice #3, Part 1 of 2))
A man riding a horse rode into town on Friday. He stayed for two days and rode out on Friday.  Why is this possible??
OyoKids Publications (Riddles and Brain Teasers: 300 Riddles and Trick Questions for Kids and Family (Riddles Series Book 4))
Take that absurd fool Elipas Levi who was supposed to be the Grand High Whatnot in Victorian times. Did you ever read his book, The Doctrine and Ritual of Magic? In his introduction he professes that he is going to tell you all about the game and that he’s written a really practical book, by the aid of which anybody who likes can raise the devil, and perform all sorts of monkey tricks. He drools on for hundreds of pages about fiery swords and tetragrams and the terrible aqua poffana, but does he tell you anything? Not a blessed thing. Once it comes to a showdown he hedges like the crook he was and tells you that such mysteries are far too terrible and dangerous to be entrusted to the profane. Mysterious balderdash my friend. I’m going to have a good strong nightcap and go to bed.
Dennis Wheatley (The Devil Rides Out (Black Magic, #1))
Life's Just a Day Sunrise over fields, golden waves of grain, Tractor trails and morning dew, simple and plain. Life's just a day, on this old family farm, Where the rooster's crow, is our wake-up alarm. Yeah, shit happens, out here in the sticks, But we patch it up, with our country tricks. Oh-oh, life's just a day, it's a wild, wild ride, Shit happens, yeah, but we take it in stride. We love, we lose, but we still find our way, Oh-oh, life's just a day, and we're okay. Oh-oh, life's just a day, and we're okay. Barn dances at night, under a silver moon, Harvests that come, none too soon. Needed you more, but you gave me less, Now I'm sowing seeds, of newfound happiness. Yeah, shit happens, even when you plow straight, But we learn to bend, before it's too late. Oh-oh, life's just a day, it's a wild, wild ride, Shit happens, yeah, but we take it in stride. We love, we lose, but we still find our way, Oh-oh, life's just a day, and we're okay. Oh-oh, life's just a day, and we're okay. Through the dust and the dirt, we find our way, With the strength of the earth, we build our day. And when the sun sets, painting the sky, We'll remember the day, with a satisfied sigh. Oh-oh, life's just a day, it's a wild, wild ride, Shit happens, yeah, but we take it in stride. We love, we lose, but we still find our way, Oh-oh, life's just a day, and we're okay. Oh-oh, life's just a day, and we're okay. Life is but a day, and it's fleeting, they say, But in every furrow, there's a chance to sway. To the rhythm of the land, to the heartbeat of life, Through the good and the bad, the peace and the strife.
James Hilton-Cowboy
He saw El Lagartijo—“The Lizard”—one of the most famous bullfighters in Spain, and he met Cara Ancha, the celebrated Andalusian matador. When he was only nine years old, Pablo completed his first painting, Le Picador, a portrait of a man riding a horse in the bullring. Two years later, Pablo’s family moved to a new town, La Coruña, on Spain’s Atlantic coast. Don José got a job as an art teacher at the local college. Even though he was much younger than the other students, Pablo enrolled in his father’s class. He also took courses in figure drawing and landscape painting. By the time he turned thirteen, Pablo’s skill level had surpassed his father’s. Don José was so impressed that he handed his son his brushes and vowed never to paint again. When Pablo was fourteen years old, his family moved again, this time to Barcelona, where Pablo enrolled in the prestigious School of Fine Arts. His teachers quickly noticed his skills and allowed him to skip two grades. But just as in Málaga, Pablo had trouble adhering to the school’s rules. Before long he was back to his old tricks, cutting class so that he could wander the city streets, sketching interesting scenes that he observed along the way. Pablo repeated this behavior at his next school, the Royal Academy of San Fernando in Madrid. This time, Pablo’s father refused to tolerate his son’s antics and stopped his allowance. At age sixteen, Pablo found himself on his own for the first time, forced to support himself on nothing but his artistic ability. It has been said that the older Pablo grew, the more childlike his art became. During some periods he painted almost entirely in blue or depicted only circus performers.
David Stabler (Kid Legends: True Tales of Childhood from the Books Kid Artists, Kid Athletes, Kid Presidents, and Kid Authors)
I would say to any young woman, you're being lied to. Who is making money off this? You're being lied to and you're being tricked off your path... You've got awesome things coming your way. Just stay on your path and just ride it out. Some people are afraid they'll lose their job or never get a job or not get a mate or no one's going to listen to them or whatever... And that fear, my position is, that fear existed before their face started changing. I'm just somebody who got myself on the other side of what that fear was for me in particular, and I'm just sharing what worked for me... Lots of ways to get there, but for anyone who wants to get free.
Justine Bateman
All day long, I have to watch these monitors.” Robby turned to me. “You know we put cameras everywhere, right? Whatever you two do outside, I’m watching it. If he gives you a piggyback ride. If he helps you in the garden. If he shows you tricks on the horse, or he teaches you how to do a handstand, or he stares at you when you aren’t looking.” Wait. Jack stared at me when I wasn’t looking?
Katherine Center (The Bodyguard)
It doesn’t take long to get to Tanforan, but it feels like hours. I spend the ride unfolding and refolding the last piece of origami, following the creases Dad made years ago, a rabbit appearing and disappearing in my hands like a magic trick. There and gone. There and gone. We see the barbed wire first. The chatter in the bus quiets. The fence seems ten feet tall, with guard towers at regular intervals, like it’s a prison. Like we’re criminals. Then the grandstand, the muddy racetrack, the tarpaper
Traci Chee (We Are Not Free)
I stop thinking that overworking, overmanaging, over-volunteering is necessary for my part of the world to keep running. For everyone I care about to be okay. It turns out that the universe is requesting a much more manageable amount of contribution from me. A kind of spiritual arrogance where I put myself at the center holding things up. In fact, it has happened that when I do less, more good has actually opened up for me. Go figure. Like a spiritual magic trick instead and the best kind. If I’m not spending time trying to figure out how to help, how to make things better, how to get more done by myself, that leaves chunks of time to ponder doing something else. Like – something fun. Suddenly hobbies are possible. Time opens up to sit still on my back deck watching the flowers grow. Reading a good book just because. And the more I let myself try those things, the more fun things I think up to do. Kayaking on the lake, learning to ride a bike again. Yeah, you heard me, learning to ride a bike. Turns out that old cliché is wrong – at least with me. Even better is the payoff I didn’t expect. When things didn’t crash to the ground without me driving the bus, and weirdly even got better, I felt more like I was a part of the universe. I was snugly fit somewhere in the middle as just a piece of everything. I was never meant to try and take on so much. What a relief. I am just a passenger on the bus and I don’t need to know where I’m headed. I didn’t anyway, only raising my anxiety and probably my meddling. I was able to give myself permission to hang back, do less and still know I’d done my part. Go enjoy the rest of life. And that’s exactly what I’m setting out to do. Maybe a little later than most, but all we have is the day we’re in so – it’s never too late. Next week I’ll be sitting among the redwoods listening to the sea far below. More adventures to follow. AUTHOR NOTES - MICHAEL ANDERLE AUGUST 25, 2021 Thank you for not only reading this book, but this entire series and these author notes as well.
Martha Carr (Dwarfin’ Done (Dwarf Bounty Hunter #12))
I could trick him into taking me for a ride,” I said. “You could follow us in your truck. Then you could—” “No,” Will said sharply. “You’d go over the cliff with him, Cynda.” “I’d jump out before it went over the edge,” I said quickly. “Like people do in movies.” How actors did things like that I had no idea, but it didn’t matter. If I had to die to destroy Vincent, I would. Anything—even death—would be better than being his forever.
Mary Downing Hahn (Look for Me by Moonlight)
This is my best friend right here. My ride or die.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
I wrote this book between the spring of 2017 and the fall of 2018—a period during which American identity, culture, technology, politics, and discourse seemed to coalesce into an unbearable supernova of perpetually escalating conflict, a stretch of time when daily experience seemed both like a stopped elevator and an endless state-fair ride, when many of us regularly found ourselves thinking that everything had gotten as bad as we could possibly imagine, after which, of course, things always got worse.
Jia Tolentino (Trick Mirror)
McNaughtlebean. In truth, she only came to mind when riding our bikes past her house or at Halloween. Could I have been the first person to think of trick-or-treating at her house, dare or not?
Marie Shaw (The Witch's House: A Halloween Story for Kids Ages 7-9 Children)
Do you like horses?" "Truth be told, the only thing I love more is dragons." Wren whistles, and a whinny resounds throughout the air. I spin around, marveling as a horse gallops through the field of jasmine. She's like a bolt of obsidian in a blanket of white, her breaths like little gusts of wind. She rears several times once she's next to Wren, stomping her front hooves until he reaches out to pet her. "This is Nerra. She will take us where we must go." Like an acrobat performing a trick for the umpteenth time, Wren hops onto Nerra's back effortlessly. He reaches a hand out to me, and I climb on. He places my hands around his waist, and I swallow hard. "Hold on tight. You're in for a treat," he says. On the count of three, he kicks Nerra into a gallop. The horse is like a dragon bound to the earth. Her gait is smooth, her gallop so strong it practically feels like she's trying to take flight with each stride. I hold on tightly to Wren. We head north. Dressed in bright garments that appear to be dipped in a ray of sunlight, Emerald flitters around as we enter a field of daisies. "Hi," Wren says. "We're on our way to see Omniscius." Emerald gives a graceful nod, following behind Nerra with several other fairies. Much to my delight, as we exit the field of daisies and encroach on a field of red roses, the fairies' beautiful yellow garments turn red. Wren's shirt and my dress do the same.
Khalia Moreau (The Princess of Thornwood Drive)
Maybe this is the case for many of us: No matter who we become or what we accomplish, we still feel that we’re essentially the kid we were at some simpler time long ago. Somehow that’s the trick of leadership, too, I think, to hold on to that awareness of yourself even as the world tells you how powerful and important you are. The moment you start to believe it all too much, the moment you look yourself in the mirror and see a title emblazoned on your forehead, you’ve lost your way.
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
Medicine’s great magic trick is how it convinces us we’re here saving lives when more often what we’re doing is witnessing death. Over time, shock wears thin, empathy recedes, and a human being becomes nothing more than something I carry home in the tread of my right boot. This is my new normal, the resting heart rate of my psyche. It’s my state of mind as I wonder whether this job’s worth it.
Kevin Hazzard (A Thousand Naked Strangers: A Paramedic's Wild Ride to the Edge and Back)
wrote this book between the spring of 2017 and the fall of 2018—a period during which American identity, culture, technology, politics, and discourse seemed to coalesce into an unbearable supernova of perpetually escalating conflict, a stretch of time when daily experience seemed both like a stopped elevator and an endless state-fair ride, when many of us regularly found ourselves thinking that everything had gotten as bad as we could possibly imagine, after which, of course, things always got worse.
Jia Tolentino (Trick Mirror)
He then pointed to the right, and I turned to look. Exactly on cue, something massive came around the corner: a snaking, vehicular army that included a phalanx of police cars and motorcycles, a number of black SUVs, two armored limousines with American flags mounted on their hoods, a hazmat mitigation truck, a counterassault team riding with machine guns visible, an ambulance, a signals truck equipped to detect incoming projectiles, several passenger vans, and another group of police escorts. The presidential motorcade. It was at least twenty vehicles long, moving in orchestrated formation, car after car after car, before finally the whole fleet rolled to a quiet halt, and the limos stopped directly in front of Barack’s parked plane. I turned to Cornelius. “Is there a clown car?” I said. “Seriously, this is what he’s going to travel with now?” He smiled. “Every day for his entire presidency, yes,” he said. “It’s going to look like this all the time.” I took in the spectacle: thousands and thousands of pounds of metal, a squad of commandos, bulletproof everything. I had yet to grasp that Barack’s protection was still only half-visible. I didn’t know that he’d also, at all times, have a nearby helicopter ready to evacuate him, that sharpshooters would position themselves on rooftops along the routes he traveled, that a personal physician would always be with him in case of a medical problem, or that the vehicle he rode in contained a store of blood of the appropriate type in case he ever needed a transfusion. In a matter of weeks, just ahead of Barack’s inauguration, the presidential limo would be upgraded to a newer model—aptly named the Beast—a seven-ton tank disguised as a luxury vehicle, tricked out with hidden tear-gas cannons, rupture-proof tires, and a sealed ventilation system meant to get him through a biological or chemical attack.
Michelle Obama (Becoming)
Maybe this is the case for many of us: No matter who we become or what we accomplish, we still feel that we’re essentially the kid we were at some simpler time long ago. Somehow that’s the trick of leadership, too, I think, to hold on to that awareness of yourself even as the world tells you how powerful and important you are.
Robert Iger (The Ride of a Lifetime: Lessons in Creative Leadership from 15 Years as CEO of the Walt Disney Company)
The dynamics between a CEO and the next person in line for his or her job are often fraught, though. We all want to believe we're irreplaceable. The trick is to be self-aware enough that you don't cling to the notion that you are the only person who can do this job.
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
the sun was riding low, casting everything in that shade of gold that hundreds of horror movies set in middle America have conditioned me to think of as the color of apocalypse.
Seanan McGuire (Tricks for Free (InCryptid #7))
immediately forthcoming. Sheridan did all he could to meet the treaty obligations. "An abundant supply of rations is usually effective to keep matters quiet in such cases," he wrote in his Memoirs, "so I fed them pretty freely." The Indians had food in any case, for the buffalo still roamed the plains, despite the herds killed by Cody and other professional hunters. The Indians themselves were responsible for some of the slaughter inflicted on the buffalo. On occasion they would stampede a herd over a cliff, to pile up in heaps of meat. A German visitor to the plains in 1853, Baron Mollhausen, described the typical Indian buffalo hunt: "The buffalo has many enemies, but the most dangerous is still the Indian who has all manner of wily tricks. Buffalo hunting for the Indian is a necessity; but it is also his favorite pastime. Life holds no higher pleasure than to mount one of the handy, patient little ponies ... and gallop into a herd dealing death and destruction. Everything which might interfere with the movements of man or horse is flung away. Clothing and saddle are cast aside; all the rider retains is a big leather strap ... which is fastened around the pony's neck and allowed to trail behind. This trailrope acts as a bridle, and as a life-line too, for recapturing the horse should its rider be dismounted. In his left hand the hunter carries his bow and as many arrows as he can hold; in his right a whip with which he belabors his beast without pity. Indian ponies are trained to gallop close alongside the buffalo, providing an easy shot; the instant the bow twangs the pony instinctively dodges to escape the buffalo's horns, and approaches another victim. Thus the hunt continues until his pony's exhaustion warns the hunter to desist." Buffalo Bill often followed the Indian's hunting tactics closely, riding in near his target, bareback and with only a bridle to control his mount. Originally the several species of bison ranged from the Great Slave Lake in Canada to the Chihuahua in Mexico; they were also found in northern Nevada and eastern Oregon. Sometimes in pre-Columbian days they wandered into the grasslands of Kentucky, Tennessee, and even as far east as Ohio. A few may even have migrated as far as the shores of Lake
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Suddenly his mind played a trick on him. He imagined her, not on the deck beside him, but in a ballroom, in a beautiful ball gown. His heart turned over hard, then thundered. Good God, she would be so beautiful . . . For a moment, speech failed him. She would have a dozen suitors, he realized, still stunned. “Amanda,” he heard himself say, his gaze holding hers “when you come out, I must insist on the first dance.” “You want the first dance?” she gasped. He tore his gaze away, shaken by the possessive desire that had arisen. “I do. In fact, I will make certain to be in London for your first ball—if you promise me that dance.” She turned away, incredulous, but the rope between them went taut. “Of course,” she said breathlessly. Then she faced him, still surprised. “But why?” “Are you not my protégée?” he asked, trying to sound casual. But he knew that she would be too beautiful to resist in a ball gown, whirling about the floor in a gentleman’s arms. It flashed through his mind that he might not be that pleased when she was introduced into society, because no gentleman would be immune to her beauty. And suddenly he wanted that first dance very badly—suddenly he ached for it. He glanced at her through his lashes. “Is it not my right to dance with you before all others?” he asked softly, unable to help himself. He could not control himself. They were standing near the helm in gale winds, the deck rocking heavily beneath their feet, and he was thinking of this woman, her beauty, her allure and his passion, not the storm. He knew he would feel as intensely passionate dancing with her as he would if he allowed himself to take her to his bed. She began to smile. “I am clumsy,” she warned. He laughed, relieved by her absurd comment. “Impossible. You are light on your feet—we locked swords, remember? I know you will excel at dancing, just as you will excel at all of your current studies.” She suddenly lowered her dark lashes. “Very well. I will allow you the first dance—if you allow me to ride the storm here with you.” “Absolutely not!” he shouted, aghast. “I do not need you going overboard, either!” She pulled on the rope binding them, then gave him a sideling, seductive look. “I can hardly fall overboard now.” He shook his head, furious with her for daring to use that dance against him, and glanced at the high, white foam of the seas. The horizon ahead was now pitch-black, a sight he did not care for. He turned back to her. “I will not barter for that dance,” he warned. He was going to have it, no matter what she now intended.
Brenda Joyce (A Lady At Last (deWarenne Dynasty, #7))