Tribute To Teachers Quotes

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I have learned so many things over the long years," he whispered..."I've taken tribute from sovereigns and witnessed the end of empires. But you are my best teacher.
Thea Harrison (Dragon Bound (Elder Races, #1))
But in school I remember hearing that for the second Quarter Quell, the Capitol demanded that twice the number of tributes be provided for the arena. The teachers didn't go into much more detail, which is surprising, because that was the year District 12's very own Haymitch Abernathy won the crown.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
Tom Robbins
As a boy, I never knew where my mother was from---where she was born, who her parents were. When I asked she'd say, "God made me." When I asked if she was white, she'd say, "I'm light-skinned," and change the subject. She raised twelve black children and sent us all to college and in most cases graduate school. Her children became doctors, professors, chemists, teachers---yet none of us even knew her maiden name until we were grown. It took me fourteen years to unearth her remarkable story---the daughter of an Orthodox Jewish rabbi, she married a black man in 1942---and she revealed it more as a favor to me than out of any desire to revisit her past. Here is her life as she told it to me, and betwixt and between the pages of her life you will find mine as well.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
But in school I remember hearing that for the second Quarter Quell, the Capitol demanded that twice the number of tributes be provided for the arena. The teachers didn’t go into much more detail, which is surprising, because that was the year District 12’s very own Haymitch Abernathy won the crown.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
But to make things even worse, this is the year of the Seventy-fifth Hunger Games, and that means it’s also a Quarter Quell. They occur every twenty-five years, marking the anniversary of the districts’ defeat with over-the-top celebrations and, for extra fun, some miserable twist for the tributes. I’ve never been alive for one, of course. But in school I remember hearing that for the second Quarter Quell, the Capitol demanded that twice the number of tributes be provided for the arena. The teachers didn’t go into much more detail, which is surprising, because that was the year District 12’s very own Haymitch Abernathy won the crown.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Striding up to Jesus in full view of everyone present, they ask, “Teacher, we know that you are true, that you teach the way of God in truth, and that you show deference for no man. Tell us: Is it lawful to pay the tribute to Caesar or not?” This is no simple question, of course. It is the essential test of zealotry. Ever since the uprising of Judas the Galilean, the question of whether the Law of Moses permitted paying tribute to Rome had become the distinguishing characteristic of those who adhered to zealot principles. The argument was simple and understood by all: Rome’s demand for tribute signaled nothing less than a claim of ownership over the land and its inhabitants. But the land did not belong to Rome. The land belonged to God. Caesar had no right to receive tribute, because he had no right to the land. In asking Jesus about the legality of paying tribute to Rome, the religious authorities were asking him an altogether different question: Are you or are you not a zealot? “Show me a denarius,” Jesus says, referring to the Roman coin used to pay the tribute. “Whose image is this and whose inscription?” “It is Caesar’s,” the authorities reply. “Well, then, give back to Caesar the property that belongs to Caesar, and give back to God the property that belongs to God.
Reza Aslan (Zealot: The Life and Times of Jesus of Nazareth)
Try to fancy poor Jesus, for example, coming to life again (actually, not doctrinally), and learning that he was the founder, the teacher, the exemplar, the very God of Christendom; fancy him searching for some trait of his own life and ruling principles in the lives and ruling principles of the millions who call themselves Christians; fancy him in spiritual communion with the Pope, the cardinals, the bishops (though their lackeys would never admit him to the presence of any of these), the most prominent ministers of the various Christian sects. He would find himself an outcast in his nominal kingdom, denounced and reviled as a madman, an idiot, an impostor; the moral and intellectual life of Christendom would be as alien and bewildering to him as its steamboats and railways and telegraphs. Paul and the other early apostles, the ancient heathenisms of Greece and Rome, of the East and the West, old philosophies and older superstitions, national characteristics, physical and other circumstances, the growth of science, the ever-varying conditions of life and modes of thought; everything, in brief, affecting the character of the converts, has affected the religion. By the time a doctrine gets embodied in a Church or other institution, its original spirit has nearly vanished. Its progress may be well compared to the course of a great river, rivers being remarkably convenient things for all such analogies. Some remotest mountain–rill or rocky well–spring has the honour of being termed its source; and the name of this tiny trickling is borne triumphant down a thousand broadening leagues to the sea. The rill is soon joined by others, each very like itself. As it flows onward, ever descending (for this is the universal law), it is joined by streamlets and rivers more and more unlike itself, they having flowed through unlike soils and regions; and more than one may be greater than itself, as the Missouri is greater than the Mississippi; and its own original waters are more and more modified by the new and various districts they traverse. As it proceeds, growing deeper and wider, villages and towns arise on its banks, and it receives copious tribute not merely of natural streams, but likewise of sewage and the pestilent refuse abominations of manifold factories and wharves. When it is become a mighty river, crowded with ships and bordered by some wealthy and populous capital, it may be a mere open cloaca maxima; and at any rate it must be as dissimilar in the quality of its waters as in their quantity and surroundings from the pure rill of the mountain solitudes, from the pure brook of the woodland shadows and pastoral peace. The waters actually from the fountain-head are but an insignificant drop in the vast and composite volumes of the thick bronze or yellow flood which finally disembogues through fat flat lowlands, in several devious channels with broad stretches of marsh and lagoon, into the immense purifying laboratory of the untainted salt sea. The remote rill-source is Christ or Mohammed, the mighty river is the Christian or Mohammedan Church; the sea in all cases is the encompassing ocean of death and oblivion, which makes life possible by preserving the earth from putrefaction.
James Thomson
East Side High became well known some years ago when its former principal, a colorful and controversial figure named Joe Clark, was given special praise by U.S. Education Secretary William Bennett. Bennett called the school “a mecca of education” and paid tribute to Joe Clark for throwing out 300 students who were thought to be involved with violence or drugs. “He was a perfect hero,” says a school official who has dinner with me the next evening, “for an age in which the ethos was to cut down on the carrots and increase the sticks. The day that Bennett made his visit, Clark came out and walked the hallways with a bullhorn and a bat. If you didn’t know he was a principal, you would have thought he was the warden of a jail. Bennett created Joe Clark as a hero for white people. He was on the cover of Time magazine. Parents and kids were held in thrall after the president endorsed him. “In certain respects, this set a pattern for the national agenda. Find black principals who don’t identify with civil rights concerns but are prepared to whip black children into line. Throw out the kids who cause you trouble. It’s an easy way to raise the average scores. Where do you put these kids once they’re expelled? You build more prisons. Two thirds of the kids that Clark threw out are in Passaic County Jail. “This is a very popular approach in the United States today. Don’t provide the kids with a new building. Don’t provide them with more teachers or more books or more computers. Don’t even breathe a whisper of desegregation. Keep them in confinement so they can’t subvert the education of the suburbs. Don’t permit them ‘frills’ like art or poetry or theater. Carry a bat and tell them they’re no good if they can’t pass the state exam. Then, when they are ruined, throw them into prison. Will it surprise you to be told that Paterson destroyed a library because it needed space to build a jail?
Jonathan Kozol (Savage Inequalities: Children in America's Schools)
Tribute: Nelson Mandela Tonight, I salute not the sun. Tonight, I salute not the stars. Tonight, I laud a hero. Tonight, I extol a legend. Tonight, I hail Nelson Mandela. "He came from the sky," some say. "He came from the stars," others claim. "He came from Heaven," many declare. "He came from God," all affirm. Madiba, you are my teacher. Madiba, you are my elder. You are my father. You are my hero. I won't break even if they imprison me. I won't shake even if they threaten me. I won't weep even if they kill me. I won't yield even if they assassinate me. You are our symbol of courage. You are our emblem of hope. You are our model of faith You are our paragon of love. You are our champion. You are our hero. You are our legend. We fight for you. We suffer for you. We are even prepared to die for you. You opened our eyes. You opened our ears. You opened our minds. You opened our hearts. How sharp your mind was. How strong your heart was. How pure your soul was. You were a fox, you were a lion, but you were also a dove. Long live Madiba, Africa remembers you! Long live Madiba, Africa honors you! Long live Madiba, Africa celebrates you! Long live Madiba, the world loves you!!!
Matshona Dhliwayo
they had no rest or content therein, and they desired now wealth and dominion in Middle-earth, since the West was denied. Great harbours and strong towers they made, and there many of them took up their abode; but they appeared now rather as lords and masters and gatherers of tribute than as helpers and teachers. And the great ships of the Númenóreans were borne east on the winds and returned ever laden, and the power and majesty of their kings were increased; and they drank and they feasted and they clad themselves in silver and gold.
J.R.R. Tolkien (The Silmarillion)
Other similarities between the Mexican and Christian religions include baptism and the end-of-October festival of "All Souls" or "All Saints Day." The Mexican fast for 40 days as a tribute to the god was essentially the same as the fasting of Jesus "forty days upon a mountain." Also, like Jesus (Rev. 22:16) and Lucifer (Is. 14:12: "Helel, son of the dawn"), the Mexican god Quetzalcoatl was the "morning star." Furthermore, the Mexicans revered the cross, upon which their god was nailed. Likewise, the Mexican Mother and Child were adored, and many Mexican sayings find their equivalents in the Judeo-Christian bible. Moreover, the Mexican priesthood was startlingly similar to that of Catholicism, with "fathers" who acted as confessors listening to penitents' sin and who prescribed prayers, penance and fasting. 14 Like that of Catholicism, the Mexican priesthood exacted tithes in order to support itself, and priests and nuns constituted the populace's teachers.15
D.M. Murdock (Suns of God: Krishna, Buddha and Christ Unveiled)