Trees Are The Lungs Of The Earth Quotes

Who am I? the monster repeated, still roaring. I am the spine that the mountains hang upon! I am the tears that the rivers cry! I am the lungs that breathe the wind! I am the wolf that kills the stag, the hawk that kills the mouse, the spider that kills the fly! I am the stag, the mouse and the fly that are eaten! I am the snake of the world devouring its tail! I am everything untamed and untameable! It brought Conor up close to its eye. I am thils wild earth, come for you, Conor O'Malley. "You look like a tree," Conor said.

Fifteen years ago I had an odd dream. In it, a medicinal plant that I was interested in, an Usnea lichen that is ubiquitous on trees throughout the world, told me that while it was good for healing human lungs it was primarily a medicine for the lungs of the planet, the trees. When I awoke, I was amazed. It had never occurred to me in quite that way that plants have some life and purpose outside their use to human beings.

It is worse, much worse, than you think. The slowness of climate change is a fairy tale, perhaps as pernicious as the one that says it isn’t happening at all, and comes to us bundled with several others in an anthology of comforting delusions: that global warming is an Arctic saga, unfolding remotely; that it is strictly a matter of sea level and coastlines, not an enveloping crisis sparing no place and leaving no life undeformed; that it is a crisis of the “natural” world, not the human one; that those two are distinct, and that we live today somehow outside or beyond or at the very least defended against nature, not inescapably within and literally overwhelmed by it; that wealth can be a shield against the ravages of warming; that the burning of fossil fuels is the price of continued economic growth; that growth, and the technology it produces, will allow us to engineer our way out of environmental disaster; that there is any analogue to the scale or scope of this threat, in the long span of human history, that might give us confidence in staring it down. None of this is true. But let’s begin with the speed of change. The earth has experienced five mass extinctions before the one we are living through now, each so complete a wiping of the fossil record that it functioned as an evolutionary reset, the planet’s phylogenetic tree first expanding, then collapsing, at intervals, like a lung: 86 percent of all species dead, 450 million years ago; 70 million years later, 75 percent; 125 million years later, 96 percent; 50 million years later, 80 percent; 135 million years after that, 75 percent again. Unless you are a teenager, you probably read in your high school textbooks that these extinctions were the result of asteroids. In fact, all but the one that killed the dinosaurs involved climate change produced by greenhouse gas. The most notorious was 250 million years ago; it began when carbon dioxide warmed the planet by five degrees Celsius, accelerated when that warming triggered the release of methane, another greenhouse gas, and ended with all but a sliver of life on Earth dead. We are currently adding carbon to the atmosphere at a considerably faster rate; by most estimates, at least ten times faster. The rate is one hundred times faster than at any point in human history before the beginning of industrialization. And there is already, right now, fully a third more carbon in the atmosphere than at any point in the last 800,000 years—perhaps in as long as 15 million years. There were no humans then. The oceans were more than a hundred feet higher.

We were on the Congo’s eastern edge and, as the helicopter climbed higher, I could see nothing but an unbroken spread of vegetation. I was looking at the Congo’s rainforest, one of the natural wonders of the world. Conservationists describe it as one of the Earth’s lungs, an immense expanse of oxygen-generating green, matched in size only by the Amazonian rainforest. Explorers recorded it as one of the most impenetrable and hostile environments on the planet – as clammy as a pressure cooker, thick with disease, capped by a tree-top canopy too solid for sunlight to penetrate.

Giving Birth by Marcus Amaker do you remember when the earth was just a baby, settling in its skin, safe in the arms of mother nature with fire breathing from within. you were not shackled by time and life roamed around your heart with the weight of dinosaurs, leaving footprints in your lungs. and the first time you saw the sun you could barely breathe because the possibility of endless light planted a seed so you admire the strength of trees, who naturally grew into unwavering beauty, staring down the mouth of time. do you remember being 11 years old when your mother told you “birth is more painful than dying” and you burst with dreams without even trying, seeking light in your heart, where shadows now rest comfortably next to fear. but you come out of the woods clear, with nature’s breath under your tongue, and a weightless bliss, no longer scared of death.

Is the soul solid, like iron? Or is it tender and breakable, like the wings of a moth in the beak of the owl? Who has it, and who doesn’t? I keep looking around me. The face of the moose is as sad as the face of Jesus. The swan opens her white wings slowly. In the fall, the black bear carries leaves into the darkness. One question leads to another. Does it have a shape? Like an iceberg? Like the eye of a hummingbird? Does it have one lung, like the snake and the scallop? Why should I have it, and not the anteater who loves her children? Why should I have it, and not the camel? Come to think of it, what about the maple trees? What about the blue iris? What about all the little stones, sitting alone in the moonlight? What about roses, and lemons, and their shining leaves? What about the grass? —Mary Oliver, “Some Questions You Might Ask

In her memoir of living among the Bushmen, The Old Way: A Story of the First People, my friend Liz lovingly invokes an image first coined by evolutionary biologist Richard Dawkins: “You are standing beside your mother, holding her hand. She is holding her mother’s hand, who is holding her mother’s hand. . . . ” Eventually the line stretches three hundred miles long and goes back five million years, and the clasping hand of the ancestor looks like that of a chimpanzee. I loved picturing one of Octavia’s arms stretching out to meet one of her mother’s arms, and one of her mother’s mother’s arms, and her mother’s mother’s mother’s. . . . Suckered, elastic arms, reaching back through time: an octopus chorus line stretching not just hundreds, but many thousands of miles long. Back past the Cenozoic, the time when our ancestors descended from the trees; back past the Mesozoic, when dinosaurs ruled the land; back past the Permian and the rise of the ancestors of the mammals; back, past the Carboniferous’s coal-forming swamp forests; back past the Devonian, when amphibians emerged from the water; back past the Silurian, when plants first took root on land—all the way to the Ordovician, to a time before the advent of wings or knees or lungs, before the fishes had bony jaws, before blood pumped from a multichambered heart. More than 500 million years ago, the tides would have been stronger, the days shorter, the year longer, and the air too high in carbon dioxide for mammals or birds to breathe. All the earth’s continents huddled in the Southern Hemisphere. And yet still, the arm of Octavia’s ancestor, sensitive, suckered, and supple, would have been recognizable as one of an octopus.

My respiration and inspiration.... the beating of my heart.... the passing of blood and air through my lungs, The sniff of green leaves and dry leaves, and of the shore and darkcolored sea-rocks, and of hay in the barn, The sound of the belched words of my voice.... words loosed to the eddies of the wind, A few light kisses.... a few embraces.... a reaching around of arms, The play of shine and shade on the trees as the supple boughs wag, The delight alone or in the rush of the streets, or along the fields and hillsides, The feeling of health.... the full-noon trill.... the song of me rising from bed and meeting the sun. Have you reckoned a thousand acres much? Have you reckoned the earth much? Have you practiced so long to learn to read? Have you felt so proud to get at the meaning of poems?

The organs of our own bodies, arms, hands, lungs, kidneys function as a cooperative in order to survive. Humans and animals and trees and the earth are interwoven, integrated as a cooperative. Awakening beyond our self-interest, we find a natural ecology of mind and nature, fresh, open, joyful where we are organically connected with all things.

Sonnet of Nature What do the rivers do? Give water for our thirst. What do the trees do? Give air for our lungs. What do the animals do? Give food for our tummy. What do the flowers do? Give fragrance for our body. After taking everything, From every member of nature, What do we pompous idiots do? Destroy all natural order. It's high time to get our act together. Nature doesn't need us, but we need her.

I was in no tent under leaves, sleepless and glad. There was no moon at all; along the world’s coasts the sea tides would be springing strong. The air itself also has lunar tides; I lay still. Could I feel in the air an invisible sweep and surge, and an answering knock in the lungs? Or could I feel the starlight? Every minute on a square mile of this land one ten thousandth of an ounce of starlight spatters to earth. What percentage of an ounce did that make on my eyes and cheeks and arms, tapping and nudging as particles, pulsing and stroking as waves?

After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her. 'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling. Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet. Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. 'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.

They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.

The grass in the meadow is wet and the ground gives a little beneath her feet. The herd of alpacas that have taken up residence in the meadow graze in the far distance. Maggie cuts a path towards the distant stile, watching as a flock of starlings take flight, swooping up from the earth and across the bone-colored sky until they come to settle in the treetops. Stepping into the woods, Maggie senses the shift in atmosphere; here the air is a little cleaner, the light a little softer, glancing off the smooth, silver-grey trunks and dancing in the green canopy. She breathes the trees' exhalation, takes it in and makes it her own, inhales the moist-earth scent rising up beneath her boots and fills her lungs. The leaves rustle in the breeze, dripping the last of the raindrops in a steady beat.

This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.

Loneliness covers the earth like a blanket. It flows in the stream down through the Callows to the lake. It's in the muck in the yard and the briars in the haggard and the empty outbuildings are bursting with it. It runs down the walls inside of the house like tears and grows on the walls outside like a poisonous choking weed. It's in the sky and the stones and the clouds and the grass. The air is thick with it: you breath it into your lungs and you feel like it might suffocate you. It runs into hollow places like rainwater. It settles on the grass and on trees and takes their shapes and all the earth is wet with it. It has a smell, like the inside of a saucepan: scrapped metal, cold and sharp. When it hits you, it feels like a rap of a hurl across your knuckles on a frosty winter's morning. in PE: sharp, shocking pain, but inside you, so it can't be seen and no one says sorry for causing it nor asks are you ok, and no kind teacher wants to look at it and tut-tut and tell you you'll be grand, good lad. But you know if another man stood where you're standing and looked at the same things he wouldn't see it or feel it.

She stood on packed earth; the grass grew knee-high beside the bare patch, and each blade of it, each angled stem and puff of seed, was perfectly still. She began to hear her own blood hissing in her ears. She looked at the edge of the woods, the field going over the hill, the stand of walnut trees around the bedrock at the top, and none of it scratched out any sound to match the seething in her veins. Her aliveness was monumental and the world was faint and distant and dark. She had been like that for most of her adolescence, vivid to herself with the world muted and blurred around her. Now the world was thunderous. She pulled up a blade of grass and chewed on the end of it. The world was loud and close, and her heart and lungs and brain were a tinny afterthought.

Only those who have learned to live on the land will find sanctuary. Go to where the eagles fly, to where the wolf roams, to where the bear lives. Here you will find life because they will always go to where the water is pure and the air can be breathed. Live where the trees, the lungs of this earth, purify the air. There is a time coming, beyond the weather. The veil between the physical and the spiritual world is thinning.

I didn’t think. I shoved Kenjii into the safe nook between the front seats and scrambled toward the door as the helicopter jolted again, righting itself. Daniel lunged for me and missed. Wind rushed in through the open door. I could barely breathe, barely see. Then I saw Rafe’s hands gripping the bottom frame. Rafe’s hands slipping from the bottom of the door. I dropped and grabbed his wrists just as he lost his grip. As he fell, I shot forward. I kicked wildly, trying to hook something with my legs. Then someone caught my foot and I stopped with a jolt. I didn’t need to look back to see who had me. The same person who’d had my back since we were five. Daniel. “Corey, get over here!” he shouted. The helicopter lurched, and I slid again, Daniel still holding my ankle. My hands were locked around Rafe’s wrists, his around mine. Then Corey caught my other foot, and the helicopter leveled off. I could hear them shouting inside. Their words came in fits and starts, sucked away by the wind roaring past my ears. And in those first few seconds of confusion, I didn’t really even understand what had happened. I could hear the wind. Feel the wind. Taste it even. But it took a moment for me to crack my eyes open and realize I was hanging outside the helicopter. Hanging outside the helicopter. The earth bobbed and whirled below us, trees and rock and water spinning into a blur. “Don’t look down!” I thought it was Daniel, but then realized Rafe was staring up at me. “I’ve got you!” I shouted. He smiled, this weirdly calm smile. “I know.

The earth has experienced five mass extinctions before the one we are living through now, each so complete a wiping of the fossil record that it functioned as an evolutionary reset, the planet’s phylogenetic tree first expanding, then collapsing, at intervals, like a lung: 86 percent of all species dead, 450 million years ago; 70 million years later, 75 percent; 125 million years later, 96 percent; 50 million years later, 80 percent; 135 million years after that, 75 percent again.1, 2 Unless you are a teenager, you probably read in your high school textbooks that these extinctions were the result of asteroids. In fact, all but the one that killed the dinosaurs involved climate change produced by greenhouse gas.3 The most notorious was 250 million years ago; it began when carbon dioxide warmed the planet by five degrees Celsius, accelerated when that warming triggered the release of methane, another greenhouse gas, and ended with all but a sliver of life on Earth dead.4 We are currently adding carbon to the atmosphere at a considerably faster rate; by most estimates, at least ten times faster.5

Until what?” Clary knew dimly that she was being horrible, the whole thing was horrible; they’d never even had a fight before that was more serious than an argument about who’d eaten the last Pop-Tart from the box in the tree house, but she didn’t seem able to stop. “Until Isabelle came along? I can’t believe you’re lecturing me about Jace when you made a complete fool of yourself over her!” Her voice rose to a scream. “I was trying to make you jealous!” Simon screamed, right back. His hands were fists at his sides. “You’re so stupid, Clary. You’re so stupid, can’t you see anything?” She stared at him in bewilderment. What on earth did he mean? “Trying to make me jealous? Why would you try to do that?” She saw immediately that this was the worst thing she could have asked him. “Because,” he said, so bitterly that it shocked her, “I’ve been in love with you for ten years, so I thought it seemed like time to find out whether you felt the same about me. Which, I guess, you don’t.” He might as well have kicked her in the stomach. She couldn’t speak; the air had been sucked out of her lungs. She stared at him, trying to frame a response, any response. He cut her off sharply. “Don’t. There’s nothing you can say.” She watched him walk to the door as if paralyzed; she couldn’t move to hold him back, much as she wanted to. What could she say? “I love you, too”? But she didn’t—did she? He paused at the door, hand on the knob, and turned to look at her. His eyes, behind the glasses, looked more tired than angry now. “You really want to know what else it was my mom said about you?” he asked. She shook her head. He didn’t seem to notice. “She said you’d break my heart,” he told her, and left. The door closed behind him with a decided click, and Clary was alone.

Like trees, we are in an inextricable relationship with the earth for the air we breathe, the water we drink, and the food we eat. As American naturalist John Burroughs wrote, “We are rooted to the air through our lungs and to the soil through our stomachs. We are walking trees and floating plants.” When we forget this, we become disconnected and ungrounded. We need to reestablish the connection by taking in energy from Earth and the cosmos and releasing energy that’s been stuck inside our bodies. Energy does best when it is free to flow.

If they follow the way of Money Chiefs, they shall die. Earth is sick and can no longer care for her children. Now, Earth’s children must care for Earth. Continue to pollute rivers and oceans – rivers and oceans shall drown you. Pollute sky – Sun Spirit shall burn you. Kill more trees – unclean air shall strangle you. Kill more Spirits – disease shall destroy you. Already, Money Chiefs’ skin burns. Their lungs choke on unclean air. Poisoned water spreads disease among them and all Spirits. Rising rivers and oceans shall sweep their homes and lives away. Money Chiefs think money heals broken lives. Unchanged, in the end, Money Chiefs’ money shall cost them their lives. -Frederic Perrin Rella Two Trees―The Money Chiefs

[Hurricane] Andrew tore trees apart; drove their shrieking limbs past our walls. All around us, it shoved huge deciduous behemoths flat to the earth, or tore them out by the roots. "I have never been able to say “No” to wonder. Wherever God stood naked, I wanted to crawl into the middle and gawk. Plus, I’d already lost everything I had built or wanted to live for when we’d left San Diego, and my marriage had become a long, aching death. I had nothing left. I had to touch God again at all costs.... "... I ripped open the door, then had to shove my full weight into closing it behind me. Slamming and bucking against harsh unseen walls, waging war for every step, I crushed both hands into the railing, fought my way downstairs, past a pool already choked with roofing and with life torn apart. I bucked and strained my way out onto the street, deeper into the dark, vile heart of a hurricane. Gnashing hard into the storm, I leaned into winds that pummeled and slammed me about like a machete. "Inching and lunging across the intersection, where all but one streetlight had crashed to the pavement, I crushed my way through as that last light sparked and whipped overhead. Winds like that can drive a grain of rice through a concrete wall, so I wrenched a stop sign out of a tree and held it before me as a shield, slamming my way backward through an intersection of shattered glass and metal, out onto a golf course, where I screeched Hallelujahs no one could hear. "In that open field, that raging, shrieking fury slammed and wrenched the sign into my chest. For the first time in a long time, "I thanked God and prayed for survival. "I fought my way back home. The sign heaved at my face, sliced my hands open, and blasted away into the night. "There was no one left there but me, God, and His mighty, undeniable power." - From "Entertaining Naked People

Feyre,' Lucien pleaded, and dared another step, his hand outraised. My arrow angled toward him, my bowstring groaning. I'd never realised that while Lucien had been trained as a warrior, Cassian, Azriel, Mor, and Rhys were warriors. Cassian could wipe Lucien off the face of the earth in a single blow. 'Put the arrow down,' Lucien murmured, like he was soothing a wild animal. Behind him, the four sentinels closed in. Herding me. The High Lord's pet and possession. 'Don't,' I breathed. 'Touch. Me.' 'You don't understand the mess we're in, Feyre. We- I need you home. Now.' I didn't want to hear it. Peering at the stream below, I calculated my odds. The look cost me. Lucien lunged, hand out. One touch, that was all it'd take- I was no the High Lord's pet any longer. And maybe the world should learn that I did indeed have fangs. Lucien's finger grazed the sleeve of my leather jacket. And I became smoke and ash and night. The world stilled and bent, and there was Lucien, lunging so slowly for what was now blank space as I stepped around him, as I hurtled for the trees behind the sentinels. I stopped, and time resumed its natural flow. Lucien staggered, catching himself before he went over the cliff- and whirled, eye wide to discover me now standing behind his sentinels. Bron and Hart flinched and backed away. From me. And from Rhysand at my side. Lucien froze. I made my face a mirror of ice; the unfeeling twin to the cruel amusement on Rhysand's features as he picked at a fleck of lint on his dark tunic. Dark, elegant clothes- no wings, no fighting leathers. The unruffled, fine clothes... Another weapon. To hide just how skilled and powerful he was; to hide where he came from and what he loved. A weapon worth the cost of the magic he'd used to hide it- even if it put us at risk of being tracked.

I’d read that trees had intelligence. Not like humans, but they were smart enough to adapt and change to their surroundings. They communicated with each other, both underground and through the air, using chemicals, hormones, and electric signals. More recently, it was discovered that different varieties actually needed one another. Like it wasn’t good to plant all pines or all maple. Mix them up. Yes, I loved trees. The lungs of the earth.

I sat to take in the view. The wind blew just hard enough to push my heavy, unkept hair back. I filled my lungs with the cool air and felt roots begin to take hold. I had always been a restless person, even at this early point in life, and this was a new experience: peace. I felt as though the trees and earth of the mountain reached up into my soul and curled around it, making it whole. The inky blackness I had yet to name, the dark pit that buzzed just below my surface and corroded my thoughts, was quieted. For a moment, it was like I didn't feel it at all. When my mom asked me what was wrong, I told her exactly how I felt as best I could. "My home is in Georgia, but my soul is at home here.

In Brazil, the rainforests of the Amazon are being destroyed at an alarming rate by bulldozing and burning. There are many excellent reasons to prevent this continuing – loss of habitat for organisms, production of carbon dioxide from burning trees, destruction of the culture of native Indian tribes, and so on. What is not a good reason, though, is the phrase that is almost inevitably trotted out, to the effect that the rainforests are the ‘lungs of the planet’. The image here is that the ‘civilized’ regions – that is, the industrialized ones – are net producers of carbon dioxide. The pristine rainforest, in contrast, produces a gentle but enormous oxygen breeze, while absorbing the excess carbon dioxide produced by all those nasty people with cars. It must do, surely? A forest is full of plants, and plants produce oxygen. No, they don’t. The net oxygen production of a rainforest is, on average, zero. Trees produce carbon dioxide at night, when they are not photosynthesizing. They lock up oxygen and carbon into sugars, yes – but when they die, they rot, and release carbon dioxide. Forests can indirectly remove carbon dioxide by removing carbon and locking it up as coal or peat, and by releasing oxygen into the atmosphere. Ironically, that’s where a lot of the human production of carbon dioxide comes from – we dig it up and burn it again, using up the same amount of oxygen. If the theory that oil is the remains of plants from the carboniferous period is true, then our cars are burning up carbon that was once laid down by plants. Even if an alternative theory, growing in popularity, is true, and oil was produced by bacteria, then the problem remains the same. Either way, if you burn a rainforest you add a one-off surplus of carbon dioxide to the atmosphere, but you do not also reduce the Earth’s capacity to generate new oxygen. If you want to reduce atmospheric carbon dioxide permanently, and not just cut short-term emissions, the best bet is to build up a big library at home, locking carbon into paper, or put plenty of asphalt on roads. These don’t sound like ‘green’ activities, but they are. You can cycle on the roads if it makes you feel better.

Solid unbroken forest is all around me, stretching far beyond my vision, for hundreds of miles. It is one of the few such forests remaining in the world. The forest regulates the water flow from the frequent heavy rains. It prevents floods, providing steady runoff in to the trout-filled streams. It used to support salmon runs. Such a forest is also the diffuse lung tissue of the earth to which we are irrevocably bound. It is not our “environment.” It is us.

It is a full moon night. The moonlight is soft and silver. You are in an open field, and everything glows around you. The silky grass comes up to your waist, swaying in the breeze like the waves of the sea. You stroke your hand across it slowly, its greens and its silvers, the soft strands of it against your palm. You take a deep breath. Deep, deep. You let it out slowly. Your lungs fill with the scent of the night. The rich earth, the fresh air, the smell of the forest. You take another deep breath. You let it out slowly. With each breath, you can feel yourself filling with moonlight. It is casting its kind glow on all the shadows inside. You take another deep breath. You let it out slowly. You walk forwards. The grass and dirt are soft beneath your bare feet. You wade through the grass. Everything is calm but filled with life. With the tranquil energy of the moonlight. You look around. This place is yours. You belong to it as it belongs to you. You are safe here. You take another deep breath. You let it out slowly. As you look around you realize—you are part of this land. You are the moonlight that streams down. You are the grass that sways. You are the leaves that murmur. You are the earth and you are the air. You are no more and no less than it. You have been filling yourself up with problems and fears. With I shoulds and shouldn’ts. But here, you see how simple it really is. You are the force of the raging river, the might of a mountain, the strength of a tree. You do not expect more or less from them than what they are. Their existence is enough. So is yours. You are a creature of the moonlight. You are a creature of the earth. You let yourself be with that feeling. With that knowledge. That power. That at the most fundamental of levels, you are the same as the earth around you. You are another creature, free to live in balance with itself and the world. You have no duty here. You are not that important. You are important enough to let yourself live. Let yourself be. You take another deep breath. You let it out slowly. You fill yourself with moonlight. With the calm it brings. The peace. All the pieces of you that have been rattled through the day are settled at night. You take a deep breath. You let it out

When the crop that brought wealth under the banner of Christianity is found to destroy human lungs but trees older than Jesus breathe, it makes me think the meek shall inherit the earth.

The sun seemed to take a long while to sink from the sky. The colors of the heavens were blood red, surrounded by shades of orange and pink. As the moon appeared, the clouds covered it like a thin veil. A ring appeared around the moon like some terrible omen. The forest was dark, eerily silent. Tendrils of fog wound low to the ground around tree trunks and bushes. A gentle wind lazily pushed the clouds, brushed at heavy branches, and tried vainly to disperse the smell of smoke that lingered persistently in the forest. The wind fingered the black ashes and burned beams, the blackened stones, all that remained of what had once been Mikhail Dubrinsky’s home. Two wolves nosed at the blackened remains, lifted their muzzles skyward, and howled mournfully. Throughout the forest other wolves answered, sang out their grief. Within a few minutes, the echoes of their tribute died away. The two wolves circled the charred ruins and sniffed at the two shadowy sentinels they found standing sharply alert near the wrought-iron gate. The wolves swung quickly away, finding something menacing in the two lethal figures. They trotted briskly back into the darkened interior of the forest. Silence once more blanketed the mountains like a shroud. The forest creatures huddled in their dens and holes, rather than face the smell of the ashes and the death of the home of one who was so much a part of them. Below the earth two bodies lay motionless, lifeless. Into the silence, a single heart began to beat. Strong, steady. Blood rushed, receded. A long, low hiss of air heralded the working of lungs. Dark eyes snapped open, and Mikhail searched the grounds above him.