Travels With My Aunt Quotes

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Christmas it seems to me is a necessary festival; we require a season when we can regret all the flaws in our human relationships: it is the feast of failure, sad but consoling.
Graham Greene (Travels with My Aunt)
One's life is more formed, I sometimes think, by books than by human beings: it is out of books one learns about love and pain at second hand. Even if we have the happy chance to fall in love, it is because we have been conditioned by what we have read, and if I had never known love at all, perhaps it was because my father's library had not contained the right books.
Graham Greene (Travels with My Aunt)
They think my mother's ashes are marijuana.
Graham Greene (Travels with My Aunt)
I have never planned anything illegal in my life,' Aunt Augusta said. 'How could I plan anything of the kind when I have never read any of the laws and have no idea what they are?
Graham Greene (Travels with My Aunt)
People who like quotations love meaningless generalisations.
Graham Greene (Travels with My Aunt)
Politics in Turkey are taken more seriously than they are at home. It was only quite recently that they executed a Prime Minister. We dream of it, but they act.
Graham Greene (Travels with My Aunt)
Regret your own actions, if you like that kind of wallowing in self-pity, but never, never despise. Never presume yours is a better morality.
Graham Greene (Travels With My Aunt)
Switzerland is only bearable covered with snow," Aunt Augusta said, "like some people are only bearable under a sheet.
Graham Greene (Travels with My Aunt)
I was afraid of burglars and Indian thugs and snakes and fires and Jack the Ripper, when I should have been afraid of thirty years in a bank and a take-over bid and a premature retirement and the Deuil du Roy Albert.
Graham Greene (Travels with My Aunt)
The dead of an army become automatically heroes like the dead of the Church become Martyrs.
Graham Greene (Travels with My Aunt)
There are friends, I think we can't imagine living without. People who are sisters to us, or brothers. Jimmy was one of those. I never thought I might have to go through life without him. I never thought he might be killed by a drunken driver or anything else. Who thinks about things like that when you're seventeen? If I had known ahead of time what was going to happen to him, I would have gone crazy. I guess I did go a little crazy. My Aunt Lo, who's a hospital psychiatrist, says grief travels a certain route-that if you could plot it out on a map you'd have a line that twists and weaves and eventually ends up near the point of departure. I say "near" because although you may survive the grief, you won't ever be exactly the same. It took me a long time to learn that, and sometimes the whole experience comes back on me and I have to learn it all over again.
Julie Reece Deaver (Say Goodnight, Gracie)
Human communication, it sometimes seems to me, involves an exaggerated amount of time. How briefly and to the point people always seem to speak on the stage or on the screen, while in real life we stumble from phrase to phrase with endless repetition.
Graham Greene (Travels with My Aunt)
In the act of creation there is always, it seems, an awful selfishness.
Graham Greene (Travels with My Aunt)
What did the truth matter? All characters once dead, if they continue to exist in memory at all, tend to become fictions.
Graham Greene (Travels with My Aunt)
One is apt to be unfair to somebody one has loved a great deal.
Graham Greene (Travels with My Aunt)
There were occasions when Shakespeare was a very bad writer indeed. You can see how often in books of quotations. People who like quotations love meaningless generalizations.
Graham Greene (Travels with My Aunt)
But the moon was so large and clear through the uncurtained window that it made me think instead of a story my mother had told me, about driving to horse shows with her mother and father in the back seat of their old Buick when she was little. “It was a lot of travelling—ten hours sometimes through hard country. Ferris wheels, rodeo rings with sawdust, everything smelled like popcorn and horse manure. One night we were in San Antonio, and I was having a bit of a melt-down—wanting my own room, you know, my dog, my own bed—and Daddy lifted me up on the fairgrounds and told me to look at the moon. ‘When you feel homesick,’ he said, ‘just look up. Because the moon is the same wherever you go.’ So after he died, and I had to go to Aunt Bess—I mean, even now, in the city, when I see a full moon, it’s like he’s telling me not to look back or feel sad about things, that home is wherever I am.” She kissed me on the nose. “Or where you are, puppy. The center of my earth is you.
Donna Tartt (The Goldfinch)
In the act of creation there is always, it seems, an awful selfishness. So Dickens's wife and mistress had to suffer so that dickens could make his novels and his fortune. At least a bank manager's money is not so tainted by egotism. Mine was not a destructive profession. A bank manager doesn't leave a trail of the martyred behind him.
Graham Greene (Travels with My Aunt)
Every poem is a love poem, my dad had said. I'd always thought he meant romantic love...but there were so many kinds of great love: mother and daughter love. Father love. Best friend love. Aunt love. Mother's best friend love. Friendish friendesque love. Love for the living and love for the dead. Love for who you really are, for those weird parts of yourself that only a few people understand. Love for things you yearn to do, for putting words in a page. Love for traveling, for people and seeing new ways to live. Love for the world...
Margo Rabb (Kissing in America)
One of the few remarks of age which I noticed in my aunt was her readiness to abandon one anecdote while it was yet unfinished for another.
Graham Greene (Travels with My Aunt)
Age, Henry, may a little modify our emotions— it does not destroy them.
Graham Greene (Travels with My Aunt)
In the vision there is no morality
Graham Greene (Travels with My Aunt)
I like to change my clothes as little as possible. I suppose some people would say the same of my ideas, the bank had taught me to be wary of whims.
Graham Greene (Travels with My Aunt)
When you have a child you are condemned to be a father for life. They go away from you. You can’t go away from them.
Graham Greene (Travels with My Aunt)
Poverty is apt to strike suddenly like influenza, it is well to have a few memories of extravagance in store for bad times.
Graham Greene (Travels with My Aunt)
As one grows old I think one becomes more attached to family things- to houses and graves.
Graham Greene (Travels with My Aunt)
My great Aunt Juliet was knocked over and killed by a bus when she was eighty-five. The bus was travelling very slowly in the right direction and could hardly have been missed by anyone except Aunt Juliet, who must have been travelling fairly fast in the wrong direction.
Robin Dalton (Aunts up the Cross)
New landscapes, new customs. The accumulation of memories. A long life is not a question of years. A man without memories might reach the age of a hundred and feel that his life had been a very brief one.
Graham Greene (Travels with My Aunt)
My dear, dear aunt,' she rapturously cried, what delight! what felicity! You give me fresh life and vigour. Adieu to disappointment and spleen. What are men to rocks and mountains? Oh! what hours of transport we shall spend! And when we do return, it shall not be like other travellers, without being able to give one accurate idea of any thing. We will know where we have gone -- we will recollect what we have seen. Lakes, mountains, and rivers shall not be jumbled together in our imaginations; nor, when we attempt to describe any particular scene, will we begin quarrelling about its relative situation. Let our first effusions be less insupportable than those of the generality of travellers.
Jane Austen (Pride and Prejudice)
Freedom, I thought, comes only to the successful and in his trade my father was a success. If a client didn't like my father's manner or his estimates, he could go elsewhere. My father wouldn't have cared. Perhaps it is freedom, of speech and conduct, which is really envied by the unsuccessful, not money or even power.
Graham Greene (Travels with My Aunt)
I have never planned anything illegal in my life,’ Aunt Augusta said. ‘How could I plan anything of the kind when I have never read any of the laws and have no idea what they are?
Graham Greene (Travels with My Aunt)
You said just now that irony was a valuable literary quality. "But you aren't a novel," she said.
Graham Greene (Travels with My Aunt)
He can make a woman laugh. Look how Tooley is laughing now. His father was the same. It's the best way, Henry, to win a woman.
Graham Greene (Travels with My Aunt)
Our interests were different, of course - tatting and dahlias have nothing in common, unless perhaps they are both interests of rather lonely people.
Graham Greene (Travels with My Aunt)
Whims so often end in bankruptcy.
Graham Greene (Travels with My Aunt)
Perhaps it is freedom, of speech and conduct, which is really envied by the unsuccessful, not money or even power.
Graham Greene (Travels with My Aunt)
I hope they don’t repeat our mistake and invent the wheel.
Graham Greene (Travels with My Aunt)
They'd had to empty their pockets and turn over Aunt Val's purse to the security guard. That way, I wouldn't be tempted to try to kill anyone with her lip gloss and her travel-size pack of tissues.
Rachel Vincent (My Soul to Lose (Soul Screamers, #0.5))
The thing no one tells you, the thing you have to find out on your own through firsthand experience, is that there is never an easy way to talk about suicide. There never was, there will never be. If ever someone asked, I'd tell them the truth: that my aunt was amazing, that she lived widely, that she had the most infectious laugh, that she knew four different languages and had a passport cluttered with so many stamps from different countries that it'd make any world traveler green with envy, and that she had a monster over her shoulder she didn't let anyone else see. And in turn, that monster didn't let her see all the things she would miss. The birthdays. The anniversaries. The sunsets. The bodega on the corner that had turned into that shiplap furniture store. The monster closed her eyes to all the pain she would give the people she left—the terrible weight of missing her and trying not to blame her in all the same breath. And then you started blaming yourself. Could you have done something, been that voice that finally broke through? If you loved them more, if you paid more attention, if you were better, if you only asked, if you even knew to ask, if you could just read between the lines and— If, if, if. There is no easy way to talk about suicide. Sometimes the people you love don't leave you with goodbyes—they just leave.
Ashley Poston (The Seven Year Slip)
Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
In my family Monahwee is known for his magic with horses. My Aunt Lois Harjo said he was gifted in the ability to travel on a horse. He could leave for a destination at the same time as everyone else, but arrive before anyone, a feat impossible in linear time. The world doesn't always happen in a linear manner. Nature is much more creative than that, especially when it comes to time and the manipulation of time and space. Europe has gifted us with inventions, books and the intricate mechanics of imposing structures on the earth, but there are other means to knowledge and the structuring of knowledge that have no context in the European mind. When the explorer Magellan traveled around the world by ship, he stopped at Tierra del Fuego. The indigenous people who resided there could not see the huge flags of his ships as they docked out in the natural harbor. They had not previously imagined such structures and could not see them. Conversely, neither could European explorers see the particular meaning of indigenous realities.
Joy Harjo (She Had Some Horses)
No, you’ve got to be secret, don’t you?” I said. “That’s your neurosis and you’ve got to keep it. You can’t be publicly enthusiastic. You’ve got to keep your enthusiasm in the closet, don’t you?” “Look,” Ted wailed, “you don’t know what it’s like for me. You don’t know what it’s like to be me. Every time I opened my mouth to be enthusiastic about something my brothers would tease me for it.” “So I guess you’re still ten years old,” I remarked, “and your brothers are still around.” Ted was actually crying now with frustration at me. “That’s not all,” he said, weeping. “That’s how my parents punished me. Whenever I did something wrong they took what I loved away from me. ‘Let’s see, what is it that Ted’s most enthusiastic about? Oh, yes, the trip to his aunt’s next week. He’s really excited about that. So we’ll tell him that because he’s been bad he can’t go see his aunt. That’s it. Then there’s his bow and arrows. He really loves his bow and arrows. So we’ll take that away.’ Simple. Simple system. Everything I was enthusiastic about they
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
Four military guards, real-life versions of Emmet and Brennan’s toys, sit eating some food. They’re strapping soldiers, dressed in black tunics with silver spheres marking their chests, with wands and swords at their sides. It has to be my aunt’s carriage—it can’t possibly be anyone else’s. My aunt is a member of our ruling High Mage Council, and she always travels with an armed entourage. A rush of excitement flashes through me, and I quicken my pace, wondering what on all of Erthia could have possibly brought my powerful aunt to remote Halfix, of all places. I haven’t seen her since I was five years old.
Laurie Forest (The Black Witch (The Black Witch Chronicles, #1))
When a train pulls into a great city I am reminded of the closing moments of an overture. All the rural and urban themes of our long journey were picked up again: a factory was followed by a meadow, a patch of autostrada by a country road, a gas-works by a modern church: the houses began to tread on each other’s heels, advertisements for Fiat cars swarmed closer together, the conductor who had brought breakfast passed, working intensely down the corridor to rouse some important passenger, the last fields were squeezed out and at last there were only houses, houses, houses, and Milano, flashed the signs, Milano.
Graham Greene (Travels with My Aunt)
I think the reason lay partly in his idea of immortality, but I think too it belonged to his war against the Inland Revenue. He was a great believer in delaying tactics. “Never answer all their questions,” he would say. “Make them write again. And be ambiguous. You can always decide what you mean later according to circumstances. The bigger the file the bigger the work. Personnel frequently change. A newcomer has to start looking at the file from the beginning. Office space is limited. In the end it’s easier for them to give in.” Sometimes, if the inspector was pressing very hard, he told me that it was time to fling in a reference to a non-existing letter. He would write sharply, “You seem to have paid no attention to my letter of April 6, 1963.” A whole month might pass before the inspector admitted he could find no trace of it. Mr Pottifer would send in a carbon copy of the letter containing a reference which again the inspector would be unable to trace. If he was a newcomer to the district, of course he blamed his predecessor; otherwise, after a few years of Mr Pottifer, he was quite liable to have a nervous breakdown. I think when Mr Pottifer planned to carry on after death (of course there was no notice in the papers and the funeral was very quiet) he had these delaying tactics in mind. He didn’t think of the inconvenience to his clients, only of the inconvenience to the inspector.’ Aunt Augusta
Graham Greene (Travels With My Aunt)
I remember years ago when you first came here. I took a picture of you and Jacob and Caleb--he was little then. And Anna. And the dogs.” He looked at Lottie and Nick. “They’re a little older now.” “We all are,” said Mama. “Anna married Justin this past week.” “So I heard,” said Joshua. Joshua shook Grandfather’s hand. “Hello, John,” he said. “I’m older, too,” said Grandfather with a smile. The aunts came out onto the porch. Aunt Harriet and Aunt Mattie wore their traveling dresses and fancy shoes. Aunt Lou wore her overalls. “I want to be remembered in my overalls,” said Aunt Lou. “You will,” said Grandfather. “Believe me, you will.” Mama and William laughed. “That’s how we think of you,” said William. “You see me every day,” Aunt Lou said to William. “You don’t have to remember me.
Patricia MacLachlan (Grandfather's Dance (Sarah, Plain and Tall, #5))
One of the big problems in North Korea was a fertilizer shortage. When the economy collapsed in the 1990s, the Soviet Union stopped sending fertilizer to us and our own factories stopped producing it. Whatever was donated from other countries couldn’t get to the farms because the transportation system had also broken down. This led to crop failures that made the famine even worse. So the government came up with a campaign to fill the fertilizer gap with a local and renewable source: human and animal waste. Every worker and schoolchild had a quota to fill. You can imagine what kind of problems this created for our families. Every member of the household had a daily assignment, so when we got up in the morning, it was like a war. My aunts were the most competitive. “Remember not to poop in school!” my aunt in Kowon told me every day. “Wait to do it here!” Whenever my aunt in Songnam-ri traveled away from home and had to poop somewhere else, she loudly complained that she didn’t have a plastic bag with her to save it. “Next time I’ll remember!” she would say. Thankfully, she never actually did this. The big effort to collect waste peaked in January, so it could be ready for growing season. Our bathrooms in North Korea were usually far away from the house, so you had to be careful that the neighbors didn’t steal from you at night. Some people would lock up their outhouses to keep the poop thieves away. At school the teachers would send us out into the streets to find poop and carry it back to class. So if we saw a dog pooping in the street, it was like gold. My uncle in Kowon had a big dog who made a big poop—and everyone in the family would fight over it. This is not something you see every day in the West.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
On the bus, I pull out my book. It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e. Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie. Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway. Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple. That's as far as I've gotten... Diving back into Jane Eyre... Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so. Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all... Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester. Miss Ingram's portrait is soft and pink and silky. Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown. Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time. Everyone needs a strategy, even Jane Eyre... Mr. Rochester loves Jane Eyre and asks her to marry him. Strange and serious, brown dress and all, he loves her. How wonderful, how impossible. Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible. Just like in Jane Eyre, the story would end badly. Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her. Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces... Oh right, I forgot. Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself. When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle. He is maimed, blind, unkempt. And she still loves him. He can't believe it. Neither can I. Something like that would never happen in real life. Would it? ... You'll see, the story ends well.
Fanny Britt (Jane, the Fox & Me)
He was fiddling with the harness on the lead horse when she approached him, and asked, "Do you have proof that our aunt sent you to escort us?" He glanced sideways at her,but then put his attention back on the horse. "I mentioned your aunt,you didn't," he pointed out,his tone indifferent. "Well,yes,you did,but everyone in this town knows that we recently lost our father and are traveling to live with our aunt." That got his eyes on her again with a narrowed frown. "I've never set foot in this town before." "So you say,but-" "Are you accusing me of sneaking into town in the last day or so,hearing your tale that 'everyone' knows about, and cooking up a plan to abscond with you and your sister?" Put that way,it sounded really horrible. He'd have to be the worst sort of person to cook up such a plan. She winced mentally. She should nod in agreement. She couldn't bring herself to do it.She didn't need to.He was already furious with her. He reached inside his vest to pull out a letter he had stuffed in a pocket there. He literally shoved the letter in Marian's face. "This is how I knew where to find you, Miss Laton,and having not found you where you were supposed to be,I've spent every day since tracking you down.
Johanna Lindsey (A Man to Call My Own)
I do hope to travel,” he said. “But not alone.” She swallowed. “Oh?” Henry pulled something from his coat pocket and unfolded it. “Here is my itinerary.” He held the piece of paper toward her. “What do you think of it?” Emma accepted the single sheet and glanced at the list of Italian destinations—cities, churches, ruins, palazzos, and pensiones—preparing to offer some polite comment. Instead she stared. She turned to her aunt’s desk, opened her notebook, and compared it to their own Italian itinerary—the one they’d had to discard. Except for the handwriting, the lists were identical. She glanced up at him, lips parted in astonishment. He stepped nearer. “I had hoped to travel with my wife, but she is, as yet, unavailable.” Her neck heated. “Oh . . . why?” Henry dipped his chin and raised his brows. “Because she has yet to agree to marry me.
Julie Klassen (The Tutor's Daughter)
A veces pienso que nuestra vida está hecha más por los libros que leemos que por la gente que conocemos: en los libros aprendemos, de segunda mano, qué es el amor y el dolor. Aun cuando tenemos la suerte de enamorarnos es porque nos hemos dejado influir por lo que hemos leído. Si yo no había llegado a conocer el amor, era porque en la biblioteca de mi padre faltaban los libros adecuados.
Graham Greene (Travels with My Aunt)
Quizá el sentido de la moral es la triste compensación que aprendemos a valorar como premio por la buena conducta.
Graham Greene (Travels with My Aunt)
Everybody was excited, full of expectations and trepidation. We saw the Statue of Liberty, from afar - an impressive sight. The woman, who was travelling with me had not seen her son in years, had lost her husband during the war and was going to meet her intended new mate. I was going to see my family after so many years. When Eli left, I was five. Betty and Bernie saw me last when I was ten; Gertie when I was fourteen and Sali had left home ten years previously. I was 27 years old but had gone through troubles that could count for a hundred. Of course, there were uncles and aunts, in-laws, nieces and nephews, cousins.
Pearl Fichman (Before Memories Fade)
Trust in the Lord with all your heart and lean not on your own understanding. —Proverbs 3:5 (NIV) LEARNING TO TRUST I clicked my pen against the couch cushion and stared at my husband, waiting for him to respond. So far, the notebook on my lap was empty. “I don’t know,” Ryan finally said. I sighed. Earlier that day, we had officially decided to send out support letters for our adoption. We were sitting in our living room, attempting to make a list of people to whom we should send them. We weren’t sure if many of our aunts and uncles and cousins would understand our heart for the orphan. We had already run into our fair share of interesting reactions when we announced our intention to adopt. Family members didn’t understand why we would take this emotional and financial risk to travel to a war-torn country, just so we could bring some kid we don’t know into our home. Some of them looked at us like we were crazy. Our worries reached their peak, so we put down the notebook and did what we should have done in the beginning. We prayed. And afterward, when we said our amens, Ryan looked at me. “God can work in any heart—even the ones we think are unlikely.” That afternoon, we sent out the letters to everyone. Forgive me, Lord, for all the times I’ve let my fear and doubt limit Your power. Help me to be faithful with what I can control and trust You with the rest. —Katie Ganshert Digging Deeper: Jo 1:9; Ps 56:3–4; 2 Tm 1:7
Guideposts (Daily Guideposts 2014)
Ojalá pudiera reproducir con más claridad los tonos de su voz. A tía Augusta le gustaba hablar, le gustaba contar historias. Construía las frases con cuidado, como un escritor lento que prevé la fase siguiente y encamina hacia ella su pluma. Nunca dejaba suelta una frase, nunca interrumpía el hilo del relato. En su dicción había algo clásicamente preciso; o quizás sería más exacto decir anticuado. Las expresiones fuera de lo común (y a veces, debo admitirlo, chocantes) brillaban con tanto más resplandor sobre las viejas construcciones.
Graham Greene (Travels with My Aunt)
La había escuchado con asombro y con cierta inquietud. Por primera vez advertía los peligros que me acechaban. Me sentí como arrastrado tras ella hacia una absurda empresa de caballeros andantes como Sancho Panza tras Don Quijote, sólo que en busca de lo que ella llamaba diversión, en vez de hidalguía.
Graham Greene (Travels with My Aunt)
Recordé el reloj con pulsera de oro de la señorita Keene, minúsculo como el de una muñeca, regalo de sir Keene por sus veintiún años. En su pequeña esfera contenía todas las cifras de las horas, como si todas ellas tuviesen la misma importancia y un deber especial que cumplir.
Graham Greene (Travels with My Aunt)
So how do you spend these long evenings, Ada?” He smiled. “Since you’re not much for the piano and such.” “When I traveled abroad, I kept journals of the places we visited and the interesting people we met. Sometimes I reread them in the evenings while Lillian sleeps. They remind me of happier times.” “I’ve always had a hankering to see the world, but somehow I think it’s a trip better shared than undertaken alone.” “My aunt chaperoned me, and I enjoyed it. Except for the times she introduced me to certain young men of her acquaintance—sons of her old friends in London.” He grinned. “Tried to marry you off, did she?” Ada blushed. “Something like that.” In the flickering lamplight, his gaze sought hers. “I’m pleased that she didn’t succeed.
Dorothy Love (Beyond All Measure (Hickory Ridge, #1))
I have a weakness for funerals. People are generally seen at their best on these occasions, serious and sober, and optimistic on the subject of personal immortality.
Graham Greene
When my grandfather returned home, he was not the same. He got a job as a mediocre traveling salesman that kept him far from home much of the time. On the occasions that he was home, he drank and gambled heavily and sometimes yelled cruelly at my aunts. I wonder what epigenetic scarring took place during his time in that prison. I wonder if he passed those scarred cells down to my father. I wonder if my father passed them down to me.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
I got the winning end, and a small plastic object rolled on to the floor. I was glad to see that it was not a hat. Major Charge leapt at it and gave a snort of laughter as merciless as a nose-blowing. He put it to his mouth and breathed hard, making a sound like a raspberry. Then I saw that it was shaped like a tiny po with a whistle in the handle. ‘Lower-deck humour,’ Miss Truman said in a kindly way. ‘It’s the festive season,’ Major Charge said. He blew another raspberry. ‘Hark! the herald-angels sing,’ he said in a tone of savagery, as though he were taking some kind of revenge on Christmas Eve and all its impediments of holy families and managers and wise men, a revenge on love, a revenge for some deep disappointment.
Graham Greene (Travels with My Aunt)
I made many economies in my youth and they were fairly painless because the young do not particularly care for luxury. They have other interests than spending and can make love satisfactorily on a Coca-Cola, a drink which is nauseating in age. They have little idea of real pleasure: even their love-making is apt to be hurried and incomplete. Luckily in middle age pleasure begins, pleasure in love, in wine, in food. Only the taste for poetry flags a little, but I would have always gladly lost my taste for the sonnets of Wordsworth [...] if I could have bettered my palate for wine. Love-making too provides as a rule more prolonged and varied pleasure after forty-five. Aretino is not a writer for the young.
Graham Greene (Travels with My Aunt)
Abigail, I want to go anywhere with you. You said you wanted to be the cool aunt and travel and . . . be consumed.” My heart stops with his words, but he keeps talking. “You consume me. I don’t know how you did it, but I have fallen madly, deeply, in love with you. Every moment of every day is consumed by thoughts of you, planning the future, dying to be with you.
Morgan Elizabeth (Tis the Season for Revenge (Seasons of Revenge, #1))
You’re a damn liar, Abigail Amelia Keller. You want big and you want sparkle and you want extravagance. Not in price, but in love and adoration. And right here, right now, I’m promising to spend the rest of my life giving you that. Say yes and I’ll make you feel loved and cherished and appreciated until my last breath. Say yes and I’ll help you paint the world pink. Say yes and we’ll forever be completely consumed by each other. We’ll be the cool aunt and uncle, and we’ll travel and explore, and you will be mine and mine alone. I am absolutely wild about you. You are my sun and my moon and I will be yours. You completely consume me.
Morgan Elizabeth (Tis the Season for Revenge (Seasons of Revenge, #1))
We’ll be the cool aunt and uncle, and we’ll travel and explore, and you will be mine and mine alone. I am absolutely wild about you. You are my sun and my moon and I will be yours. You completely consume me.
Morgan Elizabeth (Tis the Season for Revenge (Seasons of Revenge, #1))
It has been a many a day since I thought of myself as Jonah Crow. To me, it seems that Jonah Crow was a small boy who once lived at Squires Landing with Aunt Cordie and Uncle Othy Dagget for several years. In those years, the only change seemed to be that from one Christmas to the next the boy grew a little taller. And now, a long time past the time of that boy, I live again beside the river, a mile and a half downstream from Squires Landing, maybe two and a half from Goforth, having traveled so far, by a considerable wandering and winding about, in only seventy-two years. Back there at the beginning, as I see now, my life was all time and almost no memory. Though I knew early of death, it still seemed to be something that happened only to other people, and I stood in an unending river of time that would go on making the same changes and the same returns forever. And now, nearing the end, I see that my life is almost entirely memory and very little time. Toward the end of my life at Squires Landing I began to understand that whenever death happened, it happened to me. That is knowledge that takes a long time to wear in. Finally it wears in. Finally I realized and fully accepted that one day I would belong entirely to memory, and it would then not be my memory that I belonged to, and I went over to Goforth to see if there was any room left beside my parents’ graves. I learned that there was room for one more; if it belonged to anybody, it belonged to me. I went down to the Tacker Funeral Home at Hargrave and made my arrangements. Some days, sitting here on my porch over the river, my memory seems to enclose me entirely; I wander back in my reckoning among all of my own that have lived and died until I no longer remember where I am. And then I lift my head and look about me at the river and the valley, the great, unearned beauty of this place, and I feel the memoryless joy of a man just risen from the grave
Wendell Berry
have never planned anything illegal in my life,’ Aunt Augusta said. ‘How could I plan anything of the kind when I have never read any of the laws and have no idea what they are?
Graham Greene (Travels with My Aunt)
A bedroom without a photograph always seems to indicate a heartless occupant, for one needs the presence of others when one falls asleep.
Graham Greene (Travels with My Aunt)
Rats are highly intelligent creatures. If we find out anything new about the human body we experiment on rats. Rats indeed are ahead of us indisputably in one respect - they live underground. We only began to live underground during the last war. Rats have understood the danger of surface life for thousands of years. When the atom bomb falls the rat will survive.
Graham Greene (Travels with My Aunt)
That hiccup is best cured by drinking out of the opposite rime of a glass. You can imitate a glass with your hand. Liquid is not a necessary part of the cure.
Graham Greene (Travels with My Aunt)
If I seem to the reader a somewhat static character he should appreciate the long conditioning of my career before retirement.
Graham Greene (Travels with My Aunt)
The Grand Tour was at its last gasp by 1900 but their trips to France and Italy, both then and later in my grandmother's life, exactly reflected the Tour's purpose and aspirations. You went abroad to look at art and architecture; such travel was essential education and improvement. I caught a last whiff of it myself in the late 1940s, towed round the Romanesque churches of central and southern France, my aunt determinedly seeking out every remote crumbling edifice, and my grandmother equipped with a supply of Ryvita, sandwich spread, Marmite and Ovaltine for the point when she could no longer endure unremitting French cuisine.
Penelope Lively (A House Unlocked)
Say yes and we’ll forever be completely consumed by each other. We’ll be the cool aunt and uncle, and we’ll travel and explore, and you will be mine and mine alone. I am absolutely wild about you. You are my sun and my moon
Morgan Elizabeth (Tis the Season for Revenge (Seasons of Revenge, #1))
One’s life is more formed, I sometimes think, by books than by human beings: it is out of books one learns about love and pain at second hand. Even if we have the happy chance to fall in love, it is because we have been conditioned by what we have read, and if I had never known love at all, perhaps it was because my father’s library had not contained the right books.
Graham Greene (Travels with My Aunt)
You want big and you want sparkle and you want extravagance. Not in price, but in love and adoration. And right here, right now, I’m promising to spend the rest of my life giving you that. Say yes and I’ll make you feel loved and cherished and appreciated until my last breath. Say yes and I’ll help you paint the world pink. Say yes and we’ll forever be completely consumed by each other. We’ll be the cool aunt and uncle, and we’ll travel and explore, and you will be mine and mine alone. I am absolutely wild about you. You are my sun and my moon and I will be yours. You completely consume me.
Morgan Elizabeth (Tis the Season for Revenge (Seasons of Revenge, #1))
And I'll have to stay home. For another nine or ten years or who knows how long.. Till I'm old enough to move out and travel on my own. It's just "sigh" I don't know if I can wait that long. And I don't know if I'll be satisfied ever again - living vicariously through my books. I just know... that I don't want to go home yet. I am not ready.
Reimena Yee (My Aunt Is a Monster)
My parents chose her and my two cousins to keep me company during their monthslong travels, and my aunt meant well, but sometimes her iron ways grated.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
there was a delicious sort of irony to reading a travel guide about a city you lived in. My aunt used to say that you could live somewhere your entire life and still find things to surprise you.
Ashley Poston (The Seven Year Slip)
The longer I lived in my aunt’s apartment, the more I could see why she’d kept it. Why, after her heartbreak with Vera, she hadn’t sold it, and instead traveled the world to stay away. There was a possibility in the sound of the lock clicking open, in the creak of the hinges as the door flung wide, a roulette that may or may not bring you back to the time when you felt happiest.
Ashley Poston (The Seven Year Slip)
I get it, he's hot. He probably gives you the best sex of your life. But if it doesn't fill you with tinglies to be around him every second you're around him—if he doesn't make you happy—then what the hell are you doing? You only live once," I said, because if I'd learned anything about living in a time-travelling apartment, no matter how much time you get, it's still never enough. And I wanted to start living my life like I was enjoying every moment that I had it. "And if you do it right," I said, remembering the way my aunt laughed as we sprinted to catch our connecting flights across the airport, how she flung her arms wide at the top of Arthur's Seat and the Parthenon and Santorini and every hill with a beautiful view she came across, as if she wanted to embrace the sky; the way she took her time to decide what she wanted on a menu; the way she asked everyone she met for their stories, absorbed their fairy tales, and chased the moon. "If you do it right," I repeated, "once is all you need.
Ashley Poston (The Seven Year Slip)
I have nearly always, during the last sixty or more years, had a friend,’ Aunt Augusta said. She added, perhaps because I looked incredulous, ‘Age, Henry, may a little modify our emotions—it does not destroy them.
Graham Greene (Travels with My Aunt)
But I am supposed to travel to the Lakes with my aunt and uncle in June!" Lady Matlock beamed. "All the better! They can collect you at Matlock Park. It is just off the North Road, and we would be delighted if they would break their journey with us." This was beginning to feel like a kidnapping.
Abigail Reynolds (Mr. Darcy's Journey: A Pride & Prejudice Variation)
Mom and Dad decided to drive out into the country to get some apple cider at Whipple’s Orchard. They asked if we wanted to come along. We said we’d rather stay home with Grandma. Then, as soon as they pulled out of the driveway, we begged Grandma to take us somewhere. “My turn! My turn! I want to visit her!” “Why, Liz, what a great choice! That’s Remember Allerton. She was your grandpa’s great-great-great-great-well, I forget exactly how many greats it was--aunt. She was one of the Pilgrims who came over on the Mayflower.” “Remember? What a weird name!” “That’s nothing! I know a dog named Sparkplug.” When you travel back in time, you have to put on the kind of clothes that people wore back then. If you don’t, they’ll think you’re really strange. “I have to wear three layers? I’ll bake!” “Trust me, Lenny. You’ll be happy to have them. No central heating, you know.” “Hey, I thought Pilgrims always wore black suits and big hats with buckles on them.” “Nope. They dressed like ordinary working people of their time--and they liked to wear colors, same as anybody else. Of course, on Sundays they put on their best suits and fancy collars.
Diane Stanley (Thanksgiving on Plymouth Plantation (The Time-Traveling Twins))
Did you say extraterrestrial life?' asked the reporter, amused. She wasn't buying this. Nobody believes the weirdos, even if the US military is behind it. Weird but easy to be expected after what I have been through. Who could believe that travel between other worlds was remotely possible? After hearing enough people tell me that I was crazy, including aunts, uncles, cousins, my parents and my siblings; it was easy for me to believe that I was. Why should society behave any different in regard to someone else?
bellatuscana (The War of Zaffaria (Zaffaria, #3))
Freedom, I thought, comes only to the successful
Graham Greene (Travels with My Aunt)
Hello, ladies, I’m your uncle Devlin. Has Westhaven scared you witless with his fuming and fretting?” This fellow looked to be great fun, with a nice smile and kind green eyes. “Mama and Papa didn’t say anything about getting uncles for Christmas,” Amanda observed, but she was smiling back at the big uncle. The biggest uncle—they were all as tall as Papa. “Well, that’s because we’re a surprise,” the other dark-haired fellow said. “I’m your uncle Valentine, and we have an entire gaggle of aunties waiting out in the coach to spoil you rotten. Westhaven here is just out of sorts because Father Christmas gave him a headache for being naughty yesterday.” “I was not naughty.” The other two uncles thought this was quite funny, judging by their smiles. “There’s your problem,” said Uncle Devlin. “I’m thinking it’s a fine day for a pair of ladies to join their aunts for a ride in the traveling coach.” Uncle Gayle—it didn’t seem fair to call him by the same name as Fleur’s puppy—appeared to consider this. “For what purpose?” “To keep the peace. Emmie and I never haul out our big guns around the children,” said Uncle Devlin, which made no sense. “Do you like to play soldiers?” Fleur asked. Amanda appeared intrigued by the notion. She was forever galloping up hills and charging down banisters in pursuit of the French. Uncle Devlin’s brows knitted—he had wonderful dark eyebrows, much like Papa’s. “As a matter of fact, on occasion, if I’ve been an exceedingly good fellow, my daughter lets me join her in a game of soldiers.” “I’m not exactly unfamiliar with the business myself,” said Uncle Valentine. “I excel at the lightning charge and have been known to take even the occasional doll prisoner.” “Missus Wolverhampton would not like being a prisoner,” Fleur said, though Uncle Valentine was teasing—wasn’t he?” “Perhaps you gentlemen can arrange an assignation to play soldiers with our nieces on some other day,” Westhaven said. He sounded like his teeth hurt, which Fleur knew might be from the seasonal hazard of eating too much candy. “You can play too,” Fleur allowed, because it was Christmas, and one ought to be kind to uncles who strayed into one’s nursery. “We’ll let you be Wellington,” Amanda added, getting into the spirit of the day. “Which leaves me to be Blucher’s mercenaries,” Uncle Devlin said, “saving the day as usual.” “Oh, that’s brilliant.” Uncle Valentine wasn’t smiling now. “Leave your baby brother to be the infernal French again, will you? See if I write a waltz for your daughter’s come out, St. Just.” Uncle Gayle wasn’t frowning quite so mightily. In fact, he looked like he wanted to smile but was too grown-up to allow it. “Perhaps you ladies will gather up a few soldiers and fetch a doll or two. We’re going on a short journey to find your mama and papa, so we can all share Christmas with them.” Fleur noticed his slip, and clearly, Amanda had too—but it was the same slip Amanda had made earlier, and one Fleur was perfectly happy to let everybody make. Uncle Gayle had referred to their papa’s new wife not as their stepmama, but as their mama. What a fine thing that would be, if for Christmas they got a mama again for really and truly. Amanda fetched their dolls, Fleur grabbed their favorite storybook, and the uncles herded them from the nursery, all three grown men arguing about whose turn it was to be the blasted French. ***
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
I was sunk deep in my middle age. All the same I laid my head against her breast. ‘I have been happy,’ I said, ‘but I have seen so bored for so long.
Graham Greene (Travels with My Aunt)
Too many books by too many authors can be confusing,
Graham Greene (Travels with My Aunt)
He let us in.
Graham Greene (Travels with My Aunt)
Human communication, it sometimes seems to me, involves an exaggerated amount of time.
Graham Greene (Travels with My Aunt)
I studied the Bible very carefully in those days, but there was little that was favourable to dogs in the Old Testament. Tobias took his dog with him on his journey with the angel, but it played no part in the story at all, not even when a fish tried to eat Tobias. A dog was an unclean beast, of course, in those times. He only came into his own with Christianity. It was the Christians who began to carve dogs in stone in the cathedrals, and even while they were still doubtful about women’s souls they were beginning to think that maybe a dog had one, though they couldn’t get the Pope to pronounce one way or the other, not even the Archbishop of Canterbury
Graham Greene (Travels with My Aunt)
Not many men can have been so loved or have been forgiven so much [...]
Graham Greene (Travels With my Aunt: A Novel)
She dabbed at her eyes. ‘You’d be bored, Henry. An unfinished bottle of champagne found in an old cupboard with all the sparkle gone …’ The jaded phrase was worthy of a Haymarket author.
Graham Greene (Travels With My Aunt)
I met my Aunt August for the first time in more than half a century at my mother's funeral. My mother was approaching eighty-six when she died, and my aunt was some eleven or twelve years younger. I had retired from the bank two years before with an adequate pension and a silver handshake. There had been a take-over by the Westminster and my branch was considered redundant. Everyone thought me lucky, but I found it difficult to occupy my time. I have never married, I have always lived quietly, and, apart from my interest in dahlias, I have no hobby. For those reasons I found myself agreeably excited by my mother's funeral.
Graham Greene (Travels with My Aunt)
All characters once dead, if they continue to exist in memory at all, tend to become fictions.
Graham Greene (Travels with My Aunt)
I didn't lover her, and she certainly didn't love me, but perhaps in a way we could have made a life together.
Graham Greene (Travels with My Aunt)
Too many books by too many authors can be confusing, like too many shirts and suits.
Graham Greene (Travels with My Aunt)
He travelled from one woman to another, Henry, all through his life. That comes to much the same thing. New landscapes, new customs. The accumulation of memories. A long life is not a question of years. A man without memories might reach the age of a hundred and feel that his life had been a very brief one.
Graham Greene (Travels with My Aunt)
The ambiguity was that attraction.
Graham Greene (Travels with My Aunt)
An unfinished bottle of champagne found in an old cupboard with all the sparkle gone.
Graham Greene (Travels with My Aunt)