Travel To Rome Quotes

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Traveling is a fool's paradise. Our first journeys discover to us the indifference of places. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern fact, the sad self, unrelenting, identical, that I fled from. I seek the Vatican, and the palaces. I affect to be intoxicated with sights and suggestions, but I am not intoxicated. My giant goes with me wherever I go.
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
Reading list (1972 edition)[edit] 1. Homer – Iliad, Odyssey 2. The Old Testament 3. Aeschylus – Tragedies 4. Sophocles – Tragedies 5. Herodotus – Histories 6. Euripides – Tragedies 7. Thucydides – History of the Peloponnesian War 8. Hippocrates – Medical Writings 9. Aristophanes – Comedies 10. Plato – Dialogues 11. Aristotle – Works 12. Epicurus – Letter to Herodotus; Letter to Menoecus 13. Euclid – Elements 14. Archimedes – Works 15. Apollonius of Perga – Conic Sections 16. Cicero – Works 17. Lucretius – On the Nature of Things 18. Virgil – Works 19. Horace – Works 20. Livy – History of Rome 21. Ovid – Works 22. Plutarch – Parallel Lives; Moralia 23. Tacitus – Histories; Annals; Agricola Germania 24. Nicomachus of Gerasa – Introduction to Arithmetic 25. Epictetus – Discourses; Encheiridion 26. Ptolemy – Almagest 27. Lucian – Works 28. Marcus Aurelius – Meditations 29. Galen – On the Natural Faculties 30. The New Testament 31. Plotinus – The Enneads 32. St. Augustine – On the Teacher; Confessions; City of God; On Christian Doctrine 33. The Song of Roland 34. The Nibelungenlied 35. The Saga of Burnt Njál 36. St. Thomas Aquinas – Summa Theologica 37. Dante Alighieri – The Divine Comedy;The New Life; On Monarchy 38. Geoffrey Chaucer – Troilus and Criseyde; The Canterbury Tales 39. Leonardo da Vinci – Notebooks 40. Niccolò Machiavelli – The Prince; Discourses on the First Ten Books of Livy 41. Desiderius Erasmus – The Praise of Folly 42. Nicolaus Copernicus – On the Revolutions of the Heavenly Spheres 43. Thomas More – Utopia 44. Martin Luther – Table Talk; Three Treatises 45. François Rabelais – Gargantua and Pantagruel 46. John Calvin – Institutes of the Christian Religion 47. Michel de Montaigne – Essays 48. William Gilbert – On the Loadstone and Magnetic Bodies 49. Miguel de Cervantes – Don Quixote 50. Edmund Spenser – Prothalamion; The Faerie Queene 51. Francis Bacon – Essays; Advancement of Learning; Novum Organum, New Atlantis 52. William Shakespeare – Poetry and Plays 53. Galileo Galilei – Starry Messenger; Dialogues Concerning Two New Sciences 54. Johannes Kepler – Epitome of Copernican Astronomy; Concerning the Harmonies of the World 55. William Harvey – On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals 56. Thomas Hobbes – Leviathan 57. René Descartes – Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy 58. John Milton – Works 59. Molière – Comedies 60. Blaise Pascal – The Provincial Letters; Pensees; Scientific Treatises 61. Christiaan Huygens – Treatise on Light 62. Benedict de Spinoza – Ethics 63. John Locke – Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education 64. Jean Baptiste Racine – Tragedies 65. Isaac Newton – Mathematical Principles of Natural Philosophy; Optics 66. Gottfried Wilhelm Leibniz – Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology 67. Daniel Defoe – Robinson Crusoe 68. Jonathan Swift – A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal 69. William Congreve – The Way of the World 70. George Berkeley – Principles of Human Knowledge 71. Alexander Pope – Essay on Criticism; Rape of the Lock; Essay on Man 72. Charles de Secondat, baron de Montesquieu – Persian Letters; Spirit of Laws 73. Voltaire – Letters on the English; Candide; Philosophical Dictionary 74. Henry Fielding – Joseph Andrews; Tom Jones 75. Samuel Johnson – The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
Travelling is a fool's paradise. We owe to our first journeys the discovery that place is nothing. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern Fact, the sad self, unrelenting identical that I fled from.
Ralph Waldo Emerson (Essays, First Series)
I am praetor of the legion," Reyna said. "I judge this to be in the best interest of Rome." "To get yourself killed? To break our oldest laws and travel to the Ancient Lands? How will you even find their ship, assuming you survive the journey?" [Octavian] "I will find them," Reyna said.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
It is a traveler’s fallacy that one should shop for clothing while abroad. Those white linen tunics, so elegant in Greece, emerge from the suitcase as mere hippie rags; the beautiful striped shirts of Rome are confined to the closet; and the delicate hand batiks of Bali are first cruise wear, then curtains, then signs of impending madness.
Andrew Sean Greer (Less)
I desired that the Senate of Rome might appear before me in one large chamber, and a modern representative, in counterview, in another. The first seemed to be an assembly of heroes and demi-gods; the other, a knot of pedlars, pick-pockets, highwaymen, and bullies.
Jonathan Swift (Gulliver’s Travels)
Rome was as wonderful as I had hoped it would be, certainly a step up from Peoria.
Bill Bryson (Neither Here Nor There: Travels in Europe)
People think that they can love only when they find a worthy partner—nonsense! You will never find one. People think they will love only when they find a perfect man or a perfect woman. Nonsense! You will never find them, because perfect women and perfect men don’t exist. And if they exist, they won’t bother about your love. They will not be interested. I have heard about a man who remained a bachelor his whole life because he was in search of a perfect woman. When he was seventy, somebody asked, “You have been traveling and traveling—from New York to Kathmandu, from Kathmandu to Rome, from Rome to London you have been searching. Could you not find a perfect woman? Not even one?” The old man became very sad. He said, “Yes, once I did. One day, long ago, I came across a perfect woman.” The inquirer said, “Then what happened? Why didn’t you get married?” Sadly, the old man said, “What to do? She was looking for a perfect man.
Osho (Being in Love: How to Love with Awareness and Relate Without Fear)
A travel website says that there are 280 fountains in Rome, but it seems as if there are more:...Remove them and there is no present tense, no circulatory system, nor dreams to balance the waking hours. No Rome.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Today, as in ancient Rome, when all avenues of success have been traveled and all prizes won, the final prize is the delusion of godhead.
David Mamet (Three Uses of the Knife: On the Nature and Purpose of Drama)
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
You were Something or someone I loved But I am a traveler And I love no one But the empty road
Dorothea Lasky (Rome: Poems)
As he read the long poem, I began thinking that, unlike him, I had always found a way to avoid counting the days. We were leaving in three days—and then whatever I had with Oliver was destined to go up in thin air. We had talked about meeting in the States, and we had talked of writing and speaking by phone—but the whole thing had a mysteriously surreal quality kept intentionally opaque by both of us—not because we wanted to allow events to catch us unprepared so that we might blame circumstances and not ourselves, but because by not planning to keep things alive, we were avoiding the prospect that they might ever die. We had come to Rome in the same spirit of avoidance: Rome was a final bash before school and travel took us away, just a way of putting things off and extending the party long past closing time. Perhaps, without thinking, we had taken more than a brief vacation; we were eloping together with return-trip tickets to separate destinations.
André Aciman (Call Me by Your Name)
America for Me 'Tis fine to see the Old World and travel up and down Among the famous palaces and cities of renown, To admire the crumblyh castles and the statues and kings But now I think I've had enough of antiquated things. So it's home again, and home again, America for me! My heart is turning home again and there I long to be, In the land of youth and freedom, beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Oh, London is a man's town, there's power in the air; And Paris is a woman's town, with flowers in her hair; And it's sweet to dream in Venice, and it's great to study Rome; But when it comes to living there is no place like home. I like the German fir-woods in green battalions drilled; I like the gardens of Versailles with flashing foutains filled; But, oh, to take your hand, my dear, and ramble for a day In the friendly western woodland where Nature has her sway! I know that Europe's wonderful, yet something seems to lack! The Past is too much with her, and the people looking back. But the glory of the Present is to make the Future free-- We love our land for what she is and what she is to be. Oh, it's home again, and home again, America for me! I want a ship that's westward bound to plough the rolling sea, To the blessed Land of Room Enough, beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars.
Henry Van Dyke
When the ancient Romans would conquer a new place or a new people, they would leave the language and the customs in tact – they would even let the conquered people rule themselves in most cases, appointing a governor to maintain a foothold in the region.” Wilson leaned against the whiteboard as he spoke, his posture relaxed, his hands clasped loosely.“This was part of what made Rome so successful. They didn't try to make everyone Romans in the process of conquering them. When I went to Africa with the Peace Corp, a woman who worked with the Corp said something to me that I have often thought about since. She told me 'Africa is not going to adapt to you. You are going to have to adapt to Africa.' That is true of wherever you go, whether it's school or whether it's in the broader world.
Amy Harmon (A Different Blue)
I love the way the Italians park. You turn any street corner in Rome and it looks as if you’ve just missed a parking competition for blind people.
Bill Bryson (Neither Here, Nor There: Travels in Europe (Bryson Book 11))
Rome is a broken mirror, the falling straps of a dress, a puzzle of astonishing complexity. It is an iceberg floating below our terrace, all its ballasts hidden beneath the surface.
Anthony Doerr
I always want to be somewhere else, in the place I have just fled from. In recent years this condition has, if anything, become worse: I go to and from Vienna at diminishing intervals, and from Nathal I will often go to some other big city, to Venice or Rome and back, or to Prague and back. The truth is that I am happy only when I am sitting in the car, between the place I have just left and the place I am driving to. I am happy only when I am traveling; when I arrive, no matter where, I am suddenly the unhappiest person imaginable. Basically I am one of those people who cannot bear to be anywhere and are happy only between places.
Thomas Bernhard (Wittgenstein’s Nephew)
It was almost May. I knew that New York was getting warm now, that London was wet, that Rome was hot -- and I was on Vieques, where it was always hot and where New York and London and Rome were just names on a map.
Hunter S. Thompson
that Rome (if one does not yet know it) has an oppressingly sad effect for the first few days: through the lifeless and doleful museum atmosphere it exhales, through the abundance of its pasts, fetched-forth and laboriously upheld pasts (on which a small present subsists), through the immense overestimation, sustained by savants and philologists and copied by the average traveler in Italy, of all these disfigured and dilapidated things, which at bottom are after all no more than chance remains of another time and of a life that is not and must not be ours. Finally, after weeks of being daily on the defensive, one finds oneself again, if still somewhat confused, and one says to oneself: no, there is not more beauty here than elsewhere, and all these objects, continuously admired by generations and patched and mended by workmen's hands, signify nothing, are nothing, and have no heart and no value; -- but there is much beauty here, because there is much beauty everywhere.
Rainer Maria Rilke (Letters to a Young Poet)
I was struck by the ancient, pagan feel of the place. New Orleans doesn't feel like any other American city I've been to. It has an atmosphere like Rome or Istanbul, a sense of the veil being very thin between this world and the world of the fictional and the dead. It is an eerie, haunted, and beautiful place - as any port should be.
Craig Ferguson (Riding the Elephant: A Memoir of Altercations, Humiliations, Hallucinations, and Observations)
I am not so gifted as at one time seemed likely. Certain things lie beyond my scope. I shall never understand the harder problems of philosophy. Rome is the limit of my travelling. As I drop asleep at night it strikes me sometimes with a pang that I shall never see savages in Tahiti spearing fish by the light of a blazing cresset, or a lion spring in the jungle, or a naked man eating raw flesh. Nor shall I learn Russian or read the Vedas. I shall never again walk bang into the pillar-box. (But still a few stars fall through my night, beautifully, from the violence of that concussion.) But as I think, truth has come nearer.
Virginia Woolf (The Waves)
I want so badly to help you realize, Elizabeth Anne, how difficult and puzzling and full of wonder it all is: some day I will tell you how I learned to watch the shifting light of autumn days or smelled the earth through snow in March; how one winter morning God vanished from my life and how one summer evening I sat in a Ferris wheel, looking down on a man that hurt me badly; I will tell you how I once travelled to Rome and saw all the soldiers in that city of dead poets; I will tell you how I met your father outside a movie house in Toronto, and how you came to be. Perhaps that is where I will begin. On a winter afternoon when we turn the lights on early, or perhaps a summer day of leaves and sky, I will begin by conjugating the elemental verb. I am. You are. It is.
Richard B. Wright (Clara Callan)
He (Lafcadio) was sitting all alone in a compartment of the train which was carrying him away from Rome, & contemplating–not without satisfaction–his hands in their grey doeskin gloves, as they lay on the rich fawn-colored plaid, which, in spite of the heat, he had spread negligently over his knees. Through the soft woolen material of his traveling-suit he breathed ease and comfort at every pore; his neck was unconfined in its collar which without being low was unstarched, & from beneath which the narrow line of a bronze silk necktie ran, slender as a grass snake, over his pleated shirt. He was at ease in his skin, at ease in his shoes, which were cut out of the same doeskin as his gloves; his foot in its elastic prison could stretch, could bend, could feel itself alive. His beaver hat was pulled down over his eyes & kept out the landscape; he was smoking dried juniper, after the Algerian fashion, in a little clay pipe & letting his thoughts wander at their will …
André Gide
When I was a child growing up in Salinas we called San Francisco “the City”. Of course it was the only city we knew, but I still think of it as the City, and so does everyone else who has ever associated with it. A strange and exclusive work is “city”. Besides San Francisco, only small sections of London and Rome stay in the mind as the City. New Yorkers say they are going to town. Paris has no title but Paris. Mexico City is the Capital. p197
John Steinbeck (Travels with Charley: In Search of America)
We think of Rome as an empire in a way that we do not use for other nations. The others are pretenders. Rome stands alone. Throughout Europe, North Africa, and the Near East its wreckage still draws the traveler and speaks a message that is haunting: this was imperial, this was lasting, this is gone.
James Salter (There and Then: The Travel Writing of James Salter)
Every member of every tribe was entitled to his vote, but since this had to be delivered in person at the Ovile the practical effect was to ensure that only the wealthiest out-of-towner could afford to travel to Rome to exercise his right. Inevitably, this served to skew the voting in favor of the rich.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
For two days, we had travelled the Labyrinth - across pits of darkness and around lakes of poison, through dilapidated shopping malls with only discount Halloween stores and questionable Chinese food buffets. The Labyrinth could be a bewildering place. Like a web of capillaries beneath the skin of the mortal world, it connected basements, sewers and forgotten tunnels around the globe with no regard to the rules of time and space. One might enter the Labyrinth through a manhole in Rome, walk ten feet, open a door and find oneself at a training camp for clowns in Buffalo, Minnesota. (Please don't ask. It was traumatic.)
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
If you go to Rome, you might want to visit the Campo de’ Fiori—the “Plain of Flowers”—where there is an imposing statue of Bruno on the very spot where he faced his death.
Michio Kaku (The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality, and Our Destiny BeyondEarth)
You should visit the Palatine. It's at the top of that hill . . ." "I know where the Palatine is, Dexter, I was visiting Rome before you were born." "Yes, who was emperor back then?
David Nicholls (One Day)
It is a traveler’s fallacy that one should shop for clothing while abroad. Those white linen tunics, so elegant in Greece, emerge from the suitcase as mere hippie rags; the beautiful striped shirts of Rome are confined to the closet; and the delicate hand batiks of Bali are first cruise wear, then curtains, then signs of impending madness. And then there is Paris.
Andrew Sean Greer (Less (Arthur Less, #1))
Andersen himself believed that many of his finest stories were written after travels to Rome, Naples, Constantinople, and Athens in 1841. He returned to Copenhagen reinvigorated by the encounter with the 'Orient' and began inventing his own tales rather than relying on the folklore of his culture. Andersen believed that he had finally found his true voice, and 'The Snow Queen,' even if it does not mark a clean break with the earlier fairy tales, offers evidence of a more reflective style committed to forging new mythologies rather than producing lighthearted entertainments.
Maria Tatar
In Rome, either things can be done, or they cannot. When someone tells you that they cannot, there’s an end to it.’ ‘In Paris, it’s much more convenient: when something can’t be done, you pay double and immediately you get what you wanted.’ ‘I hear all Frenchmen say this,’ said Signor Pastrini, a trifle stung by it. ‘So I don’t understand how they manage to travel.’ ‘But, then,’ said Albert, unhurriedly blowing his smoke towards the ceiling and leaning backwards, balancing on the two rear legs of his chair, ‘it is only fools and innocents like ourselves who travel. Sensible men stay in their apartments in
Alexandre Dumas (The Count of Monte Cristo)
And I would travel from asteroid to asteroid Trying to find the one that would be ours Building palace after palace until it feels like home From London to Paris, from New York to Rome The Little Prince, Alex Winslow
L.J. Shen (Midnight Blue)
And he knew he would not be travelling home. If he had to wear a donkey jacket and wait for fifty years, then he would wait. At last there was a place in the world where he had reason to be, a place that had meaning. For days, without realising it, he had sensed this meaning everywhere, in the streets, houses, ruins and temples of Rome. It could not be said of the feeling that it was 'filled with pleasurable expectation'. Rome and its millennia were not by nature associated with happiness, and what Mihály anticipated from the future was not what is usually conjured up by 'pleasurable expectation'. He was awaiting his fate, the logical, appropriately Roman, ending.
Antal Szerb (Journey by Moonlight)
I don’t know exactly what life has in store for me, but my travels have helped me formulate a better idea of my immediate next move. Europe is where my heart lies, now; here in Paris, at a gallery or museum, or possibly Rome, where Alexander took me last winter.
Pippa Croft (Fourth Time Forever (Oxford Blue, #3.5))
Forever, Tom thought. Maybe he’d never go back to the States. It was not so much Europe itself as the evenings he had spent alone, here and in Rome, that made him feel that way. Evenings by himself simply looking at maps, or lying around on sofas thumbing through guidebooks. Evenings looking at his clothes - his clothes and Dickie’s - and feeling Dickie’s rings between his palms, and running his fingers over the antelope suitcase he had bought at Gucci’s. He had polished the suitcase with a special English leather dressing, not that it needed polishing because he took such good care of it, but for its protection. He loved possessions, not masses of them, but a select few that he did not part with. They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn’t that worth something? He existed. Not many people in the world knew how to, even if they had the money. It really didn’t take money, masses of money, it took a certain security. He had been on the road to it, even with Marc Priminger. He had appreciated Marc’s possessions, and they were what had attracted him to the house, but they were not his own, and it had been impossible to make a beginning at acquiring anything of his own on forty dollars a week. It would have taken him the best years of his life, even if he had economised stringently, to buy the things he wanted. Dickie’s money had given him only an added momentum on the road he had been travelling. The money gave him the leisure to see Greece, to collect Etruscan pottery if he wanted (he had recently read an interesting book on that subject by an American living in Rome), to join art societies if he cared to and to donate to their work. It gave him the leisure, for instance, to read his Malraux tonight as late as he pleased, because he did not have to go to a job in the morning. He had just bought a two-volume edition of Malraux’s Psychologic de I’art which he was now reading, with great pleasure, in French with the aid of a dictionary.
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
Consistency was never a strong suit in Rome. The city is at turns austere and extravagant, luxurious and shabby, regal and bohemian, deadly serious and surprisingly playful. Eternal and fleeting. When you’ve lived as many lives as Rome has, you’re allowed to be malleable.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
But life seemed fuller, more populated than it had a year ago. She went to exhibitions and films, sometimes alone, sometimes with a friend, and when she’d saved enough of Neil’s money, which was her money, she went on a solo trip to Italy, role-playing a character in a Forster novel. In Florence, she read performatively in cafés and sat in the cool of exquisite churches, straining for some kind of spiritual feeling. In Rome, she visited the Non-Catholic Cemetery and sought out the graves of Keats and Shelley and found herself moved and mortified by being moved.
David Nicholls (You Are Here)
If Parts Unknown and its many imitators have taught us anything, it’s that we’re living in the Golden Age of Gastrotourism. The same people who once traveled to Rome to stare at statues now go to twirl bucatini on their forks and filter balls of burrata onto their Instagram accounts.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
I traveled with my work. I went to Paris, Boston, Rome, São Paolo, Berlin, Madrid, Tokyo. I wanted to fill my mind with human faces, in order to forget Isobel’s. But I achieved the opposite effect. By studying the entire human species, I felt more toward her specifically. By thinking of the cloud, I thirsted for the raindrop.
Matt Haig (The Humans)
He had a low opinion of Britons and all barbarians including me (“nothing personal—some of my best friends are barbarians”), women, the British climate, high brass, and priests; he thought well of Caesar, Rome, the gods, and his own professional ability. The army wasn’t what it used to be and the slump came from treating auxiliaries like Roman citizens.
Robert A. Heinlein (Have Space Suit-Will Travel)
But beyond the extravagance of Rome's wealthiest citizens and flamboyant gourmands, a more restrained cuisine emerged for the masses: breads baked with emmer wheat; polenta made from ground barley; cheese, fresh and aged, made from the milk of cows and sheep; pork sausages and cured meats; vegetables grown in the fertile soil along the Tiber. In these staples, more than the spice-rubbed game and wine-soaked feasts of Apicius and his ilk, we see the earliest signs of Italian cuisine taking shape. The pillars of Italian cuisine, like the pillars of the Pantheon, are indeed old and sturdy. The arrival of pasta to Italy is a subject of deep, rancorous debate, but despite the legend that Marco Polo returned from his trip to Asia with ramen noodles in his satchel, historians believe that pasta has been eaten on the Italian peninsula since at least the Etruscan time. Pizza as we know it didn't hit the streets of Naples until the seventeenth century, when Old World tomato and, eventually, cheese, but the foundations were forged in the fires of Pompeii, where archaeologists have discovered 2,000-year-old ovens of the same size and shape as the modern wood-burning oven. Sheep's- and cow's-milk cheeses sold in the daily markets of ancient Rome were crude precursors of pecorino and Parmesan, cheeses that literally and figuratively hold vast swaths of Italian cuisine together. Olives and wine were fundamental for rich and poor alike.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
she went on a solo trip to Italy, role-playing a character in a Forster novel. In Florence, she read performatively in cafés and sat in the cool of exquisite churches, straining for some kind of spiritual feeling. In Rome, she visited the Non-Catholic Cemetery and sought out the graves of Keats and Shelley and found herself moved and mortified by being moved.
David Nicholls (You Are Here)
What do you want, Rachel?” he asks. “I want the world,” I reply. “I want to sail around Phuket Island, topless on a yacht. I want to fuck in the gardens at Versailles and get chased out by French police. I want to eat pizza by the hour and drink wine straight from the bottle, stumbling around the streets of Rome at two in the morning. I want to dance in a fountain, Jake. I want to be a doctor and travel the country watching men at the top of their game play hazardous sports. I want to feel their sweat and smell their blood on the ice. I want to live. And I never want to turn an opportunity down out of fear that I’m not conforming to that dream of normal. Because I’m not normal, Jake. We’re not normal. We’re extraordinary. Be extraordinary with me.
Emily Rath (Pucking Around (Jacksonville Rays, #1))
I’ve been around the world, and I thought I’d seen everything it had to offer until that night, until I saw you. In all my life, I’ve never seen anything so beautiful, not standing in the Blue Mosque or the Taj Mahal. Not in the streets of Rome or canals of Venice. Making you smile gives me life. Making you laugh gives me hope. Making you happy is all I want, other than to keep you
Staci Hart (Chaser (Bad Habits, #2))
I love the way the Italians park. You turn any street corner in Rome and it looks as if you’ve just missed a parking competition for blind people. Cars are pointed in every direction, half on the sidewalks and half off, facing in, facing sideways, blocking garages and side streets and phone booths, fitted into spaces so tight that the only possible way out would be through the sun roof.
Bill Bryson (Neither Here Nor There: Travels in Europe)
She kept the picture, though. She carried it with her everywhere she traveled: Istanbul and Rome, Berlin where she lived for three moths, sharing a flat with two Swedes. One night they got blitzed and she showed them the picture. The blond boys smiled at her quizzically, handing it back. It meant nothing to anybody but her, which was part of the reason she could never get rid of it. It was the only part of her life that was real. She didn't know what to do with the rest. All the stories she knew were fiction, so she began to create new ones. She was the daughter of a doctor, an actor, a baseball player. She was taking a break from medical school. She had a boyfriend back home named Reese. She was white, she was black, she became a new person as soon as she crossed a border. She was always inventing her life.
Brit Bennett (The Vanishing Half)
He peeled the towel that imprisoned us away and let it fall. I felt it slide softly off my backside, and I felt, too, his rising excite¬ment, hard, erect, pressing against me. My nipples were erect, straining, aching, pressed against his strong warm damp chest, the tangle and pattern of his hair. He was a beast, an animal. My excitement was rising again, to match his. It was as if my heart were about to burst or to flip flop, breathless, into a dark abyss. “Of course, you are crazy, my darling, but, then, so am I.” He kissed me and his oh-so-clever hands seized my waist, tighten¬ing, and then sneaking up my backside, pulling me, pressing me closer, into him. He kissed me again, and his lips moved down my neck to my shoulder and then to my breasts. “Oh,” I said, “Oh.” He bent over me, kissing my collarbone and then my breasts, carefully, slowly, his hands traveling down my back, and over my backside; suddenly, he was on his knees, kissing the whorl of 101 my belly button; then he was forcing me open, gently, gently, his tongue exploring caressing, devouring … “Oh …” I exhaled a deep, shuddering breath. I tipped on the very edge. He bit me, gently. Oooooh! He pulled in the reins, the bit and bridle, of the frisky frothing filly that I had become; this sudden halt made me wilder, crazier; then, once again, he brought me, trembling, up to the very, very edge of the cliff – of orgasm, of loss of self. Then he pulled me back. I blinked and trembled. Around the two of us, there was a whole world, a whole universe. It seemed too vivid to be real, like the backdrop in an opera. Venus was brighter and lower now. The sky had turned deep indigo. One by one, stars appeared.
Gwendoline Clermont (The Shaming of Gwendoline C)
She positions herself on a stool in front of a giant washing machine, watching her garments twirl in flashing patterns of red and white on a sea of black. It subdues her, that clothes can be washed in Boston or Rome and look the same for it, that she can step on an airplane and be anywhere else in the civilized world within a day and wear the same clothes and be the same person. That the small realities stay knitted together!
Eliot Schrefer (The New Kid)
I never met a librarian worth his or her salt who didn't perceive my passion for books. And without exception, each one would lend me a book on a subject we had been discussing. No paperwork, no formalities of any kind, no rules or regulations. My unspoken side of the bargain was to protect them, in two ways; first by keeping the book unharmed - not that easy, especially in bad weather, but when it rained, I carried the book next to my skin. I can tell you now that carrying Gulliver's Travels or Lays of Ancient Rome or Mr. Oscar Wilde's stories or Mr. William Yeat's poems next to my heart gave me a kind of sweet pleasure. The second half of the bargain often nearly broke my heart, but I always kept it - and that was to return the book safe and sound to the library that had lent it. To part company with Mr. Charles Dickens or Mr. William Makepeace Thackeray and his lovely name! - that was harder than saying good-bye to a dear flesh-and-blood companion. But I always did it - and I sent the book by registered post, no small consideration of cost given the peculiar economics of an itinerant storyteller.
Frank Delaney (Ireland)
This then is Borgia Rome: a city where a traveler entering the gates must still cross acres of country before he reaches the center, where animals still outnumber citizens, goats and cattle grazing the imperial ruins, their insistent teeth pulling weeds—and mortar—from between the stones of history. A city still struggling with a chasm of hardship between rich and poor, still ripped apart by gross family violence. But also a place of growing magnificence and confidence where, for the first time in centuries, the future no longer looks bleaker than the past, and where the new Pope has chosen for himself a name designed to foster a belief in magnificence again. Alexander
Sarah Dunant (Blood & Beauty: The Borgias)
Not every change is so subtle. There are chefs in Rome taking the same types of risks other young cooks around the world are using to bend the boundaries of the dining world. At Metamorfosi, among the gilded streets of Parioli, the Columbian-born chef Roy Caceres and his crew turn ink-stained bodies into ravioli skins and sous-vide egg and cheese foam into new-age carbonara and apply the tools of the modernist kitchen to create a broad and abstract interpretation of Italian cuisine. Alba Esteve Ruiz trained at El Celler de Can Roca in Spain, one of the world's most inventive restaurants, before, in 2013, opening Marzapane Roma, where frisky diners line up for a taste of prawn tartare with smoked eggplant cream and linguine cooked in chamomile tea spotted with microdrops of lemon gelée.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
I didn’t say it out loud because I knew he’d mock me—but I was thinking of writing my memoirs, too. The life of Vercingetorix the Red: soldier, and gladiator, and general who had traveled the length and breadth of the Empire, served three emperors, loved one empress and fathered another. Hadrian would preserve my son in his memoirs, god and beloved—but what of the others who had crossed Hadrian’s path and mine over the course of our long and complicated lives? What about Titus, friend and future Caesar? Young Marcus, Imperial heir and future son-in-law? And all those women, the women in blue: sinuous lapis-eyed Sabina, bitter-edged Mirah in her blue scarf, merry sapphire-decked Faustina, and fleet-footed Annia running in a bloodstained blue tunic to save the Empire? If Hadrian will not tell their story, I suppose it will be up to me.
Kate Quinn (Lady of the Eternal City (The Empress of Rome Book 4))
One must act radically. When one pulls out a tooth, one does it with a single tug, and the pain quickly goes away. The Jew must clear out of Europe. Otherwise no understanding will be possible between Europeans. It's the Jew who prevents everything. When I think about it, I realise that I'm extraordinarily humane. At the time of the rule of the Popes, the Jews were mistreated in Rome. Until 1830, eight Jews mounted on donkeys were led once a year through the streets of Rome. For my part, I restrict myself to telling them they must go away. If they break their pipes on the journey, I can't do anything about it. But if they refuse to go voluntarily, I see no other solution but extermination. Why should I look at a Jew through other eyes than if he were a Russian prisoner-of-war? In the p.o.w. camps, many are dying. It's not my fault. I didn't want either the war or the p.o.w. camps. Why did the Jew provoke this war? A good three hundred or four hundred years will go by before the Jews set foot again in Europe. They'll return first of all as commercial travellers, then gradually they'll become emboldened to settle here—the better to exploit us. In the next stage, they become philanthropists, they endow foundations. When a Jew does that, the thing is particularly noticed—for it's known that they're dirty dogs. As a rule, it's the most rascally of them who do that sort of thing. And then you'll hear these poor Aryan boobies telling you : "You see, there are good Jews !" Let's suppose that one day National Socialism will undergo a change, and become used by a caste of privileged persons who exploit the people and cultivate money. One must hope that in that case a new reformer will arise and clean up the stables.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
As he read the long poem, I began thinking that, unlike him, I had always found a way to avoid counting the days. We were leaving in three days— and then whatever I had with Oliver was destined to g o up in thin air. We had talked about meeting in the States, and we had talked of writing and speaking by phone— but the whole thing had a mysteriously surreal quality kept intentionally opaque by both of us— not because we wanted to allow events to catch us unprepared so that we might blame circumstances and not ourselves, but because by not planning to keep things alive, we were avoiding the prospect that they might ever die. We had come to Rome in the same spirit of avoidance: Rome was a final bash before school and travel took us away, just a way of putting things off and extending the party long past closing time. Perhaps, without thinking, we had taken more than a brief vacation; we were eloping together with return-trip tickets to separate destinations.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
Later, this desire will invade and overwhelm me. It will begin, in the classic way, with an urge to travel to new places, destinations selected from maps and picture postcards. I will take trains, boats, planes, I will embrace Europe, discover London, a youth hostel next to Paddington Station, a Bronski Beat concert, thrift stores, the speakers of Hyde Park, beer gardens, darts, tawdry nights, Rome, walks among the ruins, finding shelter under the umbrella pines, tossing coins into fountains, watching boys with slicked-back hair whistle at passing girls. Barcelona, drunken wanderings along La Rambla and accidental meetings late on the waterfront. Lisbon and the sadness that’s inevitable before such faded splendor. Amsterdam with her mesmerizing volutes and red neon. All the things you do when you’re twenty years old. The desire for constant movement will come after, the impossibility of staying in one place, the hatred of the roots that hold you there, Doesn’t matter where you go, just change the scenery,
Philippe Besson (Lie With Me)
After a lineup of stellar secondi- braised tripe, fried lamb chops, veal braciola simmered in tomato sauce- Andrea and I wander into the kitchen to talk with Leonardo Vignoli, the man behind the near-perfect meal. Cesare al Casaletto had been a neighborhood anchor since the 1950's, but when Leonardo and his wife, Maria Pia Cicconi, bought it in 2009, they began implementing small changes to modernize the food. Eleven years working in Michelin-starred restaurants in France gave Leonardo a perspective and a set of skills to bring back to Rome. "I wanted to bring my technical base to the flavors and aromas I grew up on." From the look of the menu, Cesare could be any other trattoria in Rome; it's not until you twirl that otherworldly cacio e pepe (which Leonardo makes using ice in the pan to form a thicker, more stable emulsion) and attack his antipasti- polpette di bollito, crunchy croquettes made from luscious strands of long-simmered veal; a paper cone filled with fried squid, sweet and supple, light and greaseless- that you understand what makes this place special.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
When one travels, one does so to learn: a change of place should mean a change of scenery. Imagine how you will look when people ask you: "How do they execute criminals in Rome?" and you have to answer: "I don't know." Then, they say that the condemned man is an infamous rogue, a maniac who took a gridiron and beat to death a good priest who had brought him up as his own son. Just think! When you kill a man of the cloth, you should at least use a more appropriate implement than a gridiron, especially when this priest could be your father. If you were travelling through Spain, you would go and see a bullfight, wouldn't you? Well, imagine that we are going to see a fight; imagine the Ancient Romans and their Circus, those wild-beast hunts in which they killed a hundred lions and a hundred men. Remember the eighty thousand spectators clapping their hands, the virtuous matrons who would take their unmarried daughters, and those delightful Vestal Virgins whose pure white hands would give a charming little sign with the thumb that meant: "Come on, don't be lazy! Finish him off, that man who is already three-quarters dead!
Alexandre Dumas (The Count of Monte Cristo)
To return to central Rome, it’s another two miles north along a busy stretch of road, not recommended on foot or bike. Instead, catch bus #118 from the bus stop about 75 yards past Domine Quo Vadis Church (across from the TI). Bus #118 makes several interesting stops (see below) on its way to the Piramide Metro stop. (Note that another bus, the #218, also goes from here to San Giovanni in Laterano.) For those with more energy, there’s more to see, especially if you’re renting a bike and want to just get away from it all. Other Sights on or near the Appian Way Consider these diversions if you have the time and interest. More of the Appian Way: Heading south (away from downtown Rome), past the Tomb of Cecilia Metella, you’ll find the best-preserved part of the Appian Way—quieter, less touristed, and lined with cypresses, pines, and crumbling tombs. It’s all downhill after the first few hundred yards. On a bike, you’ll travel over lots of rough paving stones (or dirt sidewalks) for about 30 minutes to reach a big pyramid-shaped ruin on its tiny base, and then five minutes more to the back side of the Villa dei Quintili.
Rick Steves (Rick Steves' Tour: Appian Way, Rome)
He had in his head a scrapbook of the tastes that had impacted him the most during his travels: goat cheese and olive oil in California, the tropical fruits and chilies of South America, everything that had touched his lips in Japan. When Angelo and Paolo talk about their travels, they turn to the memories- the parties, the people, the crazy times had, always with the metronome of mozzarella beating in the background. But what followed Vito were the flavors- the dishes, the ingredients, and techniques unknown to most of Italy. "When I came back from Japan, there were six kilos of matcha, two kilos of coconut powder, and twelve bottles of Nikka whiskey in my bag. In Rome they stopped me and opened the bag. They thought they had caught me with cocaine. I told the guy to open up the bag and taste." Vito didn't drink Nikka (he and his brothers rarely drink alcohol); instead, he emptied all twelve bottles into a wooden bucket, where he now soaks blue cheese made from sheep's milk to make what he calls formaggio clandestino. He stirs up a spoon of high-grade matcha powder into Dicecca's fresh goat yogurt and sells it in clear plastic tubs, anxious for anyone- a loyal client, a stranger, a disheveled writer- to taste something new.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
By his early-twenties, John F. Kennedy was living one of the most extraordinary young American lives of the twentieth century. He traveled in an orbit of unprecedented wealth, influence, global mobility, and power. As a student and as diplomatic assistant to his father, who served as U.S. ambassador to the United Kingdom from 1938 to 1940, Kennedy journeyed to England, Ireland, France, Moscow, Berlin, Beirut, Damascus, Athens, and Turkey, pausing briefly from a vacation on the French Riviera to sleep with the actress Marlene Dietrich. He met with top White House officials and traveled to Cuba, Rio de Janeiro, Buenos Aires, Santiago, Peru, and Ecuador. He gambled in a casino in Monte Carlo; visited Naples, Capri, Milan, Florence, Venice, and Rome; rode a camel at the Great Pyramid at Giza; attended the coronation of Pope Pius XII; and witnessed a rally for Italian dictator Benito Mussolini. He recalled of these momentous years, 'It was a great opportunity to see a period of history which was one of the most significant.' In a visit to British-occupied Palestine, Kennedy recalled, 'I saw the rock where our Lord ascended into heaven in a cloud, and [in] the same area, I saw the place where Mohammed was carried up to heaven on a white horse.
William Doyle
Italian cuisine is the most famous and beloved cuisine in the world for a reason. Accessible, comforting, seemingly simple but endlessly delicious, it never disappoints, just as it seems to never change. It would be easy to give you, dear reader, a book filled with the al dente images of the Italy of your imagination. To pretend as if everything in this country is encased in amber. But Italian cuisine is not frozen in time. It's exposed to the same winds that blow food traditions in new directions every day. And now, more than at any time in recent or distant memory, those forces are stirring up change across the country that will forever alter the way Italy eats. That change starts here, in Rome, the capital of Italy, the cradle of Western civilization, a city that has been reinventing itself for three millennia- since, as legend has it, Romulus murdered his brother Remus and built the foundations of Rome atop the Palatine Hill. Here you'll find a legion of chefs and artisans working to redefine the pillars of Italian cuisine: pasta, pizza, espresso, gelato, the food that makes us non-Italians dream so ravenously of this country, that makes us wish we were Italians, and that stirs in the people of Italy no small amount of pride and pleasure.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
POEM – MY AMAZING TRAVELS [My composition in my book Travel Memoirs with Pictures] My very first trip I still cannot believe Was planned and executed with such great ease. My father, an Inspector of Schools, was such a strict man, He gave in to my wishes when I told him of the plan. I got my first long vacation while working as a banker One of my co-workers wanted a travelling partner. She visited my father and discussed the matter Arrangements were made without any flutter. We travelled to New York, Toronto, London, and Germany, In each of those places, there was somebody, To guide and protect us and to take us wonderful places, It was a dream come true at our young ages. We even visited Holland, which was across the Border. To drive across from Germany was quite in order. Memories of great times continue to linger, I thank God for an understanding father. That trip in 1968 was the beginning of much more, I visited many countries afterward I am still in awe. Barbados, Tobago, St. Maarten, and Buffalo, Cirencester in the United Kingdom, Miami, and Orlando. I was accompanied by my husband on many trips. Sisters, nieces, children, grandchildren, and friends, travelled with me a bit. Puerto Rico, Los Angeles, New York, and Hialeah, Curacao, Caracas, Margarita, Virginia, and Anguilla. We sailed aboard the Creole Queen On the Mississippi in New Orleans We traversed the Rockies in Colorado And walked the streets in Cozumel, Mexico. We were thrilled to visit the Vatican in Rome, The Trevi Fountain and the Colosseum. To explore the countryside in Florence, And to sail on a Gondola in Venice. My fridge is decorated with magnets Souvenirs of all my visits London, Madrid, Bahamas, Coco Cay, Barcelona. And the Leaning Tower of Pisa How can I forget the Spanish Steps in Rome? Stratford upon Avon, where Shakespeare was born. CN Tower in Toronto so very high I thought the elevator would take me to the sky. Then there was El Poble and Toledo Noted for Spanish Gold We travelled on the Euro star. The scenery was beautiful to behold! I must not omit Cartagena in Columbia, Anaheim, Las Vegas, and Catalina, Key West, Tampa, Fort Lauderdale, and Pembroke Pines, Places I love to lime. Of course, I would like to make special mention, Of two exciting cruises with Royal Caribbean. Majesty of the Seas and Liberty of the Seas Two ships which grace the Seas. Last but not least and best of all We visited Paris in the fall. Cologne, Dusseldorf, and Berlin Amazing places, which made my head, spin. Copyright@BrendaMohammed
Brenda C. Mohammed (Travel Memoirs with Pictures)
A little murmur of admiration greeted this neat reply and on the crest of it the hostess rose to dismiss the meeting. The ladies rustled forward towards the lecturer but he, deprecating their flattery, came to greet Helena. "I was told your Majesty might do me the honor of coming." "I scarcely hoped you had recognized me. I am afraid the lecture was far above my head. But I am delighted to see you have prospered. Are you . . . are you able to travel as you wish?" "Yes, I was given my freedom many years ago by a kind, foolish old woman who took a fancy for my verses." "Did you get to Alexandria?" "Not yet, but I found what I wanted. Did you reach Troy, Highness?" "No, oh no." "Or Rome?" "Not even there." "But you found what you wanted?" "I have accepted what I found. Is that the same?" "For most people. I think you wanted more." "Once. Now I am past my youth." "But your question just now. 'When? Where? How do you know?'--was a child's question." "That is why your religion would never do for me, Marcias. If I ever found a teacher it would have to be one who called little children to him." "That, alas, is not the spirit of the time. We live in a very old world today. We know too much. We should have to forget everything and be born again to answer your question.
Evelyn Waugh (Helena (Loyola Classics))
THE JOURNEY BACK from Regium to Rome was easier than our progress south had been, for by now it was early spring, and the mainland soft and welcoming. Not that we had much opportunity to admire the birds and flowers. Cicero worked every mile of the way, swaying and pitching in the back of his covered wagon, as he assembled the outline of his case against Verres. I would fetch documents from the baggage cart as he needed them and walk along at the rear of his carriage taking down his dictation, which was no easy feat. His plan, as I understood it, was to separate the mass of evidence into four sets of charges — corruption as a judge, extortion in collecting taxes and official revenues, the plundering of private and municipal property, and finally, illegal and tyrannical punishments. Witness statements and records were grouped accordingly, and even as he bounced along, he began drafting whole passages of his opening speech. (Just as he had trained his body to carry the weight of his ambition, so he had, by effort of will, cured himself of travel sickness, and over the years he was to do a vast amount of work while journeying up and down Italy.) In this manner, almost without his noticing where he was, we completed the trip in less than a fortnight and came at last to Rome on the Ides of March,
Robert Harris (Imperium (Cicero, #1))
You're alone. You can develop only when you're alone; you always will be alone, your consciousness of the fact that you can't come up with anything on your own… Everything else is a delusion, is dubious. Nothing ever changes… You talk to other people; you are alone. You have opinions, other people's opinions, your own opinions, you are always alone. And when you write a book, or books if you are like me, you are even more alone. Making yourself understood is impossible; there's no such thing as doing that. Out of solitude, out of aloneness grows an even more intense aloneness, apartness. Eventually, you change scenes at ever-briefer intervals. You believe that ever-larger cities—your small home town is no longer enough for you, Vienna is no longer enough, London is no longer enough. You're forced to go to another continent; you try going here and there, speaking foreign languages—is Brussels perchance the right place? Is it perchance Rome? And you travel to every place in the world, and you are always alone with yourself and with your ever-more abominable work. You go back to your native country, you withdraw back into your farmhouse, you shut the doors if you are like me—and this is often for days at a time—you stay shut up indoors and then your sole pleasure and on the other hand your ever-increasing source of delight is your work
Thomas Bernhard
You travel to a place because you have this picture of it and you want to couple with the whole country. Then you find that you and its natives haven’t a thing in common. You don’t understand the basic signals which you’d always assumed all humanity shared. You decide it was all a mistake, that it was all in your head. Then you dig a bit deeper and you find that, despite your reasonable suspicions, you still desire them all, but you don’t know what it is exactly you want from them, or what they seem to want from you, because they too, it turns out, are all looking at you with what could only be one thing on their mind. But you tell yourself you’re imagining things. And you’re ready to pack up and go back to Rome because all of these touch-and-go signals are driving you mad. But then something suddenly clicks, like a secret underground passageway, and you realize that, just like you, they are desperate and aching for you as well. And the worst thing is that, with all your experience and your sense of irony and your ability to overcome shyness wherever it threatens to crop up, you feel totally stranded. I didn’t know their language, didn’t know the language of their hearts, didn’t even know my own. I saw veils everywhere: what I wanted, what I didn’t know I wanted, what I didn’t want to know I wanted, what I’d always known I wanted. This is either a miracle. Or it is hell.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
Although Zolla no longer associated with Julius Evola, he nevertheless arranged for me to meet Italy’s most famous crypto-traditionalist writer who was a very controversial figure because of his espousal of the cause of Mussolini during the Second World War. I had already read some of Evola’s works, many of which are now being translated into English and are attracting some attention in philosophical circles. But based on the image I had of him as an expositor of traditional doctrines including Yoga, I was surprised to see him, now crippled as a result of a bomb explosion in 1945, living in the center of Rome in a large old apartment which was severe and fairly dark and without works of traditional art which I had expected to see around him. He had piercing eyes and gazed directly at me as we spoke about knightly initiation, myths and symbols of ancient Persia, traditional alchemy and Hermeticism and similar subjects. While he extolled the ancient Romans and their virtues, he spoke pejoratively about his contemporary Italians. When I asked him what happened to those Roman virtues, he said they traveled north to Germany and we were left with Italian waiters singing o sole mio! He also seemed to have little knowledge or interest in esoteric Christianity and refuse to acknowledge the presence of a sapiental current in Christianity. It was surprising for me to see an Italian sitting a few minutes from the Vatican, with his immense knowledge of various esoteric philosophies from the Greek to the Indian, being so impervious to the inner realities of the tradition so close to his home.
Seyyed Hossein Nasr
The only point that everyone I spoke with in Rome agrees upon is that Armando al Pantheon is one of the city's last true trattorie. Given the location, Claudio and his family could have gone the way of the rest of the neighborhood a long time ago and mailed it in with a handful of fresh mozzarella and prosciutto. But he's chosen the opposite path, an unwavering dedication to the details- the extra steps that make the oxtail more succulent, the pasta more perfectly toothsome, the artichokes and favas and squash blossoms more poetic in their expression of the Roman seasons. "I experiment in my own small ways. I want to make something new, but I also want my guests to think of their mothers and grandmothers. I want them to taste their infancy, to taste their memories. Like that great scene in Ratatouille." I didn't grow up on amatriciana and offal, but when I eat them here, they taste like a memory I never knew I had. I keep coming back. For the cacio e pepe, which sings that salty-spicy duet with unrivaled clarity, thanks to the depth charge of toasted Malaysian peppercorns Claudio employs. For his coda alla vaccinara, as Roman as the Colosseum, a masterpiece of quinto quarto cookery: the oxtail cooked to the point of collapse, bathed in a tomato sauce with a gentle green undertow of celery, one of Rome's unsung heroes. For the vegetables: one day a crostini of stewed favas and pork cheek, the next a tumble of bitter puntarelle greens bound in a bracing anchovy vinaigrette. And always the artichokes. If Roman artichokes are drugs, Claudio's are pure poppy, a vegetable so deeply addictive that I find myself thinking about it at the most inappropriate times. Whether fried into a crisp, juicy flower or braised into tender, melting submission, it makes you wonder what the rest of the world is doing with their thistles.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Carbonara: The union of al dente noodles (traditionally spaghetti, but in this case rigatoni), crispy pork, and a cloak of lightly cooked egg and cheese is arguably the second most famous pasta in Italy, after Bologna's tagliatelle al ragù. The key to an excellent carbonara lies in the strategic incorporation of the egg, which is added raw to the hot pasta just before serving: add it when the pasta is too hot, and it will scramble and clump around the noodles; add it too late, and you'll have a viscous tide of raw egg dragging down your pasta. Cacio e pepe: Said to have originated as a means of sustenance for shepherds on the road, who could bear to carry dried pasta, a hunk of cheese, and black pepper but little else. Cacio e pepe is the most magical and befuddling of all Italian dishes, something that reads like arithmetic on paper but plays out like calculus in the pan. With nothing more than these three ingredients (and perhaps a bit of oil or butter, depending on who's cooking), plus a splash of water and a lot of movement in the pan to emulsify the fat from the cheese with the H2O, you end up with a sauce that clings to the noodles and to your taste memories in equal measure. Amatriciana: The only red pasta of the bunch. It doesn't come from Rome at all but from the town of Amatrice on the border of Lazio and Abruzzo (the influence of neighboring Abruzzo on Roman cuisine, especially in the pasta department, cannot be overstated). It's made predominantly with bucatini- thick, tubular spaghetti- dressed in tomato sauce revved up with crispy guanciale and a touch of chili. It's funky and sweet, with a mild bite- a rare study of opposing flavors in a cuisine that doesn't typically go for contrasts. Gricia: The least known of the four kings, especially outside Rome, but according to Andrea, gricia is the bridge between them all: the rendered pork fat that gooses a carbonara or amatriciana, the funky cheese and pepper punch at the heart of cacio e pepe. "It all starts with gricia.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
city builders and rebuilders (Jerusalem) and city-loving exiles (Babylon). In New Testament times, the people of God become city missionaries (indeed, New Testament writings contain few glimpses of nonurban Christianity). Finally, when God’s future arrives in the form of a city, his people can finally be fully at home. The fallen nature of the city — the warping of its potential due to the power of sin — is finally overcome and resolved; the cultural mandate is complete; the capacities of city life are freed in the end to serve God. All of God’s people serve him in his holy city. QUESTIONS FOR DISCUSSION AND REFLECTION 1. Keller writes, “The church should continue to relate to the human cities of our time, not as the people of God did under Abraham, Moses, or David, but as they did during the time of the exile.” In what ways is the situation of the Christian church different from that of the exiles in Babylon? In what ways is it similar? How does this affect the mission of the church today? 2. From Acts 17 through the end of the book of Acts, Paul has strategically traveled to the intellectual (Athens), commercial (Corinth), religious (Ephesus), and political (Rome) centers of the Roman world. What are the centers of power and influence in your own local context? How is your church seeking to strategically reach these different centers of cultural influence? 3. Keller writes, “Then, as now, the cities were filled with the poor, and urban Christians’ commitment to the poor was visible and striking.” Do you believe this is still true of the Christian church? If so, give an example. If not, how can this legacy be recaptured? 4. Keller writes, “Gardening (the original human vocation) is a paradigm for cultural development. A gardener neither leaves the ground as is, nor does he destroy it. Instead, he rearranges it to produce food and plants for human life. He cultivates it. (The words culture and cultivate come from the same root.) Every vocation is in some way a response to, and an extension of, the primal,
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
Young people, women especially, often worry about the safety of volunteering abroad. There are, of course, legitimate concerns about disease and violence, but mostly there is the exaggerated fear of the unknown—the mirror image of the nervousness that Africans or Indians feel when they travel to America for their studies. In reality, Americans and Europeans are usually treated hospitably in the developing world, and are much less likely to be robbed in an African village than in Paris or Rome.
Anonymous
Here we come to a semantic difficulty. Other peoples who were of considerable civilization had been referred to as barbarians for more than a thousand years. Others had been called by the names of the wolves. When the wolves themselves came, there was no other name to give them. The Goths, who were kingdom-founding Christians, had been called barbarians. The Gauls of ancient lineage had been so called, and the talented Vandals. Even the Huns had been called barbarians. This is a thing beyond all comprehension, and yet it is not safe to contradict the idea even today. The Huns were a race of over-civilized kings traveling with their Courts. In the ordering of military affairs and in overall organization they had no superiors in the world. They were skilled diplomats, filled with urbanity and understanding. All who came into contact with them, Persians, Armenians, Greeks, Romans, were impressed by the Huns' fairness in dealing—considering that they were armed invaders; by their restraint and adaptability; by their judgment of affairs; by their easy luxury. They brought a new elegance to the Empire peoples; and they had assimilated a half dozen cultures, including that of China. But the Huns were not barbarians; no more were any of the other violent visitors to the Empire heretofore.
R.A. Lafferty (The Fall of Rome)
A fellow traveller in nascent fascism, and another founder of the Vigilante Society, was the elderly and sinister Dr J.H. Clarke. He was chief consulting physician to the Homeopathic Hospital, Bloomsbury, a profession at odds with his self-proclaimed mission to protect England from the Church of Rome. He also adhered to an unpleasant strain of scientific, Malthusian racism.
Philip Hoare (Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century)
Your curse still isn't really broken. The castle and everyone in it have been forgotten. No one remembers this place. You could find all les charmantes and bring them here. Bring them home. And get yourself... uncursed." "Hmmm," Rosalind said, thinking. "Not bad. It's an odd idea, considering this is the place we almost came to our end... but it's intriguing. Yes, I like it. Go find everyone and bring them home. Really, it's the least you could do after what your parents did." Maurice might have given Rosalind a little frown at that last bit, but she shrugged. The Beast blinked. "Go... find them? Me?" "Yes. Why not?" Belle said with a smile, reading his thoughts. "You would have to actually go out into the world that you've been watching for so long in your magic mirror." "With you," the Beast said without missing a beat. "I could do anything, with you." Belle grinned and started to answer... ... and then saw Maurice and Rosalind, who were both watching her to see what she would do. Belle had a family again. She had a mother- the most interesting, perplexing mother in the world- whom she had just met. There was too much to ask her, to talk about. But this was finally her chance to go out on those adventures she had always dreamed of. Abandoned Greek islands, the hearts of never-before-seen forests, even Paris and Rome.... They would travel the world looking for reclusive charmantes to bring home. Who knew what they might see!
Liz Braswell (As Old as Time)
These stories are true. They just haven't happened yet.
Michael Brachman (Rebirth: Book 1 of The Rome's Revolution Saga)
America for Me ‘Tis fine to see the Old World, and travel up and down Among the famous palaces and cities of renown, To admire the crumbly castles and the statues of the kings,— But now I think I’ve had enough of antiquated things. So it’s home again, and home again, America for me! My heart is turning home again, and there I long to be, In the land of youth and freedom beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Oh, London is a man’s town, there’s power in the air; And Paris is a woman’s town, with flowers in her hair; And it’s sweet to dream in Venice, and it’s great to study Rome; But when it comes to living there is no place like home. I like the German fir-woods, in green battalions drilled; I like the gardens of Versailles with flashing fountains filled; But, oh, to take your hand, my dear, and ramble for a day In the friendly western woodland where Nature has her way! I know that Europe’s wonderful, yet something seems to lack: The Past is too much with her, and the people looking back. But the glory of the Present is to make the Future free,— We love our land for what she is and what she is to be. Oh, it’s home again, and home again, America for me! I want a ship that’s westward bound to plough the rolling sea, To the blessed Land of Room Enough beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Henry Van
The American Poetry and Literacy Project (Songs for the Open Road: Poems of Travel and Adventure (Dover Thrift Editions: Poetry))
A third of thee dumbfounded, 33 degrees of masonry which are the controllers of mastery. Stone on top of stone, carry the U.S on my back as I travel through Rome. It's God & I on my own,I ask for wisdom and wisdom is shown. What I have is common with Solomon is the position I take on this throne. Ancient ancestry of modern day slavery, there are thousands hacking at the branches of evil to one who is striking at the root with bravery.
Jose R. Coronado (The Land Flowing With Milk And Honey)
recommend visiting the Colosseum and the Vatican on different days and leaving the afternoon and evening of each day free to wander around and see some of the other amazing sights in Rome. Across two days, I suggest you have lazy lunches in the Monti and the Trastevere, and then have a dinner in the Jewish Ghetto and another in Trastevere (my favorite neighborhood in Rome). People tell me that they really need only one day in Rome.
Corinna Cooke (Glam Italia! How to Travel Italy: Secrets To Glamorous Travel (On A Not So Glamorous Budget))
Then in the second half of the book, Paul is always traveling, confronting Caesar’s empire with news of its new Lord, and he ends up in Rome, under Caesar’s nose, proclaiming God’s kingdom, says Luke, and teaching about King Jesus as Lord, openly and without hindrance. 13 There could not be a much clearer statement of intent: the kingdoms of the world are now claimed as the kingdom of Israel’s God, and of his Messiah. And the basis of this announcement is the resurrection of Jesus: not his parables, not his healings, not even his atoning death, important though all of those are and remain. It is the resurrection of Jesus that means he is now enthroned as Lord.
N.T. Wright (Surprised by Hope: Rethinking Heaven, the Resurrection, and the Mission of the Church)
Ancient Ways Considering their favorable strategic location, pleasant climate, and natural beauty, is it any wonder that the Greek Isles became the cradle of Western culture? For millennia, the Greek islands have exerted a powerful magnetic force on people around the world. Seafaring conquerors have long recognized the importance and beauty of these islands. Ancient Phoenician ships came ashore as early as the third millennium B.C.E., followed by would-be conquerors from mainland Greece, Rome, Venice, and Turkey. Invaders have laid claim to these islands from antiquity well into the modern era. Pleasure seekers have also been drawn to the area. Ancient Minoan kings built their luxurious palaces among the citrus groves and rugged hillsides that overlook the placid seas. Scenes depicted in ancient wall paintings and on decorated pottery suggest that the islands have been a center of hedonistic activity--dancing, drinking, and romance--for eons. Today, visitors from around the world indulge in these same activities, drawn to the beaches, tavernas, and discotheques that pepper the many island harbors. Contemporary travelers to the Greek Isles come for myriad reasons and find a dazzling array of unexpected delights, for each of the more than three thousand islands has its own particular character. From the larger, bustling islands of Crete, Rhodes, and the island nation of Cyprus to the quieter havens of Folegandros and Kárpathos, to the hundreds of tiny, uninhabited islets of the region, the Greek Isles present a collage of diverse landscapes and customs. Mykonos is fun-loving, with lively tavernas and populated beaches. Delos is stoic, protecting the ruins of its ancient sanctuaries in solemn dignity. Milos is magical, with its volcanic rock formations and stunning village vistas.
Laura Brooks (Greek Isles (Timeless Places))
And you’re spending the whole summer in Rome?” I ask. “Digging things up?” He absentmindedly plays with a loose string at the hem of his shirt. “We’ll be here a few more weeks. Then we’ll move on to a dig in Tuscany. And we get weekends off, sometimes even three-day weekends, so I plan on traveling when I can. Blowing all my graduation money,” he adds with a laugh. “Where to?” “Pompeii, for obvious reasons, but I also want to see Venice before it sinks. And everyone says the place to see at least once in your life is the Cinque Terre.” I do my best to repeat the words he just said. “Cinque Terre?” “It means ‘the five lands.’ It’s a section of the northern coast, the Italian Riviera. Five little fishing villages all connected by a path along the cliffs of the sea. The trail’s pretty famous. It’s called la Via dell’Amore.” The words flow like he’s a local. I look away quickly when I realize I’m staring at his lips, silently begging for him to keep speaking in Italian. “Sounds beautiful.” “I’ve heard it’s one of the best places to photograph in the country,” he says, pointing to my camera. “You should go and check it out. I mean, since your summer’s free now.” He flashes a sneaky smile. My partner in crime. I return the smile. “Maybe I will.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
What is a medium like telepresence but the extension--no, the very definition--of ourselves? Are we, who live things at a distance, the same species as our ancestors, we could hear of events in the same town only by going there? If you met a person from that time, would you have any more in common with him than with a whale, or a chimpanzee? You have traveled to meet me with better than seven-league boots; and I have done more math this morning than Pythagoras, and Euclid, and all Ancient Greece and Rome. Surely, if we are human, they were animals; and we a race of gods, if they were men.
Raphael Carter (The Fortunate Fall)
Tourism Tourism is the largest segment of the Italian economy. Millions of Italians work in the tourist industry. They work in hotels and restaurants. They drive taxis and lead tour groups. Tourists flock to Italy for its gorgeous scenery, beautiful weather, and incredible art. Italy if the fifth most visited nation in the world, welcoming about forty million tourists each year. One major destination is the Italian Riviera, which draws visitors with its beautiful beaches, sunny days, and cool nights. Many tourists head to Rome to see its ancient ruins and magnificent art. Tuscany is also rich in art and appealing landscapes. Twenty million people travel to Venice every year to experience the charms of a city that has canals instead of roads.
Jean Blashfield Black (Italy (Enchantment of the World Second Series))
ISIS Like Osiris, Isis was privy to the mysteries of perpetual birth. We know her image: a mother goddess breastfeeding her son Horus, as the Virgin Mary suckled Jesus much later on. But Isis was never what we might call a virgin. She began making love to Osiris when they were growing together inside their mother’s womb. And she practiced the world’s oldest profession for ten years in the city of Tyre. In the thousands of years that followed, Isis traveled the world resuscitating whores, slaves, and others among the damned. In Rome, she founded temples for the poor alongside bordellos. The temples were razed by imperial order, their priests crucified, but like stubborn mules they came back to life again and again. And when Emperor Justinian’s soldiers demolished the sanctuary of Isis on the island of Philae in the Nile, and built the very Catholic church of Saint Stephen on the ruins, Isis’s pilgrims continued paying homage to their errant goddess at the Christian altar.
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
William Perkins (1558–1602) likewise aims several polemical shots at the Church of Rome for using the quadriga. He looks at how those using this device interpret Melchizedek offering bread and wine to Abraham (Gen. 14:18): “The literal sense is, that the King of Salem with meat which he brought, refreshed the soldiers of Abraham being tired with travel. The allegorical is, that the Priest doth offer up Christ in ye Mass. The tropological is, therefore something is to be given to the poor. The anagogical is, that Christ in like manner being in heaven, shall be the bread of life to the faithful.”32 However, Perkins strongly asserts that such a method of interpretation “must be exploded and rejected [because] there is one only sense, and the same is the literal.”33 A text may demand an allegorical interpretation because it literally is an allegory, but theologians are not to go to the text with the fourfold method in mind as a basic presupposition for interpreting the Bible. The Scriptures themselves must dictate how they are to be interpreted.
Joel R. Beeke (A Puritan Theology: Doctrine for Life)
Want to visit the Ciudad Perdida, Atlantis, or Ancient Rome? You can travel back in time and experience something you can no longer do in the physical world (aka the "meat space"). Wanna check another planet out? Yup. Inspect your meeting room two weeks before the actual congress? Sure! Can the metaverse help persons with reduced mobility (PRM) take that trip they always dreamt of? You bet. The "embodied internet" is virgin territory for the hospitality industry (for any industry, for that matter), and we're still in the embryo stage of the technology.
Simone Puorto
More than just being paid to produce works of art, these artists performed a number of tasks in exchange for protection, food, and gifts. One of the roles was that of an anteambulo—literally meaning “one who clears the path.” An anteambulo proceeded in front of his patron anywhere they traveled in Rome, making way, communicating messages, and generally making the patron’s life easier.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Another dark night of traveling through mountains ensued—and, surely, a dark night of the soul,
Anthony Everitt (Augustus: The Life of Rome's First Emperor)
(with all the siege equipment for Phraata) travel at its own speed with a relatively light guard.
Anthony Everitt (Augustus: The Life of Rome's First Emperor)
One of the more peculiar sins in medieval Christendom was curiositas, which St. Augustine defined as “the lust for experience and for knowledge.” As the rite of pilgrimage to places like Rome and Jerusalem became popular during the Middle Ages, church leaders fretted that curiositas might distract pilgrims from the task of religious piety. In the minds of many parish priests, a key danger of pilgrimage was that travel could be mind-expanding and pleasurable, and hence at odds with the prim prescriptions and hierarchies that underpinned their authority.
Rolf Potts (The Vagabond's Way: 366 Meditations on Wanderlust, Discovery, and the Art of Travel)
with Paul, with dusty, tired, much-traveled Paul, came Rome’s most dangerous opponent—not legions but ideas, not an alternative force but an alternative faith.
John Dominic Crossan (In Search of Paul)
With what ease populations moved about in ancient Greek lands, in the world conquered and Hellenized by Alexander, the wide elbow room of Rome and the Byzantine Empire! Undocumented, free and unregimented, people wandered where they liked between the Thames, the Danube, the Euphrates and the upper Nile—anywhere, in fact, that was free of the Barbarian menace, and often beyond. Now everyone is numbered and ringed like a pigeon and held captive in a cage of frontiers.
Patrick Leigh Fermor (Mani: Travels in the Southern Peloponnese)
But any war is harvest to such governments, however ruinous it may be to a nation. It serves to keep up deceitful expectations which prevent people from looking into the defects and abuses of government. It is the lo here! and the lo there! that amuses and cheats the multitude.
Jacob Abbott (Strategy Six Pack 12 - A Short History of Rome, Nero, The Rise of the Dutch Kingdom 1795-1813, The Rights of Man, Nat Turner and Travels into Bokhara (Illustrated))
He acquires a knowledge of his rights by attending justly to his interest, and discovers in the event that the strength and powers of despotism consist wholly in the fear of resisting it, and that, in order "to be free, it is sufficient that he wills it.
Jacob Abbott (Strategy Six Pack 12 - A Short History of Rome, Nero, The Rise of the Dutch Kingdom 1795-1813, The Rights of Man, Nat Turner and Travels into Bokhara (Illustrated))
With the Revolution of 1688, and more so since the Hanover succession, came the destructive system of continental intrigues, and the rage for foreign wars and foreign dominion; systems of such secure mystery that the expenses admit of no accounts; a single line stands for millions.
Jacob Abbott (Strategy Six Pack 12 - A Short History of Rome, Nero, The Rise of the Dutch Kingdom 1795-1813, The Rights of Man, Nat Turner and Travels into Bokhara (Illustrated))
My espionage travels took me once around the world, to all of the continents except Australia, over most of the great mountain ranges and across most of the great rivers. At various times I followed the routes of Captain Cook, Sinbad the Sailor, T.E. Lawrence, Magellan, Vasco da Gama, Marshal Lyautey, and Admiral Livy. In telling some of the stories of those years, I plead the precedent of the Author of the Old Testament in being security minded, and I hope to be excused for leaving a number of things untold and a number unexplained. Rome, March 1953.
Donald Downes (The Scarlet Thread: Adventures in Wartime Espionage)
Formed in 1950, Diners’ Club initiated the first universal restaurant charge card that prominent New York restaurants would accept. Cardholders charged for a meal, and the restaurant collected from the Club less a 5%–10% discount (which restaurants were willing to accept since cardholders typically spent more than those paying with cash on hand). Diners’ Club paid the restaurant and had to collect from cardholders. In the 1950s, credit cards took off in the United States. There were cards for specific companies as well as universal travel and entertainment charge cards.244 American Express debated the merits of creating a card. But by the 1950s, the company’s executives realized that people were using the cards for travel-related services, posing a risk for the travelers cheque. Furthermore, the money order business was becoming less important, with the rise of personal checking accounts stealing business away from money orders. The company finally decided it would be better for American Express to protect itself by making its own card rather than lose all that business.245 American Express debated entering the business by acquiring Diners’ Club. After that deal fell through, American Express decided to go forward by launching its own American Express Credit Card in 1958. The American Express Credit Card was, in reality, a charge card, not a credit card. The latter had a revolving line of credit whose balance could be carried over from month to month. While technically still an extension of credit, the charge card required all outstanding balances to be paid in full each month.246,247 Before launching, American Express reached a deal with the American Hotel Association, providing Amex with 150,000 cardholders and 4,500 participating hotels. American Express then bought 40,000 members from the Gourmet card.248 And when rumors spread that American Express was thinking of starting a card, people wanted in. In contrast to the banks, who literally had to mass-mail cards to people when they rolled out their offerings (a practice made illegal in 1970), people flocked to American Express.249 The brand, whose image had evolved from a guard dog to ‘the guardian of Rome,’ the centurion, had now become a status symbol.
Brett Gardner (Buffett's Early Investments: A new investigation into the decades when Warren Buffett earned his best returns)
The flat world concept was just one more heinous fiction manufactured by those with so much to lose should the world be traversed so soon after the fall of Ireland’s ancient culture. Lifting the ban on travel and commerce to the West one thousand years later proved less hazardous to their schemes since by then most of the world was under the dominion of Rome. Only myths and legends preserved the facts and speak of mysterious and magical lands of the West. Only the bards, minstrels, and their descendants dared recount, in veiled language, the perilous truth.
Michael Tsarion (The Irish Origins of Civilization, Volume One: The Servants of Truth: Druidic Traditions & Influence Explored)