Trash Talk Quotes

We've searched our database for all the quotes and captions related to Trash Talk. Here they are! All 100 of them:

You shouldn't be afraid of me because I'm a vampire. You ought to be scared because you just trash-talked my girlfriend to her face.--Michael
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
That's it, cupcake. You're going down.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Kate's Speciality: Killing things, with much bloodshed. Talking trash, infuriating authority. Driving Beast Lord crazy.
Ilona Andrews
It's a truth universally acknowledged that an FBI special agent in possession of great skill and talent is likely to engage in trash talk every now and then.
Julie James (A Lot like Love (FBI/US Attorney, #2))
Ponyboy, listen, don't get tough. You're not like the rest of us and don't try to be..." What was the matter with Two-Bit? I knew as well as he did that if you got tough you didn't get hurt. Get smart and nothing can touch you... "What in the world are you doing?" Two-Bit's voice broke into my thoughts. I looked up at him. "Picking up the glass." He stared at me for a second, then grinned. "You little sonofagun," he said in a relieved voice. I didn't know what he was talking about, so I just went on picking up the glass from the bottle end and put it in a trash can. I didn't want anyone to get a flat tire.
S.E. Hinton (The Outsiders)
On Writing: Aphorisms and Ten-Second Essays 1. A beginning ends what an end begins. 2. The despair of the blank page: it is so full. 3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself. 4. The best time is stolen time. 5. All work is the avoidance of harder work. 6. When I am trying to write I turn on music so I can hear what is keeping me from hearing. 7. I envy music for being beyond words. But then, every word is beyond music. 8. Why would we write if we’d already heard what we wanted to hear? 9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation. 10. Writer: how books read each other. 11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love. 12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything. 13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough. 14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear. 15. There are silences harder to take back than words. 16. Opacity gives way. Transparency is the mystery. 17. I need a much greater vocabulary to talk to you than to talk to myself. 18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean. 19. Believe stupid praise, deserve stupid criticism. 20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do. 21. Minds go from intuition to articulation to self-defense, which is what they die of. 22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday. 23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open). 24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?
James Richardson
Venom’s pupils contracted the instant before he slid his sunglasses back on. She couldn’t help it. “Why isn’t your tongue forked?” “Why can’t you fly?” A smirk. “Those things on your back aren’t accessories you know.
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
It's funny how the people who know the least about you, always have the most to say.
Oscar Auliq-Ice
With a chuckle, Jack mumbled under his breath to Nick. 'It's like watching the preppy, well-bred versions of you and me trash-talking.
Julie James (A Lot like Love (FBI/US Attorney, #2))
If one is content to freely speak trash about another, it is probably more correct to judge them as the one of ill repute and refuse the load of garbage they offer you.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Despite being the only one of us who owned the game, I wasn't very good at Resurrection. As I watched them tramp through a ghoul-infested space station, Ben said, "Goblin, Radar, goblin." I see him." Come here you little bastard," Ben said, the controller twisting in his hand. "Daddy's gonna put you on a sailboat across the River Styx." Did you just use Greek mythology to talk trash?" I asked. Radar laughed. Ben started pummeling buttons, shouting, "Eat it, goblin! Eat it like Zeus ate Metis!
John Green (Paper Towns)
After awhile you realize that putting your actions where your mouth is makes you less likely to have to put your money where your mouth is.
Criss Jami (Killosophy)
Sadism dominates the culture. It runs like an electric current through reality television and trash-talk programs, is at the core of pornography, and fuels the compliant, corporate collective. Corporatism is about crushing the capacity for moral choice and diminishing the individual to force him or her into an ostensibly harmonious collective. This hypermasculinity has its logical fruition in Abu Ghraib, the wars in Iraq and Afghanistan, and our lack of compassion for our homeless, our poor, the mentally ill, the unemployed, and the sick. ... We accept the system handed to us and seek to find a comfortable place within it. We retreat into the narrow, confined ghettos created for us and shut our eyes to the deadly superstructure of the corporate state.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
W.H. Auden (Another Time)
Being silent is like emptying the trash. When you stop tossing junk into the void—words,words,words—something important rises to the surface.
Lori Gottlieb (Maybe You Should Talk to Someone)
Never forget the blood sweat and tears The uphill struggle over years the fear and, trash talking and the people it was to, and the people that started it just like you
Linkin Park
[Annabeth]I might have a plan. It’ll be your turn to keep Serapis distracted.’ Sadie frowned. ‘Did I mention I’m out of magic?’ ‘That’s okay,’ Annabeth said. ‘How are you at bluffing, lying and trash-talking?’ Sadie raised an eyebrow. ‘I’ve been told those are my most attractive qualities.’ ‘Excellent,’ Annabeth said. ‘Then it’s time I taught you some Greek.
Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
Noise has one advantage. It drowns out words. And suddenly he realized that all his life he had done nothing but talk, write, lecture, concoct sentences, search for formulations and amend them, so in the end no words were precise, their meanings were obliterated, their content lost, they turned into trash, chaff dust, sand; prowling through his brain, tearing at his head. they were his insomnia, his illness. And what he yearned for at that moment, vaguely, but with all his might, was unbounded music, absolute sound, a pleasant and happy all-encompassing, over-poering, window-rattling din to engulf, once and for all, the pain, the futility, the vanity of words. Music was the negation of sentences, music was the anti-word!
Milan Kundera (The Unbearable Lightness of Being)
Some of the males rose from the table then, making noise about a rugby rematch. MacRieve tensed, but didn’t join them. When a couple of the men said things in Gaelic, their tones taunting, she asked, “Are they trash-talking you?” “Oh, aye. According to them, I’m the veriest pussy. Already mate-whipped.
Kresley Cole (MacRieve (Immortals After Dark, #13))
8. You hate the political buisness of nationality. You hate everything, in politics and art and everything else, that is not genuine and deep and necessary. You don't have time for silly trivial things. You live seriously. You don't go to silly films, even if you want to; you don't read cheap newspapers; you don't listen to trash on the wireless and the telly; you don't waste time talking about nothing. You use your life.
John Fowles (The Collector)
Yes, novels; for I will not adopt that ungenerous and impolitic custom, so common with novel-writers, of degrading, by their contemptuous censure, the very performances to the number of which they are themselves adding; joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! if the heroine of one novel be not patronised by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another- we are an injured body.
Jane Austen (Northanger Abbey)
You look scared,” Dex told Stina as she watched Sandor melt back into the shadows. “Did you pee your pants?” “I don’t talk to trash.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
If someone talks trash, you can just trash them back. Clamming up in a corner makes the thing half your fault." "[...] There are people out there who get crushed by that logic.
Natsuki Takaya (Fruits Basket, Vol. 15)
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Look, I know this is the last thing you want to talk about, but I wanted to ask you . . . .” He trailed off, looking strangely uneasy. “Ask me . . . ?” Ask me to dinner? Ask me out for drinks? Ask me if I wanted to see what he looked like under that uniform? Yow, where’d that last one come from?
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
What was that you were saying about my mother?" "She likes big dicks." Deacon slammed him hard in the gut, knocking him to the floor. "So does your wife.
Mercy Celeste (The 51st Thursday)
Sadism dominates the culture. It runs like an electric current through reality television and trash-talk programs, is at the core of pornography, and fuels the compliant, corporate collective. Corporatism is about crushing the capacity for moral choice and diminishing the individual to force him or her into an ostensibly harmonious collective.
Chris Hedges
This was my language. The house was talking to me. It was telling me about my own mistakes: they don’t go away. The trash goes out, but it seeps back in tiny increments, like the backflow of blood, the rush that causes a heart murmur.
Monica Drake (The Folly of Loving Life)
Many aspects of our screen-bound lives are bad for our social skills simply because we get accustomed to controlling the information that comes in, managing our relationships electronically, deleting stuff that doesn't interest us. We edit the world; we select from menus; we pick and choose; our social 'group' focuses on us and disintegrates without us. This makes it rather confusing for us when we step outdoors and discover that other people's behaviour can't be deleted with a simple one-stroke command or dragged to the trash icon.
Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
When you can’t provide for them anymore, their true character comes out. They treat you like pure shit. To make matters worse, they talk trash behind your back, as if what you’ve done for them was useless. That’s how some people are—they will use you up and break you down until you have nothing left to give them or yourself. People who do not have anything to lose will make sure you lose everything you’ve work so hard for.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Travis is a fucking wreck! He won’t talk to us, he’s trashed the apartment, threw the stereo across the room…Shep can’t talk any sense into him!” “He took a swing at Shep when he found out we helped you leave. Abby! Please tell me!” she pleaded, her eyes glossing over. “It’s scaring me!” “It’s something else, Abby. He’s gone fucking nuts! I heard him call your name, and then he stomped all over the apartment looking for you. He barged into Shep’s room, demanding to know where you were. Then he tried to call you. Over, and over and over,” she sighed. “His face was…Jesus, Abby. I’ve never seen him like that.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
The anger that had flooded her veins was so pure, she thought it must have turned her blood to acid. You could read a hundred books about the attitudes and beliefs of the past, but the impact of witnessing this casual, ignorant cruelty firsthand was like having a bucket of ice upended over your head. It forced Etta to see that the centuries padding this time and hers, along with simple privilege, had protected her from the true ugliness of it. People believed this trash, and they were spreading it around like it was nothing. Like they weren’t even talking about humans.
Alexandra Bracken (Passenger (Passenger, #1))
Nice vest, Sophie,” said Luca, straight off the bat. “I can barely see you.” “Luca.” I tore my attention away from Nic for the amount of time needed to throw his brother a contemptuous glare. “A pleasure, as always.” […] “Ignore Luca. That’s just his bad attempt at trash-talking you,” Nic cut in, sending his brother a glare on my behalf. “And my way of pointing out that she’s small,” Luca added. “Thanks, Sherlock. I know I’m small.” “Just making sure.” “Do you even have a brain-to-mouth filter?” I asked. “I try not to overuse it,” he returned blithely. “Clearly.” “Don’t cry about it, Day-Glo.
Catherine Doyle (Vendetta (Blood for Blood, #1))
It's always easier to pretend you know something than it is to learn about it. It's always easier to be cute than it is to be rigorous. It is easier to talk trash than it is to practice the humility of the serious student.
Stan Goff (Full Spectrum Disorder: The Military in the New American Century)
How about a little bet?” I had a feeling I wouldn’t like what he was going to suggest, but I motioned for him to keep talking. “If I manage to give you an orgasm today, then we put the ankle monitor back on. If you manage to resist my skills, we throw that thing in the trash.” “Only one?” “Greedy girl,” he said teasingly, his dark eyes sparkling with excitement. “I thought you weren’t attracted to me? Are you worried your body won’t be able to resist me?
Cora Reilly (Bound by Hatred (Born in Blood Mafia Chronicles #3))
I am strong... Extra-ordinarily so much more than you guys! Therefore, I am perfectly capable of kicking those titan scumbags' collective ass including on my own if I have to. Are you all such a bunch incompetents? You gutless spineless cowards. You just stay there and watch in helpless envy. Yeah, you do that. If it is (impossible), then I'll die... It's just that simple. But if I win, I get to live. You don't stand a single chance to win unless you fight.
Hajime Isayama (Attack on Titan, Vol. 2 (Attack on Titan, #2))
Stories of unity tamp down our discontents and mask even our most palpable divisions. And when these divisions are class based, as they almost always are, a pronounced form of amnesia sets in. Americans do not like to talk about class. It is not supposed to be important in our history. It is not who we are.
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
So this book is a sidewalk strewn with junk, trash which I throw over my shoulders as I travel in time back to November eleventh, nineteen hundred and twenty-two. I will come to a time in my backwards trip when November eleventh, accidentally my birthday, was a sacred day called Armistice Day. When I was a boy, and when Dwayne Hoover was a boy, all the people of all the nations which had fought in the First World War were silent during the eleventh minute of the eleventh hour of Armistice Day, which was the eleventh day of the eleventh month. It was during that minute in nineteen hundred and eighteen, that millions upon millions of human beings stopped butchering one another. I have talked to old men who were on battlefields during that minute. They have told me in one way or another that the sudden silence was the Voice of God. So we still have among us some men who can remember when God spoke clearly to mankind.
Kurt Vonnegut Jr. (Breakfast of Champions)
STEVE CARELL IS NICE BUT IT IS SCARY It has been said many times, but it is true: Steve Carell is a very nice guy. His niceness manifests itself mostly in the fact that he never complains. You could screw up a handful of takes outside in 104-degree smog-choked Panorama City heat, and Steve Carell’s final words before collapsing of heat stroke would be a friendly and hopeful “Hey, you think you have that shot yet?” I’ve always found Steve gentlemanly and private, like a Jane Austen character. The one notable thing about Steve’s niceness is that he is also very smart, and that kind of niceness has always made me nervous. When smart people are nice, it’s always terrifying, because I know they’re taking in everything and thinking all kinds of smart and potentially judgmental things. Steve could never be as funny as he is, or as darkly observational an actor, without having an extremely acute sense of human flaws. As a result, I’m always trying to impress him, in the hope that he’ll go home and tell his wife, Nancy, “Mindy was so funny and cool on set today. She just gets it.” Getting Steve to talk shit was one of the most difficult seven-year challenges, but I was determined to do it. A circle of actors could be in a fun, excoriating conversation about, say, Dominique Strauss-Kahn, and you’d shoot Steve an encouraging look that said, “Hey, come over here; we’ve made a space for you! We’re trashing Dominique Strauss-Kahn to build cast rapport!” and the best he might offer is “Wow. If all they say about him is true, that is nuts,” and then politely excuse himself to go to his trailer. That’s it. That’s all you’d get. Can you believe that? He just would not engage. That is some willpower there. I, on the other hand, hear someone briefly mentioning Rainn, and I’ll immediately launch into “Oh my god, Rainn’s so horrible.” But Carell is just one of those infuriating, classy Jane Austen guys. Later I would privately theorize that he never involved himself in gossip because—and I am 99 percent sure of this—he is secretly Perez Hilton.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
though all my friends there are drunk, yet they are all honest, and though we do talk a lot of trash, and I do, too, yet we shall talk our way to the truth at last, for we are on the right path,
Fyodor Dostoevsky (Crime and Punishment)
He said he could stand in the middle of Fifth Avenue and shoot somebody, and people would still vote for him. Am I dreaming this?" Willa asked. "No." "No. He said that. It couldn't have been more than a week ago." "Apparently he was right." "Iano, nobody gets away with murder. You can't behave like a madman when you're running for public office. That kind of trash talk is supposed to end careers.
Barbara Kingsolver (Unsheltered)
So what? Let him talk, this Mitrich with the runny eyes. We must honor, I repeat, the dark reaches of another's soul. We must look intro them even if there's nothing there, even if there's only trash there. It's all one; look and honor it, look and don't spit on it.
Venedikt Erofeev (Moscow to the End of the Line)
Lot a folks think if you talk back to you husband, you crossed the line. And that justifies punishment. You believe that line?" I scowl down at the table. "You know I ain't studying no line like that." "Cause that line ain't there. Except in Leroy's head. Lines between black and white ain't there either. Some folks just made those up, long time ago. And that go for the white trash and society ladies too.
Kathryn Stockett (The Help)
Quality ... you know what it is, yet you don't know what it is. But that's self-contradictory. But some things are better than others, that is, they have more quality. But when you try to say what the quality is, apart from the things that have it, it all goes poof! There's nothing to talk about. But if you can't say what Quality is, how do you know what it is, or how do you know that it even exists? If no one knows what it is, then for all practical purposes it doesn't exist at all. But for all practical purposes it really does exist. What else are the grades based on? Why else would people pay fortunes for some things and throw others in the trash pile? Obviously some things are better than others ... but what's the betterness? ... So round and round you go, spinning mental wheels and nowhere finding anyplace to get traction. What the hell is Quality? What is it?
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
But all of my anger toward Scott and embarrassment at my own behavior were overshadowed by the conversation with Kaidan. Just thinking about it made my heart race all over again. I couldn't believe it. He was really like me. Which was what, exactly? He knew, of course. I wished I could have talked with him longer. I wondered how I could get hold of him. I supposed I could attach my phone number to a pair of my undies and throw them onstage at his next show. The thought actually made me laugh out loud. He'd probably take one look at the white cotton panties and chuck them in the trash.
Wendy Higgins (Sweet Evil (Sweet, #1))
Skye and I will be heroes. People will be talking about the statement we made here for years to come. You’re just pointless nostalgia and we’re here to sweep you into the trash. Everyone needs to stop clinging to the past.
Grady Hendrix (The Final Girl Support Group)
Design is not limited to fancy new gadgets. Our family just bought a new washing machine and dryer. We didn’t have a very good one so we spent a little time looking at them. It turns out that the Americans make washers and dryers all wrong. The Europeans make them much better – but they take twice as long to do clothes! It turns out that they wash them with about a quarter as much water and your clothes end up with a lot less detergent on them. Most important, they don’t trash your clothes. They use a lot less soap, a lot less water, but they come out much cleaner, much softer, and they last a lot longer. We spent some time in our family talking about what’s the trade-off we want to make. We ended up talking a lot about design, but also about the values of our family. Did we care most about getting our wash done in an hour versus an hour and a half? Or did we care most about our clothes feeling really soft and lasting longer? Did we care about using a quarter of the water? We spent about two weeks talking about this every night at the dinner table. We’d get around to that old washer-dryer discussion. And the talk was about design. We ended up opting for these Miele appliances, made in Germany. They’re too expensive, but that’s just because nobody buys them in this country. They are really wonderfully made and one of the few products we’ve bought over the last few years that we’re all really happy about. These guys really thought the process through. They did such a great job designing these washers and dryers. I got more thrill out of them than I have out of any piece of high tech in years.
Steve Jobs
Never let anyone trample, talk trash, and feel superior against you because you’re better than those type of people. Just remember that life is like a game of chess, so make sure you play it smart if you want to survive and live a good life.
Mau5Craft
Let’s talk trash…. Only we humans make waste that nature can’t digest.
Sylvia A. Earle (The World Is Blue: How Our Fate and the Ocean's Are One)
Hey,” I shoot back, “you can talk trash about me, but lay off my Tater Tots!
Gordon Korman (Masterminds: Payback)
I Am Trash-Talked by a Squirrel
Rick Riordan (Magnus Chase: The Complete Series #1-3)
Reminiscing about our friendship suddenly seems like the sun casting a fake specialness on a pile of trash. But I want to find the nice memories that were thrown away.
Jeannie Vanasco (Things We Didn't Talk About When I Was a Girl: A Memoir)
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites. "No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation. "Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing. Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green. Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case. Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her. I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away. I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
Kiera Cass (The Selection (The Selection, #1))
Pudge/Colonel: "I am sorry that I have not talked to you before. I am not staying for graduation. I leave for Japan tomorrow morning. For a long time, I was mad at you. The way you cut me out of everything hurt me, and so I kept what I knew to myself. But then even after I wasn't mad anymore, I still didn't say anything, and I don't even really know why. Pudge had that kiss, I guess. And I had this secret. You've mostly figured this out, but the truth is that I saw her that night, I'd stayed up late with Lara and some people, and then I was falling asleep and I heard her crying outside my back window. It was like 3:15 that morning, maybe, amd I walked out there and saw her walking through the soccer field. I tried to talk to her, but she was in a hurry. She told me that her mother was dead eight years that day, and that she always put flowers on her mother's grave on the anniversary but she forgot that year. She was out there looking for flowers, but it was too early-too wintry. That's how I knew about January 10. I still have no idea whether it was suicide. She was so sad, and I didn't know what to say or do. I think she counted on me to be the one person who would always say and do the right things to help her, but I couldn"t. I just thought she was looking for flowers. I didn't know she was going to go. She was drunk just trashed drunk, and I really didn't think she would drive or anything. I thought she would just cry herself to sleep and then drive to visit her mom the next day or something. She walked away, and then I heard a car start. I don't know what I was thinking. So I let her go too. And I'm sorry. I know you loved her. It was hard not to." Takumi
John Green (Looking for Alaska)
Poshlust,” or in a better transliteration poshlost, has many nuances, and evidently I have not described them clearly enough in my little book on Gogol, if you think one can ask anybody if he is tempted by poshlost. Corny trash, vulgar clichés, Philistinism in all its phases, imitations of imitations, bogus profundities, crude, moronic, and dishonest pseudo-literature—these are obvious examples. Now, if we want to pin down poshlost in contemporary writing, we must look for it in Freudian symbolism, moth-eaten mythologies, social comment, humanistic messages, political allegories, overconcern with class or race, and the journalistic generalities we all know. Poshlost speaks in such concepts as “America is no better than Russia” or “We all share in Germany’s guilt.” The flowers of poshlost bloom in such phrases and terms as “the moment of truth,” “charisma,” “existential” (used seriously), “dialogue” (as applied to political talks between nations), and “vocabulary” (as applied to a dauber). Listing in one breath Auschwitz, Hiroshima, and Vietnam is seditious poshlost. Belonging to a very select club (which sports one Jewish name—that of the treasurer) is genteel poshlost. Hack reviews are frequently poshlost, but it also lurks in certain highbrow essays. Poshlost calls Mr. Blank a great poet and Mr. Bluff a great novelist. One of poshlost’s favorite breeding places has always been the Art Exhibition; there it is produced by so-called sculptors working with the tools of wreckers, building crankshaft cretins of stainless steel, Zen stereos, polystyrene stinkbirds, objects trouvés in latrines, cannonballs, canned balls. There we admire the gabinetti wall patterns of so-called abstract artists, Freudian surrealism, roric smudges, and Rorschach blots—all of it as corny in its own right as the academic “September Morns” and “Florentine Flowergirls” of half a century ago. The list is long, and, of course, everybody has his bête noire, his black pet, in the series. Mine is that airline ad: the snack served by an obsequious wench to a young couple—she eyeing ecstatically the cucumber canapé, he admiring wistfully the hostess. And, of course, Death in Venice. You see the range.
Vladimir Nabokov (Strong Opinions)
Max flashed me a flirtatious smile. “Why don’t you come and join us, me and you could -” “Don’t even finish that sentence, Slap-head.” “Hey, I told you, call me Max.” “While you’re being a wanker, you’re Slap-head.
Suzanne Wrightt
WHO AM I? I have seven heavenly panels Leading up to a pointed sphere I’m multidimensional like a crystal And my center is never clear. I’m an inventor and pioneer. A mentor to my peers. But I'm not as sound as my shell reveals, Because I’m tormented by my fears - That may appear to be grounded But my insides are filled with tears. And the sadness is well-founded, From years and years Of traumatic experiences Compounded In the most demented Atmospheres. I talk but feel like nobody hears. Has reason disappeared? And, God, are you near? This is Giza’s 7th light force And I'm asking you to interfere. I can no longer walk amongst the blind and dead With open eyes and ears. I’m trying to maintain my sanity And to straighten up my veneer As I roll amongst the growing calamities Flowing on Earth’s severely trashed Frontier. Suzy Kassem, Rise Up and Salute the Sun (2010)
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Those are pretty. Did he leave you your dignity after he cut you up?" "Asshole." Shelby didn't flinch. There was no pity in his voice, just the familiar shit talk. "You got a lot of room to talk. Looks like someone tried to cut your dick off but missed." "Good thing too or I wouldn't be able to make your mother scream every night.
Mercy Celeste (The 51st Thursday)
This is the restless cardboard box I carry from room to room, house to house filled with papers I do not know how to sort. How do you separate trash from trash? Everything looks like something else-something I just might need. Someday right?
Tiana Clark (I Can't Talk About the Trees Without the Blood (Pitt Poetry Series))
and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel–writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding — joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine–hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens — there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel–reader — I seldom look into novels — Do not imagine that I often read novels — It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss — ?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.
Jane Austen (Northanger Abbey)
...and also celebrate the Skill of the Scythians in that Art, who sent once to Darius King of Persia an Embassador that made him a present of a Bird, a Frog, a Mouse, and five Arrows, without speaking one word; and being ask'd what those Presents meant, and if he had Commission to say any thing, answer'd that he had not; Which puzzl'd and gravell'd Darius very much; till Gobrias, one of the seven Captains that had kil'd the Magi explain'd it, saying to Darius, By these Gifts and Offerings the Scythians silently tell you, that except the Persians like Birds fly up to Heaven, like Mice hide themselves near the Centre of the Earth, or like Frogs dive to the very bottom of Ponds and Lakes, they shall be destroyed by the Power and Arrows of the Scythians.
François Rabelais
I'm sorry, but why does Claire know how to take a punch? I'm not sure I like where this is going," Carter said nervously. "Well, last year Jim made us watch Fight Club for like, the ten- thousandth time. And while I’m all for a little shirtless Brad Pitt action, Claire and I decided to take a shot every time Edward Norton talked in third person. By about twenty minutes in, we were trashed. I don't know whose idea it was, but Claire and I started our own fight club in the living room," Liz explained. "It was your idea, Liz. You stood up in front of me, lifted your shirt and said "Punch me in the stomach as hard as you can, fucker.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
To most of society being crazy is like a virus. If we're out and about in public people think they can catch the craziness from us or something. It's much easier for them to separate us and forget we ever existed. Almost like being quarantined. I used to see a psychiatrist before I was brought here. I remember the way my mother's friends used to gossip about it. They wouldn't let me play with their children. It's kind of like women who are divorced nowadays. Other women don't talk to them. They're usually shunned.” A dull ache throbs in my side and I clench my fists. “It’s like we're tossed out trash.” Aurora smiles. “That's a great analogy, Adelaide.
Lauren Hammond (White Walls (Asylum, #2))
You don't have any time for silly trivial things. You live seriously. You don't go to silly films, even if you want to; you don't read cheap newspapers; you don't listen to trash on the wireless and the telly; you don't waste time talking about nothing. You use your life.
John Fowles (The Collector)
Do we talk about feeling neglected and rejected by the Church? Yes. Do we bash a bishop or two, talk a little trash about the Vatican, moan about a priest who said something dumb about women or gays or both? Sure. But mostly we talk about what faith does for us, how it moves us through life with an awareness of other people's suffering, and drives us to do something about that suffering. It reminds me of a conversation I had with Father Mellow, way back on the first night I spoke to him. "The Church is both sinner and holy," he said. "So are all of us.
Kaya Oakes (Radical Reinvention: An Unlikely Return to the Catholic Church)
When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer. Rachel snorts. "If only you liked sweets." "I can't wait to see you tonight. Wear that pink shirt I like." Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?" "Eight-thirty? That's so far away. Can't I meet you sooner?" One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited. "Do you need to be checked out of school, son? Are you feeling ill?" Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you." A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago. "Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do." "Right now, nothing. But I might change my mind about skipping. I really miss you." Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?" Galen hangs up. Why is Emma laughing again? Mark can't be that funny. The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess." "Speaking of all these girls, how did they get my phone number?" She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Everyday is trash day in the spiritual world
Rachael Carman (SoundBites from Heaven: What God Wants Us to Hear When We Talk to Our Kids)
Hail, Columbia! Home of the six inch cockroach and the stadium-sized lecture hall. A reservation for rich white people guarded by poor brown people in a sea of urban decay. Where nobody on the faculty has ever spent ten minutes in the freshman dorm, but everybody talks about humanism and compassion. They teach you that military people are scum, trash, the lowest of the low -- and then they assign Homer's ILIAD just to develop your sense of irony. Where else can you see three suicides a month dismissed as "slightly above average, but better than Smith or Brown?
Ted Rall (The Year of Loving Dangerously)
On the raptors kept for falconry: "They talk every night, deep into the darkness. They say about how they were taken, about what they can remember about their homes, about their lineage and the great deeds of their ancestors, about their training and what they've learned and will learn. It is military conversation, really, like what you might have in the mess of a crack cavalry regiment: tactics, small arms, maintenance, betting, famous hunts, wine, women, and song. Another subject they have is food. It is a depressing thought," he continued, "but of course they are mainly trained by hunger. They are a hungry lot, poor chaps, thinking of the best restaurants where they used to go, and how they had champagne and caviar and gypsy music. Of course, they all come from noble blood." "What a shame that they should be kept prisoners and hungry." "Well, they do not really understand that they are prisoners any more than the cavalry officers do. They look on themselves as being 'dedicated to their profession,' like an order of knighthood or something of that sort. You see, the member of the Muse [where Raptors are kept for falconry] is restricted to the Raptors, and that does help a lot. They know that none of the lower classes can get in. Their screened perches do not carry Blackbirds or such trash as that. And then, as for the hungry part, they're far from starving or that kind of hunger: they're in training, you know! And like everybody in strict training, they think about food.
T.H. White (The Sword in the Stone (The Once and Future King, #1))
In recent decades, our welfare states have come to look increasingly like surveillance states. Using Big Brother tactics, Big Government is forcing us into a Big Society. Lately, developed nations have been doubling down on this sort of “activating” policy for the jobless, which runs the gamut from job-application workshops to stints picking up trash, and from talk therapy to LinkedIn training. No matter if there are ten applicants for every job, the problem is consistently attributed not to demand, but to supply. That is to say, to the unemployed, who haven’t developed their “employment skills” or simply haven’t given it their best shot.
Rutger Bregman (Utopia for Realists: And How We Can Get There)
Mad Rogan was walking next to me with that same confident stride that had made me notice him back in the arboretum, and I knew precisely where he was and how much distance separated us. My whole body was focused on him. I wanted him to touch me. I didn’t want him touching me. I was waiting for him to touch me. I didn’t know what the hell I wanted. “Did you like the carnations?” I reached into my pocket and handed him a small red card. “Texas Children’s Hospital is grateful to you for your generous donation. Thanks to you, every one of their rooms has beautiful flowers this morning. They think it might be at least partially tax deductible, and if your people talk to their people, the hospital will provide the necessary paperwork.” Mad Rogan took the card, brushing my hand with his warm, dry fingers. The card shot out of his hand and landed in the nearby trash bin.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Everyone's unique. No two people are alike. Be proud of that. If someone says something against you, screw them. They don't know what it's like to be you. If they did, they would never trash talk you. And, do the same with others. You don't know what a person's going through. If someone's having a rough day, and lashes out, forgive them. Give them a shoulder to cry on, a person to put their faith in. And always, always, stay loyal to your friends. Get yourself some, and never lose them. These are the people that are going to be with you through thick and thin, no matter what. Sure, you'll fight, you'll bitch, all friend groups do. But, the important thing to do is: forgive, and move on. And most importantly, love God. He is our Creator, and if you don't believe in him, that's ok. I'm saddened by the fact that you don't, but it's ok. I can just pray for you, and hope that He shows himself to you later on. You may ask, "How can there be a God that lets all this bad stuff happen? How can he just sit and watch and do nothing?" Well, I don't have all of the answers. But, I do know that He is greatly saddened by all of the evil in the world, yet He still loves each and every one of us. And, when you feel like nobody loves you, or maybe you just don't love yourself, know: He is there for you. He loves you, and he will never stop loving you.
Me (Matt/Gambit Pop)
The faces around me were flushed from the wine. When jaw muscles relax, the atmosphere becomes relaxed as well. People’s mouths fell open like trash bags, and garbage spilled out. I had to chew the garbage, swallow it, and spit it back out in different words. Some of the words stank of nicotine. Some smelled like hair tonic. The conversation became animated. Everyone began to talk, using my mouth. Their words bolted into my stomach and then back out again, footsteps resounding up to my brain.
Yōko Tawada (Where Europe Begins: Stories)
Tristan would egg me on to trash-talk the little blondie who had “stolen” my boyfriend. Of course I know now that no one can “steal” boyfriends against their will, not even Angelina Jolie itself. But I was filled with a poisonous, pointless teenage jealousy,
Tina Fey (Bossypants)
The quality of our life on planet earth depends on the choices we make every day. Choices about how we spend our time, how we live our lives, and most important, how we treat ourselves and others. I am sad to see how people seem to be more bitter, divided, and overwhelmed than ever these days. We are as a global community, increasingly disconnected from ourselves and other people. The first step toward fixing what ills us, is to embrace feeling better. Habits are a means to this end. They teach us the skills of change and they propel us towards our dreams, and they add more shine to the world.  By embracing feelings of success and adding more goodness to you day-to-day life, you are making the world brighter not only for yourself, but also for others. You are vanquishing shame and guilt and you are freeing yourself and others who have endured a lifetime of self trash talk. The most profound transformations I've shared with you in this book are not about discreet habits being formed, they are about essential shifts in experience, from suffering to less suffering, from fear to hope, from being overwhelmed to feeling empowered.
B.J. Fogg (Tiny Habits: The Small Changes That Change Everything)
Hassan at Arab talks can canvass all satraps and ask that Arab banks back what grand plans Hassan has (dams and canals at Panama, arks and wharfs at Havana - tasks that, as a drawback, warrant what Hassan calls 'a harsh tax plan'). Hassan lacks tact, and (alas) a rajah's blatant sarcasm sparks a flagrant backlash as rampant as a vandal's wrath. Hassan grandstands at a grandstand, as all thralls lash back, wag placards and rant a clamant rant. Arrant gangs clash and start brawls that trash rattan cabanas (what a fracas). A maharajah asks that a hangman hang all bastards and laggards that a lawman can catch.
Christian Bök (Eunoia)
This is the Hong Kong curse that expat housewives talk about in hushed voices: the man who takes to Hong Kong the wrong way. He moves from an egalitarian American society, where he’s supposed to take out the trash every day and help with the dinner dishes, to a place where women cater to his every desire—a secretary who anticipates his needs before he does, a servant in the house who brings him his espresso just the way he likes it and irons his boxers and his socks—and the local population is not as sassy with the comebacks as where he came from, so, of course, he then looks for that in every corner of his life.
Janice Y.K. Lee (The Expatriates)
Today is one of the days when Ma is Gone. She won't wake up properly. She's here but not really. She stays in Bed with the pillows on her head. Silly Penis is standing up, I squish him down. I eat my hundred cereal and I stand on my chair to wash the bowl and Meltedy Spoon. It's very quiet when I switch off the water. I wonder did Old Nick come in the night. I don't think he did because the trash bag is still by Door, but maybe he did only he didn't take the trash? Maybe Ma's not just Gone. Maybe he squished her neck even harder and now she's - I go up really close and listen till I hear breath. I'm just one inch away, my hair touches Ma's nose and she puts her hand up over her face so I step back. I don't have a bath on my own, I just get dressed. There's hours and hours, hundreds of them. Ma gets up to pee but not talking, with her face all blank. I already put a glass of water beside Bed but she just gets back under Duvet.
Emma Donoghue (Room)
She says that she had not heard of you, before you came out of retirement,” he adds. “That’s ridiculous—everyone in tennis has heard of me. Half of the world has heard of me.” I lean away from the microphone, finished speaking. But then I lean back into it. “She can trash-talk however she wants, but let me say this: I’m grateful for every single woman who stood here before me. You don’t see me going around asking who the Original 9 are, do you? No, because I know what I owe them. What about Althea Gibson and Alice Marble and Helen Wills? Suzanne Lenglen? Maria Bueno? I know whose shoulders I’m standing on. If Cortéz doesn’t, that’s on her.
Taylor Jenkins Reid (Carrie Soto Is Back)
Perhaps the largest single trouble with our abundance of possessions is the fact that so many of them are owned, not because of what they are, but because of what they confer on us. They are there, but we seldom look at them. We have so much, but we love precious little of it for itself. After the itch of the mind has been scratched, matter itself goes into the discard; the junkyard is the true monument of our society. We have the most marvelous garbage the world has ever produced. Literally. Have you ever looked hard at a tin can? Don't. It will break your heart to throw it out, all silver and round and handy. But the truth is you have to throw it out. We produce so much that there isn't time or room to keep it. What is sad, though, is that the knack of wonder goes into the trash can with it. The tinfoil collectors and the fancy ribbon savers may be absurd, but they're not crazy. They are the ones who still retain the capacity for wonder that is at the root of caring
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
A few years later, Jobs described to Wired the process that went into getting a new washing machine: It turns out that the Americans make washers and dryers all wrong. The Europeans make them much better—but they take twice as long to do clothes! It turns out that they wash them with about a quarter as much water and your clothes end up with a lot less detergent on them. Most important, they don’t trash your clothes. They use a lot less soap, a lot less water, but they come out much cleaner, much softer, and they last a lot longer. We spent some time in our family talking about what’s the trade-off we want to make. We ended up talking a lot about design, but also about the values of our family. Did we care most about getting our wash done in an hour versus an hour and a half? Or did we care most about our clothes feeling really soft and lasting longer? Did we care about using a quarter of the water? We spent about two weeks talking about this every night at the dinner table. They ended up getting a Miele washer and dryer, made in Germany. “I got more thrill out of them than I have out of any piece of high tech in years,” Jobs said.
Walter Isaacson (Steve Jobs)
And finally it was too much. I could not talk myself down from the feeling, and the feeling became unbearable. I reached in deep to the recesses of my locker. I pushed everything—photographs and notes and books—into the trash can. I left the locker open and walked away. As I walked past the band room, I could hear through the walls the muffled sounds of “Pomp and Circumstance.” I kept walking.
John Green (Paper Towns)
Three nuns are talking. The first one says, “I was cleaning Father’s room the other day and do you know what I found? A bunch of pornographic magazines.” “What did you do?” the second nun asks. “Well, of course I threw them in the trash.” “Well, I can top that,” says the second nun. “I was in Father’s room putting away his laundry and I found a bunch of condoms!” “Oh my!” gasps the first nun. “What did you do?” “I poked holes in all of them!” At which point, the third nun faints.
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
Jem,” he said, “are you responsible for this?” “Yes sir.” “Why’d you do it?” Jem said softly, “She said you lawed for niggers and trash.” “You did this because she said that?” Jem’s lips moved, but his, “Yes sir,” was inaudible. “Son, I have no doubt that you’ve been annoyed by your contemporaries about me lawing for niggers, as you say, but to do something like this to a sick old lady is inexcusable. I strongly advise you to go down and have a talk with Mrs. Dubose,” said Atticus. “Come straight home afterward.” Jem did not move. “Go on, I said.” I followed Jem out of the livingroom. “Come back here,” Atticus said to me. I came back. Atticus picked up the Mobile Press and sat down in the rocking chair Jem had vacated. For the life of me, I did not understand how he could sit there in cold blood and read a newspaper when his only son stood an excellent chance of being murdered with a Confederate Army relic. Of course Jem antagonized me sometimes until I could kill him, but when it came down to it he was all I had. Atticus did not seem to realize this, or if he did he didn’t care. I hated him for that, but when you are in trouble you become easily tired: soon I was hiding in his lap and his arms were around me. “You’re mighty big to be rocked,” he said. “You don’t care what happens to him,” I said. “You just send him on to get shot at when all he was doin‘ was standin’ up for you.” Atticus pushed my head under his chin. “It’s not time to worry yet,” he said.
Harper Lee
Putting out the trash is a dirty job, but let’s face it—someone has to do it. Whereas many smart wives are able to cajole their husbands into taking on this duty, what happens when the debris that must be eliminated is (ahem) him? Rule of thumb: Do your best to ensure his demise doesn’t leave a lot of clean up. After all, messy is as messy does! Have a body bag on hand prior to disposal. He won’t question its presence if it is storing out-of-season attire in the back of your closet. Talk about recycling!
Josie Brown (The Housewife Assassin's Handbook (Housewife Assassin, #1))
I’m not worried about tomorrow. I’m worried about right now, with you, under this Christmas tree.” Blake supported her neck as he laid her on the floor. Livia turned her head. “You’d better convince me. So far you’ve talked about the dog going to the bathroom, trash, and dirtiness.” Blake kissed her jaw and turned her head gently, kissing her mouth as she bit her lips together. “Can’t I just convince you with my manly ways?” He wiggled his eyebrows. He could, of course, do just that—but she shook her head. She loved the playful sparkle in his green eyes. His five o’clock shadow just made him more handsome, framing his kissable lips with scruff. “Okay.” He put his fingers at the bottom of her shirt, lifting it gently so he could circle her belly button with his index finger. “You’re the sexiest, most beautiful woman on this planet. So sexy, in fact, that I had to have you. I had to make you bear my children because my universe and yours had to be combined. Everything I’ve ever been needed to be buried inside of you, so deep, so full of love that we created life. Twice.” He lifted her shirt and kissed the tops of her breasts, whispering his devotion into her skin. “And it’s never enough. Unless I can hear you coming, I can’t think of anything else. All day every day. For years now. You’re that powerful, Livia. This. Us. It’s so intense that years haven’t cured me. I can’t stop wanting to make love to you.” “Wow.” Livia smiled and pulled his face back to hers, kissing him and effectively stopping his beautiful words.
Debra Anastasia (Saving Poughkeepsie (Poughkeepsie Brotherhood, #3))
Today the intellectual leaders of the Republican Party are the paranoids, kooks, know-nothings, and bigots who once could be heard only on late-night talk shows, the stations you listened to on long drives because it was hard to fall asleep while laughing. When any political movement loses all sense of self and has no unifying theory of government, it ceases to function as a collective rooted in thought and becomes more like fans of a sports team. Asking the Republican Party today to agree on a definition of conservatism is like asking New York Giants fans to have a consensus opinion on the Law of the Sea Treaty. It’s not just that no one knows anything about the subject; they don’t remotely care. All Republicans want to do is beat the team playing the Giants. They aren’t voters using active intelligence or participants in a civil democracy; they are fans. Their role is to cheer and fund their team and trash-talk whatever team is on the other side. This removes any of the seeming contradiction of having spent years supporting principles like free trade and personal responsibility to suddenly stop and support the opposite. Think of those principles like players on a team. You cheered for them when they were on your team, but then management fired them or traded them to another team, so of course you aren’t for them anymore. If your team suddenly decides to focus on running instead of passing, no fan cares—as long as the team wins. Stripped of any pretense of governing philosophy, a political party will default to being controlled by those who shout the loudest and are unhindered by any semblance of normalcy. It isn’t the quiet fans in the stands who get on television but the lunatics who paint their bodies with the team colors and go shirtless on frigid days. It’s the crazy person who lunges at the ref and jumps over seats to fight the other team’s fans who is cheered by his fellow fans as he is led away on the jumbotron. What is the forum in which the key issues of the day are discussed? Talk radio and the television shows sponsored by the team, like Fox & Friends, Tucker Carlson, and Sean Hannity.
Stuart Stevens (It Was All a Lie: How the Republican Party Became Donald Trump)
The concept of self as a solo thing is so toxic to the way we relate to one another and the earth-it's so non integrative,when integration is not present you get chaos and rigidity. That's what we are seeing in depression, anxiety and suicide and that's what we are seeing in climate change issues. So whether you are talking about social justice issues, or climate injustices, its all about us as a contemporary culture missing the reality of interconnection.....If we Identify this problem it can be a win win win. For the individual you can liberate yourself from the idea of a separate self, for our human relationships we will realize we are all one human family differentiated but linked, and for the planet which is waiting for us to wake up . Human beings have excessively differentiated themselves from nature and so we are using the earth like a trash can. Instead of realizing that we are fundamentally interconnected to nature and that's a true way to live an integrated life. People all around the earth are waiting for to wake up from this weird slumber of a delusion of a separate self
Dan Seigel
The decent humans are generally supportive of doing the right thing,’ said the Venerable Bunty, ‘but never take it much farther than that. You’re trashing the ecosystem for no reason other than a deluded sense of anthropocentric manifest destiny, and until you stop talking around the issue and actually feel some genuine guilt, there’ll be no change.’ ‘Shame, for want of a better word, is good,’ said Finkle. ‘Shame is right, shame works. Shame is the gateway emotion to increased self-criticism, which leads to realisation, an apology, outrage and eventually meaningful action.
Jasper Fforde (The Constant Rabbit)
What would the poor and lowly do, without children?" said St. Clare, leaning on the railing, and watching Eva, as she tripped off, leading Tom with her. "Your little child is your only true democrat. Tom, now is a hero to Eva; his stories are wonders in her eyes, his songs and Methodist hymns are better than an opera, and the traps and little bits of trash in his pocket a mine of jewels, and he the most wonderful Tom that ever wore a black skin. This is one of the roses of Eden that the Lord has dropped down expressly for the poor and lowly, who get few enough of any other kind." "It's strange, cousin," said Miss Ophelia, "one might almost think you were a professor, to hear you talk.
Harriet Beecher Stowe (Uncle Tom's Cabin)
Then one night a report about breast cancer came on the news, all about mammograms and early detection, women talking about finding a lump in their breast. We were making dinner. We always turned the television off when we sat down to eat but we could watch it while we were cooking. That was the rule. “I have one of those,” she said to the television set. “You had a mammogram?” She shook her head. She wasn’t looking at me. “A lump.” I had been cutting up a head of broccoli and I put down the knife and washed my hands. “What did you do about it?” “I didn’t do anything about it.” “What did the doctor say?” She looked at me then. “The whole thing scared me to death.” “So what happened?” My brain insisted on hearing it in the past tense, I had a lump in my breast once. I couldn’t understand that this was something that was happening. “I thought I’d wait for you to come home,” she said. “You’re always so good at figuring things out.” “I’ve been home three months.” But she had found the lump a year before, and taped a gauze square over it when it started to leak. When I looked at her again I could actually see a disruption in the pattern of her dress. That’s how big it was. Once we started making the hopeless rounds of oncologist appointments, the past broke away. All the things I’d thought about myself before—I am an actress, I am not an actress, I was in love, I was betrayed—disintegrated into nothing. I made bowls of Cream of Wheat she wouldn’t eat and then scraped them into the trash once they turned cold. I managed the schedule of people who wanted to come and see her, her two sons and two daughters—one of those daughters my mother—my father, my brothers, all my cousins, all her friends. I made sure no one stayed too long. I sat by her bed and read to her.
Ann Patchett (Tom Lake)
But in the Petit Palais, which Daphne had not visited in thirty years, Roland had what she liked to call ‘a moment’. He retired early from the paintings and waited in the main hall. After she had joined him and they were walking away he let rip. He said that if he ever had to look at one more Madonna and Child, Crucifixion, Assumption, Annunciation and all the rest he would ‘throw up’. Historically, he announced, Christianity had been the cold dead hand on the European imagination. What a gift, that its tyranny had expired. What looked like piety was enforced conformity within a totalitarian mind-state. To question or defy it in the sixteenth century would have been to take your life in your hands. Like protesting against Socialist Realism in Stalin’s Soviet Union. It was not only science that Christianity had obstructed for fifty generations, it was nearly all of culture, nearly all of free expression and enquiry. It buried the open-minded philosophies of classical antiquity for an age, it sent thousands of brilliant minds down irrelevant rabbit holes of pettifogging theology. It had spread its so-called Word by horrific violence and it maintained itself by torture, persecution and death. Gentle Jesus, ha! Within the totality of human experience of the world there was an infinity of subject matter and yet all over Europe the big museums were stuffed with the same lurid trash. Worse than pop music. It was the Eurovision Song Contest in oils and gilt frames. Even as he spoke he was amazed by the strength of his feelings and the pleasure of release. He was talking – exploding – about something else. What a relief it was, he said as he began to cool down, to see a representation of a bourgeois interior, of a loaf of bread on a board beside a knife, of a couple skating on a frozen canal hand in hand, trying to seize a moment of fun ‘while the fucking priest wasn’t looking. Thank God for the Dutch!
Ian McEwan (Lessons)
You are the lifemate of a senstive, modern male. Julian's lazy amusement warmed her further, confirming what she already suspected, that he often stayed a shadow in her mind. How fortunate for me. Desari smiled at herself in the mirror. Her dark hair cascaded in waves down her back. There was a sparkle in her eyes. She knew Julian had made her feel more alive than she had ever been. Sensitive, modern men are so to my liking. Men? I am certain I did not hear my lifemate use the word men.The plural.No man is allowed to be to your liking other than myself. He sounded stern, the fierce Carpathian male at his most menacing. Desari laughed aloud. I suppose I can see your point, Julian, but really, it is so difficult to keep from noticing all of those handsome hunks in the audience. Handsome hunks? His voice dropped low with the affront. They are more like lovesick fops. If they could feel the vibrations in the air, they would show sense and run for their lives. It is bad enough to read their fantasies and hear them talk their trash, cara,but it is altogether worse to hear that my woman is looking back. One smile at the wrong man, lifemate, and trouble will find the man quickly. You sound jealous,she accused him, amusement curving her soft mouth. The first rule for all women to know and never forget is that Carpathian makes do not share their lifemates. Your brother has much to answer for that this was not drilled into you since birth.It was his job to prepare you for my coming. It was said somewhere between jest and complaint. Desari drew in her breath sharply, finding herself wavering between laughter and exasperation. My brother had no idea of your existence, you arrogant male. Besides, how could he possibly prepare me for your total ignorance of women? More likely, had he known you were coming to speak your ritual words, he would have been waiting to ambush you.I myself would have burrowed deep within the ground until you passed beyond my surroundings. You would have burst from the ground staight into my arms,cara mia, and you know this to be true. Now he was laughing, that smug, taunting, male amusement that should have set her teeth on edge but instead made her laugh. I think you are trying to find something to dictate to me about just so you do not lose your ability. Go away and practice this male art form on someone else. You will be singing to me tonight, piccola,and to no other man. You are a spoiled little boy,not a grown man. Should I come show you what a grown man I am? His voice was suddenly low and warm, so sexy she felt a rush of answering heat. She could feel the brush of his fingers against her throat, trailing down the valley between her suddenly aching breasts. Go away,Julian, she laughed in answer. I cannot have you getting me hot and bothered just now. As long as I know you re hot and bothered for me, I will do as you request and go back to work. I can only hope.
Christine Feehan (Dark Challenge (Dark, #5))
We don't have to do this," I said. His jaw set in a way that reminded me of how he'd look some times back in grade school, standing around the fringes of s kickball game or on that bench by Mr. Lloyd's room. "We do, though." I shook my head, staring at the house. Right then, a woman walked out, carrying a bag of trash. "Let's ask her if we can go in," Cameron said. "Go in?" He turned to me. "Yeah." I lowered my voice to a whisper. "Shouldn't we, like, talk about it first? About what happened?" "Why? We know what happened." "I can't." "But I'm with you. We're together." My eyes filled. He looked out the window. The woman went back in the house and closed the door. "We can come back some other time," I said, "after we've talked." I put the car in drive. "Let's go somewhere. Coffee. Something." "Doesn't matte." His jaw was set again, his voice dead flat. "It does matter, Cameron. That's the point. If it didn't matter I could just go in right now. I'm not ready. You can't just show up after all these years and expect me to be ready." He opened the door and started to get out. "Wait, where are you going?" "Sorry I came here and messed up your life." "That's not what I said!" But he was out of the car, walking down the block, away from me.
Sara Zarr (Sweethearts)
But I don't know anyone who has an easy life forever. Everyone I know gets their heart broken sometime, by something. The question is not, will my life be easy or will my heart break? But rather, when my heart breaks, will I choose to grow? Sometimes in the moments of the most searing pain, we think we don't have a choice. But we do. It's in those moments that we make the most important choice: grow or give up. It's easy to want to give up under the weight of what we're carrying. It seems sometimes like the only possible choice. But there's always, always, always another choice, and transformation is waiting for us just beyond that choice. This is what I know: God can make something beautiful out of anything, out of darkness and trash and broken bones. He can shine light into even the blackest night, and he leaves glimpses of hope all around us. An oyster, a sliver of moon, one new bud on a black branch, a perfect tender shoot of asparagus, fighting up through the dirt for the spring sun. New life and new beauty are all around us, waiting to be discovered, waiting to be seen. I'm coming to think there are at least two kinds of pain. There's the anxiety and fear I felt when we couldn't sell our house. And then there's the sadness I felt when I lost the baby or when my grandma passed away. Very different kinds of pain. The first kind, I think, is the king that invites us to grow. The second kind is the kind that invites us to mourn. God's not trying to teach me a lesson through my grandma's death. I wasn't supposed to love her less so the loss hurt less acutely, I'm not supposed to feel less strongly about the horror of death and dying. When we lose someone we love, when a dear friend moves away, when illness invades, it's right to mourn. It's right to feel deep, wrenching sadness. But then there's the other kind of pain, that first kind. My friend Brian says that the heart of all human conflict is the phrase "I'm not getting what I want." When you're totally honest about the pain, what's at the center? Could it be that you're not getting what you want? You're getting an invitation to grow, I think, as unwelcome as it may be. It's sloppy theology to think that all suffering is good for us, or that it's a result of sin. All suffering can be used for good, over time, after mourning and healing, by God's graciousness. But sometimes it's just plain loss, not because you needed to grow, not because life or God or anything is teaching you any kind of lesson. The trick is knowing the difference between the two.
Shauna Niequist
On the eve of my move to New York, my parents sat me down to talk. “Your mother and I understand that we have a certain responsibility to prepare you for life at a coed institution,” said my father. “Have you ever heard of oxytocin?” I shook my head. “It’s the thing that’s going to make you crazy,” my mother said, swirling the ice in her glass. “You’ll lose all the good sense I’ve worked so hard to build up in you since the day you were born.” She was kidding. “Oxytocin is a hormone released during copulation,” my father went on, staring at the blank wall behind me. “Orgasm,” my mother whispered. “Biologically, oxytocin serves a purpose,” my father said. “That warm fuzzy feeling.” “It’s what bonds a couple together. Without it, the human species would have gone extinct a long time ago. Women experience its effects more powerfully than men do. It’s good to be aware of that.” “For when you’re thrown out with yesterday’s trash,” my mother said. “Men are dogs. Even professors, so don’t be fooled.” “Men don’t attach as easily. They’re more rational,” my father corrected her. After a long pause, he said, “We just want you to be careful.” “He means use a rubber.” “And take these.” My father gave me a small, pink, shell-shaped compact of birth control pills. “Gross,” was all I could say. “And your father has cancer,” my mother said. I said nothing. “Prostate isn’t like breast,” my father said, turning away. “They do surgery, and you move on.” “The man always dies first,” my mother whispered.
Ottessa Moshfegh (My Year of Rest and Relaxation)
We both know Dad was my parental trash can, the fatherly receptacle on whom I dumped my emotions. Does she think because she offered me a blanket and chocolate-covered whatever that I'll just hand over the keys to my inner diary? Uh, no. "I know you're eighteen now," she huffs. "I get it, okay? But you don't know everything. And you know what? I don't like secrets." My head spins. The first day of the Rest of My Normal Life is not turning out as planned. I shake my head. "I guess I still don't understand what you're asking me." She stomps her foot. "How long have you been dating him, Emma? How long have you and Galen been an item?" Ohmysweetgoodness. "I'm not dating Galen," I whisper. "Why would you even think that?" "Why would I think that? Maybe you should ask Mrs. Strickland. She's the one who told me how intimate you looked standing there in the hall. And she said Galen was beside himself when you wouldn't wake up. That he kept squeezing your hand." Intimate? I let my backpack slide off my shoulder and onto the floor before I plot to the table and sit down. The room feels like a giant merry-go-round. I am...embarrassed? No. Embarrassed is when you spill ketchup on your crotch and it leaves a red stain in a suspicious area. Mortified? No. Mortified is when you experiment with tanning lotion and forget to put some on your feet, so it looks like you're wearing socks with your flip-flops and sundress. Bewildered? Yep. That's it. Bewildered that after I screamed at him-oh yes, now I remember I screamed at him-he picked up my limp body, carried me all the way to the office, and stayed with me until help arrived. Oh, and he held my hand and sat beside me, too. I cradle my face in my hands, imagining how close I came to going to school without knowing this. How close I came to walking up to Galen, telling him to take his tingles and shove them where every girl's thoughts have been since he got there. I groan into my laced fingers. "I can never face him again," I say to no one in particular. Unfortunately, Mom thinks I'm talking to her. "Why? Did he break up with you?" She sits down next to me and pulls my hands from my face. "Is it because you wouldn't sleep with him?" "Mom!" I screech. "No!" She snatches her hand away. "You mean you did sleep with him?" Her lips quiver. This can't be happening. "Mom, I told you, we're not dating!" Shouting is a dumb idea. My heartbeat ripples through my temples. "You're not even dating him and you slept with him?" She's wringing her hands. Tears puddle in her eyes. One Mississippi...two Mississippi...Is she freaking serious?...Three Mississippi...four Mississippi...Because I swear I'm about to move out... Five Mississippi...six Mississippi...I might as well sleep with him if I'm going to be accused of it anyway... Seven Mississippi...eight Mississippi...Ohmysweetgoodness, did I really just think that?...Nine Mississippi...ten Mississippi...Talk to your mother-now. I keep my voice polite when I say, "Mom, I haven't slept with Galen, unless you count laying on the nurse's bed unconscious beside him. And we are not dating. We have never dated. Which is why he wouldn't need to break up with me. Have I missed anything?" "What were you arguing about in the hall, then?" "I actually don't remember. All I remember is being mad at him. Trust me, I'll find out. But right now, I'm late for school." I ease out of the chair and over to my backpack on the floor. Bending over is even stupider than shouting. I wish my head would just go ahead and fall off already.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
The word “empath” jumped up in my awareness a few years after I had already been in the States. When I first came across it, it felt so woo-woo and new-agey that the “normal” part of me balked at it. It was hard enough to own being a Highly Sensitive Person, words that had research backing them. But this empath thing, this was taking it even a step further. It veered off into ambiguous, questionable territory. In fact, when I had first stumbled across the word online, trying to find a way to understand a part of my sensitivity that being an HSP didn’t quite encapsulate, I hadn’t even thought that it could possibly have anything to do with me. But the more I listened to other people’s stories, the more I followed the breadcrumbs, the more it started feeling that although the words that people used to describe their empath experiences were foreign, what they were talking about was essentially my own experience. It was just that some of these people connected that experience to belief systems I didn’t always resonate with while some others wrapped up the word in explanations that felt like the making up of a false story. But slowly, I could see that at the heart of it, beyond the cloak of words, beyond the different interpretations that people gave, our experiences felt similar. Like these so-called empaths, I often felt flooded with other people’s feelings. Their curiosity, worry and frustration jumped out at me. This often made me feel like I was walking through emotional minefields or collecting new feelings like you would collect scraps of paper. Going back to India after moving to the States, each time, I was stuck by how much all the little daily interactions, packed tightly in one day, which were part of my parents’ Delhi household, affected me energetically. Living in suburban America, I had often found the quiet too much. Then, I had thought nostalgically about India. Weeks could pass here without anyone so much as ringing the bell to our house. But it seemed like I had conveniently forgotten the other side of the story, forgotten how overstimulating Delhi had always been for me. There was, of course, the familiar sensory overload all around -- the continuous honking of horns, the laborers working noisily in the house next door, the continuous ringing of the bell as different people came and went -- the dhobi taking the clothes for ironing, the koodawalla come to pick up the daily trash, the delivery boy delivering groceries from the neighborhood kiraana store. But apart from these interruptions, inconveniences and overstimulations, there was also something more. In Delhi, every day, more lives touched mine in a day than they did in weeks in America. Going back, I could see, clearly for the first time, how much this sensory overload cost me and how much other people’s feelings leaked into mine, so much so that I almost felt them in my body. I could see that the koodawalla, the one I had always liked, the one from some kind of a “lower caste,” had changed in these past few years. He was angry now, unlike the calm resignation, almost acceptance he had carried inside him before. His anger seemed to jump out at me, as if he thought I was part of a whole tribe of people who had kept people like him down for years, who had relegated him to this lower caste, who had only given him the permission to do “dirty,” degrading work, like collecting the trash.
Ritu Kaushal, The Empath's Journey
The word “empath” jumped up in my awareness a few years after I had already been in the States. When I first came across it, it felt so woo-woo and new-agey that the “normal” part of me balked at it. It was hard enough to own being a Highly Sensitive Person, words that had research backing them. But this empath thing, this was taking it even a step further. It veered off into ambiguous, questionable territory.  In fact, when I had first stumbled across the word online, trying to find a way to understand a part of my sensitivity that being an HSP didn’t quite encapsulate, I hadn’t even thought that it could possibly have anything to do with me. But the more I listened to other people’s stories, the more I followed the breadcrumbs, the more it started feeling that although the words that people used to describe their empath experiences were foreign, what they were talking about was essentially my own experience. It was just that some of these people connected that experience to belief systems I didn’t always resonate with while some others wrapped up the word in explanations that felt like the making up of a false story. But slowly, I could see that at the heart of it, beyond the cloak of words, beyond the different interpretations that people gave, our experiences felt similar. Like these so-called empaths, I often felt flooded with other people’s feelings. Their curiosity, worry and frustration jumped out at me. This often made me feel like I was walking through emotional minefields or collecting new feelings like you would collect scraps of paper. Going back to India after moving to the States, each time, I was stuck by how much all the little daily interactions, packed tightly in one day, which were part of my parents’ Delhi household, affected me energetically. Living in suburban America, I had often found the quiet too much. Then, I had thought nostalgically about India. Weeks could pass here without anyone so much as ringing the bell to our house. But it seemed like I had conveniently forgotten the other side of the story, forgotten how overstimulating Delhi had always been for me.  There was, of course, the familiar sensory overload all around -- the continuous honking of horns, the laborers working noisily in the house next door, the continuous ringing of the bell as different people came and went -- the dhobi taking the clothes for ironing, the koodawalla come to pick up the daily trash, the delivery boy delivering groceries from the neighborhood kiraana store. But apart from these interruptions, inconveniences and overstimulations, there was also something more. In Delhi, every day, more lives touched mine in a day than they did in weeks in America. Going back, I could see, clearly for the first time, how much this sensory overload cost me and how much other people’s feelings leaked into mine, so much so that I almost felt them in my body. I could see that the koodawalla, the one I had always liked, the one from some kind of a “lower caste,” had changed in these past few years. He was angry now, unlike the calm resignation, almost acceptance he had carried inside him before. His anger seemed to jump out at me, as if he thought I was part of a whole tribe of people who had kept people like him down for years, who had relegated him to this lower caste, who had only given him the permission to do “dirty,” degrading work, like collecting the trash.
Ritu Kaushal, The Empath's Journey: What Working with My Dreams, Moving to a Different Country and L