Trash Rat Quotes

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A fantastic Riot Boy, Trash the Senses.. -Thurston Moore
David Rat (Happy Ending)
Oh God, for a few who will love me in tiny ways every single day of my flashing existence. For a mere one or two who will treat me like the trash I am, who will love the smell of garbage and rummage through the bin of my failings to find the wrapped cheeseburger they can do without but consider long enough to get their taste buds used to the idea. Oh for a melodious tongue to sing me a song about french fries.
Chila Woychik (On Being a Rat and Other Observations)
He passed Pluribus's nightclub and allowed himself a small smile. A person could get rat poison at any number of places, but he's surreptiously scooped up a pinch of it from the back alley last week and taken it home. It'd been tricky getting it into the morphling bottle, especially using gloves, but eventually he'd squeezed what he judged to be a sufficient does through the opening. He'd taken the precaution of making sure the bottle was wiped clean. There was nothing to make Dean Highbottom suspicious of it when he pulled it from the trash and slipped it into his pocket. Nothing when he unscrewed the dropper and dripped the morphling onto his tongue. Although he couldn't help hoping that, as the dean drew his final breath, he'd realize what so many others had realized when they'd challenged him. What all of Panem would know one day. What was inevitable. Snow lands on top. 515-16
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
There’s a note on the door: “Dear kind person, Please don’t look for valuables here. We never had any. Use whatever you want, but don’t trash the place. We’ll be back.” I saw signs on other houses in different colors—“Dear house, forgive us!” People said goodbye to their homes like they were people. Or they’d written: “we’re leaving in the morning,” or, “we’re leaving at night,” and they’d put the date and even the time. There were notes written on school notebook paper: “Don’t beat the cat. Otherwise the rats will eat everything.” And then in a child’s handwriting: “Don’t kill our Zhulka. She’s a good cat.” [Closes his eyes.]
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
They were in a gloomy netherworld, scurrying like rats through a gigantic trash-midden.
Stephen King (The Waste Lands (The Dark Tower, #3))
Boy, you sound as crazy as a rat in a shithouse. That’s okay. I like crazy people. I’m crazy myself. Tripped right outta my fuckin gourd. Trashcan Man, huh? I like that. We make a pair. The fucking Kid and the fucking Trashcan Man. Shake, Trash.
Stephen King (The Stand)
Who can think of Larkin now without considering his fondness for the buttocks of schoolgirls and paranoid hatred of blacks … Or Eric Gill’s copulations with more or less every member of his family, including the dog? Proust had rats tortured, and donated his family furniture to brothels; Dickens walled up his wife and kept her from her children; Lillian Hellman lied. While Sartre lived with his mother, Simone de Beauvoir pimped babes for him; he envied Camus, before trashing him. John Cheever loitered in toilets, nostrils aflare, before returning to his wife. P.G. Wodehouse made broadcasts for the Nazis; Mailer stabbed his second wife. Two of Ted Hughes’s lovers had killed themselves. And as for Styron, Salinger, Saroyan … Literature was a killing field; no decent person had ever picked up a pen.
Hanif Kureishi (The Last Word)
True story: Some homeowner’s burning a yard pile just like this one. And he goes inside for lemonade and opens the cabinet under the sink to toss something in the trash, and this rat’s down in the bottom, gnawing a chicken bone. The rat had been driving the guy crazy for months, living in the walls and scampering through the attic at night like it had combat boots. So the guy grabs a rolling pin and beats it to death. Then he takes it outside and throws it on the burning pile.” “Good story,” said Coleman. “What’s the problem?” “The rat’s not dead. The heat wakes him up. It jumps off the pile and makes a beeline for the house. Except now its fur’s on fire. The homeowner tries to intercept, but it zips between his legs, runs back inside and gets in the walls. Ignited the insulation. Whole place burned down.
Tim Dorsey (Atomic Lobster Free with Bonus Material)
Neither that I picked my nose compulsively, daydreamed through my boring classes, masturbated, once in a condom I stole from my father’s drawer, enraptured by its half-chemical, half-organic odor; nor my obsessions with smells in general, earth, dead rats, even my baby sister’s diaper shit, which made me pleasantly retch; nor that I filched money from my mother for candy and so knew early on I was a thief, a sneak, a liar: none of that convinced me I was “bad,” subversive and perverse, so much as that purveyor of morality—parent, teacher, maybe even treacherous friend—who inculcated the unannulable conviction in me that the most egregious wrong, of which I was clearly already despicably, irredeemably guilty, was my abiding involvement with myself. Even now, only rarely am I able to convince myself that my reluctance to pass on my most secret reflections, meditations, theorizings, all the modes by which I manage to distract myself, arises from my belief that out of my appalling inner universe nothing anyway could possibly be extracted, departicularized, and offered as an instance of anything at all to anyone else. An overrefined sense of generosity, I opine; an unwillingness to presume upon others by hauling them into this barn, this sty, where mental vermin gobble, lust, excrete. Not a lack of sensitivity but a specialization of that lobe of it which most appreciates the unspoken wish of others: to stay free of that rank habitation within me I call “me.” Really, though: to consider one’s splendid self-made self as after all benevolent, propelled by secret altruism? Aren’t I, outer mouth and inner masticating self-excusing sublimations, still really back there in my neither-land? Aren’t I still a thief, stealing from some hoard of language trash to justify my inner stink? Maybe let it go, just let it go.
C.K. Williams (All at Once: Prose Poems)
she would get used to the other extremes that in the city were routine, like the absurd monthly apartment lease payments or the trash bags piled to shoulder height along the streets and the rats that darted from beneath them.
Ryan Quinn (End of Secrets)
Cletus Busters, the custodian, trudged in, tugging behind him his cart full of brooms and mops and the bags of trash he had collected as he made his way from room to room. He parked the cart by the door and, with an air of innocence, wandered around the lab without any apparent objective in mind. “Hello, little rat,” he whispered, brushing the front of one of the metal cages with his fingers.
Tony Dunbar (Trick Question (Tubby Dubonnet, #3))
He tilted the box toward a chipped Pottery Barn blue bowl, and the little blue clumps, like cerulean rat turds, tumbled out, hitting the porcelain with a surprisingly metallic thud. It sounded like pennies dumped into an aluminum trash can.
Eric Spitznagel (Old Records Never Die: One Man's Quest for His Vinyl and His Past)
A rat,” she said, breathless. “Behind that box. It’s four feet long.” Lucy wasn’t trying to get at anything in the closet. “I think you scared my dog,” he said. “The rat scared her, I bet.” Noah entered the closet cautiously, kicked the box, and when nothing rustled, he pulled it out a bit. Ah. Behind the box was a dead mouse. Probably four inches long at best. It was very dead, dried out, kaput. He lifted it by the tail and held it toward her. “Is this the rat?” “No. My rat is much bigger. That must be its baby.” “Maybe you just got scared and it looked much bigger.” “No,” she said. “There’s a rat the size of a Volkswagen in there.” “Was it a dead rat, Ellie?” “Possibly. It wasn’t moving.” He went into the downstairs bathroom and dropped the thing in the trash. “Why did you do that?” she yelled, getting to her feet. “What if he gets out of there and attacks me?” “He’s petrified. It’s over,” Noah said. Then he smiled at her. “I’ll protect you.” “Right,” she said. “So far you don’t even have the real rat! What good are you?
Robyn Carr (Forbidden Falls)
she said, her children should not live on trash, her children had to fight for their livings, having such a silly, puffed-up ignoramus of a father, her girls were not going to be underfed “mud rats.
Christina Stead (The Man Who Loved Children)
I headed straight for the half-bathroom I remembered seeing on my other visits over. I peed and started washing my hands, and it was when I reached for a towel that I happened to look down and saw something small and brown run across the floorboard. I froze. Leaning over just a little, I peeked around the toilet and saw it again. Two little eyes. One bare tail. About two inches long. It darted off, disappearing around the trash can. I wasn’t proud of myself… but I screamed. Not loud, but it was still a scream. And then I got the hell out of there. Honestly, I wasn’t sure I’d ever moved so fast going down the hall, thankful I’d seen him after I’d pulled my pants on and zipped them up, going as far away from the bathroom as possible. Which ended up being the kitchen. Rhodes was standing by the island, tearing paper towels off when he noticed me coming. A frown came over his face. “What’s—” “There’s a mouse in the bathroom!” I squeaked and went past him, pretty much leaping onto the stool beside the counter, then jumping from there to the back of the couch with a frantic look toward the floor to make sure I hadn’t been followed. Out of the corner of my eye, I noticed Amos stood up so fast the chair he was in fell backward, and the next thing I knew, he’d leaped onto the couch and ended up beside me, his butt propped up on the back of it, legs dangling inches off the floor in the air. Johnny and Jackie either didn’t care or were so stunned by Amos and me, that they hadn’t moved a single inch from the table. “A rat?” Rhodes asked from the exact same spot he’d been in. I shook my head at him, exhaling hard to try and bring my heart rate down. “No, a mouse.” His eyebrows crept up about a half-inch, but I noticed it. “You’re screaming because of a mouse?” Did he have to ask so slowly? I swallowed. “Yes!” He blinked. Beside me, Amos suddenly snorted deep in his throat like he hadn’t knocked his chair over. Then I noticed that Rhodes’s chest was shaking. “What?” I asked, eyeing the floor again. His chest was shaking even more, and he barely managed to wheeze out, both eyes squeezing closed, “I… I didn’t know you were into parkour.” Amos snorted again, lowering his legs and planting his feet. “You backflipped onto the table…,” Rhodes choked out. He was wheezing. The son of a bitch was wheezing. “No, I did not!” I argued, starting to feel just a little bit… foolish. I hadn’t. I didn’t know how to backflip. “You jumped from the island to the couch,” Rhodes kept going, raising a fist to hold it right in front of his nose. He could barely talk. “Your face… Ora, it was so white,” Am started, bottom lip starting to tremble. I pressed my lips together and stared at my favorite traitor. “My soul left my body for a second, Am. And you didn’t exactly walk over here either, okay.” Rhodes, who decided that this was what he was going to find hilarious, barely choked out, “You looked like you saw a ghost.” Amos burst out laughing. Then Rhodes burst out laughing. One quick glance confirmed that Johnny was chuckling too, Jackie was the only one giving me a smile. I was glad someone had a heart. They were cracking up, totally and completely cracking up. “You know, I hope it crawls into one of your mouths for being so mean to me,” I muttered, joking. Mostly. Rhodes grinned so wide, he came over and slapped his son on the back while they both kept laughing. At me. But together. And maybe I wasn’t going to be able to sleep tonight now, worried there might be a mouse next door, but it would be worth it.
Mariana Zapata (All Rhodes Lead Here)
People say that the way to a man's heart is through his stomach. Well, I can tell you, when a woman has a family, the way to her heart is through her dirty dishes. It's not easy to let God in when you've got a bunch of rug rats who need feeding and a trash can fill of diapers. [Rachel Nelson]
Cate Quinn (Black Widows)
Later, I sat down drunk on the corner of Carondelet and Canal Streets, listening for the rumble of the streetcar that would take me back uptown to my apartment, watching the evening sun bleed from the streets, the city shifting into night, when it truly became New Orleans: the music, the constant festival, the smell of late evening dinners pouring out, layering the beer-soaked streets, prostitutes, clubs with DJs, rowdy gay bars, dirty strip clubs, the insane out for a walk, college students vomiting in trash cans, daiquiri bars lit up like supermarkets, washing-machine-sized mixers built into the wall spinning every color of daiquiri, lone trumpet players, grown women crying, clawing at men in suits, portrait painters, spangers (spare change beggars), gutter punks with dogs, kids tap-dancing with spinning bike wheels on their heads, the golden cowboy frozen on a milk crate, his golden gun pointed at a child in the crowd, fortune-tellers, psycho preachers, mumblers, fighters, rock-faced college boys out for a date rape, club chicks wearing silver miniskirts, horse-drawn carriages, plastic cups piling against the high curbs of Bourbon Street, jazz music pressing up against rock-and-roll cover bands, murderers, scam artists, hippies selling anything, magic shows and people on unicycles, flying cockroaches the size of pocket rockets, rats without fear, men in drag, business execs wandering drunk in packs, deciding not to tell their wives, sluts sucking dick on open balconies, cops on horseback looking down blouses, cars wading across the river of drunks on Bourbon Street, the people screaming at them, pouring drinks on the hood, putting their asses to the window, whole bars of people laughing, shot girls with test tubes of neon-colored booze, bouncers dragging skinny white boys out by their necks, college girls rubbing each other’s backs after vomiting tequila, T-shirts, drinks sold in a green two-foot tube with a small souvenir grenade in the bottom, people stumbling, tripping, falling, laughing on the sidewalk in the filth, laughing too hard to stand back up, thin rivers of piss leaking out from corners, brides with dirty dresses, men in G-strings, mangy dogs, balloon animals, camcorders, twenty-four-hour 3-4-1, free admission, amateur night, black-eyed strippers, drunk bicyclers, clouds of termites like brown mist surrounding streetlamps, ventriloquists, bikers, people sitting on mailboxes, coffee with chicory, soul singers, the shoeless, the drunks, the blissful, the ignorant, the beaten, the assholes, the cheaters, the douche bags, the comedians, the holy, the broken, the affluent, the beggars, the forgotten, and the soft spring air pregnant with every scent created by such a town.
Jacob Tomsky (Heads in Beds: A Reckless Memoir of Hotels, Hustles, and So-Called Hospitality)
Piero stood next to her, his dark hair tucked back behind his ears. He looked almost gleeful as he began detailing Falco’s betrayal. “When I first heard the noise, I figured it was a rat or a leper pawing through a trash heap in the alley.” He gave Falco an appraising look as if to indicate his assessment had been mostly correct.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Why Poetry Can Be Hard for Most People Dorothea Lasky, 1978 Because speaking to the dead is not something you want to do When you have other things to do in your day Like take out the trash or use the vacuum In the edge between the stove and cupboard Because the rat is everywhere Crawling around Or more so walking And it doesn’t even notice you It has its own intentions And is searching for that perfect bag of potato chips like you once were Because life is no more important than eating Or fucking Or talking someone into fucking Or talking someone into something Or sleeping calmly and soundly And all you can hope for are the people who put that calm in you Or let you go into it with dignity Because poetry reminds you That there is no dignity In living You just muddle through and for what Jack Jack you wrote to him You wrote to all of us I wasn’t even born You wrote to me A ball of red and green shifting sparks In my parents’ eye You wrote to me and I just listened I listened I listened I tell you And I came back No Poetry is hard for most people Because of sound
Dorothea Lasky
Bad Trash ( I Don't Like the Sound of That) Runs in the family R u n s in the f a m i l y- No, that's an atrocity you won't hear from me I don't like the sound of that Not lyin' in a mouse trap- I'm a mofo' sassy cat I don't clean no d i r t y rat No, not my reality Said not M Y reality- Don't shine shit in front of me and call it my reality! I don't like the sound of that Cruel intentions get tires flat I say what will shine for me I say what will bleed for me I call out the trash to me Bad trash always dies for me Clawed out my own reality The top from the back alley I don't run in the family I run far from the alley Calling all my sour soulmates- Recovering a l l e y c a ts You all clean up so good now No bad, bad trash, just LoVe pats! No bad trash, just LoVe pats
Casey Renee Kiser (Confessions of A Dead Petal)