Transvestite Quotes

Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.

Was it weird hearing from Jace?" asked Simon, his voice carefully neutral. "I mean, since you found out..." His voice trailed off. Yes?"said Clary, her voice sharply edged. "Since I found out what? That he's a killer transvestite who molests cats?" No wonder that cat of his hates everyone." Oh, shut up, Simon," Clary said crossly.

Where are you anyway? (Acheron) I don't know. I hear some godawful kind of music from outside, horns blaring, and I'm in a house with a Mohawk cuckoo bird, a transvestite, and a knife-wielding lunatic. (Valerius) Why are you at Tabitha's? (Acheron)

Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college. And I realize some of you may be having trouble deciding whether I am kidding or not. So from now on I will tell you when I'm kidding. For instance, join the National Guard or the Marines and teach democracy. I'm kidding. We are about to be attacked by Al Qaeda. Wave flags if you have them. That always seems to scare them away. I'm kidding. If you want to really hurt your parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

My advice to writers just starting out? Don't use semi-colons! They are transvestite hermaphrodites, representing exactly nothing. All they do is suggest you might have gone to college.

It's like a bad joke over here: a black woman, a Filipino transvestite, and a Korean ex-stripper walk into a gay man‟s house. All that's missing is a priest and a talking dog.” - Bobby Dawson

Yes?" said Clary, her voiced sharply edged. "Since I found out what? That he's a killer transvestite who molests cats?" "No wonder that cat of his hates everyone.

Maybe I couldn’t make it. Maybe I don’t have a pretty smile, good teeth, nice tits, long legs, a cheeky arse, a sexy voice. Maybe I don’t know how to handle men and increase my market value, so that the rewards due to the feminine will accrue to me. Then again, maybe I’m sick of the masquerade. I’m sick of pretending eternal youth. I’m sick of belying my own intelligence, my own will, my own sex. I’m sick of peering at the world through false eyelashes, so everything I see is mixed with a shadow of bought hairs; I’m sick of weighting my head with a dead mane, unable to move my neck freely, terrified of rain, of wind, of dancing too vigorously in case I sweat into my lacquered curls. I’m sick of the Powder Room. I’m sick of pretending that some fatuous male’s self-important pronouncements are the objects of my undivided attention, I’m sick of going to films and plays when someone else wants to, and sick of having no opinions of my own about either. I’m sick of being a transvestite. I refuse to be a female impersonator. I am a woman, not a castrate.

It's noon, Valerius. We both should be asleep?" Acheron paused. "Where are you anyways?" "I don't know," Valerius said. "I hear some godawful kind of music from outside, horns blaring, and I'm in a house with a mohawk cuckoo bird, a transvestite, and a knife-wielding lunatic." "Why are you at Tabitha's?" Acheron asked. "Excuse me?" "Relax," Acheron said with a yawn. "You're in good hands. Tabby won't hurt you." "She stabbed me!" "Damn," Ash said. "I told her not to stab any more Hunters. I hate it when she does that.

I realize that some of you may have come in hopes of hearing tips on how to become a professional writer. I say to you, "If you really want to hurt your parents, and you don't have the nerve to be a homosexual, the least you can do is go into the arts. But do not use semicolons. They are transvestite hermaphrodites, standing for absolutely nothing. All they do is show you've been to college.

Mr Horsefry was a youngish man, not simply running to fat but vaulting, leaping and diving towards obesity. He had acquired at thirty an impressive selection of chins, and now they wobbled with angry pride.* * It is wrong to judge by appearances. Despite his expression, which was that of a piglet having a bright idea, and his mode of speech, which might put you in mind of a small, breathless, neurotic but ridiculously expensive dog, Mr Horsefry might well have been a kind, generous and pious man. In the same way, the man climbing out of your window in a stripy jumper, a mask and a great hurry might merely be lost on the way to a fancy-dress party, and the man in the wig and robes at the focus of the courtroom might only be a transvestite who wandered in out of the rain. Snap judgements can be so unfair.

I don't know," Valerius said. " I hear some godawful kind of music from outside, horns blaring, and I'm in a house with a mohawk cuckoo bird, a transvestite, and a knife-weilding lunatic." "Why are You at Tabitha's?" Acheron asked

Let me note that Kilgore Trout and I have never used semicolons. They don't do anything, don't suggest anything. They are transvestite hermaphrodites.

I am a professional transvestite, so I can run about in heels and not fall over. Cause if a woman falls over wearing heels, that’s embarrassing. But if a bloke falls over wearing heels, you have to kill yourself. It’s the end of your life.

Well, as I was saying, it costs a lot to be authentic, madam. And one can't be stingy with these things, because you are more authentic the more you resemble what you've dreamed you are. - Agrado from "Todo Sobre Mi Madre

I’ve learnt that you’ve got to be really non-apologetic... You’ve got to say, ‘Hi, I’m here, can I have a cup of tea? And one of those biscuits?’ If you say that, it’s fine. If you go in and say, ‘Excuse me, I’m a transvestite, I’ll be in the corner, I won’t be a problem, I’ll face away,’ everyone will go, ‘Oh-oh, problem case in the corner.’ So don’t apologise.

Will there not be any scandal if she marries *me*?" I asked -- not quite believing that living in pseudo-wedlock with a half-human foreign transvestite was any improvement over spinsterhood.

In the moral realm, there is very little consensus left in Western countries over the proper basis of moral behavior. And because of the power of the media, for millions of men and women the only venue where moral questions are discussed and weighed is the talk show, where more often than not the primary aim is to entertain, even shock, not to think. When Geraldo and Oprah become the arbiters of public morality, when the opinion of the latest media personality is sought on everything from abortion to transvestites, when banality is mistaken for profundity because [it's] uttered by a movie star or a basketball player, it is not surprising that there is less thought than hype. Oprah shapes more of the nation's grasp of right and wrong than most of the pulpits in the land. Personal and social ethics have been removed from the realms of truth and structures of thoughts; they have not only been relativized, but they have been democratized and trivialized.

Inside I am a beautiful woman,' Okha said... 'The Trickster tapped me in my mother's womb and placed me in this man's shell.

Bye Bye Binary!

Do not use semicolons. They are transvestite hermaphrodites, representing nothing. All they do is show you've been to college.

New York, of course, is to be in endless surreal situations where a fifty-thousand dollar, gun-metal Mercedez pulls up into a puddle of blood, and out steps a twenty-five karat blonde transvestite with a two dollar wristwatch.

When a straight man puts on a dress and gets his sexual kicks, he is a transvestite. When a man is a woman trapped in a man's body and has a little operation, he is a Transsexual. When a gay man has WAY too much fashion sense for one gender he is a drag queen. And when a tired little Latin boy puts on a dress, he is simply a boy in a dress!

Put a pair of high heels on a fellow and just look what he was reduced to.

For every woman who burned a bra, there's a man burning to wear one.

Females of domestic reputation lounged upon the balconies they passed with faces gotten up in indigo and almagre gaudy as the rumps of apes and they peered from behind their fans with a kind of lurid coyness like transvestites in a madhouse.

Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college

Most of Arbus's work lies within the Warhol aesthetic, that is, defines itself in relation to the twin poles of boringness and freakishness; but it doesn't have the Warhol style. Arbus had neither Warhol's narcissism and genius for publicity nor the self-protective blandness with which he insulates himself from the freaky nor his sentimentality. It is unlikey that Warhol, who comes from a working-class family, ever felt any ambivalence toward success which afflicted the children of the Jewish upper middle classes in the 1960s. To someone raised as a Catholic, like Warhol (and virtually everyone in his gang), a fascination with evil comes much more genuinely than it does to someone from a Jewish background. Compared with Warhol, Arbus seems strikingly vulnerable, innocent--and certainly more pessimistic. Her Dantesque vision of the city (and the suburbs) has no reserves of irony. Although much of Arbus's material is the same as that depicted in, say, Warhol's Chelsea Girls (1966)...For Arbus, both freaks and Middle America were equally exotic: a boy marching in a pro-war parade and a Levittown housewife were as alien as a dwarf or a transvestite; lower-middle-class suburbia was as remote as Times Square, lunatic asylums, and gay bars. Arbus's work expressed her turn against what was public (as she experienced it), conventional, safe, reassuring--and boring--in favor of what was private, hidden, ugly, dangerous, and fascinating. These contrasts, now, seem almost quaint. What is safe no long monopolizes public imagery. The freakish is no longer a private zone, difficult of access. People who are bizarre, in sexual disgrace, emotionally vacant are seen daily on the newsstands, on TV, in the subways. Hobbesian man roams the streets, quite visible, with glitter in his hair.

Believing that Edward’s men were at a safe distance in Worcester, Simon’s men were unprepared for attack. They did not realize that Edward and Gloucester had spies among them, including a female transvestite called Margoth

The more we delve into the essence of personality, the more we learn that in this world, certainly rich with natural beauty and things worthy of seeing, nothing is more attractive and worthier of knowing and experiencing than people.

The 46-year-old recipient of the Jarvik IX Exterior Artificial Heart was actively window shopping in Cambridge, Massachusetts’ fashionable Har­vard Square when a transvestite purse snatcher, a drug addict with a crimi­nal record all too well known to public officials, bizarrely outfitted in a strapless cocktail dress, spike heels, tattered feather boa, and auburn wig, brutally tore the life sustaining purse from the woman’s unwitting grasp. The active, alert woman gave chase to the purse snatching ‘woman’ for as long as she could, plaintively shouting to passers by the words ‘Stop her! She stole my heart!’ on the fashionable sidewalk crowded with shop­pers, reportedly shouting repeatedly, ‘She stole my heart, stop her!’ In response to her plaintive calls, tragically, misunderstanding shoppers and passers by merely shook their heads at one another, smiling knowingly at what they ignorantly presumed to be yet another alternative lifestyle’s re­lationship gone sour. A duo of Cambridge, Massachusetts, patrolmen, whose names are being withheld from Moment’s dogged queries, were publicly heard to passively quip, ‘Happens all the time,’ as the victimized woman staggered frantically past in the wake of the fleet transvestite, shouting for help for her stolen heart.

Because I am a transvestite, people often assume that this gives me a special insight into the opposite gender. But this is rubbish: how can I, brought up as a man, know anything about the experience of being a woman? It would be insulting to women if I thought I did. If anything, it gives me a sharper insight into what it is to be a man, since from the age of twelve I have been questioning my own masculinity.

Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.” ― A Man Without a Country

Baby, you’re so much of a woman, you turn me off when I hold you.

Then everything changed with the Stonewall uprising toward the end of June 1969. And it wasn’t all those crewnecked white boys in the Hamptons and the Pines who changed things, but the black kids and Puerto Rican transvestites who came down to the Village on the subway...

There weren’t so many transvestite prostitutes in Oaxaca in those days; Flor really stood out, and not only because she was tall. She was almost beautiful; what was beautiful about her truly wasn’t affected by the softest-looking trace of a mustache on her upper lip, though Lupe noticed it.

Bugis Street, once famous for its transvestite prostitutes - the sort of place where one could have imagined Noel Coward, ripped on opium, cocaine and the local tailoring, just off his rickshaw for a night of high buggery - had, when it proved difficult to suppress, a subway station dropped on top of it.

It had been a long while since I’d watched any television, and things had only gotten weirder. Beauty pageants for infants; ruddy men in trucker caps fighting over abandoned storage lockers; public shamings of compulsive hoarders and pre-diabetics; affluent suburban women made up like transvestite hookers, competing with each other in feats of coarseness and cruelty; barely literate pregnant teens with tattoos, unfocused eyes, and futures like wrecked cars; apoplectic crypto-fascists spitting bile and paranoia; a carnival midway of weight loss devices, hair growth creams, erectile dysfunction potions, and pottery from which herbs grew like green hair. It was like the day room of a surrealist mental hospital, or any big city ER on a summer Saturday night.

To the dump kids, it also seemed perfectly logical that they were driven to the circus by a transvestite prostitute.

Okay, the cops are gone. I explained about my mother and her obsession with the transvestite killer. They didn’t even get that mad.

Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.

Stories of the brave, glamorous girl stopped selling so the press changed its angle and turned mean (and dumb); "transvestite", "degenerate", etc. Magazines start to use the pronouns "he" to refer to Christine

All time is all time. It does not change. It does not lend itself to warnings or explanations. It simply is. Take it moment by moment, and you will find that we are all, as I've said before, bugs in amber. Just because some of us can read and write and do a little math, that doesn't mean we deserve to conquer the Universe. Everything was beautiful and nothing hurt. Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae. Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college. Maturity is a bitter disappointment for which no remedy exists, unless laughter could be said to remedy anything. Life happens too fast for you ever to think about it. If you could just persuade people of this, but they insist on amassing information. Our awareness is all that is alive and maybe sacred in any of us. Everything else about us is dead machinery.

If we were to follow that dictum from the Reformation, that we know nothing about God except for what we know of Jesus, then we need to confront a Jesus/God whose theological identity has become a unique mess of being the One who fucked Mary and is yet her son at the same time (interesting if not very edifying material). That Jesus who had a preference for men disciples, beloved disciples and a Lazarus who was so close to him that the Gospel presents Jesus in his infantile denial of his death. So Jesus may be a faggot, or a transvestite, so little we know of him except what other people saw in him; sexual appearances are so deceiving. Or Jesus as a man who desired both men and women and met those men and women's desires whoever they were.

My mother said the bizarre name Raccoona had surely been inspired, at least on a subliminal level, by the masks raccoons don't wear but simply have - the ones given them by nature..... [S]he pointed out that Le Guin had suspected all along that Raccoona and Tiptree were two authors that came from the same source, but in a letter to Alice she wrote that she preferred Tiptree to Raccoona: 'Raccoona, I think, has less control, thus less wit and power.' Le Guin, Mother said, had understood something deep. 'When you take on a male persona, something happens.' When I asked her what that was, she sat back in her chair, waved her arm, and smiled. 'You get to be the father.

Although it was only nine o’clock he had already gone once around the pharmacological wheel to which he’d strapped himself for the evening, stolen a tuba, and offended a transvestite; and now his companions were beginning, with delight and aplomb, to barf. It was definitely a Crabtree kind of night.

D/Ali said that, as a rule, people who overused the word ‘natural’ did not know much about the ways of Mother Nature. If you told them how snails, worms and black sea bass were hermaphrodites, or male seahorses could give birth, or male clownfish turned female halfway through their lives, or male cuttlefish were transvestites, they would be surprised.

Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.

You’re not a woman!” I say, “I don’t know what I am if I’m not a woman.

Do you have one where you’re riding a horse or a camel? Or sitting on a rocket ship? Those are always wildly popular with men looking for sex. —SINGLE-MINDED

Seems to be catching." "What is?" asked Neku. "Wanting Kit dead." Neku shrugged. "He was fucking the wife of a gang boss and bikers used his bar to deal drugs, plus lots of uyoku felt Yoshi Tanaka should be married to someone Japanese. Then there's chippu he owed to the local police and unpaid bills from a Brazilian transvestite who mends his motorcycle. It could have been anyone.

That fact forms the center of a slightly racist joke referencing Ritsuko City’s large population of Japanese speakers. And I could certainly have escaped justice indefinitely by crossing the Black. But I’d have to lose my last scrap of self-respect, and in that case I would take up transvestite hooking before piracy. At least that would make for a less awkward conversation with Dad.

Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college. And I realize some of you may be having trouble deciding whether I am kidding or not. So from now on I will tell you when I'm kidding. For instance, join the National Guard or the Marines and teach democracy. I'm kidding. We are about to be attacked by Al Qaeda. Wave flags if you have them. That always seems to scare them away. I'm kidding.

He wore pantysuits. Women's pantysuits. He wore high heels too, or medium heels at least. Panty hose. And angora sweaters. I never saw him in a dress or a skirt, but he loved those pantysuits. He used to sit in his office with a cigarette, striking a very masculine pose. But he had on a pantsuit with pantyhose–heavy beard–he was a very typical ex-marine, to some degree. He had a very deep voice, physical mannerisms like a man and he was totally ludicrous. Yet he was completely at ease. He was a very self-confident man. He said that he was already into being a transvestite by the time he enlisted in the Marines. And when he was making a landing in the Pacific, he was wearing bra and panties under his uniform.

The only reason they tolerated the transgender community in some of these movements was because we were gung-ho, we were front liners. We didn’t take no shit from nobody. We had nothing to lose. You all had rights. We had nothing to lose. I’ll be the first one to step on any organization, any politician’s toes if I have to, to get the rights for my community.

the foot of the downhill Eighties lay the Hudson, as dense as mercury. On the points of radio towers in New Jersey red lights like small hearts beat or tingled. In midstreet, on the benches, old people: on faces, on heads, the strong marks of decay: the big legs of women and blotted eyes of men, sunken mouths and inky nostrils. It was the normal hour for bats swooping raggedly (Ludeyville), or pieces of paper (New York) to remind Herzog of bats. An escaped balloon was fleeing like a sperm, black and quick into the orange dust of the west. He crossed the street, making a detour to avoid a fog of grilled chicken and sausage. The crowd was traipsing over the broad sidewalk. Moses took a keen interest in the uptown public, its theatrical spirit, its performers—the transvestite homosexuals painted with great originality, the wigged women, the lesbians looking so male you had to wait for them to pass and see them from behind to determine their true sex, hair dyes of every shade.

It is not only through their complexity that the immune systems confuse their owners' longing for security; they cause even more perplexity through their immanent paradox, as their successes, if they become too thorough, are perverted to become their own kind of reasons for illness: the growing universe of auto-immune pathologies illustrates the dangerous tendency of the own to win itself to death in the battle against the other. It is no coincidence that recent interpretations of the immunity phenomenon exhibit a tendency to assign far greater significance to the presence of the foreign amidst the own than was intended in traditional identitary understandings of a monolithically closed organismic self - one could almost speak of a post-structuralist turn in biology. In the light of this, the patrol of antibodies in an organism seems less like a police force applying a rigid immigration policy than a theater troupe parodying its invaders and performing as their transvestites.

It’s like I’m suddenly a hormonally charged teenager or living in a bad romance novel: I suddenly can’t stop myself from noticing every man around me. Which means that Darcy, Samantha, and Michael are probably right. Plus, there was that disturbing dream about Voldemort this morning. I need to lose my gay-husband virginity before I lose my mind entirely. I need to find someone to sleep with me. And the fact that I don’t have the faintest idea how to make that happen is just further proof that it needs to. —SINGLE-MINDED

Not knowing what to do, I started walking down St. Mark’s toward Tompkins Square. All Day All Night. You Must Be Twenty One To Enter. Downtown, away from the high-rise press, the wind cut more bitterly and yet the sky was more open too, it was easier to breathe. Muscle guys walking paired pit bulls, inked-up Bettie Page girls in wiggle dresses, stumblebums with drag-hemmed pants and Jack O’Lantern teeth and taped-up shoes. Outside the shops, racks of sunglasses and skull bracelets and multicolored transvestite wigs. There was a needle exchange somewhere, maybe more than one but I wasn’t sure where; Wall Street guys bought off the street all the time if you believed what people said but I wasn’t wise enough to know where to go or who to approach, and besides who was going to sell to me, a stranger with horn rimmed glasses and an uptown haircut, dressed for picking out wedding china with Kitsey? Unsettled heart. The fetishism of secrecy. These people understood—as I did—the back alleys of the soul, whispers and shadows, money slipping from hand to hand, the password, the code, the second self, all the hidden consolations that lifted life above the ordinary and made it worth living.

What have you done to allow yourself to express your preferred gender identity? Have you been "cross-dressing" in private? Have you gone out "dressed"? Engaged in any other activities (such as theatre, sports, etc.) that allowed you to express your feminine or masculine self? How do you feel when you are dressed in the clothes you like? Do you like how it makes you look? Do you just like the feel of the fabric? Is it sexually arousing? Do you dress primarily for comfort and relaxation? What were you told about being gay or lesbian growing up? What were the attitudes of the people around you, and how were those conveyed? Were you called queer or gay? How did you feel about that? Did you know anything about transgender people growing up? What images did you come across? Transvestite stereotypes? Jerry Springer? Do you know anyone now who's transgender? What stories have you heard or read? What are your sources of information about transgender life? What are your own thoughts, feelings, prejudices about gay, lesbian, bisexual or transgender people? Do you ever find yourself not wanting to associate with, or be associated with, others in the community? Who are you uncomfortable with? Can you identify where those prejudices came from?

Don’t cry Meg. It’s not that bad.” “It’s not that bad? Ha! I’m thirty years old, with two black eyes, a swollen nose, a big, honking, yellow knot on my forehead, and the haircut from hell. As if that isn’t enough, I had a transvestite in my bed this morning, my husband is a lying, cheating, cradle robbing, bastard, who at some point slept with my best friend.” Jack scooted over to the middle of the seat, and stopped listening to his head and wrapped his arms around her. Big mistake! From inside, four faces were pressed to the window. “My last orgasm-with a partner- was…hell I can’t remember when! I frequently knock myself out for entertainment purposes, I have little boobs, big feet, squishy panties, nosy neighbors and demon possessed fish. God hates me!” Jack held her tighter. “I have frequent flyer miles at the hospital. I fed my husband marijuana Ex-lax brownies and shoved a marble up his butt.” Jack pulled away to look at her and she was serious. And crying. Big, sad, alligator tears that made his heart swell. “My mother is a holy rolling, Catholic Dr. Ruth, complete with condoms and Rosary beads. I write about relationships and sex, both of which I suck at and I hired a Private Investigator to pimp me out.” Jack burst out laughing and she pushed him away and swatted his shoulder. “And now you’re laughing at me. Could things get any worse?

In the last years of the Republic there were films such as Robert Siodmark's Menschen am Sonntag (People on Sunday, 1930)) and Gerhard Lamprecht's Emil und die Detektive (Emil and the Detectives, 1931), which embraced the airy streets, light-dappled forests, and lakes surrounding Berlin. Billie Wilder, a brash young journalist and dance-hall enthusiast, worked on the scripts for both these films. While Kracauer and Eisner saw malevolence in the frequent trope of doubling (one being possessed by another and thus becoming two conflicting psychological presences), Wilder witnessed another form of doubling during the Weimer era: transvestitism, a staple of cabaret. Men dressing as women (as do Reinhold Schünzel in der Himmel auf Erden [Heaven on earth]) and Curti Bois in Der Fürst von Pappenheim [The Masked Mannequin][both 1927]) or women as men (as does Dolly Haas in Liebeskommando [Love's Command, 1931]), in order to either escape detection or get closer to the object of their affection, is an inherently comic situation, especially when much to his or her surprise the cross-dresser begins to enjoy the disguise. Billie left Germany before he directed a film of his own; as Billy he brought to Hollywood a vigorous appreciation of such absurdities of human behavior, along with the dry cynicism that distinguished Berlin humor and an enthusiasm for the syncopations of American jazz, a musical phenomenon welcomed in the German capital. Wilder, informed by his years in Berlin (to which he returned to make A Foreign Affair in 1948 and One, Two, Three in 1961), wrote and directed many dark and sophisticated American films, including The Apartment (1969) and Some Like it Hot (1959), a comedy, set during Prohibition, about the gender confusion on a tonal par with Schünzel's Viktor und Viktoria, released in December 1933, eleven months into the Third Reich and the last musical to reflect the insouciance of the late Republic.

The triumph of the transsexual and of transvestitism casts a strange light, retrospectively, upon the sexual liberation espoused by an earlier generation. It now appears that this liberation - which, according to its own discourse, meant the bursting forth of the body's full erotic force, a process especially favorable to the principles of femininity and of sexual pleasure - may actually have been no more than an intermediate phase on the way to the confusion of categories that we have been discussing. The sexual revolution may thus turn out to have been just a stage in the genesis of transsexuality. What is at issue here, fundamentally, is the problematic fate of all revolutions. The cybernetic revolution, in view of the equivalence of brain and computer, places humanity before the crucial question 'Am I a man or a machine? ' The genetic revolution that is taking place at the moment raises the question 'Am I a man or just a potential clone? ' The sexual revolution, by liberating all the potentialities of desire, raises another fundamental question, 'Am I a man or a woman?' (If it has done nothing else, psychoanalysis has certainly added its weight to this principle of sexual uncertainty.) As for the political and social revolution, the prototype for all the others, it will turn out to have led man by an implacable logic - having offered him his own freedom, his own free will - to ask himself where his own will lies, what he wants in his heart of hearts, and what he is entitled to expect from himself. To these questions there are no answers. Such is the paradoxical outcome of every revolution: revolution opens the door to indeterminacy, anxiety and confusion. Once the orgy was over, liberation was seen to have left everyone looking for their generic and sexual identity - and with fewer and fewer answers available, in view of the traffic in signs and the multiplicity of pleasures on offer. That is how we became transsexuals - just as we became transpoliticals: in other words, politically indifferent and undifferentiated beings, androgynous and hermaphroditic - for by this time we had embraced, digested and rejected the most contradictory ideologies, and were left wearing only their masks: we had become, in our own heads - and perhaps unbeknownst to ourselves - transvestites of the political realm.

Not that far away, Ms. Fate, the Nightside’s very own leather-costumed transvestite superheroine, was dancing on a tabletop with demon girl reporter Bettie Divine.

As if they'd never seen a seven-foot transvestite and a two-hundred-pound black woman with blond baloney curls all dressed up like Cher on a bad day. Do I know how to conduct an undercover operation,

I mean, since you found out . . .” His voice trailed off. “Yes?” said Clary, her voiced sharply edged. “Since I found out what? That he’s a killer transvestite who molests cats?” “No wonder that cat of his hates everyone.

transvestite,

The term "queer" is not simply a 1990s recoding of a pre-Stonewall epithet but here refers to a myriad forms of same-sex and other non-normative kinds of desire that have come to inform certain specific identity groups such as gays, lesbians, bisexuals, transgender individuals, transsexuals, transvestites, cross dressers, drag queens, drag kings, alternative straights and anyone in between.

Out of nowhere, our problem was solved. We had a stringer in New York whose life was spent collecting awful things for us off the cable channels: biker astrologists, transvestite psychics, body-building sexologists, stuff like that. He lived in a cold-water flat somewhere on the Upper West Side dodging cockroaches the size of rats while he survived on pizza. One night he was watching a cable channel unbelievably called Channel 69. Exercising their rights under the First Amendment, anyone at all could pay ten dollars and go on Channel 69 to do a number, because in America everyone is entitled to self-expression: it’s in the Constitution. Our stringer was halfway though a five-cheese pizza with extra cheese when he was suddenly face to face with an Hispanic woman in a green feather boa singing the Lionel Ritchie hit ‘Hello’ while she pounded away at a Yamaha portable piano. He had never seen anything like her in his life and for a while he thought there might be something wrong with the pizza, but when he recovered his mind he sent me a video by courier. The video had the artist’s name handwritten on the label. It was Margarita Pracatan.

The place was as dim as a church. Roller coasters of tarnished brass and swelling seas of en­ crusted red velvet spread out in pe ersions of opu­ lence before him. Gold thread traced rococo patterns in the purple felt walls. The theater's logo - a cupid with a clutch of arrows in one hand and a severed head in the other - was sewn in embossed pink at regular intervals across the walls and carpets. Vicious, greasy teenagers prowled the lobby, pumped up on cheap violence, gore, and clinically depicted scenes of sexual denigration and mutilation. They loitered, coiled like springs anticipating release. They'd later spill out into the primordial chaos of the streets in an orgy of drive-bys, carjackings, murders and rapes, unleashed on the world like a marauding legion of rampaging demons escaped from a sewage hole lead­ ing up from hell, squirting hot hormonal juice out their pores, laboring and defiling the polluted night, Los Angeles laying there with its legs spread wide with tinsel tangled in its hair, bleeding from its gash like a freshly gang-raped transvestite weeping on the piss-soaked concrete floor of the L.A. County Jail.

Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.

They have been brainwashed by this fucked up system that has condemened us and by doctors that call us a disease and a bunch of freaks. Our family and friends have also condemned us because of their lack of true knowledge.

I’m not even in the back of the bus. My community is being pulled by a rope around our neck by the bumper of the damn bus that stays in the front. Gay liberation but transgender nothing!

To attempt to divide us into rigid categories (You're a transvestite, and you're a drag queen, and you're a she-male, and on and on and on) is like trying to apply the laws of solids on the state of fluids; it's our our fluidity that keeps us in touch with each other. It's our fluidity and the principles that attend that constant state of flux that could create an innovative and inclusive transgender community.

I was to suffer considerably from the wide acceptance of the dictionary's limited definition of the word, "transvestite." Perhaps my discomfort was not without some reason, for since then, a number of medical authorities have posed the question of whether or not it is advisable to apply new terms to cases such as mine.

it is hard to think of a culture in the world that does not include – and allow for – some variety of gender-ambiguity. It is not an invention of late modernity. As we have seen, Ovid wrote of a shifter between the sexes in the story of Tiresias. In India there are the Hijras – a class of intersex and transvestite – knowledge and acceptance of whom dates back centuries. In Thailand the Kathoey is a type of effeminate male who is widely accepted to be neither male nor female. And on the island of Samoa there are fa’afafine, men who live and dress as women.

Transvestites are seeking to empty the word 'woman' of meaning and are forming language about female biology to suit their own sexual excitements and to prevent any challenge to their ideology. They have created their own language to downgrade women's status such as the word 'ciswoman' which they use to distinguish adult human females from 'transwomen'. In this way they demote those born female to just one variety of the category of women and provide an object lesson in how men have labelled and defined women to suit their purposes over the centuries of male domination.

I put a bowl of milk out for the cat then watch a documentary on heroin addiction among transvestites in Wisconsin then cut up the dead kid in my basement and vacuum seal the pieces and store them in the freezer down there. After all that, I go to take a shower, taking the cat and the corn on the cob with me.

Myth and history alike, I discovered, were full, if not of precedents, at least of parallels—men who lived as women, women who lived as men, hermaphrodites, transvestites, narcissists, not to speak of homosexuals or bisexuals. There is no norm of sexual constitution, and almost nobody has ever conformed absolutely to the conventional criteria of male and female

deal with Vice to shoot north Indian transvestite rhino poachers.

An oiled young stud does sit-ups on his Soloflex machine, eviscerates himself with an impossibly honed and gleaming kitchen knife, flings his dangling intestines over his shoulder like a sashaying transvestite in a mink stole and walks straight into a day school room full of naked shit-smeared children, who devour him in a bloody tornado of razor-sharp teeth.

He could easily imagine what people would say if they could see him now: exactly the same thing they'd say if someone had told them that Ray from work was a transvestite or that Ted from next door had anonymous gay sex at highway rest stops. They'd shake their heads with their heads with the standard combination of amusement, pity, and smug superiority, and say, Ha-ha-ha, poor Ray. Ho-ho-ho, poor Ted. At least I'm not like that. But we want what we want, Richard thought, and there's not much we can do about it.

Eğer toplumsal cinsiyet transvestit ise, ve eğer bu, yaklaşmayı denediği ideali düzenli olarak doğuran bir taklitse, o zaman toplumsal cinsiyet, bir içsel cinsiyet ya da öz ya da psişik toplumsal cinsiyet çekirdeği yanılsamasını doğuran bir temsildir; içsel derinlik yanılsamasını tende, jestle, hareketle, yürüyüşle (cinsiyetin takdimi olarak anlaşılan bedensel temsiller silsilesiyle) doğurur.

The opposite sidewalk filled with Tim Curry wannabes and enough black leather and red velvet to choke a transvestite.

Horace Walpole, the writer and politician, meanwhile, once saw Mademoiselle la Chevalière d’Éon, known in her day as a transvestite-diplomat-spy, teaching fencing to the Cosways’ guests in the midst of a party.16,17

He recognized his own fear in them, and now that he knows what it looks like he sees it everywhere — in the man who pumps gas across the street, in the teenage girls who stumble down the sidewalk, in the transvestite prostitute who steps forward and back, indecisive, at the intersection while Andres prays for the light to turn green. It is a fear that he can’t get away from, and seeing it in others doesn’t make him feel any safer.

Most visibly and politically effectual were the twelve large-scale photographs by Elisabeth Ohlson Wallin (b. 1961) forming the exhibition Ecce Homo (1998). The photographs depict classical situations in the life of Christ, but they are staged in contemporary settings with obviously gay and lesbian models – naked, in leather gear, transvestites, HIV-positive, etc...

Kurt Vonnegut was unequivocal in his last book, advising writers, “Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing.

He recognized his own fear in them, and now that he knows what it looks like he sees it everywhere — in the man who pumps gas across the street, in the teenage girls who stumble down the sidewalk, in the transvestite prostitute who steps forward and back, indecisive, at the intersection while Andres prays for the light to turn green. It is a fear that he can’t get away from, and seeing it in others doesn’t make him feel any safer.

Apa? WARIA? Iiih, Dennis! Sudah kubilang berapa kali, sih? Aku ini drag queen, darling, bukan waria! Drag queen itu perwujudan Madonna! Glamor, berani, berbahaya! Sementara waria itu ibarat Nicki Minaj berjakun.

Well, that explains the dreamy accent. And why transvestites would make him feel homesick. —SINGLE-MINDED

The plan was born in the mind of a novelist and took shape through a most unlikely cast of characters: a brilliant barrister, a family of undertakers, a forensic pathologist, a gold prospector, an inventor, a submarine captain, a transvestite English spymaster, a rally driver, a pretty secretary, a credulous Nazi, and a grumpy admiral who loved fly-fishing.

What I lived as feminism were in fact the male values my parents, among others, well-meaningly bequeathed me—the cross-dressing values of my father, and the anti-feminine values of my mother. So I am not a feminist. I am a self-hating transvestite.

Now, another way to think about this is that Shakespeare’s ego was so very insatiable he thought he could speak for everybody: a black duke, a transvestite girl, a carefree prince, a mad king. But we tend not to think of it that way, in Britain, instead we consider Shakespeare’s breed of impersonality among the highest literary virtues.

For me, a nascent transvestite, that charge of the feminine was especially in their clothes. To put on a dress was to don a suit of lights, the forbidden other shocking my skin at every contact point. It could, of course, have been static, as I’m talking about the early 1970s when Crimplene was everywhere.

I make a rule not to do chicks with fake boobs. I mean, who’s to say they are not men?

modern practice that has become politically and socially recognized and accepted is transgenderism, something even the ancient pagans understood was not possible. This is much more than a person wishing to be a crossdresser or transvestite. These people physically alter their bodies via surgery and hormone treatment in their attempts to change their gender, though the word “alter” better describes their efforts than “change.

In India there are the Hijras – a class of intersex and transvestite – knowledge and acceptance of whom dates back centuries. In Thailand the Kathoey is a type of effeminate male who is widely accepted to be neither male nor female. And on the island of Samoa there are fa’afafine, men who live and dress as women.

But who is he, my protagonist? Jacob? Marusya? Genrikh? Me? Yurik? No. No one, in fact, who is conscious of an individual existence, of birth and an anticipated, and unavoidable, death. Not a person at all, one might say, but a substance with a certain chemical makeup. And is it possible to call a “substance” something that, being immortal, has the capacity to transform itself, to change all its fine, subtle little planes and angles, its crooks and crevices, its radicals? It is more likely an essence that belongs neither to being nor to nonbeing. It wanders through generations, from person to person, and creates the very illusion of personality. It is the immortal essence, written in code, that organized the mortal bodies of Pythagoras and Aristotle, Parmenides and Plato, as well as the random person one encounters on the road, in the streetcar, on the metro, or in the seat next to you in an airplane. Who suddenly appears before you, and calls up a familiar, dim sensation of a previously glimpsed outline, a bend or a curve, a likeness—perhaps of a great-grandfather, a fellow villager, or even someone from the other side of the world. Thus, my protagonist is essence itself. The bearer of everything that defines a human being—the high and the low, courage and cowardice, cruelty and gentleness, and the hunger for knowledge. One hundred thousand essences, united in a certain pattern and order, form a human being, a temporary abode for each and every person. This is, in fact, immortality. And you, a human being—a white man, a black woman, an idiot, a genius, a Nigerian pirate, a Parisian baker, a transvestite from Rio de Janeiro, an old rabbi from Bnei Brak—you, too, are just a temporary abode.

The emergence of trans-exclusionary radical feminism [TERF] in the 1970s, with its own version of trans panic, is only one of many trans-misogynistic echoes in recent history. TERFs... didn't invent trans misogyny, nor did they put a particularly novel spin in it...portrayal of trans femininity as violent and depressed could have been lifted from the British denunciation of hijras in the 1870s, or from Nazi propaganda about transvestites in the 1930s... Recent work by historians has cat doubt in his popular TERF beliefs ever were outside a few loud agitators... If anything, TERFs, whether in the 1970s or in their contemporary "gender-critical" guise, are better understood as conventional boosters of statist and racist political institutions... TERFs, like the right-wing evangelicals or white supremacists who agree with them politically, are not the lynchpin to trans misogyny; rather, they are at best one of its latest manifestations.