Transportation Funny Quotes

We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.

She was my friend because she was kind and funny but she had a face like two oysters fused together in a Star Trek matter transporter accident.

Never trust a woman who gives funny names to means of transport.

Where'd you send her?" "Siberia. Lovely this time of year. A bit remote, I'm afraid. Might take her weeks to find a town and even longer to arrange transportation back to the States." My lips quirked. I didn't feel like laughing, but the image of my half-millenium-old grandmother trudging through snow was kind of funny. "You're sick, you know that?" "What can I day? I thought a cold-hearted bitch like her would feel at home in the tundra.

A TV show comprises many departments—Costumes, Props, Talent, Graphics, Set Dressing, Transportation. Everyone in every department wants to show off their skills and contribute creatively to the show, which is a blessing. You’re grateful to work with people who are talented and enthusiastic about their jobs. You would think that as a producer, your job would be to churn up creativity, but mostly your job is to police enthusiasm. You may have an occasion where the script calls for a bran muffin on a white plate and the Props Department shows up with a bran cake in the shape of Santa Claus sitting on a silver platter that says “Welcome to Denmark.” “We just thought it would be funny.” And you have to find a polite way to explain that the character is Jewish, so her eating Santa’s face might have negative connotations, and the silver tray, while beautiful, is giving a weird glare on camera and maybe let’s go with the bran muffin on the white plate. And then sometimes Actors have what they call “ideas.” Usually it involves them talking more, or, in the case of more experienced actors, sitting more. When Actors have ideas it’s very important to get to the core reason behind their idea.

New Rule: America has every right ot bitch about gas prices suddenly shooting up. How could we have known? Oh, wait, there was that teensy, tiny thing about being warned constantly over the last forty years but still creating more urban sprawl, failing to build public transport, buying gas-guzzlers, and voting for oil company shills. So, New Rule: Shut the fuck up about gas prices.

Funny how nobody talks on the tubes, isn't it? I rarely catch the tube myself, or lifts. Confined spaces, everybody shuts down. Why is that? Perhaps we think everybody on the tube is a potential psychopath or a drunk,so we close down and pretend to read a book or something.

The bus I am riding on must be on its way to a garbage convention. Never before has a more rancid assemblage of people congregated. I am at this moment privy to a momentous moment in the history of human smell. My name will probably be memorized by future students, preparing to answer this frequently asked exam question: Who demonstrated a supernatural ability to remain conscious on the most disgusting vehicle to ever disturb our debauched world?

It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually. Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous.

major export is people who are funny and smart, who have advanced degrees, who read on public transportation.

Have you been lately in Sussex?" said Elinor. "I was at Norland about a month ago." "And how does dear, dear Norland look?" cried Marianne. "Dear, dear Norland," said Elinor, "probably looks much as it always does this time of year. The woods and walks thickly covered with dead leaves." "Oh!" cried Marianne, "with what transporting sensations have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven much as possible from the sight." "It is not everyone," said Elinor, "who has your passion for dead leaves.

«Dashenka, sister, Dasha?» «Yes?» She sounded so sad. Tatiana swallowed. «Want to hear a funny story?» «Oh, yes, please: I need a funny story to cheer me up. Tell me, darling». «Stalin as Chairman of the Presidium went in front of the House of Parliament to make a short speech that lasted maybe five minutes. After the speech there was applause. The plenum stood on its feet and applauded. For a minute. Then another minute. They stood and applauded. But – Another minute. Still applauded. They were standing up, and still applauding, as Stalin stood in front of the lectern and listened with a humble smile on his face, the epitome of humility. Another minute. And still applauded. No one knew what to do. They waited for a signal from the Chairman to cease, but no such signal came from the humble and diminutive man. Another minute went by. And still they stood and applauded. It had now been eleven minutes. And no one knew what to do. Someone had to stop applauding. But who? Twelve minutes of applause. Thirteen minutes of applause. And still he stood there. And still they stood there. Fourteen minutes. Fifteen minutes. Finally, at the fifteen-minute mark, the man in the front, the Secretary of Transportation, stopped. As soon as he stopped, the entire auditorium fell mute. The following week the Secretary of Transportation was shot for treason». «Tania!» exclaimed a startled Dasha. «That was supposed to be funny?» «Yes», said Tatiana. «Funny, as in, cheer up, things could be worse. You could be the Secretary of Transportation».

Now, Grandma's sixtieth birthday! Long life to her, with three times three!" That was given with a will, as you may well believe, and the cheering once begun, it was hard to stop it. Everybody's health was proposed, from Mr. Laurence, who was considered their special patron, to the astonished guinea pig, who had strayed from its proper sphere in search of its young master. Demi, as the oldest grandchild, then presented the queen of the day with various gifts, so numerous that they were transported to the festive scene in a wheelbarrow. Funny presents, some of them, but what would have been defects to other eyes

The boarding school memoir or novel is an enduring literary subgenre, from 1950s classics such as The Catcher in the Rye to Curtis Sittenfeld’s Prep. Doust’s recognisably Australian contribution to the genre draws on his own experiences in a West Australian boarding school in this clever, polished, detail-rich debut novel. From the opening pages, the reader is wholly transported into the head of Jack Muir, a sensitive, sharp-eyed boy from small-town WA who is constantly measured (unfavourably) against his goldenboy brother. The distinctive, masterfully inhabited adolescent narrator recalls the narrator in darkly funny coming-of-age memoir Hoi Polloi (Craig Sherborne)—as does the juxtaposition of stark naivety and carefully mined knowingness.’ — Bookseller+Publisher

It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...

In July of 2012, an 18 year old with the last name Stoudemire, was pulled over by a deputy. The young woman was asked to roll down her window, and after several tries, she eventually managed to get the window down. She then began to explain that it was a new car, and there was a bad blind spot. The officer immediately noticed that the young woman smelled like alcohol, and the girl soon admitted to drinking "just a little bit."   The officer then asked for her license, which she quickly handed over. Too bad she had also handed over her fake ID, for the state of South Carolina, which had a real photo and name, but a fake date of birth. She then refused to take a field sobriety test, and during the transport to jail, she began to plead with the officer to not take her fake ID away, since it took her a long time to save up for it. She even offered the officer $15, in a (rather pathetic) attempt to get the officer to let her keep her fake ID.

Köster had bought the car, a top-heavy old bus, at an auction for next to nothing. Connoisseurs who saw it at the time pronounced it without hesitation an interesting specimen for a transport museum. Bollwies, wholesale manufacturer of ladies’ ready-made dresses and incidentally a speedway enthusiast, advised Otto to convert it into a sewing machine. But Köster was not to be discouraged. He took down the car as if it had been a watch, and worked on it night after night for months. Then one evening he turned up in it outside the bar which we usually frequented. Bollwies nearly fell over with laughing when he saw it, it still looked so funny. For a bit of fun he challenged Otto to a race. He offered two hundred marks to twenty if Köster would take him on in his new sports car—course ten kilometres, Otto to have a kilometre start. Otto took up the bet. But Otto went one better. He refused the handicap and raised the odds to even money, a thousand marks each way. Bollwies, delighted, offered to drive him to a mental home immediately.

So!” Jack said, clapping his hands and grinning at me. “We ready to go? What’s the transportation plan?” “I guess I’ll go with Reth, and—” Lend shouted, “No, you’re not going anywhere alone with Reth.” “Fine, I’ll go with Jack, and—” “That doesn’t work for me either.” I laughed drily. “Okay then, I’ll click my heels together three times and say, ‘There’s no place like the Center, there’s no place like the Center,’ and then magically appear there!” He was quiet for a few seconds. “You’ll probably be safer with Reth.” It sounded like he was speaking through clenched teeth. “And I can keep a better eye on Jack.” “Well, I for one am thrilled to spend more time with Lend. That’s the top of my Fun Things to Do list. We should come up with a secret handshake!” Jack said, pushing me to the side and throwing the door open, which resulted in Lend falling to the floor immediately unconscious. “Oh, whoops.” Jack smiled, his eyes gleaming. “Too bad, I like him so much when he’s talking.” “Very funny. Keep him safe, okay? I don’t Raquel’s in the Iron Wing—she would have heard me shouting. Look anywhere you can think of. They might have her in a random room somewhere. We’ll meet in Raquel’s old office in two hours, whether we’ve found anything or not.” He nodded, not looking at me as he poked Lend repeatedly with his foot. “And, Jack? That threat Reth made about your hands? I’m going to apply it to Lend, too. Keep him safe. Or else.

It’s funny how you can hear only a few cords from a song and it’ll transport you back in time to a particular person or place.

Gary’s love of practical jokes was legendary. Not his skill in executing them, just his love of them. Before discovering magic, his idea of a great joke was placing a flaming bag of dog poop on someone’s doorstep. After discovering magic, he graduated to transporting the flaming bag of dog poop into the house. Thus, whenever something happened that was simultaneously inexplicable and not at all funny, all eyes turned to him.

Heard on a public transportation vehicle in Orlando. "When you exit the bus, please be sure to lower your head and watch your step." "If you miss your step and hit your head, please lower your voice and watch your language. Thank you.

This jet was owned and operated by the CIA, who appeared to have bought it secondhand, if not third- or fourthhand, possibly from someone who had used it to transport farm animals. It was quite old as private jets went, and it smelled funny. It was also much smaller than I’d expected, with only six seats in the cabin, a tiny cockpit in the front, and an even tinier bathroom at the back that reeked of septic fumes. (The cockpit was concealed behind a door that had been closed since shortly before takeoff.) The furnishings were several decades out of date. To Murray’s great disappointment, the only entertainment system was an eight-track-tape player, and there did not appear to be any tapes for it, as none had been manufactured since the 1980s. The plane rattled constantly as it flew, even when there was no turbulence, giving the unsettling impression that the wings might fall off at any moment.

The Soviet period was a disaster, not least because supply lines were so long and so corrupt that little was left by the time goods reached the Russian Far East except things nobody wanted, such as the fabled ten thousand left-foot gumboots. (On that occasion, transport planning failed to the extent that the 10,000 left boots went in the opposite direction to the same number of right boots, heading nobody knew where).

Like no small number of wealthy people he'd taken up an antiquated form of transportation as a hobby.

It’s as if both Midas and also the Queen of Narnia were here,” I said, “and the Queen of Narnia flew above a particularly fierce zoo and turned everything there to stone and then transported everything here.” “What?” said Al. “Nothing,” I said. “No,” he said, “what did you just say?” He shot me a steely, blue-eyed stare, which I found quite debilitating. “It was just a jumble of words,” I said. “I was trying to make a funny comment but it all became confused in my mouth.” “Oh,” said Al. “I’ll show you outside. Would you like to walk or take the golf cart?” “I think walk,” I said.

At sea, the darker the night the closer you will get to your past. The music you decide to play is the radio dial of your history. Van Morrison’s “Have I Told You Lately” played as I stared at the setting moon. This is a song that always transports me to a New Hampshire backroad of my youth. Her name was Katie. She was tall, blond, and wore the girl next door look like an angel. She was smart, funny, and kind. She infatuated me from the moment I met her at Wentworth Marina. She was the daughter of two well-to-do doctors from upstate New York. It was her plan to sail around the world, and she wanted me to join her. “Just to mate” she would always say with a wink. She told me, “Pull over, pull over. I love this song. We have to dance.” So I found myself with goosebumps despite dancing in the warmth of the summer air. The sky around us filled with the flashing luminance of fireflies, and it seemed like we were dancing in the heavens above. You could almost touch the music as it drifted out of my truck windows. I will never forget the look in those crystal-blue eyes as we danced to that song alongside my Dodge Ram pickup. Little did I know it would be the last night I would ever get to look into them again.

Sergent Earl Hale sent us out to get transportation. We went out to look for what we could find. We came across Hitler's car, but it had no wheels. We found a bus, but it wouldn't start. We saw a fire truck and took that. On the way back to camp we had a wonderful time ringing the bell. Hale was upset. He didn't want a fire truck. - Henry Zimmerman

Was it funny or sad that she was making a friend out of a jacket or a pair of shoes? When I mentioned it to someone else, who had also made a life-changing move some years earlier, she understood at once. For she felt that the clothes she brought with her were her only constants: the clothes were what she could depend on when everything else was in a state of flux. They were familiar objects from the past, reliably transported into the present, across time and space. And the new clothes she bought were her companions.