Transient Beauty Quotes

Insight helps us embrace life’s shifting dynamics, grounding us in the "now" by making us aware of the transient beauty of life. (“Love, Happiness, and Insight”)

Let us acknowledge our humble origins and the transient nature of life. By embracing our capacity for resilience and empathy, we create meaning, connect with others, and find beauty in the world. ("A handful of dust")

But he is as we all are: light as air, transient as wisps of cloud before the sun, beautiful and fleeting, and if I ever did truly have hold of him, that has ended now.

words, you see," he said, looking at me again, "allow us to make permanent what is essentially transient.Turn a world filled with injustice and hurt into a place that is beautiful and lyrical.

Let's face it, the universe is messy. It is nonlinear, turbulent, and chaotic. It is dynamic. It spends its time in transient behavior on its way to somewhere else, not in mathematically neat equilibria. It self-organizes and evolves. It creates diversity, not uniformity. That's what makes the world interesting, that's what makes it beautiful, and that's what makes it work.

Transient and Eternal The state of the world is in flux, and every object within it is subject to change. Concepts live outside of time and, because All Things Are Number, liberate us from it.

What a difference! Under the esthetic sky, everything is buoyant, beautiful, transient! when ethics arrives on the scene, everything becomes harsh, angular and infinitely boring

I write to make peace with the things I cannot control. I write to create red in a world that often appears black and white. I write to discover. I write to uncover. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change. I write to honor beauty. I write to correspond with my friends. I write as a daily act of improvisation. I write because it creates my composure. I write against power and for democracy. I write myself out of my nightmares and into my dreams. I write in a solitude born out of community. I write to the questions that shatter my sleep. I write to the answers that keep me complacent. I write to remember. I write to forget…. I write because I believe in words. I write because I do not believe in words. I write because it is a dance with paradox. I write because you can play on the page like a child left alone in sand. I write because it belongs to the force of the moon: high tide, low tide. I write because it is the way I take long walks. I write as a bow to wilderness. I write because I believe it can create a path in darkness…. write as ritual. I write because I am not employable. I write out of my inconsistencies. I write because then I do not have to speak. I write with the colors of memory. I write as a witness to what I have seen. I write as a witness to what I imagine…. I write because it is dangerous, a bloody risk, like love, to form the words, to say the words, to touch the source, to be touched, to reveal how vulnerable we are, how transient we are. I write as though I am whispering in the ear of the one I love.

Life is like a snowflake—transient, translucent, adventurous, ephemeral, and beautiful.

The snow crystals . . . come to us not only to reveal the wondrous beauty of the minute in Nature, but to teach us that all earthly beauty is transient and must soon fade way. But though the beauty of the snow is evanescent, like the beauties of the autumn, as of the evening sky, it fades but to come again.

We get only transient and partial glimpses of the beauty of the world. Standing at the right angle, we are dazzled by the colors of the rainbow in colorless ice. From the right point of view, every storm and every drop in it is a rainbow.

But I didn't see it. I believed him unchanging, a stone in all good senses of the word, solid, dependable, something and someone you could build upon. But he is as we all are: light as air, transient as wisps of cloud before the sun, beautiful and fleeting, and if I ever did truly have hold of him, that has ended now.

Such a kiss--it was a flower held against the face, never to be described, scarcely to be remembered; as though her beauty were giving off emanations of itself which settled transiently and already dissolving upon his heart.

And as the light flickered over it in bands, I had the queasy sense of my own life, in comparison, as a patternless and transient burst of energy, a fizz of biological static just as random as the street lamps flashing past.

Those who serve and those who rule Lepers, kings and mindless fools Empire leaders, tyrant's tools All will fade with time Hail the cowards, brave at heart The ugly and the beautiful Those who never felt their souls All live transient lives

Life is so short, transient, and beautiful that there is not enough time to get old.

Outer beauty is transient, but the beauty of the soul is everlasting.

A well-informed mind, nice manners and a gentle nature - all of these are much more likely to contribute to a husband's happiness than mere transient beauty.

But it is often difficult for us to recognise what virtue looks like because we so readily confuse it with pleasure. Pleasure can deliver is enjoyment - the feelings we derive from good food, good conversations, the contemplation of beauty - but these things do not last. Enjoyments are transient, but true happiness endures. That is its distinguishing quality.

Festivals and fasts are unhinged, traveling backward at a rate of ten days per year, attached to no season. Even Laylat ul Qadr, the holiest night in Ramadan, drifts--its precise date is unknown. The iconclasm laid down by Muhammed was absolute: you must resist attachment not only to painted images, but to natural ones. Ramadan, Muharram, the Eids; you associate no religious event with the tang of snow in the air, or spring thaw, or the advent of summer. God permeates these things--as the saying goes, Allah is beautiful, and He loves beauty--but they are transient. Forced to concentrate on the eternal, you begin to see, or think you see, the bones and sinews of the world beneath its seasonal flesh. The sun and moon become formidable clockwork. They are transient also, but hint at the dark planes that stretch beyond the earth in every direction, full of stars and dust, toward a retreating, incomprehensible edge

What we had between us was nothing as simple as longing or sexual desire. It was a hunger for beauty and meaning, and a willingness to search in the world and in ourselves to find it. We had a sense of permanence and the fear of oblivion. We knew, of course, that everything was transient and nothing could last- and yet it didn't stop us from wishing for something eternally beautiful

Happy? That doesn’t feel solid enough, somehow. Like it’s fleeting or transient, and whenever something crappy happens, it’s gone in a puff of smoke. I’m in love with someone I want to spend my life getting to know. He makes me feel safe and trusted and strong and beautiful, and all the things that give me validation that who I am is someone worth knowing. I guess it feels more bliss than happiness.

Are you aware of the Japanese concept of mono no aware, the bitter sweetness of things?” “I’m afraid not.” “The Japanese sages say the best way to appreciate beauty is to focus on its transient, fragile and fleeting nature.

I've learned that it is important to be beautiful to people. That all that matters is that you are lovely to the people around you and the people that you meet. It doesn't matter if you're a show off or a little bit vain, as long as you're good to your mum, and that you're kind, and that you're lovely. And that everything is transient and superficial and to not get attached to material things because you're going to lose it all. And the only thing that is constant is love.

To be detached from the world, (in the sense that Buddhist and Taoists and Hindus often talk about detachment), does not mean to be non-participative. By that I don't mean that you just go through doing everything mechanically and have your thoughts elsewhere. I mean a complete participation, but still detached. And the difference between the two attitudes is this.. On the one hand, there is a way of being so anxious about physical pleasure, so afraid that you won't make it, that you grab it too hard..that you just have to have that thing, and if you do that, you destroy it completely.. and therefore after every attempt to get it, you feel disappointed, you feel empty, you feel something was lost..and so you want it again, you have to keep repeating, repeating, repeating, repeating..because you never really got that. And it is this that's the hang up, this is what is meant by attachment to this world... But on the other hand, pleasure in its fullness cannot be experienced, when one is grasping it.. I knew a little girl to whom someone gave a bunny rabbit. She was so delighted with the bunny rabbit and so afraid of losing it, that taking it home in the car, she squeezed it to death with love. And lots of parents do that to their children. And lots of spouses do it to each other. They hold on too hard, and so take the life out of this transient, beautifully fragile thing that life is. To have it, to have life, and to have its pleasure, you must at the same time let go of it.

Open them, weak yet proud man, pitiful ant that struggles to crawl over its speck of dust! You declare yourself free and great, and for all the wretchedness of your life you hold yourself in high esteem, celebrating – no doubt in a spirit of derision – your rotten and transient flesh. And then you imagine that this beautiful life, lived out between a little pride that you call greatness, and that base selfinterest which is at the heart of your society, will be rewarded by some form of immortality. Immortality for you – more lascivious than the monkey, more evil than the tiger, more crawling than the serpent? Come on! Show me a paradise for the monkey, the tiger, the snake, a paradise of lust, of cruelty and baseness, a paradise of selfishness – eternity for this dust, immortality for this nothingness. You boast of being free and of being able to do what you call good and evil? Doubtless so that you can be denounced more rapidly, for what good can you possibly do? Is a single one of your gestures produced by anything other than pride or self-interest?

Life in all its resiliency, beauty and strength is sometimes eclipsed by its unquestionable transient frailty. Today we are alive…tomorrow is not promised. And it seems, the evil that lurks in the shadows, this side of heaven, often has its say. But let it never be that we allow evil, which basks in our fear, to hinder our ability to live vibrantly unafraid of what tomorrow might bring. The only way to defeat the inevitable darkness that touches this world is to live and love brilliantly bright with purpose. To not do so, is to diminish the very memory and glow of all the beautiful lights that have gone out before us.

It cracks my heart wide open to think of all of us out there, wandering the world, so deeply hungry to be known. Defying our own disbelief in search of rest and respite. It is the most beautiful thing, this universal human longing. We have not given up on the idea that we might one day taste it, at least some sense of it. However brief. However transient. However impossible to hold. It might be out there, so we keep seeking. This, to me, is tremendously, tenderly, beautiful.

The beauty of a face is transient, but the beauty of a loving heart is everlasting.

The beauty of a face is transient, but the beauty of a heart is everlasting and magnificent.

Outer beauty is transient, but the inner beauty of a kind heart gets brighter with time. Be kind and get prettier forever.

Creation is good, but it is not God. It is beautiful, but its beauty is at present transient. It is in pain, but that pain is taken into the very heart of God and becomes part of the pain of new birth.

That was what Sam was: transient. A summer leaf clinging to a frozen branch for as long as possible. “You’re beautiful and sad,” I said finally, not looking at him when I did. “Just like your eyes. You’re like a song that I heard when I was a little kid but forgot I knew until I heard it again.” For a long moment there was only the whirring sound of the tires on the road, and then Sam said softly, “Thank you.

God, she was beautiful. She was so beautiful her image and her laugh and her picturesque face and odour lingered and stay etched upon and echoed across the multitude of chambers in her subconscious psyche. She tried to count the stars in the night sky like the freckles on the blonde’s nose. She thought of her lips being the clouds of stardust that stayed around the night sky, so distracting yet not really spoken about. She thought of the Moon being her eyes, so wide and big and bright. Her beauty was transient and translucent like the night sky.

The Liars believe in no afterlife, no God. We see the universe as it is, Father Damien, and these naked truths are cruel ones. We who believe in life, and treasure it, will die. Afterward there will be nothing, eternal emptiness, blackness, nonexistence. In our living there has been no purpose, no poetry, no meaning. Nor do our deaths possess these qualities. When we are gone, the universe will not long remember us, and shortly it will be as if we had never lived at all. Our worlds and our universe will not long outlive us. Ultimately entropy will consume all, and our puny efforts cannot stay that awful end. It will be gone. It has never been. It has never mattered. The universe itself is doomed, transient, uncaring. [...] The truths, the great truths - and most of the lesser ones as well - they are unbearable for most men. We find our shield in faith. Your faith, my faith, any faith. It doesn't matter, as long as we believe, really and truly believe, in whatever lie we cling to. [...] We know truth for the cruel instrument it is. Beauty is infinitely preferable to truth. We invent beauty. Faiths, political movements, high ideals, belief in love and fellowship. All of them are lies. [...] Our lies are not perfect, of course. The truths are too big. But perhaps someday we will find one great lie that all humanity can use. Until then, a thousand small lies will do. (from Way of Cross and Dragon)

And her looks? Is she pretty?” asked Strange. The question seemed to embarrass Henry. “Miss Watkins is not generally considered one of the first in beauty, no. But then upon further acquaintance, you know – that is worth a great deal. People of both sexes, whose looks are very indifferent at the beginning, may appear almost handsome on further acquaintance. A well-informed mind, nice manners and a gentle nature – all of these are much more likely to contribute to a husband’s happiness than mere transient beauty.” Strange and Arabella were a little surprized at this speech. There was a pause and then Strange asked, “Money?

We all know how unreliable memory can be, how transient reminiscences are, and how inaccessible the past will always remain. Experiences can never be duplicated or revived...by those who took no part in the struggle. Herein lies the beauty and power of conflict-related objects, some of which withstand the ravages of time in a way that memories do not.

Vision" I love all things that pass: their briefness is Music that fades on transient silences. Winds, birds, and glittering leaves that flare and fall— They fling delight across the world; they call To rhythmic-flashing limbs that rove and race… A moment in the dawn for Youth’s lit face; A moment’s passion, closing on the cry— ‘O Beauty, born of lovely things that die!

A flower is beautiful as it is, transient, full of colour and life for the time it blooms, but it's simple, shallow even. A flower is just a flower. But art? Art is a flower painted so it won't die. A flower on the skin of a woman with depth and texture to her soul? It's the context that gives it beauty," he spoke in a voice like velvet rubbing against my sensitive skin.

Clouds are the most transient of nature's creations. They come out of a clear sky, disintegrate before your eyes, vanish. You never see the same cloud twice. Every moment of its brief existence brings a change, a change of form or tint or texture; but its beauty remains constant to the end. The beauty of the clouds is there for us to see every day, if we are not too busy to look up....

That wondrous instant of our meeting — my mind’s eye sees you standing there, a vision transient and fleeting, true beauty’s spirit, pure and rare. In toils of hopeless grief confounded, amid life’s noise and stress it seems for long that tender voice resounded and those sweet features came in dreams. Years passed; the storms that life engenders dispersed my former hopes of grace and I forgot those accents tender, the heavenly beauty of your face. And in my dark incarceration my days passed like the clouds above, bereft alike of inspiration, of tears, of life itself, of love. My soul awoke to new existence, again you stood before me there, a vision lasting but an instant, true beauty’s spirit, pure and rare. My heart relives the old sensation and once more steal down from above, God’s benediction, inspiration, and tears, and life itself and love.

For a few minutes the anxiety that tormented him had vanished, leaving his mind as serene as the beauty he looked at. Very lovely, he thought, are the sudden moments of relief that come in the midst of strain, those moments of forgetfulness when we are "teased out of thought" by a bird or a flower or the sight of old roofs in the sun; lovely though so transient, the reversal of those brief moments of misery that visit us even in the midst of joy.

For your sake poets sequester themselves, gather images to churn the mind, journey forth, ripening with metaphor, and all their lives they are so alone... And painters paint their pictures only that the world, so transient as you made it, can be given back to you, to last forever. All becomes eternal. See: In the Mona Lisa some woman has long since ripened like wine, and the enduring feminine is held there through all the ages. Those who create are like you. They long for the eternal. They say, Stone, be forever! And that means: be yours. And lovers also gather your inheritance. They are the poets of one brief hour. They kiss an expressionless mouth into a smile as if creating it anew, more beautiful. Awakening desire, they make a place where pain can enter; that’s how growing happens. They bring suffering along with their laughter, and longings that had slept and now awaken to weep in a stranger’s arms.

The art world is largely mistrustful of shiny things and, on some level, even fearful of them. But if sophistication is the ability to put a smile on one’s existential desperation, then the fear of a glossy sheen is actually the fear that the surface is the content. Fear of sheen is the fear that surface equals depth, that banality equals beauty, that shiny objects are merely transient concretizations of the image economy, and proof that Warhol was correct—a fact that still seems to enrage a surprising number of theoreticians

A fair, sweet, and honest country face was revealed, reposing in a nest of wavy chestnut hair. It was between pretty and beautiful. Though her eyes were closed, one could easily imagine the light necessarily shining in them as the culmination of the luminous workmanship around. The groundwork of the face was hopefulness; but over it now I ay like a foreign substance a film of anxiety and grief. The grief had been there so shortly as to have abstracted nothing of the bloom, and had as yet but given a dignity to what it might eventually undermine. The scarlet of her lips had not had time to abate, and just now it appeared still more intense by the absence of the neighbouring and more transient colour of her cheek. The lips frequently parted, with a murmur of words. She seemed to belong rightly to a madrigal - to require viewing through rhyme and harmony.

Remapping occurs regularly throughout the brain in the absence of injury. My favorite examples concern musicians, who have larger auditory cortical representation of musical sounds than do nonmusicians, particularly for the sound of their own instrument, as well as for detecting pitch in speech; the younger the person begins being a musician, the stronger the remapping.15 Such remapping does not require decades of practice, as shown in beautiful work by Alvaro Pascual-Leone at Harvard.16 Nonmusician volunteers learned a five-finger exercise on the piano, which they practiced for two hours a day. Within a few days the amount of motor cortex devoted to the movement of that hand expanded, but the expansion lasted less than a day without further practice. This expansion was probably “Hebbian” in nature, meaning preexisting connections transiently strengthened after repeated use.

Lalla Ruk Dearest dream, my soul's enchantment Lovely guest from heav'n above, Most benevolent attender To the earthly realm below, You gave me blissful satisfaction Momentary but complete: Bringing with you happy tidings - Like a herald from the skies. I dreamed dreams of life eternal In that Promised Land of peace; I dreamed dreams of fragrant regions, Of a tranquil, sweet Kashmir; I could witness celebrations, Festivals of roses vernal Honoring that lovely maiden From lands strange and far away. And, with glistening enchantment Like an angel from above, - This untainted, youthful vision Came before my dreaming eyes; Like a veil, a shining shroud Screened her lovely face from view, Tenderly she did incline Her shy gazes toward the earth. All her traits - her timid shyness Underneath her shining crown, Childlike her animation, And her face's noble beauty - Glowing with a depth of feeling, Sweet serenity and peace - All of these completely artless Indescribably sublime! As I watched, the apparition (Captivating me in passing) Never to return, flew by; I pursued - but it had gone! T'was a vision merely fleeting, Transient illumination Leaving nothing but a legend Of its passing through my life! T'is not ours to harbor Beauty's spirit - Ah, so pure! It comes nigh but for a moment From its heavenly abode; Like a dream, it slips away, Like an airy dream of morning: But in sacred reminiscence It is married with the heart! Only in the purest instants Of our life does it appear Bringing with it revelations Beneficial to our hearts; That our hearts may know of heaven In this earthly shadow realm, It allows us momentary Glimpses through the earthly veil. And through all that here is lovely, All that animates our lives, To our souls it speaks a language Reassuring and distinct; When it quits our earthly region It bestows a gift of love Glowing in our evening heaven: "Tis a farewell star for all to see.

here is one other element of the apocalyptic tradition to be considered, namely transition. I said a minute ago that one of the assumptions prevalent in sophisticated apocalyptism was what Yeats called 'antithetical multiform influx'--the forms assumed by the inrushing gyre as the old one reaches its term. The dialectic of Yeats's gyres is simple enough in essence; they are a figure for the co-existence of the past and future at the time of transition. The old narrows to its apex, the new broadens towards its base, and the old and new interpenetrate. Where apex and base come together you have an age of very rapid transition. Actually, on Yeats's view of the historical cycle, there were transient moments of perfection, or what he called Unity of Being; but there was no way of making these permanent, and his philosophy of history is throughout transitional. In this he is not, of course, original; but his emphasis on the traditional character of our own pre-apocalyptic moment, in contrast with those exquisite points of time when life was like the water brimming beautifully but unstably over the rim of a fountain, seems, for all the privacy of the expression, characteristically modern. It is commonplace that our times do in fact suffer a more rapid rate of change technologically, and consequently in the increase of social mobility, than any before us. There is nothing fictive about that, and its implications are clear in our own day-to-day lives. What is interesting, though, is the way in which this knowledge is related to apocalypse, so that a mere celebratory figure for social mobility, like On the Road, acquires apocalyptic overtones and establishes the language of an elect; and the way in which writers, that is to say, clerks, are willing to go along, arguing that the rate of change implies revolution or schism, and that this is a perpetual requirement; that the stage of transition, like the whole of time in an earlier revolution, has become endless.

Now, as words affect, not by any original power, but by representation, it might be supposed, that their influence over the passions should be but light; yet it is quite otherwise; for we find by experience, that eloquence and poetry are as capable, nay indeed much more capable, of making deep and lively impressions than any other arts, and even than nature itself in very many cases. And this arises chiefly from these three causes. First, that we take an extraordinary part in the passions of others, and that we are easily affected and brought into sympathy by any tokens which are shown of them; and there are no tokens which can express all the circumstances of most passions so fully as words; so that if a person speaks upon any subject, he can not only convey the subject to you, but likewise the manner in which he is himself affected by it. [...] Secondly, there are many things of a very affecting nature, which can seldom occur in the reality, but the words that represent them often do; and thus they have an opportunity of making a deep impression and taking root in the mind, whilst the idea of the reality was transient [...] Thirdly, by words we have it in our power to make such combinations as we cannot possibly do otherwise. By this power of combining we are able, by the addition of well-chosen circumstances, to give a new life and force to the simple object.

enjoy it. Without technology, our human extinction is imminent in the cosmic context of tens of billions of years, rendering the entire drama of life in our Universe merely a brief and transient flash of beauty, passion and meaning in a near eternity of meaninglessness experienced by nobody.

But what time do they leave for original thinking? Or for examining one’s own soul? And to what degree do these matters frustrate the brain’s ability to focus, as Paul put it, on the good, the beautiful, and the true, rather than be controlled by the transient, the trivial and the traumatic? And

There is nothing as powerful to the human psyche as the mental image educed by viewing a magnificent vista. We comprehend the paltriest of our bodies whenever a single person travels across an open desert or an immense prairie, stands on top of a mountain range, walks in the sand in front of a furious sea, or lies on their back and takes in the magnificence of the misty span of the Milky Way. Each act of magnification places us in touch with the finiteness and irrelevance of our trifling personhood. We can only view the broad expanse of the desert and steppe, the sheerness of a mountaintop, the immensity of the sea, and the immeasurable vastness of the galaxy with an overpowering sense of both horror and awe as their grand span transcends human scale. The overpowering physicality of these vistas stands as a testament to their cold indifference to the mortality of humankind. The sheer immensity of nature’s breadth beseeches us to consider the unthinkable: we are transient beings. We are mortal; we are mere sparklers burning fitfully until our spurting light completely fizzles out.

Our hearts need a mirror, Tessa. We see ourselves better in the eyes of those who love us. And there is a beauty that only the transient character of life offers us.

The wealth of sorcerous knowledge I can import to the world, compared to your own transient beauty and skill, should recompense.

That's the thing, isn't it, when you grow with Time, you learn to value your Time more than anything in this world. You safeguard your peace from literally anything that seems to pull it down, even if that means transient happiness. I learnt long back that Life is a series of lessons, some bitter and well some very very bitter, but all of them assimilate into something so serene, so beautiful actually when looked from a distance. Because each time you're broken, you're made once again, some from the pieces that lay scattered on the ground while some entirely new coming from all across the Sky where He Smiles at You, knowing that your fall was nothing but a blur in the Time that would clutch you later in Life into understanding the Truest Meaning of Life, the virtue of Patience and Perseverance, the lesson on Time, that Time alone has the biggest Smile and if you evolve with it you would walk the fire with the Zeal of your Soul that never ages, you will find wrinkles and scars but those are like battle ropes that get you motivated to walk this Earth one more time, to know that you're still alive, only your core never changes, You in your heart is always that child, the one who is always eager to embrace as much colour from this moment as your senses can. I am not hushing the child but patting it with the serenity of a grey hair, knowing that Life has been kind even at the battles that were thrown along the way, and eventually letting my heart know that the biggest war I'd ever face is within, the war that demands me to hold on too tightly all while letting go too spontaneously, the least I could find is a victory of Knowing I have done it all with an Honest Heart and a Soul that thrives on Faith. If colours were hued on my Soul, let Integrity be my Sun and as for the Moon, I'd always be Kindness' arm. Thank You, Life And to every momentary transient passerby of this beautiful journey, no matter where we left off, I wish your journey finds the course it's meant to walk.

The tragic sense of life has its origin in our determination to carry off two incompatible, but equally serious, ambitions: to search for meaning and to face reality. An intense, unceasing demand for meaning - the longing for life to make benevolent, beautiful sense - is coupled with the dawning, appalling fact that it does not, in the end, make sense in that way. Tragedy is the name for horror seen against the backdrop of love. This is an area in which civilization does not reduce our suffering - does not make life more pleasing or comfortable. What is the achievement of tragedy? It is to present the deepest sorrows of the human condition: what we love is terribly vulnerable; each life is a brief, scarring moment in the wastes of eternity; our transient existence will be marked by depression, confusion, and fear ... The ambition of tragedy is to hold such intelligent fears in a ceremonial act endowed with splendour and grace. The ceremony does not overcome our fears. But, unlike horror, it does not seek to stoke anxiety. The tragic view is, really, a determination to hold on to nobility, love and beauty - even while knowing the worst about ourselves.

In a somewhat simplified way, this question is determined by spirits much lower in the hierarchy than you and I. Their role is to influence what might be called sexual “preferences” in each era. They achieve this by working through a small circle of influential figures such as popular artists, dressmakers, actresses, and advertisers, who set the prevailing standards of beauty. Their aim is to steer each sex away from individuals of the opposite sex with whom spiritually beneficial, happy, and fertile marriages are most likely. Over many centuries, we have succeeded in making certain secondary male characteristics, like beards, unattractive to nearly all females—and there’s more to that than you might think. As for male preferences, we’ve shifted them quite a bit. At times, we’ve directed them towards a statuesque and aristocratic type of beauty, feeding men’s vanity and desires while encouraging breeding with the most arrogant and extravagant women. At other times, we’ve favored an excessively feminine type, appearing faint and delicate, fostering folly, cowardice, and all the associated pettiness and dishonesty. Currently, we’re taking the opposite approach. The era of jazz has supplanted the waltz, and we now encourage men to find women whose bodies are barely distinguishable from those of boys. Since this type of beauty is even more transient than most, we intensify women’s chronic fear of growing old (with excellent results) and make them less willing and less capable of bearing children. But that’s not all. We’ve orchestrated a significant increase in society’s tolerance for the depiction of apparent nudity (not actual nudity) in art and its display on stage or at the beach. Of course, it’s all an illusion. The figures in popular art are drawn inaccurately, and the real women in bathing suits or tights are squeezed and propped up to make them appear firmer, slimmer, and more boyish than nature allows a fully grown woman to be. Yet, at the same time, the modern world is convinced that it’s being “honest” and “healthy,” returning to nature. As a result, we’re redirecting men’s desires more and more toward something that doesn’t exist, making the role of visual appeal in sexuality increasingly crucial and simultaneously making its demands more and more unattainable. You can easily predict the consequences.

The mask, he’d say, was something that you wore but was opposite to you; because it was not wholly real, it could withstand pain that you could not; because it was not wholly human, its beauty was not diminished by age or feeling. Father’s hands never smelled of the same thing twice; and fragrances hung in the house like sweet invaders, like opulent chains of memories that no longer belonged to anyone. We’d encounter his models on their way up or down the stairs, in the ordinary prettiness of their unmade-up daytime faces; it was always a shock to find them in the magazines a few months later, and see what Father had made from them. Louche, tomboy, prissy, gauche; Cleopatran, Regency, Berlin decadent; flappers and hippies and Arabian princesses—he mined their faces for stories and myths and desires old as history, or older, like seams of rare ore that lay buried in the earth of their youth. In the magazines, the faces of these transient girls had a power, a power that my father could summon and balance, like those old music hall acts that spun plates on sticks. They could call into being any age or emotion or state of mind; and everything around them would be transformed too, turned from diffuse, unwieldy life into a story, something with direction and significance. Looking out from the glossy pages, their faces seemed to promise everything; they promised that you could become anything; they promised that they would take you with them, that you could leave yourself behind.

When I seek my God I seek not corporal grace, nor transient beauty, nor splendor, nor melodious sound, nor sweet fragrance of flowers, nor odorous essence, nor honeyed manna, nor grace of form, nor anything pleasing to the flesh. None of these things do I seek when I seek my God. But I seek a light exceeding all light, which the eyes cannot see; a voice sweeter than all sound, which the ear cannot hear; a sweetness above all sweetness, which the tongue cannot taste; a fragrance above all fragrance, which the senses cannot perceive; a mysterious and divine embrace, which the body cannot feel. For this light shines without radiance, this voice is heard without striking the air, this fragrance is perceived though the wind does not bear it, this taste inebriates with no palate to relish it, and this embrace is felt in the center of the soul." (Conf., L.10, 6; Solil., c. 31).

She was high-spirited, a sensation at the castle for her hot passions and her inability to conceal even the most transient emotions.

Immortal?” A smile. “I’m not and I’m glad of it.” “Glad? Why? Why would anyone–” “It can be hard to show someone the answer. Sometimes it’s easier if approached from a different angle. Consider: We can journey to Crath City and to the library, we can put this book on its shelf. We can return the book because it hasn’t changed – but we ourselves can’t return, we can only move forwards like a clockwork toy, because time has us. And I have stood outside this stream. I saw every story this book has to offer in one many-facetted whole held within time’s jewel. But trading that vision for a place in the river, borne along with the rest of you, was a deal I would make again in a heartbeat. There is in the possibility of loss, and in every transient second of existence, a value and a beauty that cannot be seen from without. Never mistake the idea that something won’t last long, for the notion that it has little value. Rejoice in the temporary, Heeth.” Yute put his hand to Heeth’s shoulder, a gesture so unlike him that Heeth almost stumbled. “We never know when or how it will end. And there’s a kindness in that too.

A Mind's Minotaur - A Soliloquy by Stewart Stafford In a labyrinth’s mental corridors, prisoner of consciousness, Fleeing a Minotaur I fear is me. Achilles' heel, masked by strength hath shown, An arrow cometh from Time's swift flight, For those with bountiful time enow, Find themselves slain in a heroic light. When thou dost gaze upon the world below, And scorn its depths, thou canst not comprehend The truths that pool o'er its shadow, glow. No tears stain that meadow of solace, A phantom limb, tickling in memory's store, Galley slaves in hurricane's heart so lashed. Transient madness and renown, conjoin on pomp’s bridge, Champions of the joust wave paramour's kerchief, Revered statues limp from a pedestal's ridge. The signs of pride and brittle ardour, The hubristic bite of isolation's cur. The death warrant quill must ne'er be stilled, For authority doth stifle beauty's song, Staged chaos through the written word is willed. Phantasy's balm to verity's scourging, A cleansing soak of battle-scarred minds, And in the dark, imagination reigns. He who hath fear of the dark hath vision keen, Whilst those who see but naught are dull and plain. Thus, let us not be swayed by others' lore, But splay in error, heal to prosper once more. Idolatrous moth to lechery's candlelight, In lover's tongues, passion's seared delight. © 2024, Stewart Stafford. All rights reserved.

Resilient aesthetics and resilient beauty are terms that immediately sound like oxymorons, as beauty and aesthetically pleasing experiences and objects tend to con- note something fleeting, transient, and/or volatile. We are used to viewing beauty as something that fades, being synonymous with newness, youth, unwrinkled faces and garments, fresh flowers, polished tables, newly painted walls, and with undented floors—all of which diminish with age, usage, and wear. We are used to aesthetics and beauty being linked to the visual impression of an object.

For all its beauty, its weather, and its wealth, Los Angeles is also the nation’s homeless capital. It’s been so for years. But homelessness is different now—more prolific, more stationary, less transient. Much of it now is rooted in the voluminous supplies of meth that Mexican traffickers’ switch to the P2P method made possible. As that happened, another change was taking place that made the drug even more damaging, at least in Los Angeles. Tents. They protect many homeless people from the elements. But they have another, far less benevolent role. Tents and the new meth seem made for each other. With a tent, the user could retreat not just mentally from the world but physically. Tents often became pods of exploitation where people used dope, sold dope, or performed acts that allowed them to procure it.

Eli returned to the river and paused for a moment midstream. His feet were balanced upon uneven stones. The current tumbled around him. The canyon walls were steep and jagged and solid. The colors beneath the surface stirred and glittered. He wanted to hold his face under water and breathe in their beauty. He dipped his fingers into the snow-cold transient texture and felt a tingle. He closed his eyes to see this sensation clearly. He breathed. He put his river-wet hand up to his face and felt the freshness permeate his skin. Water droplets dripped from his face and returned to the river. He opened his eyes as if they were separate from his body, separate from the tension of life, distant from any distraction. He breathed.

Ah. But you say that because you’re a linguist, and you can’t see why anyone wouldn’t want to wallow in the sheer beauty of language.” Szpindel harrumphed with mock pomposity. “Now me, I’m a biologist, so it makes perfect sense.” “Really. Then explain it to me, oh wise and powerful mutilator of frogs.” “Simple. Bloodsucker’s a transient, not a resident.” “What are— Oh, those are killer whales, right? Whistle dialects.” “I said forget the language. Think about the lifestyle. Residents are fish-eaters, eh? They hang out in big groups, don’t move around much, talk all the time.

Ah. But you say that because you’re a linguist, and you can’t see why anyone wouldn’t want to wallow in the sheer beauty of language.” Szpindel harrumphed with mock pomposity. “Now me, I’m a biologist, so it makes perfect sense.” “Really. Then explain it to me, oh wise and powerful mutilator of frogs.” “Simple. Bloodsucker’s a transient, not a resident.” “What are— Oh, those are killer whales, right? Whistle dialects.” “I said forget the language. Think about the lifestyle. Residents are fish-eaters, eh? They hang out in big groups, don’t move around much, talk all the time.” I heard a whisper of motion, imagined Szpindel leaning in and laying a hand on Michelle’s arm. I imagined the sensors in his gloves telling him what she felt like. “Transients, now—they eat mammals. Seals, sea lions, smart prey. Smart enough to take cover when they hear a fluke slap or a click train. So transients are sneaky, eh? Hunt in small groups, range all over the place, keep their mouths shut so nobody hears ’em coming.” “And Jukka’s a transient.” “Man’s instincts tell him to keep quiet around prey. Every time he opens his mouth, every time he lets us see him, he’s fighting his own brain stem. Maybe we shouldn’t be too harsh on the ol’ guy just because he’s not the world’s best motivational speaker, eh?

With her and that someday He entered the quietness of his own mind, Where he could not be by anyone found, Neither by the rays of the bright sun, Nor by the deeds that seek him for acts still undone, But he lies in the silence of his mind, quiet and silent, Here he deals with million feelings, many permanent and a few transient, He thinks of her and her beautiful ways, In the darkness of nights and brightness of sunny days, Seeking something that would lead him to her, And then rest there, in that sacred space of his mind, forever with her, Time calls him but he appears to be heedless to its every call, The day invites him, but all its invitations collide against a robust wall, The wall of his mind that surrounds him permanently, Because there he likes to be with her virtual entity, Maybe he wants to escape from this state of morbid stillness, But in this stillness, a state of nothingness, he experiences a feeling of fullness, For imagination is the darling muse of every beautiful mind, And maybe there he lies with her, beyond the evil fangs of reality, in the imagination of his mind, Undisturbed by the evil intended men and women, Who always want to act in other’s lives as specialist foremen, Without realising winter can never know the feelings of the summer, And without having loved and lost, how can others think they are better, So they force him to digress and retire to his mind, and the quiet space there, A place that actually is nothing and nowhere, but for him for now, it is his only somewhere, Where love finds him because he always finds it, In her memories, in her imaginations, and in the strange devices of his own wit, So he has become anonymous for the world, but a sort of forced anonymity with a hidden intent, Because whenever I see him, I feel he did not go there, there he was forcefully sent, Maybe he is long dead now, and it is his ghost that visits this mind, Because he is obsessed with knowing the undefined, For most of us have to muster courage, But a few of us are born with it way above the normal average! And perhaps a typhoon of thoughts is on its way, Who knows when, because they murdered him a long ago, but his ghost is still seeking to resurrect him one day, that anonymous someday!

Sleep is such a beautiful thing, yet also a poignant reminder of the transient nature of a personal existence everyone seems to feel will continue forever. As if they can somehow avoid the inevitable and be the first person to live until the end of all things.

Rozemyne’s round, somewhat babyish face was now slim and more refined. Even her fingers were long and slender. Her body looked soft and overtly feminine—and as she had yet to come of age, she had the transient beauty of a girl approaching adulthood. It’s the blessing of the gods... That was the only thought I could muster. Nothing else could describe what I was seeing. Rozemyne had always been pretty, but it had never crossed my mind that she might grow into someone so beautiful.

Endless Love Like the river never stops, I too shall never stop loving you, Like those shining stars, I too shall always shine for you, Like the wind that paces through the forest where I spent few moments with you, I too shall in that forest of memories always seek you, just you, Maybe it is my compulsive proneness that I only seek you, In my wakeful state and in my subconscious slumbers I only think of you, Maybe it is my memories that refuse to exist without you, And before this stubbornness of my mind and heart , I surrender and I allow myself to love you, just you, In the Summer garden where many roses bloom, I find none like you, Like the desperate butterflies seeking their flowers of choice, in the garden of life, I only seek you, just you, The roses have wilted, butterfly wings lie strewn on the grass blades, and they all remind me of you, But unlike the changing seasons, my heart always stays in the perennial state of loving you, Everything in this universe seems to be seeking something or someone, just like I endlessly seek you, In the summer joys, in the forest wind, in the gushing river, wherever I see, I just see a reflection of you, As the palpable world grows around me in these transient forms, I seek my world within you, In your beautiful eyes, in your smiles, in your scent and in every essence that reflects you, I transpose these beautiful reflections on this world, until everything looks like you, exactly like you, Maybe Irma, love is what I feel when I see you, when I touch you, when I just say nothing and simply sit beside you, And the palpable world transforms into your smile, and I resume loving you, In the forest of my endless memories of you, Where I often tread in the brightness of the day and the silence of the night, to be with you, just you, The river still flows, the stars still twinkle, the forest still grows, and with them your love in my heart grows too, I have entered a precarious state where there is only one certainty, that to keep on loving you, And wonder if you feel so too, I have every reason to believe you do too Irma, because the trails of life we tread together, still remind me of you, and there at discrete corners I hear the echoes of your longings too, And then my heart whispers, while my mind quietly lets it be its own master, “I love you!” And the river of my feelings gains a renewed momentum to rush endlessly and forever unto you, And as lovers, we fill our senses where you become me and I become you, And what a joy it is to love you, And say again and again, “my darling Irma. I love you!

There are hence more or less productive, more or less imaginatively inspired, ways to idealize. An idealizing elaboration of qualities that the other to some degree possesses—and enjoys possessing—is less damaging than worshipping (and insisting on) qualities that do not in any way correspond to how the other views itself. And even with idealizations that reflect the other’s self-image, it is vital to allow ample room for disappointment. An expectation of consistency—an expectation that the other will always meet our ideal—is disastrous in robbing the other of the capacity to be less than perfect. It is, in other words, important to recognize the transient nature of all idealizations. Even though the other’s adored features may not be wholly illusory—even though they may connect to something deeply meaningful in the other’s being—the expectation that they are entirely dependable inevitably is. In the same way that we need to be able to tolerate multiple and conflicting readings of ourselves, we need to come to terms with the manifold and ever-evolving realities of the other. The worst we can do is to fix the other into a static ideal, or to measure it against an inflexible external standard. As Stephen Mitchell explains, whether fantasies “are enriching or depleting depends on the way they are positioned in relation to actuality. Do they encourage an episodic selectivity and elaboration of the beauty of the partner? Or do they foster the illusion that there are other potential partners in the world who are only beautiful and never disappointing?

Wealth, beauty and fame are transient. When those are gone, little is left except the need to be useful.

Eli returned to the river and paused for a moment midstream. His feet were balanced upon uneven stones. The current tumbled around him. The canyon walls were steep and jagged and solid. The colors beneath the surface stirred and glittered. He wanted to hold his face under water and breathe in their beauty. He dipped his fingers into the snow-cold transient texture and felt a tingle. He closed his eyes to see this sensation clearly. He breathed. He put his hand up to his face and felt the freshness enter his soul. Water droplets dripped from his skin and returned to the river. He opened his eyes as if they were separate from his body, separate from the tension of life, distant from any distraction. He breathed.

The Japanese believe that sadness comes from an awareness of the fragility of life at the same time one is captivated by its transient beauty. The cherry blossoms. But that is a very superficial understanding of sadness, may I say. True sadness arises when we realize that the world around us is imperishable, and rather ugly.

We may also struggle with what could be considered justifiable fears. We have fears of loss, pain, disability, and death. These can be transformed only by the human being who has come to know what it means to „die before you die“. In the discipline of transformation, this expression means coming to know our spiritual home, our eternal Self. It is not a metaphor but an accurate description of a psycho-spiritual truth. Many of those who have lived through the experience of a clinical death and have returned to life know that death is not something to fear and that life is an immeasurable gift. These people return to their lives with less fear because they have experienced their true metaphysical home. At the same time they have known that this physical body is important as a means of contact with their fellow human beings. Against the backdrop of eternity this transient human life has acquired a new beauty. To die before death is to detach from our physical body, our thinking, and our emotions at will, as a conscious choice. This is the aim of certain forms of spiritual training. Through control of the breath, fasting, and sustained awareness it becomes possible to separate from our coarser bodies – physical, emotional, mental – and to mount the steed of pure consciousness. When consciousness is separated from the conditioned intellect and desire, it makes direct contact with the electromagnetic field of Love. The soul comes to know a different relationship to all the beings within this electromagnetic field. When we are connected with this Love, we are free of fear and of the domination of the lower self and the thoughts it generates. As Rumi said: „Thinking is powerless in the expression of love.“ Love is reckless and does not count the cost; it expresses itself through courage and self-sacrifice. Often our fear is a lack of love. To be free of fear we must love very much. (p. 159)

If ‘beauty’ be the self-satisfied pride she bears,each fly does wing around her cherubic sweet face,as they; lovers seek what her anonymous covers,and dream them in a transient trace.

Because beautiful things always make us sad,' she replied, closing her eyes and nestling her head against his. 'Why?' 'Because we can't hold onto them forever.' 'No, because they're transient, like a rainbow or a sunset. Nothing beautiful lasts. Or perhaps because they remind us of where we came from and our spirits long to return

In ancient times, a thoughtful nun was sad about the transience of all life. She said to her teacher: ‘All things decay. Today dawned beautifully, but tonight it will die. Life is only a breath. Man is born to die. What value has existence?’ The teacher said to the nun: ‘Go ask the butterfly. Go ask a candle. Go ask a drop of water.’ The nun went to a sacred barna tree, a tree with white flowers which attracted white butterflies. She watched and saw how the butterflies lived only one day each. The nun went to the temple. She looked at candles burning in front of the Buddha. She saw how the candles went out after only one hour each. The nun went to a river. She saw how the river was made of a million drops of water. She saw how they passed her town in less than the time it took to sip a cup of tea and never come back. The nun went back to her school. She said: ‘Life is transient like a butterfly visiting a sacred barna tree.’ But the gardener was present. He said: ‘No. Butterflies make plants live. Already the barna tree is older than you are. It has been growing for a hundred years.’ She said: ‘Life is transient like a candle in a temple.’ But the priest was there. He said: ‘No. The fire in the temple has been burning for many centuries. It is one thousand years old.’ She said: ‘Life is transient like a drop of water passing a town in a river.’ But the old boatman was there. He said: ‘No. The river has been there for ten thousand years. It will be there for ten thousand more.’ And so it is with us, Blade of Grass. Some of us see the butterfly, the candle and the drop of water. Some of us see the tree, the fire and the river.

As in an airless room a curtain Parts to admit the evening breeze, So John's exhausted and uncertain Tension admits a transient ease, And Liz's lenient mediation Smooths out his doubt and hesitation. She looks at him: "Don't be afraid I'll find what you say bland or staid." Relieved of the unspoken duty Of cleverness and coolness now John brings himself to speak, somehow, Of truth, ambition, status, beauty, The hopes (or dupes) for which we strive, The ghosts that keep the world alive.

But who can live looking such grim truths straight in the face every day for eternity? Not me. Not anymore. And so I’ve created, in this school, a kind of greenhouse: a lovely, if artificial, place of perennial bloom and beauty where I can live in peace, unheeding of the blowing winter storms outside. For a long time, I troubled myself with all the pain and suffering in the world. I struggled too long against the riptide of reality to the point of exhaustion, to drowning. What did it gain me or anyone? Nothing. Swim with the tide, not against, they say. Busy yourself in your greenhouse, remain untroubled, avoid becoming attached to any one blossom because the day comes when every flower fades, and then it must be cut off, tossed outside, and forgotten. For this kind of lovely but detached existence, a preschool is really ideal. After all, can anything be more explicitly transient than early childhood? “Preschool is a line drive, a Slip ’N Slide, a mad dash to something else. Enjoy, but do not get attached. Eat, drink, and be merry, for tomorrow it all slips away to puberty and acne and angst. Once it’s gone, forget it. New students are at the door, and we begin again.