Transcripts Quotes

The meaning of life is just to be alive. It is so plain and so obvious and so simple. And yet, everybody rushes around in a great panic as if it were necessary to achieve something beyond themselves.

Nakalimutan na ng tao ang kabanalan n'ya, na mas marami pa s'yang alam kesa sa nakasulat sa Transcript of Records n'ya, mas marami pa s'yang kayang gawin kesa sa nakalista sa resume n'ya, at mas mataas ang halaga n'ya kesa sa presyong nakasulat sa payslip n'ya tuwing sweldo.

Why aren't you in school? I see you every day wandering around." "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?

blemish,n. The slight acne scars. The penny-sized, penny-shaped birthmark right above your knee. The dot below your shoulder that must have been from when you had chicken pox in third grade. The scratch on your neck- did I do that? This brief transcript of moments, written on the body, is so deeply satisfying to read.

Maybe it's not too late to learn how to love and forget how to hate.

Nix to Declan: Begin transcript— Testing. Hello, hellooo, anybody out there? Check, check, one, two. Soft pee. Puh, puh. Resonance! Sooooooft pee. Alpha bravo disco tango duck. This is Nïx! I’m the Ever-Knowing One, a goddess incandescent, incomparable, and irresistible. But enough about what you think of me. It’s a beautiful day in New Orleans. The wind is out of the east at a steady five knots and clouds look like rabbits … But enough about what you think of me! Now, down to business— Squirrel! Where was I? [Long pause] Why am I in Regin’s car? Bertil, you crawl right back out of that bong this minute! Oh, I remember! I am hereby laying down this track for Magister Declan Chase. If you are a mortal of the recorder peon class, know that Dekko and I go waaaaay back, and he’ll go berserk (snicker snicker) if he doesn’t receive this transmittal. … Chase, riddle me this: what’s beautiful but monstrous, long of tooth but sharp of tooth and soft of mind, and can never ever tell a lie? That’s right. The Enemy of Old can be very useful to you. So use him already. P.S. Your middle name’s about to be spelled r-e-g-r-e-t. And with that, I must bid you adieu. Don’t worry, we’ll catch up very soon. … [Muffled] Who’s mummy’s wittle echolocator? That’s right—you are! —End transcript

In our memories the stories of our lives defy chronology, resist transcription: past ambushes present, and future hurries into history.

Do not equate nationalism with patriotism... Nationalism is the first step on the road to Fascism.

So if you love me, let me go. And run away before I know. My heart is just too dark to care. I can't destroy what isn't there. Deliver me into my fate - If I'm alone I cannot hate I don't deserve to have you... My smile was taken long ago If I can change I hope I never know

The language of light can only be decoded by the heart.

AUDIO LOG TRANSCRIPT: SOL 119 You know what!? Fuck this! Fuck this airlock, fuck that Hab, and fuck this whole planet! Seriously, this is it! I've had it! I've got a few minutes before I run out of air and I'll be damned if I spend them playing Mars's little game. I'm so god damned sick of it I could puke! All I have to do is sit here. The air will leak out and I'll die. I'll be done. No more getting my hopes up, no more self-delusion, and no more problem-solving. I've fucking had it! AUDIO LOG TRANSCRIPT: SOL 119 (2) Sigh...okay. I've had my tantrum and now I have to figure out how to stay alive.

As I sat there working on transcriptions at my round table in the morning, what I would have settled for was not his friendship, not anything. Just to look up and find him there, suntan lotion, straw hat, red bathing suit, lemonade. To look up and find you there, Oliver. For the day will come soon enough when I’ll look up and you’ll no longer be there.

WARNING: The following is a transcript of a digital recording. In certain places, the audio quality was poor, so some words and phrases represent the author's best guesses. Where possible, illustrations of important symbols mentioned in the recording have been added. Background noises such as scuffling, hitting, and cursing by the two speakers have not been transcribed The author makes no claims for the authenticity of the recording. It seems impossible that the two young narrators are telling the truth, but you, the reader, must decide for yourself.

She looked for the deposition transcript she had dropped, she turned around and— —the entire audience in the galley cried out in shock. Unbeknownst to Payton, when she had fallen her skirt—those damn slim-fit skirts she liked so much—had torn at the seam and now gaped open, and sweet Jesus, she was wearing a thong and two tiny white butt cheeks peeked out from between the folds of her skirt— J.D.’s jaw nearly hit the floor.

Man Thinking must not be subdued by his instruments. Books are for the scholar's idle times. When he can read God directly, the hour is too precious to be wasted in other men's transcripts of their readings.

Prayers are prophecies. They are the best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life.

I realized that my life of late had consisted of far too much dialogue and not enough exposition. I imagined an angry, bespectacled English teacher slashing his pen through the transcript of my life, wondering how someone could possibly say so much and think so little.

Sleeping in a hallway around Bedford Park later that week, I took out my blank transcripts and filled in the grades I wanted, making neat little columns of A’s. If I could picture it—if I could take out these transcripts and look at them—then it was almost as if the A’s had already happened. Day by day, I was just catching up with what was already real. My future A’s, in my heart, had already occurred. Now I just had to get to them.

Increasing pressure on students to subject themselves to ever more tests, whittling themselves down to rows and rows of tight black integers upon a transcript, all ready to goose-step straight into a computer.

Show me a transcript of the words you’ve spoken, typed, or texted in the course of a day, an account of your doings, and a record of your transactions, and I’ll show you your religion.

The future was coming nearer, one relentless goose step after the next. Juliet could still remember when Hitler had seemed like a harmless clown. No one was amused now. (“The clowns are the dangerous ones,” Perry said.)

Choice, it seemed, was one of the first casualties of war.

As I sat there, working on transcriptions at my round table in the morning, what I would have settled for was not his friendship, not anything. Just to look up and find him there, suntan lotion, straw hat, red bathing suit, lemonade. To look up and find you there, Oliver. For the day will come soon enough when I'll look up and you'll no longer be there.

The brief transcript of moments, written on the body, is so deeply satisfying to read.

[…] but her mother's death had revealed that there was no metaphor too ostentatious for grief. It was a terrible thing and demanded embellishment.

Why was it that the females of the species were always the ones left to tidy up, she wondered? I expect Jesus came out of the tomb...and said to his mother, "Can you tidy it up a bit back there?

I will raise up prophets to make conflicting pronouncements that inevitably will be garbled in transcription, resulting in mutually exclusive definitions of orthodoxy from which the open-minded will flee in dismay.

The blame generally has to fall somewhere, Miss Armstrong. Women and the Jews tend to be first in line, unfortunately.

Human nature favors the tribal. Tribalism engenders violence. It was ever thus and so it will ever be.

This brief transcript of moments, written in the body, is so deeply satisfying to read.

It was not a question of knowledge...but of alertness, a fastidious transcription of what could be thought about something, once it swam into the stream of attention.

The ones that landed near the bathroom are Bad Tolkien imitations or transcripts of a D&D adventure; bad Herbert, Heinlein, and Asimov are below the television; and these on the bed are the ones whose authors I want to hunt down personally and slap.

Everyone is a recording to everyone else, a memory, a past transcript embedded in air or water or sound or light. No matter how close they are, they are not here. What they said, when they said it, it is not now.

all these memories make me want to go back there

People always said they wanted the truth, but really they were perfectly content with a facsimile.

By the time he graduates, projected to be by his thirtieth birthday, Wheeler’s transcript will be a meme used to scare children into studying harder.

his mind docketing the important things for future transcription.

The world knows the love that’s in its breast as in the flower, the suffering lonely world. — Allen Ginsberg, from “Transcription of Organ Music,” Howl and Other Poems (City Lights Books, 1994)

At the end of our visit, Fleisher agreed to play something on my piano, a beautiful old 1894 Bechstein concert grand that I had grown up with, my father's piano. Fleisher sat at the piano and carefully, tenderly, stretched each finger in turn, and then, with arms and hands almost flat, he started to play. He played a piano transcription of Bach's "Sheep May Safely Graze," as arranged for piano by Egon Petri. Never in its 112 years, I thought, had this piano been played by such a master-I had the feeling that Fleisher has sized up the piano's character and perhaps its idiosyncrasies within seconds, that he had matched his playing to the instrument, to bring out its greatest potential, its particularity. Fleisher seemed to distill the beauty, drop by drop, like an alchemist, into flowing notes of an almost unbearable beauty-and, after this, there was nothing more to be said.

We do not list “humility” among our school subjects or put it on a transcript, but that is actually the little secret of classical education. The things that make it truly classical, truly worthwhile to pursue, aren’t school subjects at all, but principles that add depth and cohesion to everything we study in all areas of the curriculum. ❧ ❧ ❧

As you work to become a better student, remember that learning is far more important than the numbers on your transcript. I know it can be hard sometimes to remember what you're in school for. In some places, students go crazy over a tenth of a point - but this is an unhealthy and unsustainable way to manage your education. The real reason you're in school is to grow as a person and fulfill your potential.

Before parents accept the wisdeom of a school board to cut school librarians, they should ask: Will my child graduate with a 21st-century resume, or a 19th-century transcript? . . . As the information landscape becomes ever more complex, why does a school district want to abandon its professional guides to it?

I don't get it?" she asked "I don't get it? Let me tell you something about what I get. You think you're so smart? I spent three years on a full academic scholarship at the best college-prep school in the country. And when they kicked me out I had to petition-petition!-to keep them from wiping out my four-point-oh transcript." Daniel moved away, but Luce pursued him, taking a step forward for every wide-eyed step he took back. Probably freaking him out, but so what? He'd been asking for it every time he condescended to her. "I know Latin and French, and in middle school, I won the science fair three years in a row." She had backed him up against the railing of the boardwalk and was trying to restrain herself from poking him in the chest with her finger. She wasn't finished. "I also do the Sunday crossword puzzle, sometimes in under an hour. I have an unerringly good sense of direction... though not always when it comes to guys." She swallowed and took a moment to catch her breath. "And someday, I'm going to be a psychiatrist who actually listens to her patients and helps people. Okay? So don't keep talking to me like I'm stupid and don't tell me I don't understand just because I can't decode your erratic, flaky, hot-one-minute-cold-the-next, frankly"-she looked up at him, letting out her breath-"really hurtful behavior." She brushed a tear away, angry with herself for getting so worked up.

Juliet felt slighted yet relieved. It was curious how you could hold two quite opposing feelings at the same time, an unsettling emotional discord. She felt an odd pang at the sight of him. She had been fond of him. She had been his girl. Reader, I didn’t marry him, she thought.

For poetry was all written before time was, and whenever we are so finely organized that we can penetrate into that region where the air is music, we hear those primal warblings and attempt to write them down, but we lose ever and anon a word or a verse and substitute something of our own, and thus miswrite the poem. The men of more delicate ear write down these cadences more faithfully, and these transcripts, though imperfect, become the songs of the nations.

Stravinsky is one of the greatest composers of our time and I truly love many of his works. (...) The marvellous composer has invariably been at the centre of my attention, and I not only studied and listened to his music, but I played it and made my own transcriptions as well.

...it had probably been a long enough life. Yet suddenly it all seemed like an illusion, a dream that had happened to someone else. What an odd thing existence was.

What is clear, however, is that the Bible and most other ancient transcripts, scriptures, legends, and mythologies all recognized and testified to a powerful antediluvian race of superhumans reigning as kings and demigods over the mortal and mundane humans.

Bold prayers honor God, and God honors bold prayers. God isn’t offended by your biggest dreams or boldest prayers. He is offended by anything less. If your prayers aren’t impossible to you, they are insulting to God. Prayers are prophecies. They are the best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life. The greatest tragedy in life is the prayers that go unanswered because they go unasked. God does not answer vague prayers. The more specific your prayers are, the more glory God receives. Most of us don’t get what we want because we quit praying. We give up too easily. We give up too soon. We quit praying right before the miracle happens. If you don’t take the risk, you forfeit the miracle. Take a step of faith when God gives you a vision because you trust that the One who gave you the vision is going to make provision. And for the record, if the vision is from God, it will most definitely be beyond your means. We shouldn’t seek answers as much as we should seek God. If you seek answers you won’t find them, but if you seek God, the answers will find you. If your plans aren’t birthed in prayer and bathed in prayer, they won’t succeed. Are your problems bigger than God, or is God bigger than your problems? Our biggest problem is our small view of God. That is the cause of all lesser evils. And it’s a high view of God that is the solution to all other problems. Because you know He can, you can pray with holy confidence. Persistence is the magic bullet. The only way you can fail is if you stop praying. 100 percent of the prayers I don’t pray won’t get answered. Where are you most proficient, most sufficient? Maybe that is precisely where God wants you to trust Him to do something beyond your ability. What we perceive as unanswered prayers are often the greatest answers. Our heavenly Father is far too wise and loves us far too much to give us everything we ask for. Someday we’ll thank God for the prayers He didn’t answer as much or more than the ones He did. You can’t pray for open doors if you aren’t willing accept closed doors, because one leads to the other. Just as our greatest successes often come on the heels of our greatest failures, our greatest answers often come on the heels of our longest and most boring prayers. The biggest difference between success and failure, both spiritually and occupationally, is your waking-up time on your alarm clock. We won’t remember the things that came easy; we’ll remember the things that came hard. It’s not just where you end up that’s important; it’s how you get there. Goal setting begins and ends with prayer. The more you have to circle something in prayer, the more satisfying it is spiritually. And, often, the more glory God gets. I don’t want easy answers or quick answers because I have a tendency to mishandle the blessings that come too easily or too quickly. I take the credit or take them for granted. So now I pray that it will take long enough and be hard enough for God to receive all of the glory. Change your prayer approach from as soon as possible to as long as it takes. Go home. Lock yourself in your room. Kneel down in the middle of the floor, and with a piece of chalk draw a circle around yourself. There, on your knees, pray fervently and brokenly that God would start a revival within that chalk circle.

What I missed most when I lost a man I loved was someone who held a record of my life from that time. It was the way we told each other things. Without them I went back to my quiet life, but with them there was a transcript of living. Transcript, of all words, as a way to describe love. But we all want, in some way, to be able to record our life, and for some reasons lovers do that for each other. Of all things. Of all jobs for them to be given.

You can't fire me because I quit.

Those who forget the past are doomed to repeat it.

Perhaps sex was something you had to learn and then stick at until you were good at it, like hockey or the piano. But an initial lesson would be helpful.

Thus transcription factors regulate genes. What regulates transcription factors? The answer devastates the concept of genetic determinism: the environment.

Life is not a transcript. This isn't a test you can ace or fail. You can get Cs and Ds and still be okay.

The philosophical implications of "predictive coding" are deep and strange. The model suggests that our perceptions of the world offer us not a literal transcription of reality but rather a seamless illusion woven from both the data of our senses and the models in our memories.

For my present purpose I require a word which shall embrace both the Sub-Creative Art in itself, and a quality of strangeness and wonder in the Expression, derived from the Image: a quality essential to fairy-story. I propose, therefore, to arrogate to myself the powers of Humpty-Dumpty, and to use Fantasy for this purpose: in a sense, that is, which combines with its older and higher use as an equivalent of Imagination the derived notions of 'unreality' (that is, of unlikeness to the Primary World), of freedom from the dominion of 'observed fact,' in short of the fantastic. I am thus not only aware but glad of the etymological and semantic connexions of fantasy with fantastic: with images of things that are not only 'not actually present,' but which are indeed not to be found in our primary world at all, or are generally believed not to be found there. But while admitting that, I do not assent to the depreciative tone. That the images are of things not in the primary world (if that indeed is possible) is, I think, not a lower but a higher form of Art, indeed the most nearly pure form, and so (when achieved) the most Potent. Fantasy, of course, starts out with an advantage: arresting strangeness. But that advantage has been turned against it, and has contributed to its disrepute. Many people dislike being 'arrested.' They dislike any meddling with the Primary World, or such small glimpses of it as are familiar to them. They, therefore, stupidly and even maliciously confound Fantasy with Dreaming, in which there is no Art; and with mental disorders, in which there is not even control; with delusion and hallucination. But the error or malice, engendered by disquiet and consequent dislike, is not the only cause of this confusion. Fantasy has also an essential drawback: it is difficult to achieve. . . . Anyone inheriting the fantastic device of human language can say the green sun. Many can then imagine or picture it. But that is not enough -- though it may already be a more potent thing than many a 'thumbnail sketch' or 'transcript of life' that receives literary praise. To make a Secondary World inside which the green sun will be credible, commanding Secondary Belief, will probably require labour and thought, and will certainly demand a special skill, a kind of elvish craft. Few attempt such difficult tasks. But when they are attempted and in any degree accomplished then we have a rare achievement of Art: indeed narrative art, story-making in its primary and most potent mode.

When you look at the clouds they are not symmetrical. They do not form fours and they do not come along in cubes, but you know at once that they are not a mess. [...] They are wiggly but in a way, orderly, although it is difficult for us to describe that kind of order. Now, take a look at yourselves. You are all wiggly. [...] We are just like clouds, rocks and stars. Look at the way the stars are arranged. Do you criticize the way the stars are arranged?

After the stock market crash, some New York editors suggested that hearings be held: what had really caused the Depression? They were held in Washington. In retrospect, they make the finest comic reading. The leading industrialists and bankers testified. They hadn’t the foggiest notion what had gone bad. You read a transcript of that record today with amazement: that they could be so unaware. This was their business, yet they didn’t understand the operation of the economy. The only good witnesses were the college professors, who enjoyed a bad reputation in those years. No professor was supposed to know anything practical about the economy.

Matter and energy are equivalent, according to the equation E=mc2, where E stand for energy, m for mass and c for the speed of light,' 'Merapa explained. 'Matter can't be transported at the speed of light but energy can. Therefore, during a time shift transformation, matter is converted to energy then condenses back. In other words all the molecules in your body have been changed from matter to energy then back again.' 'Wow. It's a wonder it's not fatal,' Dirck said. 'Sometimes it is. If any transcription errors occur between the DNA and RNA in your vital organs you're all but dead.

Juliet and Hartley had long ago abandoned manners with each other. It was refreshing to behave without respect towards someone.

Being flippant was harder work than being earnest

Here lies the body of William Jay, Who died maintaining his right of way. He was right, dead right, as he sped along, But he's just as dead as if he were wrong.

Our society is becoming increasingly aliterate, says Cullinan. “An aliterate is a person who knows how to read but who doesn’t choose to read. These are people who glance at the headlines of a newspaper and grab the TV schedule. They do not read books for pleasure, nor do they read extensively for information. An aliterate is not much better off than an illiterate, a person who cannot read at all. Aliterates miss the great novels of the past and present. They also miss probing analyses written about political issues. Most aliterates watch television for their news, but the entire transcript of a television newscast would fill only two columns of the New York Times. Aliterates get only the surface level of the news.”13

During the 1992 election I concluded as early as my first visit to New Hampshire that Bill Clinton was hateful in his behavior to women, pathological as a liar, and deeply suspect when it came to money in politics. I have never had to take any of that back, whereas if you look up what most of my profession was then writing about the beefy, unscrupulous 'New Democrat,' you will be astonished at the quantity of sheer saccharine and drool. Anyway, I kept on about it even after most Republicans had consulted the opinion polls and decided it was a losing proposition, and if you look up the transcript of the eventual Senate trial of the president—only the second impeachment hearing in American history—you will see that the last order of business is a request (voted down) by the Senate majority leader to call Carol and me as witnesses. So I can dare to say that at least I saw it through.

And yet it fills me with wonder, that, in almost all countries, the most ancient poets are considered as the best: whether it be that every other kind of knowledge is an acquisition gradually attained, and poetry is a gift conferred at once; or that the first poetry of every nation surprised them as a novelty, and retained the credit by consent which it received by accident at first; or whether, as the province of poetry is to describe Nature and Passion, which are always the same, the first writers took possession of the most striking objects for description, and the most probable occurrences for fiction, and left nothing to those that followed them, but transcription of the same events, and new combinations of the same images. Whatever be the reason, it is commonly observed that the early writers are in possession of nature, and their followers of art: that the first excel in strength and innovation, and the latter in elegance and refinement.

This is huge. Saying that a gene “decides” when it is transcribed is like saying that a recipe decides when a cake is baked. Thus transcription factors regulate genes. What regulates transcription factors? The answer devastates the concept of genetic determinism: the environment.

In World War II, some Japanese soldiers preferred to take their own lives rather become prisoners of war. In Saipan hundreds of civilians jumped to their deaths over cliffs in order to avoid falling into American hands. Even in life-or-death situations cultural ties and duties often outweigh the instinct for survival. This is why people die in the attempt to rescue a dog from drowning, or decide to become suicide bombers.

Michael Faraday, the son of a Yorkshire blacksmith, was born in south London in 1791. He was self-educated, leaving school at fourteen to become an apprentice bookbinder. He engineered his own lucky break into the world of professional science after attending a lecture in London by the Cornish scientist Sir Humphry Davy in 1811. Faraday sent the notes he had taken at the lecture to Davy, who was so impressed by Faraday’s diligent transcription that he appointed him his scientific assistant. Faraday went on to become a giant of nineteenth-century science, widely acknowledged to have been one of the greatest experimental physicists of all time. Davy is quoted as saying that Faraday was his greatest scientific discovery.

Right now he's working! And later on, guess what - he'll be at his computer, writing something. Probably his transcription of this, which a lot of people are waiting for, just like they're waiting for this. And we'll be talking on the computer. I don't understand why it's such a difficult concept to grasp.

(Jen gets completely sloshed and it's not her wedding) I was supposed to meet Carol and her family at the aquarium the next morning, and somehow had the presence of mind to leave a voicemail apologizing in advance for not being able to make it. I was please at myself for being so responsible and considerate. After I left the message, I blissfully headed off to bed, wearing a face full of makeup, all my grown up jewelry, and a relatively restrictive girdle. Suffice it to say, yesterday was rough, what with my apartment spinning and all. But today I felt better. That is, until Carol played me the voice mail I left for her at 1:03 AM. Somehow I thought I had been able to hold it together on the phone. Following is a transcript of the message I left: 30 seconds of heavy breathing, giggling, and intermittent hiccups (At first Carol thought it was a 911 call.) Oh, heeheehee, I waassshh wayyyting for a beep. But noooooo beeeeeeep. Why don't you hash a beep on your, your, ummmmmm...celery phone? Noooooo beeeeeeep, hic, heeheeeheee. Um, hiiiiii, itsch JEENNNNNNNN!! It's thirteen o'clock in the peeeeeee eeeemmmmmmm. Heeeeeeeellllllllllloooooooo! I went to my wedding tonight and it wash sooooo niiiiiiiiiice. Hic." More giggling and the sound of a phone being dropped and retrieved Nannyway, I am calling to telllll you noooooooooo fishies tomorry...no fishies for meeee! I hic, heeeee, can't smake it to the quariyummm. Maybeeee you can call me so I can say HIIIIIIIIIIIIIII later hich in the day hee hee hee. Call me at, um, 312, ummmmmmm, 312, uummmmm, hee hee hee I can't member my phone, Hic. Do you know my number? Can you call me and tell me what it isssch? I LIKESH TURKEY SAMMICHES! 10 seconds of chewing, giggling, and what may be gobbling sounds Okay, GGGGGGGGooooooodniiiiiiiiiggggggggggggghhhhhhhhhhhttttt! No fish! Um, how do I turn this tthing off? Shhhhh, callllls' over. Beeee quiiiiiiietttt, hee hee hee." 15 more seconds of giggles, hiccups, shushing, and a great deal of banging Perhaps this is why most people only have one wedding?

I know people who read interminably, book after book, from page to page, and yet I should not call them 'well-read people'. Of course they 'know' an immense amount; but their brain seems incapable of assorting and classifying the material which they have gathered from books. They have not the faculty of distinguishing between what is useful and useless in a book; so that they may retain the former in their minds and if possible skip over the latter while reading it, if that be not possible, then--when once read--throw it overboard as useless ballast. Reading is not an end in itself, but a means to an end. Its chief purpose is to help towards filling in the framework which is made up of the talents and capabilities that each individual possesses. Thus each one procures for himself the implements and materials necessary for the fulfilment of his calling in life, no matter whether this be the elementary task of earning one's daily bread or a calling that responds to higher human aspirations. Such is the first purpose of reading. And the second purpose is to give a general knowledge of the world in which we live. In both cases, however, the material which one has acquired through reading must not be stored up in the memory on a plan that corresponds to the successive chapters of the book; but each little piece of knowledge thus gained must be treated as if it were a little stone to be inserted into a mosaic, so that it finds its proper place among all the other pieces and particles that help to form a general world-picture in the brain of the reader. Otherwise only a confused jumble of chaotic notions will result from all this reading. That jumble is not merely useless, but it also tends to make the unfortunate possessor of it conceited. For he seriously considers himself a well-educated person and thinks that he understands something of life. He believes that he has acquired knowledge, whereas the truth is that every increase in such 'knowledge' draws him more and more away from real life, until he finally ends up in some sanatorium or takes to politics and becomes a parliamentary deputy. Such a person never succeeds in turning his knowledge to practical account when the opportune moment arrives; for his mental equipment is not ordered with a view to meeting the demands of everyday life. His knowledge is stored in his brain as a literal transcript of the books he has read and the order of succession in which he has read them. And if Fate should one day call upon him to use some of his book-knowledge for certain practical ends in life that very call will have to name the book and give the number of the page; for the poor noodle himself would never be able to find the spot where he gathered the information now called for. But if the page is not mentioned at the critical moment the widely-read intellectual will find himself in a state of hopeless embarrassment. In a high state of agitation he searches for analogous cases and it is almost a dead certainty that he will finally deliver the wrong prescription.

I was learning the craft of poetry, which really was an intensive version of what my mother had taught me all those years ago -- the craft of writing as the art of thinking. Poetry aims for an economy of truth -- loose and useless words were not separate from loose and useless thoughts. Poetry was not simply the transcription of notions -- beautiful writing rarely is. I wanted to learn to write, which was ultimately, still, as my mother had taught me, a confrontation with my own innocence, my own rationalizations. Poetry was the processing of my thoughts until the slag of justification fell away and I was left with the cold steel truths of life.

Dad used to read aloud to us from Dickens and Kipling. My tastes were omnivorous. I read anything I could lay my hands on, but the memory that stays with me is that of my father reading the Jungle Books to us when we were young. Beautiful stories!

The transcripts of our conversation also show how Patrick’s choice of phrasing was helpful to me. Rather than telling me what airport I had to aim for, he asked me what airport I wanted. His words let me know that he understood that these hard choices were mine to make, and it wasn’t going to help if he tried to dictate a plan to me.

When we learn, we alter which genes in our neurons are “expressed,” or turned on. Our genes have two functions. The first, the “template function,” allows our genes to replicate, making copies of themselves that are passed from generation to generation. The template function is beyond our control. The second is the “transcription function.” Each cell in our body contains all our genes, but not all those genes are turned on, or expressed. When a gene is turned on, it makes a new protein that alters the structure and function of the cell. This is called the transcription function because when the gene is turned on, information about how to make these proteins is “transcribed” or read from the individual gene. This transcription function is influenced by what we do and think. Most people assume that our genes shape us—our behavior and our brain anatomy. Kandel’s work shows that when we learn our minds also, affect which genes in our neurons are transcribed. Thus we can shape our genes, which in turn shape our brain’s microscopic anatomy.

A great Zen master said just before he died, "From the bathtub, to the bathtub, I have uttered stuff and nonsense." The bathtub in which the baby is washed at birth, the bathtub in which the corpse is washed before burial, all this time I have said much nonsense.

A transcription doesn’t so much repeat words as contextualize and historicize them, uniting them with the time, place, and source of their utterance. A transcript reproduces the words it records; it does not use them. Quoting is an attitude and practice, central to aesthetic and literary experiences as different from each other as the sublime and camp.

Those who have not learned to read the ancient classics in the language in which they were written must have a very imperfect knowledge of the history of the human race; for it is remarkable that no transcript of them has ever been made into any modern tongue, unless our civilization itself may be regarded as such a transcript. Homer has never yet been printed in English, nor Aeschylus, nor Virgil even, works as refined, as solidly done, and as beautiful almost as the morning itself; for later writers, say what we will of their genius, have rarely, if ever, equaled the elaborate beauty and finish and the lifelong and heroic literary labors of the ancients. They only talk of forgetting them who never knew them.

There will never be a new world order until women are a part of it." - Alice Paul

In Eckankar, we teach Soul Travel. This is one of the aspects of the teachings of the Holy Spirit. Soul Travel simply means the ability to travel as Soul.

Riders on the storm, riders on the storm Into this house we’re born Into this world we’re thrown Like a dog without a bone An actor out on loan Riders on the storm

Juliet sighed and wondered if one day she would think herself to death. Was that possible? And would it be painful?

It was like dealing with Rasputin, not a middle-aged woman from Wolverhampton.

Nah man...I'm pretty fucking far from ok.

The Scriptures are the transcript of the Father’s will, and that was ever His delight.

According to a transcript of an interview with an informant, the agent said, “There are so many of these murder cases. There are hundreds and hundreds.

I know she is of the Devil, for I cannot have my mind from her." From trial transcript of accuser of Mary Bliss Parsons.

I’m gonna have a hell of a backache after this. AUDIO LOG TRANSCRIPT: SOL 120 I have a hell of a backache.

Mr. Berty scanned the notes—no doubt a perfect transcription of his lecture—and then walked away frwning.

At the hearings, the presiding senator kindly offered to have these documents inserted into the official transcript once they were found.

Flannery O’Connor considered herself “a very innocent speller.” Spelling has therefore been corrected in this transcription of A Prayer Journal, so that the reader is not distracted.

Going through old papers I came across the transcript of a university debate on Rublyov. God, what a level. Abysmal, pathetic. But there is one remarkable contribution by a maths professor called Manin, Lenin Prize winner, who can hardly be more than thirty. I share his views. Not that one should say that about oneself. But it's exactly what I felt when I was making Andrey. And I'm grateful to Manin for that. "Almost every speaker has asked why they have to be made to suffer all through the three hours of the film. I'll try to reply to that question. It is because the twentieth century has seen the rise of a kind of emotional inflation. When we read in a newspaper that two million people have been butchered in Indonesia, it makes as much impression on us as an account of our hockey team winning a match. The same degree of impression! We fail to notice the monstrous discrpancy between these two events. The channels of our perception have been smoothed out to the point where we are no longer aware. However, I don't want to preach about this. It may be that without it life would be impossible. Only the point is that there are some artists who do make us feel the true measure of things. It is a burden which they carry throughout their lives, and we must be thankful to them.

They’re only the record of one woman’s meticulous daily life. But those pages were preserved and passed to Dolly (Ballard) Lambard. She gave them to her daughter Sarah, who passed them on to Dr. Mary Hobart, who donated them to the Maine State Library, where they sat until they were organized and bound by Lucy (Lambard) Fessenden. Many years later, law librarian Edith L. Hary made those pages available to the public. And finally, Cynthia McCausland translated all six million bytes of text so that the full transcript could be published by Picton Press.

Have you seen my high school transcripts?” She snorts. “I was involved in everything. Anything that kept me out of the house. You should worry about the kids who never want to be at home.

As long as research data is stored as tacit knowledge in people’s minds or buried in interview transcripts, teams will experience difficulty synthesizing what has been observed and learned.

How good a predictor of job productivity is a cognitive test score compared to a job interview? Reference checks? College transcript? The answer, probably surprising to many, is that the test score is a better predictor of job performance than any other single measure. This is the conclusion to be drawn from a meta-analysis on the different predictors of job performance, as shown in the table below.

Mountain Center" Maureen McLane The cords are strong a loose weave strung between white pines. Now I will offer a transcript of today’s news and you’ll know it as conceptual poetry as this hammock is a plagiarism of all other hammocks in all poems & the world. My dream of originality a copy of an idea no one had. Like everyone “I have wasted my life.” Magpie day mockingbird night cuckoo mind

Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film teacher. That's not social to me at all. It's a lot of funnels and a lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not.

Was this where my fascination for documented history came from? From a family so afraid of earthly erasure that they couldn’t discard the transcript of ordering two pounds of prosciutto on June 15, 1988?

In the middle to late 1970s, when Putin joined the KGB, the secret police, like all Soviet institutions, was undergoing a phase of extreme bloating. Its growing number of directorates and departments were producing mountains of information that had no clear purpose, application, or meaning. An entire army of men and a few women spent their lives compiling newspaper clippings, transcripts of tapped telephone conversations, reports of people followed and trivia learned, and all of this made its way to the top of the KGB pyramid, and then to the leadership of the Communist Party, largely unprocessed and virtually unanalyzed.

I find it disturbing that one anthropologist's readings of transcripts are being listened to more seriously than 40 senior health service clinicians. [Referring to Jean La Fontaine's 1994 research paper for the DOH]

What is government? Government is the boot. The boot steps here and there, careful to avoid a blade of grass, to nurture it, coddle it, water it. The boot spots a snail heading toward its grass - slowly, surely. The boot smashes down on the snail and twists and laughs at its squelching noises, its last grasp for breath. The boot seeks a new snail - heading slowly toward the blade, sometimes simply minding its own business entirely - and smashes it too, like the first. The boot goes on and on - smashing, twisting, smashing, twisting - until finally it tires too of the blade of grass. The boot stops for only a moment and twists itself back down toward these carcasses lying about its yard. 'How sad,' it says to itself, 'that some otherworldly spirit, possessing me, could do this!' It goes to take a step, lets down onto the ground, and feels a dead snail. It instantly picks itself up, feeling proud - not that it will not stomp the snails in the future, but that it at least is starting to feel remorse for their deaths. It smashes the shells and bodies of hundreds of thousands of millions of snails, only to understand its weakness as originating from someplace else entirely; and then it has the audacity to smash even more.

The Boston Transcript once printed this bit of significant doggerel:   Here lies the body of William Jay, Who died maintaining his right of way— He was right, dead right, as he sped along, But he’s just as dead as if he were wrong.   You

Remember how I said kids pay attention when you don’t know they’re doing it? Here was another classic example. I swear to God, they weren’t even close enough to hear what was going on, but apparently Annabel had gone back over the transcripts.

In a few dreams, I’d answer the phone and hear a long silence, which I interpreted as my mother’s speechless disdain. Or I heard crackling static, and cried out, “Mom? Dad?” into the receiver, desperate and devastated that I couldn’t hear what they were saying. And other times, I was just reading transcripts of dialogues between the two of them, typed on aging onionskin paper that fell apart in my hands. Occasionally I’d spot my parents in places like the lobby of my apartment building or on the steps of the New York Public Library. My mother seemed disappointed and rushed, as though the dream had pulled her away from an important task. “What happened to your hair?” she asked me in the Starbucks on Lexington Avenue, then she trotted down the hall to the restroom.

One Republican said, “I felt that Bryan was the first politician I had ever heard speak the truth and nothing but the truth,” even though in every case, when he read a transcript of the speech in the newspaper the next day, he “disagreed with almost all of it.

The key to everything—remain apart. Our aim is to have constantly a sensation of oneself, of one’s individuality, this sensation cannot be expressed intellectually, because it is organic. It is something which makes you independent when you are with other people.

Protocols of the Elders of Zion, supposedly a transcription of a secret Jewish council’s plans to subvert legitimate governments and take over the world, were sold internationally in the 1920s and 1930s; Henry Ford took the forgery as literally as Adolf Hitler did.

Now consider a genome consisting of genes A and B, meaning three different transcription profiles—A is transcribed, B is transcribed, A and B are transcribed—requiring three different TFs (assuming you activate only one at a time). Three genes, seven transcription profiles: A, B, C, A + B, A + C, B + C, A + B + C. Seven different TFs. Four genes, fifteen profiles. Five genes, thirty-one profiles.fn7 As the number of genes in a genome increases, the number of possible expression profiles increases exponentially. As does the number of TFs needed to produce those profiles.

Truth in its entirety is but the ideal transcript of the universe. It is the mirrored reflection of all fact and being—the thought and will of the Creator as written and revealed by all that exists, material and spiritual, with all their laws, relations, changes, evolutions, and history. More—the

Our own homegrown evil, I’m sorry to say. And instead of rooting them out, the plan is to let them flourish—but within a walled garden from which they cannot escape and spread their evil seed.” A girl could die of old age following a metaphor like this, Juliet thought. “Very nicely put, sir,” she said.

…We have not fully deciphered his language but I have, as instructed, been keeping full phonetic transcriptions of his every remark. Trubaz has calculated psychologically that the meaning of this remark to be: “Ministers of the Great one, be gracious to me.” The phonetic transcription is as follows: AND THEY TALK ABOUT PINK ELEPHANTS!

Even so, as was his custom, he writes the name in an abbreviated form: “Wllm Shaksp.” It also has a large blot on the end of the surname, probably because of the comparatively low quality of the paper. Though it is only a deposition, it is also the only document in existence containing a transcript of Shakespeare speaking in his own voice.

By contrast, moderate identity alteration differs from its milder countepart in that the alterations are not always under the person's control. In addition, moderate identity alteration does not always manifest the presence of distinct alter personalities. Someone who experiences moderate identity alteration may present with mood changes and behaviors that they perceive as uncontrollable. Patients with nondissociative psychiatric disorders (e.g., manic depressive illness) may report moderate alterations in behavior/demeanor that they cannot control; for example, one patient diagnosed as manic depressive mentioned being bothered by his inability to "keep his mind from racing" (SCID-D interview, unpublished transcript). However, these alterations do not coalesce around distinct personalities. Similarly, individuals who have borderline personality disorder tend to fluctuate rapidly between radically different behaviors and moods; however, these changes do not involve different names, memories, preferences, distinct ages, or amnesia for past events.

As I sat there working on transcriptions at my round table in the morning, what I would have settled for was not his friendship, not anything. Just to look up and find him there, suntan lotion, straw hat, red bathing suit, lemonade. To look up and find you there, Oliver. For the day will come soon enough when I'll look up and you'll no longer be there.

But now I became fascinated by the chasm between who this person had been as Mary Claire Griffith at fifteen and who she'd become as Cleo Ray at twenty-five.

I was reading a transcript of a talk by Ponlop Rinpoche, and he said, “In the process of uncovering buddha nature, in the process of uncovering our open, unfixated quality of our mind, we have to be willing to get our hands dirty.” In other words, he was saying that we need to be willing to work with our disturbing emotions, the ones that feel entirely dark.

The question we ask today is not whether our government is too big or too small, but whether it works

Julius, You radicalized more young people than we ever could. You're the country's top Yippie.

not so much an agent provocateur as an agent passif, if such a thing could be said to exist. (“Sometimes,” Perry said, “saying nothing can be your strongest weapon.”)

Giselle would rouse herself from her torpor occasionally (she moved like a particularly lazy cat) in order to despise something.

She didn’t feel she had the fortitude for all those Tudors, they were so relentlessly busy – all that bedding and beheading.

but her mother’s death had revealed that there was no metaphor too ostentatious for grief. It was a terrible thing and demanded embellishment.

Her éducation sexuelle (it was easier to think of it as something French) was woefully riddled with lacunae.

hooligan posse of gulls wheeled noisily overhead,

It was the war, Juliet thought, remembering the photograph of the flamingo’s creased wife, it has made refugees of us all.

Don't let your imagination run away with you, Miss Armstrong. But why would you not when the reality was so awful? And that was that. Juliet's war.

The receptionist, a gray-haired lady with thick glasses at the front counter of the office, read over my transcript. Her eyebrows shot up above her brown frames. With her eyes riveted on me, she cleared her throat and blasted as if on a megaphone. “Your former school is Beauty.” ... Mum blasted right back at her,” You are an excellent reader. Congratulations.

So figure it out for yourself. Which would you rather have, an academic, theatrical victory or a person’s good will? You can seldom have both. The Boston Transcript once printed this bit of significant doggerel:   Here lies the body of William Jay, Who died maintaining his right of way— He was right, dead right, as he sped along, But he’s just as dead as if he were wrong.

We do much more work than you. Even when we are drunk, We are still more sober than you. You drink people's blood, And we drink the grape's blood. Let's be fair, which one of us is more immoral?

I objected anytime a student was automatically dismissed for having a B on a transcript or for having gone to a less prestigious undergraduate program. If we were serious about bringing in minority lawyers, I asserted, we’d have to look more holistically at candidates. We’d need to think about how they’d used whatever opportunities life had afforded them rather than measuring them simply by how far they’d made it up an elitist academic ladder. The point wasn’t to lower the firm’s high standards: It was to realize that by sticking with the most rigid and old-school way of evaluating a new lawyer’s potential, we were overlooking all sorts of people who could contribute to the firm’s success. We needed to interview more students, in other words, before writing them off.

Yet this is not a novel. It is a faithful transcription of my memories, some of them hazy, others riddled with holes left by the passage of the years, others patched up by time and the filters of experience and distance, and still others, no doubt, completely invented by the stubborn narrator we all have within us, who wants things to be the way they sound best to us now, and not the way they were.

One of the meanings of what is called a victim ( a victim of anything or anyone whatsoever) is precisely to be erased in its meaning as victim. The absolute victim is a victim who cannot even protest. One cannot even identify the victim as victim. He or she cannot even present himself or herself as such. He or she is completely covered by language, annihilated by history, a victim one cannot identify.

Make no mistake: I’m all about guns! I just love the legal incongruities our national discourse has spawned, like I can buy a shotgun any time of day without a serious background check, but if I need something for my sniffles, it’s six forms of ID and complete school transcripts. The government has essentially created a system where if I want to clear a head cold, the easiest cure is to blow my brains out.

Reading the fascinating transcript of the trial has the effect of demythologizing both the heroes and the villains. For example, Justice Robert Jackson, the American chief prosecutor and hero of Nuremberg, is shown as a bungling cross-examiner who loses virtually every verbal battle with Göring. Jackson was unprepared and sloppy, while Göring was ready for every question with a precise Germanic recollection. At

Those who have not learned to read the ancient classics in the language in which they were written must have a very imperfect knowledge of the history of the human race; for it is remarkable that no transcript of them has ever been made into any modern tongue, unless our civilization itself may be regarded as such a transcript. Homer has never yet been printed in English, nor AEschylus, nor Virgil even—works as refined,

Though they had a chance. God forgives them if they would leave the devil and come to Him and go back to the people. They are not guilty of the devil's sins and He has declared them to be free of the devil's sins.

Sometimes the transcript is not so hidden. Point Four of the 1948 platform of Strom Thurmond’s States’ Rights Democratic Party—the Dixiecrats—weaves together the public and private in a seamless and visible whole: “We stand for the segregation of the races and the racial integrity of each race; the constitutional right to choose one’s associates; to accept private employment without governmental interference, and to earn one’s living in any lawful way. We oppose the elimination of segregation, the repeal of miscegenation statutes, the control of private employment by Federal bureaucrats called for by the misnamed civil rights program. We favor home-rule, local self-government and a minimum interference with individual rights.” The Rise of Conservatism in America, 1945–2000: A Brief History with Documents, ed. Ronald Story and Bruce Laurie (Boston:

There is nothing God loves more than keeping promises, answering prayers, performing miracles, and fulfilling dreams. That is who He is. That is what He does. And the bigger the circle we draw, the better, because God gets more glory. The greatest moments in life are the miraculous moments when human impotence and divine omnipotence intersect – and they intersect when we draw a circle around the impossible situations in our lives and invite God to intervene. I promise you this: God is ready and waiting. So while I have no idea what circumstances you find yourself in, I’m confident that you are only a prayer away from a dream fulfilled, a promise kept, or a miracle performed. It is absolutely imperative at the outset that you come to terms with this simple yet life-changing truth: God is for you. If you don’t believe that, then you’ll pray small timid prayers; if you do believe it, then you’ll pray big audacious prayers. And one way or another, your small timid prayers or bid audacious prayers will change the trajectory of your life and turn you into two totally different people. Prayers are prophecies. They are best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life.

Those who have not learned to read the ancient classics in the language in which they were written must have a very imperfect knowledge of the history of the human race; for it is remarkable that no transcript of them has ever been made into any modern tongue, unless our civilization itself may be regarded as such a transcript. Homer has never yet been printed in English, nor Æschylus, nor Virgil even—works as refined, as solidly done, and as beautiful almost as the morning itself; for later writers, say what we will of their genius, have rarely, if ever, equalled the elaborate beauty and finish and the lifelong and heroic literary labors of the ancients. They only talk of forgetting them who never knew them. It will be soon enough to forget them when we have the learning and the genius which will enable us to attend to and appreciate them. That age will be rich indeed when those relics which we call Classics, and the still older and more than classic but even less known Scriptures of the nations, shall have still further accumulated, when the Vaticans shall be filled with Vedas and Zendavestas and Bibles, with Homers and Dantes and Shakespeares, and all the centuries to come shall have successively deposited their trophies in the forum of the world. By such a pile we may hope to scale heaven at last.

Heisenberg repeated his story about the German bomb program to anyone who would listen for the rest of his life. Goudsmit, who had access to the Farm Hall reports and had seen the pathetic remnants of the Nazi nuclear program firsthand, knew Heisenberg’s story was a fabrication. But, with the existence of the Farm Hall transcripts itself classified, Goudsmit could state only that Heisenberg was lying, without explaining how he knew. The first popular account of the Manhattan Project, Brighter Than a Thousand Suns, written by the Swiss journalist Robert Jungk in 1958, repeated Heisenberg’s story almost verbatim. So did The Virus House, the first book dedicated solely to the history of the German bomb program, which relied heavily on interviews from Heisenberg and his fellow former Farm Hall detainees. (The author, David Irving, was later revealed to be a Holocaust denier.)

The Legend of Robert Halsey This article examines the criminal conviction of Robert Halsey for sexually abusing two young boys on his school-van route near Pittsfield, Massachusetts. Mr. Halsey's name has been invoked by academics, journalists, and activists as the victim of the “witch hunt” in this country over child sexual abuse. Based on a comprehensive examination of the trial transcript, this article details the overwhelming evidence of guilt against Mr. Halsey. The credulous acceptance of the “false conviction” legend about Robert Halsey provides a case study in the techniques and tactics used to minimize and deny sexual abuse, while promoting a narrative about “ritual abuse” and “witch hunts” that apparently requires little or no factual basis. The second part of this article analyzes how the erroneous “false conviction” narrative about Robert Halsey was constructed and how it gained widespread acceptance. The Legend of Robert Halsey provides a cautionary tale about how easy it is to wrap even the guiltiest person in a cloak of righteous “witch hunt” claims. Cases identified as “false convictions” by defense lawyers and political activists deserve far greater scrutiny from the media and the public. journal: Cheit, Ross E. "The Legend of Robert Halsey." Journal of child sexual abuse 9.3-4 (2002): 37-52.

There are 1.2 billion Muslims in the world today. Of course not all of them are radicals. The majority of them are peaceful people. The radicals are estimated to be between 15-25%, according to all intelligence services around the world. That leaves 75% of them - peaceful people. But when you look at 15-25% of the world Muslim population, you're looking at 180 million to 300 million people dedicated to the destruction of Western civilization. That is as big as the United States. So why should we worry about the radical 15-25%? Because it is the radicals that kill. Because it is the radicals that behead and massacre. When you look throughout history, when you look at all the lessons of history, most Germans were peaceful. Yet the Nazis drove the agenda. And as a result, 60 million people died, almost 14 million in concentration camps. 6 million were Jews. The peaceful majority were irrelevant. When you look at Russia, most Russians were peaceful as well. Yet the Russians were able to kill 20 million people. The peaceful majority were irrelevant. When you look at China for example, most Chinese were peaceful as well. Yet the Chinese were able to kill 70 million people. The peaceful majority were irrelevant. When you look at Japan prior to World War II, most Japanese were peaceful as well. Yet, Japan was able to butcher its way across Southeast Asia, killing 12 million people, mostly killed by bayonets and shovels. The peaceful majority were irrelevant. On September 11th in the United States we had 2.3 million Arab Muslims living in the United States. It took 19 hijackers - 19 radicals - to bring America down to its knees, destroy the World Trade Center, attack the Pentagon and kill almost 3000 Americans that day. The peaceful majority were irrelevant. So for all our power of reason, and for all us talking about moderate and peaceful Muslims, I'm glad you're here. But where are the others speaking out? And since you are the only Muslim representative in here, you took the limelight instead of speaking about why our government - I assume you're an American (the Muslim says yes) - As an American citizen, you sat in this room, and instead of standing up and saying a question, or asking something about our four Americans that died and what our government is doing to correct the problem, you stood there to make a point about peaceful, moderate Muslims. I wish you had brought ten with you to question about how we could hold our government responsible. It is time we take political correctness and throw it in the garbage where it belongs.” - Brigette Gabriel (transcript from Benghazi Accountability Coalition - Heritage Foundation)

skillful truth-telling” as opposed to “evasion,” in the sense that if this person could look at the whole conversation—let’s say she magically gets better again and can say, “Oh, I had Alzheimer’s. How did you deal with me when I kept asking about Dad?”—she would look at the transcript and say, “You know, that’s right. In my mind, he was someplace, and I just didn’t know where he was. What you said allowed me to get out of that loop.” That’s fine.

interview from Ross E. Cheit about The Witch-Hunt Narrative: Politics, Psychology, and the Sexual Abuse of Children (Oxford University Press, February 2014). In the foreword to your book you mention a book titled Satan’s Silence was the catalyst for your research. Tell us about that. Cheit: Debbie Nathan and Michael Snedeker solidified the witch-hunt narrative in their 1995 book, Satan’s Silence: Ritual Abuse and the Making of a Modern American Witch Hunt, which included some of these cases. I was initially skeptical of the book’s argument for personal reasons. It seemed implausible to me that we had overreacted to child abuse because everything in my own personal history said we hadn’t. When I read the book closely, my skepticism increased. Satan’s Silence has been widely reviewed as meticulously researched. As someone with legal training, I looked for how many citations referred to the trial transcripts. The answer was almost none. Readers were also persuaded by long list of [presumably innocent] convicted sex offenders to whom they dedicated the book. If I’m dedicating a book to fifty-four people, all of whom I think have been falsely convicted, I’m going to mention every one of these cases somewhere in the book. Most weren’t mentioned at all beyond that dedication. The witch-hunt narrative is so sparsely documented that it’s shocking.

Much of the rest of the summer and fall were devoted to the transcription of Invitation to a Beheading, a first draft of which Vladimir had written in a lightning two weeks, on Véra’s return from the clinic. To his dismay the typing seemed to be taking an inordinate amount of time; in November an exhausted Véra was at the machine night and day. From outside the third-floor apartment, recalled Nabokov, “we heard Hitler’s voice from rooftop loudspeakers.

Don’t seek out elaborate metaphors,” her English teacher had said of her school essays, but her mother’s death had revealed that there was no metaphor too ostentatious for grief. It was a terrible thing and demanded embellishment.

Gorgons and Hydras, and Chimaeras—dire stories of Celaeno and the Harpies—may reproduce themselves in the brain of superstition—but they were there before. They are transcripts, types—the archetypes are in us, and eternal. How else should the recital of that which we know in a waking sense to be false come to affect us at all? Is it that we naturally conceive terror from such objects, considered in their capacity of being able to inflict upon us bodily injury? O, least of all! These terrors are of older standing. They date beyond body—or without the body, they would have been the same… That the kind of fear here treated is purely spiritual—that it is strong in proportion as it is objectless on earth, that it predominates in the period of our sinless infancy—are difficulties the solution of which might afford some probable insight into our ante-mundane condition, and a peep at least into the shadowland of pre-existence.

Given the complexity of the chore, “escapees,” as free-floating fecal material is known in astronautical circles, plagued the crews. Below is an excerpt from the Apollo 10 mission transcript, starring Mission Commander Thomas Stafford, Lunar Module Pilot Gene Cernan, and Command Module Pilot John Young, orbiting the moon 200,000-plus miles from the nearest bathroom. CERNAN:…You know once you get out of lunar orbit, you can do a lot of things. You can power down…And what’s happening is— STAFFORD: Oh—who did it? YOUNG: Who did what? CERNAN: What? STAFFORD: Who did it? [laughter] CERNAN: Where did that come from? STAFFORD: Give me a napkin quick. There’s a turd floating through the air. YOUNG: I didn’t do it. It ain’t one of mine. CERNAN: I don’t think it’s one of mine. STAFFORD: Mine was a little more sticky than that. Throw that away. YOUNG: God almighty. [And again eight minutes later, while discussing the timing of a waste-water dump.] YOUNG: Did they say we could do it anytime? CERNAN: They said on 135. They told us that—Here’s another goddam turd. What’s the matter with you guys? Here, give me a— YOUNG/STAFFORD: [laughter]… STAFFORD: It was just floating around? CERNAN: Yes. STAFFORD: [laughter] Mine was stickier than that. YOUNG: Mine was too. It hit that bag— CERNAN: [laughter] I don’t know whose that is. I can neither claim it nor disclaim it. [laughter] YOUNG: What the hell is going on here?

I'm not stupid, Mr. Potter. What's the real reason you didn't tell me, and what were you actually doing with Mr. Malfoy?" "Ah. Well..." Harry broke eye contact with her, and looked down at the library table. "Draco Malfoy told the Aurors under Veritaserum that he wanted to know if he could beat me, so he challenged me to a duel to test it empirically. Those were his exact words according to the transcript." "Right," Harry said, still not meeting her eyes. "Hermione Granger. Of course she'll remember the exact wording. It doesn't matter if she's chained to her chair, on trial for murder in front of the entire Wizengamot -" "What were you really doing with Draco Malfoy?" Harry winced, and said, "Probably not quite what you're thinking, but..." The horror scaled and scaled within her, and finally broke loose. "You were doing SCIENCE with him? " "Well -" "You were doing SCIENCE with him? You were supposed to be doing science with ME! 

She fingered the strand of pearls at her neck. Inside each pearl was a little piece of grit. That was the true self of the pearl wasn't it? The beauty of the pearl was just the poor oyster trying to protect itself. From the grit. From the truth.

Montreal Transcript, January 1848: From Grosse Île, the great charnel house of victimised humanity, up to Port Sarnia – along the borders of our magnificent river, upon the shores of Lakes Ontario and Erie, and wherever the tide of immigration has extended, are to be found the resting places of the sons and daughters of Erin – one unbroken chain of graves where repose fathers and mothers, sisters and brothers in one comingled heap, without a tear bedewing the soil or a stone to mark the spot.

THOMAS JEFFERSON LEFT POSTERITY an immense correspondence, and I am particularly indebted to The Papers of Thomas Jefferson, published by Princeton University Press and first edited by Julian P. Boyd. I am, moreover, grateful to the incumbent editors of the Papers, especially general editor Barbara B. Oberg, for sharing unpublished transcripts of letters gathered for future volumes. The goal of the Princeton edition was, and continues to be, “to present as accurate a text as possible and to preserve as many of Jefferson’s distinctive mannerisms of writing as can be done.” To provide clarity and readability for a modern audience, however, I have taken the liberty of regularizing much of the quoted language from Jefferson and from his contemporaries. I have, for instance, silently corrected Jefferson’s frequent use of “it’s” for “its” and “recieve” for “receive,” and have, in most cases, expanded contractions and abbreviations and followed generally accepted practices of capitalization.

..:The purpose of a flashlight is to brighten our path when finding ourselves walking in darkness. So is every book written. Specially the BIBLE. They were written and were left behind as a guide to a brighter and better future for us. But without activation, the flashlight will serve not its purpose. So is the case if we take not the time to dig into the manuals and transcripts. If we take not the time to dig in into the manual of our lives. It'll all be worthless and will leads us to a mediocre life full of darkness:..

King and Malcolm X were often portrayed as antagonists, in part because of Malcolm’s vitriol and because of comments attributed to King in a 1965 Playboy magazine interview conducted by Alex Haley. But the recent discovery of Haley’s unedited interview transcript shows that King was not as critical as Playboy made him sound. The magazine quoted King saying of Malcolm: “He is very articulate, as you say, but I totally disagree with many of his political and philosophical views … I have often wished that he would talk less of violence, because violence is not going to solve our problem. And in his litany of articulating the despair of the Negro without offering any positive, creative alternative, I feel that Malcolm has done himself and our people a great disservice. Fiery demagogic oratory in the black ghettoes, urging Negroes to arm themselves and prepare to engage in violence, as he has done, can reap nothing but grief.” Here’s what King actually said. PLAYBOY: Dr. King, what is your opinion of Negro extremists who advocate armed violence and sabotage?

We have looked at three things that will never appear on a transcript, and yet are vital to the classical tradition of education. First, the primary purpose of education is wisdom and virtue, and every part of the program should serve to teach learners how to think and act rightly. Second, humility is vital to the pursuit of virtue because it keeps us teachable. Third, our approach to knowledge should be relational, synthetic, so that we develop a foundational understanding of the unity of knowledge and our own place in the universe.

This is heaven.” And I wouldn’t hear him say another word for at least an hour. There was nothing I loved more in life than to sit at my table and pore over my transcriptions while he lay on his belly marking pages he’d pick up every morning from Signora Milani, his translator in B. “Listen to this,” he’d sometimes say, removing his headphones, breaking the oppressive silence of those long sweltering summer mornings. “Just listen to this drivel.” And he’d proceed to read aloud something he couldn’t believe he had written months earlier.

in addition to taking field notes, you should also consider making visual documentation by producing drawings or taking photographs and video recordings. This is also known as ‘visual ethnography’. But remember, images, videos, and even audio recordings and transcripts should not be used instead of detailed field notes; they should complement them. Without the context that is documented in your field notes, recordings on their own will be of little value to you, or to anyone else who will try to make sense of your study (Madden, 2010: 103–109).

Debra pointed her purses lips in Max’s direction. “Overnight guests are forbidden. No exceptions.” “Did you just have the audacity to judge me?” Gina blocked the nurse’s route to the door. “Without knowing the least little thing about me?” Debra lifted an eyebrow. “Well, I have seen your underwear, dear.” “Exactly,” Gina said. “You’ve seen my underwear—not my personality profile, or my resume, or my college transcript, or—” “If you think for one second,” the nurse countered, “that anything about this situation is even remotely unique—” “That’s enough,” Max said. Gina, of course, ignored him. “I don’t just think it, I know it,” she said. “It’s unique because I’m unique, because Max is unique, because—” Debra finally laughed. “Oh, honey, you are so . . . young. Here’s a tip I don’t usually bother to tell girls like you: If I find one pair of panties on the floor, it’s only a matter of time before I find another. And I hate to break it to you, hon, but the girl who comes out of the bathroom next time, well . . . She isn’t going to be you.” “First of all,” Gina said grimly, “I’m a woman, not a girl. And second, Grandma . . . You want to bet it’s not going to be me?” “I said, that’s enough,” Max repeated, and they both turned to look at him. About time. He was used to clearing his throat and having an entire room jump to full attention. “Ms. Forsythe, you took my blood pressure—you have the information you needed, good day to you, ma’am. Gina . . .” He wanted to tell her to untwist her panties and put them back on, but he didn’t dare. “Sit,” he ordered instead, motioning to the desk chair that could be pulled beside the bed. “Please,” he added when Nurse Evil smirked on her way out the door.

He was the perfect gentleman and, unlike the salesmen in the Fitzrovia hotel, there were no attempts at fumbling—in fact they often performed an awkward little dance around their small office to avoid touching at all, as if Juliet were a desk or a chair, not a girl in her prime. It seemed that she had acquired all the drawbacks of being a mistress and none of the advantages—like sex. (She was becoming bolder with the word, if not the act.) For Perry, it seemed to be the other way round—he had all the advantages of having a mistress and none of the drawbacks. Like sex.

Now I’m just driving past office parks and outlet malls, feeling excited and oddly patriotic. Lana Del Rey plays on the speakers and I see beauty everywhere. There’s that line in Grey Gardens when Little Edie is digging through a pile of what looks like garbage and mutters, This is all art. She says it quietly and it doesn’t appear on the transcript PDF of the film I’ve read over a hundred times on my laptop, but I’m positive she says it. And now I’m repeating This is all art to myself like a schizophrenic mantra while watching an American flag wave perkily above a P.F. Chang’s.

The brooding landscape they were currently traversing, the lowering sky above their heads and the rugged terrain beneath their feet, were all conspiring to make her feel like an unfortunate Brontë sister, traipsing endlessly across the moors after unobtainable fulfillment. Perry himself was not entirely without Heathcliffian qualities—the absence of levity, the ruthless disregard for a girl’s comfort, the way he had of scrutinizing you as if you were a puzzle to be solved. Would he solve her? Perhaps she wasn’t complicated enough for him. (On the other hand, perhaps she was too complicated.)

What is that 95 percent? Some is junk—remnants of pseudogenes inactivated by evolution.fn4,3 But buried in that are the keys to the kingdom, the instruction manual for when to transcribe particular genes, the on/off switches for gene transcription. A gene doesn’t “decide” when to be photocopied into RNA, to generate its protein. Instead, before the start of the stretch of DNA coding for that gene is a short stretch called a promoterfn5—the “on” switch. What turns the promoter switch on? Something called a transcription factor (TF) binds to the promoter. This causes the recruitment of enzymes that transcribe the gene into RNA. Meanwhile, other transcription factors deactivate genes.

I don’t believe a word of the whole thing,” said Heisenberg upon hearing the news. “I don’t believe it has anything to do with uranium.” Hahn jeered, “If the Americans have a uranium bomb then you’re all second raters. Poor old Heisenberg.” After they heard the BBC report the news in great detail later that night, Heisenberg and the others accepted the truth: they had been beaten. Over the next few days, Heisenberg attempted to work out how his project had fallen so far behind; his fumbling calculations show that he had never really understood how to even build a bomb in the first place, though he had certainly thought he’d understood it. And the bickering of the other scientists at Farm Hall confirmed what documents captured by Alsos had already suggested: the Nazi bomb program, unlike the Manhattan Project, was a disorganized mess, with vital information compartmentalized and no clear vision of how to proceed. Yet, in those same few days, the Farm Hall transcripts make it clear that Heisenberg and his student, Carl von Weizsäcker, purposefully constructed a revisionist narrative of their wartime activities. According to them, while the Americans had built a weapon of death and destruction on unprecedented scales, they, the Germans, had deliberately pursued only a nuclear reactor, being unwilling to build a massive new weapon for Hitler’s Reich—thereby placing the responsibility for their failure on their supposed moral clarity, rather than their sheer incompetence.

Gerard Manley Hopkins somewhere describes how he mesmerized a duck by drawing a line of chalk out in front of it. Think of me as the duck; the chalk, softly wearing itself away against the tiny pebbles embedded in the corporate concrete, is Joyce's forward-luring rough-smooth voice on the cassettes she gives me. Or, to substitute another image, since one is hardly sufficient in Joyce's case, when I let myself really enter her tape, when I let it surround me, it is as if I'm sunk into the pond of what she is saying, as if I'm some kind of patient, cruising amphibian, drifting in black water, entirely submerged except for my eyes, which blink every so often. Each word comes floating up to me like a thick, healthy lily pad and brushes past my head.

Here’s how I’ve always pictured mitigated free will: There’s the brain—neurons, synapses, neurotransmitters, receptors, brainspecific transcription factors, epigenetic effects, gene transpositions during neurogenesis. Aspects of brain function can be influenced by someone’s prenatal environment, genes, and hormones, whether their parents were authoritative or their culture egalitarian, whether they witnessed violence in childhood, when they had breakfast. It’s the whole shebang, all of this book. And then, separate from that, in a concrete bunker tucked away in the brain, sits a little man (or woman, or agendered individual), a homunculus at a control panel. The homunculus is made of a mixture of nanochips, old vacuum tubes, crinkly ancient parchment, stalactites of your mother’s admonishing voice, streaks of brimstone, rivets made out of gumption. In other words, not squishy biological brain yuck. And the homunculus sits there controlling behavior. There are some things outside its purview—seizures blow the homunculus’s fuses, requiring it to reboot the system and check for damaged files. Same with alcohol, Alzheimer’s disease, a severed spinal cord, hypoglycemic shock. There are domains where the homunculus and that brain biology stuff have worked out a détente—for example, biology is usually automatically regulating your respiration, unless you must take a deep breath before singing an aria, in which case the homunculus briefly overrides the automatic pilot. But other than that, the homunculus makes decisions. Sure, it takes careful note of all the inputs and information from the brain, checks your hormone levels, skims the neurobiology journals, takes it all under advisement, and then, after reflecting and deliberating, decides what you do. A homunculus in your brain, but not of it, operating independently of the material rules of the universe that constitute modern science. That’s what mitigated free will is about. I see incredibly smart people recoil from this and attempt to argue against the extremity of this picture rather than accept its basic validity: “You’re setting up a straw homunculus, suggesting that I think that other than the likes of seizures or brain injuries, we are making all our decisions freely. No, no, my free will is much softer and lurks around the edges of biology, like when I freely decide which socks to wear.” But the frequency or significance with which free will exerts itself doesn’t matter. Even if 99.99 percent of your actions are biologically determined (in the broadest sense of this book), and it is only once a decade that you claim to have chosen out of “free will” to floss your teeth from left to right instead of the reverse, you’ve tacitly invoked a homunculus operating outside the rules of science. This is how most people accommodate the supposed coexistence of free will and biological influences on behavior. For them, nearly all discussions come down to figuring what our putative homunculus should and shouldn’t be expected to be capable of.

IN THE LONG RUN, however, Strauss’ strategy backfired; the transcript revealed the inquisitorial character of the hearing, and the corruption of justice during the McCarthy period. Within four years, the transcript would destroy the reputation and government career of Lewis Strauss. Ironically, publicity surrounding the trial and its verdict enhanced Oppenheimer’s fame both in America and abroad. Where once he was known only as the “father of the atomic bomb,” now he had become something even more alluring—a scientist martyred, like Galileo. Outraged and shocked by the decision, 282 Los Alamos scientists signed a letter to Strauss defending Oppenheimer. Around the country, more than 1,100 scientists and academics signed another petition protesting the decision.

You have War of the Worlds?" I asked the knu. It returned twenty different films, sixteen editions of a text, but no radio play. Radio drama. That's the word Tanaka had used. One text said it was history, and included a transcript. "Read it to me," I said, and the knu picked up the soothing default voice I had programmed into my heads-up, and told me a story about how little towns went crazy thinking the Martians were invading, back during the days of peak capitalism. What makes people believe this shit? I thought as I lay there listening. But it was easy, wasn't it, when people were isolated. When information was scarce or siloed. People would believe whatever you put in front of them, if it fit their understanding of the world. Bad Martians. Logical, well-meaning corporations.

Why aren't you in school? I see you every day wandering around." "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?

I was not in any slave ship. Or perhaps I was, because so much of what I'd felt in Baltimore, the sharp hatred, the immortal wish, and the timeless will, I saw in Hayden's work. And that was what I heard in Malcolm, but never like this - quiet, pure, and unadorned. I was learning the craft of poetry, which really was an intensive version of what my mother had taught me all those years ago - the craft of writing as the art of thinking. Poetry aims for an economy of truth - loose and useless words must be discarded, and I found that these loose and useless words were not separate from loose and useless thoughts. Poetry was not simply the transcription of notions - beautiful writing rarely is, as my mother had taught me, a confrontation with my own innocence, my own rationalizations. Poetry was the processing of my thoughts until the slag of justification fell away and I was left with the cold steel truths of life.

Fourth, within the session, the learning should be spaced out. It is well known that massed training is much less effective than spaced training in creating enduring memories,74 including implicit memories of extinction.75 The explanation at the molecular level involves CREB, the transcription factor that initiates gene expression and protein synthesis in the conversion of short-term to long-term memory.76 Massed training depletes CREB, and once used up about sixty minutes of recovery is needed to replenish the supply, so additional training within that period only interferes with the resupply process.77 It has been shown that CREB-dependent protein synthesis in the PFCVM78 and amygdala79 is required for the long-term retention of extinction. So if one is going to do twenty-five exposures, they should be done in blocks of five, with breaks between, rather than all twenty-five at once. Temporal spacing, in short, could make the effects of extinction and exposure more persistent.

No subject was more perfectly suited to the loosened formal framework and swift juxtaposition of disparate elements that marked his ‘totally chromatic’ style; and it is generally agreed that in this Representation of (mental) Chaos that style found its most impressive outlet. But a representation is not a transcription. The music itself is not chaotic. There is a willed unity of atmosphere, created through a myriad intensely visualized details, which could only be achieved under iron control. Paradoxically, this is probably the direct result of the spontaneity and intensity with which Schoenberg must have been composing in order to have created the work in such a short space of time. The monodrama possesses no clearly defined structure, ranging so freely and juxtaposing lyricism, violence, and Angstridden terror in such uncompromising combination that it attains an effect of continuous high-pressure improvisation; yet it combines this with a powerful sense of continuity and tragic inevitability. That

Interviewer: Have you ever felt as if there was a struggle going on inside of you as to who you really are? Patient: Yes, for years, and I still can't find out who the fuck am I, man. Excuse my language, doctor. I don't know who the fuck l am. Interviewer: What do you mean by that? Patient: Who is [A.B.]? Who the fuck am I? I don't know. I don't know who I am. I really don't know who I am. I look at the rest of my family and I say, "I ain't part of this family, man, this can't be. They're all different than me. They also look alike, but they look different to me." (SCID-D interview, unpublished transcript) As the preceding example indicates, the theme of puzzlement is characteristic of patients at all levels of educational achievement and verbal ability. The clinician should be alert to the presence of this theme in the self-descriptions of all patients endorsing dissociative symptoms, not just in those of patients who completed a college degree or who are accustomed to introspection and self-analysis.

Lazlo Bock, senior vice president of people operations at Google, made the following comments in an interview published by the New York Times in June 2013: “One of the things we’ve seen from all our data crunching is that G.P.A.’s (grade point averages) are worthless as a criteria for hiring, and test scores are worthless. Google famously used to ask everyone for a transcript and G.P.A.’s and test scores, but we don’t anymore…. We found that they don’t predict anything. What’s interesting is the proportion of people without any college education at Google has increased over time as well. So we have teams where you have 14 percent of the team made up of people who’ve never gone to college.” Doing well in college—earning high test scores and grades—has no measurable correlation with becoming an effective worker or manager.  This is incontrovertible evidence that the entire Higher Education system is detached from the real economy: excelling in higher education has little discernible correlation to real-world skills or performance.

[Phone interview transcript between author Roorda & Vershawn A. Young, author of Your Average Nigga: Performing Race, Literacy, and Masculinity, a book based on his Ph.D dissertation] Now the subtitle, Performing Race, Literacy, and Masculinity, what does that cover? It covers the range of enactments in speech, in dress, in the way we behave, the way that we interact with other people. Basically, it is the range of enactments that black people have to go through to be successful in America. I call it the burden of racial performance that black people are required, not only by whites but by other blacks as well, to prove through their behaviors, their speech, and their actions the kind of black person that they are. Really, there are only two kinds you can be. In the words of comedian Chris Rock, you can either be a black person, which is a respectable, bourgeois, middle-class black person, or you can be a nigger. As Chris Rock says in his show, "I love black people, but I hate niggers." So . . . when a black person walks into a room, always in the other person's mind is the question "What kind of black person is this in front of me?" They are looking for clues in your speech, in your demeanor, in your behavior, and in everything that you do -- it is like they are hyperattentive to your ways of being in order to say, "Okay, this is a real black person. I can trust them. I'll let them work here. Or, nope: this is a nigger, look at the spelling of their name: Shaniqua or Daquandre." We get discriminated against based on our actions. So that is what the subtitle was trying to suggest in performing race. And in performing literacy, just what is the prescribed means for increasing our class status? A mind-set: "Okay, black people, you guys have no excuse. You can go to school and get an education like everybody else." I wanted to pay attention to the ways in which school perpetuated a structural racism through literacy, the way in which it sort of stigmatizes and oppresses blackness in a space where it claims it is opening up opportunities for black people.

Gorgons, and Hydras, and Chimaeras—dire stories of Celaeno and the Harpies—may reproduce themselves in the brain of superstition—but they were there before. They are transcripts, types—the archetypes are in us, and eternal. How else should the recital of that which we know in a waking sense to be false come to affect us at all? Is it that we naturally conceive terror from such objects, considered in their capacity of being able to inflict upon us bodily injury? O, least of all! These terrors are of older standing. They date beyond body—or without the body, they would have been the same… That the kind of fear here treated is purely spiritual—that it is strong in proportion as it is objectless on earth, that it predominates in the period of our sinless infancy—are difficulties the solution of which might afford some probable insight into our ante-mundane condition, and a peep at least into the shadowland of pre-existence.” —Charles Lamb: “Witches and Other Night-Fears” * * * * * Written: August 1928 First Published in Weird Tales, Vol. 13, No. 4 (April 1929), Pages 481-508

Maybe it was because of his ignorance of music that he had been capable of receiving so confused an impression, the kind of impression that is, however, perhaps the only one which is purely musical, immaterial, entirely original, irreducible to any other order of impression. An impression of this kind is, for an instant, so to speak, sine materia. No doubt the notes we hear then tend already, depending on their loudness and their quantity, to spread out before our eyes over surfaces of varying dimensions, to trace arabesques, to give us sensations of breadth, tenuousness, stability, whimsy. But the notes vanish before these sensations are sufficiently formed in us not to be submerged by those already excited by the succeeding or even simultaneous notes. And this impression would continue to envelop with its liquidity and its “mellowness” the motifs that at times emerge from it, barely discernible, immediately to dive under and disappear, known only by the particular pleasure they give, impossible to describe, to recall, to name, ineffable—if memory, like a laborer working to put down lasting foundations in the midst of the waves, by fabricating for us facsimiles of these fleeting phrases, did not allow us to compare them to those that follow them and to differentiate them. And so, scarcely had the delicious sensation which Swann had felt died away than his memory at once furnished him with a transcription that was summary and temporary but at which he could glance while the piece continued, so that already, when the same impression suddenly returned, it was no longer impossible to grasp. He could picture to himself its extent, its symmetrical groupings, its notation, its expressive value; he had before him this thing which is no longer pure music, which is drawing, architecture, thought, and which allows us to recall the music. This time he had clearly distinguished one phrase rising for a few moments above the waves of sound. It had immediately proposed to him particular sensual pleasures which he had never imagined before hearing it, which he felt could be introduced to him by nothing else, and he had experienced for it something like an unfamiliar love.

It was the magnesium. The addition of the ion was critical: with the solution supplemented with magnesium, the ribosome remained glued together, and Brenner and Jacob finally purified a miniscule amount of the messenger molecule out of bacterial cells. It was RNA, as expected-but RNA of a special kind. The messenger was generated afreah when a gene was translated. Like DNA, these RNA molecules were built by stringing together four bases-A,G,C, and U (in the RNA copy of a gene, remember, the T found in DNA is substituted for U). Notably, Brenner and Jacob later discovered the messenger RNA was a facsimile of the DNA chain-a copy made from the original. The RNA copy of a gene then moved from the nucleus to the cytosol, where its message was decoded to build a protein. The messenger RNA was neither an inhabitant of heaven nor of hell-but a professional go-between. The generation of an RNA copy of a gene was termed transcription-referring to the rewriting of a word or sentence in a language close to the original. A gene's code (ATGGGCC...) was transcribed into an RNA code (AUGGGCC...).

As the first clod of earth hit her mother’s coffin, Juliet could barely catch a breath. Her mother would suffocate beneath all that earth, she thought, but Juliet was suffocating too. An image came to her mind—the martyrs who were pressed to death by stones piled on top of them. That is me, she thought, I am crushed by loss. “Don’t seek out elaborate metaphors,” her English teacher had said of her school essays, but her mother’s death had revealed that there was no metaphor too ostentatious for grief. It was a terrible thing and demanded embellishment.

I intend to see that justice is done by presiding, in the manner of the omnipotent Walter Mitty, as chief justice of a tribunal trying the case of those plotting further advances for the Chinese characters on an international scale. Emulating the operatic Mikado's "object all sublime... to let the punishment fit the crime," I hand down the following dread decree: Anyone who believes Chinese characters to be a superior system of writing that can function as a universal script is condemned to complete the task of rendering the whole of Lincoln's Gettysburg Address into Singlish.

I Never Knew What They Meant by Flyover Country until the first time someone put me on a plane, windowed me into the congregation looking down on our fields stretched out endless in orderly blanks, redactions in the transcripts of the trial of man versus nature. All this holy squinting at scrimshaw country roads draped with power lines - trip wires lying in wait for the giants we just sort of mice around. I watched the others look down on our Fridays racing Opal Road to hit the tiny hill that drops stomachs like a roller coaster, headlights off for cops. Eighty; Ninety. Ninety-five in a fifty-five, how Kyle's brother talked about defusing IEDs on tour - snip whichever wire you want, you'll only find out if you're a hero. We learned a word for this, its reckless in court, predestination in church. Funny how a thing gets a different name there. Robe becomes vestment. Bench becomes pew. Truth grows a capital letter. Anything to help believe, Mom says, though when it comes to theology we are Presbyterian in casseroles only. This is the word of God, says the pastor into the microphone. See you at the picnic after. See you at the finish, says Kyle's Honda Civic. See you never says his brother's IED.

Once inside his office, Cade took a seat at his desk and resolved, as he had many times over the last two weeks, to focus on work. He managed to do a decent job of that, putting himself on autopilot until the end of the day, when a knock on his office door interrupted him. Vaughn stood in the doorway. “Thought I’d see if you want to grab a drink at O’Malley’s.” Cade rubbed his face, realizing that he’d been reading audio transcripts for hours. “Sure.” He blinked, and then cocked his head. “I didn’t realize you had any meetings here today.” “I didn’t.” Huh. “Then why are you here?” Vaughn shrugged. “I just figured you might, you know, need a drink.” Cade frowned. “Why would you th—” Then it dawned on him. “Oh, no. You and I are not doing this. We are not having this conversation.” The idea of him and Vaughn having some sort of best friend heart-to-heart about his relationship troubles was laughable at best. “You’ve been brooding for two weeks, Morgan. So yes, we are having this conversation.” “I appreciate it, Vaughn. Really. But no offense—you suck at this stuff as much as I do.” Vaughn tucked his hands into his pants pockets, not looking offended in the slightest. “Yep. And that’s why God made whiskey.

Speaking generally, there are two kinds of descriptive music. The first comes under the heading of literal description. A composer wishes to recreate the sound of bells in the night. He therefore writes certain chords, for orchestra or piano or whatever medium he is using, which actually sound like bells in the night. Something real is being imitated realistically. A famous example of that kind of description in music is the passage in one of Strauss’s tone poems where he imitates the bleating of sheep. The music has no other raison d’être than mere imitation at that point. The other type of descriptive music is less literal and more poetic. No attempt is made to describe a particular scene or event; nevertheless some outward circumstance arouses certain emotions in the composer which he wishes to communicate to the listener. It may be clouds or the sea or a country fair or an airplane. But the point is that instead of literal imitation, one gets a musicopoetic transcription of the phenomenon as reflected in the composer’s mind. That constitutes a higher form of program music. The bleating of sheep will always sound like the bleating of sheep, but a cloud portrayed in music allows the imagination more freedom. One principle must be kept firmly

Huh. Well you and I just disagree. Maybe the world just feels differently to us. This is all going back to something that isn't really clear: that avant-garde stuff is hard to read. I'm not defending it, I'm saying that stuff - this is gonna get very abstract - but there's a certain set of magical stuff that fiction can do for us. There's maybe thirteen things, of which who even knows which ones we can talk about. But one of them has to do with the sense of, the sense of capturing, capturing what the world feels like to us, in the sort of way that I think that a reader can tell "Another sensibility like mine exists." Something else feels this way to someone else. So that the reader feels less lonely.

...[T]hough the whole point of his "Current Shorthand" is that it can express every sound in the language perfectly, vowels as well as consonants, and that your hand has to make no stroke except the easy and current ones with which you write m, n, and u, l, p, and q, scribbling them at whatever angle comes easiest to you, his unfortunate determination to make this remarkable and quite legible script serve also as a Shorthand reduced it in his own practice to the most inscrutable of cryptograms. His true objective was the provision of a full, accurate, legible script for our noble but ill-dressed language; but he was led past that by his contempt for the popular Pitman system of Shorthand, which he called the Pitfall system. The triumph of Pitman was a triumph of business organization: there was a weekly paper to persuade you to learn Pitman: there were cheap textbooks and exercise books and transcripts of speeches for you to copy, and schools where experienced teachers coached you up to the necessary proficiency. Sweet could not organize his market in that fashion. He might as well have been the Sybil who tore up the leaves of prophecy that nobody would attend to. The four and six-penny manual, mostly in his lithographed handwriting, that was never vulgarly advertized, may perhaps some day be taken up by a syndicate and pushed upon the public as The Times pushed the Encyclopaedia Britannica; but until then it will certainly not prevail against Pitman.

Strauss finally had Oppenheimer exactly where he wanted him. Yet Oppie seems to have reacted calmly to the news, politely asking all the right questions, trying to explore his options. Thirty-five minutes after entering Strauss’ office, Oppenheimer rose to leave, telling Strauss that he was going to consult with Herb Marks. Strauss offered him the use of his chauffeur-driven Cadillac and Oppenheimer—distraught (outward appearances to the contrary)—foolishly accepted. But instead of going to Marks’ office, he directed the driver to the law offices of Joe Volpe, the former counsel to the AEC who together with Marks had given him legal advice during the Weinberg trial. Soon afterwards, Marks joined them and the three men spent an hour weighing Robert’s options. A hidden microphone recorded their deliberations. Anticipating that Oppenheimer would consult with Volpe, and unconcerned about violating the legal sanctity of client-lawyer privilege, Strauss had arranged in advance for Volpe’s office to be bugged.20 The hidden microphones in Volpe’s office allowed Strauss, through the transcripts provided to him, to monitor the discussion as to whether Oppenheimer ought to terminate his consulting contract or fight the charges in a formal hearing. Oppie was clearly undecided and anguished. Late that afternoon, Anne Wilson Marks came by and drove her husband and Robert back to their Georgetown home. On the way, Oppenheimer said, “I can’t believe what is happening to me.” That evening, Robert took the train back to Princeton to consult with Kitty.

Then the pulse. Then a pause. Then twilight in a box. Dusk underfoot. Then generations. — Then the same war by a different name. Wine splashing in the bucket. The erection, the era. Then exit Reason. Then sadness without reason. Then the removal of the ceiling by hand. — Then pages & pages of numbers. Then the page with the faint green stain. Then the page on which Prince Theodore, gravely wounded, is thrown onto a wagon. Then the page on which Masha weds somebody else. Then the page that turns to the story of somebody else. Then the page scribbled in dactyls. Then the page which begins Exit Angel. Then the page wrapped around a dead fish. Then the page where the serfs reach the ocean. Then a nap. Then the peg. Then the page with the curious helmet. Then the page on which millet is ground. Then the death of Ursula. Then the stone page they raised over her head. Then the page made of grass which goes on. — Exit Beauty. — Then the page someone folded to mark her place. Then the page on which nothing happens. The page after this page. Then the transcript. Knocking within. Interpretation, then harvest. — Exit Want. Then a love story. Then a trip to the ruins. Then & only then the violet agenda. Then hope without reason. Then the construction of an underground passage between us. Srikanth Reddy, "Burial Practice" from Facts for Visitors. Copyright © 2004 by the Regents of the University of California. Reprinted by permission of The University of California Press. Source: Facts for Visitors (University of California Press, 2004)

In 2014, the American media exploded with news of ISIS beheadings in Syria—six thousand miles away from the United States. Meanwhile, the beheading capital of the world is just to our south, a stone’s throw from American homes, businesses, and ranches. When the Islamic State of Iraq and Syria first began posting videotaped beheadings online, it was as if no one had ever heard of such barbarity. In fact, decapitation porn was an innovation of the Mexican drug cartels.45 One “ISIS” video circulating in 2014 showed a man being beheaded with a chain saw. Then it turned out the video wasn’t an ISIS beheading, at all: It was a Mexican video from 2010.46 After American David Hartley was shot and killed by Mexican drug cartel members while jet skiing with his wife at a lake on the Mexican border, the lead investigator on the case was murdered and his head delivered in a suitcase to a nearby military installation.47 In 2013, there was a huge outcry over Facebook’s video-sharing policy when an extremely graphic video of a man beheading a woman appeared on the site. That, too, was a product of Mexico.48 Where is the 24-7 coverage for these champion beheaders? If it seems like you never hear about all the dismemberments in Mexico, you’d be right. In a search of all transcripts in the Nexis archive in the first eight months of ISIS’s existence as a jihadist group, “beheading” was used in the same sentence as “ISIS” or “ISIL” 1,629 times. During that same time period, it was used in the same sentence as “Mexico” or “Mexican” twice. Indeed, in the previous five years Mexican beheadings were mentioned only sixty-six times.49 If a tree falls and beheads a woman in Mexico, does anyone hear it?

The chorus of criticism culminated in a May 27 White House press conference that had me fielding tough questions on the oil spill for about an hour. I methodically listed everything we'd done since the Deepwater had exploded, and I described the technical intricacies of the various strategies being employed to cap the well. I acknowledged problems with MMS, as well as my own excessive confidence in the ability of companies like BP to safeguard against risk. I announced the formation of a national commission to review the disaster and figure out how such accidents could be prevented in the future, and I reemphasized the need for a long-term response that would make America less reliant on dirty fossil fuels. Reading the transcript now, a decade later, I'm struck by how calm and cogent I sound. Maybe I'm surprised because the transcript doesn't register what I remember feeling at the time or come close to capturing what I really wanted to say before the assembled White House press corps: That MMS wasn't fully equipped to do its job, in large part because for the past thirty years a big chunk of American voters had bought into the Republican idea that government was the problem and that business always knew better, and had elected leaders who made it their mission to gut environmental regulations, starve agency budgets, denigrate civil servants, and allow industrial polluters do whatever the hell they wanted to do. That the government didn't have better technology than BP did to quickly plug the hole because it would be expensive to have such technology on hand, and we Americans didn't like paying higher taxes - especially when it was to prepare for problems that hadn't happened yet. That it was hard to take seriously any criticism from a character like Bobby Jindal, who'd done Big Oil's bidding throughout his career and would go on to support an oil industry lawsuit trying to get a federal court to lift our temporary drilling moratorium; and that if he and other Gulf-elected officials were truly concerned about the well-being of their constituents, they'd be urging their party to stop denying the effects of climate change, since it was precisely the people of the Gulf who were the most likely to lose homes or jobs as a result of rising global temperatures. And that the only way to truly guarantee that we didn't have another catastrophic oil spill in the future was to stop drilling entirely; but that wasn't going to happen because at the end of the day we Americans loved our cheap gas and big cars more than we cared about the environment, except when a complete disaster was staring us in the face; and in the absence of such a disaster, the media rarely covered efforts to shift America off fossil fuels or pass climate legislation, since actually educating the public on long-term energy policy would be boring and bad for ratings; and the one thing I could be certain of was that for all the outrage being expressed at the moment about wetlands and sea turtles and pelicans, what the majority of us were really interested in was having the problem go away, for me to clean up yet one more mess decades in the making with some quick and easy fix, so that we could all go back to our carbon-spewing, energy-wasting ways without having to feel guilty about it. I didn't say any of that. Instead I somberly took responsibility and said it was my job to "get this fixed." Afterward, I scolded my press team, suggesting that if they'd done better work telling the story of everything we were doing to clean up the spill, I wouldn't have had to tap-dance for an hour while getting the crap kicked out of me. My press folks looked wounded. Sitting alone in the Treaty Room later that night, I felt bad about what I had said, knowing I'd misdirected my anger and frustration. It was those damned plumes of oil that I really wanted to curse out.

5150" The love line is never straight and narrow Unless your love is tried and true We take our chance with new beginnings Still we try, win or lose Take the highs with the blues Always one more, you're never satisfied Instead of 'one for all' with you, it's only 'one for me' Oh, when I draw the line and meet you half the way And you don't know what that means I feel like a running politician Just trying to please you all the time I'm giving you my share with no condition Going wide, running long Feeling lost but not for long Always one more, you're never satisfied Instead of 'one for all' with you, it's only 'one for me' So I draw the line and meet you half the way When you don't know what that means Always one more, you're never satisfied Instead of 'one for all' with you, it's only 'one for me' So I draw the line and meet you half the way When you don't know what that means I'll meet you half the way! I'll meet you half the way Van Halen, 5150 (1986)

Reading the transcript now, a decade later, I’m struck by how calm and cogent I sound. Maybe I’m surprised because the transcript doesn’t register what I remember feeling at the time or come close to capturing what I really wanted to say before the assembled White House press corps: That MMS wasn’t fully equipped to do its job, in large part because for the past thirty years a big chunk of American voters had bought into the Republican idea that government was the problem and that business always knew better, and had elected leaders who made it their mission to gut environmental regulations, starve agency budgets, denigrate civil servants, and allow industrial polluters do whatever the hell they wanted to do. That the government didn’t have better technology than BP did to quickly plug the hole because it would be expensive to have such technology on hand, and we Americans didn’t like paying higher taxes—especially when it was to prepare for problems that hadn’t happened yet. That it was hard to take seriously any criticism from a character like Bobby Jindal, who’d done Big Oil’s bidding throughout his career and would go on to support an oil industry lawsuit trying to get a federal court to lift our temporary drilling moratorium; and that if he and other Gulf-elected officials were truly concerned about the well-being of their constituents, they’d be urging their party to stop denying the effects of climate change, since it was precisely the people of the Gulf who were the most likely to lose homes or jobs as a result of rising global temperatures. And that the only way to truly guarantee that we didn’t have another catastrophic oil spill in the future was to stop drilling entirely; but that wasn’t going to happen because at the end of the day we Americans loved our cheap gas and big cars more than we cared about the environment, except when a complete disaster was staring us in the face; and in the absence of such a disaster,

It was through this imposed accumulation of chaos that she struggled to move now: beyond it lay simplicity, unmeasurable, residence of perfection, where nothing was created, where originality did not exist: because it was origin; where once she was there work and thought in causal and stumbling sequence did not exist, but only transcription: where the poem she knew but could not write existed, ready-formed, awaiting recovery in that moment when the writing down of it was impossible: because she was the poem. Her hand tipped toward the paper, black stroke the pen made there, but only that stroke, line of uncertainty. She called her memory, screamed for it, trying to scream through it and beyond it, damned accumulation that bound her in time: my memory, my bed, my stomach, my terror, my hope, my poem, my God: the meanness of my. Must the flames of hell be ninety-story blazes? or simply these small sharp tongues of fire that nibble and fall to, savouring the edges and then consume, swept by the wind of terror at exposing one's self, losing the aggregate of meannesses which compose identity, in flames never reaching full roaring crescendo but scorch through a life like fire in grass, in the world of time the clock tells. Every tick, synchronised, tears off a fragment of the lives run by them, the circling hands reflected in those eyes watching their repetition in an anxiety which draws the whole face toward pupiled voids and finally, leaves lines there, uncertain strokes woven into the flesh, the fabric of anxiety, double-webbed round dark-centered jellies which reflect nothing. Only that fabric remains, pleached in the pattern of the bondage which has a beginning and an end, with scientific meanness in attention to details, of a thousand things which should not have happened, and did; of myriad mean events which should have happened, and did not: waited for, denied, until life is lived in fragments, unrelated until death, and the wrist watch stops.

It was through this imposed accumulation of chaos that she struggled to move now: beyond it lay simplicity, unmeasurable, residence of perfection, where nothing was created, where originality did not exist: because it was origin; where once she was there work and thought in causal and stumbling sequence did not exist, but only transcription: where the poem she knew but could not write existed, ready-formed, awaiting recovery in that moment when the writing down of it was impossible: because she was the poem. Her hand tipped toward the paper, black stroke the pen made there, but only that stroke, line of uncertainty. She called her memory, screamed for it, trying to scream through it and beyond it, damned accumulation that bound her in time: my memory, my bed, my stomach, my terror, my hope, my poem, my God: the meanness of my. Must the flames of hell be ninety-story blazes? or simply these small sharp tongues of fire that nibble and fall to, savouring the edges and then consume, swept by the wind of terror at exposing one's self, losing the aggregate of meannesses which compose identity, in flames never reaching full roaring crescendo but scorch through a life like fire in grass, in the world of time the clock tells. Every tick, synchronised, tears off a fragment of the lives run by them, the circling hands reflected in those eyes watching their repetition in an anxiety which draws the whole face toward pupiled voids and finally, leaves lines there, uncertain strokes woven into the flesh, the fabric of anxiety, double-webbed round dark-centered jellies which reflect nothing. Only that fabric remains, pleached in the pattern of the bondage which has a beginning and an end, with scientific meanness in attention to details, of a thousand things which should not have happened, and did; of myriad mean events which should have happened, and did not: waited for, denied, until life is lived in fragments, unrelated until death, and the wrist watch stops.

But nothing in my previous work had prepared me for the experience of reinvestigating Cleveland. It is worth — given the passage of time — recalling the basic architecture of the Crisis: 121 children from many different and largely unrelated families had been taken into the care of Cleveland County Council in the three short months of the summer of 1987. (p18) The key to resolving the puzzle of Cleveland was the children. What had actually happened to them? Had they been abused - or had the paediatricians and social workers (as public opinion held) been over-zealous and plain wrong? Curiously — particularly given its high profile, year-long sittings and £5 million cost — this was the one central issue never addressed by the Butler-Sloss judicial testimony and sifting of internal evidence, the inquiry's remit did not require it to answer the main question. Ten years after the crisis, my colleagues and I set about reconstructing the records of the 121 children at its heart to determine exactly what had happened to them... (p19) Eventually, though, we did assemble the data given to the Butler-Sloss Inquiry. This divided into two categories: the confidential material, presented in camera, and the transcripts of public sessions of the hearings. Putting the two together we assembled our own database on the children each identified only by the code-letters assigned to them by Butler-Sloss. When it was finished, this database told a startlingly different story from the public myth. In every case there was some prima fade evidence to suggest the possibility of abuse. Far from the media fiction of parents taking their children to Middlesbrough General Hospital for a tummy ache or a sore thumb and suddenly being presented with a diagnosis of child sexual abuse, the true story was of families known to social services for months or years, histories of physical and sexual abuse of siblings and of prior discussions with parents about these concerns. In several of the cases the children themselves had made detailed disclosures of abuse; many of the pre-verbal children displayed severe emotional or behavioural symptoms consistent with sexual abuse. There were even some families in which a convicted sex offender had moved in with mother and children. (p20)

There are 1.2 billion Muslims in the world today. Of course not all of them are radicals. The majority of them are peaceful people. The radicals are estimated to be between 15-25%, according to all intelligence services around the world. That leaves 75% of them - peaceful people. But when you look at 15-25% of the world Muslim population, you're looking at 180 million to 300 million people dedicated to the destruction of Western civilization. That is as big as the United States. So why should we worry about the radical 15-25%? Because it is the radicals that kill. Because it is the radicals that behead and massacre. When you look throughout history, when you look at all the lessons of history, most Germans were peaceful. Yet the Nazis drove the agenda. And as a result, 60 million people died, almost 14 million in concentration camps. 6 million were Jews. The peaceful majority were irrelevant. When you look at Russia, most Russians were peaceful as well. Yet the Russians were able to kill 20 million people. The peaceful majority were irrelevant. When you look at China for example, most Chinese were peaceful as well. Yet the Chinese were able to kill 70 million people. The peaceful majority were irrelevant. When you look at Japan prior to World War II, most Japanese were peaceful as well. Yet, Japan was able to butcher its way across Southeast Asia, killing 12 million people, mostly killed by bayonets and shovels. The peaceful majority were irrelevant. On September 11th in the United States we had 2.3 million Arab Muslims living in the United States. It took 19 hijackers - 19 radicals - to bring America down to its knees, destroy the World Trade Center, attack the Pentagon and kill almost 3000 Americans that day. The peaceful majority were irrelevant. So for all our power of reason, and for all us talking about moderate and peaceful Muslims, I'm glad you're here. But where are the others speaking out? And since you are the only Muslim representative in here, you took the limelight instead of speaking about why our government - I assume you're an American (the Muslim says yes) - As an American citizen, you sat in this room, and instead of standing up and saying a question, or asking something about our four Americans that died and what our government is doing to correct the problem, you stood there to make a point about peaceful, moderate Muslims. I wish you had brought ten with you to question about how we could hold our government responsible. It is time we take political correctness and throw it in the garbage where it belongs.” - Brigette Gabriel (transcript from Benghazi Accountability Coalition - Heritage Foundation)                              

A word of explanation about how the information in this book was obtained, evaluated and used. This book is designed to present, as best my reporting could determine, what really happened. The core of this book comes from the written record—National Security Council meeting notes, personal notes, memos, chronologies, letters, PowerPoint slides, e-mails, reports, government cables, calendars, transcripts, diaries and maps. Information in the book was supplied by more than 100 people involved in the Afghanistan War and national security during the first 18 months of President Barack Obama’s administration. Interviews were conducted on “background,” meaning the information could be used but the sources would not be identified by name. Many sources were interviewed five or more times. Most allowed me to record the interviews, which were then transcribed. For several sources, the combined interview transcripts run more than 300 pages. I have attempted to preserve the language of the main characters and sources as much as possible, using their words even when they are not directly quoted, reflecting the flavor of their speech and attitudes. Many key White House aides were interviewed in-depth. They shared meeting notes, important documents, recollections of what happened before, during and after meetings, and assisted extensively with their interpretations. Senior and well-placed military, intelligence and diplomatic officials also provided detailed recollections, read from notes or assisted with documents. Since the reporting was done over 18 months, many interviews were conducted within days or even hours after critical discussions. This often provided a fresher and less-calculated account. Dialogue comes mostly from the written record, but also from participants, usually more than one. Any attribution of thoughts, conclusions or feelings to a person was obtained directly from that person, from notes or from a colleague whom the person told. Occasionally, a source said mid-conversation that something was “off-the-record,” meaning it could not be used unless the information was obtained elsewhere. In many cases, I was able to get the information elsewhere so that it could be included in this book. Some people think they can lock up and prevent publication of information by declaring it “off-the-record” or that they don’t want to see it in the book. But inside any White House, nearly everyone’s business and attitudes become known to others. And in the course of multiple, extensive interviews with firsthand sources about key decision points in the war, the role of the players became clear. Given the diversity of sources, stakes and the lives involved, there is no way I could write a sterilized or laundered version of this story. I interviewed President Obama on-the-record in the Oval Office for one hour and 15 minutes on Saturday, July 10, 2

During the chaos of the Hundred Years’ War, when northern France was decimated by English troops and the French monarchy was in retreat, a young girl from Orléans claimed to have divine instructions to lead the French army to victory. With nothing to lose, Charles VII allowed her to command some of his troops. To everyone’s shock and wonder, she scored a series of triumphs over the English. News rapidly spread about this remarkable young girl. With each victory, her reputation began to grow, until she became a folk heroine, rallying the French around her. French troops, once on the verge of total collapse, scored decisive victories that paved the way for the coronation of the new king. However, she was betrayed and captured by the English. They realized what a threat she posed to them, since she was a potent symbol for the French and claimed guidance directly from God Himself, so they subjected her to a show trial. After an elaborate interrogation, she was found guilty of heresy and burned at the stake at the age of nineteen in 1431. In the centuries that followed, hundreds of attempts have been made to understand this remarkable teenager. Was she a prophet, a saint, or a madwoman? More recently, scientists have tried to use modern psychiatry and neuroscience to explain the lives of historical figures such as Joan of Arc. Few question her sincerity about claims of divine inspiration. But many scientists have written that she might have suffered from schizophrenia, since she heard voices. Others have disputed this fact, since the surviving records of her trial reveal a person of rational thought and speech. The English laid several theological traps for her. They asked, for example, if she was in God’s grace. If she answered yes, then she would be a heretic, since no one can know for certain if they are in God’s grace. If she said no, then she was confessing her guilt, and that she was a fraud. Either way, she would lose. In a response that stunned the audience, she answered, “If I am not, may God put me there; and if I am, may God so keep me.” The court notary, in the records, wrote, “Those who were interrogating her were stupefied.” In fact, the transcripts of her interrogation are so remarkable that George Bernard Shaw put literal translations of the court record in his play Saint Joan. More recently, another theory has emerged about this exceptional woman: perhaps she actually suffered from temporal lobe epilepsy. People who have this condition sometimes experience seizures, but some of them also experience a curious side effect that may shed some light on the structure of human beliefs. These patients suffer from “hyperreligiosity,” and can’t help thinking that there is a spirit or presence behind everything. Random events are never random, but have some deep religious significance. Some psychologists have speculated that a number of history’s prophets suffered from these temporal lobe epileptic lesions, since they were convinced they talked to God.

Quant à l’oeuvre, les problèmes qu’elle soulève sont plus difficiles encore. En apparence pourtant, quoi de plus simple ? Une somme de textes qui peuvent être dénotés par le signe d’un nom propre. Or cette dénotation (même si on laisse de côté les problèmes de l’attribution) n’est pas une fonction homogène : le nom d’un auteur dénote-t-il de la même façon un texte qu’il a lui-même publié sous son nom, un texte qu’il a présenté sous un pseudonyme, un autre qu’on aura retrouvé après sa mort à l’état d’ébauche, un autre encore qui n’est qu’un griffonnage, un carnet de notes, un « papier » ? La constitution d’une oeuvre complète ou d’un opus suppose un certain nombre de choix qu’il n’est pas facile de justifier ni même de formuler : suffit-il d’ajouter aux textes publiés par l’auteur ceux qu’il projetait de donner à l’impression, et qui ne sont restés inachevés quer par le fait de la mort ? Faut-il intégrer aussi tout ce qui est brouillon, fait de la mort ? Faut-il intégrer aussi tout ce qui est brouillon, premier dessein, corrections et ratures des livres ? Faut-il ajouter les esquisses abandonnées? Et quel status donner aux lettres, aux notes, aux conversations rapportées, aux propos transcrits par les auditeurs, bref à cet immense fourmillement de traces verbales qu’un individu laisse autour de lui au moment de mourir, et qui parlent dans un entrecroisement indéfini tant de langages différents ? En tout cas le nom « Mallarmé » ne se réfère pas de la même façon aux thèmes anglais, aux trauctions d’Edgar Poe, aux poèmes, ou aux réponses à des enquêtes ; de même, ce n’est pas le même rapport qui existe entre le nom de Nietzsche d’une part et d’autre par les autobiographies de jeunesse, les dissertations scolaires, les articles philologiques, Zarathoustra, Ecce Homo, les lettres, les dernières cartes postales signées par « Dionysos » ou « Kaiser Nietzsche », les innombrables carnets où s’enchevêtrent les notes de blanchisserie et les projets d’aphorismes. En fait, si on parle si volontiers et sans s’interroger davantage de l’« oeuvre » d’un auteur, c’est qu’on la suppose définie par une certaine fonction d’expression. On admet qu’il doit y avoir un niveau (aussi profond qu’il est nécessaire de l’imaginer) auquel l’oeuvre se révèle, en tous ses fragments, même les plus minuscules et les plus inessentiels, comme l’expression de la pensée, ou de l’expérience, ou de l’imagination, ou de l’inconscient de l’auteur, ou encore des déterminations historiques dans lesquelles il était pris. Mais on voit aussitôt qu’une pareille unité, loin d’être donné immédiatement, est constituée par une opération ; que cette opération est interprétative (puisqu’elle déchiffre, dans le texte, la transcription de quelque chose qu’il cache et qu’il manifeste à la fois); qu’enfin l’opération qui détermine l’opus, en son unité, et par conséquent l’oeuvre elle-même ne sera pas la même s’il s’agit de l’auteur du Théâtre et son double ou de l’auteur du Tractatus et donc, qu’ici et là ce n’est pas dans le même sens qu’on parlera d’une « oeuvre ». L’oeuvre ne peut être considérée ni comme unité immédiate, ni comme une unité certaine, ni comme une unité homogène.

Babel led to an explosion in the number of languages. That was part of Enki's plan. Monocultures, like a field of corn, are susceptible to infections, but genetically diverse cultures, like a prairie, are extremely robust. After a few thousand years, one new language developed - Hebrew - that possessed exceptional flexibility and power. The deuteronomists, a group of radical monotheists in the sixth and seventh centuries B.C., were the first to take advantage of it. They lived in a time of extreme nationalism and xenophobia, which made it easier for them to reject foreign ideas like Asherah worship. They formalized their old stories into the Torah and implanted within it a law that insured its propagation throughout history - a law that said, in effect, 'make an exact copy of me and read it every day.' And they encouraged a sort of informational hygiene, a belief in copying things strictly and taking great care with information, which as they understood, is potentially dangerous. They made data a controlled substance... [and] gone beyond that. There is evidence of carefully planned biological warfare against the army of Sennacherib when he tried to conquer Jerusalem. So the deuteronomists may have had an en of their very own. Or maybe they just understood viruses well enough that they knew how to take advantage of naturally occurring strains. The skills cultivated by these people were passed down in secret from one generation to the next and manifested themselves two thousand years later, in Europe, among the Kabbalistic sorcerers, ba'al shems, masters of the divine name. In any case, this was the birth of rational religion. All of the subsequent monotheistic religions - known by Muslims, appropriately, as religions of the Book - incorporated those ideas to some extent. For example, the Koran states over and over again that it is a transcript, an exact copy, of a book in Heaven. Naturally, anyone who believes that will not dare to alter the text in any way! Ideas such as these were so effective in preventing the spread of Asherah that, eventually, every square inch of the territory where the viral cult had once thrived was under the sway of Islam, Christianity, or Judaism. But because of its latency - coiled about the brainstem of those it infects, passed from one generation to the next - it always finds ways to resurface. In the case of Judaism, it came in the form of the Pharisees, who imposed a rigid legalistic theocracy on the Hebrews. With its rigid adherence to laws stored in a temple, administered by priestly types vested with civil authority, it resembled the old Sumerian system, and was just as stifling. The ministry of Jesus Christ was an effort to break Judaism out of this condition... an echo of what Enki did. Christ's gospel is a new namshub, an attempt to take religion out of the temple, out of the hands of the priesthood, and bring the Kingdom of God to everyone. That is the message explicitly spelled out by his sermons, and it is the message symbolically embodied in the empty tomb. After the crucifixion, the apostles went to his tomb hoping to find his body and instead found nothing. The message was clear enough; We are not to idolize Jesus, because his ideas stand alone, his church is no longer centralized in one person but dispersed among all the people.