Trance State Quotes

Those rituals of getting ready to write produce a kind of trance state.

Escape from reality. In some instances, dissociation induces people to imagine that they have some kind of mastery over intractable environmental difficulties. Dissociation is often implicated in magical thinking or self-induced trance states. This aspect of dissociation is frequently found in abuse survivors. It is not uncommon for abused children to engage in magical thinking to retain an illusion of control over the situation (e.g., believing that they "cause" the perpetrator to act out).

Dissociation, a form of hypnotic trance, helps children survive the abuse…The abuse takes on a dream-like, surreal quality and deadened feelings and altered perceptions add to the strangeness. The whole scene does not fit into the 'real world.' It is simple to forget, easy to believe nothing happened.

Move on. Be well. Go for it!

Reality imposes its law on man, laws that he can only escape in dreams or in states of trance—or in insanity.

This medicinal potion was additionally consumed as part of a sacred ritual known as Sōmayajña where the Yogis that Jesus himself had taught were helped to reach an enlightened trance. In effect, Jesus had developed the Nirvanalaksanayoga Tantra specifically for women, to heal them from the psychological damage and abuse they had to endure at the hands of men. He wanted to enable them to rise above patriarchal dominance, realise their highest potential, and then he would guide them towards an enlightened state. The first person to benefit from this privilege was Mari [Mary Magdalene] herself. Jesus began teaching this discipline in every place that he visited: from Kashmir in the northernmost region of the Indian subcontinent, to Uttar Pradesh, and Mari would accompany him on every journey he embarked on, from east of the Indus to Nepal.

The renaissance of interest in Eastern spiritual philosophies, various mystical traditions, meditation, ancient and aboriginal wisdom, as well as the widespread psychedelic experimentation during the stormy 1960s, made it absolutely clear that a comprehensive and cross-culturally valid psychology had to include observations from such areas as mystical states; cosmic consciousness; psychedelic experiences; trance phenomena; creativity; and religious, artistic, and scientific inspiration.

I passed whole portions of my life—days, months, years—in pure directed progress, getting up every morning and setting to work, working so hard and so continually that I avoided examining in any way what I knew about my life. Busywork became a trance state. I ignored who I really was and how I became that person, continued in that daily progress, became an automaton who was what she did.

In fact he was as lovesick as a high schooler of an especially sensitive sort who wonders if he dare share a poem with his beloved or whether she will laugh at him. He does read her the poem and her feminine capacity for romanticism for a moment approaches his own and they are suffused in a love trance, a state that so ineluctably peels back the senses making them fresh again whatever ages the lovers might be.

A kind of walking trance I have frequently had, quite up from boyhood, when I have been all alone. This has often come upon me through repeating my own name to myself silently till, all at once, as it were, out of the intensity of the consciousness of individuality, the individuality itself seemed to dissolve and fade away into boundless being; and this not a confused state, but the clearest of the clearest, the surest of the surest, the weirdest of the weirdest, utterly beyond words, where death was an almost laughable impossibility, the loss of personality (if so it were) seeming no extinction, but the only true life....

Music That Brings, The Meaning Of our Life. Music That Shows, The Light From Our Soul. When This Music Touch Our Hear, We call it TRANCE. When This Music Control Our Emotion We call it "THE SENSATION OF TRANCE

I cannot tell you how often I have counseled a grieving woman about a miscarriage or an abortion from years before. There were so many reasons why it was not practical or reasonable to have a child, so on a rational level there was often an understanding and acceptance. However, this did not relieve the pain and guilt of losing a child. In trance states we would often go looking for that soul. What a surprise for many when they discovered that this soul came back as a niece, nephew or even a younger child of their own.

I do miss childhood: one long trance state, broken only by bouts of sickening family discord.

I believe dreams connect us to our ancestors and it is through creativity that we can tap into this in the conscious state. Creativity is a sort of trance that we have as artists that erases time and space.

You’re such a good girl, Charlotte.” My shoulders relax, seeming to melt down at my sides as I gaze up at him, those beautiful words washing over me like warm water. Suddenly, I’m all gooey and compliant, like that one little phrase put me in a trance. He could literally do anything to me in this state. And I sort of want him to.

The capacity to control your dissociative capabilities is very powerful. It allows people to be good at reflective cognition. It allows people to have intense focus on a specific task. Hypnosis, flow, being “in the zone”-all of these are examples of the trance state that dissociation allows. People who learn to control when and how they go into a trance state have a gift…be careful about labeling dissociation as a pathology…It can be an incredible strength.

Musicians do not get on stage without hearing the song singing inside of them. Poets do not write as if they are jotting down a sermon, they see everything in their subconscious before presenting it to the conscious, which they later turn to  readable materials. Artist do not draw and paint without painting in dream states, trance, or see an art form that others do not see. Being creative does not calls for being any supernatural entity, but in creating with the entities inside of you.

At the highest level of this type of initiatory activity, far from those tricks-of-the-trade by which magic so frequently replaces true spiritual insight, we find the Hindu master yogis. In their trance states they go far beyond the normal categories of thought.

A shaman and a writer each serve as their communities’ seers by engaging in extraordinary acts of conscientious study of the past and the present and predicting the future. An inner voice calls to the shaman and an essayistic writer to answer the call that vexes the pernicious spirit of their times. Shamanistic writers induce a trance state of mind where they lose contact with physical reality through a rational disordering of the senses, in an effort to encounter for the umpteenth time the great unknown and the unutterable truths that structure existence. An afflicted person seeking clarification of existence cannot ignore the shamanistic calling of narrative exposition. Thus, I shall continue this longwinded howl – making a personal immortality vessel – into the darkness of night forevermore.

Pierre Janet, a French professor of psychology who became prominent in the early twentieth century, attempted to fully chronicle late- Victorian hysteria in his landmark work The Major Symptoms of Hysteria. His catalogue of symptoms was staggering, and included somnambulism (not sleepwalking as we think of it today, but a sort of amnesiac condition in which the patient functioned in a trance state, or "second state," and later remembered nothing); trances or fits of sleep that could last for days, and in which the patient sometimes appeared to be dead; contractures or other disturbances in the motor functions of the limbs; paralysis of various parts of the body; unexplained loss of the use of a sense such as sight or hearing; loss of speech; and disruptions in eating that could entail eventual refusal of food altogether. Janet's profile was sufficiently descriptive of Mollie Fancher that he mentioned her by name as someone who "seems to have had all possible hysterical accidents and attacks." In the face of such strange and often intractable "attacks," many doctors who treated cases of hysteria in the 1800s developed an ill-concealed exasperation.

Dr. Julian Huxley, famous English biologist and director of UNESCO, recently stated that Western scientists should “learn the Oriental techniques” for entering the trance state and for control of breathing. “What happens? How is it possible?” he said. An Associated Press dispatch from London, dated Aug. 21, 1948, reported: “Dr. Huxley told the new World Federation for Mental Health it might well look into the mystic lore of the East. If this lore could be investigated scientifically, he advised mental specialists, ‘then I think an immense step forward could be made in your field.

There is a spate of prime-time documentaries about "psychological weapons." One is The Call of the Void. It features secret service men who inform the audience about the psychic weapons they have developed. The Russian military has "sleepers," psychics who can go into a trance and enter the world's collective uncounscious, its deeper soul, and from thence penetrate the minds of foreign statesmen to uncover their nefarious designs. One has entered the mind of the US president and then reconfigured the intentions of one of his advisers so that whatever hideous plan the US had hatched has failed to come off. The message is clear: if the secret services can see into the US president's mind, they could definitely see into yours; the state is everywhere, watching your every thought.

I also had the ability to create alpha-state music in my head, go into a creative trance, have musical visions, and

The deeper the trance; the deeper the madness. Only Eternity remains as Divinity flutters by.

I think sometimes that I must live a great part of my life in a trance, or in some sort of anesthetic state.

As soon as I stopped trying to exploit my literary skills to advance my career or enhance my reputation, I found that I was opening myself to the text, could lose myself to the beauty of the words and in the wisdom of the writer. It was a kind of ekstasis, an ecstasy that was not an exotic, tranced state of consciousness but, in the literal sense of the word, a going beyond self.

Rave emerged spontaneously, neither planned or designed. It was a genuine grass roots phenomenon, egalitarian and welcoming. Thousands danced in fields all through the night, out under the moon, in order to achieve a trance-like, ecstatic state. It was a form of communion and it was pagan as fuck. Needless to say, it couldn't last. The press and the government, appalled by such non-violent having-of-a-good-time, moved quickly to crush it. Ultimately, though, they weren't quick enough. Rave grew too big too quickly, and it attracted the attention of those who felt they could make money from such events. Once this happened and the superstar DJs and the superclubs arrived, the focus shifted from the raw crowd back to the event itself. Rave's spell was broken.

Lyra felt herself moving into a kind of trance beyond sleep and waking: a state of conscious dreaming, almost, in which she was dreaming that she was being carried by bears to a city in the stars. She

And afterwards, if you had asked any of the survivors how they had managed it, they would not have been able to tell you. It was as if those days in the forest, the escape to the city, had passed in a trance. The mind creates an alternative state.

The moment after, I began to respire 20 quarts of unmingled nitrous oxide. A thrilling, extending from the chest to the extremities, was almost immediately produced. I felt a sense of tangible extension highly pleasurable in every limb; my visible impressions were dazzling, and apparently magnified, I heard distinctly every sound in the room and was perfectly aware of my situation. By degrees, as the pleasurable sensations increased, I last all connection with external things; trains of vivid visible images rapidly passed through my mind, and were connected with words in such a manner, as to produce perceptions perfectly novel. I existed in a world of newly connected and newly modified ideas. I theorised—I imagined that I made discoveries. When I was awakened from this semi-delirious trance by Dr. Kinglake, who took the bag from my mouth, indignation and pride were the first feelings produced by the sight of the persons about me. My emotions were enthusiastic and sublime; and for a minute I walked round the room, perfectly regardless of what was said to me. As I recovered my former state of mind, I felt an inclination to communicate the discoveries I had made during the experiment. I endeavoured to recall the ideas, they were feeble and indistinct; one collection of terms, however, presented itself: and with the most intense belief and prophetic manner, I exclaimed to Dr Kinglake, 'Nothing exists but thoughts!—the universe is composed of impressions, ideas, pleasures and pains!

It is the task of San shamans to activate their supernatural potency, to cause it to ‘boil’ up their spines until it explodes in their heads and takes them off to the spirit realms – that is, they enter a state of trance at the far end of the intensified trajectory.

While trances had long been associated with biblical figures and medieval saints, American audiences of this era had become familiar with a new type of dream state, the mesmeric or hypnotic trance first noted by the eighteenth century Austrian doctor Friedrich Anton Mesmer.

Sound is the secret. The great Qabbalists taught that a prayer sung is one thousand times more efficacious than a prayer simply recited. This is because a human being instantaneously goes into a state of trance when he or she begins singing, or someone starts to sing at them.

Now, half an hour later, adrenaline thrust him into overdrive. Storms of shale and spall burst from the ground. Ropes of sweat braided his skin. He swung again and again. The heavy pick shattered earth. Digby was in a rhythm, a digging trance, that rare state of archaeological

Homosexuality and trance were considered abnormalities now, while in the Middle Ages people had been made saints for their trances, which were considered the highest state of being, and in Ancient Greece, as Plato makes clear, homosexuality was ‘a major means to the good life.

You’re such a good girl, Charlotte.” My shoulders relax, seeming to melt down at my sides as I gaze up at him, those beautiful words washing over me like warm water. Suddenly, I’m all gooey and compliant, like that one little phrase put me in a trance. He could literally do anything to me in this state.

Hypnosis is very safe and soothing, and many people absolutely enjoy trance states. It is definitely possible for everyone to enter into a hypnotic trance; some people take to it quite quickly and easily, while others need some practice and experience. Basically, going into hypnosis and entering into trance states can be learned. An important factor is the sincere effort of putting aside the reasoning, analytical mind. I often communicate directly with this every-day mind, telling 'it' that our session will be recorded and it can analyze things later; usually this is enough to allow the internal relaxation, and the gateway can be accessed - the door can be opened.

On Saturday 10 of 1917, and at the age of 19, Maria Orsic fell in a trance (or perhaps in a coma, for no apparent reasons) which lasted several hours. As soon as she came out of her coma and began to regain her senses, Maria Orsic told her mother that she saw tall beings of lights not from this world who came to her and said that they will be back once she starts to feel better.   During her state of trance, two tall beings talked to her in a language she could not understand. Her mother thought that Maria was deeply affected by what had happened to her, and made no remarks. But Maria Orsic was absolutely convinced that something extraordinary has entered her life.

Meditative self-inquiry is the art of asking a spiritually powerful question. And a question that is spiritually powerful always points us back to ourselves. Because the most important thing that leads to spiritual awakening is to discover who and what we are—to wake up from this dream state, this trance state of identification with ego. And for this awakening to occur, there needs to be some transformative energy that can flash into consciousness. It needs to be an energy that is actually powerful enough to awaken consciousness out of its trance of separateness into the truth of our being. Inquiry is an active engagement with our own experience that can cultivate this flash of spiritual insight.

Preparing myself for the ritual, dressing myself in beautiful things in white, blue and gold, and arriving at the doors of the temple, I am always thinking about what I am about to do, the role I am about to step into, and preparing a space in my thoughts for that. When I hear the ritual begin, a deep calm enters me and any thoughts I had of who I am and what I may be doing in my everyday life leave me, making that space for the Goddess. Entering the temple and seeing the assembled congregation sets up a dialogue with them in my actions, it is their presence that elevates me from being a magician seeking a connection with the divine, to a Priestess seeking that connection in the service of others.

The communication function of modern writers is akin to the ancient role fulfilled by tribal shamans. All writers ultimately perform a shamanistic role in society; their mythmaking voices speak to us from the underworld after their passage to the other side. Writers place themselves in a trance-like state where their unconscious mind dictates to them what to write.

Tony took a deep breath and deliberately relaxed his body. He used breathing techniques to put himself into a light state of trance. He instructed his conscious mind to let go, to allow his higher self to access directly all he knew about Handy Andy and to answer for him. When he spoke, even his voice was different. The timbre was rougher, the tones deeper. ‘I blended in. I took care. I watched and I learned.

Hunger became an ally. My metabolism changed and my understanding of this land changed with it. On the night the wind howled, our tents rattled like bones. We were camped by a string lake. Pans of ice made of bunched crystals floated by. Pale green on top, the clear sides looked like see-through rows of teeth. When the sun came, the bunched stalks disintegrated: deconstructed chandeliers. I heard music—not Dennis’s but candle-ice tinkling. The whole lake chimed. Lying on top of my sleeping bag by the water, I lost track of my body. I wasn’t floating—there was nothing mysterious going on—but something had let go inside me. The weight of my boots, my abraded heels, ankles, and toes ceased to hurt and no longer impeded my journey. I had entered a trance state. The equation was this: hunger + beauty = movement. I wanted only to keep going.

For millions of years, man spoke only to what he could see. Suddenly, in just one decade, 'seeing' and 'speaking' have been separated. We think we're used to it, yet we don't realize the immense impact it's had on our reflexes. Our bodies are simply not used to it. Frankly, the result is that, when we talk on the telephone, we enter a state that is similar to certain magical trances; we can discover other things about ourselves.

Just as the flâneur wanders the Parisian Grands Boulevards, allowing disparate, shocklike experiences to be inscribed on his body even as they resonate in his memory, so the 'assistant' type, in a state of intoxication akin to a mystical trance, wanders through the Kafkan universe. In their blithe and groundless transparency, such figures alone seem capable of bringing to consciousness the alienating character of historical conditions.

I fell onto the bed and lay gazing at the ceiling, nearly immobilized and in a trance of supreme discomfort. Rational thought was usually absent from my mind at such times, hence trance. I can think of no more apposite word for this state of being, a condition of helpless stupor in which cognition was replaced by that “positive and active anguish.” And one of the most unendurable aspects of such an interlude was the inability to sleep.

Johnson seems to spend all his spare time there or aloft at the crosstrees, watching the Ghost cleaving the water under press of sail. There is passion, adoration, in his eyes, and he goes about in a sort of trance, gazing in ecstasy at the swelling sails, the foaming wake, and the heave and the run of her over the liquid mountains that are moving with us in stately procession. The days and nights are “all a wonder and a wild delight,” and though I have little time from my dreary work, I steal odd moments to gaze and gaze at the unending glory of what I never dreamed the world possessed.

A kind of waking trance I have frequently had, quite from boyhood, when I have been all alone. This has generally come upon me thro’ repeating my own name two or three times to myself silently, till all at once, as it were out of the intensity of the consciousness of individuality, the individuality itself seemed to dissolve and fade away into boundless being, and this not a confused state, but the clearest of the clearest, the weirdest of the weirdest, utterly beyound words, where death was an almost laughable impossibility, the loss of personality (if so it were) seeming no extinction but the only true life.

And now an amendment has been got up between the several states,” said Captain Kidd. He stared out over the men and the women with their pancake hats, their bonnets, as if in a trance. He seemed to be receiving messages from another world. “It is the Fifteenth Amendment to our glorious Constitution which Constitution was written under threat of arrest and execution by our forefathers who signed their names and their honor and their sacred fortunes. This Fifteenth Amendment allows the vote to all men qualified to vote without regard to race or color or previous condition of servitude. That means colored gentlemen. That means the sons of Ham.

Hyperbolic Suggestion is—as one might infer from the term’s literal interpretation—a method of suggestion induced upon the subject (or subjects), in question, through the blatant and immoderate invocation of hyperbole. Simply stated, excessive exaggeration induces a trance upon the recipient, rendering him or her remarkably susceptible to suggestion. Thus, through the use of a multitude of descriptive adjectives and superlatives, neural mechanisms and pathways are overloaded, as canals and bypasses are burrowed into the thick of the gray matter. The dendrites are, through this process, tuned to a predetermined frequency by which the seeds of suggestion can be sown. When this occurs, the subject becomes incredibly compliant to any orders given at a certain tone of voice. In some cases, orders need not be given. The subject’s attitudes might well be so affected by the hyperbole as to affect his natural tendencies...Emmanuel silently wondered if there existed a perfect combination of words or phrases that could somehow—as in the case of Hyperbolic Suggestion—subvert even the most stubborn of wills. Then again, maybe it wasn’t so much the words as it was how they were spoken: if he achieved exactly the most desirable intonation, rhythm, timing, pitch and pronunciation in his speaking, would his verbal appeals somehow make greater inroads in garnering their consent? There had to be some optimal combination of aspirated consonants, diphthongs, facial expressions and inflection he could somehow affect in order to persuade them effectively. But it seemed that to search for this elusive mixture of ingredients would only prove an onerous task, conceivably of little benefit. In view of this sobering reality, he decided instead to try out a completely different approach from those previous: it occurred to him that his attempts at persuasion might be slightly more effective if he carried them out as dialogues, rather than as monologues.

Meanwhile, in Europe, the Renaissance continued, and I began to see the full scope of the Second Insight. The power of the church to define reality was diminishing, and Europeans were feeling as though they were awakening to look at life anew. Through the courage of countless individuals, all inspired by their intuitive memories, the scientific method was embraced as a democratic process of exploring and coming to understand the world in which humans found themselves. This method—exploring some aspect of the natural world, drawing conclusions, then offering this view to others—was thought of as the consensus-building process through which we would be able, finally, to understand mankind’s real situation on this planet, including our spiritual nature. But those in the church, entrenched in Fear, sought to squelch this new science. As political forces lined up on both sides, a compromise was reached. Science would be free to explore the outer, material world, but must leave spiritual phenomena to the dictates of the still-influential churchmen. The entire inner world of experience—our higher perceptual states of beauty and love, intuitions, coincidences, interpersonal phenomena, even dreams—all were, at first, off limits to the new science. Despite these restrictions, science began to map out and describe the operation of the physical world, providing information rich in ways to increase trade and utilize natural resources. Human economic security increased, and slowly we began to lose our sense of mystery and our heartfelt questions about the purpose of life. We decided it was purposeful enough just to survive and build a better, more secure world for ourselves and our children. Gradually we entered the consensus trance that denied the reality of death and created the illusion that the world was explained and ordinary and devoid of mystery. In spite of our rhetoric, our once-strong intuition of a spiritual source was being pushed farther into the background. In this growing materialism, God could only be viewed as a distant Deist’s God, a God who merely pushed the universe into being and then stood back to let it run in a mechanical sense, like a predictable machine, with every effect having a cause, and unconnected events happening only at random, by chance alone.

Lovers of God possess intense concentration. In prayer their attention rivets itself so completely onto God that nothing can tear it away. Even a suggestion of the divine may draw them into a higher state of consciousness. Occasionally this can be somewhat inconvenient. Sri Ramakrishna once went to see a religious drama produced by his disciple. The curtain went up and a character started singing the praises of the Lord. Sri Ramakrishna immediately began to enter the supreme state of consciousness. The stage faded; the actors and actresses faded. As only a great mystic can, he uttered a protest: "I come here, Lord, to see a play staged by my disciple, and you send me into ecstasy. I won't let it happen!" And he started saying over and over, "Money... money...money," so as to keep some awareness of the temporal world.

Recently, a professor at Penn State told my son Joshua's class that during a trip to Africa, he had a mysterious encounter with a witch doctor of a tribe. He watched with horror as this witch doctor put a man into a trance and made the man put his face into burning coals and move them around with his nose on the ground. The man received no burns and wasn't even aware of the sensation of burning his flesh. The professor, being a committed naturalist, had no way to understand this obviously satanic phenomena. His scientific model didn't include any supernatural cause, whether it be godly or satanic. He admitted this fact to the class. He said that he saw what happened yet he did not believe it, because he couldn't fit it into what he called his scientific model . . . If their presuppositions rule out the supernatural, that is that! There is no more.

So often have I studied the views of Florence, that I was familiar with the city before I ever set foot within its walls; I found that I could thread my way through the streets without a guide. Turning to the left I passed before a bookseller's shop, where I bought a couple of descriptive surveys of the city (guide). Twice only was I forced to inquire my way of passers by, who answered me with politeness which was wholly French and with a most singular accent; and at last I found myself before the facade of Santa Croce. Within, upon the right of the doorway, rises the tomb of Michelangelo; lo! There stands Canova's effigy of Alfieri; I needed no cicerone to recognise the features of the great Italian writer. Further still, I discovered the tomb of Machiavelli; while facing Michelangelo lies Galileo. What a race of men! And to these already named, Tuscany might further add Dante, Boccaccio and Petrarch. What a fantastic gathering! The tide of emotion which overwhelmed me flowed so deep that it scarce was to be distinguished from religious awe. The mystic dimness which filled the church, its plain, timbered roof, its unfinished facade – all these things spoke volumes to my soul. Ah! Could I but forget...! A Friar moved silently towards me; and I, in the place of that sense of revulsion all but bordering on physical horror which usually possesses me in such circumstances, discovered in my heart a feeling which was almost friendship. Was not he likewise a Friar, Fra Bartolomeo di San Marco, that great painter who invented the art of chiaroscuro, and showed it to Raphael, and was the forefather of Correggio? I spoke to my tonsured acquaintance, and found in him an exquisite degree of politeness. Indeed, he was delighted to meet a Frenchman. I begged him to unlock for me the chapel in the north-east corner of the church, where are preserved the frescoes of Volterrano. He introduced me to the place, then left me to my own devices. There, seated upon the step of a folds tool, with my head thrown back to rest upon the desk, so that I might let my gaze dwell on the ceiling, I underwent, through the medium of Volterrano's Sybills, the profoundest experience of ecstasy that, as far as I am aware, I ever encountered through the painter's art. My soul, affected by the very notion of being in Florence, and by proximity of those great men whose tombs I had just beheld, was already in a state of trance. Absorbed in the contemplation of sublime beauty, I could perceive its very essence close at hand; I could, as it were, feel the stuff of it beneath my fingertips. I had attained to that supreme degree of sensibility where the divine intimations of art merge with the impassioned sensuality of emotion. As I emerged from the porch of Santa Croce, I was seized with a fierce palpitations of the heart (that same symptom which, in Berlin, is referred to as an attack of nerves); the well-spring of life was dried up within me, and I walked in constant fear of falling to the ground. I sat down on one of the benches which line the piazza di Santa Croce; in my wallet, I discovered the following lines by Ugo Foscolo, which I re-read now with a great surge of pleasure; I could find no fault with such poetry; I desperately needed to hear the voice of a friend who shared my own emotion (…)

Bored with Pisit today, I switch to our public radio channel, where the renowned and deeply reverend Phra Titapika is lecturing on Dependent Origination. Not everyone’s cup of chocolate, I agree (this is not the most popular show in Thailand), but the doctrine is at the heart of Buddhism. You see, dear reader (speaking frankly, without any intention to offend), you are a ramshackle collection of coincidences held together by a desperate and irrational clinging, there is no center at all, everything depends on everything else, your body depends on the environment, your thoughts depend on whatever junk floats in from the media, your emotions are largely from the reptilian end of your DNA, your intellect is a chemical computer that can’t add up a zillionth as fast as a pocket calculator, and even your best side is a superficial piece of social programming that will fall apart just as soon as your spouse leaves with the kids and the money in the joint account, or the economy starts to fail and you get the sack, or you get conscripted into some idiot’s war, or they give you the news about your brain tumor. To name this amorphous morass of self-pity, vanity, and despair self is not only the height of hubris, it is also proof (if any were needed) that we are above all a delusional species. (We are in a trance from birth to death.) Prick the balloon, and what do you get? Emptiness. It’s not only us-this radical doctrine applies to the whole of the sentient world. In a bumper sticker: The fear of letting go prevents you from letting go of the fear of letting go. Here’s the good Phra in fine fettle today: “Take a snail, for example. Consider what brooding overweening self-centered passion got it into that state. Can you see the rage of a snail? The frustration of a cockroach? The ego of an ant? If you can, then you are close to enlightenment.” Like I say, not everyone’s cup of miso. Come to think of it, I do believe I prefer Pisit, but the Phra does have a point: take two steps in the divine art of Buddhist meditation, and you will find yourself on a planet you no longer recognize. Those needs and fears you thought were the very bones of your being turn out to be no more than bugs in your software. (Even the certainty of death gets nuanced.) You’ll find no meaning there. So where?

Brocq's disease was incurable until 1951 when a sixteen-year-old boy with an advanced case of the affliction was referred as a last resort to a hypnotherapist named A. A. Mason at the Queen Victoria Hospital in London. Mason discovered that the boy was a good hypnotic subject and could easily be put into a deep state of trance. While the boy was in trance, Mason told him that his Brocq's disease was healing and would soon be gone. Five days later the scaly layer covering the boy's left arm fell off, revealing soft, healthy flesh beneath. By the end of ten days the arm was completely normal. Mason and the boy continued to work on different body areas until all of the scaly skin was gone. The boy remained symptom-free for at least five years, at which point Mason lost touch with him.6 0 This is extraordinary because Brocq's disease is a genetic condition, and getting rid of it involves more than just controlling autonomic processes such as blood flow patterns and various cells of the immune system. It means tapping into the masterplan, our DNA programming itself. So, it would appear that when we access the right strata of our beliefs, our minds can override even our genetic makeup.

Only when it comes to explaining psychic phenomena of a minimal degree of clarity are we driven to assume that archetypes must have a nonpsychic aspect. Grounds for such a conclusion are supplied by the phenomena of synchronicity, which are associated with the activity of unconscious operators and have hitherto been regarded, or repudiated, as 'telepathy' etc. Scepticism should, however, be levelled only at incorrect theories and not at facts which exist in their own right. No unbiased observer can deny them. Resistance to the recognition of such facts rests principally on the repugnance people feel for an allegedly supernatural faculty tacked on to the psyche, like 'clairvoyance'. The very diverse and confusing aspects of these phenomena are, so far as I can see at present, completely explicable on the assumption of psychically relative space-time continuum. As soon as the psychic content crosses the threshold of consciousness, the synchronistic marginal phenomena disappear, time and space resume their accustomed sway, and consciousness is once more isolated in its subjectivity. We have here one of those instances which can best be understood in terms of the physicist's idea of 'complementarity'. When an unconscious content passes over into consciousness its synchronistic manifestation ceases; conversely, synchronistic phenomena can be evoked by putting the subject into an unconscious state (trance).

While I am free to speak my mind, Kelly, now 14, is not so fortunate. Kelly has yet to receive rehabilitation for her shattered personality and programmed young mind. The high tech sophistication of the Project Monarch trauma based mind-control procedures she endured, literally since birth, reportedly requires highly specialized, qualified care to aid her in eventually gaining control of her mind and life. Due to the political affluence of our abusers, all efforts to obtain her inalienable right to rehabilitation and seek justice have been blocked under the guise of so-called "National Security." As a result, Kelly remains warehoused in a mental institution in the custody of the state of Tennessee--a victim of the system—a system controlled and manipulated by our abusive government "leaders" a system where State Forms make no allowances to report military TOP SECRET abuses--a system that exists on federal funding directed by our perverse, corrupt abusers in Washington, D.C. She remains a political prisoner in a mental institution to this moment, waiting and hurting! Violations of laws and rights, Psychological Warfare intimidation tactics, threats to our lives, and various other forms of CIA Damage Containment practices thus far have remained unhindered and unchecked due to the National Security Act of 1947 AND the 1986 Reagan Amendment to same which allows those in control of our government to censor and/or cover up anything they choose.

I want you to figure to yourselves a girl sitting with a pen in her hand, which for minutes, and indeed for hours, she never dips into the inkpot. The image that comes to my mind when I think of this girl is the image of a fisherman lying sunk in dreams on the verge of a deep lake with a rod held out over the water. She was letting her imagination sweep unchecked round every rock and cranny of the world that lies submerged in the depths of our unconscious being. Now came the experience, the experience that I believe to be far commoner with women writers than with men. The line raced through the girl’s fingers. Her imagination had rushed away. It had sought the pools, the depths, the dark places where the largest fish slumber. And then there was a smash. There was an explosion. There was foam and confusion. The imagination had dashed itself against something hard. The girl was roused from her dream. She was indeed in a state of the most acute and difficult distress. To speak without figure she had thought of something, something about the body, about the passions which it was unfitting for her as a woman to say. Men, her reason told her, would be shocked. The consciousness of — what men will say of a woman who speaks the truth about her passions had roused her from her artist’s state of unconsciousness. She could write no more. The trance was over. Her imagination could work no longer. This I believe to be a very common experience with women writers — they are impeded by the extreme conventionality of the other sex.

But Jung did speak out against Hitler some years before he left the society. In 1936 he condemned the Fuehrer as a “raving berserker” and a man “possessed” who had set Germany on its “course toward perdition.”37 And a year earlier, in his lecture series at London’s Tavistock Clinic, Jung broke off his remarks to refer to his prophecy of 1918. “I saw it coming,” he told his fellow psychologists, “I said in 1918 that the ‘blond beast’ is stirring in its sleep and that something will happen in Germany. No psychologist then understood at all what I meant . . .” Commenting on the power of the archetypes to overrun conscious decision, Jung called them “the great decisive forces.”38 They “get you below the belt and not in your mind, your brain just counts for nothing, your sympathetic system is gripped.”39 Remarks like these led to accusations that Jung gave people a way of avoiding responsibility for their actions: they didn’t decide to become Nazis, the archetypes “made them do it.” Yet they are remarkably similar to what the philosopher Jean Gebser, who had firsthand experience of Nazism, believed was at work: the “magical structure of consciousness,” which Gebser characterized as a “vegetative intertwining of all living things,” and which requires a “sacrifice of consciousness” and “occurs in the state of trance, or when consciousness dissolves as a result of mass reactions, slogans, or ‘isms.’ ” Curiously, Gebser believed the “magical structure” was also responsible for synchronicities,40 and in an interview in 1938, Jung himself said that “Hitler’s power is not political; it is magic.”41

Rather, I found through this experience that there is significant similarity between meditating under a waterfall and tidying. When you stand under a waterfall, the only audible sound is the roar of water. As the cascade pummels your body, the sensation of pain soon disappears and numbness spreads. Then a sensation of heat warms you from the inside out, and you enter a meditative trance. Although I had never tried this form of meditation before, the sensation it generated seemed extremely familiar. It closely resembled what I experience when I am tidying. While not exactly a meditative state, there are times when I am cleaning that I can quietly commune with myself. The work of carefully considering each object I own to see whether it sparks joy inside me is like conversing with myself through the medium of my possessions. For this reason, it is essential to create a quiet space in which to evaluate the things in your life. Ideally, you should not even be listening to music. Sometimes I hear of methods that recommend tidying in time to a catchy song, but personally, I don’t encourage this. I feel that noise makes it harder to hear the internal dialogue between the owner and his or her belongings. Listening to the TV is, of course, out of the question. If you need some background noise to relax, choose environmental or ambient music with no lyrics or well-defined melodies. If you want to add momentum to your tidying work, tap the power of the atmosphere in your room rather than relying on music. The best time to start is early morning. The fresh morning air keeps your mind clear and your power of discernment sharp. For this reason, most of my lessons commence in the morning. The earliest lesson I ever conducted began at six thirty, and we were able to clean at twice the usual speed. The clear, refreshed feeling gained after standing under a waterfall can be addictive. Similarly, when you finish putting your space in order, you will be overcome with the urge to do it again. And, unlike waterfall meditation, you don’t have to travel long distances over hard terrain to get there. You can enjoy the same effect in your own home. That’s pretty special, don’t you think?

Ah, God! what trances of torments does that man endure who is consumed with one unachieved revengeful desire. He sleeps with clenched hands; and wakes with his own bloody nails in his palms. Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire. Yet these, perhaps, instead of being the unsuppressable symptoms of some latent weakness, or fright at his own resolve, were but the plainest tokens of its intensity. For, at such times, crazy Ahab, the scheming, unappeasedly steadfast hunter of the White Whale; this Ahab that had gone to his hammock, was not the agent that so caused him to burst from it in horror again. The latter was the eternal, living principle or soul in him; and in sleep, being for the time dissociated from the characterizing mind, which at other times employed it for its outer vehicle or agent, it spontaneously sought escape from the scorching contiguity of the frantic thing, of which, for the time, it was no longer an integral. But as the mind does not exist unless leagued with the soul, therefore it must have been that, in Ahab's case, yielding up all his thoughts and fancies to his one supreme purpose; that purpose, by its own sheer inveteracy of will, forced itself against gods and devils into a kind of self-assumed, independent being of its own. Nay, could grimly live and burn, while the common vitality to which it was conjoined, fled horror-stricken from the unbidden and unfathered birth. Therefore, the tormented spirit that glared out of bodily eyes, when what seemed Ahab rushed from his room, was for the time but a vacated thing, a formless somnambulistic being, a ray of living light, to be sure, but without an object to color, and therefore a blankness in itself. God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates.

Letting go of that hope meant letting go of James, which was like letting go of air, toes letting go of nails, and fairly comparable to everyone letting go of electricity in our time. That bad. But in the meantime, this would be a distraction. Purgatory. With drinks and meeting new people, more time to focus on lesson planning and craftwork, art galleries, miniature museums. Anything to keep the thoughts away from drowning the itsy bit of sanity left. She’d even settle for a state of temporary trance.

Suffering is one road to enlightenment because through it, we learn how to 'detach' ourselves. It is in this state of 'trance', unaided by external substances of any kind, that we develop and gain a perception of pure reason and understanding.

William James, in his lectures on exceptional mental states, referred to the trances of mediums who channel voices and images of the dead, and of scryers who see visions of the future in a crystal ball. Wheather the voices and visions in these contexts were veridical was less of a concern to James than the mental states which could produce them. Careful observation convinced him that mediums and crystal gazers were not usually conscious charlatans or liars in the ordinary sense, nor were they confabulators or phantasm. They were, he came to feel, in altered states of consciousness conducive to hallucinations - hallucinations whose content was shaped by the questions they were asked. These exceptional mental states, he thought, were achieved by self-hypnosis, no doubt facilitated by poorly lit and ambiguous surroundings and the eager expectations of their clients.

But she did have a sulky bursting prowling sort of energy, because she was in that state so many young girls go through―a state of sexual obsession that can be like a sort of trance. When I was fifteen, still living in Baker Street with my father, I spent some months in that state, so that now I can't walk through that area without remembering, half amused, half embarrassed, an emotional condition which was so strong it had the power to absorb into it pavements, houses, shop windows. What was interesting about June was this: surely nature should have arranged matters so that the men she met must be aware of what afflicted her. Not at all. That first evening Maryrose and I involuntarily exchanged glances and nearly laughed out loud from recognition and amused pity. We did not, because we also understood that the so obvious fact was not obvious to the men and we wanted to protect her from their laughter. All the women in the place were aware of June. I remember sitting one morning on the verandah with Mrs. Lattimer, the pretty red-haired woman who flirted with young Stanley Lett, and June came into sight prowling blindly under the gum-trees by the railway lines. It was like watching a sleepwalker. She would take half a dozen steps, staring across the valley at the piled blue mountains, lift her hands to her hair, so that her body, tightly outlined in bright red cotton, showed every straining line and the sweat patches dark under the armpits―then drop her arms, her fists clenched at her sides. She would stand motionless, then walk on again, pause, seem to dream, kick at the cinders with the toe of high white sandal, and so on, slowly, till she was out of sight beyond the sun-glittering gum-trees. Mrs. Lattimore let out a deep rich sigh, laughed her weak indulgent laugh, and said: 'My God, I wouldn't be a girl again for a million pounds. My God, to go through all that again, not for a million million.' And Maryrose and I agreed. Yet, although to us every appearance of this girl was so powerfully embarrassing, the men did not see it and we took care not to betray her. There is a female chivalry, woman for woman, as strong as any other kind of loyalty. Or perhaps it was we didn't want brought home to us the deficiencies of imagination of our own men.

The mind may undergo one or more intense experiences of death and rebirth and awareness of the ego (that is, that part of your mind that functions with your name in everyday life) may ebb and flow. Similarly, awareness of the body lying on the couch may come and go as one might expect to experience in a state of deep trance.… This threshold between the personal (that is, the everyday self) and the transpersonal (that is, more fundamental or universal dimensions of consciousness) is conceptualized by different people in different ways. Most commonly, the term “death” is employed as the ego (everyday self) feels that it is quite literally dying. Though one may have read that others have reported subsequent immersion in the eternal and experiences of being reborn and returning to everyday existence afterward, in the moment imminence of death may feel acutely—and for some terrifyingly—real.12

Trance channelers go into trancelike states and believe that they use their bodies as a “vehicle” for a nonphysical “being” to incorporate into and communicate directly via speaking, writing, or movement. My grandmother could withdraw the control of her body and allow another “being” to control it. She was not conscious of what was happening with her body when in a trance. She described it as stepping aside and going to sleep within herself while another “being” took her spirit’s place; it took over her voice and her movements. And even though she was “sleeping,” she felt totally safe. My mother is also a trance channeler. My uncle was tested for psychokinetic skills at John F. Kennedy University and channeled a book through automatic writing.1 Automatic writing is a type of channeling where a person handwrites meaningful statements, but without the writer consciously premeditating the content of what is produced.

And then there are fiction writers. Historians of psychic phenomena are fortunate to have a particularly rich record of precognitive experiences in the lives of writers. This is partly a natural file-drawer effect: Reports of anomalous experiences in the lives of athletes and soldiers, for example, would be relatively rare simply because sports and combat do not leave as rich a paper trail as writing. But additionally, because writing is (for some writers at least) precisely an enjoyable flow activity that engages an individual’s intuitive and creative juices, the very act of recording ideas and inspirations may induce an “altered state” conducive to channeling information from a writer’s future.39 It is like attaching a printer directly to the phenomenon of interest. In memoirs and interviews, writers often describe their creative frenzies as a kind of trance in which ideas come unbidden; some report feeling that the thoughts of some other entity or higher self are being transcribed or channeled. In the last part of this book, we will examine two writer-precogs, Morgan Robertson and Philip K. Dick, who both described feeling possessed by a feminine muse when they wrote. Is “inspiration”—which originally meant possession by a divine spirit—simply a psychologically neutral term for drawing precognitively or presentimentally on a writer’s own future?

In the world of alters, anything is possible. This is because alters are partly based upon make-believe, and the underiying reasoning is not derived from normal linear logic but consists of 'trance logic', the toleration of completely unrealistic and contradictory ideals which might be found in a state of hypnosis.

SEEING Seeing is one of human beings' highest features. It's an extraordinary experience that helps you to grasp your own vastness. There are, of course, different levels of vision. Our constant aim will be to escape the lower astral clear-sightedness of the trance-medium psychics and to step into the ‘vision of Truth’ or self-vision, which is like an eruption of all mental limitations. A key difference between these two ways of vision is that the pictures that stream into the consciousness are attached in the latter. On the other hand, one of the ways to achieve the sight of Truth is to become less interested in what you see and focus more on the act of seeing, enabling your state of consciousness to grow by seeing. Then you arrive at a completely different experience and comprehension of the world. One can never completely turn what is ‘seen’ into words because the perception transcends the mind's common logic. Therefore, real sight feeds the Spirit and dissipates the soul's false perceptions. ‘Seeing’ should not be seen simply as a device of interpretation, but as an experience that has in itself a transformative meaning. Seeing is an extended form of perception. It's an ‘ontological amplification,’ which means a way of being more. When you think in these terms of clairvoyance, you're much less likely to be deluded by the lower astral vision hallucinations. One of the common mistakes of beginners is to expect their normal vision and physical eyes to see celestial realities as if unexpectedly auras and supernatural entities were to be attached to the pictures of the world obtained through the brain. This cannot function because the normal cognitive perception is precisely the blind part of yourself. The first thing to do to start seeing is to get out of your head.

SEEING Seeing is one of human beings' highest features. It's an extraordinary experience that helps you to grasp your own vastness. There are, of course, different levels of vision. Our constant aim will be to escape the lower astral clear-sightedness of the trance-medium psychics and to step into the ‘vision of Truth’ or self-vision, which is like an eruption of all mental limitations. A key difference between these two ways of vision is that the pictures that stream into the consciousness are attached in the latter. On the other hand, one of the ways to achieve the sight of Truth is to become less interested in what you see and focus more on the act of seeing, enabling your state of consciousness to grow by seeing. Then you arrive at a completely different experience and comprehension of the world. One can never completely turn what is ‘seen’ into words because the perception transcends the mind's common logic. Therefore, real sight feeds the Spirit and dissipates the soul's false perceptions. ‘Seeing’ should not be seen simply as a device of interpretation, but as an experience that has in itself a transformative meaning. Seeing is an extended form of perception. It's an ‘ontological amplification,’ which means a way of being more. When you think in these terms of clairvoyance, you're much less likely to be deluded by the lower astral vision hallucinations. One of the common mistakes of beginners is to expect their normal vision and physical eyes to see celestial realities as if unexpectedly auras and supernatural entities were to be attached to the pictures of the world obtained through the brain. This cannot function because the normal cognitive perception is precisely the blind part of yourself. The first thing to do to start seeing is to get out of your head. Therefore, one of the constant reminders provided in this chapter will be: stop looking if you want to ‘see.’ Stop processing and analyzing images, in other words, as you are used to doing with your brain. Don't bother to see. And you work from your heart as you try. Let yourself switch into another state of consciousness and let ‘something else’ happen.

Estrangement from feelings makes it easier for men to lie because they are often in a trance state, utilizing survival strategies of asserting manhood that they learned as boys. This inability to connect with others carries with it an inability to assume responsibility for causing pain.

Humans going into altered states of consciousness all react the same way, no matter where they come from. It is part of the way the human brain is wired. There are three stages of altered consciousness that have been recognised by laboratory experiment (Lewis-Williams & Dowson 1989: 60–67). In the first stage, people see zig-zags, dots and whorls. In the second stage this develops into a deeper trance experience, and the subjects see and feel a world more familiar to them, and can hear water, experience thirst, etc. The third stage is the deepest, and people in deep trance talk about entering a hole in the ground and seeing ‘real world’ imagery of animals and people. These different stages have been recognised in the rock art: stage one with grids, zig-zags, mesh shapes (such as nets); stage two with nested ‘U’ shapes and buzzing (interpreted as beehives); stage three with snakes coming out of the rock face, people with animal heads, etc. This last stage accompanies visual images of trancers in the dance, which include the ‘bent-over posture’ assumed by the shaman when dancing, and bleeding from the nose, which would occur when the shaman was physically under stress when entering the spirit world (Figure 4.4). Interviews with shamans have reported that at the moment of the climax, the power shoots up the spine and out of the top of the head. This, among the Ju/’hoansi Bushmen of Nyae Nyae, is called kia (Katz 1982), as we have seen in Chapter 3.

The best way to help someone achieve a state of hypnotic trance is to get them to focus their attention inside.

Android Girl Just Wants to Have a Baby! The first thing I do when I wake up is run my hands over my body. I like to make sure all my wires are in place. I lotion my silicone shell and snap my hair helmet over my head. I once had a dream I was a real girl, but when I woke up I was still myself in my paleness under the halogen light. The saliva of androids emits a spectral resonance, barely sticky between freshly-gapped teeth. After they made me, the first thing they did was peel the cellophane from my eyes. I blinked once, twice, and cried because that's how you say you are alive before you are given language. They named each of my heartbeats on the oceanic monitor: Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I listened to them blur into one. The fetus carves for itself a hollowed vector, a fragile wetness. In utero, extension cords are umbilical. Before puberty, I did not know there was such a thing as dishonor. Diss-on- her. This is what they said when I began to drip petrol between my legs. A tension exists between ritual and proof, a fantasy and its execution. Since then, I have been to the emergency room twice. The first time for a suicide attempt, and the second time because my earring was swallowed up by my newly pierced earlobe overnight, and when I woke up, it was tangled in a helix of wires. The idea of dying doesn't scare me but the ocean does. I was once told that fish will swim up my orifices if I am no longer a virgin. Is anyone thinking about erotic magazines when they are not aroused, pubes parted harshly down the center like red seas? My body carries the weight of four hundred eggs. I rise from a weird slumber, let them drip into the bath. This is what I'll leave behind - tiny shards purer than me. I have always been afraid of pregnant women because of their power, and because I don't yet understand what it means to carry something stubborn and blossoming inside of me, screeching towards an exit. The ectoplasm is the telos for the wound. A trance state is induced when salt is poured on it, pixel by pixel. I wish they had made me into an octopus instead, because octopuses die after their eggs hatch and crawl out into the sea, and I want to know what it's like to set something free into the dark unknown and trust it to choose mercy. If you can generate aura in a non-place, then there is no such thing as an authentic origin. In Chinese, the word for mercy translates to my heart hurts for you. They say my heart continues beating even after it is dislocated from my body. The sound of its beating comes from the valves opening and closing like a portal - Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I first learned about love by watching a sex tape where a girl looks up from performing fellatio and says, show them the sunset. Her boyfriend pans the camera to the sky, which is tinged violet like a bruise. In this moment, the sky displaces her, all digital and hyped, and saturates the scene until it collapses on me too, its transient witness. I move in the space between belly ring and catharsis. That night I have a dream where I am a camgirl, but all I do on screen is wash my laundry. Everybody loves me because I am a real girl doing real girl things. What lives on the border between meditation and oblivion, static and flux, a pomegranate seed and an embryo? I set up my webcam in the corner of the room and play ambient music while I scrub my underwear, letting soap bubbles rise up from the sink, laughing when they overflow on the linoleum floor - my frizzy hair, my pockmarked skin, my face slick with sweat. A body with exit wounds. I ride the bright rails of an animal forgetting. And when I wake up, the sky is a mess of blue.

take a moment to see how much you can remember from your last drive into work. It may have been a thirty-minute drive or longer, but most people would be lucky if they could recall any more than four or five minutes of the total drive. That happens because most of the time that you are driving you are in a trancelike state.

We actually have a fairly good idea of what makes human beings happy, thanks in large part to Mihaly Csikszentmihalyi, the longtime head of the psychology department at the University of Chicago. Back in the 1960s, he was studying painters and noted the “almost trance-like state” they entered when their work was going well. They didn’t seem to be motivated by finishing the painting, or by the money they’d get for selling it. It seemed to be the work itself that spurred them on, even in the face of hunger or fatigue.

It is noted that witches were inclined to fly on brooms, stangs, pitchforks, distaffs and even ladles which can initially seem a little strange. But when we realise that in Hungary, for instance, when the drum became something that could no longer be owned for fear of being caught using it to go into a trance state, it gradually became replaced by the sieve, a common household object that could be pressed into the service of the unseen.[5] These common household objects are a testimony to how the world outside the hedge continually interpenetrates with everything inside it, everything mundane and seemingly normal and unthreatening remains subtly imbued with its Other. In a world where ‘witchcraft’, a practice always partially hidden, became something that had to hide, it was able to hide, behind every teapot, ladle, broom and kettle on the stovetop.

Afterwards Jim said the witches be witched him and put him in a trance, and rode him all over the State, and then set him under the trees again, and hung his hat on a limb to show who done it. And next time Jim told it he said they rode him down to New Orleans; and, after that, every time he told it he spread it more and more, till by and by he said they rode him all over the world, and tired him most to death, and his back was all over saddle-boils.

For this test, though, they fed him increased doses of the spice and he sensed the awakening of his True Self. "The Mind at Its Beginning," a teaching Sister called it when he asked for an explanation of this odd sensation. For a time, the universe was magical as he looked at it through this new awareness. His awareness was a circle, then a globe. Arbitrary forms became transient. He fell into trance state without warning until the Sisters taught him how to control this. They provided him with accounts of saints and mystics and forced him to draw a freehand circle with either hand, following the line with his awareness. By the end of the term, his awareness resumed its touch with conventional labels, but the memory of the magic never left him. He found that memory a source of strength at the most difficult moments.

Dissociation is another thinking process that is often used for coping with chronic abuse. It is a defensive adaptation that allows the child to remove itself from the abuse. The child wants to believe the abuse did not occur so she looks for ways to keep it a secret from herself. When the body is trapped in unbearable circumstances, the mind leaves by way of imaginative and trance-like states.

De Tocqueville was a highly literate aristocrat who was quite able to be detached from the values and assumptions of typography. That is why he alone understood the grammar of typography. And it is only on those terms, standing aside from any structure or medium, that its principles and lines of force can be discerned. For any medium has the power of imposing its own assumption on the unwary. Prediction and control consist in avoiding this subliminal state of Narcissus trance. But the greatest aid to this end is simply in knowing that the spell can occur immediately upon contact, as in the first bars of a melody.

This is an age greedy for instant solutions and rapid results but temple skills are not grown overnight nor produced at a weekend workshop, but slowly and incrementally gained as a tree maturing with time and season.

Poetry and Trance Dimensions dovetail, setting in resonant motion the boundaries where my dreams meet my wakened state. What deep truths reside in these ancient echos! It this half-dreaming, half waking state, plasticity reverberates off rigidity; polarities engage in epic battle, and a thing of beauty is born: an idea for a painting, a melody, or the seed of a poem, a collusion of words that prompts the poet to say something like, 'Dimensions dovetail'.

The perplexing thing was that Elon seemed to drift off into a trance at times. People spoke to him, but nothing got through when he had a certain, distant look in his eyes. This happened so often that Elon’s parents and doctors thought he might be deaf. “Sometimes, he just didn’t hear you,” said Maye. Doctors ran a series of tests on Elon, and elected to remove his adenoid glands, which can improve hearing in children. “Well, it didn’t change,” said Maye. Elon’s condition had far more to do with the wiring of his mind than how his auditory system functioned. “He goes into his brain, and then you just see he is in another world,” Maye said. “He still does that. Now I just leave him be because I know he is designing a new rocket or something.” Other children did not respond well to these dreamlike states. You could do jumping jacks right beside Musk or yell at him, and he would not even notice. He kept right on thinking, and those around him judged that he was either rude or really weird. “I do think Elon was always a little different but in a nerdy way,” Maye said. “It didn’t endear him to his peers.” For Musk, these pensive moments were wonderful. At five and six, he had found a way to block out the world and dedicate all of his concentration to a single task. Part of this ability stemmed from the very visual way in which Musk’s mind worked. He could see images in his mind’s eye with a clarity and detail that we might associate today with an engineering drawing produced by computer software. “It seems as though the part of the brain that’s usually reserved for visual processing—the part that is used to process images coming in from my eyes—gets taken over by internal thought processes,” Musk said. “I can’t do this as much now because there are so many things demanding my attention but, as a kid, it happened a lot.

In order to be vague you must talk about things in general terms, when you do, you allow the listener/reader to fill in the ‘gaps.’ By so doing they must use their imagination; by using their imagination they enter trance and a light state of hypnosis.

The frequency of these brain waves has been crudely correlated with states of consciousness. Delta waves (0.5 to 3 cycles per second) indicate deep sleep. Theta waves (4 to 8 cycles per second) indicate trance, drowsiness, or light sleep. Alpha waves (8 to 14 cycles per second) appear during relaxed wakefulness or meditation. And beta waves (14 to 35 cycles per second), the most uneven forms, accompany all the modulations of our active everyday consciousness. Underlying these rhythms are potentials that vary much more slowly, over periods as long as several minutes. Today's EEG machines are designed to filter them out because they cause the trace to wander and are considered insignificant anyway. There's still no consensus as to where the EEG voltages come from. They would be most easily explained by direct currents, both steady state and pulsing, throughout the brain, but that has been impossible for most biologists to accept. The main alternative theory, that large numbers of neurons firing simultaneously can mimic real electrical activity, has never been proven.

...More to the point, do their representatives and senators in Washington deliberately prioritize the stated requirement of the Pentagon and CIA above the most basic need of their constituents? Yes, if those legislators have developed the unfortunate tendency to go into a trance every time someone utter the magic phrase "national security." In truth, it happen often enough, and many times of the course of my career I saw Congress respond to that occult incantation like iron filing drawn to a magnet. p 64

consider merely that all types of awareness are trance states... consciousness is the direction in which the self looks.

In families in which parents are overbearing, rigid, and strict, children grow up with fear and anxiety. The threat of guilt, punishment, the withdrawal of love and approval, and, in some cases, abandonment, force children to suppress their own needs to try things out and to make their own mistakes. Instead, they are left with constant doubts about themselves, insecurities, and unwillingness to trust their own feelings. They feel they have no choice and as we have shown, for many, they incorporate the standards and values of their parents and become little parental copies. They follow the prescribed behavior suppressing their individuality and their own creative potentials. After all, criticism is the enemy of creativity. It is a long, hard road away from such repressive and repetitive behavior. The problem is that many of us obtain more gains out of main- taining the status quo than out of changing. We know, we feel, we want to change. We don’t like the way things are, but the prospect of upsetting the stable and the familiar is too frightening. We ob- tain “secondary gains” to our pain and we cannot risk giving them up. I am reminded of a conference I attended on hypnosis. An el- derly couple was presented. The woman walked with a walker and her husband of many years held her arm as she walked. There was nothing physically wrong with her legs or her body to explain her in- ability to walk. The teacher, an experienced expert in psychiatry and hypnosis, attempted to hypnotize her. She entered a trance state and he offered his suggestions that she would be able to walk. But to no avail. When she emerged from the trance, she still could not, would not, walk. The explanation was that there were too many gains to be had by having her husband cater to her, take care of her, do her bidding. Many people use infirmities to perpetuate relationships even at the expense of freedom and autonomy. Satisfactions are derived by being limited and crippled physically or psychologically. This is often one of the greatest deterrents to progress in psychotherapy. It is unconscious, but more gratification is derived by perpetuating this state of affairs than by giving them up. Beatrice, for all of her unhappiness, was fearful of relinquishing her place in the family. She felt needed, and she felt threatened by the thought of achieving anything 30 The Self-Sabotage Cycle that would have contributed to a greater sense of independence and self. The risks were too great, the loss of the known and familiar was too frightening. Residing in all of us is a child who wants to experiment with the new and the different, a child who has a healthy curiosity about the world around him, who wants to learn and to create. In all of us are needs for security, certainty, and stability. Ideally, there develops a balance between the two types of needs. The base of security is present and serves as a foundation which allows the exploration of new ideas and new learning and experimenting. But all too often, the security and dependency needs outweigh the freedom to explore and we stifle, even snuff out, the creative urges, the fantasy, the child in us. We seek the sources that fill our dependency and security needs at the expense of the curious, imaginative child. There are those who take too many risks, who take too many chances and lose, to the detriment of all concerned. But there are others who are risk-averse and do little with their talents and abilities for fear of having to change their view of themselves as being the child, the dependent one, the protected one. Autonomy, independence, success are scary because they mean we can no longer justify our needs to be protected. Success to these people does not breed success. Suc- cess breeds more work, more dependence, more reason to give up the rationales for moving on, away from, and exploring the new and the different.

We get sucked even further into the system’s trance through information overload. Magazines, newspapers, internet, I Pads, mobile phones, computer games, advertising, radio stations and satellite TV make it all too easy to remain in a permanent trance like state.

For example, Dell’s (2006b) Multidimensional Inventory of Dissociation (MID) is a highly regarded psychometric instrument specifically designed to provide a comprehensive, content-valid assessment of the more commonly observed experiences of persons with dissociative identity disorder, many of which represent prototypic descriptions of altered states of consciousness (e.g., depersonalization, derealization, posttraumatic flashbacks, and trance states, collectively described previously by Dell [2001] as instances of “pervasive dissociation”).

Shamanism uses trance states induced by rhythms, chants, or psychotropic plants to journey into spiritual worlds. Shamans consult spirits and guides to gain hidden knowledge and perform healing rituals to release emotional blockages. Vision quests, where the individual meditates alone in nature, are also common to reveal hidden aspects of ourselves.

As soon as you enter a state of overstimulation, your mind will play tricks on you to convince you there is no need to leave that “trance”. Instead, your mind encourages you to embrace it and seek even more stimulation. After all, we have to enjoy life, right?

In Chennai (Madras), there is bronze gallery in the state museum that houses a magnificent collection of southern Indian bronzes. One of its prize works is a twelfth-century Nataraja (Figure 8.5). One day around the turn of the twentieth century, an elderly firangi (“foreigner” or “white” in Hindi) gentleman was observed gazing at the Nataraja in awe. To the amazement of the museum guards and patrons, he went into a sort of trance and proceeded to mimic the dance postures. A crowd gathered around, but the gentleman seemed oblivious until the curator finally showed up to see what was going on. He almost had the poor man arrested until he realized the European was none other than the world-famous sculptor Auguste Rodin. Rodin was moved to tears by The Dancing Shiva. In his writings he referred to it as one of the greatest works of art ever created by the human mind.

But the more the human race emerges from these primary bonds, the more it separates itself from the natural world, the more intense becomes the need to find new ways of escaping separateness. One way of achieving this aim lies in all kinds of orgiastic states. These may have the form of an auto-induced trance, sometimes with the help of drugs. Many rituals of primitive tribes offer a vivid picture of this type of solution. In a transitory state of exaltation the world outside disappears, and with it the feeling of separateness from it. Inasmuch as these rituals are practiced in common, an experience of fusion with the group is added which makes this solution all the more effective. Closely related to, and often blended with this orgiastic solution, is the sexual experience. The sexual orgasm can produce a state similar to the one produced by a trance, or to the effects of certain drugs. Rites of communal sexual orgies were a part of many primitive rituals. It seems that after the orgiastic experience, man can go on for a time without suffering too much from his separateness. Slowly the tension of anxiety mounts, and then is reduced again by the repeated performance of the ritual. As long as these orgiastic states are a matter of common practice in a tribe, they do not produce anxiety or guilt. To act in this way is right, and even virtuous, because it is a way shared by all, approved and demanded by the medicine men or priests; hence there is no reason to feel guilty or ashamed. It is quite different when the same solution is chosen by an individual in a culture which has left behind these common practices. Alcoholism and drug addiction are the forms which the individual chooses in a non-orgiastic culture. In contrast to those participating in the socially patterned solution, such individuals suffer from guilt feelings and remorse. While they try to escape from separateness by taking refuge in alcohol or drugs, they feel all the more separate after the orgiastic experience is over, and thus are driven to take recourse to it with increasing frequency and intensity. Slightly different from this is the recourse to a sexual orgiastic solution. To some extent it is a natural and normal form of overcoming separateness, and a partial answer to the problem of isolation. But in many individuals in whom separateness is not relieved in other ways, the search for the sexual orgasm assumes a function which makes it not very different from alcoholism and drug addiction. It becomes a desperate attempt to escape the anxiety engendered by separateness, and it results in an ever-increasing sense of separateness, since the sexual act without love never bridges the gap between two human beings, except momentarily. All forms of orgiastic union have three characteristics: they are intense, even violent; they occur in the total personality, mind and body; they are transitory and periodical.

But reading offers tremendous benefits to those who engage in the activity for even a few minutes a day. Ceridwen Dovey, a social anthropologist, wrote in The New Yorker, “Reading has been shown to put our brains into a pleasurable trance-like state, similar to meditation, and it brings the same health benefits of deep relaxation and inner calm. Regular readers sleep better, have lower stress levels, higher self-esteem, and lower rates of depression than non-readers.

For any medium has the power of imposing its own assumption on the unwary. Prediction and control consist in avoiding this subliminal state of Narcissus trance. But the greatest aid to this end is simply in knowing that the spell can occur immediately upon contact, as in the first bars of a melody.

Others rolled on the floor, foaming at the mouth. Cemal’s father had told him that this was a state of ecstasy caused by submission to God through reciting his Holy Name. In fact, it was the result of the effect of the rhythmic chant at a tempo of 124 beats per minute. In Middle Eastern rituals, the name “Allah” recited at this tempo soon sends a person into a trance, this being the same tempo at which the heart beats. The same thing applies in discotheques all over the world, when the drum beats 124 times a minute.