Trance Quotes

We've searched our database for all the quotes and captions related to Trance. Here they are! All 100 of them:

Pain is not wrong. Reacting to pain as wrong initiates the trance of unworthiness. The moment we believe something is wrong, our world shrinks and we lose ourselves in the effort to combat the pain.
Tara Brach (Radical Acceptance: Embracing Your Life With the Heart of a Buddha)
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning. The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man's mind can compass, that mind itself being but a fact among others.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Voodoo Girl Her skin is white cloth, and she's all sewn apart and she has many colored pins sticking out of her heart. She has many different zombies who are deeply in her trance. She even has a zombie who was originally from France. But she knows she has a curse on her, a curse she cannot win. For if someone gets too close to her, the pins stick farther in.
Tim Burton
Princess." Puck's voice broke through my numb trance. I glared poisoned daggers at him and he gave me a weak smile. "Scary, you can rip me to pieces later. His royal iciness isn't looking so good. We have to get him to a healer, now." -Puck
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
A slap wouldn’t have pulled me out of the trance any faster.
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
One clear moment, one of trance One missed step, one perfect dance One missed shot, one and only chance Life is all...but one fleeting glance.
Sanober Khan
Souls and memories can do strange things during trance.
Bram Stoker (Dracula)
And all my days are trances, And all my nightly dreams Are where thy dark eye glances, And where thy footstep gleams-- In what ethereal dances, By what eternal streams!
Edgar Allan Poe
Clearly recognizing what is happening inside us, and regarding what we see with an open, kind and loving heart, is what I call Radical Acceptance. If we are holding back from any part of our experience, if our heart shuts out any part of who we are and what we feel, we are fueling the fears and feelings of separation that sustain the trance of unworthiness. Radical Acceptance directly dismantles the very foundations of this trance.
Tara Brach (Radical Acceptance: Embracing Your Life With the Heart of a Buddha)
I had one class in the morning, the mysteriously named "Further Maths". It was two hours long and so deeply frightening that I think I went into a trance.
Maureen Johnson (The Name of the Star (Shades of London, #1))
People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights. When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
Jodi Picoult (Handle with Care)
No one would take me just as I was, no one loved me; I shall love myself enough, I thought, to make up for this abandonment by everyone. Formerly, I had been quite satisfied with myself, but I had taken very little trouble to increase my self-knowledge; from now on, I would stand outside myself, watch over and observe myself; in my diary I had long conversations with myself. I was entering a world whose newness stunned me. I learned to distinguish between distress and melancholy, lack of emotion and serenity; I learned to recognize the hesitations of the heart, and its ecstasies, the splendor of great renunciations, and the subterranean murmurings of hope. I entered into exalted trances, as on those evenings when I used to gaze upon the sky full of moving clouds behind the distant blue of the hills; I was both the landscape and its beholder: I existed only through myself, and for myself… My path was clearly marked: I had to perfect, enrich and express myself in a work of art that would help others to live.
Simone de Beauvoir
The emotion of fear often works overtime. Even when there is no immediate threat, our body may remain tight and on guard, our mind narrowed to focus on what might go wrong. When this happens, fear is no longer functioning to secure our survival. We are caught in the trance of fear and our moment-to-moment experience becomes bound in reactivity. We spend our time and energy defending our life rather than living it fully.
Tara Brach (Radical Acceptance: Embracing Your Life With the Heart of a Buddha)
The engaged mind, illuminated by truth, awakens awareness; the engaged heart, affected by love, awakens passion. May I say once more - this essential energy of the soul is not an ecstatic trance, high emotion or a sanguine stance toward life: It is a fierce longing for God, an unyielding resolve to live in and out of our belovedness. - pg. 152
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging)
Fear of being a flawed person lay at the root of my trance, and I had sacrificed many moments over the years in trying to prove my worth. Like the tiger Mohini, I inhabited a self-made prison that stopped me from living fully.
Tara Brach (Radical Acceptance: Embracing Your Life With the Heart of a Buddha)
For the first time the sun kissed my own naked face and my soul was inflamed with love for the sun, and I wanted my masks no more. And as if in a trance I cried, "Blessed, blessed are the thieves who stole my masks." Thus I became a madman.
Khalil Gibran Muhammad (The Mad Man)
Its like a hypnotist put everyone from Seattle into a collective trance. "You are getting sleepy, when you wake up you will want to live only in a Craftsman house, the year won't matter to you, all that will matter is that the walls will be thick, the windows tiny, the rooms dark, the ceilings low, and it will be poorly situated on the lot.
Maria Semple (Where'd You Go, Bernadette)
Those rituals of getting ready to write produce a kind of trance state.
John Barth
If we are taken over by craving, no matter who or what is before us, all we can see is how it might satisfy our needs. This kind of thirst contracts our body and mind into a profound trance. We move through the world with a kind of tunnel vision that prevents us from enjoying what is in front of us. The color of an autumn leaves or a passage of poetry merely amplifies the feeling that there is a gaping hole in our life. The smile of a child only reminds us that we are painfully childless. We turn away from simple pleasures because our craving compels us to seek more intense stimulation or numbing relief.
Tara Brach (Radical Acceptance: Embracing Your Life With the Heart of a Buddha)
It didn't occur to me then, though it certainly does now, that it was years since I'd roused myself from my stupor of misery and self-absorption; between anomie and trance, inertia and parenthesis and gnawing my own heart out, there were a lot of small, easy, everyday kindnesses I'd missed out on; and even the word `kindness' was liking rising from unconsciousness into some hospital awareness of voices, and people, from a stream of digitized machines.
Donna Tartt (The Goldfinch)
Dissociation, a form of hypnotic trance, helps children survive the abuse…The abuse takes on a dream-like, surreal quality and deadened feelings and altered perceptions add to the strangeness. The whole scene does not fit into the 'real world.' It is simple to forget, easy to believe nothing happened.
Renee Fredrickson (Repressed Memories: A Journey to Recovery from Sexual Abuse (Fireside Parkside Books))
As a friend of mine put it, “Feeling that something is wrong with me is the invisible and toxic gas I am always breathing.” When we experience our lives through this lens of personal insufficiency, we are imprisoned in what I call the trance of unworthiness. Trapped in this trance, we are unable to perceive the truth of who we really are.
Tara Brach (Radical Acceptance: Embracing Your Life with the Heart of a Buddha)
Violet Eden!" Steph said sternly, sucking me out of my trance. "We have your dad's Amex, a green light and no specified limit." Her mock rebuke morphed into a devious grin. "What more could a girl want as a birthday present?
Jessica Shirvington (Embrace (The Violet Eden Chapters, #1))
And in a mad trance Strike with our spirit's knife Invulnerable nothings We decay Like corpses in a charnel Fear & Grief Convulse is & consume us Day by day And cold hopes swarm Like worms within Our living clay
Percy Bysshe Shelley (Adonais)
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in a many a mudded field is unspeakable and calamitous beyond reckoning.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The skies bend, the time stops, the lanes move and the fires dance, It can mean only one thing that I am with you. You are enigmatic yet so beautiful that I have lost my sense, You are as immaculate as the unadulterated morning dew And your beauty leaves me in a mystified trance. I do not foresee what you and I will be But I promise to be with you till the rocks keep meeting the sea.
Faraaz Kazi
Half a capital and half a country town, the whole city leads a double existence; it has long trances of the one and flashes of the other; like the king of the Black Isles, it is half alive and half a monumental marble.
Robert Louis Stevenson (Edinburgh: Picturesque Notes)
Don't you think”—he smiled—“that my lack of faith makes such a trance pointless?” “No, I don't. And do you know why?” “No.” Nenneke leaned over and looked him in the eyes with a strange smile on her pale lips. “Because it would be the first proof I’ve ever heard of that a lack of faith has any kind of power at all.
Andrzej Sapkowski (The Last Wish (The Witcher 0.5))
There is a pain so utter, it swallows being up; The covers the abyss with a trance So memory can step around, across, upon it.
Emily Dickinson
Consider a girl who keeps slipping off, arms limp as old carrots, into the hypnotist's trance, into a spirit world speaking with the gift of tongues.
Anne Sexton (Transformations)
He had the face of one who walks in his sleep, and for a wild moment the idea came to me that perhaps he was not normal, not altogether sane. There were people who had trances, I had surely heard of them, and they followed strange laws of which we could know nothing, they obeyed the tangled orders of their own sub-conscious minds. Perhaps he was one of them, and here we were within six feet of death.
Daphne du Maurier (Rebecca)
There is a pain – so utter – It swallows substance up – Then covers the Abyss with Trance – So Memory can step Around – across – opon it – As one within a Swoon – Goes safely – where an open eye – Would drop Him – Bone by Bone.
Emily Dickinson
I had feelings: passive as I lived, little as I spoke, cold as I looked, when I thought of past days, I could feel. About the present, it was better to be stoical; about the future – such a future as mine – to be dead. And in catalepsy and a dead trance, I studiously held the quick of my nature.
Charlotte Brontë (Villette)
Try the meditation of the trail, just walk along looking at the trail at your feet and don’t look about and just fall into a trance as the ground zips by. Trails are like that: you’re floating along in a Shakespearean Arden paradise and expect to see nymphs and fluteboys, then suddenly you’re struggling in a hot broiling sun of hell in dust and nettles and poison oak… just like life.
Jack Kerouac (The Dharma Bums)
And I must borrow every changing shape To find expression ... dance, dance Like a dancing bear, Cry like a parrot, chatter like an ape. Let us take the air, in a tobacco trance
T.S. Eliot (Prufrock and Other Observations)
As the vampire trailed a fingertip along the girl’s collarbone, she appeared to fall into a trance. It was not mind games on Zypher’s part. Females of both races couldn’t help themselves around him.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
Sometimes I think this planet is under a spell," Elias said. "We are asleep or in a trance, and something causes us to see what it wants us to see and remember and think what it wants us to remember and think. Which means we're whatever it wants us to be. Which in turn means that we have no genuine existence. We're at the mercy of some kind of whim.
Philip K. Dick (The Divine Invasion)
Yo había pensado mucho últimamente en la muerte. No en lo que pasa cuando ocurre, no en ese adiós que todos terminaremos diciendo algún día, sino en cómo afrontarla cuando se lleva a las personas que más quieres. Me preguntaba si la tristeza y el dolor eran sentimientos instintivos o si nos habían inculcado cómo debíamos digerir ese trance.
Alice Kellen (Todo lo que nunca fuimos (Deja que ocurra, #1))
I desire nothing, seek nothing but peace, the slumber of the soul. I have tasted all the hollowness and wretchedness of life and I despise it heartily. Whoever has lived and thought cannot but, in his soul, despise humanity. Activity, cares, worries, distractions - I am sick of them all. I wish for nothing, I seek nothing. I have no aim, for one gains that which one is eager for - and sees that it is all illusion. My joyous days have passed. I have cooled to them. In the educated world, amidst human beings, I feel the disadvantages of life too strongly, but alone, far from the crowd, I turn to stone. In this trance anything can happen, I see neither others nor myself. I do nothing and do not notice the actions either of others or myself - and I am at peace, I am indifferent. There can be no happiness for me, and I will not succumb to unhappiness.
Ivan Goncharov (The Same Old Story)
With lacquerware there is an extra beauty in that moment between removing the lid and lifting the bowl to the mouth, when one gazes at the still, silent liquid in the dark depths of the bowl, its colour hardly differing from that of the bowl itself. What lies within the darkness one cannot distinguish, but the palm senses the gentle movements of the liquid, vapour rises from within, forming droplets on the rim, and the fragrance carried upon the vapour brings a delicate anticipation ... a moment of mystery, it might almost be called, a moment of trance.
Jun'ichirō Tanizaki (In Praise of Shadows)
If it is true that only misfortune can awaken a man's soul, it is a bitter truth, one that is hard to hear and accept, and it is only natural that many people deny it and say it is better for a man to live on in a trance than to wake up to torture.
Maxim Gorky
Feelings and stories of unworthiness and shame are perhaps the most binding element in the trance of fear. When we believe something is wrong with us, we are convinced we are in danger. Our shame fuels ongoing fear, and our fear fuels more shame. The very fact that we feel fear seems to prove that we are broken or incapable. When we are trapped in trance, being fearful and bad seem to define who we are. The anxiety in our body, the stories, the ways we make excuses, withdraw or lash out—these become to us the self that is most real.
Tara Brach
He’s lonely and afraid, even if he’s in a trance and doesn’t realize it. One can’t hide loneliness like that.
A.G. Howard (Unhinged (Splintered, #2))
I know that spinning sets me in a trance; it soothes me and charges my batteries at the same time. When times are tough I sit down to spin during the news-broadcasts, with therapeutic results.
Elizabeth Zimmermann (Elizabeth Zimmermann's Knitter's Almanac)
I find it far more awesome, wonderful, that creation; our appearance in the world; should be the culmination, or at least one of the latest products of 3,000 Million years of organic evolution, than a kind of country trick, taking a rib out of a man's side in a trance.
David Attenborough
I'll walk you to your room. I'll even sing you a lullaby . . . and maybe you could show me what makes you howl,” Connor said, a smile sliding across his mouth. “Hey!” Shay snapped out of his trance to glare at the Searcher. “Down, boy.” Connor laughed.
Andrea Cremer (Wolfsbane (Nightshade, #2; Nightshade World, #5))
I walk home in a sort of trance. It’s not until passing pedestrians give me double takes and odd looks that I realize I’m crying. I don’t try to stop. I let the tears fall. I cry for the girl I used to be. I cry for me. It’s a foreign experience. Self-pity is not an indulgence that I allow myself. This doesn’t feel like pity, though. It feels like self-compassion, and the realization makes me cry harder. No one should need a diagnosis in order to be compassionate to themself.
Helen Hoang (The Heart Principle (The Kiss Quotient, #3))
This is the place of my song-dream, the place the music played to me,’ whispered the Rat, as if in a trance. ‘Here, in this holy place, here if anywhere, surely
Kenneth Grahame (The Wind in the Willows)
They are given to all kinds of marvellous beliefs; are subject to trances and visions; and frequently see strange sights, and hear music and voices in the air.
Washington Irving (The Legend of Sleepy Hollow)
You use hypnosis not as a cure but as a means of establishing a favorable climate in which to learn.
Milton H. Erickson
Certain it is, the place still continues under the sway of some witching power, that holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvellous beliefs, are subject to trances and visions, and frequently see strange sights, and hear music and voices in the air
Washington Irving (The Legend of Sleepy Hollow)
He felt that she wanted the soul out of his body and not him. All his strength and energy she drew into herself through some channel which united them. She did not want to meet him so that there were two of them man and woman together. She wanted to draw all of him into her. It urged him to an intensity like madness which fascinated him as drug-taking might. He was discussing Michael Angelo. It felt to her as if she were fingering the very quivering tissue the very protoplasm of life as she heard him. It gave her deepest satisfaction. And in the end it frightened her. There he lay in the white intensity of his search and his voice gradually filled her with fear so level it was almost inhuman as if in a trance.
D.H. Lawrence (Sons and Lovers)
Blessed are those that know the path out of their carnal flesh, for they shall attain intuition.
Michael Bassey Johnson
My happiness is marred only by my failure to attain it.
Mary Ruefle (Trances of the Blast)
Escape from reality. In some instances, dissociation induces people to imagine that they have some kind of mastery over intractable environmental difficulties. Dissociation is often implicated in magical thinking or self-induced trance states. This aspect of dissociation is frequently found in abuse survivors. It is not uncommon for abused children to engage in magical thinking to retain an illusion of control over the situation (e.g., believing that they "cause" the perpetrator to act out).
Marlene Steinberg
And, because you are so enamored with our captain,” he held out his hand and grabbed hers, breaking her out of the trance. “I’m Royce, resident bad ass, all around swell motherfucker, and every woman's dream come true. Very nice to meet you.
Tigris Eden (Enslaved in Shadows (Shadow Unit, #1))
Even in her trances, even while possessed, my sister was very shrewd about her prospects. A fantasy would collapse like a wave against the rocks of her intelligence. Madness, as I understood it from books, meant a person who was open to the high white whine of everything.
Karen Russell (Swamplandia!)
Try the meditation of the trail, just walk along looking at the trail at your feet and don’t look about and just fall into a trance as the ground zips by,” Kerouac wrote. “Trails are like that: you’re floating along in a Shakespearean Arden paradise and expect to see nymphs and fluteboys, then suddenly you’re struggling in a hot broiling sun of hell in dust and nettles and poison oak… just like life.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch Smokes in the sun-thaw; whether the eave-drops fall Heard only in the trances of the blast, Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon.
Samuel Taylor Coleridge (Frost at Midnight)
It's not right, man,” Jay said, following my stare. “Some guys have all the luck.” “What?” I finally broke my trance to look at Jay. “That guy, the drummer? Get this. He's a killer musician, he gets tons of chicks, his dad's loaded, and as if that wasn't enough, he's got a friggin' English accent!” I had to smile at Jay's mix of envy and admiration. “What's his name?” I hollered as the third song started. “Kaidan Rowe. Oh, and that's another thing. A cool name! Bastard.” “How do you spell it?” I asked. It sounded like Ky-den. Jay spelled it for me. “It's A-I, like Thai food,” he explained. Kai, like Thai, only yummier. Gah! Who was this girl invading my brain?
Wendy Higgins (Sweet Evil (Sweet, #1))
You ask me how I became a madman. It happened thus: One day, long before many gods were born, I woke from a deep sleep and found all my masks were stolen, the seven masks I have fashioned and worn in seven lives, I ran maskless through the crowded streets shouting, "Thieves, thieves, the cursed thieves." Men and women laughed at me and some ran to their houses in fear of me. And when I reached the market place, a youth standing on a house-top cried, "He is a madman." I looked up to behold him; the sun kissed my own naked face for the first time. For the first time the sun kissed my own naked face and my soul was inflamed with love for the sun, and I wanted my masks no more. And as if in a trance I cried, "Blessed, blessed are the thieves who stole my masks." Thus I became a madman.
Kahlil Gibran (The Madman)
We, as citizens of a supposedly free country, should not permit our government to restrict any information that protects criminal activity under the guise of National Security.
Cathy O'Brien (TRANCE Formation of America: True life story of a mind control slave)
There is no mistaking a real book when one meets it. It is like falling in love, and like that colossal adventure it is an experience of great social import. Even as the tranced swain, the booklover yearns to tell others of his bliss. He writes letters about it, adds it to the postscript of all manner of communications, intrudes it into telephone messages, and insists on his friends writing down the title of the find. Like the simple-hearted betrothed, once certain of his conquest, “I want you to love her, too!” It is a jealous passion also. He feels a little indignant if he finds that any one else has discovered the book, too.
Christopher Morley
The idea of thinking in a linguistic yet nonphonological mode always intrigued me. I had a friend born of deaf parents; he grew up using American Sign Language, and he told me that he often thought in ASL instead of English. I used to wonder what it was like to have one’s thoughts be manually coded, to reason using an inner pair of hands instead of an inner voice. With Heptapod B, I was experiencing something just as foreign: my thoughts were becoming graphically coded. There were trance-like moments during the day when my thoughts weren’t expressed with my internal voice; instead, I saw semagrams with my mind’s eye, sprouting like frost on a windowpane. As
Ted Chiang (Stories of Your Life and Others)
Never use limitations as an excuse for mediocrity.
Linda Gerber (Trance)
See with a different eye, visualize with a colorful mind, manifest your thoughts with the energy within.
Michael Bassey Johnson
This medicinal potion was additionally consumed as part of a sacred ritual known as Sōmayajña where the Yogis that Jesus himself had taught were helped to reach an enlightened trance. In effect, Jesus had developed the Nirvanalaksanayoga Tantra specifically for women, to heal them from the psychological damage and abuse they had to endure at the hands of men. He wanted to enable them to rise above patriarchal dominance, realise their highest potential, and then he would guide them towards an enlightened state. The first person to benefit from this privilege was Mari [Mary Magdalene] herself. Jesus began teaching this discipline in every place that he visited: from Kashmir in the northernmost region of the Indian subcontinent, to Uttar Pradesh, and Mari would accompany him on every journey he embarked on, from east of the Indus to Nepal.
Anton Sammut (The Secret Gospel of Jesus, AD 0-78)
it is an ocean of burning oil I am cast adrift upon, no sea’s repose; I pass from waking agonies… to the semiconscious trance of torment in which the smaller, earlier, deeper rings of the brain know only that the nerves scream, the body aches, and there is no one to turn crying to for comfort.
Iain Banks
The sound of laughter is like the vaulted dome of a temple of happiness, "that delectable trance of happiness, that ultimate peak of delight. Laughter of delight, delight of laughter." There is no doubt: this laughter goes "far beyond joking, jeering, and ridicule." The two sisters stretched out on their bed are not laughing at anything concrete, their laughter has no object; it is an expression of being rejoicing at being... and in this ecstatic laughter he loses all memory, all desire, cries out to the immediate present of the world, and needs no other knowledge.
Milan Kundera (The Book of Laughter and Forgetting)
What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.
Annie Proulx (Brokeback Mountain)
As I see it, a successful story of any kind should be almost like hypnosis: You fascinate the reader with your first sentence, draw them in further with your second sentence and have them in a mild trance by the third. Then, being careful not to wake them, you carry them away up the back alley of your narrative and when they are hopelessly lost within the story, having surrendered themselves to it, you do them terrible violence with a softball bag and then lead them whimpering to the exit on the last page. Believe me, they'll thank you for it.
Alan Moore (Alan Moore's Writing for Comics)
From these foolish embraces, which were not of very frequent occurrence, I must allow, I used to wish to extricate myself; but my energies seemed to fail me. Her murmured words sounded like a lullaby in my ear, and soothed my resistance into a trance, from which I only seemed to recover myself when she withdrew her arms. In these mysterious moods I did not like her. I experienced a strange tumultuous excitement that was pleasurable, ever and anon, mingled with a vague sense of fear and disgust. I had no distinct thoughts about her while such scenes lasted, but I was conscious of a love growing into adoration, and also of abhorrence. This I know is paradox, but I can make no other attempt to explain the feeling.
J. Sheridan Le Fanu (Carmilla)
But if sleep it was, of what nature, we can scarcely refrain from asking, are such sleeps as these? Are they remedial measures—trances in which the most galling memories, events that seem likely to cripple life for ever, are brushed with a dark wing which rubs their harshness off and gilds them, even the ugliest, and basest, with a lustre, an incandescence? Has the finger of death to be laid on the tumult of life from time to time lest it rend us asunder? Are we so made that we have to take death in small doses daily or we could not go on with the business of living? And then what strange powers are these that penetrate our most secret ways and change our most treasured possessions without our willing it? Had Orlando, worn out by the extremity of his suffering, died for a week, and then come to life again? And if so, of what nature is death and of what nature life?
Virginia Woolf (Orlando)
Children...wake up and find themselves here, discover themselves to have been here all along; is this sad? They wake like sleepwalkers, in full stride,; they wake like people brought back from cardiac arrest or from drowning: in medias res, surrounded by familiar people and objects, equipped with a hundred skills. They know the neighborhood, they can read and write English, they are old hands at the commonplace mysteries, and yet they feel themselves to have just stepped off the boat, just converged with their bodies, just flown down from a trance, to lodge in an eerily familiar life already well underway.
Annie Dillard (An American Childhood)
They're selling postcards of the hanging They're painting the passports brown The beauty parlor is filled with sailors The circus is in town Here comes the blind commissioner They've got him in a trance One hand is tied to the tight-rope walker The other is in his pants And the riot squad they're restless They need somewhere to go As Lady and I look out tonight From Desolation Row.
Bob Dylan
And it was then I began to realize for the first time that there are two distinct sides to a writer of fiction. First, there is the side he displays to the public, that of an ordinary person like anyone else, a person who does ordinary things and speaks ordinary language. Second, there is the secret side, which comes out in him only after he has closed the door of his workroom and is completely alone. It is then that he slips into another world altogether, a world where his imagination takes over and he finds himself actually living in the places he is writing about at that moment. I myself, if you want to know, fall into a kind of trance, and everything around me disappears. I see only the point of my pencil moving over the paper, and quite often two hours go by as though they were a couple of seconds.
Roald Dahl (The Wonderful Story of Henry Sugar and Six More)
That, in my opinion, was the most diabolical aspect of those old-time big brains: They would tell their owners, in effect, 'Here is a crazy thing we could actually do, probably, but we would never do it, of course. It's just fun to think about.' And then, as though in trances, the people would really do it--have slaves fight each other to death in the Colosseum, or burn people alive in the public square for holding opinions which were locally unpopular, or build factories whose only purpose was to kill people in industrial quantities, or to blow up whole cities, and on and on.
Kurt Vonnegut Jr. (Galápagos)
THOU wast all that to me, love, For which my soul did pine: A green isle in the sea, love, A fountain and a shrine All wreathed with fairy fruits and flowers, And all the flowers were mine. Ah, dream too bright to last! Ah, starry Hope, that didst arise But to be overcast! A voice from out the Future cries, "On! on!"—but o'er the Past (Dim gulf!) my spirit hovering lies Mute, motionless, aghast. For, alas! alas! with me The light of Life is o'er! No more—no more—no more— (Such language holds the solemn sea To the sands upon the shore) Shall bloom the thunder-blasted tree, Or the stricken eagle soar. And all my days are trances, And all my nightly dreams Are where thy gray eye glances, And where thy footstep gleams— In what ethereal dances, By what eternal streams.
Edgar Allan Poe
The renaissance of interest in Eastern spiritual philosophies, various mystical traditions, meditation, ancient and aboriginal wisdom, as well as the widespread psychedelic experimentation during the stormy 1960s, made it absolutely clear that a comprehensive and cross-culturally valid psychology had to include observations from such areas as mystical states; cosmic consciousness; psychedelic experiences; trance phenomena; creativity; and religious, artistic, and scientific inspiration.
Stanislav Grof
INEZ: To forget about the others? How utterly absurd! I feel you there, in every pore.Your silence clamours in my ears. You can nail up your mouth, cut your tongue out - but you can't prevent your being there. Can you stop your thoughts? I hear them ticking away like a clock, tick-tock, tick-tock, and I'm certain you hear mine. It's all very well skulking on your sofa, but you're everywhere, and every sound comes to me soiled because you've intercepted it on its way. Why, you've even stolen my face; you know it and I don't ! And what about her, about Estelle? You've stolen her from me, too; if she and I were alone do you suppose she'd treat me as she does? No, take your hands from your face, I won't leave you in peace - that would suit your book too well. You'd go on sitting there, in a sort of trance, like a yogi, and even if I didn't see her I'd feel it in my bones - that she was making every sound, even the rustle of her dress, for your benefit, throwing you smiles you didn't see... Well, I won't stand for that, I prefer to choose my hell; I prefer to look you in the eyes and fight it out face to face.
Jean-Paul Sartre (No Exit)
A couple of hours after Rik left, Trance was still on the floor of the basement dungeon, staring at the mess around him. “Trance?” He looked up to find Wyatt at the bottom of the stairs, staring at him. Wyatt gave a long whistle as he looked around the room and then again at Trance. “Orgy gone wild?” Trance groaned. “Is there a fucking sign on my door that says ‘Bother Me Now’?
Sydney Croft (Taming the Fire (ACRO, #4))
You remind me of a boy I used to know Same Smile, same easy, laid-back style And man, could he kiss Blew my mind the very first time His lips touched mine. You remind me You remind me of a boy I used to like. Same eyes, strong arms, same open mind And man, could he dance Arms around me, lost in a trance I'd hear his heart You remind me I'm scared of you How did you find me? Turn and walk away 'Cause you remind me You remind me of a boy I used to love Same laughter and tears, shared through the years And man, how he felt Made my bones more than melt He touched my soul. You remind me I'm scared of you How did you find me? Turn and walk away 'Cause you remind me
Malorie Blackman (Checkmate (Noughts & Crosses, #3))
I had fallen into a profound dream-like reverie in which I heard him speaking as at a distance. 'And yet there is no one who communes with only one god,' he was saying, 'and the more a man lives in imagination and in a refined understanding, the more gods does he meet with and talk with, and the more does he come under the power of Roland, who sounded in the Valley of Roncesvalles the last trumpet of the body's will and pleasure; and of Hamlet, who saw them perishing away, and sighed; and of Faust, who looked for them up and down the world and could not find them; and under the power of all those countless divinities who have taken upon themselves spiritual bodies in the minds of the modern poets and romance writers, and under the power of the old divinities, who since the Renaissance have won everything of their ancient worship except the sacrifice of birds and fishes, the fragrance of garlands and the smoke of incense. The many think humanity made these divinities, and that it can unmake them again; but we who have seen them pass in rattling harness, and in soft robes, and heard them speak with articulate voices while we lay in deathlike trance, know that they are always making and unmaking humanity, which is indeed but the trembling of their lips.
W.B. Yeats (Rosa Alchemica)
Still i knew because of my own feelings there was something wrong with me and i knew it wasnt only me. I knew it was everybody. It was like a bacteria or a cancer or a trance. It wasnt on the skin, it was in the soul. It showed itself in lonliness, lust, anger , jealousy and depression. It had people screwed up bad everywhere you went- at the store, at home, at church, it was ugly and deep. Lots of singers on the radio were singing about it and cops had jobs because of it. It was as if we were broken I thought, as if we were never supposed to feel these sticky emotions. It was as if we were cracked, coudlnt love right, couldnt feel good things for a long before screwing it all up. I am talking about the broken quality of life.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
Where my soul went during that swoon I cannot tell. Whatever she saw, or wherever she travelled in her trance on that strange night she kept her own secret; never whispering a word to Memory, and baffling imagination by an indissoluble silence. She may have gone upward, and come in sight of her eternal home, hoping for leave to rest now, and deeming that her painful union with matter was at last dissolved. While she so deemed, an angel may have warned her away from heaven's threshold, and, guiding her weeping down, have bound her, once more, all shuddering and unwilling, to that poor frame, cold and wasted, of whose companionship she was grown more than weary. I know she re-entered her prison with pain, with reluctance, with a moan and a long shiver. The divorced mates, Spirit and Substance, were hard to re-unite: they greeted each other, not in an embrace, but a racking sort of struggle.
Charlotte Brontë
Masks! I see them everywhere. That dreadful vision of the other night - the deserted town with its masked corpses in every doorway; that nightmare product of morphine and ether - has taken up residence within me. I see masks in the street, I see them on stage in the theatre, I find yet more of them in the boxes. They are on the balcony and in the orchestra-pit. Everywhere I go I am surrounded by masks. The attendants to whom I give my overcoat are masked; masks crowd around me in the foyer as everyone leaves, and the coachman who drives me home has the same cardboard grimace fixed upon his face! It is truly too much to bear: to feel that one is alone and at the mercy of all those enigmatic and deceptive faces, alone amid all the mocking laughs and the threats embodied in those masks. I have tried to persuade myself that I am dreaming, and that I am the victim of a hallucination, but all the powdered and painted faces of women, all the rouged lips and kohl-blackened eyelids... all of that has created around me an atmosphere of trance and mortal agony. Cosmetics: there is the root cause of my illness! But I am happy, now, when there are only masks! Sometimes, I detect the cadavers beneath, and remember that beneath the masks there is a host of spectres.
Jean Lorrain (Monsieur De Phocas)
...when my sons were the ages of those two leaping boys, they were so intimate it would have been hard to disentangle their separate natures. They used to play together without pause from the moment they opened their eyes in the morning to the moment they closed them again. Their play was a kind of shared trance in which they created whole imaginary worlds, and they were forever involved in games and projects whose planning and execution were as real to them as they were invisible to everyone else: sometimes I would move or throw away some apparently inconsequential item, only to be told that it was a sacred prop in the ongoing make-believe, a narrative which seemed to run like a magic river through our household, inexhaustible, and which they could exit and re-enter at will, moving over that threshold which no one else could see into another element. And then one day the river dried up: their shared world of imagination ceased, and the reason was that one of them - I can't even recall which one it was - stopped believing in it. In other words, it was nobody's fault; but all the same it was brought home to me how much of what was beautiful in their lives was the result of a shared vision of things that strictly speaking could not have been said to exist.
Rachel Cusk (Outline)
Came the visions of icy beauty, from the land of death where they dwell. Pursuing their prize and grisly duty, came the thieves of the charm and spell. The bells chimed thrice, and death came a-calling. Alluring of shape though seldom seen, they traveled the breeze on a spark. some fed twigs to their newborn queen, while others invaded the dark. the bells chimed thrice, and death came a-calling. some they called and others they kissed as they traveled on river and wave. with resolve they came and did insist: every one touched to a grave. the bells chimed thrice, and death came a-calling. roving to hunt and gathering to dance, they practiced their dark desires by casting a hex and a beautiful trance, before feeding the queen's new fires. the bells chimed thrice, and death came a-calling. till he parted the falls and the bells chimed thrice, till he issued the calls and demanded the price. the bells chimed thrice and death met the mountain. they charmed and embraced and they tried to extoll but he bade them in grace and demanded a soul. the bells fell silent and the mountain slew them all. and the mountain entombed them all.
Terry Goodkind (Soul of the Fire (Sword of Truth, #5))
We focus on other people’s faults. There is a saying that the world is divided into people who think they are right. The more inadequate we feel, the more uncomfortable it is to admit our faults. Blaming others temporarily relieves us from the weight of failure. The painful truth is that all of these strategies simply reinforce the very insecurities that sustain the trance of unworthiness. The more we anxiously tell ourselves stories about how we might fail or what is wrong with us or with others, the more we deepen the grooves—the neural pathways—that generate feelings of deficiency. Every time we hide a defeat we reinforce the fear that we are insufficient. When we strive to impress or outdo others, we strengthen the underlying belief that we are not good enough as we are. This doesn’t mean that we can’t compete in a healthy way, put wholehearted effort into work or acknowledge and take pleasure in our own competence. But when our efforts are driven by the fear that we are flawed, we deepen the trance of unworthiness.
Tara Brach (Radical Acceptance: Embracing Your Life with the Heart of a Buddha)
Politicians in our times feed their clichés to television, where even those who wish to disagree repeat them. Television purports to challenge political language by conveying images, but the succession from one frame to another can hinder a sense of resolution. Everything happens fast, but nothing actually happens. Each story on televised news is ”breaking” until it is displaced by the next one. So we are hit by wave upon wave but never see the ocean. The effort to define the shape and significance of events requires words and concepts that elude us when we are entranced by visual stimuli. Watching televised news is sometimes little more than looking at someone who is also looking at a picture. We take this collective trance to be normal. We have slowly fallen into it. More than half a century ago, the classic novels of totalitarianism warned of the domination of screens, the suppression of books, the narrowing of vocabularies, and the associated difficulties of thought. In Ray Bradbury’s Fahrenheit 451, published in 1953, firemen find and burn books while most citizens watch interactive television. In George Orwell’s 1984, published in 1949, books are banned and television is two-way, allowing the government to observe citizens at all times. In 1984, the language of visual media is highly constrained, to starve the public of the concepts needed to think about the present, remember the past, and consider the future. One of the regime’s projects is to limit the language further by eliminating ever more words with each edition of the official dictionary. Staring at screens is perhaps unavoidable, but the two-dimensional world makes little sense unless we can draw upon a mental armory that we have developed somewhere else. When we repeat the same words and phrases that appear in the daily media, we accept the absence of a larger framework. To have such a framework requires more concepts, and having more concepts requires reading. So get the screens out of your room and surround yourself with books. The characters in Orwell’s and Bradbury’s books could not do this—but we still can.
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
It might have felt easier if she'd been able to say that she moved across the room to him in a trance, as if he were a vampire exerting some kind of mind control. That would have been a cop-out, though. Not to mention a lie. She was exquisitely aware of every movement she made as she uncurled her legs, rose from her chair and walked slowly and carefully around the end of the coffee table towards him. She felt the wide hem of her yoga pants sway around her ankles, felt the nap of the blue-and-green area rug and then the cool smoothness of the wooden floorboards beneath her feet. She felt the way the thick sofa cushions gave beneath her as she sat beside him and the pull of gravity when his heavier weight made a deeper depression that her body rolled naturally into...And then she felt everything.
Christine Warren (Born to Be Wild (The Others, #15))
Children ten years old wake up and find themselves here, discover themselves to have been here all along; is this sad? They wake like sleepwalkers, in full stride; they wake like people brought back from cardiac arrest or from drowning: in medias res, surrounded by familiar people and objects, equipped with a hundred skills. They know the neighborhood, they can read and write English, they are old hands at the commonplace mysteries, and yet they feel themselves to have just stepped off the boat, just converged with their bodies, just flown down from a trance, to lodge in an eerily familiar life already well under way. I woke in bits, like all children, piecemeal over the years. I discovered myself and the world, and forgot them, and discovered them again. I woke at intervals until, by that September when Father went down the river, the intervals of waking tipped the scales, and I was more often awake than not. I noticed this process of waking, and predicted with terrifying logic that one of these years not far away I would be awake continuously and never slip back, and never be free of myself again.
Annie Dillard (An American Childhood)
Since I emerged that day from the labyrinth, Dazed with the tall and echoing passages, The swift recoils, so many I almost feared I’d meet myself returning at some smooth corner, Myself or my ghost, for all there was unreal After the straw ceased rustling and the bull Lay dead upon the straw and I remained… I could not live if this were not illusion. It is a world, perhaps; but there’s another. For once in a dream or trance I saw the gods Each sitting on the top of his mountain-isle, While down below the little ships sailed by… That was the real world; I have touched it once, And now shall know it always. But the lie, The maze, the wild-wood waste of falsehood, roads That run and run and never reach an end, Embowered in error – I’d be prisoned there But that my soul has birdwings to fly free. Oh these deceits are strong almost as life. Last night I dreamt I was in the labyrinth, And woke far on. I did not know the place.
Edwin Muir
1. Scribbled secret notebooks, and wild typewritten pages, for yr own joy 2. Submissive to everything, open, listening 3. Try never get drunk outside yr own house 4. Be in love with yr life 5. Something that you feel will find its own form 6. Be crazy dumbsaint of the mind 7. Blow as deep as you want to blow 8. Write what you want bottomless from bottom of the mind 9. The unspeakable visions of the individual 10. No time for poetry but exactly what is 11. Visionary tics shivering in the chest 12. In tranced fixation dreaming upon object before you 13. Remove literary, grammatical and syntactical inhibition 14. Like Proust be an old teahead of time 15. Telling the true story of the world in interior monolog 16. The jewel center of interest is the eye within the eye 17. Write in recollection and amazement for yourself 18. Work from pithy middle eye out, swimming in language sea 19. Accept loss forever 20. Believe in the holy contour of life 21. Struggle to sketch the flow that already exists intact in mind 22. Dont think of words when you stop but to see picture better 23. Keep track of every day the date emblazoned in yr morning 24. No fear or shame in the dignity of yr experience, language & knowledge 25. Write for the world to read and see yr exact pictures of it 26. Bookmovie is the movie in words, the visual American form 27. In praise of Character in the Bleak inhuman Loneliness 28. Composing wild, undisciplined, pure, coming in from under, crazier the better 29. You're a Genius all the time 30. Writer-Director of Earthly movies Sponsored & Angeled in Heaven
Jack Kerouac
Suicide by train is also popular in many developed countries. Without ready access to firearms, suicidal people often turn to trains. —Der Spiegel, July 27, 2011 Once it happens you can’t remember how you started out: innocent, barreling into the tunnel, shooting out at each station like a dolphin out of a dim green pool. Pneumatic doors inhale open, puff shut, lock with a solid thump. Up and down the line, fifty times a day, it’s a long slow song. You feel the rumble as much as hear it. In your dim green trance the words retain wonder: Vorsicht, Türe werden geschloßen. Caution, the doors are closing. Then the first time: someone decides darkness will answer, hides out in the tunnel, steps out in front of the train like he knows where he’s going, steps out at you, dying at you, knowing you can’t stop in time. Now each time the doors close, they seal you in. You are a human bullet shot into the tunnels, hoping no one will block the light far ahead, each station one minute’s reprieve.
Karen Greenbaum-Maya
I wish I could give you your due,” Rangi muttered after some time had passed. “The wisest teachers. Armies to defend you. A palace to live in.” Kyoshi raised an eyebrow. “The Avatar gets a palace?” “No, but you deserve one.” “I don’t need it,” Kyoshi said. She smiled into Rangi’s hair, the soft strands caressing her lips. “And I don’t need an army. I have you.” “Psh,” Rangi scoffed. “A lot of good I’ve been so far. If I were better at my job you would never feel scared. Only loved. Adored by all.” Kyoshi gently nudged Rangi’s chin upward. She could no more prevent herself from doing this than she could keep from breathing, living, fearing. “I do feel loved,” she declared. Rangi’s beautiful face shone in reflection. Kyoshi leaned in and kissed her. A warm glow mapped Kyoshi’s veins. Eternity distilled in a single brush of skin. She thought she would never be more alive than now. And then— The shock of hands pushing her away. Kyoshi snapped out of her trance, aghast. Rangi had flinched at the contact. Repelled her. Viscerally, reflexively. Oh no. Oh no. This couldn’t—not after everything they’d been through—this couldn’t be how it— Kyoshi shut her eyes until they hurt. She wanted to shrink until she vanished within the cracks of the earth. She wanted to become dust and blow away in the wind. But the sound of laughter pulled her back. Rangi was coughing, drowning herself with her own tears and mirth. She caught her breath and retook Kyoshi by the hips, turning to the side, offering up the smooth, unblemished skin of her throat. “That side of my face is busted up, stupid,” she whispered in the darkness. “Kiss me where I’m not hurt.
F.C. Yee (Avatar: The Rise of Kyoshi (The Kyoshi Novels, #1))
That night I never thought to sleep; but a slumber fell on me as soon as I lay down in bed. I was transported in thought to the scenes of childhood: I dreamt I lay in the red-room at Gateshead; that the night was dark, and my mind impressed with strange fears. The light that long ago had struck me into syncope, recalled in this vision, seemed glidingly to mount the wall, and tremblingly to pause in the centre of the obscured ceiling. I lifted up my head to look: the roof resolved to clouds, high and dim; the gleam was such as the moon imparts to vapours she is about to sever. I watched her come—watched with the strangest anticipation; as though some word of doom were to be written on her disk. She broke forth as never moon yet burst from cloud: a hand first penetrated the sable folds and waved them away; then, not a moon, but a white human form shone in the azure, inclining a glorious brow earthward. It gazed and gazed on me. It spoke to my spirit: immeasurably distant was the tone, yet so near, it whispered in my heart— 'My daughter, flee temptation.' 'Mother, I will.' So I answered after I had waked from the trance-like dream.
Charlotte Brontë (Jane Eyre)
There was a few seconds' pause. Then Amit said: I meant, what were you thinking just now. When? said Lata. When you were looking at Pran and Savita. Over the pudding. Oh. Well, what? I can't remember, said Lata with a smile. Amit laughed. Why are you laughing? asked Lata I like making you feel uncomfortable, I suppose. Oh. Why? --Or happy--or puzzled--just to see your change of mood. It's such fun. I pity you! Why? said Lata, startled. Because you'll never know what a pleasure it is to be in your company. Do stop talking like that, said Lata. Ma will come in any minute. You're quite right. In that case: Will you marry me? Lata dropped her cup. It fell to the floor and broke. She looked at the broken pieces--luckily, it has been empty--and then at Amit. Quick! said Amit. Before they come running to see what's happened. Say yes. Lata had knelt down; she was gathering he bits of the cup together and placing them on the delicately patterned blue-and-gold saucer. Amit joined her on the floor. Her face was only a few inches away from his, but her mind appeared to be somewhere else. he wanted to kiss her but he sensed that there was no question of it. One by one she picked up the shards of china. Was it a family heirloom? asked Amit. What? I'm sorry--said Lata, snapped out of her trance by the words. Well, I suppose I'll have to wait. I was hoping that by springing it on you like that I'd surprise you into agreeing... ...Do stop being idotic, Amit, said Lata. You're so brilliant, do you have to be so stupid as well? I should only take you seriously in black and white. And in sickness and health. Lata laughed: For better and for worse, she added.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
K.D. Enos
Tatyana’s Letter to Onegin I’m writing you this declaration— What more can I in candour say? It may be now your inclination To scorn me and to turn away; But if my hapless situation Evokes some pity for my woe, You won’t abandon me, I know. I first tried silence and evasion; Believe me, you‘d have never learned My secret shame, had I discerned The slightest hope that on occasion— But once a week—I’d see your face, Behold you at our country place, Might hear you speak a friendly greeting, Could say a word to you; and then, Could dream both day and night again Of but one thing, till our next meeting. They say you like to be alone And find the country unappealing; We lack, I know, a worldly tone, But still, we welcome you with feeling. Why did you ever come to call? In this forgotten country dwelling I’d not have known you then at all, Nor known this bitter heartache’s swelling. Perhaps, when time had helped in quelling The girlish hopes on which I fed, I might have found (who knows?) another And been a faithful wife and mother, Contented with the life I led. Another! No! In all creation There’s no one else whom I’d adore; The heavens chose my destination And made me thine for evermore! My life till now has been a token In pledge of meeting you, my friend; And in your coming, God has spoken, You‘ll be my guardian till the end…. You filled my dreams and sweetest trances; As yet unseen, and yet so dear, You stirred me with your wondrous glances, Your voice within my soul rang clear…. And then the dream came true for me! When you came in, I seemed to waken, I turned to flame, I felt all shaken, And in my heart I cried: It’s he! And was it you I heard replying Amid the stillness of the night, Or when I helped the poor and dying, Or turned to heaven, softly crying, And said a prayer to soothe my plight? And even now, my dearest vision, Did I not see your apparition Flit softly through this lucent night? Was it not you who seemed to hover Above my bed, a gentle lover, To whisper hope and sweet delight? Are you my angel of salvation Or hell’s own demon of temptation? Be kind and send my doubts away; For this may all be mere illusion, The things a simple girl would say, While Fate intends no grand conclusion…. So be it then! Henceforth I place My faith in you and your affection; I plead with tears upon my face And beg you for your kind protection. You cannot know: I’m so alone, There’s no one here to whom I’ve spoken, My mind and will are almost broken, And I must die without a moan. I wait for you … and your decision: Revive my hopes with but a sign, Or halt this heavy dream of mine— Alas, with well-deserved derision! I close. I dare not now reread…. I shrink with shame and fear. But surely, Your honour’s all the pledge I need, And I submit to it securely.
Alexander Pushkin (Eugene Onegin)