Trails From Zero Quotes

His fingertips slid down from my face, lightly stroking the line of my neck, down toward my shoulder. Everywhere he touched, a trail of goose bumps appeared. How did he keep doing this to me? Marcus—who made every girl in the world swoon—had zero effect on me. But one whisper of a touch from Adrian completely undid me.

Down every aisle a single thought follows me like a shadow: Brand Italy is strong. When it comes to cultural currency, there is no brand more valuable than this one. From lipstick-red sports cars to svelte runway figures to enigmatic opera singers, Italian culture means something to everyone in the world. But nowhere does the name Italy mean more than in and around the kitchen. Peruse a pantry in London, Osaka, or Kalamazoo, and you're likely to find it spilling over with the fruits of this country: dried pasta, San Marzano tomatoes, olive oil, balsamic vinegar, jars of pesto, Nutella. Tucked into the northwest corner of Italy, sharing a border with France and Switzerland, Piedmont may be as far from the country's political and geographical center as possible, but it is ground zero for Brand Italy. This is the land of Slow Food. Of white truffles. Barolo. Vermouth. Campari. Breadsticks. Nutella. Fittingly, it's also the home of Eataly, the supermarket juggernaut delivering a taste of the entire country to domestic and international shoppers alike. This is the Eataly mother ship, the first and most symbolically important store for a company with plans for covering the globe in peppery Umbrian oil, and shavings of Parmigiano-Reggiano Vacche Rosse. We start with the essentials: bottle opener, mini wooden cutting board, hard-plastic wineglasses. From there, we move on to more exciting terrain: a wild-boar sausage from Tuscany. A semiaged goat's-milk cheese from Molise. A tray of lacy, pistachio-pocked mortadella. Some soft, spicy spreadable 'nduja from Calabria. A jar of gianduja, the hazelnut-chocolate spread that inspired Nutella- just in case we have any sudden blood sugar crashes on the trail.

I panted as he pulled me back through the entryway, hands on my waist, kissing the whole way, and collapsed backward onto the gray leather couch, which felt softer than my skin. I fell on top of him, straddling his lap. He kissed his way down my neck and across the collar of my blouse, leaving a trail of fire behind. "Enough of that," I panted, ripping my shirt over my head. Thank goodness I'd worn a decent bra today---blue satin with a bow in the middle, not frayed or torn anywhere. He eyed it with a growl of approval, but maybe it wasn't a growl for the bra at all, because a moment of fumbling over my back and---pop---I shook off my now unfastened bra. "And to think you didn't like me at first." He drank me in unabashedly, his eyes roaming from belly to breasts to nose to eyes, and each inch his eyes traveled made me feel more and more powerful. Like I could go anywhere, do anything. Except all I wanted to do was right here. I ground against him, feeling his cock already hard and strong under his zipper. "Who says I like you now?" He gasped and pulled me tighter onto him. "If this is what you do to people you don't like, what do you do to people you do like?" I silenced him with another kiss as I rubbed up and down him again. Now my own sex was throbbing, and I sucked in a breath with every movement. I kept moving up and down as he kissed my breasts, tongue tracing lightly over each nipple. When I couldn't take it anymore, I tumbled to the side, lying down on the couch and pulling him on top of me. Because his was an expensive couch and not the cheap one my old roommate had bought at Ikea, there was plenty of room for us to writhe without making me feel like I might topple off the edge. He went down to kiss my breasts again... and kept going. His tongue slid down my stomach, did a lazy circle around my belly button. I clenched my teeth, holding back a beg for more as he slowly, slowly, way too slowly unzipped my skirt and tugged it down. I kicked it off, along with my underwear, when he reached my knees, nearly clipping him on the ear. When I felt close to the edge, I reached down and pulled him up. My hand moved down and took over, zeroing in on just the right spot on my clit. It didn't take long. I shuddered against his shoulder, biting back a cry, then wondered why I was biting it back and let it out. Breathing hard, my head collapsed back into the cushion. I was a little worried that now post-orgasm clarity would descend upon me and be like, What the hell are you doing, Julie? but the post-orgasm clarity seemed to approve. With a wink and a nudge, it made me pull away, and the desire roared back inside me. "That's why it's great to have a clitoris," I told Bennett. "Multiple orgasms.

Nor did we hear on the campaign trail that Obama would push gay marriage, open borders, near-permanent zero interest rates, six consecutive $1 trillion deficits, and record food-stamp and Social Security disability payouts. He criticized Bush for relatively minor executive orders, suggesting that he would never rule by fiat — as he since has done in matters of Obamacare, immigration law, and environmental regulations. Remember the promise of ending the revolving door and stopping aides from cashing in — and then follow the post-administration careers of Obama’s closest advisers.

And like red entrance ramps to a highway that nobody wanted to be on, a trail of blood led from each chair to merge with a long bloody smear to

Shame" It is a cramped little state with no foreign policy, Save to be thought inoffensive. The grammar of the language Has never been fathomed, owing to the national habit Of allowing each sentence to trail off in confusion. Those who have visited Scusi, the capital city, Report that the railway-route from Schuldig passes Through country best described as unrelieved. Sheep are the national product. The faint inscription Over the city gates may perhaps be rendered, "I'm afraid you won't find much of interest here." Census-reports which give the population As zero are, of course, not to be trusted, Save as reflecting the natives' flustered insistence That they do not count, as well as their modest horror Of letting one's sex be known in so many words. The uniform grey of the nondescript buildings, the absence Of churches or comfort-stations, have given observers An odd impression of ostentatious meanness, And it must be said of the citizens (muttering by In their ratty sheepskins, shying at cracks in the sidewalk) That they lack the peace of mind of the truly humble. The tenor of life is careful, even in the stiff Unsmiling carelessness of the border-guards And douaniers, who admit, whenever they can, Not merely the usual carloads of deodorant But gypsies, g-strings, hasheesh, and contraband pigments. Their complete negligence is reserved, however, For the hoped-for invasion, at which time the happy people (Sniggering, ruddily naked, and shamelessly drunk) Will stun the foe by their overwhelming submission, Corrupt the generals, infiltrate the staff, Usurp the throne, proclaim themselves to be sun-gods, And bring about the collapse of the whole empire.

Have you ever dreamt about doing something totally foolish, something so absurd that perhaps you were afraid to tell anyone except possibly those closest to you? I harbored such a secret for most of my adult life — I secretly wanted to hike the Appalachian Trail [A.T.] from Georgia to Maine.

Kilimanjaro offered a diverse and riveting selection of ways to die: malaria, typhoid fever, yellow fever, hepatitis, meningitis, polio, tetanus, and cholera. Those, of course, could be vaccinated against. There was no injection to protect you from the fog, which could roll in fast and as dense as clouds. According to one hiker’s online testimonial, “At lunch . . . the fog was so thick, I did not know what I was eating until it was in my mouth. Even then, it was a guess.” With zero visibility, people wandered off the trail and died of exposure. Even on a clear day, one could step on a loose rock and slide to an exhilarating demise. Or sometimes the mountain just came to you. In June 2006, three American climbers had been killed by a rockslide traveling 125 miles per second. Some of the boulders had been the size of cars, and scientists suspected the ice that held them in place had melted due to global warming. On the other end, hypothermia was also a concern. Temperatures could drop below zero at night. Then there was this heartening tidbit I came across in my research: “At 20,000 feet, Mount Kilimanjaro is Africa’s highest peak and also the world’s tallest volcano. And although classified as dormant, Kilimanjaro has begun to stir, and evidence suggests that a massive landslide could rip open the side of the mountain causing a cataclysmic flow of hot gases and rock, similar to Mount St. Helens.” A volcano?! They’re still making volcanoes? But the biggest threat on Kilimanjaro was altitude sickness. It happened when you ascended too quickly. Symptoms could be as mild as nausea, shortness of breath, and a headache. At its worst it resulted in pulmonary edema, where your lungs filled up with fluid (essentially, drowning on land), or cerebral edema, where your brain swelled. Eighty percent of Kilimanjaro hikers got altitude sickness. Ten percent of those cases became life threatening or caused brain damage. Ten percent of 80 percent? I didn’t like those odds. Maybe this trip was too dangerous. My

As always, the pictures on the wardroom walls caught my eye: framed reproductions of covers from ancient pulp magazines well over a hundred years old. The magazines themselves, crumbling and priceless, were bagged and hermetically sealed within a locker in the Captain’s quarters. Lurid paintings of fishbowl-helmeted spacemen fighting improbable alien monsters and mad scientists which, in turn, menaced buxom young women in see-through outfits. The adolescent fantasies of the last century—“Planets In Peril,” “Quest Beyond The Stars,” “Star Trail To Glory”—and above them all, printed in a bold swath across the top of each cover, a title… CAPTAIN FUTURE Man of Tomorrow

As Lauren Bruner raced up the same ladder I had taken, a Zero fixed its sights on him. A blast from its guns, and bullets bit metal. One of those shots struck flesh, hitting the back of Lauren’s lower leg. He limped onto the sky platform, a trail of blood following him. The others of our team came after him, spilling into the metal enclosure, called the “director,” where we directed the antiaircraft guns—Harold Kuhn, Russell Lott, Earl Riner, George Hollowell, Alvin Dvorak, Fred Zimmerman, and Frank Lomax.

Heaven, Which is I have not handled the ordinary well And wandered into much time spent Taking on the unfaithful, Blunder and flaw. And stayed with it, in the face Of you who cuts across all landscape, Who quivers my legs until unable to anymore Stand and I lie down in an open field, Wait. Edge and much sky like invitation. To stay for who comes with message, as in the midst Of battle, breathless, the coat a little Torn and in disarray but getting the word out, Which is how I was finally not for you, which is What made me irrevocable. No one shall have What they first believed, and then beyond. The trail is the story and is What saves us from going back To the beginning when we could only see The other. Through paradise Was and paradise Must fail. One of us might look Down or the corner of an eye catch Movement, a glint, astray. Heaven is only What it cannot be: either in its zero, its finish Of balance, or entirely slipped To one side. Not as a place to discover Anything: the blank page, the white, Noise, the raw of just being there.