Trademarks Quotes

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Highly sensitive people are too often perceived as weaklings or damaged goods. To feel intensely is not a symptom of weakness, it is the trademark of the truly alive and compassionate. It is not the empath who is broken, it is society that has become dysfunctional and emotionally disabled. There is no shame in expressing your authentic feelings. Those who are at times described as being a 'hot mess' or having 'too many issues' are the very fabric of what keeps the dream alive for a more caring, humane world. Never be ashamed to let your tears shine a light in this world.
Anthon St. Maarten
Iggy: "I'll grab a zebra; Gaz, you fill all the bubbles with your trademark scent. so people are choking and gagging; and let's throw beef jerky in their eyes! Now, that's a plan!
James Patterson
Consider the black widow spider. It's a timid little beastie, useful and, for my taste, the prettiest of the arachnids, with its shiny, patent-leather finish and its red hourglass trademark. But the poor thing has the fatal misfortune of possessing enormously too much power for its size. So everybody kills it on sight.
Robert A. Heinlein (Stranger in a Strange Land)
Your smile is your logo, your personality is your business card, how you leave others feeling after having an experience with you becomes your trademark.
Jay Danzie
Tolerance is not a Sapiens trademark. In modern times, a small difference in skin colour, dialect or religion has been enough to prompt one group of Sapiens to set about exterminating another group. Would ancient Sapiens have been more tolerant towards an entirely different human species? It may well be that when Sapiens encountered Neanderthals, the result was the first and most significant ethnic-cleansing campaign in history.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Airport blue haunted me. It became a brand to me, a trademark of our broken relationship, and my failure to move on. Airport fucking blue.
Tarryn Fisher
Never neglect the little things. Never skimp on that extra effort, that additional few minutes, that soft word of praise or thanks, that delivery of the very best that you can do. It does not matter what others think, it is of prime importance, however, what you think about you. You can never do your best, which should always be your trademark, if you are cutting corners and shirking responsibilities. You are special. Act it. Never neglect the little things.
Og Mandino
Undermine their pompous authority, reject their moral standards, make anarchy and disorder your trademarks. Cause as much chaos and disruption as possible but don’t let them take you ALIVE.
Sid Vicious
Hey, guys,” I say as we stop in front of them. “Have a good summer?” “I had an awesome summer,” Jack says with his trademark smirk. “I got together with the ex-girlfriend I dumped more than a year ago because I’m a miserable fuck who never stopped pining for her. Oh, wait, that was you, Holt, wasn’t it?
Leisa Rayven (Broken Juliet (Starcrossed, #2))
People are taking the piss out of you everyday. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are The Advertisers and they are laughing at you. You, however, are forbidden to touch them. Trademarks, intellectual property rights and copyright law mean advertisers can say what they like wherever they like with total impunity. Fuck that. Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone just threw at your head. You owe the companies nothing. Less than nothing, you especially don’t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don’t even start asking for theirs.
Banksy
I looked at him now, the memory clear in my mind and gone from his. What would it be like to forget your favorite color? —or the girl that smashed up your heart? Airport blue haunted me. It became a brand to me, a trademark of our broken relationship, and my failure to move on. Airport fucking blue.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
She tries to wear her pain on the inside. She always has. It’s the trademark of the oldest sibling, I think.
Laura Miller (Butterfly Weeds (Butterfly Weeds, #1))
I had my hair in a ponytail and looked my trademark exhausted.
Tina Fey (Bossypants)
I had always been taught that the pursuit of happiness was my natural (even national) birthright. It is the emotional trademark of my culture to seek happiness. Not just any kind of happiness, either, but profound happiness, even soaring happiness. And what could possibly bring a person more soaring happiness than romantic love.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
I feel a little whirl of dislocation -- the trademark sensation of the world being more closely knit together than you expected
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
He said cruelty was the devil's own trade-mark, and if we saw any one who took pleasure in cruelty we might know who he belonged to, for the devil was a murderer from the beginning, and a tormentor to the end. On the other hand, where we saw people who loved their neighbors, and were kind to man and beast, we might know that was God's mark.
Anna Sewell (Black Beauty)
IP is not just an idea; it’s an intangible asset that does a specific job for you. Each one is different—patents, trademarks, copyrights. The specific way you get that job done is what you’re protecting, and the way you do it affects the asset value.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
I was once told I am being Arrogant as an Author just because I legally protect my books with copyrighting them and trademarking my titles and names. That's not being Arrogant. It's about being Smart. I went to law school And I'm married to a lawyer. It's ingrained in me to fight the sh*t out of protecting what is mine even if it is perceived as "arrogant". I'd rather be arrogant than stupid. - Strong by Kailin Gow
Kailin Gow
ignition! blast off!!! the vessel needs a new name! something more appropriate to a starship. apollo? gemini? enterprise. already taken. millennium falcon. trademarked. all rights reserved. no! wait, i have it! dragin star! thats it! dragon star!
Margaret Weis (Elven Star (The Death Gate Cycle, #2))
In all, his outfit required nearly two thousand man-years of research and development, eight barrels of oil, and sixteen patent and trademark infringement lawsuits. All so he could possess casual style. A style that, in logistical requirements, was comparable to fielding a nineteenth-century military brigade. But he looked good. Casual.
Daniel Suarez (Daemon (Daemon, #1))
The bat was looking at Theo and Theo was having trouble following his own thoughts.The bat was wearing tiny sunglasses.Ray Bans,Theo could see by the trademark in the corner of one lens."I'm sorry, Mr.,uh- Case, could you take the bat off your head.It's very distracting." Him." Pardon?" It's a him.Roberto.He no like the light.
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
DEATH . . . And now you are here to fight for this woman. You know her promise is given. She has to die or her husband won't go free. APOLLO Relax, I'm not breaking any laws. DEATH Why the bow, if you're breaking no laws? APOLLO I always carry a bow, it's my trademark.
Anne Carson (Grief Lessons: Four Plays by Euripides)
The value of intangibles derived from intellectual property rights and trademarks from brands, inventions, software code, and programs has never been higher.
Roger Spitz (The Definitive Guide to Thriving on Disruption: Volume IV - Disruption as a Springboard to Value Creation)
She tries to wear her pain on the inside. She always has. It’s the trademark of the oldest sibling, I think.
Laura Miller (My Butterfly (Butterfly Weeds, #2))
Hey, Volusian, you haven't been checking me out, have you?" He gave me his trademark bland stare. "I assure you, mistress, the only allure your bare flesh has for me is to remind me how easy it will be to slice open." I laughed. If not for the fact he was actually serious, he'd be so much fun.
Richelle Mead (Storm Born (Dark Swan, #1))
Prospero, you are the master of illusion. Lying is your trademark. And you have lied so much to me (Lied about the world, lied about me) That you have ended by imposing on me An image of myself. Underdeveloped, you brand me, inferior, That s the way you have forced me to see myself I detest that image! What’s more, it’s a lie! But now I know you, you old cancer, And I know myself as well.
Aimé Césaire (A Tempest: Based on Shakespeare's 'The Tempest;' Adaptation for a Black Theatre)
Tolerance is not a Sapiens trademark. In modern times, a small difference in skin colour, dialect or religion has been enough to prompt one group of Sapiens to set about exterminating another group. Would ancient Sapiens have been more tolerant towards an entirely different human species?
Yuval Noah Harari (קיצור תולדות האנושות)
I receive letters from readers who lost money thinking they bought my series. I’m protecting them and that’s what trademarks are meant for.
Faleena Hopkins
[IT’S DIFFICULT TO DESCRIBE THE ABSOLUTE PERFECTION OF KEEFE’S TRADEMARK HAIRSTYLE. COUNTLESS OTHERS HAVE TRIED TO EMULATE IT, BUT THEY’VE ALL FAILED. THERE CAN ONLY BE ONE LORD HUNKYHAIR. IT’S A RESPONSIBILITY THAT MUST BE TAKEN SERIOUSLY!] [HUNKYHAIR → OUT]
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
It seemed a blinding moment of self-understanding. Hate had been the trademark of his presidency. But in the end he had come to realize that hate was the poison, the engine that had destroyed him.
Carl Bernstein (All the President's Men)
IP is an intangible asset—an idea converted into transferable personal property rights through patents, trademarks, copyrights, service marks, and trade secrets. IP covers every famous animated character you’ve ever heard of, the logos on your clothing. IP covers products and services you use every day—from flashlights to mobile phones, packaging to cars, food and beverage products, to smart thermostats. IP is not only for big businesses. Most start-ups and event microbusinesses have IP of some kind. 
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
I need to prolong this moment; it’s not often I gain the upper hand. I put on lipstick using the wall as a mirror. The color is called Flamethrower and it’s my trademark. Vicious, violent, poisonous red. Slit-wrists red. The color of the devil’s underpants,according to Dad. I have so many tubes that I always have a tube within a three-foot radius. I am black and white, but thanks to Flamethrower, I can be Technicolor. I live in terror of it being discontinued by the manufacturer, hence my hoarding.
Sally Thorne (The Hating Game)
Cultivate the habit of defining, refining, redefining and redeeming your opportunities. Failure is a temporal event, not a permanent trademark.
Israelmore Ayivor (Shaping the dream)
Tolerance is not a Sapiens trademark.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Tolerance is not a Sapiens trademark.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Sören Kierkegaard wrote, “Once you label me, you negate me.” When the individual must live up to the label, the self ceases to exist. The same is true of self-labels. You could be negating yourself by identifying with your trademarks, rather than your own potential for growth.
Wayne W. Dyer (Your Erroneous Zones)
It’s essential for patent applications. Showing the roads you traveled and the work you put into testing, experimentation, and trials to realize your final product is part of your narrative—your patent story.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
Voshak's hair, a pale blond braid, which he bleached, was his trademark. It made him memorable. That's how the slavers operated. They adopted costumes and personas, trying to make themselves larger-than-life and hoping to inspire fear. They counted on that fear. One could fight a man, but nobody could fight a nightmare.
Ilona Andrews (Steel's Edge (The Edge, #4))
There is nothin like a llama... well mabey an alpaca. But they'er kinda like trademarks of llamas...
Llama Queen
We don't name God; God reveals His name to us. We don't have the right to exercise authority over God. God copyrights, He trademarks, He patents His name.
Mark Driscoll
This girl was so authentic she probably had a trademark stamped on her ass.
Myra McEntire (Infinityglass (Hourglass, #3))
You go first," Four says. Eric shrug. "Edward." Four leans against the door frame and nods. The moonlight makes his eyes bright. He scans the group of transfer initiates briefly, without calculation and says, "I want the Stiff." .... Heat rushes into my cheeks and I don't know whether to be angry at the people laughing at me or flattered by the fact that he chose me first. "Got something to prove?" asks Eric, with his trademark smirk. "Or you just picking the weak ones, so that if you lose, you'll have someone to blame it on?" Four shrugs. "Something like that." Angry. I should be angry. I scowl at my hands. Whatever Four's strategy is, it's based on the idea that I am weaker than the other initiates. And it gives me a bitter taste in my mouth. i have to prove him wrong-- I have to.
Veronica Roth (Divergent (Divergent, #1))
He shrugged happily. “Let’s make plaid, canvas and compasses my absolute trademarks. Dustin McHugh. All plaid. All canvas. All the time. And I’m never lost. What say you, dork judge?
Anne Eliot (Unmaking Hunter Kennedy)
Now I’m gaping at him, because is he for real? “Hey, asshole, you’re filthy rich. If anyone should be paying full price for movie tickets, it’s you.” “I was being nice, asshole. Waiting for the cheap day so you’d be able to afford it.” Then he flashes his trademark grin, the one that makes chicks drop their panties and dive onto his dick. “Don’t give me your sex grin. It’s creeping me out.” His mouth stays frozen in the sex-grin position. “I’ll stop smiling like this if you agree to be my date tonight.” “You’re the most annoying pers—” The grin widens, and he even throws a little wink in there. Ten minutes later, we’re out the door.
Elle Kennedy (The Mistake (Off-Campus, #2))
The United States of America was a pirate nation for the first one hundred years of its existence, ripping off the patents and trademarks of the imperial European powers it had liberated itself from by blood. By keeping their GDP at home, the U.S. revolutionaries were able to bootstrap their nation into an industrial powerhouse. Now, it seems, their descendants are bent on ensuring that no other country can pull the same trick off.
Cory Doctorow (Overclocked: Stories of the Future Present)
We tried to trademark proximity, but you can’t because it’s a word,
Michael Lewis (Flash Boys: A Wall Street Revolt)
You are a beacon for us. One of the most powerful." "I'm not," I say softly. "Not anymore." Smiling, my grandmother presses my hand. "Always, Tamsin. Because of you, we have a future. That's why you will always be a beacon for us." Still holding my hand, she turns toward the house, toward the sound of laughter and music spilling out from the lit windows. Looking back at her, I mile, close my eye in her trademark wink, and say, "Ah.
Carolyn MacCullough (Always a Witch (Witch, #2))
to hurt the weak and the helpless; but what stuck in my mind was this, he said that cruelty was the devil's own trade-mark, and if
Anna Sewell (Black Beauty: The Autobiography of a Horse [with Original Illustrations])
Eric turned slowly and gazed over his shoulder with his trademark detachment. He studied the guy and turned back with less interest than he had shown toward the phone. “I hate almost everyone,” he replied blankly. “Ah, yes. I wanna rip his head off and eat it.
Dave Cullen (Columbine)
On one 50-mile summer hike, Gates demonstrated the persistence and tenacity that was to be his trademark later in life.
James Wallace (Hard Drive: Bill Gates and the Making of the Microsoft Empire)
Hiring is hard. Letting go is harder. It’s far easier to hire the right person from the start than to hire the wrong person, realize they’re a bad fit for your company, and then figure out how to let them go. When you know what you want in a new hire, the hard part gets easier. And when you know how to protect your IP, you don’t have to learn the hard lesson.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
When I get it home and start to read it, the first thing I notice is that Warren has copyrighted the phrase “Purpose-driven.” It has a little ® after it. This makes me angry. Did Jesus copyright “Turn the Other Cheek”®? Did Moses trademark “Let My People Go?”™
A.J. Jacobs (The Year of Living Biblically: One Man's Humble Quest to Follow the Bible as Literally as Possible)
In the gathering gloom only his white Nike headband and his white Nike shoes and the white stripe down the side of his dark Nike running suit were visible, as though there were no man at all among the trademarks.
Thomas Harris (Hannibal (Hannibal Lecter, #3))
Because the eye has seen, thoughts are structured upon images and not upon ideas.
David Consuegra (On Trademarks: A Thesis)
I'm not Bonnie™ or Chloe. I'm the essence of her, the nontrademarked person the camera can never capture and my parents have no right to sign over. There is a sovereign nation encased in this skin that MetaReel can never trademark.
Heather Demetrios (Something Real (Something Real, #1))
I was a struggling single mom when my novel, The Forlorned, became a motion picture. I thought my life had turned around for the better until a convicted child molester sued me for trademark infringement over the word FORLORNED. Finally, after three long years of legal proceedings, the US Supreme Court sided with me. Always stand up and fight for what is right. Never give in—never give up!
Angela J. Townsend (The Forlorned (The Forlorned #1))
You feel ownership over your creation, your invention, and your ideas. But if you don’t legally claim them, you’re donating them to the public—or to competitors. Say you’ve come up with a solution to a problem. Protecting that potentially valuable IP creates a limited monopoly to keep people out. It’s like zone defense in basketball. IP rights help you own your zone—your competitive space where no one else can score. If the best offense is a great defense, then no offense is the worst.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
...the incarnation is the complete refutation of every human system and institution that claims to control, possess, and distribute God. Whatever any church or religious leader may claim in regard to their particular access to God or control over your experience of God, the incarnation is the last word: God loves the world. God came into the world in the form of the people he created, the human race (including you and me), who bear his image. God's creation of humanity in his image gives hints of who he is, since we all are marked by his fingerprints. But as flawed humans, we give only a vague hint of God. Our broken reflection of God's image is easily drowned out by our broken humanity. then, two thousand years ago, God came in his fullness. He came to all of us in Jesus. The incarnation is not owned, trademarked, or controlled by any church. It belongs to every human being. The incarnation is not something that requires a distributor or middleman. It is a gracious gift to every person everywhere, religious or not. God gave himself to us in Jesus.
Michael Spencer (Mere Churchianity: Finding Your Way Back to Jesus-Shaped Spirituality)
A trademark of something that works well, the cat body has hardly changed since its inception. Like with today's cats, their digestive systems could handle only flesh. The lesson of the cat is that if you are to become a full-fledged carnivore, you have to commit everything to it. A house cat fed vegetarian food will shrivel and die.
Craig Childs (The Animal Dialogues: Uncommon Encounters in the Wild)
In the convent, y'all, I tend the gardens, watch things grow, pray for the immortal soul of rock 'n' roll. They call me Sister Presley here, The Reverend Mother digs the way I move my hips just like my brother. Gregorian chant drifts out across the herbs Pascha nostrum immolatus est... I wear a simple habit, darkish hues, a wimple with a novice-sewn lace band, a rosary, a chain of keys, a pair of good and sturdy blue suede shoes. I think of it as Graceland here, a land of grace. It puts my trademark slow lopsided smile back on my face. Lawdy. I'm alive and well. Long time since I walked down Lonely Street towards Heartbreak Hotel. - Elvis's Twin Sister
Carol Ann Duffy (The World's Wife)
French women choose a scent when they’re girls and use it until they’re grandmothers. It becomes their trademark. 'Ah,' he murmurs in the dark theater, 'Giselle is here tonight!' But I think that a woman usually outgrows a fragrance every decade or so.
Joan Crawford (My Way of Life)
I had watched the sun blaze and in the blink of an eye slip away; the happiness I felt in that moment was a heartbeat from tipping to sadness at the knowledge that I couldn't hold it forever. My old familiar push-pull, my trademark yearning for and resisting joy.
Sarah Combs (Breakfast Served Anytime)
You're getting me wet." He looked me in the eyes for the first time, and the corners of his mouth turned upward. "Although I suppose I shouldn't complain about that since it's like your trademark or something. If we're going to hang out together , I'll need to start wearing my raincoat." "Are we going to hang out?" He tilted his head and considered me lazily. "I've always wanted my own elf.
Janette Rallison (It's a Mall World After All)
It means that each factory will be making Robots of a different color, a different nationality, a different tongue; they'll all be different---as different from one another as fingerprints; they'll no longer be able to conspire with one another; and we---we people will help to foster their prejudices and cultivate their mutual lack of understanding, you see? So that any given Robot, to the day of its death, right to the grave, will forever hate a Robot bearing the trademark of another factory.
Karel Čapek (R.U.R.)
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it. The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now. “Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.” My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament. “I haven't been wearing any cologne.” “Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.” “What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words. “I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.” His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed. “Citrus?” he asked. “Like lemons?” “Oranges mostly. And a little lime, too.” He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed. “What you smell are my pheromones, Anna.” A small, nervous laugh burst from my throat. “Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again. “People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.” I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone. “Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...” “Would you like to know your own scent?” he asked me. My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura. “Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.” He made no attempt to move out of the doorway. “You smell like pears with freesia undertones.” “Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
Wendy Higgins (Sweet Evil (Sweet, #1))
If someone contacts you and asserts that you’re infringing on their patent, you’ll need a lawyer to shield you from the accusation that you are willfully infringing. Never, ever respond yourself. At the same time, you’re not left with whatever your lawyer tells you to do. If you have patents of your own (which you should), disputes don’t have to come to litigation, damages, and bankruptcy. In my experience, the best way to settle IP infringement suits out of the courtroom is through cross-licensing—an agreement between all parties to give each other a license to use their patents.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
In 1991, Disney forced a group of New Zealand parents in a remote country town to remove their amateur renditions of Pluto and Donald Duck from a playground mural; and Barney has been breaking up children's birthday parties across the U.S., claiming that any parent caught dressed in a purple dinosaur suit is violating its trademark. The Lyons Group, which owns the Barney character, "has sent 1,000 letters to shop owners" renting or selling the offending costumes. "They can have a dinosaur costume. It's when it's a purple dinosaur that it's illegal, and it doesn't matter what shade of purple, either," says Susan Elsner Furman, Lyons' spokesperson.
Naomi Klein (No Logo)
Every child is a one of a kind mini-masterpiece. No known duplicates exist. They each have distinctive fingerprints, heart rhythms, eye patterns, and blood constitution. Even identical twins can be physically alike and yet light years apart in how they are mentally wired and gifted. Our children do not just grow up different; they show up different. Though circumstances and training will greatly affect their lives, the originality that is already ingrained into each of our children reflects brilliant preplanning. Every birthmark is a trademark. Every special feature is a signature of divine design.
Stephen Kendrick (The Love Dare for Parents)
The question mark,” Jupiter said impressively, “is the universal symbol of something unknown. We are prepared to solve any puzzle, riddle, mystery, enigma or conundrum which may be brought to us. Hence the question mark will be our trade-mark. Three question marks will stand for The Three Investigators.
Robert Arthur
THE LESBIAN AVENGERS Their motto playfully proclaimed “we recruit,” and recruit this group did. Formed in the 1990s to bring attention to lesbian causes, the Lesbian Avengers spent Valentine’s Day handing out chocolate kisses in Grand Central Station that read, “You’ve just been kissed by a lesbian.” In Bryant Park, they unveiled a papier-mâché sculpture of Alice B. Toklas embracing her lover, Gertrude Stein. The Avengers also ate fire, which would become their dramatic trademark—first practiced as an homage to an Oregon gay man and lesbian woman who were burned to death after a Molotov cocktail was thrown into the apartment they shared.
Jess Bennett (Feminist Fight Club: An Office Survival Manual for a Sexist Workplace)
Sometimes it was like that, I suppose; some people become so important in your life that they’re almost like a trademark, but then they’re gone. Sometimes they might reappear, but they’re nothing at all like what you’ve assembled in your mind since their departure; sometimes you can’t even stand them anymore, because they break up the legend and nothing dies harder than a good, personal legend.
Craig Johnson (An Obvious Fact (Walt Longmire #12))
With a curse, Vishous took after the three free-thinkers, dematerializing out in front of where the trio seemed to be heading. As he re-formed, he knew they were fucking humans even before he saw that the one in the rear was running backward with what was no doubt a cocksucking Apple, iConformist POS front and center and on video record. He fricking iHated anything with a goddamn Macintosh trademark. V jumped out into the guy’s path, which of course J. J. Abrams didn’t notice, because, hello, he was too busy getting footage.
J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
The little man behind that desk was the joke candidate of election years, best remembered for his trademark yellow bowtie. In Riker's fashion philosophy, bows should be reserved to the pigtails of little girls or the collars of tiny dogs hatched from peanut shells.
Carol O'Connell (The Chalk Girl (Kathleen Mallory, #10))
How was Jean Valjean going to conduct himself in the face of Cosette and Marius's happiness? A happiness he himself had wanted, that he himself had made; he was the one who had stabbed himself in the guts with it, and, at this moment, looking back on it, he could feel the sort of satisfaction an armorer would have felt, recognizing his trademark on a blade as he yanked it, all fuming, out of his chest.
Victor Hugo (Les Misérables)
All trademarks, company names, registered names, products, characters, mottos, logos, jingles and catchphrases used or cited in this work are the property of their respective owners and have only been mentioned and or used as cultural references to enhance the narrative and in no way were used to disparage or harm the owners and their companies. It is the author's sincerest wish the owners of the cited trademarks, company names, etc. appreciate the success they have achieved in making their products household names and appreciate the free plug.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Indoors, the evening gets you’d say festive, with Maxine riding Horst for the better part of an hour, not that it’s anybody’s business of course, and coming a number of times, at last fiercely in sync with Horst, not long after which, owing to some extrasensory cue from the television, whose mute feature has been engaged, they surface from their post-orgy daze in time to witness Derek Jeter’s clutch tenth-inning homer and another trademark Yankee win. “Yes!” Horst beginning to scream in delighted disbelief. “And it better be Keanu Reeves in the biopic!
Thomas Pynchon (Bleeding Edge)
I think that the trademark of the Devil in this world, is the awful rift between women. Women backbiting other women, women envying other women and so on and so forth. And then there is the telltale sign of God in this world, which is the intoxicating potion of joy that is concocted when a woman reaches out to another woman, when women will take an extra step, go an extra mile, or just go out of their way an inch for their fellow woman, regardless of the varying degrees of things we hold important such as beauty, intelligence, status and so on and so forth. Beautiful acts of God are seen in the kindness of women towards other women. And when I say this, I am also thinking about gay men in the same light.
C. JoyBell C.
What are you doing here?” “I‘m simply an innocent gentleman trying to survive an attack by a crazy girl,” he teased, grinning. “I’m going to start counting down again,” I warned. “Okay, okay. I’ll tell you everything. But first, can you call off your pet dagger, please? I’ll be good, I promise.” I scoffed. “Why should I trust you?” “Because…I’m irresistibly charming?” He turned his head back to look at me. “Pretty please?” he asked, giving me another one of his teasing smirks—a trademark move that no girl refused, I figured, vowing to never be one of those girls
Ada Adams (ReAwakened (Angel Creek, #2))
Bwahahahahaha! Happy Halloweeeeen!” I turn away from the closet—where I was just in the process of trying to find a Halloween-esque outfit that’s not a costume because I fucking hate dressing up—and gawk at the creature gracing my doorway. I can’t make heads or tails of what Allie is wearing. All I see is a skintight blue bodysuit, lots of feathers, and…are those cat ears? I steal Allie’s trademark phrase by demanding, “What on God’s green planet are you supposed to be?” “I’m a cat-bird.” Then she gives me a look that says, uh-doy. “A cat bird? What is…okay…why?” “Because I couldn’t decide if I wanted to be a cat or a bird, so Sean was like, just be both, and I was like, you know what? Brilliant idea, boyfriend.” She grins at me. “I’m pretty sure he was being a smartass, but I decided to treat the suggestion as gospel.” I have to laugh. “He’s going to wish he suggested something less ridiculous, like sexy nurse, or sexy witch, or—” “Sexy ghost, sexy tree, sexy box of Kleenex.” Allie sighs. “Gee, let’s just throw the word sexy in front of any mundane noun and look! A costume! Because here’s the thing, if you want to dress like a ho-bag, why not just go as a ho-bag? You know what? I hate Halloween.
Elle Kennedy (The Deal (Off-Campus, #1))
Michael Moore accumulated a $50 million fortune by making documentaries bashing capitalism. Moore—who wears a trademark baseball cap to communicate that he’s a regular, working-class guy—nevertheless got “outed” in his divorce in which it came to public light that he and his wife owned nine properties in Michigan and New York, including a 10,000-square-foot lakefront home in Traverse City and a Manhattan condo so large that it was once three separate apartments.48
Dinesh D'Souza (United States of Socialism: Who's Behind It. Why It's Evil. How to Stop It.)
Vhalla grabbed one of the pillows in question and threw it in his face. It hit him square and the prince stared at her. For a moment Vhalla felt her nerves take over. “You just assaulted the crown prince.” He glared, but she saw the tell-tale glimmer of mischief in his eyes. “Vhalla, I think that violates the terms of your probation.” “Oh? Tell me what will you do to me?” She did her best to imitate one of his trademark smirks, and she was rewarded by the spark turning to a fire in his eyes. “I could think of quite a few things to do to you.” His voice was gravely and deep, and Vhalla felt a flush rise to her cheeks.
Elise Kova (Fire Falling (Air Awakens, #2))
SOPHIE WASN’T SURE HOW LONG she sat there staring blankly at her empty doorway. Could’ve been minutes. Could’ve been hours. It didn’t matter. No amount of time was going to quiet the chaos in her head. All it did was raise a whole lot of terrifying questions. Because even if Ro was right about Keefe’s feelings—and Sophie decided she wanted to see what would happen—this was so much bigger than just the two of them. Like… What would Grady and Edaline think? Sophie still didn’t know if she was actually allowed to date—much less date That Boy. And even if she was, there would surely be all kinds of annoying new rules and restrictions to deal with. Plus, Edaline would probably follow them around with a sappy, embarrassing smile, and Grady would make them sit through a series of horrifying Dad Talks. And what would her friends say when they found out? There’d been a time when Sophie had wondered if Biana had a crush on Keefe—and even though it seemed like Biana had gotten over it… what if she hadn’t? Better question: How would Fitz react? Keefe was Fitz’s best friend—and Fitz’s temper could be… challenging. The possibilities for drama were endless. Sophie’s insides twisted into knots on top of knots as she imagined the awkward conversations. And the stares. And the gossip. There would be So. Much. Gossip. She wanted to hide just thinking about it—and Keefe would probably love the attention. Did that prove they weren’t compatible? Or was she just looking for an excuse because she was scared? And why was she so scared? Keefe would honestly be… … … …a really awesome boyfriend. He was thoughtful. And supportive. And he could be incredibly sweet—when he was actually being serious instead of joking around with everybody. Though… maybe some of his jokes with her hadn’t just been teasing. Had some of it also been… flirting? If Ro were still there, she probably would’ve been nodding and shouting about the Great Foster Oblivion. And maybe she was right. Maybe Sophie had been too insecure to let herself see what was right in front of her. Or too distracted by her crush on Fitz. The last thought made her inner knots twist so much tighter. She’d liked Fitz for so long that she’d never even thought about liking someone else—and she was still trying to get over all of that. But… Did she want to risk missing out on something that might be… really great? Keefe’s face filled her mind, flashing his trademark smirk.
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
Many condemn Donald Trump for destroying the global Order. Let’s be real here. If there is one thing that Americans on both the Left and Right agree on, it is that the United States should pursue a more modest role in foreign affairs. The push for an American retrenchment did not begin with Trump, nor will it end with him. Besides, if a single American election can upend the Order—in an era when there is no nuclear-massed superpower foe—it was never as stable and durable as anyone thought. A more accurate assessment is that despite Donald Trump’s trademark brashness, American policy trajectory hasn’t changed much. In the seventh year of George W Bush’s presidency, the United States initiated a broad global drawdown of its troop levels. That disengagement continued both under Barack Obama and Donald Trump. At the time of this writing, the Americans now have fewer troops stationed abroad than at any time since the Great Depression.
Peter Zeihan (Disunited Nations: The Scramble for Power in an Ungoverned World)
Taft explained that the great issue in this campaign is "creeping socialism." Now that is the patented trademark of the special interest lobbies. Socialism is a scare word they have hurled at every advance the people have made in the last 20 years. Socialism is what they called public power. Socialism is what they called social security. Socialism is what they called farm price supports. Socialism is what they called bank deposit insurance. Socialism is what they called the growth of free and independent labor organizations. Socialism is their name for almost anything that helps all the people. When the Republican candidate inscribes the slogan "Down With Socialism" on the banner of his "great crusade," that is really not what he means at all. What he really means is, "Down with Progress--down with Franklin Roosevelt's New Deal," and "down with Harry Truman's fair Deal." That is what he means. (Rear Platform and Other Informal Remarks in SYRACUSE, NEW YORK (Near station, 1:25 p.m. October 10, 1952 ) trumanlibrary dot org publicpapers
Harry Truman
I just got another kitten, you know. Found another trademark. It's quite embarrassing I missed it." "Nine cats? They can send you to prison for that." He pushed his glasses back on his nose. "I'm calling him Murad, after the cigarettes." "Never heard of them." "They're an obsolete Turkish brand, popular in the 1910s and '20s. Murad means 'desire' in Arabic. The only brand that ever appears in a Cordova film is Murad. There's not one Marlboro, Camel, or Virginia Slim. It goes further. If the Murad cigarette is focused upon by the camera in any Cordova film. The very next person who appears on-screen has been devastatingly targeted. In other words, the gods will have drawn a great big X across his shoulder blades and taped an invisible sign there that reads FUCKED. His life will henceforth never be the same.
Marisha Pessl (Night Film)
Is any of it real? I mean, look at this. Look at it! A world built on fantasy. Synthetic emotions in the form of pills. Psychological warfare in the form of advertising. Mind-altering chemicals in the form of … food! Brainwashing seminars in the form of media. Controlled isolated bubbles in the form of social networks. Real? You want to talk about reality? We haven’t lived in anything remotely close to it since the turn of the century. We turned it off, took out the batteries, snacked on a bag of GMOs while we tossed the remnants in the ever-expanding Dumpster of the human condition. We live in branded houses trademarked by corporations built on bipolar numbers jumping up and down on digital displays, hypnotizing us into the biggest slumber mankind has ever seen. You have to dig pretty deep, kiddo, before finding anything real.
Mr. Robot
Since at least the year 2000 and the election of George Bush, Americans have shown themselves to be increasingly enamored with the heroic couplet of men and stupidity. As the election in 2004 proved, playing dumb means playing to "the people," who, apparently, find intellectual acumen to be a sign of overeducation, elitism, and Washington insider status. As many critics have pointed out, no one could be more of a Washington insider than George W. Bush, the son of a former president and the brother of the governor of Florida. Even so, in both of his election campaigns Bush made a populist version of stupidity into a trademark and sold himself to the public as a down-home guy, a fun BBQpaI, a man's man, a student privileged enough to go to Yale but "real" enough to only get Cs-in other words, an inarticulate, monolingual buffoon who was a safe bet for the White House because he was not trying to befuddle an increasingly uneducated populace with facts, figures, or, god forbid, ideas. His opponent in the election, John Kerry, was fluent in French, well educated, well spoken, and highly suspicious on all counts.
J. Jack Halberstam (The Queer Art of Failure)
The same ingenious application of slogans, coined by others and tried out before, was apparent in the Nazis' treatment of other relevant issues. When public attention was equally focused on nationalism on the one hand and socialism on the other, when the two were thought to be incompatible and actually constituted the ideological watershed between the Right and the Left, the "National Socialist German Workers' Party" (Nazi) offered a synthesis supposed to lead to national unity, a semantic solution whose double trademark of "German" and "Worker" connected the nationalism of the Right with the internationalism of the Left. The very name of the Nazi movement stole the political contents of all other parties and pretended implicitly to incorporate them all. Combinations of supposedly antagonistic political doctrines (national-socialist, christian-social, etc.) had been tried, and successfully, before; but the Nazis realized their own combination in such a way that the whole struggle in Parliament between the socialists and the nationalists, between those who pretended to be workers first of all and those who were Germans first, appeared as a sham designed to hide ulterior sinister motives—for was not a member of the Nazi movement all these things at once?
Hannah Arendt (The Origins of Totalitarianism)
Minho had gotten to his feet, and he came over to help Thomas stand. “My shuck brain can’t spend one more second thinking. Just let her do whatever she wants. Come one.” “Good that,” Thomas said. The two of them then looked at each other for a long moment, catching their breath, somehow reliving in those few seconds all the things they’d gone through, all the death, all the pain. And mixed in there was relief, that maybe – just maybe – it was all over. But mostly Thomas felt the pain of loss. Watching Teresa die – to save his life – had been almost too much to bear. Now, staring at the person who’d become his true best friend, he had to fight back the tears. In that moment, he swore to never tell Minho about what he’d done to Newt. “Good that for sure, shuck-face,” Minho finally replied. But his trademark smirk was missing. Instead was a look that said to Thomas he understood. And that they’d both carry the sorrow of their loss for the rest of their lives.
James Dashner (The Death Cure (The Maze Runner, #3))
Speaking of high-end shoe designers, in 2011 it was fascinating to see the design company of Christian Louboutin try to stop the company Yves Saint Laurent from producing high heels with red soles, claiming that Louboutin was the originator of the red sole. Louboutin lost, and I was glad. He was not the first person to paint a sole, and I am wary of patenting a color, like Tiffany blue. Why should we grant that entire history to Louboutin and say there are no predecessors and should be no successors?
Tim Gunn (Tim Gunn's Fashion Bible)
ULTIMATE BETRAYALS: [OH GOODY—ANOTHER SECTION ON MOMMY DEAREST. WE GET IT. SHE’S CREEPY. I DIDN’T FIGURE IT OUT FAST ENOUGH, AND SHE USED ME FOR A WHILE. BUT THAT’S ALL DONE NOW, AND IT’S ONLY A MATTER OF TIME BEFORE I TAKE HER DOWN. LET’S MOVE ON, SHALL WE?] A FOOLISHLY DANGEROUS PLAN: [I SHOULD PROBABLY BE OFFENDED BY THAT TITLE. BUT… RUNNING OFF TO JOIN THE NEVERSEEN DEFINITELY WASN’T MY SMARTEST MOVE. I THOUGHT I COULD TAKE THEM DOWN FROM THE INSIDE. AND YEAH, IT PRETTY MUCH BACKFIRED.] [I DID LEARN SOME STUFF, THOUGH!] [SORT OF…] [I’M STILL PIECING IT ALL TOGETHER. I MEAN, I WOULDN’T DO IT AGAIN OR RECOMMEND IT TO ANYONE ELSE OR ANYTHING (HEAR THAT, BANGS BOY???), BUT IT WASN’T A TOTAL WASTE.] [OKAY, MAYBE IT WAS.] A WAY WITH ALICORNS: [IT’S TRUE. GLITTER BUTT LOVES ME.] [SAY IT WITH ME: KEEFE! KEEFE! KEEFE!] EMOTIONAL SUPPORT STUFFED ANIMAL: [YOU GUYS MADE AN OFFICIAL RECORD ABOUT MRS. STINKBOTTOM???? I CAN’T DECIDE IF THAT’S AWESOME, OR REALLY, REALLY SAD.…] [SAD FOR YOU GUYS—NOT ME. SLEEPING WITH A STUFFED ANIMAL IS THE BEST. YOU SHOULD TRY IT SOMETIME!] [ALSO: DOES THIS MEAN FITZY HAS A SECTION ON HIS SPARKLY RED DRAGON SNUGGLE BUDDY????????] A MERCADIR—WITH THE SCARS TO PROVE IT: [EESH—THANK GOODNESS I CAN REDACT THIS. I REALLY DON’T NEED ANYONE REMINDING FOSTER HOW MAD SHE WAS AT ME. THE POINT IS: I BEAT THE OGRE KING IN A SPARRING MATCH. I DOUBT EVEN GIGANTOR COULD DO THAT!] FINAL NOTE: [WHY IS THERE NOT A SECTION ON MY AMAZING HAIR????] [HERE, LET ME FIX THAT FOR YOU!] [IT’S DIFFICULT TO DESCRIBE THE ABSOLUTE PERFECTION OF KEEFE’S TRADEMARK HAIRSTYLE. COUNTLESS OTHERS HAVE TRIED TO EMULATE IT, BUT THEY’VE ALL FAILED. THERE CAN ONLY BE ONE LORD HUNKYHAIR. IT’S A RESPONSIBILITY THAT MUST BE TAKEN SERIOUSLY!] [HUNKYHAIR → OUT]
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
Some gifted people have all five and some less. Every gifted person tends to lead with one. As I read this list for the first time I was struck by the similarities between Dabrowski’s overexcitabilities and the traits of Sensitive Intuitives. Read the list for yourself and see what you identify with: Psychomotor This manifests as a strong pull toward movement. People with this overexcitability tend to talk rapidly and/or move nervously when they become interested or passionate about something. They have a lot of physical energy and may run their hands through their hair, snap their fingers, pace back and forth, or display other signs of physical agitation when concentrating or thinking something out. They come across as physically intense and can move in an impatient, jerky manner when excited. Other people might find them overwhelming and they’re routinely diagnosed as ADHD. Sensual This overexcitability comes in the form of an extreme sensitivity to sounds, smells, bright lights, textures and temperature. Perfume and scented soaps and lotions are bothersome to people with this overexcitability, and they might also have aversive reactions to strong food smells and cleaning products. For me personally, if I’m watching a movie in which a strobe light effect is used, I’m done. I have to shut my eyes or I’ll come down with a headache after only a few seconds. Loud, jarring or intrusive sounds also short circuit my wiring. Intellectual This is an incessant thirst for knowledge. People with this overexcitability can’t ever learn enough. They zoom in on a few topics of interest and drink up every bit of information on those topics they can find. Their only real goal is learning for learning’s sake. They’re not trying to learn something to make money or get any other external reward. They just happened to have discovered the history of the Ming Dynasty or Einstein’s Theory of Relativity and now it’s all they can think about. People with this overexcitability have intellectual interests that are passionate and wide-ranging and they study many areas simultaneously. Imaginative INFJ and INFP writers, this is you. This is ALL you. Making up stories, creating imaginary friends, believing in Santa Claus way past the ordinary age, becoming attached to fairies, elves, monsters and unicorns, these are the trademarks of the gifted child with imaginative overexcitability. These individuals appear dreamy, scattered, lost in their own worlds, and constantly have their heads in the clouds. They also routinely blend fiction with reality. They are practically the definition of the Sensitive Intuitive writer at work. Emotional Gifted individuals with emotional overexcitability are highly empathetic (and empathic, I might add), compassionate, and can become deeply attached to people, animals, and even inanimate objects, in a short period of time. They also have intense emotional reactions to things and might not be able to stomach horror movies or violence on the evening news. They have most likely been told throughout their life that they’re “too sensitive” or that they’re “overreacting” when in truth, they are expressing exactly how they feel to the most accurate degree.
Lauren Sapala (The Infj Writer: Cracking the Creative Genius of the World's Rarest Type)
The commercialization of molecular biology is the most stunning ethical event in the history of science, and it has happened with astonishing speed. For four hundred years since Galileo, science has always proceeded as a free and open inquiry into the workings of nature. Scientists have always ignored national boundaries, holding themselves above the transitory concerns of politics and even wars. Scientists have always rebelled against secrecy in research, and have even frowned on the idea of patenting their discoveries, seeing themselves as working to the benefit of all mankind. And for many generations, the discoveries of scientists did indeed have a peculiarly selfless quality... Suddenly it seemed as if everyone wanted to become rich. New companies were announced almost weekly, and scientists flocked to exploit genetic research... It is necessary to emphasize how significant this shift in attitude actually was. In the past, pure scientists took a snobbish view of business. They saw the pursuit of money as intellectually uninteresting, suited only to shopkeepers. And to do research for industry, even at the prestigious Bell or IBM labs, was only for those who couldn't get a university appointment. Thus the attitude of pure scientists was fundamentally critical toward the work of applied scientists, and to industry in general. Their long-standing antagonism kept university scientists free of contaminating industry ties, and whenever debate arose about technological matters, disinterested scientists were available to discuss the issues at the highest levels. But that is no longer true. There are very few molecular biologists and very few research institutions without commercial affiliations. The old days are gone. Genetic research continues, at a more furious pace than ever. But it is done in secret, and in haste, and for profit.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
New York city wasn't yet the post-Giuliani, Bloomberg forever, Disneyland tourist attraction of today, trade-marked and policed to protect the visitors and tourism industry. It was still a place of diversity, where people lived their lives in vibrant communities and intact cultures. Young people could still move to New York City after or instead of high school or college and invent an identity, an art, a life. Times Square was still a bustling center of excitement, with sex work, "adult" movies, a variety of sins on sale, ways to make money for those down on their luck".
B. Ruby Rich (New Queer Cinema: The Director's Cut)
Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
How does Chekhov’s artistic “programme” comment on the message of The Duel, and vice versa? I should like to be a free artist and nothing more, and I regret that God has not given me the power to be one. I hate lying and violence in all their forms. . . . Pharisaism, stupidity and despotism reign not in merchants’ houses and prisons alone. I see them in science, in literature, in the younger generation. . . . That is why I have no preference either for gendarmes, or for butchers, or for scientists, or for writers, or for the younger generation. I regard trade-marks and labels as a superstition. My holy of holies is the human body, health, intelligence, talent, inspiration, love, and the most absolute freedom— freedom from violence and lying, whatever forms they may take. This is the programme I would follow if I were a great artist.*
Anton Chekhov (The Duel (Modern Library Classics))
My Standard of Performance—the values and beliefs within it—guided everything I did in my work at San Francisco and are defined as follows: Exhibit a ferocious and intelligently applied work ethic directed at continual improvement; demonstrate respect for each person in the organization and the work he or she does; be deeply committed to learning and teaching, which means increasing my own expertise; be fair; demonstrate character; honor the direct connection between details and improvement, and relentlessly seek the latter; show self-control, especially where it counts most—under pressure; demonstrate and prize loyalty; use positive language and have a positive attitude; take pride in my effort as an entity separate from the result of that effort; be willing to go the extra distance for the organization; deal appropriately with victory and defeat, adulation and humiliation (don’t get crazy with victory nor dysfunctional with loss); promote internal communication that is both open and substantive (especially under stress); seek poise in myself and those I lead; put the team’s welfare and priorities ahead of my own; maintain an ongoing level of concentration and focus that is abnormally high; and make sacrifice and commitment the organization’s trademark.
Bill Walsh (The Score Takes Care of Itself: My Philosophy of Leadership)
Jesus certainly was not a “Bible believer,” as we use that term in the post Billy Graham era of American fundamentalist religiosity that’s used as a trade-marked product to sell religion. Jesus didn’t take the Jewish scriptures at face value. In fundamentalist terms, Jesus was a rule-breaking relativist who wasn’t even “saved,” according to evangelical standards. Evangelicals insist that you have to believe very specific interpretations of the Bible to be saved. Jesus didn’t. He undercut the scriptures.
Frank Schaeffer (Why I am an Atheist Who Believes in God: How to give love, create beauty and find peace)
Young has a personal relationship with electricity. In Europe, where the electrical current is sixty cycles, not fifty, he can pinpoint the fluctuation --- by degrees. It dumbfounded Cragg. "He'll say, 'Larry, there's a hundred volts coming out of the wall, isn't there?' I'll go measure it, and yeah, sure --- he can hear the difference." Shakey's innovations are everywhere. Intent on controlling amp volume from his guitar instead of the amp, Young had a remote device designed called the Whizzer. Guitarists marvel at the stomp box that lies onstage at Young's feet: a byzantine gang of effects that can be utilized without any degradation to the original signal. Just constructing the box's angular red wooden housing to Young's extreme specifications had craftsmen pulling their hair out. Cradled in a stand in front of the amps is the fuse for the dynamite, Young's trademark ax--Old Black, a '53 Gold Top Les Paul some knot-head daubed with black paint eons ago. Old Black's features include a Bigsby wang bar, which pulls strings and bends notes, and Firebird picking so sensitive you can talk through it. It's a demonic instrument. "Old black doesn't sound like any other guitar," said Cragg, shaking his head. For Cragg, Old Black is a nightmare. Young won't permit the ancient frets to be changed, likes his strings old and used, and the Bigsby causes the guitar to go out of tune constantly. "At Sound check, everything will work great. Neil picks up the guitar, and for some reason that's when things go wrong.
Jimmy McDonough (Shakey: Neil Young's Biography)
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))