Trace Best Quotes

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I will write in words of fire. I will write them on your skin. I will write about desire. Write beginnings, write of sin. You’re the book I love the best, your skin only holds my truth, you will be a palimpsest lines of age rewriting youth. You will not burn upon the pyre. Or be buried on the shelf. You’re my letter to desire: And you’ll never read yourself. I will trace each word and comma As the final dusk descends, You’re my tale of dreams and drama, Let us find out how it ends.
Neil Gaiman
It may not be easy, in every possible case, to trace the line of separation between the rights of religion and the Civil authority with such distinctness as to avoid collisions and doubts on unessential points. The tendency to usurpation on one side or the other, or to a corrupting coalition or alliance between them, will be best guarded agst. by an entire abstinence of the Govt. from interference in any way whatsoever, beyond the necessity of preserving public order, and protecting each sect agst. trespasses on its legal rights by others. [Letter to the Reverend Jasper Adams, January 1, 1832]
James Madison (Letters and Other Writings of James Madison Volume 3)
Not to be born at all Is best, far best that can befall, Next best, when born, with least delay To trace the backward way. For when youth passes with its giddy train, Troubles on troubles follow, toils on toils, Pain, pain forever pain; And none escapes life's coils. Envy, sedition, strife, Carnage and war, make up the tale of life.
Sophocles (Oedipus at Colonus (The Theban Plays, #2))
This is beautiful," I said, ignoring the shop window to trace the gleaming stone walls fronting another boutique. "You know what's funny?" Jacob asked. He didn't wait for my answer. "You can see beauty in everything, except for yourself." *** I swallowed hard. Erik thought my body was beautiful, Karin that it was enviable. At random times, people had noted that my hands were beautiful, or my hair. The Twisted Sisters had called my art beautiful. Mom had the best intentions and always told me before and after my laser surgeries that I would be beautiful. But no one had ever said that I was beautiful, all my parts taken together, not just the bits and pieces.
Justina Chen (North of Beautiful)
The garden is one of the two great metaphors for humanity. The garden is about life and beauty and the impermanence of all living things. The garden is about feeding your children, providing food for the tribe. It’s part of an urgent territorial drive that we can probably trace back to animals storing food. It’s a competitive display mechanism, like having a prize bull, this greed for the best tomatoes and English tea roses. It’s about winning; about providing society with superior things; and about proving that you have taste, and good values, and you work hard. And what a wonderful relief, every so often, to know who the enemy is. Because in the garden, the enemy is everything: the aphids, the weather, time. And so you pour yourself into it, care so much, and see up close so much birth, and growth, and beauty, and danger, and triumph. And then everything dies anyway, right? But you just keep doing it.
Anne Lamott (Bird by Bird)
You will be at your best forever, Even now you have good moments. Occasional glimpses of your heavenly self. When you change your baby's diaper, forgive your boss's temper, tolerate your spouse's moodiness, you display traces of saintliness.
Max Lucado (3:16: The Numbers of Hope)
To set one's name to a work gives no one a title to be remembered, for who knows how many of the best of men have gone without a trace? The iniquity of oblivion blindly scatters her poppyseed and when wretchedness falls upon us one summer's day like snow, all we wish for is to be forgotten.
W.G. Sebald (The Rings of Saturn)
It is wonderful, for almost all his actions may be traced to pride;-and pride has often been his best friend.
Jane Austen (Pride and Prejudice)
Ian cupped her chin and turned her face up to his. Then he did what he’d been practicing since the night on the train – he looked her fully in the eyes. He couldn’t always do it. Sometimes his gaze simply refused to obey, and he’d turn away with a growl. But more and more he’d been able to focus directly on her. Ian’s eyes were beautiful, even more so when his pupils widened with desire. “Have I told you today that I love you?” he asked. “A few dozen times. Not that I mind.” As a young woman who’d been starved for love much of her life, Beth lapped up Ian’s generous outpouring of the words. He’d surprise her with them, catching her as she walked down the hall, pushing her up against a wall, breathing, “I love you.” Or he’d tickle her awake and tell her while she tried to hit him with a pillow. The best was when he lay against her in the dark, fingers tracing her body. She treasured his whispered, “I love you.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
People make a great deal of the flowers of spring and the leaves of autumn, but for me a night like this, with a clear moon shining on snow, is the best -- and there is not a trace of color in it. I cannot describe the effect it has on me, weird and unearthly somehow. I do not understand people who find a winter evening forbidding.
Murasaki Shikibu
Why?" He asked. " because it was the closest I could get to doing this." He reached out and pulled me to him, one hand on my waist and the other behind my neck. He tipped my head up and lowered his lips on mine. I closed my eyes and melted as my whole body was consumed in that kiss. I was nothing. I was everything. Chills ran over my skin, and fire burnt inside me. His body pressed closer to mine, and I wrapped my arms around his neck. His lips were warmer and softer than anything I could have imagined, yet fierce and powerful at the same time. Mine responded hungrily, and I tightened my hold on him. His fingers slid down the back of my neck, tracing its shape, and every place they touched was electric. But perhaps the best part of all that was that I, Sydney Katherine Sage, guilty of constantly analyzing the world around me, well, I stopped thinking. And it was glorious. At least, it was until I started thinking again.
Richelle Mead (The Golden Lily (Bloodlines, #2))
When we hear a fact, a few isolated areas of our brain light up, translating words and meanings. When we hear a story, however, our brain lights up like Las Vegas, tracing the chains of cause, effect, and meaning. Stories are not just stories; they are the best invention ever created for delivering mental models that drive behavior.
Daniel Coyle (The Culture Code: The Secrets of Highly Successful Groups)
All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elefant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains makkeable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of the rules. Generally, all the best mechanistic games - those which can be played in any sense "perfectly", such as a grid, Prallian scope, 'nkraytle, chess, Farnic dimensions - can be traced to civilisations lacking a realistic view of the universe (let alone the reality). They are also, I might add, invariably pre-machine-sentience societies. The very first-rank games acknowledge the element of chance, even if they rightly restrict raw luck. To attempt to construct a game on any other lines, no matter how complicated and subtle the rules are, and regardless of the scale and differentiation of the playing volume and the variety of the powers and attibutes of the pieces, is inevitably to schackle oneself to a conspectus which is not merely socially but techno-philosophically lagging several ages behind our own. As a historical exercise it might have some value, As a work of the intellect, it's just a waste of time. If you want to make something old-fashioned, why not build a wooden sailing boat, or a steam engine? They're just as complicated and demanding as a mechanistic game, and you'll keep fit at the same time.
Iain Banks (The Player of Games (Culture #2))
I liked to discover connections like that, especially if they concerned Lila. I traced lines between moments and events distant from one another, I established convergences and divergences. In that period it became a daily exercise: the better off I had been in Ischia, the worse off Lila had been in the desolation of the neighborhood; the more I had suffered upon leaving the island, the happier she had become. It was as if, because of an evil spell, the joy or sorrow of one required the sorrow or joy of the other; even our physical aspect, it seemed to me, shared in that swing.
Elena Ferrante (My Brilliant Friend (My Brilliant Friend #1))
To set one's name to a work gives no one a title to be remembered, for who knows how many of the best of men have gone without a trace?
W.G. Sebald (The Rings of Saturn)
I traced a finger along my bottom lip as I wondered what his erection would look like, and how I should seduce him. I thought what kind of approach would work best: whether to go in slow and seductively, or whether I should make him notice me in some hard and fast way.
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
When she opened it, she discovered a handwritten dedication on the patterned endpapers: To my beloved—may you always believe in fairy tales. Smiling, she traced her fingers over the letters, feeling the indentations they had left on the paper. This was one of the things she loved best about books. She might never know who had written the dedication, or how long ago, or to whom, but she could briefly clasp hands with them across eternity, a chance meeting of souls made possible by their shared love of a story.
Margaret Rogerson (Mysteries of Thorn Manor (Sorcery of Thorns, #1.5))
And Rhys had given me the best gift I’d ever received. He was right—it wasn’t a fancy purse or diamond jewelry, but I would much rather have one sketch from him than a hundred Tiffany diamonds. Anyone could buy a diamond. No one except him could’ve drawn me the way he did, and it didn’t escape my notice this was the first time he’d ever shared his art with me. “It’s all right.” He shrugged. “It’s not all right, it’s beautiful,” I repeated. “Seriously, thank you. I’ll treasure this forever.” I never thought I’d see the day, but Rhys blushed. Actually blushed. I watched in fascination as the red spread across his neck and cheeks, and the desire to trace its path with my tongue gripped me. But of course, I couldn’t do that.
Ana Huang (Twisted Games (Twisted, #2))
Did you ever feel colored-in when a boy found you with his mouth? What if the body, at its best, is only longing for a body? The blood racing to the heart only to be sent back out, filling the routes, the once empty channels, the miles it takes to take us towards each other. Why did I feel more myself reaching out for him, my hand midair, than I did having touched him? His tongue tracing my ear: the green pulled through a blade of grass.
Ocean Vuong (On Earth We're Briefly Gorgeous)
This was the lesson we kept learning over and over and over, the lesson our mother was best capable of teaching us. Love—whatever else it might or might not be—was fleeting. Love stormed into your life and occupied it, it took over every corner of your soul, made itself comfortable, made itself wanted, then treasured, then necessary, love did all of this and then it did next the only thing it had left to do, it retreated, it vanished, it left no trace of itself. Love was horrifying.
Christie Hodgen
Finally, there was the impediment of his nature. In the secret parts of his peculiar brain, those unhappy and inextricable tangles which he felt at the roots, the boy was disabled by something which we cannot explain. He could not have explained either, and for us it is all too long ago. He loved Arthur and he loved Guenever and he hated himself. The best knight of the world: everybody envied the self-esteem which must surely be his. But Lancelot never believed he was good or nice. Under the grotesque, magnificent shell with a face like Quasimodo’s, there was shame and self-loathing which had been planted there when he was tiny, by something which it is now too late to trace. It is so fatally easy to make young children believe that they are horrible.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
Maybe you cannot be the CEO of a multinational corporation, but you can frighten a few people, or cause them to scurry around like chickens, or steal from them, or—maybe best of all—create situations that cause them to feel bad about themselves. And this is power, especially when the people you manipulate are superior to you in some way. Most invigorating of all is to bring down people who are smarter or more accomplished than you, or perhaps classier, more attractive or popular or morally admirable. This is not only good fun; it is existential vengeance. And without a conscience, it is amazingly easy to do. You quietly lie to the boss or to the boss's boss, cry some crocodile tears, or sabotage a coworker's project, or gaslight a patient (or a child), bait people with promises, or provide a little misinformation that will never be traced back to you.
Martha Stout (The Sociopath Next Door)
He loved Arthur and he loved Guenever and he hated himself. The best knight of the world: everybody envied the self-esteem which must surely be his. But Lancelot never believed he was good or nice. Under the grotesque, magnificent shell with a face like Quasimodo's, there was shame and self-loathing which had been planted there when he was tiny, by something which it is now too late to trace.
T.H. White (The Once & Future King (SparkNotes Literature Guide))
I need you, Logan. Just you" I tighten my grip on her tunic. "Why?" "Because I still love you." Her voice catches. "I never stopped. I thought I had. I wanted to. But somehow .. it's like a part of you lives inside the most important part of me, and I don't know how to separate the two." Tears spill over, tracing a glistening path down her cheeks. "I love you, Logan" Joy surges through me, brilliant and wild. I cup her face in my hands and wipe away her tears. "I love you too, Rachel. Always" And then I do my best to use the full hour I've been given to kiss her senseless.
C.J. Redwine
As far as we can look back into history, the downfall of any nation can be traced from the moment that nation became timid about spending its best blood.
Frederick Russell Burnham
I need to devour you." Those words manage to knock the air right back out of my lungs, and my head spinsas one of his hands skims around my body. He splays it across the small of my back, pulling me closer to him, and leaning over until his lips are a centimeter from my collarbone. "Sienna?" he growls, and I murmur to acknowledge him. "I'm going to taste you." He wasn't asking me, he was flat out telling me what was going to happen between us, and yet I felt myself nod, felt my body mold against his the moment his warm lips sought out the center of my throat. "You smell like apples." he wispers harshly before his tongue darts out to trace the column of my thorat. I moan, letting my head fall all the way back. "And you taste like the best kind of sin.
Emily Snow (All over You (Devoured, #0.5))
The traces of my father’s presence, which I had done my best to preserve, had vanished, replaced by an emptiness that would not be filled. I stood in the middle of that emptiness, feeling myself on the verge of being drawn into its terrible depth.
Yōko Ogawa (The Memory Police)
Amy Grech has a cinematographer's eye, and a surgeon's hand—at once brutal and tender, unsettling yet humane. These stories linger like traces of an acid trip. Highly recommended!” — Jay Bonansinga, National Best-Selling Author of Twisted, Frozen, and The Sinking of the Eastland
Jay Bonansinga
Confident that cast-iron walls separate our nature and situation from theirs, comfortable in the well-broken-in saddle of our high horse, we have exchanged our capacity to be tolerant for detachment and derision. It is the tragedian's task, then, to force us to confront an almost unbearable truth: every folly or myopia of which any human being in history has been guilty may be traced back to some aspect of our collective nature. Because we each bear within ourselves the whole of the human condition, in its worst and best aspects, any one of us might be capable of doing anything at all, or nothing, under the right—or rather the most horribly wrong—conditions.
Alain de Botton (Status Anxiety)
Imagine this opportunity as an amazingly attractive but fast-moving river. There is so much that looks extremely appealing about this river, you’re going to be tempted to jump right in. But once you are in the river, you have diminished your ability to make decisions. That river is moving so fast that it will take you where it is going. And if you haven’t carefully traced out in advance whether you want to go through and to the places that river flows, you’ll be in trouble.
Lysa TerKeurst (The Best Yes: Making Wise Decisions in the Midst of Endless Demands)
Kaz snagged her wrist. "Inej." His gloved thumb moved over her pulse, traced the top of the feather tattoo. "If we don't make it out, I want you to know..." She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope in to stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. "If we don't die this night, I will die unafraid, Kaz. Can you say the same?" His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn't want her prayers and she wouldn't speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Ming-xiong, maybe you shouldn't be my best friend for the time being. Wait until I've killed that thing first!” Ming Yi, however, replied without a trace of restraint: “Who's your best friend? I've never been.” “...” Shi Qingxuan took a moment to process, then his expression turned to outrage. “Ming-xiong, that's too much! Don't turn your back on people so quickly when things get tough!
Mò Xiāng Tóng Xiù (Heaven Official's Blessing: Tian Guan Ci Fu (Novel) Vol. 4)
We all know the story: how a defiant and undisciplined collection of citizen soldiers banded together to defeat the mightiest army on earth. But as those who lived through the nearly decadelong saga of the American Revolution were well aware, that was not how it actually happened. The real Revolution was so troubling and strange that once the struggle was over, a generation did its best to remove all traces of the truth. No one wanted to remember how after boldly declaring their independence they had so quickly lost their way; how patriotic zeal had lapsed into cynicism and self-interest; and how, just when all seemed lost, a traitor had saved them from themselves.
Nathaniel Philbrick (Valiant Ambition: George Washington, Benedict Arnold, and the Fate of the American Revolution)
but art is not relative to perfection in any tangible sense. It is our coarse antennae trembling blindly as it traces the form of Origin, tastes the ephemeral glue welding us, yearning after the secret of ineluctable evolution, and wonders what this transformation will mean. In my mind, here was the best kind of art—the kind hoarded by rich and jealous collectors in their locked galleries; hidden from the eyes of the heathen masses, waiting to be shared with the ripe few
Laird Barron
In spite of wars and tourism and pictures by satellite, the world is just the same size it ever was. It is awesome to think how much of it I will never see. It is not a trick to go round these days, you can pay a lot of money and fly round it nonstop in less than forty-eight hours, but to know it, to smell it and feel it between your toes you have to crawl. There is no other way. Not flying, not floating. You have to stay on the ground and swallow the bugs as you go. Then the world is immense. The best you can do is to trace your long, infinitesimally thin line through the dust and extrapolate.
Ted Simon (Jupiters Travels: Four Years Around the World on a Triumph)
How did we get to such a lonely place? We live so close to each other and yet feel so far apart. I keep looking toward the past…tracing our journey in reverse…over the ocean through the war, seeking an origin story that will set everything right.
Thi Bui (The Best We Could Do)
A map does not just replicate the shape of a territory; rather, it actively inflects and works over that territory.7 Films and music videos, like the ones I discuss here, are best regarded as affective maps, which do not just passively trace or represent, but actively construct and perform, the social relations, flows, and feelings that they are ostensibly “about.” In
Steven Shaviro (Post Cinematic Affect)
I sincerely believe that the best criticism is the criticism that is entertaining and poetic; not a cold analytical type of criticism, which, claiming to explain everything, is devoid of hatred and love, and deliberately rids itself of any trace of feeling, but, since a fine painting is nature reflected by an artist, the best critical study, I repeat, will be the one that is that painting reflected by an intelligent and sensitive mind. Thus the best accounts of a picture may well be a sonnet or an elegy . . . But that type of criticism is destined for books of poetry and for readers of poetry. As to criticism proper, I hope philosophers will understand what I am about to say: to be in focus, in other words to justify itself, criticism must be partial, passionate, political, that is to say it must adopt an exclusive point of view, provided always the one adopted opens up the widest horizons.
Charles Baudelaire
I think that was the best cock-sucking I’ve ever had,” he said. The crudity of his words was softened by their teasing tone and that shadowy, piratical smile. His hands moved lower, tracing the shape of David’s backside. “I only wish I could fuck you.” David
Joanna Chambers (Provoked (Enlightenment, #1))
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night. Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible. So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming. I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me. He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm. After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck. I bit my lip. Alarm bells started going off in my head. Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?” I stammered, “I…you…I…slept just fine, thank you.” I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him. He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
In your opinion, what would be the best way of summarizing the long pontificate of John Paul II? All those very productive years can be traced back to the three pillars of his interior life, which were the Cross, the Eucharist, and the Blessed Virgin, Crux, Hostia, et Virgo. His extraordinary faith sought the foundations for its strength only in the most ordinary tools of the Christian life. Before
Robert Sarah (God or Nothing: A Conversation on Faith)
Beer bottles and whisky jugs exploded from ill-aimed bullets. Wood chips showered down from the rafters and the air filled with the metallic smell of gun smoke. Trace fired a shot or two of his own, but decided his best option was to find some sort of shelter--drunks made horrible shooters.
Angela Scott (Wanted: Dead or Undead (Zombie West #1))
Geez, Vi, you didn’t need to break your own leg to get out of going to the dance with Grady Spencer. A simple ‘no’ would have been just fine, I’m sure.” Apparently no one had noticed that Jay had barely let go of her hand for a second. His thumb was now tracing lazy circles around her palm, and he answered her uncle’s teasing comment without looking away from Violet for even a split second. “She’s not going to the dance with Grady,” he announced, smiling at her mischievously, and for a moment Violet forgot how to breathe. She hoped she never got used to how a simple look from him could turn her into a blithering idiot. “Really?” her aunt Kat asked, her eyes narrowing as she glanced from Violet to Jay, and then down at their intertwined hands. Clearly she wasn’t going to let the comment pass unnoticed. “Why is that?” she asked in a voice filled with unspoken meaning. Stephen Ambrose looked at his wife curiously, a little slow to catch on, which was sad, really, considering it was his job to seek out clues and solve mysteries. Jay answered Kat without missing a beat. “Because she’s going with me.” He winked at violet, whose cheeks had flushed to a brilliant shade of scarlet. She wasn’t entirely sure she was ready for this. Violet saw her mom and Aunt Kat exchange meaningful glances. They knew, she realized. And now her uncle did too. Uncle Stephen gave Jay his best I’m-keeping-my-eye-on-you look, but a quick “Hmm” was the only sound he made. How much embarrassment could one person possible survive? There was a moment of awkward silence, made even more uncomfortable by Jay’s refusal to look anywhere but at her. He reached out and brushed his finger along her cheek. Violet almost forgot to care that everyone in the room was looking at them.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Game-free intimacy is or should be the most perfect form of human living. Because there is so little opportunity for intimacy in daily life, and because some forms of intimacy (especially if intense) are psychologically impossible for most people, the bulk of time in serious social life is taken up with playing games. Hence games are both necessary and desirable, and the only problem at issue is whether the games played by an individual offer the best yield for him. In this connexion it should be remembered that the essential feature of a game is its culmination, or payoff. The principal function of the preliminary moves is to set up the situation for this payoff, but they are always designed to harvest the maximum permissible satisfaction at each step as a secondary product. Games are passed on from generation to generation. The favoured game of any individual can be traced back to his parents and grandparents, and forward to his children. Raising children is primarily a matter of teaching them what games to play. Different cultures and different social classes favour different types of games. Many games are played most intensely by disturbed people, generally speaking, the more disturbed they are, the harder they play. The attainment of autonomy is manifested by the release or recovery of three capacities: awareness, spontaneity and intimacy. Parents, deliberately or unaware, teach their children from birth how to behave, think and perceive. Liberation from these influences is no easy matter, since they are deeply ingrained. First, the weight of a whole tribal or family historical tradition has to be lifted. The same must be done with the demands of contemporary society at large, and finally advantages derived from one's immediate social circle have to be partly or wholly sacrificed. Following this, the individual must attain personal and social control, so that all the classes of behaviour become free choices subject only to his will. He is then ready for game-free relationships.
Eric Berne
Men were as plentiful as salmon, but a best friend was a freshwater pearl.
Colleen Coble (Without a Trace (Rock Harbor, #1))
The greatest gift you can leave to humanity is the beautiful trace you left behind yourself that invites people to reason, science and peace!
Mehmet Murat ildan
Xinxin Ming or Trust in the Heart The Perfect Way is only difficult for those who pick and choose; Do not like, do not dislike; all will then be clear. Make a hairbreadth difference, and heaven and earth are set apart. If you want the truth [of nonduality] to stand clear before you, never be for or against. The struggle between "for" and "against" is the mind's worst disease. When the Way is not understood, the mind chatters endlessly to no avail. The Perfect Way is vastness without holiness. Like infinite space it contains all and lacks nothing. Because you pick and choose, cling and reject, you can't see its Suchness. Neither be entangled in the world, nor in inner feelings of emptiness. Be serene in the oneness of things, And dualism vanishes of its own accord. Craving the passivity of Oneness you are filled with activity. As long as you tarry in dualism, You will never know Oneness. If you don't trust in the Heart, you fall into assertion or denial. In this world of Suchness there is neither self nor other-than-self. To be in accord with the Way, let go of all self-centered striving. Denying the world [of duality] is the asserting of it; Asserting emptiness [oneness] is the denying of it. The more you talk and think about it, the further astray you go. To return to the root [the One] is to find the meaning, But to pursue appearances [the many] is to miss the source. At the moment of inner enlightenment there is a going beyond the one and the many. The mind clings to its image of the world; We call it real only because of our ignorance. Do not seek after the truth, merely cease to cherish your opinions. For the mind in harmony with the One, all selfishness disappears. With not even a trace of fear, you can trust the universe completely. All at once you are free, with nothing left to hold on to. All is empty, brilliant, perfect in its own being. In the world of things as they are, there is neither observer nor observed. If you want to describe its essence, the best you can say is "Not-two." Even to have the idea of enlightenment is to go astray. Thoughts that are fettered turn from truth, sink into the unwise habit of "not liking." "Not liking" brings weariness of spirit; estrangements serve no purpose. In this "Not-two" nothing is separate, And nothing in the world is excluded. The enlightened of all times and places have entered into this truth. The One is none other than the All, the All none other than the One. Take your stand on this, and the rest will follow of its accord; To trust in the Heart is the "Not-two," the "Not-two" is to trust in the Heart. There is one reality, not many; Distinctions arise from the clinging needs of the ignorant. To seek Mind with the mind is the greatest of all mistakes. I have spoken, but in vain; For what can words say— Of things that have no yesterday, tomorrow, or today. Jianzhi Sengcan (aka Seng-Ts'an, 僧璨, ?-606)
Sengcan
Now when I remember the woman I was—heaving herself off the couch to go on another Internet date, taking a deep breath before walking into the party where she'd see her ex and his new girlfriend—I don't feel a trace of contempt or embarrassment. I have a funny admiration for the girl who kept taking her licks and got back up again. That was me. Doing my best. Which, of course, is all any of us can do.
Sara Eckel (It's Not You: 27 (Wrong) Reasons You're Single)
Memories are better than life. Nothing I'm part of is good until later. I love what time does. I make decisions on the basis of sensing what will produce the best memory. They're my finest works: all that multidimensional and liquid maze of experience minus the fear and uncertainty, or with the fear and uncertainty changed to something else. Because they're already finished. I made them up and they comprise me. It's as if experience is only the dark, chaotic factory where these little infinity jewels are pressed into being. Everyone is the poet of their memories. Usually it's better to get things over with so you have the memory. But like the best poems, they're also never really finished because they gain new meaning as time reveals them in different lights. Maybe every memory is inside you from the beginning; they erupt and branch and merge in fantastic patterns, but if you really tried you could trace any one of them back to the same original. Maybe the best ones are all the same: of being born. Or dying, or whatever it is.
Richard Hell
He traced the line of her collarbone, and the side of her throat. “Did I hurt you, Daisy?” he whispered. “Well, it was rather uncomfortable when you—” she stopped and blushed. “But I expected that. My friends told me it improves after the first time.” His fingertips wandered to the outline of her ear, and the blood-heated curve of her cheek. There was a smile in his voice as he said, “I’ll do my best to see that it does.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
The Pandemic Sonnet This ain't the first time you've come to haunt us, And it won't be the last either. You thought you could break the species, But all you did is bring us together. You brought the world to almost a standstill, Yet we never stood still to let inaction take over. Each one of us did the best we could, And we'll keep on doing till your traces wither. We may have our differences at times, But when trouble knocks on our door we all stand one. We may act selfish sometimes, But in catastrophe we refrain from helping no one. However thanks for reminding us to leave wildlife alone, Otherwise all we'll have left to do is mourn.
Abhijit Naskar
He will set them off with communications of His presence which, though faint, seem great to them, with emotional sweetness, and easy conquest over temptation. But He never allows this state of affairs to last long. Sooner or later He withdraws, if not in fact, at least from their conscious experience, all those supports and incentives. He leaves the creature to stand up on its own legs—to carry out from the will alone duties which have lost all relish. It is during those trough periods, much more than during the peak periods, that it is growing into the sort of creature He wants it to be. Hence the prayers offered in the state of dryness are those which please Him best... He wants them to learn to walk and must therefore take away His hand; and if only the will to walk is really there He is pleased even with their stumbles. Do not be deceived, Wormwood. Our cause is never more in danger than when a human, no longer desiring, but still intending, to do our Enemy’s will, looks round upon a universe from which every trace of Him seems to have vanished, and asks why he has been forsaken, and still obeys.
C.S. Lewis (The Screwtape Letters)
Why would you do that? Why would you act like you didn’t know how to drive?” “Isn’t it obvious, Sage? No, of course it isn’t. I did it so I’d have a reason to be around you—one I knew you couldn’t refuse.” “But… why? Why would you want to do that?” “Why?” he asked. “Because it was the closest I could get to doing this.” He reached out and pulled me to him, one hand on my waist and the other behind my neck. He tipped my head up and lowered his lips to mine. I closed my eyes and melted as my whole body was consumed in that kiss. I was nothing. I was everything. Chills ran over my skin, and fire burned inside me. His body pressed closer to mine, and I wrapped my arms around his neck. His lips were warmer and softer than anything I could have ever imagined, yet fierce and powerful at the same time. Mine responded hungrily, and I tightened my hold on him. His fingers slid down the back of my neck, tracing its shape, and every place they touched was electric. But perhaps the best part of all was that I, Sydney Katherine Sage, guilty of constantly analyzing the world around me, well, I stopped thinking. And it was glorious.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Why didn't you tell me?" "I know you won't believe it, but I thought it would be best for you. You were doing so well until I came back. I thought you could go back to how it was. You still can." "Don't say that,Becks.We're going to figure something out." "I know.Even so,I understand that it would've been easier for you if I'd never come back.Maybe you and Jules..." His grip on my arm tightened,and when he spoke,his voice wavered. "Becks. I crashed when you left.Jules held together the pieces,and I will love her forever for that.But if I was with her, it wouldn't be right." He grimaced. "She told me so herself, right before I left with Will. She knew." Jack pushed my hair out of my eyes and off my forehead. "Um,she knew what?" I could barely hear my own voice. "It's always been you,Becks. Nothing will change that,no matter how much time has passed." He glanced down. "No matter if you feel the same way or not. You know what,right?" I shook my head slowly,wanting desperately to believe him, but not sure if I could. "How can you not see that? Everyone sees it." He slid his hand down my arm and grabbed my fingers, holding them in his lip,tracing them. Staring at them. "Remember freshman year? How Bozeman asked you to the Spring Fling?" Bozeman. He was two years older than me. Played offensive lineman. His first name was Zachary, but nobody had called him that since the third grade. I'd been surprised he even knew my name, let alone asked me to the dance. "Of course I remember.You came with me to answer him." We doorbell-ditched Bozeman's house, leaving a two-liter bottle of Coke and a note that said I'd pop to go to the dance with you, or something like that. Bozeman had a reputation for fast hands, but he didn't try anything with me. In fact,he barely touched me at all, even at the fling.And he never asked me out again.Or even talked to me, really.It was weird. "Yeah,well,I didn't tell you, but Bozeman actually asked my permission." "Why?" "Because it was obvious to everyone, except you,how I felt about you.And then that night with the Coke on the porch...after I dropped you off at home, I paid Bozeman a visit." His cheeks went pink and he lowered his eyes. "And?" "Let's just say I rescinded my permission. I didn't realize how much it would bother me." His eyes met mine. I could only imagine what was said between Jack and the lineman, who was twice his size. "Don't be mad," Jack said. Like I'd be angry after everything we'd been through. "I...I'm telling you this because you have to know that it's always been you. And it will always be you.
Brodi Ashton (Everneath (Everneath, #1))
In the ashes on the hearth Saigyo traced and retraced the word, "pity." He had yet to learn to accept life with all its good and evils, to love life in all its manifestations by becoming one with nature. And for this he had abandoned home, wife, and child in that city of conflict. He had fled to save his own life, not for any grandiose dream of redeeming mankind; neither had he taken vows with the thoughts of chanting sutras to Buddha; nor did he aspire to brocaded ranks of the high prelates. Only by surrendering to nature could he best cherish his own life, learn how man should live, and therein find peace. And if any priest accused him of taking the vows out of self-love, not to purify the world and bring salvation to men, Saigyo was ready to admit that these charges were true and that he deserved to be reviled and spat upon as a false priest. Yet, if driven to answer for himself, he was prepared to declare that he who had not learned to love his own life could not love mankind, and that what he sought now was to love that life which was his. Gifts he had none to preach salvation or the precepts of Buddha; all that he asked was to be left to exist as humbly as the butterflies and the birds.
Eiji Yoshikawa (The Heike Story: A Modern Translation of the Classic Tale of Love and War)
New Rule: Now that liberals have taken back the word "liberal," they also have to take back the word "elite." By now you've heard the constant right-wing attacks on the "elite media," and the "liberal elite." Who may or may not be part of the "Washington elite." A subset of the "East Coast elite." Which is overly influenced by the "Hollywood elite." So basically, unless you're a shit-kicker from Kansas, you're with the terrorists. If you played a drinking game where you did a shot every time Rush Limbaugh attacked someone for being "elite," you'd be almost as wasted as Rush Limbaugh. I don't get it: In other fields--outside of government--elite is a good thing, like an elite fighting force. Tiger Woods is an elite golfer. If I need brain surgery, I'd like an elite doctor. But in politics, elite is bad--the elite aren't down-to-earth and accessible like you and me and President Shit-for-Brains. Which is fine, except that whenever there's a Bush administration scandal, it always traces back to some incompetent political hack appointment, and you think to yourself, "Where are they getting these screwups from?" Well, now we know: from Pat Robertson. I'm not kidding. Take Monica Goodling, who before she resigned last week because she's smack in the middle of the U.S. attorneys scandal, was the third-ranking official in the Justice Department of the United States. She's thirty-three, and though she never even worked as a prosecutor, was tasked with overseeing the job performance of all ninety-three U.S. attorneys. How do you get to the top that fast? Harvard? Princeton? No, Goodling did her undergraduate work at Messiah College--you know, home of the "Fighting Christies"--and then went on to attend Pat Robertson's law school. Yes, Pat Robertson, the man who said the presence of gay people at Disney World would cause "earthquakes, tornadoes, and possibly a meteor," has a law school. And what kid wouldn't want to attend? It's three years, and you have to read only one book. U.S. News & World Report, which does the definitive ranking of colleges, lists Regent as a tier-four school, which is the lowest score it gives. It's not a hard school to get into. You have to renounce Satan and draw a pirate on a matchbook. This is for the people who couldn't get into the University of Phoenix. Now, would you care to guess how many graduates of this televangelist diploma mill work in the Bush administration? On hundred fifty. And you wonder why things are so messed up? We're talking about a top Justice Department official who went to a college founded by a TV host. Would you send your daughter to Maury Povich U? And if you did, would you expect her to get a job at the White House? In two hundred years, we've gone from "we the people" to "up with people." From the best and brightest to dumb and dumber. And where better to find people dumb enough to believe in George Bush than Pat Robertson's law school? The problem here in America isn't that the country is being run by elites. It's that it's being run by a bunch of hayseeds. And by the way, the lawyer Monica Goodling hired to keep her ass out of jail went to a real law school.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
She hasn't been back since, and we have a young per diem substitute who had taught shoes in a vocational high school on her last job. Though her license is English, she had been called to the Shoe Department, where she traced the history of shoes from Cinderella and Puss in Boots through Galsworthy and modern advertising. "Best shoe lesson they ever had," she told me cheerfully. "Until a cop came in, dangling handcuffs: 'Lady, that kid I gotta have.'" To her, Calvin Coolidge is Paradise.
Bel Kaufman (Up the Down Staircase)
They had found no trace of Eustace but had seen a dead dragon in a valley. They tried to make the best of it and everyone assured everyone else that there were not likely to be more dragons about, and that one which was dead at about three o’clock that afternoon (which was when they had seen it) would hardly have been killing people a very few hours before. “Unless it ate the little brat and died of him: he’d poison anything,” said Rhince. But he said this under his breath and no one heard it.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Each seed was made of an embryo, a seed coat, and something nutritious, almost like a packed lunch. The Mother Plant, like me, wanted only the best for her babies. Some plants, like dandelions, scattered their seeds in the wind, while others, like some pines, needed fire to open their cones. Somehow, the Mother knew to dry her seeds almost completely so they would sleep until the time was right to wake. Each seed held a trace of life that would spark when given water, when given the appropriate conditions.
Diane Wilson (The Seed Keeper)
But in situations where innovations proliferate, where group boundaries are uncertain, when the range of entities to be taken into account fluctuates, the sociology of the social is no longer able to trace actors’ new associations. At this point, the last thing to do would be to limit in advance the shape, size, heterogeneity, and combination of associations. To the convenient shorthand of the social, one has to substitute the painful and costly longhand of its associations. The duties of the social scientist mutate accordingly: it is no longer enough to limit actors to the role of informers offering cases of some well-known types. You have to grant them back the ability to make up their own theories of what the social is made of. Your task is no longer to impose some order, to limit the range of acceptable entities, to teach actors what they are, or to add some reflexivity to their blind practice. Using a slogan from ANT, you have ‘to follow the actors themselves’, that is try to catch up with their often wild innovations in order to learn from them what the collective existence has become in their hands, which methods they have elaborated to make it fit together, which accounts could best define the new associations that they have been forced to establish.
Bruno Latour (Reassembling the Social: An Introduction to Actor-Network-Theory)
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic. He stared at them. “How—” “I got them from the discarded clothes. Before I made the climb.” “Six stories in the dark.” She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again. He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish. “When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.” He looked away. “You should. You were always too good for the Barrel.” It was time to go. “Saints’ speed, Kaz.” Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?” His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
It seems a miracle that we should last so much as a single day. There is no antidote, he writes, against the opium of time. The winter sun shows how soon the light fades from the ash, how soon night enfolds us. Hour upon hour is added to the sum. Time itself grows old. Pyramids, arches and obelisks are melting pillars of snow. Not even those who have found a place amidst the heavenly constellations have perpetuated their names: Nimrod is lost to Orion, and Osiris in the Dog Star. Indeed, old families last not three oaks. To set one's name to a work gives no one a title to be remembered, for who knows how many of the best men have gone without a trace? The iniquity of oblivion blindly scatters her poppyseed and when wretchedness falls upon us one summer's day like snow, all we wish for is to be forgotten.
W.G. Sebald (The Rings of Saturn)
To him it seemed a miracle that we should last so much as a single day. There is no antidote, he writes, against the opium of time. The winter sun shows how soon the light fades from the ash, how soon night enfolds us. Hour upon hour is added to the sum. Time itself grows old. Pyramids, arches and obelisks are melting pillars of snow. Not even those who have found a place amidst the heavenly constellations have perpetuated their names: Nimrod is lost in Orion, and Osiris in the Dog Star. Indeed, old families last not three oaks. To set one’s name to a work gives no one a title to be remembered, for who knows how many of the best of men have gone without a trace? The iniquity of oblivion blindly scatters her poppyseed and when wretchedness falls upon us one summer’s day like snow, all we wish for is to be forgotten.
W.G. Sebald
The minute Molly and Priss disappeared inside, Trace cursed. He actually wanted to hit something, but a tree would break his knuckles, he didn’t want to put another dent in the truck, and Dare would hit back. Chris Chapey, Dare’s longtime best friend and personal assistant, approached with the enormous cat draped over one shoulder so that he could keep an eye on the trailing dogs. The bottom half of Liger filled his arms, and the long tail hung down to the hem of Chris’s shorts. Without even thinking about it, Trace started petting the cat. After a few hours in the truck together, he and Liger had an understanding of sorts. Dare watched him, but said only, “That cat is a beast.” “He’s an armful, that’s for sure.” Chris hefted him a little higher, and got a sweet meow in return. Both dogs barked in excitement, but quited when Liger gave them a level stare. Chris laughed at that. “You want me to head in to keep an eye on things” “That’s why I pay you the big bucks, right?” Dare stared toward the house. “You can tell Trace’s lady—” “She’s not mine.” Both Chris and Dare gave him a certain male-inspired look, a look that said they understood his bullshit and would let it slide—for now.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
It would have been absurd of him to trace into ramifications the effect of the ribbon from which Miss Gostrey’s trinket depended, had he not for the hour, at the best, been so given over to uncontrolled perception. What was it but an uncontrolled perception that his friend’s velvet band somehow added, in her appearance, to the value of every other item – to that of her smile and of the way she carried her head, to that of her complexion, of her lips, her teeth, her eyes, her hair? What, certainly, had a man conscious of a man’s work in the world to do with red velvet bands? He would n’t for anything have so exposed himself as to tell Miss Gostrey how much he liked hers, yet he had none the less not only caught himself in the act – frivolous, no doubt, idiotic, and above all unexpected – of liking it: he had in addition taken it as a starting point for fresh backward, fresh forward, fresh lateral flights.
Henry James (The Ambassadors)
Don't you want to preserve old things? But you can't, Anthony. Beautiful things grow to a certain height and then they fail and fade off, breathing out memories as they decay. And just as any period decays in our minds, the things of that period should decay too, and in that way they're preserved for a while in the few hearts like mine that react to them. That graveyard at Tarrytown, for instance. The asses who give money to preserve things have spoiled that too. Sleepy Hollow's gone; Washington Irving's dead and his books are rotting in our estimation year by year - then let the graveyard rot too, as it should, as all things should. Trying to preserve a century by keeping its relics up to date is like keeping a dying man alive by stimulants. So you think that just as time goes to pieces its houses ought to go too? Of course! Would you value your Keats letter if the signature was traced over to make it last longer? It's just because I love the past that I want this house to look back on its glamorous moment of youth and beauty, and I want its stars to creak as if to the footsteps of women with hoop-skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty. It hasn't any right to look so prosperous. It might care enough for Lee to drop a brick now and then. How many of these - these animals - get anything from this, for all the histories and guide-books and restorations in existence? How many of them who think that, at best, appreciation is talking in undertones and walking on tiptoes would even come here if it was any trouble? I want it to smell of magnolias instead of peanuts and I want my shoes to crunch on the same gravel that Lee's boots crunched on. There's no beauty without poignancy and there's no poignancy without the feeling that it's going, men, names, books, houses - bound for dust - mortal-
F. Scott Fitzgerald (The Beautiful and Damned)
I see you have no need of a sword.” “Very difficult, these days, to get them through security,” she pointed out without changing expression. “You’re extremely accurate with that weapon.” “With all weapons. My father was an exacting man.” “You’re a very dangerous woman, Azami Yoshiie.” Sam meant it as an admiring compliment. One eyebrow raised. Her mouth curved and she flashed a heart-stopping smile. “You have no idea how dangerous.” She said his own words right back to him and he believed her. “And you’re as adept with a sword as you are with your other weapons?” he asked curiously. “More so,” she admitted with no trace of bragging—simply stating a fact. “I said so, didn’t I?” Sam turned on his heel and strode toward her purposefully. “I’m about to kiss you, Ms. Yoshiie. I’m fully aware I’m breaching every single international law of etiquette there is, and you might, rightfully, stick that knife of yours in my gut, but right at this moment I don’t particularly give a damn.” Her eyes widened, but she didn’t move. He’d known she wouldn’t. She was every bit as courageous as any member of his team. She would stand her ground. Thorn moistened her lips. “It might be your heart,” she warned truthfully. “Still, I have no choice here. I really don’t. So pull the damn thing out and be ready.” She felt her body go liquid with heat, a frightening reaction to a woman of absolute control. “If you’re going to do it, you’d best make it really good, because it very well might be the last thing you ever do. I have no idea how I’ll react. I’ve never actually kissed anyone before.
Christine Feehan (Samurai Game (GhostWalkers, #10))
COMMUNITY WAS HELD IN A LONG ROOM with tall barred windows that overlooked a redbrick wall. The smell of coffee was in the air, mingled with traces of Yuri’s aftershave. About thirty people were sitting in a circle. Most were clutching paper cups of tea or coffee, yawning and doing their best to wake up. Some, having drunk their coffees, were fidgeting with the empty cups, crumpling, flattening them, or tearing them to shreds. Community met once or twice daily; it was something between an administrative meeting and a group therapy session. Items relating to the running of the unit or the patients’ care were put on the agenda to be discussed
Alex Michaelides (The Silent Patient)
Johnson's later life, from 1763, is among the best documented of all literary lives. James Boswell gave himself the enormous task, after Johnson's death in 1784, of producing what is now held to be a model of biography; rich in detail and anecdote, a complete picture of the man and his times, traced over a period of more than twenty years. Boswell's Life of Johnson, published in 1791, carries on Johnson's own contribution to the growing art of biography, and consolidates Johnson's position as a major literary figure, who, although a poet and a novelist, is remembered more for his academic and critical achievement than for his creative writings.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
This is what I am, I'll say, to leave this written excuse. This is my life. Now it is clear this couldn't be done- that in this net it's not just the strings that count but the air that escapes through the meshes. Everything else stayed out of reach- time running like a hare across the February dew, and love, best not to talk of love which moved, a swaying of hips, leaving no more trace of all its fire than a spoonful of ash. That's how it is with so many passing things: the man who waited, believing, of course, the woman who was alive and will not be. All of them believed that, having teeth, feet, hands, and language, life was only a matter of honor. This one took a look at history, took in all the victories of the past, assumed an everlasting existence, and the only thing life gave him was his death, time not to be alive, and earth to bury him in the end. But all that was born with as many eyes as there are planets in the firmament, and all her devouring fire ruthlessly devoured her until the end. If I remember anything in my life, it was an afternoon in India, on the banks of a river. They were burning a woman of flesh and bone and I didn't know if what came from the sarcophagus was soul or smoke, until there was neither woman nor fire nor coffin nor ash. It was late, and only the night, the water, the river, the darkness lived on in that death.
Pablo Neruda
Whatever you do, don’t feel sorry for me. I know it’s the best you can do. Life hasn’t hit you in your perfect little bubble yet. Please don’t try to understand. Nobody can. No one knows what it’s like to be me, except others like me. You’re making me pissed. You’re making me feel bad. Stop reminding me that I have no life. I don’t care about your prom. Yes, I know I haven’t talked to you in a while. NO, I’m not ignoring you, but it’s not exactly like you’ve been calling me either. I just haven’t been feeling well lately. I’m tired and my body is aching all over. It’s hurting all the time. I can barely move when it rains, and some days I just don’t want to do anything. SHUT UP.
Jacquelyn Nicole Davis (Trace The Grace: A Memoir)
Patriotism,” said Lymond, “like honesty is a luxury with a very high face value which is quickly pricing itself out of the spiritual market altogether. [...] It is an emotion as well, and of course the emotion comes first. A child’s home and the ways of its life are sacrosanct, perfect, inviolate to the child. Add age; add security; add experience. In time we all admit our relatives and our neighbours, our fellow townsmen and even, perhaps, at last our fellow nationals to the threshold of tolerance. But the man living one inch beyond the boundary is an inveterate foe. [...] Patriotism is a fine hothouse for maggots. It breeds intolerance; it forces a spindle-legged, spurious riot of colour.… A man of only moderate powers enjoys the special sanction of purpose, the sense of ceremony; the echo of mysterious, lost and royal things; a trace of the broad, plain childish virtues of myth and legend and ballad. He wants advancement—what simpler way is there? He’s tired of the little seasons and looks for movement and change and an edge of peril and excitement; he enjoys the flowering of small talents lost in the dry courses of daily life. For all these reasons, men at least once in their lives move the finger which will take them to battle for their country.… “Patriotism,” said Lymond again. “It’s an opulent word, a mighty key to a royal Cloud-Cuckoo-Land. Patriotism; loyalty; a true conviction that of all the troubled and striving world, the soil of one’s fathers is noblest and best. A celestial competition for the best breed of man; a vehicle for shedding boredom and exercising surplus power or surplus talents or surplus money; an immature and bigoted intolerance which becomes the coin of barter in the markets of power— [...] These are not patriots but martyrs, dying in cheerful self-interest as the Christians died in the pleasant conviction of grace, leaving their example by chance to brood beneath the water and rise, miraculously, to refresh the centuries. The cry is raised: Our land is glorious under the sun. I have a need to believe it, they say. It is a virtue to believe it; and therefore I shall wring from this unassuming clod a passion and a power and a selflessness that otherwise would be laid unquickened in the grave. [...] “And who shall say they are wrong?” said Lymond. “There are those who will always cleave to the living country, and who with their uprooted imaginations might well make of it an instrument for good. Is it quite beyond us in this land? Is there no one will take up this priceless thing and say, Here is a nation, with such a soul; with such talents; with these failings and this native worth? In what fashion can this one people be brought to live in full vigour and serenity, and who, in their compassion and wisdom, will take it and lead it into the path?
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
Arrive before your Husband. Not that I can See quite what good arriving first will do; But still arrive before him. When he's taken His place upon the couch and you go too To sit beside him, on your best behavior Stealthily touch my foot, and look at me, Watching my nods, my eyes, my face's language; Catch and return my signals secretly. I'll send a wordless message with my eyebrows; You'll read my fingers' words, words traced in wine. When you recall our games of love together, Your finger on rosy cheeks must trace a line. If in your silent thoughts you wish to chide me, Let your hand hold the lobe of your soft ear; When, darling, what I do or say gives pleasure, Keep turning to an fro the ring you wear. When you wish well-earned curses on your husband, Lay your hand on the table, as in prayer. If he pours you wine, watch out, tell him to drink it; Ask for what you want from the waiter there. I shall take next the glass you hand the waiter And I'll drink from the place you took your sips; If he should offer anything he's tasted, Refuse whatever food has touch his lips. Don't let him plant his arms upon your shoulders, Don't let him rest your gentle head on his hard chest, Don't let your dress, your breasts, admit his fingers, And--most of all--no kisses to be pressed! You kiss--and I'll reveal myself your lover; I'll say 'they're mine'; my legal claim I'll stake. All this, of course I'll see, But what's well hidden under your dress--blind terror makes me quake.
Ovid (The Love Poems)
A glowing green traced the movements of our limbs below the gentle surf. I imagined a scaly, bug-eyed eel with razor-sharp teeth had come from the deep to hunt for a late-night meal before realizing it was a luminescent algae emitting a subtle glow with each tread of the water. At one point, we returned to the beach to rest and came across a nest of hatching turtles making their first voyage into the water. We watched the sun gradually peek over the horizon, and I realized in this moment that I had your mother's deepest trust. Miles away from her comfort zone, she was willing to walk with me and explore the depth of a world I had grown to love. I, in turn, would need to trust her to the utmost as I stepped deeper into her world of stand-up comedy.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
be that your cousin has influenced you in some way—but as for our Junior Surgeon,” he turned to Carausius, “I remember that when first he was posted here, you yourself, Caesar, were not too sure of his good faith. This is surely some plot of Maximian’s, to cast doubt and suspicion between the Emperor of Britain and the man who, however unworthily, serves him to the best of his ability as chief minister.” Justin stepped forward, his hands clenched at his sides. “That is a foul lie,” he said, for once without a trace of his stutter. “And you know it, Allectus; none better.” “Will you grant me also a space to speak?” Carausius said quietly, and silence fell like a blight on the lamplit chamber. He looked round at all three of them, taking his time. “I remember my doubts, Allectus. I remember also that the
Rosemary Sutcliff (The Silver Branch)
He closed his eyes. This bed was a wedding gift from friends he had not seen in years. He tried to remember their names, but they were gone. In it, or on it, his marriage had begun and, six years later, ended. He recognized a musical creak when he moved his legs, he smelled Julie on the sheets and banked-up pillows, her perfume and the close, soapy essence that characterized her newly washed linen. Here he had taken part in the longest, most revealing, and, later, most desolate conversations of his life. He had had the best sex ever here, and the worst wakeful nights. He had done more reading here than in any other single place - he remembered Anna Karenina and Daniel Deronda in one week of illness. He had never lost his temper so thoroughly anywhere else, nor had been so tender, protective, comforting, nor, since early childhood, been so cared for himself. Here his daughter had been conceived and born. On this side of the bed. Deep in the mattress were the traces of pee from her early-morning visits. She used to climb between then, sleep a little, then wake them with her chatter, her insistence on the day beginning. As they clung to their last fragments of dreams, she demanded the impossible: stories, poems, songs, invented catechisms, physical combat, tickling. Nearly all evidence of her existence, apart from photographs, they had destroyed or given away. All the worst and the best things that had ever happened to him had happened here. This was where he belonged. Beyond all immediate considerations, like the fact that his marriage was more or less finished, there was his right to lie here now in the marriage bed.
Ian McEwan (The Child in Time)
Late afternoon light filters in through his pale curtains, and it casts the room in a dreamy kind of filter. If I were going to name it, I would call it “summer in the suburbs.” Peter looks beautiful in this light. He looks beautiful in any light, but especially this one. I take a picture of him in my mind, just like this. Any annoyance I felt over him forgetting my yearbook melts away when he snuggles closer to me, rests his head on my chest, and says, “I can feel your heart beating.” I start playing with his hair, which I know he likes. It’s so soft for a boy. I love the smell of his detergent, his soap, everything. He looks up at me and traces the bow of my lip. “I like this part the best,” he says. Then he moves up and brushes his lips against mine, teasing me. He bites on my bottom lip playfully. I like all his different kinds of kisses, but maybe this kind best. Then he’s kissing me with urgency, like he is utterly consumed, his hands in my hair, and I think, no, these are the best. Between kisses he asks me, “How come you only ever want to hook up when we’re at my house?” “I--I don’t know. I guess I never thought about it before.” It’s true we only ever make out at Peter’s house. It feels weird to be romantic in the same bed I’ve slept in since I was a little girl. But when I’m in Peter’s bed, or in his car, I forget all about that and I’m just lost in the moment.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
What did you think when I first told you about the animals I found?” He seemed confused. It obviously wasn’t what he’d expected. “Violet, I was seven years old. I thought it was badass. I think I was probably even jealous.” She made a face at him. “Didn’t you think it was creepy? Or that I was weird?” “Yeah,” he agreed enthusiastically. “That’s why I was so jealous. I wanted to be the one finding dead bodies. You were like an animal detective or something. You were only weird ‘cause you were a girl.” He grinned. “But I learned to overlook that since you always took me on such cool adventures.” Violet released a breath, smiling. She knew he was telling the truth, which only made it funnier to hear him saying the words out loud. Of course, what little boy didn’t want to go scavenging through the woods and digging in the dirt? She tried again. “Did you ever tell anyone? Does your mom know?” He lifted her hand to his mouth and rubbed her knuckles across his lower lip, his gaze locked with hers. “No,” he promised. “I swore I wouldn’t, not even her. I think she knows something, or at least she thinks you have the worst luck ever, since you found all those dead girls.” He lowered his voice. “She was really worried about you after the shooting last year. You’re like a daughter to her.” He leaned close. “Of course, that makes it kind of creepy when I do things like this.” He kissed her. It was intimate. Not soft or sweet this time, it was deep and passionate, stealing Violet’s breath. She laid her hand against his chest, savoring the feel of his heartbeat beneath her palm, and then traced her fingertips up to his neck, into his hair. He pulled her over the console that separated them, dragging her onto his lap. He ran his hands up her back restlessly, drawing her as close as he could. It was nearly impossible for her to pull herself away. “Wait,” she insisted breathlessly. “Please, wait.” She had her hands braced against his shoulders, struggling more against herself than him. His glazed eyes teased her. “I thought I was the one who was supposed to say no. I’m the girl, right?” She sighed heavily, leaning her head against his shoulder and trying to recapture her runaway thoughts. She still wanted to talk. She wanted the other things, too, but she needed to sort through her thoughts first. “Sorry, it’s just…I have a lot of…” She shrugged against him. His damp T-shirt was warm and practically paper-thin, tempting her to touch him. She ran her finger down the length of his stomach. She knew it wasn’t fair to tease him, but she couldn’t help herself. He was too enticing. “…I have some stuff I need to work through.” It was the best she could do for an explanation. He caught her hand before she’d reached his waistline, and he held it tightly in his grip. “I’m trying to be patient, Violet, I really am. If there’s something you want to tell me…Well, I just wish you’d trust me.” “I’ll get there,” she explained. “I’ll figure it all out. I’m just a little confused right now.” He let out a shaky breath and then he kissed the top of her head, still not releasing her hand. “So, when you do, we’ll pick up where we left off.” She nodded against him. She thought she would keep talking; she still had so many doubts about what she should, and shouldn’t, be doing. But instead she just stayed there, curled up on his lap, absorbing him, taking relief from his touch…and strength from his presence.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Do these past days mean nothing?” he asked, so gently that my weak self curled around his words. But I would no longer be weak. I tapped into that power in my veins and a shimmering wall of flames sprang up between us. Amar jumped back, shocked and then…amused. “A little ruthlessness is to be admired, but it’s cruel to play with a powerless heart.” “Crueler still to promise equality and hide a person’s true self.” “I thought it was best for you,” he repeated. “Strange how something that only affected me was decided by you.” Amar’s smile turned cold. “My promises were true. You seek to punish an illusion without fully knowing. What were your kisses, then? Vengeance?” The wall of flames shimmered away. Anger still flared inside me, but now it was mixed with something else. Something I couldn’t push away, despite fury. Want. “They were nothing,” I lied. “They meant nothing.” I didn’t look at him. And then, a bloom of cold erupted beside me and Amar was at my side. His fingers traced a secret calligraphy along my arms. “Nothing at all?” My heart twisted. I reached forward, my hands tangling in his hair as I kissed him. It was a kiss meant to devour, to summon war. And when I broke it, my voice was harsh: “My kisses mean nothing.” “Cruel queen,” he murmured, tilting my head back. His lips skimmed down my neck. Amar’s hands gripped my waist, before tracing the outline of my hips. Heat flared through my body. But just as I pulled him closer, a sudden clash echoed in the hallway, and we sprang apart.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Nobody can return to you something that was never yours, to begin with. Let’s trace back to the history of your race: the humans were made for slavery and were found faulty for that purpose. They showed immense energy and willpower only when confronted against tremendous obstacles with no weapons in their hands. With those bare hands, and the wits that exceeded even those of their creators and equalled the ones of mighty gods, they could break mountains. Once the humans earned at least a bit of benevolence from their creators, though, they’d immediately turn into lazy drunkards feasting upon the luxuries of life. They were quite haughty creatures, at that – one could never make them work without posing a certain purpose before their eyes. They should be given an aim they approved of, or else, they’d move no finger! Yet, if such necessities were met, they’d begin to loaf around. Forbidding them to taste those luxuries? Nay, they obeyed not! Hence, their creators cast them down on Earth – a planet inhabited by many other faulty experiments of different alien species, so that their lives would end. Yet even here, the humans defied their creators – instead of dying out, they adapted to the environment they were cast in, due to their boundless wits and the unexplainable willpower that no other species could ever possess. They mated the local species whom they could more or less find a common language with, killed off the obstacles, and conquered the planet as their own. The conquering ambitions of their creators, the boundless wisdom of their gods, and the primal instincts of Earthly nature – all of it meddled in these extraordinary creatures. They were full of instability, unpredictability, wild dreams, and rotten primitivism. Which side they would develop, depended entirely upon their choice. Aye, they had proven faulty to their creators, yet had attained the perfect treasure they required – the freedom. Could they make use of it? – Nay, certainly not… at least not many of them. There are certain individuals among the human race, who are able to well balance their mixed-up nature and grow into worthy people that merit our godly benevolence. However, most of them are quite an interesting bunch whom an ambitious man like me can make good use of. I am half-human with godly and angelic descendance, so I guess, I am worthy to be their sole ruler, their only saviour, their treasured shepherd… The shepherds too make use of their sheep – they guide them, then to consume some of them for wool and meat. Shepherds do not help the sheep for granted – they use their potential to its fullest. I shall be the same kind of a god – I shall help these magnificent creatures to achieve the wildest of their dreams but will use their powers for my own benefit. These poor creatures cannot define their potential alone, they cannot decide what’s the best and the fittest for them! I can achieve that. Free human souls? – Nay, they need no freedom. What they need, is to serve the rightful master, and that rightful master I shall be.
Tamuna Tsertsvadze (Galaxy Pirates)
Both Jew and Gentile enjoyed complexities, especially the Greeks with their philosophical systems. They loved mental gymnastics and intellectual labyrinths. They believed the truth was knowable, but only to those with elevated minds. This system later became known as gnosticism, a belief that certain people, by virtue of their enhanced reasoning powers, could move beyond the hoi polloi and ascend to the level of enlightenment. At the time of Paul, we can trace at least fifty different philosophies rattling around in the Roman and Greek world. And the gospel came along and said, “None of it matters. We’ll destroy it all. Take all the wisdom of the wise, get the best, get the elite, the most educated, the most capable, the smartest, the most clever, the best at rhetoric, oratory, logic; get all the wise, all the scribes, the legal experts, the great debaters, and they’re all going to be designated fools.” The gospel says they are all foolish. Paul’s quotation of Isaiah 29:14 in verse 19, “I will destroy the wisdom of the wise,” had to be an offensive statement to his audience.
John F. MacArthur Jr. (Hard to Believe: The High Cost and Infinite Value of Following Jesus)
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
The curse of the fall didn't affect only manual work, as we often seem to think. Excessive ambiguity that prevent us from figuring out how to navigate is really a form of confusion. Overload is one of the forms that frustration takes. The inordinate challenges we face in knowledge work can be traced to the fall just as much as the challenges in manual work. Send it especially lies behind the villain of lack of fulfillment. The reason we lack fulfillment is because we aren't fulfilling our true purpose, that is because we have sinned and deviated from God's path.
Matt Perman (What's Best Next: How the Gospel Transforms the Way You Get Things Done)
He found her breasts with his hands and dropped his lips to her arching throat, tasting dust and woman sweat and a trace of something that reminded him of apples. She tore his shirt at the throat, ripping it downward, and slipped her hands inside, her fingers like brands of fire across his skin. One minute she was straddling him, the next minute he’d follede on top of her. It was like a dam had burst within them both, releasing a flood tide of desireand urgency. And God help him, he would have taken her right there on the ground with a stampede winding down a hundred yards behind him.
Maggie Osborne (The Best Man)
And do you think," said the schoolmaster, marking the glance she had thrown around, "That an unvisited grave, withered tree, a faded flower or two, tokens of forgetfulness or cold neglect? Do you think there are no deeds, far away from here, in which these dead may be best remembered? Nell, Nell, there may be people busy in the world, at this instant, in whose good action and good thoughts these very Graves--neglected as they look to us-- are chief instruments.".... "There is nothing," cried her friend, "no, no thing innocent or good, that dies, and is forgotten. Let us hold to that faith, or none. An infant, a prattling child, dying in its cradle, will live again in the better thoughts of those who loved it, and will play its part, through them, in the redeeming actions of the world, though its body be burnt to ashes or drowned in the deepest sea. There is not an angel added to the Host of Heaven but does its blessed work on earth in those that loved it here Forgotten! Oh, if the good deeds of human creatures could be traced to their source, how beautiful would even death appear; for how much charity, mercy and purified affection, would be seen to have their growth in dusty graves!
Charles Dickens (The Old Curiosity Shop)
To my dying day I shall be grateful to Scaurus for having set me early to the study of Greek. I was still a child when for the first time I tried to trace on my tablets those characters of an unknown alphabet: here was a new world and the beginning of my great travels, and also the feeling of a choice as deliberate, but at the same time as involuntary, as that of love. I have loved the language for its flexibility, like that of a supple, perfect body, and for the richness of its vocabulary, in which every word bespeaks direct and varied contact with reality: and because almost everything that men have said best has been said in Greek.
Marguerite Yourcenar
He ruffled her hair as he came in, all uncle and no cop about him now. She far preferred her uncle to the chief; he had inherited the sense of humor in the family, while her father got the receding hairline and mad skills with numbers. "Geez, Vi, you didn't need to break your own leg to get out of going to the dance with Grady Spencer. A simple 'no' would have been just fine, I'm sure." Apparently no one had noticed that Jay had barely let go of her hand for a second. His thumb was now tracing lazy circles around her palm, and he answered her uncle's teasing comment without looking away from Violet for even a split second. "She's not going to the dance with Grady," he announced, smiling at her mischievously, and for a moment Violet forgot how to breathe. She hoped she never got used to how a simple look from him could turn her into a blithering idiot. "Really?" her aunt Kat asked, her eyes narrowing as she glanced from Violet to Jay, and then down at their intertwined hands. Clearly she wasn't going to let the comment pass unnoticed. "Why is that?" she asked in a voice filled with unspoken meaning. Stephen Ambrose looked at his wife curiously, a little slow to catch on, which was sad, really, considering it was his job to seek out clues and solve mysteries. Jay answered Kat without missing a beat. "Because she's going with me." He winked at Violet, whose cheeks had flushed to a brilliant shade of scarlet. She wasn't entirely sure she was ready for this. Violet saw her mom and Aunt Kat exchange meaningful glances. They knew, she realized. And now her uncle did too. Uncle Stephen gave Jay his best I'm-keeping-my-eye-on-you look, but a quick "Hmm" was the only sound he made. How much embarrassment could one person possibly survive? There was a moment of awkward silence, made even more uncomfortable by Jay's refusal to look anywhere but at her. He reached out and brushed his finger along her cheek. Violet almost forgot to care that everyone in the room was looking at them. Her uncle Stephen cleared his throat, and Violet jumped a little.
Kimberly Derting (The Body Finder (The Body Finder, #1))
And,” I continued, “I’m probably going to be a bitch most of the time. I guarantee I’ll find a reason to yell at you almost every day, and don’t be surprised if a few drinks get dumped on you from time to time. That’s just me, and you’re going to have to deal with it. Because I’m not changing for you or anyone else. And I-” Wesley slid off his bar stool and pressed his lips against mine before the words could get out. My heart pounded as every thought vacated my mind. One of his arms encircled my waist, pulling me as close to him as possible, and his free hand cupped my face, his thumb tracing my cheekbone. He kissed me so passionately I thought we would catch on fire. It wasn’t until after he pulled away, both of us in need of some air, that I could think straight again. “You jerk!” I yelled, pushing him away from me. “Kissing me to make me shut up? God, you’re so obnoxious. I could just throw something at you right now.” Wesley hopped onto his bar stool with a big grin, and I suddenly remembered him telling me that I was sexy when I was mad at him. Go figure. “Excuse me, Joe,” he called to the bartender. “I think Bianca wants a Cherry Coke.” Despite my best efforts, I smiled. He wasn’t perfect, or even remotely close, for that matter, but, hey, neither was I. We were both pretty fucked up. Somehow, though, that made everything more exciting. Yeah, it was sick and twisted, but that’s reality, right? Escape is impossible, so why not embrace it? Wesley took my hand and laced his fingers with mine. “You look beautiful tonight, Bianca.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
Nothing had changed in that moment when Violet and Jay had finally decided to have sex. Nothing-and everything. Violet was amazed by what they’d done. Amazed that they’d shared themselves with each other, like that. It was wonderful, and beautiful, and not anything that Violet had expected it to be. The pain had been more intense than she could have imagined, and she’d done her best not to cry out. But, of course, Jay had noticed as her body tensed, and then she shuddered. Tears dampened her lashes, yet she’d refused to let them fall. Jay had insisted that they stop, but Violet wouldn’t let him. Instead they’d waited, with Jay holding her, stroking her hair, her shoulders, her face, until the pain subsided, becoming something…less. Later, when she was lying in his arms, she shuddered again. Jay hugged her tight. “What’s wrong? You’re not sorry, are you?” The tenderness of his words made her heart twist. “Of course not. How could I be sorry for that?” He kissed her eyes, gently. “Then why are you shivering? I didn’t mean to hurt you, Vi.” She shook her head, clumsily bumping his chin. “I don’t know why.” She ran her fingertips over his arm, memorizing the feel of his coarse hairs, his skin, the muscles beneath it all. “It’s just…it’s a lot. You know?” Jay smiled. It was a satisfied smile. “Yeah.” He leaned back and pulled her to him, tucking her against his shoulder. “It was a lot. A really good lot.” She wanted to shove him, to banter, to play, but she was too exhausted. When Jay finally got up to leave, Violet leaned up on her elbow and watched as he buttoned his jeans. She wished they could stay like that-together-for longer. Forever. She already missed the feel of him beside her, and the scent of him around her. She sat up to give him back the T-shirt she was wearing. His lazy smile was far too beautiful to be real. “Keep it,” he insisted. “I like it better on you anyway.” The way he stared at her made her stomach flip. It was a look brimming with tenderness. They were a part of something more now; they belonged to each other. He tugged his hoodie over his bare chest, and then he leaned down to kiss her one last time, his lips lingering. His thumb traced the line of her cheek. “I love you, Violet Marie. I’ll always love you.” And then he left. And, once again, Violet slept deeply, soundly, wrapped in Jay’s shirt. He was the perfect remedy to all her worries.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
What determines what we remember and what we forget? The key to memory consolidation is attentiveness. Storing explicit memories and, equally important, forming connections between them requires strong mental concentration, amplified by repetition or by intense intellectual or emotional engagement. The sharper the attention, the sharper the memory. “For a memory to persist,” writes Kandel, “the incoming information must be thoroughly and deeply processed. This is accomplished by attending to the information and associating it meaningfully and systematically with knowledge already well established in memory.”35 If we’re unable to attend to the information in our working memory, the information lasts only as long as the neurons that hold it maintain their electric charge—a few seconds at best. Then it’s gone, leaving little or no trace in the mind.
Nicholas Carr (The Shallows: What the Internet Is Doing to Our Brains)
Among the most virulent of all such cultural parasite-equivalents is the religion-based denial of organic evolution. About one-half of Americans (46 percent in 2013, up from 44 percent in 1980), most of whom are evangelical Christians, together with a comparable fraction of Muslims worldwide, believe that no such process has ever occurred. As Creationists, they insist that God created humankind and the rest of life in one to several magical mega-strokes. Their minds are closed to the overwhelming mass of factual demonstrations of evolution, which is increasingly interlocked across every level of biological organization from molecules to ecosystem and the geography of biodiversity. They ignore, or more precisely they call it virtue to remain ignorant of, ongoing evolution observed in the field and even traced to the genes involved. Also looked past are new species created in the laboratory. To Creationists, evolution is at best just an unproven theory. To a few, it is an idea invented by Satan and transmitted through Darwin and later scientists in order to mislead humanity. When I was a small boy attending an evangelical church in Florida, I was taught that the secular agents of Satan are extremely bright and determined, but liars all, man and woman, and so no matter what I heard I must stick my fingers in my ears and hold fast to the true faith. We are all free in a democracy to believe whatever we wish, so why call any opinion such as Creationism a virulent cultural parasite-equivalent? Because it represents a triumph of blind religious faith over carefully tested fact. It is not a conception of reality forged by evidence and logical judgment. Instead, it is part of the price of admission to a religious tribe. Faith is the evidence given of a person’s submission to a particular god, and even then not to the deity directly but to other humans who claim to represent the god. The cost to society as a whole of the bowed head has been enormous. Evolution is a fundamental process of the Universe, not just in living organisms but everywhere, at every level. Its analysis is vital to biology, including medicine, microbiology, and agronomy. Furthermore psychology, anthropology, and even the history of religion itself make no sense without evolution as the key component followed through the passage of time. The explicit denial of evolution presented as a part of a “creation science” is an outright falsehood, the adult equivalent of plugging one’s ears, and a deficit to any society that chooses to acquiesce in this manner to a fundamentalist faith.
Edward O. Wilson (The Meaning of Human Existence)
Griff entered the cave, sword in hand. He had no desire to frighten Astelle, but he had to be prepared for anything. She jumped up from her fireside position with a small stifled scream at his entry, then continued to back fearfully towards the shadowed wall. She was quite alone. Griff could sense no other presence – only hers, and the wonder of it. He sheathed his sword, and gazed upon his long-lost love. Her hair had lost all trace of colour while still retaining the texture of youth, giving the appearance of white silk. There was a pulsating light of a blue-lilac shade which clung to the crown of her head, reflecting in the hair – a soul – a lost spirit – someone who had loved her. She was almost as pale as death, for Torking took far too much blood from her, too frequently. She was also much thinner than she should have been, but for all of this, she was still the most beautiful sight of his life. Her body was ravaged with Torking's bites and claw-marks. She was still wearing his old cloak which Griff instantly recognised, though it was little more than a rag, wrapped around her body and tied on one shoulder. Her beautiful dark eyes, those which had so haunted his dreams, seemed over-large in her pale face, as she stared at him with a mingling of shock, disbelief and joy. Griff took a few hesitant steps towards her, unsure of his reception. ‘Astelle?’ His voice grated with emotion. How often had she yearned to hear him speak her name exactly in that way? ‘Astelle – is it really you?’ He was just as divinely handsome as she remembered, and he looked so fine – he looked magnificent in Gremlen battledress. In the flickering torchlight, the blue krulmesh armour glittered over the black leather tunic. The emerald sheen in his raven hair was vivid as ever. Best of all, his dark forest-green eyes were shining with love, and she suddenly understood that Griff was a hundred times more beautiful than Torking, for his eyes held everything that was good, fine and noble. Astelle's heart almost stopped beating as she gazed at him. Her eyes filled with tears, and her lip trembled as she tried to whisper his name.
Bernie Morris (The Fury of the Fae)
The shore is irregular enough not to be monotonous. I have in my mind's eye the western, indented with deep bays, the bolder northern, and the beautifully scalloped southern shore, where successive capes overlap each other and suggest unexplored coves between. The forest has never so good a setting, nor is so distinctly beautiful, as when seen from the middle of a small lake amid hills which rise from the water's edge; for the water in which it is reflected not only makes the best foreground in such a case, but, with its winding shore, the most natural and agreeable boundary to it. There is no rawness nor imperfection in its edge there, as where the axe has cleared a part, or a cultivated field abuts on it. The trees have ample room to expand on the water side, and each sends forth its most vigorous branch in that direction. There Nature has woven a natural selvage, and the eye rises by just gradations from the low shrubs of the shore to the highest trees. There are few traces of man's hand to be seen. The water laves the shore as it did a thousand years ago.
Henry David Thoreau (Walden)
When we get down to potential versus reality in relationships, we often see disappointment, not successful achievement. In the Church, if someone creates nuclear fallout in a calling, they are often released or reassigned quickly. Unfortunately, we do not have that luxury when we marry. So many of us have experienced this sad realization in the first weeks of our marriages. For example, we realized that our partner was not going to live up to his/her potential and give generously to the partnership. While fighting the mounting feelings of betrayal, we watched our new spouses claim a right to behave any way they desired, often at our expense. Most of us made the "best" of a truly awful situation but felt like a rat trapped in maze. We raised a family, played our role, and hoped that someday things would change if we did our part. It didn't happen, but we were not allowed the luxury of reassigning or releasing our mates from poor stewardship as a spouse or parent. We were stuck until we lost all hope and reached for the unthinkable: divorce. Reality is simple for some. Those who stay happily married (the key word here is happily are the ones who grew and felt companionship from the first days of marriage. Both had the integrity and dedication to insure its success. For those of us who are divorced, tracing back to those same early days, potential disappeared and reality reared its ugly head. All we could feel, after a sealing for "time and all eternity," was bound in an unholy snare. Take the time to examine the reality of who your sweetheart really is. What do they accomplish by natural instinct and ability? What do you like/dislike about them? Can you live with all the collective weaknesses and create a happy, viable union? Are you both committed to making each other happy? Do you respect each other's agency, and are you both encouraging and eager to see the two of you grow as individuals and as a team? Do you both talk-the-talk and walk-the-walk? Or do you love them and hope they'll change once you're married to them? Chances are that if the answer to any of these questions are "sorta," you are embracing their potential and not their reality. You may also be embracing your own potential to endure issues that may not be appropriate sacrifices at this stage in your life. No one changes without the internal impetus and drive to do so. Not for love or money. . . . We are complex creatures, and although we are trained to see the "good" in everyone, it is to our benefit to embrace realism when it comes to finding our "soul mate." It won't get much better than what you have in your relationship right now.
Jennifer James
I panted as he pulled me back through the entryway, hands on my waist, kissing the whole way, and collapsed backward onto the gray leather couch, which felt softer than my skin. I fell on top of him, straddling his lap. He kissed his way down my neck and across the collar of my blouse, leaving a trail of fire behind. "Enough of that," I panted, ripping my shirt over my head. Thank goodness I'd worn a decent bra today---blue satin with a bow in the middle, not frayed or torn anywhere. He eyed it with a growl of approval, but maybe it wasn't a growl for the bra at all, because a moment of fumbling over my back and---pop---I shook off my now unfastened bra. "And to think you didn't like me at first." He drank me in unabashedly, his eyes roaming from belly to breasts to nose to eyes, and each inch his eyes traveled made me feel more and more powerful. Like I could go anywhere, do anything. Except all I wanted to do was right here. I ground against him, feeling his cock already hard and strong under his zipper. "Who says I like you now?" He gasped and pulled me tighter onto him. "If this is what you do to people you don't like, what do you do to people you do like?" I silenced him with another kiss as I rubbed up and down him again. Now my own sex was throbbing, and I sucked in a breath with every movement. I kept moving up and down as he kissed my breasts, tongue tracing lightly over each nipple. When I couldn't take it anymore, I tumbled to the side, lying down on the couch and pulling him on top of me. Because his was an expensive couch and not the cheap one my old roommate had bought at Ikea, there was plenty of room for us to writhe without making me feel like I might topple off the edge. He went down to kiss my breasts again... and kept going. His tongue slid down my stomach, did a lazy circle around my belly button. I clenched my teeth, holding back a beg for more as he slowly, slowly, way too slowly unzipped my skirt and tugged it down. I kicked it off, along with my underwear, when he reached my knees, nearly clipping him on the ear. When I felt close to the edge, I reached down and pulled him up. My hand moved down and took over, zeroing in on just the right spot on my clit. It didn't take long. I shuddered against his shoulder, biting back a cry, then wondered why I was biting it back and let it out. Breathing hard, my head collapsed back into the cushion. I was a little worried that now post-orgasm clarity would descend upon me and be like, What the hell are you doing, Julie? but the post-orgasm clarity seemed to approve. With a wink and a nudge, it made me pull away, and the desire roared back inside me. "That's why it's great to have a clitoris," I told Bennett. "Multiple orgasms.
Amanda Elliot (Best Served Hot)
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Still dark. The Alpine hush is miles deep. The skylight over Holly’s bed is covered with snow, but now that the blizzard’s stopped I’m guessing the stars are out. I’d like to buy her a telescope. Could I send her one? From where? My body’s aching and floaty but my mind’s flicking through the last night and day, like a record collector flicking through a file of LPs. On the clock radio, a ghostly presenter named Antoine Tanguay is working through Nocturne Hour from three till four A.M. Like all the best DJs, Antoine Tanguay says almost nothing. I kiss Holly’s hair, but to my surprise she’s awake: “When did the wind die down?” “An hour ago. Like someone unplugged it.” “You’ve been awake a whole hour?” “My arm’s dead, but I didn’t want to disturb you.” “Idiot.” She lifts her body to tell me to slide out. I loop a long strand of her hair around my thumb and rub it on my lip. “I spoke out of turn last night. About your brother. Sorry.” “You’re forgiven.” She twangs my boxer shorts’ elastic. “Obviously. Maybe I needed to hear it.” I kiss her wound-up hair bundle, then uncoil it. “You wouldn’t have any ciggies left, perchance?” In the velvet dark, I see her smile: A blade of happiness slips between my ribs. “What?” “Use a word like ‘perchance’ in Gravesend, you’d get crucified on the Ebbsfleet roundabout for being a suspected Conservative voter. No cigarettes left, I’m ’fraid. I went out to buy some yesterday, but found a semiattractive stalker, who’d cleverly made himself homeless forty minutes before a whiteout, so I had to come back without any.” I trace her cheekbones. “Semiattractive? Cheeky moo.” She yawns an octave. “Hope we can dig a way out tomorrow.” “I hope we can’t. I like being snowed in with you.” “Yeah well, some of us have these job things. Günter’s expecting a full house. Flirty-flirty tourists want to party-party-party.” I bury my head in the crook of her bare shoulder. “No.” Her hand explores my shoulder blade. “No what?” “No, you can’t go to Le Croc tomorrow. Sorry. First, because now I’m your man, I forbid it.” Her sss-sss is a sort of laugh. “Second?” “Second, if you went, I’d have to gun down every male between twelve and ninety who dared speak to you, plus any lesbians too. That’s seventy-five percent of Le Croc’s clientele. Tomorrow’s headlines would all be BLOODBATH IN THE ALPS AND LAMB THE SLAUGHTERER, and the a vegetarian-pacifist type, I know you wouldn’t want any role in a massacre so you’d better shack up”—I kiss her nose, forehead, and temple—“with me all day.” She presses her ear to my ribs. “Have you heard your heart? It’s like Keith Moon in there. Seriously. Have I got off with a mutant?” The blanket’s slipped off her shoulder: I pull it back. We say nothing for a while. Antoine whispers in his radio studio, wherever it is, and plays John Cage’s In a Landscape. It unscrolls, meanderingly. “If time had a pause button,” I tell Holly Sykes, “I’d press it. Right”—I press a spot between her eyebrows and up a bit—“there. Now.” “But if you did that, the whole universe’d be frozen, even you, so you couldn’t press play to start time again. We’d be stuck forever.” I kiss her on the mouth and blood’s rushing everywhere. She murmurs, “You only value something if you know it’ll end.
David Mitchell (The Bone Clocks)
The best time to write about one’s childhood is in the early thirties, when the contrast between early forced passivity and later freedom is marked; and when one’s energy is in full flood. Later, not only have the juices dried up, and the energy ceased to be abundant, but the retracing of the scene of earliest youth has become a task filled with boredom and dismay. The figures that surrounded one have now turned their full face toward us; we understand them perhaps still partially, but we know them only too well. They have ceased to be background to our own terribly important selves; they have irremediably taken on the look of figures in a tragi-comedy; for we know their end, although they themselves do not yet know it. And now—in the middle-fifties—we have traced and retraced their tragedy so often that, in spire of the understanding we have, it bores and offends us. There is a final antidote we must learn: to love and forgive them. This attitude comes hard and must be reached with anguish. For if one is to deal with people in the past—of one’s past—at all, one must feel neither anger nor bitterness. We are not here to expose each other, like journalists writing gossip, or children blaming others for their own bad behavior. And open confession, for certain temperaments (certainly my own), is not good for the soul, in any direct way. To confess is to ask for pardon; and the whole confusing process brings out too much self-pity and too many small emotions in general. For people like myself to look back is a task. It is like re-entering a trap, or a labyrinth, from which one has only too lately, and too narrowly, escaped.
Louise Bogan (Journey Around My Room: The Autobiography of Louise Bogan)
Ironically,” she commented, “this will be the first time I’ve ever done anything to please my father.” With a sympathetic murmur, Matthew gathered Daisy close against him. He knew her father as well as anyone, having become well acquainted with the man’s tempers, his self-absorption, his impossible standards. And yet he understood what it had required for Bowman to build a great fortune from scratch, the sacrifices he’d had to make. Bowman had discarded everything that would have gotten in the way of achieving his goals. Including closeness with his wife and children. For the first time it occurred to Matthew that Bowman and his family would benefit from someone acting as a mediator, to ease their communications with each other. If such a thing were in his power, he would find a way to do it. “You,” he whispered in Daisy’s hair, “are the best thing he’s ever done. Someday he’ll realize that.” He felt her smile against his skin. “I doubt it. But it’s nice of you to say so. You don’t have to be concerned on that account, you know. I reconciled myself to the way he was a long time ago.” Once again Matthew was taken unaware by the extent of the feelings she inspired in him, his own limitless desire to fill her with happiness. “Whatever you need,” he whispered, “Whatever you want, I’ll get it for you. Just tell me.” Daisy stretched comfortably, a pleasant shiver running through her limbs. She touched his lips with her fingers, tracing the smoothness. “I want to know what your five-dollar wish was for.” “Is that all?” He smiled beneath her exploring fingertips. “I wished you would find someone who wanted you as much as I did. But I knew it wouldn’t come true.” The candlelight slid over Daisy’s delicate features as she raised her head to look at him. “Why not?” “Because I knew no one could ever want you as much as I do.” Daisy levered herself farther over him until her hair tumbled in a dark curtain around them both. “What was your wish?” Matthew asked, combing his fingers through the fall of shimmering hair. “That I could find the right man to marry.” Her tender smile stopped his heart. “And then you appeared.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Life is strewn with these miracles, for which people who are in love can always hope. It is possible that this one had been artificially brought about by my mother who, seeing that for some time past I had lost all interest in life, may have suggested to Gilberte to write to me, just as, when I was little and went first to the sea-side, so as to give me some pleasure in bathing, which I detested because it took away my breath, she used secretly to hand to the man who was to ‘dip’ me marvellous boxes made of shells, and branches of coral, which I believed that I myself had discovered lying at the bottom of the sea. However, with every occurrence which, in our life and among its contrasted situations, bears any relation to love, it is best to make no attempt to understand it, since in so far as these are inexorable, as they are unlooked-for, they appear to be governed by magic rather than by rational laws. When a multi-millionaire—who for all his millions is quite a charming person—sent packing by a poor and unattractive woman with whom he has been living, calls to his aid, in his desperation, all the resources of wealth, and brings every worldly influence to bear without succeeding in making her take him back, it is wiser for him, in the face of the implacable obstinacy of his mistress, to suppose that Fate intends to crush him, and to make him die of an affection of the heart, than to seek any logical explanation. These obstacles, against which lovers have to contend, and which their imagination, over-excited by suffering, seeks in vain to analyse, are contained, as often as not, in some peculiar characteristic of the woman whom they cannot bring back to themselves, in her stupidity, in the influence acquired over her, the fears suggested to her by people whom the lover does not know, in the kind of pleasures which, at the moment, she is demanding of life, pleasures which neither her lover nor her lover’s wealth can procure for her. In any event, the lover is scarcely in a position to discover the nature of these obstacles, which her woman’y cunning hides from him and his own judgment, falsified by love, prevents him from estimating exactly. They may be compared with those tumours which the doctor succeeds in reducing, but without having traced them to their source. Like them these obstacles remain mysterious but are temporary. Only they last, as a rule, longer than love itself. And as that is not a disinterested passion, the lover who is no longer in love does not seek to know why the woman, neither rich nor virtuous, with whom he was in love refused obstinately for years to let him continue to keep her. Now the same mystery which often veils from our eyes the reason for a catastrophe, when love is in question, envelops just as frequently the suddenness of certain happy solutions, such as had come to me with Gilberte’s letter. Happy, or at least seemingly happy, for there are few solutions that can really be happy when we are dealing with a sentiment of such a kind that every satisfaction which we can bring to it does no more, as a rule, than dislodge some pain. And yet sometimes a respite is granted us, and we have for a little while the illusion that we are healed.
Marcel Proust (In the Shadow of Young Girls in Flower)