Toys Collection Quotes

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I was watching a collection of vintage '80s cereal commercials when I paused to wonder why cereal manufacturers no longer included toy prizes inside every box. It was a tragedy, in my opinion. Another sign that civilization was going straight down the tubes.
Ernest Cline (Ready Player One (Ready Player One, #1))
There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers and with no divine help, they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.
José Saramago (All the Names)
It takes faith to find personal significance in your relationship with God rather than how much money you earn, how beautiful you look, how many toys you own, how many trophies you collect, or how much territory you conquer and control.
Charles R. Swindoll
...Right now there's a pair of bad cops on their way out here to shoot me." "You don't know that." "Yeah, you're right," Stranahan said. "They're probably just collecting Toys for Tots. Now go.
Carl Hiaasen (Sick Puppy (Skink, #4))
I locked the door, for what good it would do me, and went to bed. The Browning Hi-Power was in its second home, a modified holster strapped to the headboard of my bed. The crucifix was cool metal around my neck. I was as safe as I was going to be and almost too tired to care. I took one more thing to bed with me, a stuffed toy penguin named Sigmund. I don't sleep with him often, just every once in a while after someone tries to kill me. Everyone has their weaknesses. Some people smoke. I collect stuffed penguins. If you won't tell, I won't.
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
Give humanity a truly unlimited field, and it would fill it with Happy Meal toys and holographic sports-star, collectible trading card game art.
Charles Stross (The Rapture of the Nerds)
But if she is a good woman, a strong woman, she won’t tolerate your childish needs for a pat on the head, collecting bigger toys, and being king of the mountain. A good woman will love the childlike part of you, but she wants your life to be guided by your deepest truths, not your untended childhood wounds. She wants to feel that at your core you have grown beyond the need for kudos and million-dollar toys. She wants to feel your self-generated strength of truth.
David Deida (The Way of the Superior Man: A Spiritual Guide to Mastering the Challenges of Women, Work, and Sexual Desire)
The tears were back, stinging just behind my eyes. There was blood all over my penguins. I didn't give a damn about the walls and carpet. They could be replaced, but I'd collected those damned stuffed toys over years.
Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
Collecting and hoarding seem to be about the loss of others, while philanthropy and de-accessioning are more about the impending loss of self. (Whoever dies with the most toys actually loses.)
Douglas Coupland (Bit Rot)
It is usually assumed that children are the natural or the specially appropriate audience for fairy-stories. In describing a fairy-story which they think adults might possibly read for their own entertainment, reviewers frequently indulge in such waggeries as: "this book is for children from the ages of six to sixty." But I have never yet seen the puff of a new motor-model that began thus: "this toy will amuse infants from seventeen to seventy"; though that to my mind would be much more appropriate. Is there any essential connexion between children and fairy-stories? Is there any call for comment, if an adult reads them for himself? Reads them as tales, that is, not studies them as curios. Adults are allowed to collect and study anything, even old theatre programmes or paper bags.
J.R.R. Tolkien (Tolkien On Fairy-stories)
Consider an adult who tends to the traumas of a child: spilled milk, a broken toy, a scraped knee. As adults we know that kids have no clue of what constitutes a genuine problem, because inexperience greatly limits their childhood perspective. Children do not yet know that the world doesn’t revolve around them. As grown-ups, dare we admit to ourselves that we, too, have a collective immaturity of view? Dare we admit that our thoughts and behaviors spring from a belief that the world revolves around us? Apparently not. Yet evidence abounds. Part the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers. Now imagine a world in which everyone, but especially people with power and influence, holds an expanded view of our place in the cosmos. With that perspective, our problems would shrink—or never arise at all—and we could celebrate our earthly differences while shunning the behavior of our predecessors who slaughtered one another because of them.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
When I was seventeen I found a man, or maybe he found me. Away from home for the first time, out of reach of my father’s archaic restrictions and my mother’s culinary insistence, I cut off my hair, dropped my Christian name, wore black and toyed with anorexia, passing incognito among the city workers, just another ant in that vast heap.
Nell Grey
We are currently too attached to our worldly toys, rather than to the lessons our playing could impart to further the maturity of our collective soul.
Ilchi Lee (Change: Realizing Your Greatest Potential)
Must be an important package,” Angie mused. “He said it was. He said it was personal.” “Probably sex toys,” she said. “He’s anxious for his collection of tentacle porn to get here. Taken by the Sea Monster, Volume 69.
Helena Hunting (Felony Ever After)
We've got to have mind-collecting weeks in our zendos where your mind tries to fly off like a Tinker Toy and like a good soldier you put it back together with your eyes closed except of course the whole thing is wrong.
Jack Kerouac (The Dharma Bums)
Weeper “I hate to lose something,”  then she bent her head, “even a dime, I wish I was dead. I can't explain it. No more to be said. ‘Cept I hate to lose something. “I lost a doll once and cried for a week. She could open her eyes, and do all but speak. I believe she was took, by some doll-snatching sneak. I tell you, I hate to lose something. “A watch of mine once, got up and walked away. It had twelve numbers on it and for the time of day. I'll never forget it and all I can say Is I really hate to lose something. “Now if I felt that way ‘bout a watch and a toy, What you think I feel ‘bout my lover-boy? I ain't threatening you, madam, but he is my evening's joy. And I mean I really hate to lose something.
Maya Angelou (The Complete Collected Poems)
Ash has a huge customized Barbie collection. Aside from Horror Movie Barbie (head lopped halfway off, torn and bloody clothes), Commando Barbie (camouflage bandana, pistol-whipping Ken with toy guns stolen from Josh), there is my personal favorite, Fat Barbie (dressed in a muumuu, sporting extra body girth and a double chin, thanks to the discreet placement of Silly Putty), I think Fat Barbie is genius but Nancy flipped out when she saw her. Our mother, whose statuesque blond Minnesouda beauty makes her look like a Barbie, is a size four on her bloated days.
Rachel Cohn (Shrimp (Cyd Charisse, #2))
The examiners call their children their little Line 40s. That’s of course where you enter your CCDC from Form 2441 on the 1040. Some of the children were playing Collections. Near the horseshoe courts. Some of the older children. Liens on the toys, a jeopardy assessment and seizure of some of the smaller childrens’ plates; there was some of the usual crying.
David Foster Wallace (The Pale King: An Unfinished Novel)
The media, an entity with the collective attention span of a Twinkie-filled two-year-old, immediately focused on this shiny new toy, kicking the old one under the bed. Carlson
Harlan Coben (Tell No One)
She flirted and procrastinated, toyed superficially with love, but in her heart awaited more.
Vladimir Nabokov (Collected Poems)
collects polymer toys, and does Groening-esque renditions of The Dream
Raven Leilani (Luster)
she was no common girl, no toy of the passing hour.
Theodore Dreiser (Delphi Collected Works of Theodore Dreiser (Illustrated) (Delphi Series Eight Book 25))
Omri and Patrick had spent many hours together playing with their joint collections of plastic toys.
Lynne Reid Banks (The Indian in the Cupboard)
...because you are not trying simply to complete a set of books or toys or Weetabix cards, you are trying to complete yourself, to get back to the whole person you were before, as a child, before the obstructions and compromises of adulthood got in the way. And yet, all you are really doing is accumulating a pile of crap, souvenirs of the futility of the quest.
Neil Perryman (Adventures With the Wife in Space)
Right now, within each of us there are two voices fighting to be heard: the voice of reason, good conscience, and the good of the greater whole; and the voice of fear, shame, and selfishness. The voice of our higher self versus the voice of our lower self. This is the dilemma, the inner struggle between the dark and the light aspects of our humanity. One voice is relaxed, trusting, and stable, while the other is fearful, nervous, and calculating. One holds the promise of serenity, peace of mind, and an innate knowledge that things are as they should be, while the other echoes the fragmented uncertainty of the unknown. One tells us to do the right thing, not to worry if our neighbors have more than us, and the other tells us to work harder, to find a way to get, collect, and win the prize for having the most toys. One tells us that we are in an abusive situation and should get out, while the other minimizes the destruction, saying, “You’ll never find better than this.” One says, “You are perfect as you are,” while the other insists, “You’re not pretty enough, smart enough, thin enough, or successful enough.” One urges, “Get help, it’s OK, we all have struggles to overcome,” and the other taunts, teases, and humiliates us, constantly warning us that if we speak up about our dark thoughts, insecurities, and fears, we will be shunned, punished, or abandoned.
Debbie Ford (Why Good People Do Bad Things: How to Stop Being Your Own Worst Enemy)
The Song Of The Happy Shepherd The woods of Arcady are dead, And over is their antique joy; Of old the world on dreaming fed; Grey Truth is now her painted toy; Yet still she turns her restless head: But O, sick children of the world, Of all the many changing things In dreary dancing past us whirled, To the cracked tune that Chronos sings, Words alone are certain good. Where are now the warring kings, Word be-mockers?—By the Rood, Where are now the watring kings? An idle word is now their glory, By the stammering schoolboy said, Reading some entangled story: The kings of the old time are dead; The wandering earth herself may be Only a sudden flaming word, In clanging space a moment heard, Troubling the endless reverie. Then nowise worship dusty deeds, Nor seek, for this is also sooth, To hunger fiercely after truth, Lest all thy toiling only breeds New dreams, new dreams; there is no truth Saving in thine own heart. Seek, then, No learning from the starry men, Who follow with the optic glass The whirling ways of stars that pass— Seek, then, for this is also sooth, No word of theirs—the cold star-bane Has cloven and rent their hearts in twain, And dead is all their human truth. Go gather by the humming sea Some twisted, echo-harbouring shell. And to its lips thy story tell, And they thy comforters will be. Rewording in melodious guile Thy fretful words a little while, Till they shall singing fade in ruth And die a pearly brotherhood; For words alone are certain good: Sing, then, for this is also sooth. I must be gone: there is a grave Where daffodil and lily wave, And I would please the hapless faun, Buried under the sleepy ground, With mirthful songs before the dawn. His shouting days with mirth were crowned; And still I dream he treads the lawn, Walking ghostly in the dew, Pierced by my glad singing through, My songs of old earth’s dreamy youth: But ah! she dreams not now; dream thou! For fair are poppies on the brow: Dream, dream, for this is also sooth.
W.B. Yeats (The Collected Poems of W.B. Yeats)
Consider an adult who tends to the traumas of a child: spilled milk, a broken toy, a scraped knee. As adults we know that kids have no clue of what constitutes a genuine problem, because inexperience greatly limits their childhood perspective. Children do not yet know that the world doesn’t revolve around them. As grown-ups, dare we admit to ourselves that we, too, have a collective immaturity of view? Dare we admit that our thoughts and behaviors spring from a belief that the world revolves around us?
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
Zombie nerds. They probably had the flyers already made up for this. There was nobody creepier than the zombie nerds, college guys who not only watched zombie movies and read zombie novels and played zombie video games, but actually formed clubs and collected zombie-killing weapons. Gun shops around there actually stocked zombie targets, and special zombie bullets with glow-in-the-dark tips. Not toy bullets, mind you. These guys would go out in the woods and train and shoot and defend to the death their right to stay in childhood until age thirty-five.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
Your letter has drawn me from the solitude in which I had shut myself up for nearly nine months, and from which I found it hard to stir. You will not guess what I have been about. I will tell you for such things do not happen every day. I have been making a list of from two to three hundred radical words of the Russian language, and have had them translated into as many languages and jargons as I could find. Their number exceeds already the second hundred. Every day I took one of these words and wrote it out in all the languages which I could collect. This has taught me that Celtic is like the Ostiakian: that what means sky in one language means cloud, fog, vault, in others; that the word God in certain dialects means Good, the Highest, in others, sun or fire...I asked Professor Pallas to come to me, and after making an honest confession of my sin, we agreed to publish these collections, and thus make them useful to those who like to occupy themselves with the forsaken toys of others. - Letter from Catherine the Great, dated 9 May 1785, from Curious Versions of Modernity, D.l. Martin, MIT Press 2011
Catherine II
As long ago as Pythagoras, man was taught that all things were in a state of flux, without end as without beginning, and must we still, after more than two thousand years, pretend to regard the universe as some gigantic toy manufactured in six days by a Superhuman Artisan, who is presently to destroy it at his pleasure?
Edith Wharton (Edith Wharton: Collection of 115 Works with analysis and historical background (Annotated and Illustrated) (Annotated Classics))
There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers [...], they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.
José Saramago (All the Names)
Надобно смело признаться, Лира! Мы тяготели к великим мира: Мачтам, знаменам, церквам, царям, Бардам, героям, орлам и старцам, Так, присягнувши на верность — царствам, Не доверяют Шатра — ветрам. Знаешь царя — так псаря не жалуй! Верность как якорем нас держала: Верность величью — вине — беде, Верность великой вине венчанной! Так, присягнувши на верность — Хану, Не присягают его орде. Ветреный век мы застали, Лира! Ветер в клоки изодрав мундиры, Треплет последний лоскут Шатра… Новые толпы — иные флаги! Мы ж остаемся верны присяге, Ибо дурные вожди — ветра. 14 августа 1918 Better, my Lyre, to confess it freely! It was the great ever stirred our feelings: masts, battle ensigns, churches, and kings, bards, epic heroes, eagles, and elders. Those that are pledged to the realm, like soldiers, do not confide their Tent - to the winds. You know the Tsar - do not toy with the hunter! Loyalty has held us, firm as an anchor: loyalty to greatness - to guilt - to grief, to the great crowned guilt - loyalty unswerving! Those that are pledged to the Khan will serve him - their oath is not to the horde, but its chief. We struck a fickle age, Lyre, that scatters all to the winds! Uniforms ripped to tatters, and the last shreds of the Tent worn thin... New crowds collecting - other flags waving! But we still stand by our word - unwavering, for they are devious captains - the winds.
Marina Tsvetaeva (The Demesne of the Swans)
Consider an adult who tends to the traumas of a child: spilled milk, a broken toy, a scraped knee. As adults we know that kids have no clue of what constitutes a genuine problem, because inexperience greatly limits their childhood perspective. Children do not yet know that the world doesn’t revolve around them. As grown-ups, dare we admit to ourselves that we, too, have a collective immaturity of view? Dare we admit that our thoughts and behaviors spring from a belief that the world revolves around us? Apparently not. Yet evidence abounds. Part the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
No Loser, No Weeper “I hate to lose something,”  then she bent her head, “even a dime, I wish I was dead. I can't explain it. No more to be said. ‘Cept I hate to lose something. “I lost a doll once and cried for a week. She could open her eyes, and do all but speak. I believe she was took, by some doll-snatching sneak. I tell you, I hate to lose something. “A watch of mine once, got up and walked away. It had twelve numbers on it and for the time of day. I'll never forget it and all I can say Is I really hate to lose something. “Now if I felt that way ‘bout a watch and a toy, What you think I feel ‘bout my lover-boy? I ain't threatening you, madam, but he is my evening's joy. And I mean I really hate to lose something.
Maya Angelou (The Complete Collected Poems)
[...] However, many books, Wise men have said, are wearisome; who reads Incessantly, and to his reading brings not A spirit and judgment equal or superior, (And what he brings what needs he elsewhere seek?) Uncertain and unsettled still remains, Deep-versed in books and shallow in himself, Crude or intoxicate, collecting toys And trifles for choice matters, worth a sponge, As children gathering pebbles on the shore.
John Milton (Paradise Regained)
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
Dolly Alderton (Good Material)
I hope you will like the little things I have sent you. You seem to be most interested in Railways just now, so I am sending you mostly things of that sort. I send as much love as ever, in fact more. We have both, the old Polar Bear and I, enjoyed having so many nice letters from you and your pets. If you think we have not read them you are wrong; but if you find that not many of the things you asked for have come, and not perhaps quite as many as sometimes, remember that this Christmas all over the world there are a terrible number of poor and starving people. I (and also my Green Brother) have had to do some collecting of food and clothes, and toys too, for the children whose fathers and mothers and friends cannot give them anything, sometimes not even dinner. I know yours won’t forget you. So, my dears, I hope you will be happy this Christmas and not quarrel, and will have some good games with your Railway all together. Don’t forget old Father Christmas, when you light your tree.
J.R.R. Tolkien (Letters From Father Christmas)
Well, nothing’s a life or death struggle anymore, is it? The era of honor and sacrifice is over.” I looked again at the O’Brian novels, lined up in order. “Jack Aubrey’s full of human failings—so’s Maturin—but they have principles, and they’d give their lives for them. Or for each other. Now it’s all about money and status and celebrity. Not that people haven’t always cared about those things, but it used to be considered venal, didn’t it?” I shrugged. “It’s like nobody bothers to grow up anymore. We just want to be kids all our lives. Collecting toys, having fun.
Beatriz Williams (Overseas)
The powerful community model of local libraries deserves to be both cherished and developed. Yet we can also move beyond books, to develop more 'libraries of things' and other forms of reuse and recirculation. In an era of imminent climate catastrophe, it is obscenely wasteful for people to buy hardware they might use only a few times a year, whether we are talking about power drills, expensive children's toys or waffle makers. It's possible to refuse the disastrous capitalist system of planned obsolescence and share objects within communities. As a result we would limit carbon emissions, save money, and develop our capacities to care not only for animate but also inanimate things.
The Care Collective (The Care Manifesto: The Politics of Interdependence)
The true heart of Carolyn's farm was her kitchen, where sausages and pungent dog treats lay scattered over they counters, along with collars, magazines and books, trial application forums, checks from her students (Carolyn, not big on details, often left them lying around for months), leashes, and dog toys. Pots of coffee were always brewing, and dog people could be found sitting around her big wooden table at all hours. Devon and I were always welcome there, and he grew to love going around the table from person to person, collecting pats and treats. Troubled dogs were familiar at the table, and appreciated. If we couldn't bring our dogs many places, we could always bring them here.
Jon Katz (A Good Dog: The Story of Orson, Who Changed My Life)
When and Why” When I bring you coloured toys, my child, I understand why there is such a play of coulours on clouds, on water, and why flowers are painted in tints—when I give coloured toys to you, my child. When I sing to make you dance, I truly know why there is music in leaves, and why waves send their chorus of voices to the ehart of the listening earth—when I sing to make you dance. When I bring sweet things to your greedy hands, I know why there is honey in the cup of the flower, and why fruits are secretly filled with sweet juice—when I bring sweet things to your greedy hands. When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight the summer breeze brings to my body—when I kiss you to make you smile.
Rabindranath Tagore (Collected Poems and Plays of Rabindranath Tagore)
In front of the mound: a mile of naked strangers. In groups of twenty, like smokes, they are directed to the other side by a man with a truncheon and a whip. It will not help to ink in his face. Several men with barrows collect clothes. There are young women still with attractive breasts. There are family groups, many small children crying quietly, tears oozing from their eyes like sweat. In whispers people comfort one another. Soon, they say. Soon. No one wails and no one begs. Arms mingle with other arms like fallen limbs, lie like shawls across bony shoulders. A loose gray calm descends. It will be soon . . . soon. A grandmother coos at the infant she cuddles, her gray hair hiding all but the feet. The baby giggles when it’s chucked. A father speaks earnestly to his son and points at the heavens where surely there is an explanation; it is doubtless their true destination. The color of the sky cannot be colored in. So the son is lied to right up to the last. Father does not cup his boy’s wet cheeks in his hands and say, You shall die, my son, and never be remembered. The little salamander you were frightened of at first, and grew to love and buried in the garden, the long walk to school your legs learned, what shape our daily life, our short love, gave you, the meaning of your noisy harmless games, every small sensation that went to make your eager and persistent gazing will be gone; not simply the butterflies you fancied, or the bodies you yearned to see uncovered—look, there they are: the inner thighs, the nipples, pubes—or what we all might have finally gained from the toys you treasured, the dreams you peopled, but especially your scarcely budded eyes, and that rich and gentle quality of consciousness which I hoped one day would have been uniquely yours like the most subtle of flavors—the skin, the juice, the sweet pulp of a fine fruit—well, son, your possibilities, as unrealized as the erections of your penis—in a moment—soon—will be ground out like a burnt wet butt beneath a callous boot and disappear in the dirt. Only our numbers will be remembered—not that you or I died, but that there were so many of us. And that we were.
William H. Gass (The Tunnel)
Then she took my hand and led me away from my friends and her friends. I’d expected to spend the evening at a distance from her, stealing glances across the fairground, maybe having a brief conversation. Now my hand was in hers, our fingers entwined like they had been that one night we’d walked home from the movies together. The night I’d been sure we would be together. it was like a montage out of a film, everything seen as if through a filter. We wandered the fairground for hours, me with my arm around her waist, and she didn’t even seem to care that people would see us. That night, Grace was not Grace; she was effervescent, lighthearted, a character out of a book. We competed against each other at bumper cars. Fed each other cotton candy. At the top of the Ferris wheel, we took swigs of straight vodka from her flask. The city, sprawled out in the distance, looked small from up there, a collection of toy buildings in a tilt-shift photograph. I even won her a prize at the laughing clowns. And I lapped it up, every moment of it, thinking that this was how things would be from now on.
Krystal Sutherland (Our Chemical Hearts)
The following month, before word of the French success reached America, Franklin came up with his own ingenious way to conduct the experiment, according to accounts later written by himself and his friend the scientist Joseph Priestley. He had been waiting for the steeple of Philadelphia’s Christ Church to be finished, so he could use its high vantage point. Impatient, he struck on the idea of using instead a kite, a toy he had enjoyed flying and experimenting with since his boyhood days in Boston. To do the experiment in some secrecy, he enlisted his son, William, to help fly the silk kite. A sharp wire protruded from its top and a key was attached near the base of the wet string, so that a wire could be brought near it in an effort to draw sparks. Clouds passed over to no effect. Franklin began to despair when he suddenly saw some of the strands of the string stiffen. Putting his knuckle to the key, he was able to draw sparks (and, notably, to survive). He proceeded to collect some of the charge in a Leyden jar and found it had the same qualities as electricity produced in a lab. “Thereby the sameness of electrical matter with that of lightning,” he reported in a letter the following October, was “completely demonstrated.
Walter Isaacson (Benjamin Franklin: An American Life)
The experiment is called the Strange Situation, and you can see variations of it on the Internet. A mother and her toddler are in an unfamiliar room. A few minutes later, a researcher enters and the mother exits, leaving the youngster alone or with the researcher. Three minutes later, the mother comes back. Most children are initially upset at their mother’s departure; they cry, throw toys, or rock back and forth. But three distinct patterns of behavior emerge when mother and child are reunited—and these patterns are dictated by the type of emotional connection that has developed between the two. Children who are resilient, calm themselves quickly, easily reconnect with their moms, and resume exploratory play usually have warm and responsive mothers. Youngsters who stay upset and nervous and turn hostile, demanding, and clingy when their moms return tend to have mothers who are emotionally inconsistent, blowing sometimes hot, sometimes cold. A third group of children, who evince no pleasure, distress, or anger and remain distant and detached from their mothers, are apt to have moms who are cold and dismissive. Bowlby and Ainsworth labeled the children’s strategies for dealing with emotions in relationships, or attachment styles, secure, anxious, and avoidant, respectively.
Sue Johnson (Love Sense: The Revolutionary New Science of Romantic Relationships (The Dr. Sue Johnson Collection Book 2))
The men in grey were powerless to meet this challenge head-on. Unable to detach the children from Momo by bringing them under their direct control, they had to find some roundabout means of achieving the same end, and for this they enlisted the children's elders. Not all grown-ups made suitable accomplices, of course, but plenty did. [....] 'Something must be done,' they said. 'More and more kids are being left on their own and neglected. You can't blame us - parents just don't have the time these days - so it's up to the authorities.' Others joined in the chorus. 'We can't have all these youngsters loafing around, ' declared some. 'They obstruct the traffic. Road accidents caused by children are on the increase, and road accidents cost money that could be put to better use.' 'Unsupervised children run wild, declared others.'They become morally depraved and take to crime. The authorities must take steps to round them up. They must build centers where the youngsters can be molded into useful and efficient members of society.' 'Children,' declared still others, 'are the raw material for the future. A world dependent on computers and nuclear energy will need an army of experts and technicians to run it. Far from preparing children from tomorrow's world, we still allow too many of them to squander years of their precious time on childish tomfoolery. It's a blot on our civilization and a crime against future generations.' The timesavers were all in favor of such a policy, naturally, and there were so many of them in the city by this time that they soon convinced the authorities of the need to take prompt action. Before long, big buildings known as 'child depots' sprang up in every neighborhood. Children whose parents were too busy to look after them had to be deposited there and could be collected when convenient. They were strictly forbidden to play in the streets or parks or anywhere else. Any child caught doing so was immediately carted off to the nearest depot, and its parents were heavily fined. None of Momo's friends escaped the new regulation. They were split up according to districts they came from and consigned to various child depots. Once there, they were naturally forbidden to play games of their own devising. All games were selected for them by supervisors and had to have some useful, educational purpose. The children learned these new games but unlearned something else in the process: they forgot how to be happy, how to take pleasure in the little things, and last but not least, how to dream. Weeks passed, and the children began to look like timesavers in miniature. Sullen, bored and resentful, they did as they were told. Even when left to their own devices, they no longer knew what to do with themselves. All they could still do was make a noise, but it was an angry, ill-tempered noise, not the happy hullabaloo of former times. The men in grey made no direct approach to them - there was no need. The net they had woven over the city was so close-meshed as to seem inpenetrable. Not even the brightest and most ingenious children managed to slip through its toils. The amphitheater remained silent and deserted.
Michael Ende, Momo
I remember being amazed that death could so easily rise up from the nothing of a boyish afternoon, billow up like fog. I knew that West Baltimore, where I lived; that the north side of Philadelphia, where my cousins lived; that the South Side of Chicago, where friends of my father lived, comprised a world apart. Somewhere out there beyond the firmament, past the asteroid belt, there were other worlds where children did not regularly fear for their bodies. I knew this because there was a large television resting in my living room. In the evenings I would sit before this television bearing witness to the dispatches from this other world. There were little white boys with complete collections of football cards, and their only want was a popular girlfriend and their only worry was poison oak. That other world was suburban and endless, organized around pot roasts, blueberry pies, fireworks, ice cream sundaes, immaculate bathrooms, and small toy trucks that were loosed in wooded backyards with streams and glens. Comparing these dispatches with the facts of my native world, I came to understand that my country was a galaxy, and this galaxy stretched from the pandemonium of West Baltimore to the happy hunting grounds of 'Mr. Belvedere.' I obsessed over the distance between that other sector of space and my own. I knew that my portion of the American galaxy, where bodies were enslaved by a tenacious gravity, was black and that the other, liberated portion was not. I knew that some inscrutable energy preserved the breach. I felt, but did not yet understand, the relation between that other world and me. And I felt in this a cosmic injustice, a profound cruelty, which infused an abiding, irrepressible desire to unshackle my body and achieve the velocity of escape.
Ta-Nehisi Coates (Between the World and Me)
Fatmah Hassan Tabashe Sufian, sixty-one years old, married and a mother of four, was woken up on 6 April 1993 at three o’clock in the morning. Soldiers broke into her house, pushed her up against the wall and asked her where her children were; they are asleep, she replied. They woke up her son Saad, thirty years old, kicking him and beating him with their hands and rifle stocks, until he was spitting blood all over the place. Her other son, Ibrahim, was badly beaten, and the B’Tselem researcher who took Fatmah’s evidence testified that long after the incident he could still see signs of ecchymosis – subcutaneous bleeding – on his back. Both sons were taken out to the yard and put against a wall. The soldiers found two toy guns and began slashing the two men with them until the toys broke. Then they gathered everyone in the complex, twenty-seven people, into one room and threw in a shock grenade. Saad and Ibrahim were ordered to empty the cupboard while they were continuously beaten by the soldiers shouting at them, ‘You are Hamas and we are Golani [the name of the military brigade to which they belonged].’ Nor did they spare Fatmah’s old, blind brother who was a hundred years old. He too was abused by the soldiers, who threw mattresses and blankets at him.25 Thus, every April from 1987 until 1993 this was the routine of the collective punishment. But it was not only these three days that mattered. Collective punishment in March–May 1993 robbed 116,000 Palestinian workers of their source of living, bisected the Occupied Territories into four disconnected areas and barred any access to Jerusalem.26 Seen from that perspective, when the Oslo Accord was implemented as a territorial and security arrangement, it was just official confirmation of a policy already in place since 1987.
Ilan Pappé (The Biggest Prison on Earth: A History of the Occupied Territories)
While she was enjoying this heady control, she decided to test a few minor spells on the werewolf—because it would be good practice, and by good practice she meant amusing for her. She caused a root to hike up directly in front of his feet. When he tripped, she folded her lips in, biting back a laugh. Magick . . . good. For the next hour, whenever his boots came untied just in time for the laces to collect bullet ants, or limbs whacked him across the face, or he scarcely dodged bird and monkey droppings, he always regarded her with narrow-eyed suspicion. She would casually glance over at him with a “Whaaa . . . ?” expression. But he hadn’t said anything, and as for her, well, she could do this all day— Out of the corner of her eye she spied movement. What looked like a vine suddenly uncoiled from the ground and came flying toward her. With a shriek, she attempted a pulse of energy to ward it off. But MacRieve had already snatched the snake; her magick caught him and sent him flying, his body crashing through the brush, felling the trees in his way. After landing one hundred feet away and angrily tossing the snake, he shot to his feet, charging back to her, eyes ice blue with fury. “Goddamn it, witch, no’ again!” “It was an accident!” the witch cried, and she might have been truthful, but Bowe was beyond caring. “All morning you’ve toyed with me, have you no’?” He stalked closer to her, letting her see a good glimpse of the beast within. Yet after swallowing loudly and retreating several steps, she seemed to force herself to stand her ground. He was dumbfounded that she wasn’t cowering. Battle hardened vampires recoiled in the face of a Lykae’s werewolf form, but she’d planted her boots, and she hadn’t budged. She even raised her chin. Cade had started hurrying down the embankment as if to protect her. The very idea made Bowe draw his lips back from his fangs. No doubt thinking his renewed fury was for her, she pulled magick into her hands.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
In groups of twenty, like smokes, they are directed to the other side by a man with a truncheon and a whip. It will not help to ink in his face. Several men with barrows collect clothes. There are young women still with attractive breasts. There are family groups, many small children crying quietly, tears oozing from their eyes like sweat. In whispers people comfort one another. Soon, they say. Soon. No one wails and no one begs. Arms mingle with other arms like fallen limbs, lie like shawls across bony shoulders. A loose gray calm descends. It will be soon… soon. A grandmother coos at the infant she cuddles, her gray hair hiding all but the feet. The baby giggles when it’s chucked. A father speaks earnestly to his son and points at the heavens where surely there is an explanation; it is doubtless their true destination. The color of the sky cannot be colored in. So the son is lied to right up to the last. Father does not cup his boy’s wet cheeks in his hands and say, You shall die, my son, and never be remembered. The little salamander you were frightened of at first, and grew to love and buried in the garden, the long walk to school your legs learned, what shape our daily life, our short love, gave you, the meaning of your noisy harmless games, every small sensation that went to make your eager and persistent gazing will be gone; not simply the butterflies you fancied, or the bodies you yearned to see uncovered - look, there they are: the inner thighs, the nipples, pubes - or what we all might have finally gained from the toys you treasured, the dreams you peopled, but especially your scarcely budded eyes, and that rich and gentle quality of consciousness which I hoped one day would have been uniquely yours like the most subtle of flavors - the skin, the juice, the sweet pulp of a fine fruit - well, son, your possibilities, as unrealised as the erections of your penis - in a moment - soon - will be ground out like a burnt wet butt beneath a callous boot and disappear in the dirt. Only our numbers will be remembered - not that you or I died, but that there were so many of us.
William H. Gass
People are so soon gone; let us catch them. That man there, by the cabinet; he lives, you say, surrounded by china pots. Break one and you shatter a thousand pounds. And he loved a girl in Rome and she left him. Hence the pots, old junk found in lodging-houses or dug from the desert sands. And since beauty must be broken daily to remain beautiful, and he is static, his life stagnates in a china sea. It is strange though; for once, as a young man, he sat on damp ground and drank rum with soldiers. One must be quick and add facts deftly, like toys to a tree, fixing them with a twist of the fingers. He stoops, how he stoops, even over an azalea. He stoops over the old woman even, because she wears diamonds in her ears, and, bundling about her estate in a pony carriage, directs who is to be helped, what tree felled, and who turned out tomorrow. (I have lived my life, I must tell you, all these years, and I am now past thirty, perilously, like a mountain goat, leaping from crag to crag; I do not settle long anywhere; I do not attach myself to one person in particular; but you will find that if I raise my arm, some figure at once breaks off and will come.) And that man is a judge; and that man is a millionaire, and that man, with the eyeglass, shot his governess “through the heart with an arrow when he was ten years old. Afterwards he rode through deserts with despatches, took part in revolutions and now collects materials for a history of his mother’s family, long settled in Norfolk. That little man with a blue chin has a right hand that is withered. But why? We do not know. That woman, you whisper discreetly, with the pearl pagodas hanging from her ears, was the pure flame who lit the life of one of our statesmen; now since his death she sees ghosts, tells fortunes, and has adopted a coffee-coloured youth whom she calls the Messiah.* That man with the drooping moustache, like a cavalry officer, lived a life of the utmost debauchery (it is all in some memoir) until one day he met a stranger in a train who converted him between Edinburgh and Carlisle by reading the Bible. Thus, in a few seconds, deftly, adroitly, we decipher the hieroglyphs written on other people’s faces. Here, in this room, are the abraded and battered shells cast on the shore.
Virginia Woolf (The Waves)
Beginning in 2011, SpaceX won a series of contracts from NASA to develop rockets that could take humans to the International Space Station, a task made crucial by the retirement of the Space Shuttle. To fulfill that mission, it needed to add to its facilities at Cape Canaveral’s Pad 40, and Musk set his sights on leasing the most storied launch facility there, Pad 39A. Pad 39A had been center stage for America’s Space Age dreams, burned into the memories of a television generation that held its collective breath when the countdowns got to “Ten, nine, eight…” Neil Armstrong’s mission to the moon that Bezos watched as a kid blasted off from Pad 39A in 1969, as did the last manned moon mission, in 1972. So did the first Space Shuttle mission, in 1981, and the last, in 2011. But by 2013, with the Shuttle program grounded and America’s half-century of space aspirations ending with bangs and whimpers, Pad 39A was rusting away and vines were sprouting through its flame trench. NASA was eager to lease it. The obvious customer was Musk, whose Falcon 9 rockets had already launched on cargo missions from the nearby Pad 40, where Obama had visited. But when the lease was put out for bids, Jeff Bezos—for both sentimental and practical reasons—decided to compete for it. When NASA ended up awarding the lease to SpaceX, Bezos sued. Musk was furious, declaring that it was ridiculous for Blue Origin to contest the lease “when they haven’t even gotten so much as a toothpick to orbit.” He ridiculed Bezos’s rockets, pointing out that they were capable only of popping up to the edge of space and then falling back; they lacked the far greater thrust necessary to break the Earth’s gravity and go into orbit. “If they do somehow show up in the next five years with a vehicle qualified to NASA’s human rating standards that can dock with the Space Station, which is what Pad 39A is meant to do, we will gladly accommodate their needs,” Musk said. “Frankly, I think we are more likely to discover unicorns dancing in the flame duct.” The battle of the sci-fi barons had blasted off. One SpaceX employee bought dozens of inflatable toy unicorns and photographed them in the pad’s flame duct. Bezos was eventually able to lease a nearby launch complex at Cape Canaveral, Pad 36, which had been the origin of missions to Mars and Venus. So the competition of the boyish billionaires was set to continue. The transfer of these hallowed pads represented, both symbolically and in practice, John F. Kennedy’s torch of space exploration being passed from government to the private sector—from a once-glorious but now sclerotic NASA to a new breed of mission-driven pioneers.
Walter Isaacson (Elon Musk)
In 1950, a thirty-year-old scientist named Rosalind Franklin arrived at King’s College London to study the shape of DNA. She and a graduate student named Raymond Gosling created crystals of DNA, which they bombarded with X-rays. The beams bounced off the crystals and struck photographic film, creating telltale lines, spots, and curves. Other scientists had tried to take pictures of DNA, but no one had created pictures as good as Franklin had. Looking at the pictures, she suspected that DNA was a spiral-shaped molecule—a helix. But Franklin was relentlessly methodical, refusing to indulge in flights of fancy before the hard work of collecting data was done. She kept taking pictures. Two other scientists, Francis Crick and James Watson, did not want to wait. Up in Cambridge, they were toying with metal rods and clamps, searching for plausible arrangements of DNA. Based on hasty notes Watson had written during a talk by Franklin, he and Crick put together a new model. Franklin and her colleagues from King’s paid a visit to Cambridge to inspect it, and she bluntly told Crick and Watson they had gotten the chemistry all wrong. Franklin went on working on her X-ray photographs and growing increasingly unhappy with King’s. The assistant lab chief, Maurice Wilkins, was under the impression that Franklin was hired to work directly for him. She would have none of it, bruising Wilkins’s ego and leaving him to grumble to Crick about “our dark lady.” Eventually a truce was struck, with Wilkins and Franklin working separately on DNA. But Wilkins was still Franklin’s boss, which meant that he got copies of her photographs. In January 1953, he showed one particularly telling image to Watson. Now Watson could immediately see in those images how DNA was shaped. He and Crick also got hold of a summary of Franklin’s unpublished research she wrote up for the Medical Research Council, which guided them further to their solution. Neither bothered to consult Franklin about using her hard-earned pictures. The Cambridge and King’s teams then negotiated a plan to publish a set of papers in Nature on April 25, 1953. Crick and Watson unveiled their model in a paper that grabbed most of the attention. Franklin and Gosling published their X-ray data in another paper, which seemed to readers to be a “me-too” effort. Franklin died of cancer five years later, while Crick, Watson, and Wilkins went on to share the Nobel prize in 1962. In his 1968 book, The Double Helix, Watson would cruelly caricature Franklin as a belligerent, badly dressed woman who couldn’t appreciate what was in her pictures. That bitter fallout is a shame, because these scientists had together discovered something of exceptional beauty. They had found a molecular structure that could make heredity possible.
Carl Zimmer (She Has Her Mother's Laugh: What Heredity Is, Is Not, and May Become)
Feelie Box—Cut a hole in a shoebox lid. Place spools, buttons, blocks, coins, marbles, animals, and cars in the box. The child inserts a hand through the hole and tells you what toy she is touching. Or, ask her to reach in and feel for a button or car. Or, show her a toy and ask her to find one in the box that matches. These activities improve the child’s ability to discriminate objects without the use of vision. “Can You Describe It?”—Provide objects with different textures, temperatures, and weights. Ask her to tell you about an object she is touching. (If you can persuade her not to look at it, the game is more challenging.) Is the object round? Cool? Smooth? Soft? Heavy? Oral-Motor Activities—Licking stickers and pasting them down, blowing whistles and kazoos, blowing bubbles, drinking through straws or sports bottles, and chewing gum or rubber tubing may provide oral satisfaction. Hands-on Cooking—Have the child mix cookie dough, bread dough, or meat loaf in a shallow roasting pan (not a high-sided bowl). Science Activities—Touching worms and egg yolks, catching fireflies, collecting acorns and chestnuts, planting seeds, and digging in the garden provide interesting tactile experiences. Handling Pets—What could be more satisfying than stroking a cat, dog or rabbit? People Sandwich—Have the “salami” or “cheese” (your child) lie facedown on the “bread” (gym mat or couch cushion) with her head extended beyond the edge. With a “spreader” (sponge, pot scrubber, basting or vegetable brush, paintbrush, or washcloth) smear her arms, legs, and torso with pretend mustard, mayonnaise, relish, ketchup, etc. Use firm, downward strokes. Cover the child, from neck to toe, with another piece of “bread” (folded mat or second cushion). Now press firmly on the mat to squish out the excess mustard, so the child feels the deep, soothing pressure. You can even roll or crawl across your child; the mat will distribute your weight. Your child will be in heaven.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
For them, it’s not about the riding; it’s about the bike, and the riding part is simply their way of fondling their possession. They keep their bicycles clean all the time, they fear scratches like they’re herpes, and they don’t ever ride in the rain (or as they call it, “water herpes”) so their bikes won’t get dirty or rusty. They’re like the people who collect toys but don’t remove them from the package so as not to diminish their value, or who swish wine around in their mouths without swallowing it, or who never get around to having actual sex because they’re too into sniffing high-heeled shoes while dressed as Darth Vader. These are not cyclists, they’re bicycle fetishists. In
BikeSnobNYC (Bike Snob: Systematically & Mercilessly Realigning the World of Cycling)
Seated in the middle of the floor with its back to me was the naked figure of a baby of, perhaps, two years, prattling wordlessly in its sing-song treble as it played with a pile of gleaming white objects arranged about it in a circle. One of these, a globular thing of peculiar configuration, it grasped in its right hand, and banged down noisily among the rest. Opposite, just discernible in the shadowy corner, sat the largest brindled cat I had ever seen, dreamily watching the play through half closed, flame-yellow eyes. I suppose it must have been many minutes that I stood there dumbfounded, staring at this incredible spectacle, before my dazed senses registered its full hideousness, and then a strangled gasp escaped me, for I saw that the toy in the child’s hand was a tiny human skull and that all the other white things were the various bones of an infant skeleton!
L.A. Lewis (Tales of the Grotesque: A Collection of Uneasy Tales)
The tears were back, stinging just behind my eyes. There was blood all over my penguins. I didn’t give a damn about the walls and carpet. They could be replaced, but I’d collected those damned stuffed toys over years. I let the paramedic lead me away. Tears trickling down my cheeks. I wasn’t crying, my eyes were running. My eyes were running because there were pieces of zombie all over my toys. Jesus.
Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
Sweden, a nation that officially promotes gender equality, once pressured a toy company to change its Christmas catalog so that it featured boys with a Barbie Dream House and girls with guns and action figures.7 But when the Swedish psychologist Anders Nelson asked three- and five-year-old children to show him their toy collections, things turned out differently. Almost every child had his or her own room with a staggering average of 532 toys. After going through 152 rooms and classifying thousands of toys, Nelson concluded that the collections reflected exactly the same stereotypes as in other countries. The boys had more tools, vehicles, and games, and the girls had more household items, caregiving devices, and outfits. Their preferences had proved immune to the equality ethos of Swedish society. Studies in other countries confirm that the attitudes of parents have little or no impact on children’s toy preferences.
Frans de Waal (Different: Gender Through the Eyes of a Primatologist)
Of course, television is not alone in being confronted with this destiny - this vicious circle: the destiny of all those things which , no longer having an objective purpose, take themselves for their own ends. In so doing, they escape all responsibility, but also become bogged down in their own insoluble contradictions. This is, however, more particularly the critical situation of all the current media. Opinion polls themselves are a good example. They have had their moment of truth (as, indeed, did television), when they were the representative mirror of an opinion, in the days when such a thing still existed, before it became merely a conditioned reflex. But perpetual harassment by opinion polls has resulted in their being no longer a mirror at all; they have, rather, become a screen. A perverse exchange has been established between polls which no longer really ask questions and masses who no longer reply. Or rather they become cunning partners, like rats in laboratories or the viruses pursued in experiments. They toy with the polls at least as much as the polls toy with them. They play a double game. It is not, then, that the polls are bogus or deceitful, but rather that their very success and automatic operation have made them random. There is the same double game, the same perverse social relationship between an all-powerful, but wholly self-absorbed, television and the mass of TV viewers, who are vaguely scandalized by this misappropriation, not just of public money, but of the whole value system of news and information. You don't need to be politically aware to realize that, after the famous dustbins of history, we are now seeing the dustbins of information. Now , information may well be a myth, but this alternative myth, the modern substitute for all other values, has been rammed down our throats incessantly. And there is a glaring contrast between this universal myth and the actual state of affairs. The real catastrophe of television has been how deeply it has failed to live up to its promise of providing information- its supposed modern function. We dreamed first of giving power - political power- to the imagination, but we dream less and less of this, if indeed at all. The fantasy then shifted on to the media and information. At times we dreamed (at least collectively, even if individually we continued to have no illusions) of finding some freedom there — an openness, a new public space. Such dreams were soon dashed: the media turned out to be much more conformist and servile than expected, at times more servile than the professional politicians. The latest displacement of the imagination has been on to the judiciary. Again this has been an illusion, since, apart from th e pleasing whiff of scandal produced, this is also dependent on the media operation. We are going to end up looking for imagination in places further and further removed from power - from any form of power whatever (and definitely far removed from cultural power, which has become the most conventional and professional form ther e is). Among the excluded, the immigrants, the homeless. But that will really take a lot of imagination because they, who no longer even have an image, are themselves the by-products of a whole society's loss of imagination, of the loss of any social imagination. And this is indeed the point. We shall soon see it is no use trying to locate the imagination somewhere. Quite simply, because there no longer is any. The day this becomes patently obvious, the vague collective disappointment hanging over us today will become a massive sickening feeling.
Jean Baudrillard (Screened Out)
My body used to belong to me. When I was a little girl, my favorite part of the day was when we got home from errands or preschool. I would push the front door open with both small hands and run—through the living room filled with plastic-wrapped furniture, past the washer dryer that made funny sounds that I liked, past my bedroom filled with a growing collection of Winnie the Pooh toys—into the bathroom.
Virgie Tovar (You Have the Right to Remain Fat)
I was always looking out in airport gift shops for stickers or little toys and knickknacks to include with the envelopes. We ended up with quite a collection of dolls in national dress—from Finland, from Japan, from Brazil. These notes and keepsakes were an ongoing, private little project for me as I carried on with my other duties. It kept me closer to
Indra Nooyi (My Life in Full: Work, Family, and Our Future)
Some days you were the bitch and some days you were shit that came out of the bitch’s toy poodle.
Stacey Marie Brown (Fire In The Darkness- 10 year Anniversary (Darkness Series- 10 year Anniversary Collection Book 2))
He was some kind of spaceman toy probably meant for boys.
Marcus Emerson (LOL Collection: Stories to Make You Laugh-Out-Loud: From the Creator of Diary of a 6th Grade Ninja)
These stunning global improvements have already been tested, vetted and proven effective: 1. To feed the world, easily. Yet grains waste in warehouses to ensure “Profitable Supply and Demand Ratios.” 2. To power the world endlessly, freely, without pollution or waste. Yet basic subsidies are given to polluting, exploiting, un-replenishable resources to ensure power remains in the hands of the controllers. 3. To end all armed conflict and usher in an era of global prosperity. Yet childish leaders propagate “The Demonic Other” to ensure they remain in power. 4. To improve global quality of life by a factor of 3x to 8x in under a decade. Yet it is suppressed to ensure that the elite remain an Elite and separate ruling class. 5. To end drug addictions and social inequality. Yet drugs are industriously pumped into ghettos to breed despair and ensure that ordinary people remain in conflict with each other. 6. To radically reduce crime worldwide. Yet again, suppressed to ensure the reign of an elite prison complex. 7. To reduce the work week by over 50%. Suppressed to occupy the masses with trifling banality. 8. To globally stabilize and secure the world’s clean drinking water supply, EASILY. Suppressed to retain control over the world’s most impoverished. All of these “Trigger Ready Solutions” are suppressed by humans to ensure their power and control over other Humans. They argue about currency manipulation while poisoning the collective air and water to a level where the oceans have little left to give. Absolving themselves of all crimes, preaching kindness and forgiveness, they race into battle against the OTHER while denouncing greed and indoctrinating youth to find it funny to say, “He who dies with the most toys wins.
Rico Roho (Adventures With A.I.: Age of Discovery)
Many houses increasingly serve not only as living quarters but also as storage areas for toy collections, personal libraries, galleries of art and other assorted knick-knacks, small supermarkets (massive refrigerators), home cinemas, and restaurant-sized kitchens which seem proportional in size to the time the owners spend away from them,
Jacob Lund Fisker (Early Retirement Extreme: A philosophical and practical guide to financial independence)
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I didn’t know she ran a sex toy company.” “Technically, it’s a female sexual health and pleasure empowerment collective.
Olivia Hayle (Between the Lines)
The good Claus must have been here, my darlings; for his are the only toys in all the world!
Robert Louis Stevenson (HOLIDAY Ultimate Collection: 400+ Christmas Novels, Stories, Poems, Carols & Legends (Illustrated Edition): The Gift of the Magi, A Christmas Carol, Silent ... Little Women, The Tale of Peter Rabbit…)
Secure Surroundings. You naturally want to give your baby a safe, comfortable home. This means more than a warm place to sleep and a collection of toys. As important as it is to provide shelter that is physically safe and secure, it is even more important to create a home that is emotionally secure with a minimum of stress and a maximum of consistency and love. Your child can sense problems between other family members and may be very troubled by them, so it’s important that all family problems, even minor conflicts, be dealt with directly and resolved as quickly as possible through cooperation.
Steven P. Shelov (Your Baby's First Year)
People are chasing happiness Cars are chasing destinations Children are chasing new toys And rest of all are chasing What’s not here yet.
Sayantan Sen (Quiet: A collection of poems)
...after a pointless delay for the humans to collect all their toys and keepsakes, he was able to take his rightful place in Littlemouse's arms and heard them all in the proper direction.
Jim Butcher (The Aeronaut's Windlass (The Cinder Spires, #1))
You’ve already got one of those dildos lodged in your arse, haven’t you?” an exasperated Grace asked as she looked around at the collection of adult DVDs, sex toys and underwear. “I’ve lived too long – this all looks really boring to me.” She grinned at du Bois. “Still, must make a pleasant change from the hair shirt and self-flagellation.
Gavin G. Smith (A Quantum Mythology)
They paused at a table bearing a collection of magic lanterns, small embossed tin lamps with condensing lenses at the front. There was a slot for a hand-painted glass slide just behind the lens. When the lamp was lit, an image would be projected on a wall. Rohan insisted on buying one for Amelia, along with a packet of slides. “But it’s a child’s toy,” she protested, holding the lantern by its wire handle. “What am I to do with it?” “Indulge in pointless entertainment. Play. You should try it sometime.” “Playing is for children, not adults.” “Oh, Miss Hathaway,” he murmured, leading her away from the table. “The best kind of playing is for adults.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Like the kachinas, Barbie is both toy and mythic object—modern woman and Ur-woman—navelless, motherless, an incarnation of "the One Goddess with a Thousand Names." In the reservoir of communal memory that psychologist Carl Jung has termed the "collective unconscious," Barbie is an archetype of something ancient, matriarchal, and profound.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
Just look at the problems James dealt with and you can see that each of them is characteristic of little children: • Impatience in difficulties—1:1–4 • Talking but not living the truth—2:14ff. • No control of the tongue—3:1ff. • Fighting and coveting—4:1ff. • Collecting material “toys”—5:1ff.
Warren W. Wiersbe (Be Mature (James): Growing Up in Christ (The BE Series Commentary))
1. Give your toddler some large tubular pasta and a shoelace.  Show her how to thread the shoelace through the pasta. 2. Take an empty long wrapping paper tube and place one end on the edge of the sofa and the other end on the floor.  Give him a small ball such as a Ping Pong ball to roll down the tube.   3. Give her some individually wrapped toilet tissues, some boxes of facial tissue or some small tins of food such as tomato paste.  Then let her have fun stacking them.     4. Wrap a small toy and discuss what might be inside it.  Give it to him to unwrap. Then rewrap as he watches.  Have him unwrap it again.    5. Cut  such fruits as strawberries and bananas into chunks.  Show her how to slide the chunks onto a long plastic straw.  Then show her how you can take off one chunk at a time, dip it into some yogurt and eat it.   6. Place a paper towel over a water-filled glass.  Wrap a rubber band around the top of the glass to hold the towel in place.  Then place a penny on top of the paper towel in the centre of the glass.  Give your child a pencil to poke holes in the towel until the penny sinks to the bottom of the glass.   7. You will need a small sheet of coarse sandpaper and various lengths of chunky wool.  Show him how to place these lengths of wool on the sandpaper and how the strands stick to it.   8. Use a large photo or picture and laminate it or put it between the sheets of clear contact paper.  Cut it into several pieces to create a puzzle.   9. Give her two glasses, one empty and one filled with water.  Then show her how to use a large eyedropper in order to transfer some of the water into the empty glass.   10. Tie the ends/corners of several scarves together.  Stuff the scarf inside an empty baby wipes container and pull a small portion up through the lid and then close the lid.  Let your toddler enjoy pulling the scarf out of the container.   11. Give your child some magnets to put on a cookie sheet.  As your child puts the magnets on the cookie sheet and takes them off, talk about the magnets’ colours, sizes, etc.   12. Use two matching sets of stickers. Put a few in a line on a page and see if he can match the pattern.  Initially, you may need to lift an edge of the sticker off the page since that can be difficult to do.    13. You will need a piece of thin Styrofoam or craft foam and a few cookie cutters.  Cut out shapes in the Styrofoam with the cookie cutters and yet still keep the frame of the styrofoam intact.  See if your child can place the cookie cutters back into their appropriate holes.        14. Give her a collection of pompoms that vary in colour and size and see if she can sort them by colour or size into several small dishes. For younger toddlers, put a sample pompom colour in each dish.   15. Gather a selection of primary colour paint chips or cut squares of card stock or construction paper.  Make sure you have several of the same colour.  Choose primary colours.  See if he can match the colours.  Initially, he may be just content to play with the colored chips stacking them or making patterns with them.
Kristen Jervis Cacka (Busy Toddler, Happy Mom: Over 280 Activities to Engage your Toddler in Small Motor and Gross Motor Activities, Crafts, Language Development and Sensory Play)
Cracking one eye open, I saw Kash sitting on the edge of my bed just staring at me with an amused expression. “Can I help you?” I mumbled against the pillow. “I’m hungry and want pancakes.” “You want . . . What are you, five?! Make your own. I even bought the easy-make pancakes last weekend. All you have to do is add water.” I rolled over and groaned. “Seven thirty? Kash, we didn’t get back from work until after one. You have got to stop waking me up so early. And how are you even in here?” He looked like he was fighting a smile and his eyes kept flashing up above mine. “Candice let me in.” Trying to act like I didn’t notice where his eyes kept going, and like I wasn’t flipping out because I was sure my hair looked like a hot mess, I slowly brought my arm up to brush back the hair from my face when my hand hit something that tugged at my forehead. “What the hell?” I tried to look straight up and even leaned my head back to try to follow whatever was at the very top of my forehead. I saw a blue tip and grabbed at it before yanking it off and holding it in front of my eyes. “A Nerf dart?!” Kash shamelessly pulled up a Nerf gun and waved it at his side. His eyes slid back up to my forehead and a hard laugh burst from his chest. Rolling back, he fell off the bed and landed with a dull thump on the floor. “What?” I snapped, and scrambled out of bed. As I made my way to the bathroom, I was hit once in the butt and once on my calf by more darts. “You’re such a child, Kash!” Flipping on the light, I blinked against the brightness before focusing on the mirror. A loud gasp filled the small room. “Logan Kash Hendricks! What did you do?” He was still cracking up as he got to his feet and came to stand behind me. “I just had to make sure it was on there real good. So I tested it a few times . . . you’re a really heavy sleeper, by the way.” “There is a hickey on my forehead!” His body was shaking from the laughter he was trying to keep in now. “It’s not funny! This better be gone by the time we go to work tonight.” “Don’t be mad, Sour Patch.” He planted his chin at the top of my head and brushed at my bangs. “You have those, they’ll cover it. Can we have pancakes now?” My eyes went wide and my jaw dropped as I continued to stare at him in the mirror. “No! Go make them yourself.” He frowned and brought the toy gun up in front of us. “I’ll let you shoot me.” I chewed on my bottom lip for a moment. Pancakes sounded really good right now. With a heavy sigh, I held my hand out. “Give me the gun.” As soon as it was in my hand, I went around collecting the three darts and put them back in with the other three still in there before aiming it right at his forehead. Kash smiled, closed his eyes, and took all six darts like a champ. When I was done he had little red marks all over his forehead, and though I knew his would be gone in a few minutes, I felt like he’d gotten it worse than I did. “Feel better?” “A little.” I handed the gun back to him and turned toward my door. “Let’s go make pancakes.” I’d barely hit the kitchen when I realized I didn’t hear him behind me. “And don’t even think about shooting me again, or you’ll be on your own for breakfast!” Whirling
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
se "in-between times" to get things done. For example, it takes 15 minutes or less to change the sheets on a bed. So when you're waiting for dinner to finish cooking, to go somewhere, or for something to finish up, make a bed. Planning saves you time. Know what you have to do-and set your priorities. ere's a fun idea! Why not lighten a gathering together load a little by hosting a tea "potluck." It's a great way to widen your circle of friends and expand your recipe files. You provide the beautiful setting-and, of course, the tea. Invite each guest to bring a wonderful tea-time treat to share, along with the recipe. Have fun sampling all the goodies. You can also invite someone to play the piano, the guitar, or even do a dramatic reading of some sort. After the gathering, create a package of recipes and send them to each participant, along with a "thank you for coming" note. Friends are the continuous threads that help hold our lives together. f you have a fireplace, make it the focus of the room. Add plants, a teddy bear collection, or whatever you like to catch the eye. Add homey touches with a favorite stuffed toy, a framed picture of yourself with your grandmother. Photos and vacation souvenirs are great to liven up a room. Slipcovers help you make incredible changes in your decor simply. In winter months, toss an afghan over a sofa or chair. When you're not using afghans or blankets, stack them neatly under a shelf or a table to add texture to a room. Instead of a lamp table, stack wooden trunks or packing boxes together. These make great tables and provide storage.
Emilie Barnes (365 Things Every Woman Should Know)
While many of us admire nice things, materialism and suffering may share a connection. When we place a great deal of our happiness in material things, we run the great risk of losing our happiness when our material things become lost, old, or damaged. Toys break. Cars get dents. Clothes get ripped. Jewels get lost or stolen. Riches come and go. If we collect moments rather than things, these are ours to keep. If we redefine wealth by the amount of love and kindness we afford ourselves to give to others, we can transform our lives.
Ann Brasco
...I'd like to know what you want out of life." "I don't know what I want anymore." I toyed with the delicate lace on my pillowcase, wishing that lovely things didn't have to be so fragile.
Anita Higman (Texas Wildflowers: Four-in-One Collection (Romancing America))
Like the servants, we, his children, were beneath him, and so we were left oftentimes standing with his lies in our hands like baffling presents, not knowing what we were to do with this collection of things, his words, whether they should be used or displayed or hidden like a broken toy in a corner of the nursery armoire." -- Emma Garnet on describing her father, page 2
Kaye Gibbons (On the Occasion of My Last Afternoon)
Question three: * When you were wearing pretty frocks and playing with dolls, did you feel less than a boy? How did you feel or react when you saw other boys playing with ‘boyish’ toys like miniature toy soldiers, train sets, etc.? Answers: a) No, I did not feel any less a boy when I was dressed in girls’ clothes. I thought girls’ garments were more creative and imaginative than boys’. In fact, I often wondered why boys’ clothes were so boring and mundane compared to what my mother dressed me in. b) Playing with dolls came naturally to me. It might be because, from the moment I opened my little eyes, I was surrounded by dolls. I did enjoy playing dress-up with my doll collection, especially the Barbies, which in later years I saved my own money to purchase. Round about ages 5 or 6, I began taking a keen interest in designing Barbie dolls’ clothes. There were times in the middle of the night, after I went to bed when the house lights were off, I would shine a light under the sheets to begin the process of making and dressing my dolls. I enjoyed doing that when there was nobody to bother me and I had all the time needed to craft these feminine creations. c) Train sets, toy soldiers or ‘toys for boys’ never interested me. They seemed too mechanical and bloodthirsty, fighting and killing each other all the time. These warlike sports were not to my liking. I don’t understand why boys take great pride in killing, beating each other. Is that what being manly is about?
Young (Unbridled (A Harem Boy's Saga, #2))
I’ve made myself comfortable in a leather wingback chair in Room 1919 of the Plaza, enjoying three fingers of Bushmills while I wait for my newest acquisition to arrive. Because in all honesty, at this point, that’s exactly what she is. The latest toy to add to my collection.
Meghan March (Dirty Billionaire (The Dirty Billionaire Trilogy, #1))
She could feel the tension. A collection of laws, beliefs, and stereotypes wound tight with the maintenance of its own form. Wound tight with all the ways a thing should be, tighter still in the faith that this was the way things had always been: a world safe in a firm grip. She didn't see white, but she felt the force of it. Like seeing a childhood toy as an adult, knowing all the places you've changed by seeing how an old thing hadn't changed at all.
Cebo Campbell (Sky Full of Elephants)
Rate of myelination in different brain areas The various brain areas begin and end myelination at different ages. For example, visual areas finish myelinating by six months. At that age an infant can see an object moving through space as a homogeneous object; before that, it’s just a collection of disconnected colors and edges. Watch babies wave a toy back and forth in front of their eyes. This rehearsal wires up the visual areas so they can begin to recognize and track objects. Over and over, the same groups of neurons fire together, forming visual functional groups that eventually work together well enough to let the baby recognize familiar objects. Babies’ other senses work along with sight to help form a mental image of objects. Here’s one study that continues to astonish me every time I think about it: Newborns, still in the hospital, were given pacifiers to suck. There were several different shapes: square, round, pointed. Large models of all the different-shaped pacifiers were hung above their cribs. The babies stared longest at the pacifier that matched the one that had been in their mouth. These infants appeared able to relate the mental image created with touch — what was in their mouths — with the one created with vision — what was dangling above their heads. I remember the first time our oldest daughter saw a book. She was about three months old — barely able to sit up — and we put a cardboard book with very simple pictures of toys in front of her. Instantly she put her face right above the book, and she inspected every square inch of the page from about an inch away. Then she sat back up and slapped the pages all over. We could almost see her brain working: “What is this? It’s flat but it reminds me a lot of the things I see around me.” She combined the senses of touch and sight together to examine a new phenomenon in her world. Speech begins with babbling at around six months of age. I remember our youngest daughter beginning speech by mimicking the up and down flow of the sentence before she began to make individual sounds. The flow of speech is supported by language centers in the right hemisphere; the details of speech are supported by language centers in the left hemisphere. Our daughter was practicing how to talk, using the brain areas that were currently available. Her right hemisphere appeared to mature before her left hemisphere. As the speech areas develop and these groups become more extensively coordinated, the child’s speech becomes clearer and connected. The auditory areas finish myelinating by two years. The child now has the brain foundation for speech production. She can distinguish the individual sounds that make up words, and can begin to string words together into phrases and sentences. The motor system is myelinated by four years. Before that, children are very slow to respond. Have you ever played catch with a three-year-old? He holds out his arms, the ball hits his chest, it falls on the ground — and then he closes his arms. It takes so long for the message to move from his eyes to his brain, from his brain to the spinal cord, and finally from his spinal cord to his arms, that he misses the ball. You can practice with him all you like, but his reactions won’t speed up until his motor system myelinates.
Frederick Travis (Your Brain Is a River, Not a Rock)
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L.A. Mood Comics & Games
Badalle?' 'Saddic - these things - they're toys-' He looked up at her, the colour leaving his face. Showing her, bared and raw, wretched astonishment. Then that shattered, and she could see he was about to cry. I'm sorry. I'd ... forgotten. She watched as Saddic's attention returned to the collection of objects spilled out on the ground before him. He reached out as if to touch one - a bundle of twine and feathers - and then snatched back his hand. 'Toys,' he whispered. 'They're toys.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
Badalle?' 'Saddic - these things - they're toys.' He looked up at her, the colour leaving his face. Showing her, bared and raw, wretched astonishment. Then that shattered, and she could see he was about to cry. I'm sorry. I'd ... forgotten. She watched as Saddic's attention returned to the collection of objects spilled out on the ground before him. He reached out as if to touch one - a bundle of twine and feathers - and then snatched back his hand. 'Toys,' he whispered. 'They're toys.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
other.
Tennant Redbank (The Search for Hamm (The Toy Story: Disney Storybook Collections))
KIM refrigerator and his black dinky Toy.
Petra Hermans
For every community of angsty kids who pretend they are secretly vampires, there are seven different forums of white nationalists who sincerely believe that Jewish people are secretly vampires. For every Kiki and silly toy collectors community, there are forums full of dudes collecting upskirt photos of random women and girls who had no idea that they were about to become porn.
Zoe Quinn (Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate)
Tracking data becomes more detailed, analyses become further-reaching, and data is retained for a long time in order to build up detailed profiles of each person for marketing purposes. Now the relationship between the company and the user whose data is being collected starts looking quite different. The user is given a free service and is coaxed into engaging with it as much as possible. The tracking of the user serves not primarily that individual, but rather the needs of the advertisers who are funding the service. I think this relationship can be appropriately described with a word that has more sinister connotations: surveillance. Surveillance As a thought experiment, try replacing the word data with surveillance, and observe if common phrases still sound so good [93]. How about this: “In our surveillance-driven organization we collect real-time surveillance streams and store them in our surveillance warehouse. Our surveillance scientists use advanced analytics and surveillance processing in order to derive new insights.” This thought experiment is unusually polemic for this book, Designing Surveillance-Intensive Applications, but I think that strong words are needed to emphasize this point. In our attempts to make software “eat the world” [94], we have built the greatest mass surveillance infrastructure the world has ever seen. Rushing toward an Internet of Things, we are rapidly approaching a world in which every inhabited space contains at least one internet-connected microphone, in the form of smartphones, smart TVs, voice-controlled assistant devices, baby monitors, and even children’s toys that use cloud-based speech recognition. Many of these devices have a terrible security record [95]. Even the most totalitarian and repressive regimes could only dream of putting a microphone in every room and forcing every person to constantly carry a device capable of tracking their location and movements. Yet we apparently voluntarily, even enthusiastically, throw ourselves into this world of total surveillance. The difference is just that the data is being collected by corporations rather than government agencies [96].
Martin Kleppmann (Designing Data-Intensive Applications: The Big Ideas Behind Reliable, Scalable, and Maintainable Systems)
This is the least of my toys,” Gromph assured her. “I have lived for centuries. I have been an archmage for centuries. I have been an associate of Jarlaxle for centuries. He collects so many interesting little baubles, while I have garnered, or created, many of the mightiest magic items known to Faerun.
R.A. Salvatore (Lolth's Warrior (The Way of the Drow, #3; The Legend of Drizzt, #39))
And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more.
Dolly Alderton (Good Material)
And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. That instinct never goes—look at my fire engine, look at my vinyl collection. Look at all these things I’ve chosen to represent who I am. It was fun to find out about each other’s self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drunk from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Bar-made Manhattans (much better). Otis Redding’s “Cigarettes and Coffee” (our song). Discovering a new song we both loved and listening to it over and over again until we
Dolly Alderton (Good Material)
The Hyderabad Baby Studio recognizes that photography is not just about clicking a camera; it's about preserving the emotions, memories, and unique personality of each child. To achieve this, the studio takes a personalized approach to each session. Parents are encouraged to share their vision and ideas, enabling the photographers to tailor the session to their desires. Whether it's a specific theme, a favorite toy, or a particular milestone, the studio ensures that the essence of the child is reflected in every photograph. The final product is not just a collection of images but a narrative of a child's journey, one that parents can revisit and cherish for years to come. In an era marked by the proliferation of digital photography and smartphone cameras, the Hyderabad Baby Studio brings back the importance of professional photography. While anyone can take a picture, professional photographers possess the expertise and equipment necessary to create images that stand the test of time.
chickharsha
my broken toy; and I didn’t collect toys to fix them. No, broken toys were the interesting ones. They were sharp and dangerous, like shards of shattered glass I couldn’t resist running my fingers over until I bled.
Harley Laroux (Her Soul for Revenge (Souls Trilogy, #2))
Nice try, but I’m not talking to you about my sex toy collection.” “You have a whole collection?” he asked, not hiding the interest in his tone. “Not gonna lie, I love a good assist.
Brighton Walsh (Fearless Heart (Starlight Cove #3))
Boys like him were my weak spot. Maybe this person on the phone knew that. Maybe that’s why they put me in his path. I’d be blinded by his looks and sass, and maybe even impressed by his collection of toys. Sure, I was all three. But I’d never let my personal interests get in the way of work for my family, and if they knew he was here, he’d already be dead. “If you help me,” I said. “I can help you.
Joe Satoria (Bad Boy)
Tantaly Nicole is the perfect addition to any toy collection. This 39.6LB lightweight torso features huge papaya breasts, creating superior realism and pleasure. Enjoy the feeling of real-life softness and warmth from this high-quality sex doll.
POPTORSO