Town With No Mirrors Quotes

I'm starting to realize that people lack good mirrors. It's so hard for anyone to show us how we look, & so hard for us to show anyone how we feel.

A Margo for each of us--and each more mirror than window.

The longer I do my job ... the more I realize that humans lack good mirrors. It's so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.

That doesn't sound like my Margo", she said, and I thought of my Margo, and all of us looking at her reflection in different funhouse mirrors.

I realize that humans lack good mirrors. It’s so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.

This is what I liked most about my friends: just sitting around and telling stories. Window stories and mirror stories.

There is only one good thing about a small town You know that you want to get out - Songs for Drella

This was what I liked most about my friends: just sitting around and telling stories. Window stories and mirror stories. I only listened - the stories on my mind weren't that funny.

it's not what you get out of life that counts. Break your mirrors! In our society that is so self-absorbed, begin to look less at yourself and more at each other. you'll get more satisfaction from having improved your neighborhood, your town, your state, your country, and your fellow human beings than you'll ever get from your muscles, your figure, your automobile, your house, or your credit rating

The longer I do my job," he said, "the more I realize that humans lack good mirrors. It's so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.

The color blue fills the entire mirror and, watching it, I think that is how a small northern town in America works. It enlists one beautiful thing like the ocean or the mountains or the snow to keep people stuck and stagnant and staring out to sea forever.

And right now he and Douglas were hiking out beyond town on another warm and marble-round day, the sky blue blown-glass reaching high, the creeks bright with mirror waters fanning over white stones. It was a day as perfect as the flame of a candle.

Whether [new Protestant church movements] place their emphasis on new worship styles, expressions of the Holy Spirit’s power, evangelism to seekers, or Bible teaching, these so-called new movements still operate out of the fallacious assumption that the church belongs firmly in the town square, that is, at the heart of Western culture. And if they begin with this mistaken belief about their position in Western society, all their church planting, all their reproduction will simply mirror this misapprehension.

You’ve looked in the mirror long enough. See everything as if it were narrated by another.

the more I realize that humans lack good mirrors. It’s so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.

Boy you really missed the boat. I’ll make it simple, so’s even fuckin you can understand. Papa God growed us up till we could wear long pants; then he licensed his name to dollar bills, left some car keys on the table, and got the fuck outta town”. Water rushes to his eye-holes. “Don’t be lookin up at no sky for help. Look down here, at us twisted dreamers”. He takes hold of my shoulders, spins me around, and punches me towards the mirror on the wall. “You’re the God. Take responsibility. Exercise your power

At the farther edge of the town they came upon a solitary house in a field and they crossed and entered and walked through the rooms. They came upon themselves in a mirror and he almost raised the pistol. It's us, Papa, the boy whispered. It's us.

This was what I liked most about my friends: just sitting around and telling stories. Window stories and mirror stories. I only listened—the stories on my mind weren’t that funny.

I get down, methodically, without regard to my soul.

The longer I do my job the more I realize that humans lack good mirrors. It's so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.

The longer I do my job, the more I realize that humans lack good mirrors. It's so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.

humans lack good mirrors. It's so hard for anyone to show us how we look, and so hard for us to show anyone how we feel

The humans lack good mirrors. It's so hard for anyone to show us how we look, and so hard for us to show them how we feel.

That was what I liked most about my friends: just sitting around and telling stories. Window stories and mirror stories. I only listened - the stories on my mind weren't that funny.

The moment he left the warm sheets and the door clicked shut, I had that feeling you get when you are lost in a strange town at night. I curled into the chair where he had watched me undress and tears wet my cheeks. Then I dried my eyes, I looked in the mirror, and I said these two words. Never again.

We then return our gaze to the mirror-boxed future-towns circling us-the hard drives of our culture, where the human tribe is making flesh its deepest needs and fears; teaching machines to think; accelerating the pace of obsolescence; designing new animals to replace the animals we've erased; value adding; reconstructing the future.

My dad finished chewing something and then put his fork down and looked at me. 'The longer I do my job,' he said. 'the more I realize that humans lack good mirrors. It's so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.' 'That is really lovely,' my mom said. I liked that they liked each other. 'But isn't it also that on some fundamental level we find it difficult to understand that other people are human beings in the same way that we are? We idealize them as gods or dismiss them as animals.' 'True. Consciousness makes for poor windows, too. I don't think I'd ever thought about it quite that way.

In the detective story, as in its mirror image, the Quest for the Grail, maps (the ritual of space) and timetables (the ritual of time) are desirable. Nature should reflect its human inhabitants, i.e., it should be the Great Good Place; for the more Eden-like it is, the greater the contradiction of murder. The country is preferable to the town, a well-to-do neighborhood (but not too well-to-do-or there will be a suspicion of ill-gotten gains) better than a slum. The corpse must shock not only because it is a corpse but also because, even for a corpse, it is shockingly out of place, as when a dog makes a mess on a drawing room carpet." (The guilty vicarage: Notes on the detective story, by an addict, Harper's Magazine, May 1948)

Midnight then and the town clocks chiming on toward one and two and then three in the deep morning and the peals of the great clocks shaking dust off old toys in high attics and shedding silver off old mirrors in yet higher attics and stirring up dreams about clocks in all the beds where children slept.

He dresses himself in tight black jeans, Amoco shirt, and polished cowboy boots. His profile sharp as a jackknife, mirror shades throwing back the world, Ben walks hard into town. No one sees him pass. The sky over his head seems to hide the man. He is New Harmony's secret messiah. A small apocalypse lives in his limbs.

humans lack good mirrors. It’s so hard for anyone to show us how

more I realize that humans lack good mirrors. It’s so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.

The longer I do my job,” he said, “the more I realize that humans lack good mirrors. It’s so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.

I'm starting to realize that people lack good mirrors. It's so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.

She could feel the mirrors waiting for her in each room much the same as you felt, without opening your eyes, that the first snow of winter has just fallen outside your window.

This was what I liked most about my friends: just sitting around and telling stories. Window stories and mirror stories. I only listened – the stories on my mind weren’t that funny.

Two Metro lines, two trains, two carriages, two people walking in parallel streets, two lives, couples criss-crossing without seeing each other, potential encounters, meetings which shall never take place. The imagination rewrites history. It modifies the local directory and the roll-call of those who frequent a town, a street, a house, a woman. It transfixes reflections in the mirror for all eternity. It hangs entire portrait galleries from the wall of our future memory on which magnificent strangers use a sharp knife to engrave their initials and a date.

That doesn't sound like Margo," she said, and I thought of my Margo, and Lacey's Margo, and Mrs. Spiegelman's Margo, and all of us looking at her reflection in different fun house mirrors.

Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue. But if you mouth it, as many of our players do, I had as lief the town crier spoke my lines. Nor do not saw the air too much with your hand, thus, by use all gently, for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumb shows and noise. I would have such a fellow whipped for o'erdoing Termagant. It out-herods Herod. Pray you avoid it. Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature. For anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature, to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskillful laugh, cannot but make the judicious grieve, the censure of the which one must in your allowance o'erweigh a whole theatre of others. O, there be players that I have seen play, and heard others praise, and that highly (not to speak profanely), that neither having th' accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of Nature's journeymen had made men, and not made them well, they imitated humanity so abominably. Reform it altogether! And let those that play your clowns speak no more than is set down for them, for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the mean time some necessary question of the play be then to be considered. That's villainous and shows a most pitiful ambition in the fool that uses it. Go make you ready.

A scattering of pinpoint lights shows up in the blackness ahead. A town or village straddling the highway. The indicator on the speedometer begins to lose ground. The man glances in his mirror at the girl, a little anxiously as if this oncoming town were some kind of test to be met. An illuminated road sign flashes by: CAUTION! MAIN STREET AHEAD - SLOW UP The man nods grimly, as if agreeing with that first word. But not in the way it is meant. The lights grow bigger, spread out on either side. Street lights peer out here and there among the trees. The highway suddenly sprouts a plank sidewalk on each side of it. Dark store-windows glide by. With an instinctive gesture, the man dims his lights from blinding platinum to just a pale wash. A lunch-room window drifts by. ("Jane Brown's Body")

I last visited White Hart Lane in early February 2016, and as I took my seat, after a few pints in the (TV-less) concourse, in the upper tier of the South-West corner I couldn’t help but notice the tumbleweed rolling around the ground. The stony silence from areas of the ground where I would normally expect the home fans to be sitting was deafening, and the whole ground was reminiscent of a ghost town. Whenever the magnificent Watford support ceased singing for a brief second or two I could hear the hollow, dry wind, and I found the desolate, dry and humourless atmosphere all rather eerie. But here’s the weird thing. If I squinted my eyes it almost appeared as if 36,000 people were sitting in seats around the ground, and the only conclusion I could draw was that it just one guy and that it was all done with mirrors.

The longer I do my job,” he said, “the more I realize that humans lack good mirrors. It’s so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.” “That is really lovely,” my

It was becoming more and more evident that Salem was a town that celebrated individuality, a real live-and-let-live kind of place. Melody felt a gut punch of regret. Her old nose would have fit in here. "Look!" She pointed at the multicolored car whizzing by. Its black door were from a Mercedes coupe, the white hood from a BMW; the silver trunk was Jaguar, the red convertible top was Lexus, the whitewall tires were Bentley, the sound system was Bose, and the music was classical. A hood ornament from each model dangled from the rear view mirror. Its license plate appropriately read MUTT. "That car looks like a moving Benton ad." "Or a pileup on Rodeo drive." Candace snapped a picture with her iPhone and e-mailed to her friends back home. They responded instantly with a shot of what they were doing. It must have involved the mall because Candace picked up her pace and began asking anyone under the age of fifty where the cool people hung out.

There's folly in her stride that's the rumor justified by lies I've seen her up close beneath the sheets and sometime during the summer she was mine for a few sweet months in the fall and parts of December ((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. ))) I found her looking through a window the same window I'd been looking through She smiled and her eyes never faltered this folly was a crime ((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” ))) She had an identity I could identify with something my fingertips could caress in the night ((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other. What constitutes peace is in the mind of the beholder. ))) Have you heard the argument? This displacement of men and women and women and men the minds we all have the beliefs we all share Slipping inside of us thoughts and religions and bodies all bare ((( “Without darkness, there can be no light,” he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. ))) When she left she kissed with eyes open I knew this because I'd done the same Sometimes we saw eye to eye like that Very briefly, she considered an apotheosis a synthesis a rendering of her folly into solidarity ((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. ))) Experiencing the subsequent sunrise inhaling and drinking breaking mirrors and regurgitating just to start again all in all I was just another gash in the bark ((( Plato once said: “Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. ))) Leaving town and throwing shit out the window drinking boroughs and borrowing spare change I glimpsed the rear view mirror stole a glimpse really I've believed in looking back for a while it helps to have one last view a reminder in case one ever decides to rebel in the event the self regresses and makes the declaration of devastation once more ((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))

My dad finished chewing something and then put his fork down and looked at me. “The longer I do my job,” he said, “the more I realise that humans lack good mirrors. It’s so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.

One night the three of us were out on the town. Bill was driving us to an Italian restaurant. I had been on my new job just a few weeks. I was in the backseat and Bill was watching me in the rearview mirror. Bill said to me, “We heard from Jimmy that you paint houses.” I didn’t say anything. I just nodded my head “yes.” Okay, here it is, I thought. So much for getting away from the downtown culture and getting into a new line of work. “We got something in Chicago that needs to be straightened out. We got a friend there named Joey Glimco. He runs the cab local there, 777. He’s got the trucks on the waterfront, too. Ever heard of him?” I

The Canonization" For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love. Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill Add one more to the plaguy bill? Soldiers find wars, and lawyers find out still Litigious men, which quarrels move, Though she and I do love. Call us what you will, we are made such by love; Call her one, me another fly, We're tapers too, and at our own cost die, And we in us find the eagle and the dove. The phœnix riddle hath more wit By us; we two being one, are it. So, to one neutral thing both sexes fit. We die and rise the same, and prove Mysterious by this love. We can die by it, if not live by love, And if unfit for tombs and hearse Our legend be, it will be fit for verse; And if no piece of chronicle we prove, We'll build in sonnets pretty rooms; As well a well-wrought urn becomes The greatest ashes, as half-acre tombs, And by these hymns, all shall approve Us canonized for Love. And thus invoke us: "You, whom reverend love Made one another's hermitage; You, to whom love was peace, that now is rage; Who did the whole world's soul contract, and drove Into the glasses of your eyes (So made such mirrors, and such spies, That they did all to you epitomize) Countries, towns, courts: beg from above A pattern of your love!

Ashima feels lonely suddenly, horribly, permanently alone, and briefly, turned away from the mirror, she sobs for her husband. She feels overwhelmed by the thought of the move she is about to make, to the city that was once home and is now in its own way foreign. She feels both impatience and indifference for all the days she still must live, for something tells her she will not go quickly as her husband did. For thirty-three years she missed her life in India. Now she will miss her job at the library, the women with whom she's worked... She will miss the country in which she had grown to know and love her husband. Though his ashes have been scattered into the Ganges, it is here, in this house and in this town, that he will continue to dwell in her mind.

Alone in their town house, Tara wanders absently. She abandons half-read novels on chairs and tables. The invitations from Mme. Padva to join her for tea or accompany her to the ballet are politely declined. She turns all of the mirrors in the house to face the walls. Those she cannot manage to turn she covers with sheets so they sit like ghosts in empty rooms. She has trouble sleeping.

Nothing goes unobserved in that strict town where people lack occupation. Malicious curiosity there has even invented what is known as a busybody, that is a double mirror fixed to the outside of the windowledge so that the streets can be monitored even from inside the houses, all the comings and goings watched, a kind of trap to catch all the exits and entrances the encounters and gestures that do not realize they are being observed, the looks that prove everything.

Emptying Town" I want to erase your footprints from my walls. Each pillow is thick with your reasons. Omens fill the sidewalk below my window: a woman in a party hat, clinging to a tin-foil balloon. Shadows creep slowly across the tar, someone yells, "Stop!" and I close my eyes. I can't watch as this town slowly empties, leaving me strung between bon-voyages, like so many clothes on a line, the white handkerchief stuck in my throat. You know the way Jesus rips open his shirt to show us his heart, all flaming and thorny, the way he points to it. I'm afraid the way I'll miss you will be this obvious. I have a friend who everyone warns me is dangerous, he hides bloody images of Jesus around my house, for me to find when I come home; Jesus behind the cupboard door, Jesus tucked into the mirror. He wants to save me but we disagree from what. My version of hell is someone ripping open his shirt and saying, Look what I did for you.

Maybe tell me about those letters. Confession is good for the soul." I expected her to tear into me yet again, but instead she stayed silent for several seconds, running her fingers over the trim of her blanket. "I do belive my soul is past the point of helping." "That's not true. It's never too late." She looked at the town as we walked by, her eyes heavy with fatigue. And an ache so deep, it didn't have a name. I'd seen that look in my own mirror. "I gave up that right many years ago," she said. "My fate is like those envelopes-sealed and tossed aside.

Miss Foley had first noticed, some years ago, that her house was crowded with bright shadows of herself. Best, then, to ignore the cold sheets of December ice in the hall, above the bureaus, in the bath. Best skate the thin ice, lightly. Paused, the weight of your attention might crack the shell. Plunged through the crust, you might drown in depths so cold, so remote, that all the Past lay carved in tombstone marbles there. Ice water would syringe your veins. Transfixed at the mirror sill, you would stand forever, unable to lift your gaze from the proofs of Time.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

When you come to any town And one comes to any town very late When you come very late to any town In case that town happens to be Valjevo Where I also came You'll come by the path you had to come by Which didn't exist before you But was born with you For you to go by your path And meet her whom you must meet On the path you must go by Who was your life Even before you met her Or knew that she existed Both her and the town to which you came. ***** Until she comes into your life And there forever remains She who started towards you From a great distance From somewhere in the Russian Jerusalem From the Caucasus from Pyatigorsk Where she had never been And her name was what it was For instance Vera Pavlodoljska And looked the way she looked The way no one on earth looks anymore. ***** That will be the only town Where you’ve always been And as soon as you heard her name And before you met her You always knew her And already loved her for centuries. When you come to any town And one comes to any town very late When you come very late to any town In case that town happens to be Valjevo You will come stepping to a double echo Yours and the clatter of another Who travels with you And whose voice blows in the wind On an unusual day for that time of year So even you won’t be sure What town that is Nor which are your steps You’ll only know that voice That doesn’t blow in the wind But appears in you ***** When you come very late to any town The world will become a reminder of her And there won’t be a single place on earth Where she won’t be waiting for you Nor a mirror in which she won’t appear Nor blonde hair that isn’t hers Nor a cloud without her silken smile Space, fields and water have remembered her The way she was when you first met her In any town ***** And nothing would be the way that it is If it could have been the way that it couldn’t Because there exists only one town And only one arrival And only one encounter And each is the first and only And it never happened before or after And all towns are one Parts of one single town Of a town above all towns Of a town that is you Towards which everyone goes ***** And as soon as you saw her You loved her from the beginning And in advance rued the parting Which took place Before you met her Because there exists only one town And only one woman And one single day And one song above all songs And one single word And one town in which you heard it And one mouth that said it And from everything about the way it uttered it You knew it was uttering it for the first time And that you could quietly shut your eyes Because you’d already died and already risen And that which never was had repeated itself.

When she asked him why he'd shot her daddy, he just shrugged and said that he'd been planning on shooting six people when he rode into town. She looked up at him, eyes wide, batting her eyelashes, feigning awe, looking on him the way that Joshua must have looked on the walls of Jericho, and asked him why six; and he said back to her: because his pistol had six bullets in it. With another shrug, as though that answered everything. And then he turned to face her, with his livid scar and gap teeth and breath that stank like the devil and hell, and the words flashed sudden through her mind, clear as if they'd been laid out on parchment: this is what the face of a free man looks like.

When you’re a teenager, everybody is waiting for you to be something or someone else - your friends, your parents, your teachers. Sometimes you lose track. Are you the shy kid in the back of the room who apologizes for even accidentally touching Susan Childress’s arm, or the guy making bombs in the backyard? Are you the helpless nerd with the backpack on hoping you don’t get the snot beat out of you by the school bully, or the helpless nerd with the mask on, hoping you don’t get the snot beat out of you by the town’s newest supervillain? Or maybe you’re just the helpless nerd staring at the helpless nerd in the mirror, talking to yourself, wondering which one of you needs more help.

I’ve lived on both sides of the abuse. I wear bruises on both sides of my fist. I have wept “what am I doing” and I have cried “why did they do that”. The child of an alcoholic and the alcoholic of a child. It’s strange how broken spirits, broken hearts, and broken homes walk hand-in-hand. How they leave a clear trail of shattered to follow. We are all picking out sins of the father like shrapnel left over from the day we were born. Bang. Welcome to life. Try not to step on a landmine before you get to twenty. Here are your parents. They hate you. Sorry that you won the race. Me? I’ve got a piece of broken mirror lodged dangerously close to my heart. I never know which twist in the story will be the one to open up my insides and help me drown in my own soul. People asked me where I picked up the wisdom. I don’t know that any of this actually is made of wisdom. There’s just too much fluff and well-meaning for my taste. For me, the path was always made of pain. I haven’t found feel better or act right yet... not for myself. I’m not the best one to help anybody else find it... that’s for certain... but I know every road that leads to resentment. I’ve walked them more times than I can count. I can’t tell you how to get where you’re going, but I can give you a roadmap that highlights the places I wish I never went. The first place on the list sits pretty damn close to home. There’s a town called Grief & Regret just north of Salvation, USA. I’m putting do not enter signs on every road that goes there.

What is of interest is what our minds retain, what our lives have given to the air. The witches are gone, vanished; we were just an interval in their lives, and they in ours. But as Sukie’s blue-green ghost continues to haunt the sun-struck pavement, and Jane’s black shape to flit past the moon, so the rumors of the days when they were solid among us, gorgeous and doing evil, have flavored the name of the town in the mouths of others, and for those of us who live here have left something oblong and invisible and exciting we do not understand. We meet it turning the corner where Hemlock meets Oak; it is there when we walk the beach in offseason and the Atlantic in its blackness mirrors the dense packed gray of the clouds: a scandal, life like smoke twisted into legend.

It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.

So which theory did Lagos believe in? The relativist or the universalist?" "He did not seem to think there was much of a difference. In the end, they are both somewhat mystical. Lagos believed that both schools of thought had essentially arrived at the same place by different lines of reasoning." "But it seems to me there is a key difference," Hiro says. "The universalists think that we are determined by the prepatterned structure of our brains -- the pathways in the cortex. The relativists don't believe that we have any limits." "Lagos modified the strict Chomskyan theory by supposing that learning a language is like blowing code into PROMs -- an analogy that I cannot interpret." "The analogy is clear. PROMs are Programmable Read-Only Memory chips," Hiro says. "When they come from the factory, they have no content. Once and only once, you can place information into those chips and then freeze it -- the information, the software, becomes frozen into the chip -- it transmutes into hardware. After you have blown the code into the PROMs, you can read it out, but you can't write to them anymore. So Lagos was trying to say that the newborn human brain has no structure -- as the relativists would have it -- and that as the child learns a language, the developing brain structures itself accordingly, the language gets 'blown into the hardware and becomes a permanent part of the brain's deep structure -- as the universalists would have it." "Yes. This was his interpretation." "Okay. So when he talked about Enki being a real person with magical powers, what he meant was that Enki somehow understood the connection between language and the brain, knew how to manipulate it. The same way that a hacker, knowing the secrets of a computer system, can write code to control it -- digital namshubs?" "Lagos said that Enki had the ability to ascend into the universe of language and see it before his eyes. Much as humans go into the Metaverse. That gave him power to create nam-shubs. And nam-shubs had the power to alter the functioning of the brain and of the body." "Why isn't anyone doing this kind of thing nowadays? Why aren't there any namshubs in English?" "Not all languages are the same, as Steiner points out. Some languages are better at metaphor than others. Hebrew, Aramaic, Greek, and Chinese lend themselves to word play and have achieved a lasting grip on reality: Palestine had Qiryat Sefer, the 'City of the Letter,' and Syria had Byblos, the 'Town of the Book.' By contrast other civilizations seem 'speechless' or at least, as may have been the case in Egypt, not entirely cognizant of the creative and transformational powers of language. Lagos believed that Sumerian was an extraordinarily powerful language -- at least it was in Sumer five thousand years ago." "A language that lent itself to Enki's neurolinguistic hacking." "Early linguists, as well as the Kabbalists, believed in a fictional language called the tongue of Eden, the language of Adam. It enabled all men to understand each other, to communicate without misunderstanding. It was the language of the Logos, the moment when God created the world by speaking a word. In the tongue of Eden, naming a thing was the same as creating it. To quote Steiner again, 'Our speech interposes itself between apprehension and truth like a dusty pane or warped mirror. The tongue of Eden was like a flawless glass; a light of total understanding streamed through it. Thus Babel was a second Fall.' And Isaac the Blind, an early Kabbalist, said that, to quote Gershom Scholem's translation, 'The speech of men is connected with divine speech and all language whether heavenly or human derives from one source: the Divine Name.' The practical Kabbalists, the sorcerers, bore the title Ba'al Shem, meaning 'master of the divine name.'" "The machine language of the world," Hiro says.

For the next two years, Gary assisted unions in getting some justice for the worker from the business owner. Gary would also help educate voters, who didn’t have too much in the way of an education, to vote how Gary, and the other community organizers, wanted. They told those voters that the Republicans and conservatives wanted to enslave them, that they, the Republicans, were against the working man and woman, and the Republicans only cared about rich, white, old men, who were making millions of dollars off of the poor peoples’ backs. Gary helped hold protests all over the state for these poorer people, with other communist and socialist organizers. Any time a politician had to hold a town hall meeting, or a city council meeting, when the subject was jobs and housing, they were there. Gary knew this was all smoke and mirrors, because nothing would ever actually change, it was all to keep the supposedly downtrodden on the same side as Gary and the others.

The way you see the change in a person you've been away from for a long time, where somebody who sees him every day, day in, day out, wouldn't notice because the change is gradual. All up the coast I could see the signs of what the Combine had accomplished since I was last through this country, things like, for example a train stopping at a station and laying a string of full-grown men in mirrored suits and machined hats, laying them like a hatch of identical insects, half-life things coming pht-pht-pht out of the last car, then hooting its electric whistle and moving on down the spoiled land to deposit another hatch. Or things like five thousand houses punched out identical by a machine and strung across the hills outside of town, so fresh from the factory theyre still linked together like sausages, a sign saying NEST IN THE WEST HOMES NO DWN. PAYMENT FOR VETS, a playground down the hill from the houses, behind a checker-wire fence and another sign that read ST. LUKE'S SCHOOL FOR BOYS there were five thousand kids in green corduroy pants and white shirts under green pullover sweaters playing crack-the-whip across an acre of crushed gravel. The line popped and twisted and jerked like a snake, and every crack popped a little kid off the end, sent him rolling up against the fence like a tumbleweed. Every crack. And it was always the same little kid, over and over. All that five thousand kids lived in those five thousand houses, owned by those guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed. They ate and went to bed. The only one they noticed was the little kid at the end of the whip. He'd always be so scuffed and bruised that he'd show up out of place wherever he went. He wasn't able to open up and laugh either. It's a hard thing to laugh if you can feel the pressure of those beams coming from every new car that passes, or every new house you pass.

And so it went in Bustleburgh. The city that had set out to destroy stories had been transformed into a haven for books of all kinds. And as the population read more stories, the city itself began to change. At first the changes were small: a few sprites hovering over the dusky river, or a falling star on the horizon. But then more changes came. The Wassail lost its murky darkness and shone clear once more. The eyes of the gargoyles shifted as one passed beneath them. Birds sang in three-part chorus. Mirrors reflected strange visions. Old, neglected wells started granting wishes. More than a few house pets took to uttering prophecies. As the city changed, so did the way people saw it: Old maids became crones, and naughty children became imps; the strongest men were hailed as giants and the fairest ladies called enchantresses. The once-level roads shifted and settled into twisting alleyways full of long shadows and narrow corridors - every one of them eventually leading to a small bookshop in the heart of the town.

My great-grandmother read people’s fortunes and aligned her gardens with the stars. This was always said before a long, dramatic pause. Nana never wanted to talk about her. If I said anything about astrology or being a Cancer, my grandmother would go move quick to hush me. I heard different stories about my great-grandmother, cautionary tales about what could happen if you leaned in hard on that intuition. I don’t know the full story, but I also know that she was a card reader in Waco, Texas, at a time when that was not done. She was considered crazy by a lot of people in town. That buckle on the Bible Belt can come down hard and leave a mark. But I’d stare in the mirror at my brown eyes and high cheekbones, convinced I was Native American. More than that, we Simpson girls, my mother included, all seemed a little witchy. A nicer word would be intuitive. We had a good sense of people from the get-go and we often knew what was going to happen before it happened. Sometimes we chalked it up to our faith that God would provide, sometimes to just paying attention. But often it felt like we knew what was destined to be. Everything that happened in my life just felt preordained. Still does.

From Tomorrow to Yesterday The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods. He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment. She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.

Last night they stole the watchman’s rattle, and knocked the watchman down. Now they go rattling through the streets, proclaiming the ballad of Worse-was-it-Never. There was a former age, it seems, when wives were chaste and pedlars honest, when roses bloomed at Christmas and every pot bubbled with fat self-renewing capons. If these times are not those times, who is to blame? Londoners, probably. Members of Parliament. Reforming bishops. People who use English to talk to God. Word spreads. On the farms around, labourers see the chance of a holiday. Faces blackened, some wearing women’s attire, they set off to town, picking up any edged tool that could act as a weapon. From the marketplace you can see them coming, kicking up a cloud of dust. Old men anywhere in England will tell you about the drunken exploits of harvests past. Rebel ballads sung by our grandfathers need small adaptation now. We are taxed till we cry, we must live till we die, we be looted and swindled and cheated and dwindled … O, Worse was it Never! Farmers bolt their grain stores. The magistrates are alert. Burgers withdraw indoors, securing their warehouses. In the square some rascal sways on top of a husting, viewing the rural troops as they roll in. ‘Pledge yourselves to me—Captain Poverty is my name.’ The bell-ringers, elbowed and threatened, tumble into the parish church and ring the bells backward. At this signal, the world turns upside down.

Can I ask you something?" Jamie reaches his hand across his chest and scratches his neck. When I nod, he asks, "What do you see when you look at pictures of yourself?" I swallow. Someone who looks too Asian to be pretty. Because being Asian means I can never be as pretty as the other girls at school—the girls like Mom. I know this because people like Henry and Adam and Mom keep telling me I don't have the right face. I know this because when I look in the mirror, I see what they see—a girl who doesn't belong here. A girl who isn't good enough. But I can't tell him that—he wouldn't understand. "Okay. Well, what do you wish you saw?" He tries again when I remain quiet for so long. Someone with bigger eyes. Lighter hair. A smaller nose. "Someone who looks more like everyone else," I say at last. Jamie runs his thumbs over the edge of his camera. "Do you know how many people would love to have your face? Yeah, you don't look like everyone else in town, but that's special. You stand out because you're unique, and people literally never stop trying to be unique." I twist my mouth. "But I don't want to stand out—not at all. I want to be normal. I want to feel like I belong in the same world as everyone else." If I looked like everyone else, it would probably be easier to make friends. I might even have a mom who cared. That last part really stings. "You might feel that way now, but it isn't like that forever. Wait until you see what the world has to offer besides that small town and your high school. People are different out there.

Photography is our exorcism. Primitive society had its masks, bourgeois society its mirrors, and we have our images. We believe that we bend the world to our will by means of technology. In fact it is the world that imposes its will upon us with the aid of technology, and the surprise occasioned by this turning of the tables is considerable. You think you are photographing a scene for the pleasure of it, but in fact it is the scene that demands to be photographed, and you are merely part of the decor in the pictorial order it dictates. The subject is no more than the funnel through which things in their irony make their appearance. The image is the ideal medium for the vast self-promotion campaign undertaken by the world and by objects - forcing our imagination into self-effacement, our passions into extraversion, and shattering the mirror which we hold out (hypocritically, moreover) in order to capture them. The miraculous thing about the present period is that appearances, so long reduced to a voluntary servitude, have now become sovereign, and turned back towards (and against) us by means of the very technology from which we had earlier evicted them. Today they come from elsewhere, from their own place, from the heart of their banality, of their objectality: they surge forth on all sides, multiplying of their own accord, and joyfully. (The joy of taking photographs is an objective joy, and anyone who has never felt the objective transports of the image, some morning, in some town or desert, will never understand the pataphysical delicacy of the world.)

on some fundamental level we find it difficult to understand that other people are human beings in the same way that we are? We idealize them as gods or dismiss them as animals.” “True. Consciousness makes for poor windows, too. I don’t think I’d ever thought about it quite that way.” I was sitting back. I was listening. And I was hearing something about her and about windows and mirrors. Chuck Parson was a person. Like me. Margo Roth Spiegelman was a person, too. And I had never quite thought of her that way, not really; it was a failure of all my previous imaginings. All along—not only since she left, but for a decade before—I had been imagining her without listening, without knowing that she made as poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might read travel books to escape having to live in the town that so many people escape to. Someone who—because no one thought she was a person—had no one to really talk to. And all at once I knew how Margo Roth Spiegelman felt when she wasn’t being Margo Roth Spiegelman: she felt empty. She felt the unscaleable wall surrounding her. I thought of her asleep on the carpet with only that jagged sliver of sky above her. Maybe Margo felt comfortable there because Margo the person lived like that all the time: in an abandoned room with blocked-out windows, the only light pouring in through holes in the roof. Yes. The fundamental mistake I had always made—and that she had, in fairness, always led me to make—was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.

The driver, whose name was Chase, pulled up in a silver Honda. He was cute, with a gap in his front two teeth—maybe age twenty-six at most. He looked like he was trying to grow a mustache, and his brown hair was past his ears under a baseball cap that read FML. He babbled that he was an actor, or was trying to become one. His favorite philosophy about acting was Uta Hagen’s, something about being a student of humanity. Well, for a student of humanity he was shitty at reading people. In my head I just kept saying, Shut up, shut up! I wanted to say, Don’t you know I am dying? But even in my dying I couldn’t be mean to him for fear that he would think I was a bitch. Why did I even care what he thought? Was my death unimportant? How could I prioritize the feelings of this vacant, mustached kid over my own—me, who was probably dying? I repeated, “That’s nice” and “Oh, interesting,” and lay down in the backseat. I didn’t announce that I would be laying down, I just did it. He wasn’t paying any attention to what I was doing, instead going on about an upcoming audition for a prescription allergy medication where he would play the son-in-law of a woman with adult allergies. He said he had mixed feelings about it, because he didn’t want to limit his range to pharmaceuticals. The part he really wanted was an audition for Samsung next week. He was trying out to play the phone. “It’s not easy to make it in this town. I’m going up against two hundred other potential phones, at least,” he said, looking in the mirror at the traffic behind him. I noticed he had green eyes. He really was cute. I waited for him to comment on me lying supine in his backseat, but he didn’t ask if I was okay. I suppose this was normal behavior in California. I closed my eyes and concentrated on my breathing. I wasn’t dead. I was breathing in the back of this cute idiot’s car. When we pulled up at Annika’s house, he stopped and said, “Okay, we’re here. Wish me luck at Samsung!” I opened my eyes and squinted at him. I wanted to tell him that I hoped he never got a part.

In this study and others like it, guesswork about a peculiar black predisposition toward unhealthy births imports an old notion about sickle cell disease “afflicting the black race.”25 Whenever I give a talk on this topic, there is inevitably someone in the audience who invokes the mantra that sickle cell anemia is a black genetic disease and therefore proves that race is a genetic category. This misconception was first popularized in the early twentieth century by hematology experts who believed the capacity to develop sickled cells was uniquely inherent in “Negro blood.”26 Stereotypes about black resistance to malaria and susceptibility to sickle cell justified sending black workers to malaria-infested regions in the first part of the century and later led to discriminatory government, employer, and insurance-testing programs in the 1970s.27 The error is easily exposed by looking at two world maps, one highlighting the regions around the globe where malaria is prevalent, the other highlighting areas where sickle cell disease is present. The maps mirror each other perfectly. By comparing them, it is plain to see that malaria and sickle cell aren’t restricted to Africa and that much of Africa is unaffected. High frequencies of the trait also occur in parts of Europe, Oceania, India, and the Middle East, all places where there is malaria. In fact, people in the town of Orchomenos in central Greece have double the rate of sickle cell disease reported among African Americans.28 If frequency of the sickle cell gene determined racial boundaries, it certainly would not prove there is a black race. Instead, as Jared Diamond pointed out in the November 1994 issue of Discover , if we grouped together people by the presence or absence of the sickle cell gene, “we’d place Yemenites, Greeks, New Guineans, Thai, and Dinkas in one ‘race,’ Norwegians and several black African peoples in another.”29 It would be more accurate to call the groups with the sickle cell gene the “antimosquito race.” Of course, that would be a silly way of grouping people, except for studying the sickle cell gene. But “black race” is an equally silly way of grouping people for identifying genetic contributions to disease.

The bell over the front door chimed, and I caught my breath as Simon walked in. After all this time, we hadn’t interacted much outside of Faire. (Unless you counted one pretty significant interaction in his bedroom the night before last. I for one counted the hell out of it.) He looked like a strange amalgamation of his identities: the crisply ironed shirt and immaculate jeans of Simon Graham, but with the longer hair and face-framing beard of Captain Blackthorne. The juxtaposition was . . . well, I squirmed a little and fought the urge to hop the counter and wrinkle that shirt in the best possible way. Simon stopped short inside the doorway when he saw me, and Chris nudged me with her shoulder. “Now, I know for a fact you can handle him.” While my face flamed with mortification and Simon’s eyebrows knit in confusion, she snickered at her own joke and walked out of the store with a wave. Simon held the door for her, then turned back to me. “Hey.” “Hey.” I dropped my head to the counter and let the cool glass soothe my forehead. “God, it’s like working for my mother.” “What was that about?” I shook my head as I stood back up. “She knows.  Apparently, the whole town does.” “Knows?” After a beat his expression cleared and his eyes widened. “About us?” “Yeah.” I bit the inside of my cheek and waited for his reaction. “Huh.” He looked over his shoulder in the direction Chris had gone, as if he could still see her. “Well, if Chris knows, that’s as good as taking an ad out in the paper.” He tilted his head, thinking. “Do people still do that?” “Do what?” “Take ads out in the paper. Do people still even read the paper?” “I . . . I guess?” I was a little confused by the direction the conversation had gone, but now that he mentioned it I was curious too. “I mean, my mother does. The Sunday paper has coupons, you know.” Coupons that she still clipped and sent once a week to April and me, inside greeting cards where the coupons fell out like oversized confetti when we opened them. He considered that. “Seems like a dying thing, though. So will the idiom change? Should we start saying things like ‘posting it online’?” “‘Create a banner ad’?” I suggested, leaning my elbows on the counter. “See, I like that better.” He mirrored my pose and he was  close, so close to me that my heart pounded. I was no match for his smile. “Close to the original idiom, and it implies the same thing—spending money to make an announcement.” I allowed myself a second to be lost in his smile before I laughed. “Good God. Once an English teacher, always an English teacher.

They seemed simple people, and he imagined that their society had no machines at all, but as they brought him through the town gates he saw delicate airborne ships of wood and glass rising like dragonflies from tall stone mooring-towers. Silvery discs, like misty mirrors, swivelled and pivoted on their undersides, and the air beneath them rippled like a heat-haze.

Hard to believe Rebel Park was once a battlefield. All that suffering and death.” “I thought you liked suffering and death,” Parker threw back. “I mean…you always look like suffering and death.” “Parker, watch where you’re going!” Ashley’s voice went shrill. “For God’s sake!” As the speedometer dropped down again, Miranda shut her eyes and clutched the edge of her seat. “So Rebel Park, the one behind Hayes House, was the actual battlefield?” “I’m not sure.” Ashley considered a moment. “I mean, it was a huge battle. So the park was probably only part of the battlefield.” Once more, Parker looked in the rearview mirror. “Back then, all this area was farmland and woods and swamps. That’s where most of the fighting happened. The town was pretty much spared--mainly because the Union army used it for their headquarters.” “Parker’s mom works at the Historical Society.” Roo glanced at Miranda. “He really isn’t that smart.

I don’t know how much of St. Yvette you’ve seen so far, but I really think you’ll like the Falls. It’s a ways out of town though, so people sort of forget about it.” “I don’t.” Roo frowned. “I go there a lot.” “And that way we sort of forget about you, too.” Parker spoke up. “So it works out great.” Determined, Ashley kept on. “There’s hardly ever anybody out there. That’s why we like it so much.” “Well, that and the poisonous swamp. And the man-eating diamondback water snakes. Don’t forget those.” In the rearview mirror, Parker’s eyes widened dramatically. “And then one day…the new girl in town went off to the Falls with her friends.” His voice deepened, horror-movie style. “And she was never seen again.” “Parker, will you stop? That’s not funny.

--the Falls,” Ashley was explaining once more. “Closer to the water than it used to be. I wish they’d fix it so it wouldn’t flood.” This time Miranda did her best to focus. “So…it’s like, a waterfall?” “No.” Roo exhaled a stream of smoke. “It’s like, a cemetery.” “A real cemetery?” “I told you this was a bad idea.” Taking a last puff, Roo tossed the cigarette. “I told you it would freak her out too much.” “I didn’t say I was freaked out. I just asked if it was a real cemetery.” “Actually, it’s a park and a cemetery--” Ashley began, but Roo cut her off. “There was a big battle here during the Civil War. And afterward, there were lots of dead Yankee soldiers who couldn’t be identified. So when nobody claimed their bodies, the town built a cemetery for them.” She paused, chewed thoughtfully on a short, black fingernail. “Originally, it was called Site of the Fallen Union. But over the years, it got shortened to just the Falls.” “And therein lies the irony!” Parker grinned. “Because, as we all know, it wasn’t the Union that ended up falling.” Straining forward, Roo tilted the rearview mirror so that Parker’s face disappeared from view. He calmly readjusted it.

Then they went into José Arcadio Buendía's room, shook him as hard as they could, shouted in his ear, put a mirror in front of his nostrils, but they could not awaken him. A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.

Good God," cries the Mother. Everything inside her suddenly begins to cower and shrink, a thinning of bones. Perhaps this is a soldier's readiness, but it has the whiff of death and defeat. It feels like a heart attack, a failure of will and courage, a power failure: a failure of everything. Her face, when she glimpses it in a mirror, is cold and bloated with shock, her eyes scarlet and shrunk. She has already started to wear sunglasses indoors, like a celebrity widow. From where will her own strength come? From some philosophy? From some frigid little philosophy? She is neither stalwart nor realistic and has trouble with basic concepts, such as the one that says events move in one direction only and do not jump up, turn around, and take themselves back. The Husband begins too many of his sentences with "What if." He is trying to piece everything together like a train wreck. He is trying to get the train to town.

It seemed that every city and town they'd passed through on the way to Herath venerated different gods and spirits. How to know which one was the truth? Or did they all exist side by side, yet intangible to each other, like reflections in a hall of mirrors?

Never forgetting the involvement of military officers in the 1953 attempt to force him from his throne, the Shah took great pains to keep the three services well apart so that they were incapable of mounting a coup or undermining his regime. There was no joint chiefs-of-staff organisation, nor were the three services linked in any way except through the Shah, who was the Commander-in-Chief. Every officer above the rank of colonel (or equivalent) was personally appointed by the Shah, and all flying cadets were vetted by him. Finally, he used four different intelligence services to maintain surveillance of the officer corps. These precautionary measures were mirrored on the Iraqi side. Keenly aware that in non-democratic societies force constituted the main agent of political change, Saddam spared no effort to ensure the loyalty of the military to his personal rule. Scores of party commissars had been deployed within the armed forces down to the battalion level. Organised political activity had been banned; ‘unreliable’ elements had been forced to retire, or else purged and often executed; senior officers had constantly been reshuffled to prevent the creation of power bases. The social composition of the Republican Guard, the regime’s praetorian guard, had been fundamentally transformed to draw heavily on conscripts from Saddam’s home town of Tikrit and the surrounding region.

They caravanned over to 51st Avenue in northwestern Nashville, a small section of town aptly named the Nations. It was across Interstate 40 from Sylvan Park, the mirror image of the state street routes Taylor and Sam used to trace with their parents on pilgrimages to Bobby’s Dairy Dip. The Nations was an upstanding industrial area which quickly gave way to squalor. It was another one of those bizarre Nashville disunions, a forgotten zone in the midst of splendor and plenty. A five-block area dedicated to crime. The police presence was heavy, trying to quell the rampant drug and sex trade. They were losing the battle. Here in this little molecular oasis of misery, the residents operated in the land time forgot. Pay phones outnumbered cell phones and were still prevalent on every street corner, graffiti-painted and piss-filled. Teenagers wandered in baggy pants and cornrows, holding forty-ounce beer cans wrapped in brown paper bags. Crime, negligence, fear, all the horrors of life seeped in under the cracks of their doors in the middle of the night, carrying away their faith in humanity. These people didn’t just distrust the police, they didn’t acknowledge their existence. Justice was meted out behind gas stations and in dirty alleyways, business conducted under broken street lamps and in fetid, unair-conditioned living rooms.

Veld, that space within most South African hearts that mirrors the open expanse of land where the greatness of life resides in the vastness of grasslands captured in the imaginations of wanderers and adventurer seekers alike when we stop our overthinking and optimize our ability to enjoy life’s unscripted moments that are wide-open and usually – right in front of us. Veld, a word for the miracle of newness and the appreciation for the life that is waiting to be lived, one grass blade at a time, and a lesson for humans in appreciating the fullness of life’s abundance when we slowdown the pace of our own world to absorb the miracles happening all around us – at any given moment. Veld, although this word literally means an open expanse, that is what life around us is truly about – an open expanse of miracles just waiting on us for our sense to mature… The magic of South Africa, a spell that will leave your heart as open as the veld and the expanse beyond that. A lesson in feeling small…

There is always some trace, Roger tells me, of the history of things, the impressions humans have left on them. The term for the study of rock layers in geology is stratigraphy, but it is also used in archaeology to describe the technique of seeking out the contexts of rocks, discovering the events that have left detectable traces on their surfaces – in the same way we might scan one another’s bodies, looking for those distinctive lines and marks which tell us something unspoken about the stranger opposite us on the train, or the friend we grew up with but have not seen for years, or the person we are falling in love with. A geologist’s task is to see beyond the ways in which time tries to smooth out difference, examining layers in order to isolate each shift to our world, to feel every fault line. We discuss how hard this is to do this with people, to imagine our lives not as one continuous line, but comprised of hundreds of versions stacked up behind us, and hundreds more ahead of us too, like those pairs of facing mirrors that make your reflection curl up infinitely on either side of you.

Celtic Christianity developed in Wales, Cumbria and Cornwall, and in two areas where Roman influence had been marginal, at best – Ireland and Scotland. It was a rural faith that shunned the urbanism that was in the process of collapsing, and its adherents viewed that collapse as God’s judgement on a corrupt society.16 It was also monastic and quite closely mirrored the Benedictine model, as it stressed dedication to the spiritual life and the importance of restoring a proper relationship with the natural world.

When I noticed a huge barrier declaring me a non believer outside the New Town Mosque, I decided to clarify the allegation and explained politely to the Imam, "What I preach and practice is a good example for the world. Why do you swiftly brand me from another faith and give away credit that belongs to Islam?

This “miraculous man”—Johannes Gensfleisch zur Laden zum Gutenberg—was nearing sixty years of age. He had been born in Mainz, a town on the banks of the Rhine River with a population of six thousand, sometime in the mid- to late 1390s. Little is known about his early life, or, for that matter, about his middle or later years either. He moved 110 miles upstream along the Rhine to Strasbourg sometime around the late 1420s, probably as an exile following municipal disorders in Mainz that pitted the middle-class guildsmen against the upper class, to which Gutenberg’s family belonged. A good deal of what is known about him comes from his various legal scrapes. In the first of these, in 1437, he was sued for a breach of his promise to marry a woman named Ennelin zu der Yserin Tür (Ennelin of the Iron Gate); he was also sued for defamation by one of her witnesses, a shoemaker whom Gutenberg called “a miserable wretch who lived by lying and cheating.” Gutenberg was forced to pay the shoemaker compensation for the slander but appears to have avoided marriage to Ennelin.4 By this time he was a member of Strasbourg’s guild of goldsmiths, supporting himself by polishing gemstones and, together with a partner named Hans Riffe, manufacturing pilgrims’ mirrors in anticipation of the crowds coming to view the famous and sacred relics exposed every seven years at Aachen, such as the swaddling clothes of Jesus and the robe of the Virgin. These mirrors were used by pilgrims according to the religious practice of the day, capturing and “retaining” the divine reflection of these holy relics, after which they were proudly worn on the return journey as badges. The “miraculous man,” Johannes Gutenberg.

that strange and mysterious things would soon be happening all over the country. Mr Dursley hummed as he picked out his most boring tie for work and Mrs Dursley gossiped away happily as she wrestled a screaming Dudley into his high chair. None of them noticed a large tawny owl flutter past the window. At half past eight, Mr Dursley picked up his briefcase, pecked Mrs Dursley on the cheek and tried to kiss Dudley goodbye but missed, because Dudley was now having a tantrum and throwing his cereal at the walls. ‘Little tyke,’ chortled Mr Dursley as he left the house. He got into his car and backed out of number four’s drive. It was on the corner of the street that he noticed the first sign of something peculiar – a cat reading a map. For a second, Mr Dursley didn’t realise what he had seen – then he jerked his head around to look again. There was a tabby cat standing on the corner of Privet Drive, but there wasn’t a map in sight. What could he have been thinking of? It must have been a trick of the light. Mr Dursley blinked and stared at the cat. It stared back. As Mr Dursley drove around the corner and up the road, he watched the cat in his mirror. It was now reading the sign that said Privet Drive – no, looking at the sign; cats couldn’t read maps or signs. Mr Dursley gave himself a little shake and put the cat out of his mind. As he drove towards town he thought of nothing except a large order of drills he was hoping to get that day. But on the edge of town, drills were driven out of his mind by something else. As he sat in the usual morning traffic jam, he couldn’t help noticing that there seemed to be a lot of strangely dressed people about. People in cloaks. Mr Dursley couldn’t bear people who dressed in funny clothes – the get-ups you saw on young people! He supposed this was some stupid new fashion. He drummed his fingers on the steering wheel and his eyes fell on a huddle of these weirdos standing quite close by. They were whispering excitedly together. Mr Dursley was enraged to see that a couple of them weren’t young at all; why, that man had to be older than he was, and wearing an emerald-green cloak! The nerve of him! But

Pierre came back to the present moment. There were tears in his eyes. He slowly wiped them and watched himself in the mirror. “Sometimes we think what we are doing is noble, but to someone else, it’s a terror,” he whispered, wryly.

Because I could see Angry Town in my rearview mirror as I headed towards Blind Fury County.

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She wasn't going to explain how the morning she woke up alone she had gone back to the same salon that had cut and dyed her hair and had the woman change the color back. She wasn't going to tell him that she hadn't been able to stand the thought of looking into the mirror to see that girl anymore. The girl who had been born the day she met Alex and died the day he left.

I used to have a cat, an old fighting tom, who sprang through the open window by my bed and pummeled my chest, barely sheathing his claws. I’ve been bloodied and mauled, wrung, dazzled, drawn. I taste salt on my lips in the early morning; I surprise my eyes in the mirror and they are ashes, or fiery sprouts, and I gape appalled or full of breath. The planet whirls along and dreaming. Power broods, spins, and lurches down. The planet and the power meet with a shock. They fuse and tumble, lightning, ground fire; they part, mute, submitting, and touch again with hiss and cry. The tree with the lights in it buzzes into flame and the cast-rock mountains ring. Emerson saw it. “I dreamed that I floated at will in the great Ether, and I saw this world floating also not far off, but diminished to the size of an apple. Then an angel took it in his hand and brought it to me and said, ‘This must thou eat.’ And I ate the world.” All of it. All of it intricate, speckled, gnawed, fringed, and free. Israel’s priests offered the wave breast and the heave shoulder together, freely, in full knowledge, for thanksgiving. They waved, they heaved, and neither gesture was whole without the other, and both meant a wide-eyed and keen-eyed thanks. Go your way, eat the fat, and drink the sweet, said the bell. A sixteenth-century alchemist wrote of the philosopher’s stone, “One finds it in the open country, in the village and in the town. It is in everything which God created. Maids throw it on the street. Children play with it.” The giant water bug ate the world. And like Billy Bray, I go my way, and my left foot says “Glory,” and my right foot says “Amen”: in and out of Shadow Creek, upstream and down, exultant, in a daze, dancing, to the twin silver trumpets of praise.

You know the boys are coming to hunt?” he asked her. “Yes. Jack’s getting ready for them. Will you hunt?” “Of course. Which means I won’t be around town much during the day. If you need me for some reason, you’ll have to let me know beforehand.” “I’m helping Mel with a big project she has going on. Something about free mammograms for the women around here.” “Then I’ll see you later?” “Yes. Later.” He gave her a peck on the lips and pushed her gently away, taking his hat out of her hand, then got back into the SUV and drove away. He watched in his rearview mirror and saw that she stayed outside in the clearing in front of the cabin until he was out of sight. *

Is there a problem, ma’am?” Mitch slanted a glance in her direction. She stood military straight, vehemently shaking her head. “Everything’s fine, Officer.” “Sheriff. You sure about that?” Charlie said, sounding like a complete hard-ass. “Looked to me like you were being accosted.” “N-no—” Mitch cut her off. “Would you get the hell out of here?” “Mitch,” Maddie said, with a low hiss. Evidently in a devious mood, Charlie stalked forward, placing a hand menacingly over his baton. “What did you say?” “Fuck. Off.” Mitch fired each word like a bullet. “Mitch, please,” Maddie said, tone pleading. “Do I have to take you in?” Charlie’s attention shifted in Maddie’s direction and his mouth twisted into a smile that Mitch had seen him use on hundreds of women during their fifteen-year friendship. “I’ll be happy to look after her for you, Mitch.” A stab of something suspiciously close to possessiveness jabbed at his rib cage. Mitch shot Charlie a droll glare. “Over my dead body.” One black brow rose over his sunglasses. “That can be arranged.” “Please, don’t take him to jail,” Maddie said, sounding alarmed. Both Charlie’s and Mitch’s attention snapped to her. “Now, why would you be thinking that?” Charlie asked, in an amused voice. Maddie’s gaze darted back and forth. “He threatened you.” Mitch laughed and Charlie scoffed. “Honey, he’s nothing but a pesky little fly I’d have to bat away.” Comprehension dawned and her worried expression cleared. “Oh, I see. You know, you should tell someone this is some macho-guy act before you get rolling.” “And what fun would that be?” Charlie rocked back on his heels. Even with his eyes hidden behind the mirrored frames, it was damn clear he was scoping Maddie out from head to toe. Under his scrutiny, she started to fidget. She pressed closer to Mitch, almost as if by instinct, pleasing him immensely. “Don’t mind him, Princess.” He slid his arm around her waist, pulling her tighter against him. “He likes to abuse his power over unsuspecting women.” “Um,” Maddie said, fitting under the crook his arm as though she were made for him, which was odd considering he towered over her by a foot. “I bet it’s quite effective.” Charlie laughed. “Maddie Donovan, you’re everything I’ve heard and then some.” Maddie stiffened, pulling out of Mitch’s embrace and cocking her head to the side. “How do you know my name?” “Honey,” Charlie drawled, the endearment scraping a dull blade over Mitch’s nerves. “This is a small town. People don’t have anything else to do but talk. Give me time and I’ll know your whole life story.” That strawberry-stained mouth pulled into a frown, and two little lines formed between auburn brows. She studied the cracked concrete at her feet. Suddenly, she looked up, her cheeks flushing when she realized they were watching her. She smiled brightly. “Oh well, I guess this is what I get for making an entrance.” Charlie

Things have been really interesting in your little bar,” Mel said. “A little tense and steamy.” He laughed. “Think someone should take Luke aside and warn him about this place?” “I thought you’d finally learned your lesson,” she teased him. “You’ve been in the business of almost every romantic relationship in this town….” “Yeah, but this one’s different. The second Shelby saw him, it was a target lock on. She wants him. Can you see the struggle on his face? He’s getting lines.” “Yeah, what’s that about?” Mel asked. “She’s adorable. You’d think he’d be thrilled.” “Well, the first night he met her he said he took one look at her and thought he was going to be arrested. He might be having a little trouble with her age.” “Phooey,” Mel said. “There’s quite a nice difference in our ages.” She grabbed his thigh. “I’m catching up with you, however.” “Then there’s the general,” Jack said. “Kind of intimidating…” “Oh, Walt’s a pussycat,” she said. “And I think he likes Luke. They have the army in common.” “Luke’s either going to give in or explode,” Jack said. “How do you know he hasn’t? Given in.” “Have you taken a good look at him? At his posture, his eyes? Believe me, he’d be a lot looser. He hasn’t unloaded in a long time.” “Jack!” she said. “And the funny thing is, Shelby’s downright serene,” Jack said, completely ignoring his wife’s scold. “She’s a very unusual woman.” “What do you mean?” “Have you looked at yourself in the mirror when it’s been a long time for us?” he asked. “It’s all over your face when you need to be taken care of.” He grinned at her. “It is not!” she said, giving him a whack on the arm. But she laughed at him, and secretly knew he was right. She also knew why Shelby didn’t look that way. Shelby, virginal, hadn’t been satisfied by a man yet; she didn’t ache with longing for her lover. “It’s hardly ever been a long time for us,” she pointed out. “Which is how I like it,” he said. “Then take the general,” he said. “Talk about a satisfied man…” “You can’t possibly know that. Walt neither looks nor acts any differently than he ever did,” she insisted. “The general looks like a beautiful woman moved in next door and he’s doing his best to be a good neighbor. He’s got a twinkle in his eye and a very sly grin.” Mel turned toward him and narrowed her eyes. “Do you really think you know what facial expressions correspond exactly to a man’s getting laid?” “I do,” he said with a smile. “In fact, I consider myself something of an expert.” She

The sky had changed again; a reddish glow was spreading up beyond the housetops. As dusk set in, the street grew more crowded. People were returning from their walks, and I noticed the dapper little man with the fat wife amongst the passers-by. Children were whimpering and trailing wearily after their parents. After some minutes the local picture houses disgorged their audiences. I noticed that the young fellows coming from them were taking longer strides and gesturing more vigorously than at ordinary times; doubtless the picture they‟d been seeing was of the wild-West variety. Those who had been to the picture houses in the middle of the town came a little later, and looked more sedate, though a few were still laughing. On the whole, however, they seemed languid and exhausted. Some of them remained loitering in the street under my window. A group of girls came by, walking arm in arm. The young men under my window swerved so as to brush against them, and shouted humorous remarks, which made the girls turn their heads and giggle. I recognized them as girls from my part of the town, and two or three of them, whom I knew, looked up and waved to me. Just then the street lamps came on, all together, and they made the stars that were beginning to glimmer in the night sky paler still. I felt my eyes getting tired, what with the lights and all the movement I‟d been watching in the street. There were little pools of brightness under the lamps, and now and then a streetcar passed, lighting up a girl‟s hair, or a smile, or a silver bangle. Soon after this, as the streetcars became fewer and the sky showed velvety black above the trees and lamps, the street grew emptier, almost imperceptibly, until a time came when there was nobody to be seen and a cat, the first of the evening, crossed, unhurrying, the deserted street. It struck me that I‟d better see about some dinner. I had been leaning so long on the back of my chair, looking down, that my neck hurt when I straightened myself up. I went down, bought some bread and spaghetti, did my cooking, and ate my meal standing.I‟d intended to smoke another cigarette at my window, but the night had turned rather chilly and I decided against it. As I was coming back, after shutting the window, I glanced at the mirror and saw reflected in it a corner of my table with my spirit lamp and some bits of bread beside it. It occurred to me that somehow I‟d got through another Sunday, that Mother now was buried, and tomorrow I‟d be going back to work as usual.Really, nothing in my life had changed18

Ashima feels lonely suddenly, horribly, permanently alone, and briefly, turned away from the mirror, she sobs for her husband. She feels overwhelmed by the thought of the move she is about to make, to the city that was once home and is now in its own way foreign. She feels both impatience and indifference for all the days she still must live, for something tells her she will not go quickly as her husband did. For thirty-three years she missed her life in India. Now she will miss her job at the library, the women with whom she's worked. She will miss throwing parties. She will miss living with her daughter, the surprising companionship they have formed, going into Cambridge together to see old movies at the Brattle, teaching her to cook the food Sonia had complained of eating as a child. She will miss the opportunity to drive, as she sometimes does on her way home from the library, to the university, past the engineering building where her husband once worked. She will miss the country in which she had grown to know and love her husband. Though his ashes have been scattered into the Ganges, it is here, in this house and in this town, that he will continue to dwell in her mind.

An accurate budget must be built on a base of thorough research. You must do research on your community to find out what it will cost to get a church off the ground. You need to solidly answer questions such as:, What will the cost of living in this community be?, What will my salary be? How about salaries for additional staff?, How much will it cost to rent space for the church to meet in?, How much will it cost to operate a business in this city (office rent, phones, computer equipment, copy equipment, and so on)? Talk with other pastors in the community. Find out what their start-up costs were and what they are currently spending to maintain and operate the church. Other pastors can be a valuable resource for you on many levels. The worst mistake you can make is to start the budget process by viewing economic realities through a rose-colored lens. If you speculate too much or cut corners in this area, you’ll end up paying dearly down the road. Remember, God never intended for you to go it alone. There are people and resources out there to help you prepare. Ask others for help. God receives no glory when you are scraping the bottom to do His work. So don’t think too small. Church planting is an all or nothing venture. You can’t just partially commit. You have to fully commit, and often that means with your wallet. Don’t underestimate the importance of having a base of prayer partners. You need prayers as desperately as you need money. You need prayers as desperately as you need money. An unhealthy launch may occur when a new church begins as the result of a church split, when a planter is disobedient in following God, or when there is a lack of funding or solid strategy. Finding the right teammates to help you on this journey is serious business. The people you bring on to your staff will either propel you down the road toward fulfilling the vision for your church or serve as speed bumps along the way. You should never be afraid to ask potential staff members to join you—even if it means a salary cut, a drastic position change or a significant new challenge for them. When you ask someone to join your staff, you are not asking that person to make a sacrifice. (If you have that mentality, you need to work to change it.) Instead, you are offering that person the opportunity of a lifetime. There are three things that every new church must have before it can be a real church: (1) a lead pastor, (2) a start date, and (3) a worship leader. Hire a person at the part-time level before bringing him or her on full time. When hiring a new staff person, make sure he or she possesses the three C's: Character, Chemistry & Competency Hiring staff precedes growth, not vice versa. Hire slow, fire fast. Never hire staff when you can find a volunteer. Launch as publicly as possible, with as many people as possible. There are two things you are looking for in a start date: (1) a date on which you have the potential to reach as many people as possible, and (2) a date that precedes a period of time in which people, in general, are unlikely to be traveling out of town. You need steppingstones to get you from where you are to your launch date. Monthly services are real services that you begin holding three to six months prior to your launch date. They are the absolute best strategic precursor to your launch. Monthly services give you the invaluable opportunity to test-drive your systems, your staff and, to an extent, even your service style. At the same time, you are doing real ministry with the people in attendance. These services should mirror as closely as possible what your service will look like on the launch date. Let your target demographic group be the strongest deciding factor in settling on a location: Hotel ballrooms, Movie theaters, Comedy clubs, Public-school auditoriums, Performing-arts theaters, Available church meeting spaces, College auditoriums, Corporate conference space.

A few minutes passed wherein the truck hummed, country music twanged on the radio, and I read the same paragraph in my history book four times. Then Tommy asked, “So, did you two hook up yet?” “Tommy!” I squealed. “What a question!” “What?” He half-turned toward me. “I’m just asking.” “If we hadn’t hooked up,” I said, “that question would be awkward and embarrassing. And if we had hooked up, it would be-“ “-awkward and embarrassing,” Hunter said. Tommy watched Hunter driving for a moment. Tommy’s expression was inscrutable, and I could see in the rearview mirror that Hunter’s was, too. “So you have hooked up,” Tommy concluded. “Of course not,” I said. “Hunter met his girlfriend in the bathroom. He has a fortune-teller and a bar waitress on the side.” “Never say I didn’t raise class.” Tommy turned all the way around to face me. “And how do you know this?” “We live in the same dorm.” Tommy grinned. “Uh-huh. You’re from the same town, the same farm even, you live in the same dorm, you know all about each other’s business, but you haven’t hooked up.” When he put it that way, why hadn’t we? He made it sound as if the prerequisites or hooking up were familiarity, proximity…and he must sense the desire, at least on my end. He didn’t understand the complications, the humiliations, the hundred reasons why not that hummed underneath us like the never-ending sound of New York traffic, or the drone of the Kentucky interstate behind the autumn trees. “It’s none of your business, Dad.” Maybe it was because I could hardly hear Hunter over the motor and the radio, but I was surprised by how embarrassed he sounded, and wistful.