Town Movie Quotes

So I hear we get to go to town this weekend. Want to catch a movie or something? --Z P.S. That is, if Jimmy doesn't mind. Translation: This weekend might be a good chance for us to see each other outside our school in a social environment, free of competetiton. I do not view other boys as threats, and I enjoy making them seem insignificant by calling them the wrong names. (Translation by Macey McHenry)

Did you see my ninja move?That was fast, right?" "You are not a ninja, Shane." "I've watched all the movies. I just haven't gotten the certificate from the correspondence course yet.

You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens. These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.

What's with the disco lights?" Michael said, rolling down the window between the driver's compartment and the back. Eve turned around, and her face brightened. "You like it? I thought it looked really cool. I saw it in a movie, you know, in a limo." "It's cool," Michael said, and smiled at her. She smiled back. "Can't wait to lie here and watch it with you." Claire said, "You don't have to wait; it's working now. Look--Oh. Never mind." She blushed, feeling stupid that she hadn't gotten that one in the first second. Eve winked at her.

Former police chief of Houston once said of me: “Frank Abagnale could write a check on toilet paper, drawn on the Confederate States Treasury, sign it ‘U.R. Hooked’ and cash it at any bank in town, using a Hong Kong driver’s license for identification.

Of all the gin joints, in all the towns, in all the world, she walks into mine…

So maybe we won’t ever win the lottery, or marry royalty, or make that last second shot. That doesn’t mean we won’t have amazing adventures, meet exceptional people, and make indelible memories. The trick is to notice before it’s too late.

In the dark, I get a glimpse of myself from way above, like in a movie. I've become one of those people who prowl around at night in their cars. God, I am the town's Boo Radley, just like in To Kill a Mockingbird

Bro, it's dark. You can't go to a strange building with a mysterious address in the dark. Haven't you ever seen a horror movie?

I wanted Ole Miss to feel special, but mostly I felt that the Ole Miss crowd looked at me like I was just white trash from a town full of trailers.… All was not lost. I saw the movie All The President’s Men, mostly because Robert Redford was the star. The fast-paced world of the Washington Post…captivated me. Sitting in a dark theater that afternoon, I fell in love with the idea of becoming a reporter. That was the movie that clinched my plan to major in journalism and political science…. I'd started Ole Miss as a Lady Rebel but left more rebellious than ladylike.

He looked like every glossy frat boy in every nerd movie ever made, like every popular town boy who’d ever looked right through her in high school, like every rotten rich kid who’d ever belonged where she hadn’t. My mama warned me about guys like you. He turned to her as if he’d heard her and took off his sunglasses, and she went down the steps to meet him, wiping her sweaty palms on her dust-smeared khaki shorts. “Hi, I’m Sophie Dempsey,” she said, flashing the Dempsey gotta-love-me grin as she held out her hot, grimy hand, and after a moment he took it. His hand was clean and cool and dry, and her heart pounded harder as she looked into his remote, gray eyes. “Hello, Sophie Dempsey,” her worst nightmare said. “Welcome to Temptation.

But this was like old movies, the silent theater haunted with black-and-white ghosts, silvery mouths opening to let moonlight smoke out, gestures made in silence so hushed you could hear the wind fizz the hair on your cheeks.

Every search for a hero must begin with something which every hero requires - a villain.

I tried to book two rooms at the same hotel, or at least a room with two beds, or even a room with a twin or queen bed, but the only ones available are singles, and even they were hard to find. Apparently some new Nicholas Sparks movie is being filmed here, and that ‘Zac Teflon’ boy from those high school movies is in town.

Winter denial: therein lay the key to California Schadenfreude--the secret joy that the rest of the country feels at the misfortune of California. The country said: "Look at them, with their fitness and their tans, their beaches and their movie stars, their Silicon Valley and silicone breasts, their orange bridge and their palm trees. God, I hate those smug, sunshiny bastards!" Because if you're up to your navel in a snowdrift in Ohio, nothing warms your heart like the sight of California on fire. If you're shoveling silt out of your basement in the Fargo flood zone, nothing brightens your day like watching a Malibu mansion tumbling down a cliff into the sea. And if a tornado just peppered the land around your Oklahoma town with random trailer trash and redneck nuggets, then you can find a quantum of solace in the fact that the earth actually opened up in the San Fernando Valley and swallowed a whole caravan of commuting SUVs.

Love should never be left to its own devices.

Zach glanced out the window to what had to be the quietest town he’d ever been in. “Big gang problem around here? Lots of cow jacking?” “We have all sorts pass through our little town, thank you very much. Bikers. Cowboys. The always dangerous rodeo clowns.” “Rodeo clowns?” “Don’t ask.” Zach shrugged. “I don’t want to know.” “Any other condescending questions about my town?” “Oh, I’m not being condescending. I’m very interested in your tiny little town, with its tiny little people. I bet you guys even have a movie theater.” Sara barked out a laugh. “You certainly are a charmer.

Reader, do you remember that ridiculous movie Volcano, the one with Tommy Lee Jones? Do you remember how they stopped eruption in the middle of downtown Los Angeles? They diverted it with cement roadblocks and pointed fire hoses at it, and rerouted the lava to the ocean, and everything was fine? Sweet reader, that is not how lava works. Anyone can tell you that. Here is the truth: I keep waiting for my anger to go dormant, but it won’t. I keep waiting for someone to reroute my anger into the ocean, but no one can. My heart is closer to Dante’s Peak of Dante’s Peak. My anger dissolves grandmas in acid lakes and razes quaint Pacific Northwest towns with ash and asphyxiates jet engines with its grit. Lava keeps leaking down my slopes. You should have listened to the scientist. You should have evacuated earlier.

See that house with the Ivy on it? From that rooftop, what if you leapt onto the next rooftop, dashed over that blue & green wall, climbed and jumped up the pipe, ran across the roof and jumped to the next? You can, in animation. If you could walk along the cable, you could see the other side. When you look from above, so many things reveal themselves to you. Maybe race along the concrete wall. Suddenly, there in your humdrum town there is a magical movie. Isn’t it fun to see things that way? Feels like you could go somewhere far beyond… …maybe you can…

We must try, all of us, a lot of the time, our best, and we must keep trying. We do not understand anything but we should try our best to understand each other. We should swim and walk in parks, thinking. We should watch movies and think about what might happen. We should buy food and think about where it comes from, and we should listen to music and wonder what it means. We should have conversations, real and imaginary, with translators handy so that everybody might understand everything we say. We may feel native to where we are, or feel displaced, or both, the way someone going on a journey is also a stranger in town, but nevertheless we should keep reading. We must read mysterious literature, and be as bewildered by it as we are by the world, and we should write down our ideas, turning our stories, as if by magic, into literature.

I was deluded, and I knew it. Worse: my love for Pippa was muddied-up below the waterline with my mother, with my mother's death, with losing my mother and not being able to get her back. All that blind, infantile hunger to save and be saved, to repeat the past and make it different, had somehow attached itself, ravenously, to her. There was an instability in it, a sickness. I was seeing things that weren't there. I was only one step away from some trailer park loner stalking a girl he'd spotted in the mall. For the truth of it was: Pippa and I saw each other maybe twice a year; we e-mailed and texted, though with no great regularity; when she was in town we loaned each other books and went to the movies; we were friends; nothing more. My hopes for a relationship with her were wholly unreal, whereas my ongoing misery, and frustration, were an all-too-horrible reality. Was groundless, hopeless, unrequited obsession any way to waste the rest of my life?

She’s a lovely young woman from upstate New York, but you should be very thankful for those romance-novel-reading, tween-movie-watching women. They’ve had a big hand in making our town a success.” “And Julian’s love life, once he learned to spray himself with glitter.

You have got to be good in that town if you want to beat the crowd.' So says young John on his first sight of New York City. THE CROWD (1928)

In the movies, it was always the bad guys that got killed, and the good guys lived happily forever.

Can somebody tell me what kind of a world we live in, where a man dressed up as a bat gets all of my press? This town needs an enema! —The Joker, from the 1989 movie Batman

I could spend whole days at Cinecittà. There, I am the greatest director of all time. On the town side, I reshoot the close-ups for Touch of Evil. Down at the beach, I rework the dolly shots for Stagecoach, and offshore I re-create the storm rocking the smugglers of Moonfleet.

There are moments in time that can never be understood, at least not fully. Times we only read about in history books, or see in movies, barely a re-creation of the truth. But it takes more than reading about it or putting on the costumes to understand what history really means.

Visit Arcata, I really do recommend it. Play the nearly impossible to find original Pac Man at the cafe, explore the HSU campus, see a two-dollar movie, buy a tofu dog from the vendor in Town Square, sleep on the rooftops, and if they ask you what time it is, there's only one correct answer--'4:20'!

Geeks are not the world’s rowdiest people. We’re quiet and introspective, and usually more comfortable communing with our keyboards or a good book than each other. Our idea of how to paint the Emerald City red involves light liquor, heavy munchies, and marathon sessions of video games of the ‘giant robots shooting each other and everything else in sight’ variety. We debate competing lines of software or gaming consoles with passion, and dissect every movie, television show, and novel in the science fiction, fantasy, and horror genres. With as many of us as there are in this town, people inevitably find ways to cater to us when we get in the mood to spend our hard-earned dollars. Downtown Seattle boasts grandiose geek magnets, like the Experience Music Project and the Experience Science Fiction museum, but it has much humbler and far more obscure attractions too, like the place we all went to for our ship party that evening: a hole-in-the-wall bar called the Electric Penguin on Capitol Hill.

If a queen comes to America, crowds fill the station squares, and attendant British journalists rejoice, 'You see: the American Cousins are as respectful to Royalty as we are.' But the Americans have read of queens since babyhood. they want to see one queen, once, and if another came to town next week, with twice as handsome a crown, she would not draw more than two small boys and an Anglophile. Americans want to see one movie star, one giraffe, one jet plance, one murder, but only one. They run up a skyscraper or the fame of generals and evangelists and playwrights in one week and tear them all down in an hour, and the mark of excellence everywhere is 'under new management'.

Well, I know a guy, he's from far far away He's a songwriter, he got something to say He says, "People in this city are too busy to hang out This town's so spread out, no one would hear you if you shout" Everyone's got a script to sell and someplace else they want to be There's always a lock that would open if you could just find the key" (It Ain't Easy Being Green)

Make a movie out of this, Hallmark.  Being carried away to drown by a warrior on horseback for not embracing the holiday spirit is certainly more motivating than watching a jaded CEO move to a small town where she falls in love with Christmas and her hunky neighbor.

A stage adaptation of The Giver has been performed in cities and towns across the USA for years. More recently an opera has been composed and performed. And soon there will be a film. Does The Giver have the same effect when it is presented in a different way: It's hard to know. A book, to me is almost sacrosanct: such an individual and private thing. The reader brings his or her own history and beliefs and concerns, and reads in solitude, creating each scene from his own imagination as he does. There is no fellow ticket-holder in the next seat. The important thing is that another medium--stage, film, music--doesn't obliterate a book. The movie is here now, on a big screen, with stars and costumes and a score. But the book hasn't gone away. It has simply grown up, grown larger, and begun to glisten in a new way.

I often ask, "What do you want to work at? If you have the chance. When you get out of school, college, the service, etc." Some answer right off and tell their definite plans and projects, highly approved by Papa. I'm pleased for them* but it's a bit boring, because they are such squares. Quite a few will, with prompting, come out with astounding stereotyped, conceited fantasies, such as becoming a movie actor when they are "discovered" "like Marlon Brando, but in my own way." Very rarely somebody will, maybe defiantly and defensively, maybe diffidently but proudly, make you know that he knows very well what he is going to do; it is something great; and he is indeed already doing it, which is the real test. The usual answer, perhaps the normal answer, is "I don't know," meaning, "I'm looking; I haven't found the right thing; it's discouraging but not hopeless." But the terrible answer is, "Nothing." The young man doesn't want to do anything. I remember talking to half a dozen young fellows at Van Wagner's Beach outside of Hamilton, Ontario; and all of them had this one thing to say: "Nothing." They didn't believe that what to work at was the kind of thing one wanted. They rather expected that two or three of them would work for the electric company in town, but they couldn't care less, I turned away from the conversation abruptly because of the uncontrollable burning tears in my eyes and constriction in my chest. Not feeling sorry for them, but tears of frank dismay for the waste of our humanity (they were nice kids). And it is out of that incident that many years later I am writing this book.

In the movies, people almost never talked about the towns they spent their lives in; they ran around having adventures and never stopped to get their bearings. It was weird, when you thought about it. They only remembered where they were from if they wanted to complain about how awful it was there, or, later, to remember it as a place of infinite promise, a place whose light had been hidden from them until it became unrecoverable, at which point its gleam would become impossible to resist.

My friend has never been to a picture show, nor does she intend to: "I'd rather hear you tell the story, Buddy. That way I can imagine it more. Besides, a person my age shouldn't squander their eyes. When the Lord comes, let me see him clear." In addition to never having seen a movie, she has never: eaten in a restaurant, traveled more than five miles from home, received or sent a telegram, read anything except funny papers and the Bible, worn cosmetics, cursed, wished someone harm, told a lie on purpose, let a hungry dog go hungry. Here are a few things she has done, does do: killed with a hoe the biggest rattlesnake ever seen in this county (sixteen rattles), dip snuff (secretly), tame hummingbirds (just try it) till they balance on her finger, tell ghost stories (we both believe in ghosts) so tingling they chill you in July, talk to herself, take walks in the rain, grow the prettiest japonicas in town, know the recipe for every sort of oldtime Indian cure, including a magical wart remover.

Others have it worse, he thought. All over the world, others have it worse. In Israel, the Palestinians kill busloads of farmers who were committing the political crime of going into town to see a movie. The Israelis cope with this injustice by dropping bombs on the Palestinians and killing children along with whatever terrorists may be there.

The street looks like the set of a ghost town in an old western movie, but there are eyes everywhere.

We both loved what she called “safe terror,” the chance to feel afraid without actually being in danger – like watching a horror movie or reading a good ghost story.

We are all like bit players in a Preston Sturges movie, ready to testify in front of a small-town jury in terms whose relevance would escape anyone but ourselves.

The students tend to stick close to campus. There is nothing for them to do in Blacksmith proper, no natural haunt or attraction. They have their own food, movies, music, theater, sports, conversation and sex. This is a town of dry cleaning shops and opticians. Photos of looming Victorian homes decorate the windows of real estate firms. These pictures have not changed in years. The homes are sold or gone or stand in other towns in other states. This is a town of tag sales and yard sales, the failed possessions arrayed in driveways and tended by kids.

I feel about Manhattan the way I feel about a book, a TV series, a movie, a play, an artist, a song, a food, a whatever that I love. I want to tell you about it so that maybe you will love it, too. I'm not worried about it being 'ruined' by too many people 'discovering' it. Manhattan's been ruined since 1626 , when Peter Minuit bought it from Native Americans for $24.00.

Café Flore is packed, shimmering, every table filled. Bentley notices this with a grim satisfaction but Bentley feels lost. He’s still haunted by the movie Grease and obsessed with legs that he always felt were too skinny though no one else did and it never hampered his modeling career and he’s still not over a boy he met at a Styx concert in 1979 in a stadium somewhere in the Midwest, outside a town he has not been back to since he left it at eighteen, and that boy’s name was Cal, who pretended to be straight even though he initially fell for Bentley’s looks but Cal knew Bentley was emotionally crippled and the fact that Bentley didn’t believe in heaven didn’t make him more endearing so Cal drifted off and inevitably became head of programming at HBO for a year or two. Bentley sits down, already miked, and lights a cigarette. Next to them Japanese tourists study maps, occasionally snap photos. This is the establishing shot.

Fictional Characters" Do they ever want to escape? Climb out of the white pages and enter our world? Holden Caulfield slipping in the movie theater to catch the two o'clock Anna Karenina sitting in a diner, reading the paper as the waitress serves up a cheeseburger. Even Hector, on break from the Iliad, takes a stroll through the park, admires the tulips. Maybe they grew tired of the author's mind, all its twists and turns. Or were finally weary of stumbling around Pamplona, a bottle in each fist, eating lotuses on the banks of the Nile. For others, it was just too hot in the small California town where they'd been written into a lifetime of plowing fields. Whatever the reason, here they are, roaming the city streets rain falling on their phantasmal shoulders. Wouldn't you, if you could? Step out of your own story, to lean against a doorway of the Five & Dime, sipping your coffee, your life, somewhere far behind you, all its heat and toil nothing but a tale resting in the hands of a stranger, the sidewalk ahead wet and glistening. "Fictional Characters" by Danusha Laméris from The Moons of August. © Autumn House Press, 2014. Reprinted with permission

Hi, Jared,” she said, leaning out of the window. “Are you brooding?” He was leaning back on the roof, looking up at the sky, at the gray clouds spiraling as if to make steps to climb up to the silver hook that was the moon. His hands were linked behind his head, his body one long lean line. “No, I was about to strip off all my clothes, stand on the edge of the roof, and shout, ‘I’m a golden god,’ ” Jared said. “That’s the cool thing to do at parties; I saw it in a movie. Except I’m afraid that in this town, considering I’m a Lynburn and the worst family trait we have besides the constant murdering is our crushing arrogance, people would take it seriously.” He paused. “Just kidding, I was brooding. Brooding’s my favorite.

He looked like every glossy frat boy in every nerd movie ever made, like every popular town boy who’d ever looked right through her in high school, like every rotten rich kid who’d ever belonged where she hadn’t. My mama warned me about guys like you. He

Like a lot of small town bookworms, she was too well-read to be a true country bumpkin, but too country to be anything but mesmerized by Manhattan. She had enough books to read, and movies to see, and museums to visit to last her several lifetimes. The city overwhelmed and delighted her.

So, where are you from originally?” I ask. Violet rolls her eyes. “A small town you’ve probably never heard of. Chestnut Springs. It’s just south of Calgary, Alberta.” “Sounds like a town in a cowboy movie.” “Looks like one too.” “Yeah? Hot cowboys and everything?” I waggle my eyebrows at her.

Well, alright. Let’s see... Long ago, in the castle town of a kingdom far, far away, there lived a girl named Cinderella...” I never thought I’d be telling stories featuring witches or wizards in a world where magic really existed... Still, Sue seemed happy enough, so I didn’t really mind. After that, I exhausted myself by reciting every fairy tale imaginable, and before I knew it, I found myself telling the stories of famous manga and popular anime movies. I almost leapt out of my boots when Sue yelled about wanting to embark on a hunt for the Castle in the Sky, but Leim managed to calm her down.

What other town stages Italian feasts, firemen’s bazaars, Fourth of July fireworks, five annual holiday parades and another for the start of the Little League season? And then on top of everything, has one of the biggest amusement parks in the country sitting close to our border and a movie theater within it?

We drove all the way out Colonial Drive, past the movie theaters and the bookstores that I had been driving to and past my whole life. But this drive was different and better because it occurred during calculus, because it occurred with Ben and Radar, because it occurred on our way to where I believed I would find her.

My parents constantly drummed into me the importance of judging people as individuals. There was no more grievous sin at our household than a racial slur or other evidence of religious or racial intolerance. A lot of it, I think, was because my dad had learned what discrimination was like firsthand. He’d grown up in an era when some stores still had signs at their door saying, NO DOGS OR IRISHMEN ALLOWED. When my brother and I were growing up, there were still ugly tumors of racial bigotry in much of America, including the corner of Illinois where we lived. At our one local movie theater, blacks and whites had to sit apart—the blacks in the balcony. My mother and father urged my brother and me to bring home our black playmates, to consider them equals, and to respect the religious views of our friends, whatever they were. My brother’s best friend was black, and when they went to the movies, Neil sat with him in the balcony. My mother always taught us: “Treat thy neighbor as you would want your neighbor to treat you,” and “Judge everyone by how they act, not what they are.” Once my father checked into a hotel during a shoe-selling trip and a clerk told him: “You’ll like it here, Mr. Reagan, we don’t permit a Jew in the place.” My father, who told us the story later, said he looked at the clerk angrily and picked up his suitcase and left. “I’m a Catholic,” he said. “If it’s come to the point where you won’t take Jews, then some day you won’t take me either.” Because it was the only hotel in town, he spent the night in his car during a winter blizzard and I think it may have led to his first heart attack.

When I come home from school, I take my Doc Martens off and put on fake satin mules with the marabou trim, slip into my dressing gown and my movie, and I feel serene. I hold a glass of Coke to my cheek and pretend it is a glass of bourbon and I am in New Orleans. My bedroom door is the doorway onto the street and at night I can't sleep because of the heat and the commotion in this town. So I go down to the river and dance as a man with scars on his face plays an accordion. People clap along and wolf-whistle and I whip my skirt around my thighs, which are long and lean because I barely get a chance to eat, what with all my bourbon and afternoon baths. I dance until my mules get muddy, then I tiptoe home, followed by sailors and men who have hundreds and thousands of dollars playing stud poker. Steve McQueen might be there. I can't remember. I get confused at this point. Too much drink. I'm sure Karl Malden is lurking in the background, gazing at me longingly. I am kind to him because his mother is dying.

From the moment Leo comes on screen in that navy blue suit, I have chest palpitations. He’s like an angel, a beautiful, damaged angel. “What’s he so stressed out about?” Peter asks, reaching down and stealing a handful of Kitty’s popcorn. “Isn’t he a prince or something?” “He’s not a prince,” I say. “He’s just rich. And his family is very powerful in this town.” “He’s my dream guy,” Kitty says in a proprietary tone. “Well, he’s all grown up now,” I say, not taking my eyes off the screen. “He’s practically Daddy’s age.” Still… “Wait, I thought I was your dream guy,” Peter says. Not to me, to Kitty. He knows he’s not my dream guy. My dream guy is Gilbert Blythe from Anne of Green Gables. Handsome, loyal, smart in school. “Ew,” Kitty says. “You’re like my brother.” Peter looks genuinely wounded, so I pat him on the shoulder. “Don’t you think he’s a little scrawny?” Peter presses. I shush him. He crosses his arms. “I don’t get why you guys get to talk during movies and I get shushed. It’s pretty bullshit.” “It’s our house,” Kitty says. “Your sister shushes me at my house too!” We ignore him in unison.

By the time he was fourteen, Jeremy could locate magnetic north from practically any place in Story County, even in the total absence of known landmarks. Knowing where you were: this seemed like a big part of the point of living in Nevada, possibly of being alive at all. In the movies, people almost never talked about the towns they spent their lives in; they ran around having adventures and never stopped to get their bearings. It was weird, when you thought about it. They only remembered where they were from if they wanted to complain about how awful it was there, or, later, to remember it as a place of infinite promise, a place whose light had been hidden from them until it became unrecoverable, at which point its gleam would become impossible to resist.

I felt preposterously happy to see him. Felt, in fact, like I was in one of those movies where the woman goes into labor while her husband is out of town and he rushes back, gets there just in time. His face, gauging me, so full of tenderness and respect that you'd think he was my husband, even if he had no idea who I was or what he was doing with me--which makes him, I suppose, like most husbands.

She was in her element walking the concrete sidewalks, listening to the buzz of traffic and the hum of city life. One reason was because as a child she lived in the old downtown of the small town, where the movie theater, the bank, several restaurants and most of city’s government structure was located. As a child she’d seen empty wine bottles and empty snuff boxes littering the streets on Sunday morning.

SOCIAL/GENERAL ICEBREAKERS 1. What do you think of the movie/restaurant/party? 2. Tell me about the best vacation you’ve ever taken. 3. What’s your favorite thing to do on a rainy day? 4. If you could replay any moment in your life, what would it be? 5. What one thing would you really like to own? Why? 6. Tell me about one of your favorite relatives. 7. What was it like in the town where you grew up? 8. What would you like to come back as in your next life? 9. Tell me about your kids. 10. What do you think is the perfect age? Why? 11. What is a typical day like for you? 12. Of all the places you’ve lived, tell me about the one you like the best. 13. What’s your favorite holiday? What do you enjoy about it? 14. What are some of your family traditions that you particularly enjoy? 15. Tell me about the first car you ever bought. 16. How has the Internet affected your life? 17. Who were your idols as a kid? Have they changed? 18. Describe a memorable teacher you had. 19. Tell me about a movie/book you’ve seen or read more than once. 20. What’s your favorite restaurant? Why? 21. Tell me why you were named ______. What is the origin of your last name? 22. Tell me about a place you’ve visited that you hope never to return to. get over your mom’s good intentions. 23. What’s the best surprise you’ve ever received? 24. What’s the neatest surprise you’ve ever planned and pulled off for someone else? 25. Skiing here is always challenging. What are some of your favorite places to ski? 26. Who would star as you in a movie about your life? Why that person? 27. Who is the most famous person you’ve met? 28. Tell me about some of your New Year’s resolutions. 29. What’s the most antiestablishment thing you’ve ever done? 30. Describe a costume that you wore to a party. 31. Tell me about a political position you’d like to hold. 32. What song reminds you of an incident in your life? 33. What’s the most memorable meal you’ve eaten? 34. What’s the most unforgettable coincidence you’ve experienced or heard about? 35. How are you able to tell if that melon is ripe? 36. What motion picture star would you like to interview? Why? 37. Tell me about your family. 38. What aroma brings forth a special memory? 39. Describe the scariest person you ever met. 40. What’s your favorite thing to do alone? 41. Tell me about a childhood friend who used to get you in trouble. 42. Tell me about a time when you had too much to eat or drink. 43. Describe your first away-from-home living quarters or experience. 44. Tell me about a time that you lost a job. 45. Share a memory of one of your grandparents. 46. Describe an embarrassing moment you’ve had. 47. Tell me something most people would never guess about you. 48. What would you do if you won a million dollars? 49. Describe your ideal weather and why. 50. How did you learn to ski/hang drywall/play piano?

The town was sunk in a kind of crystal ball; everyone seemed to be asleep (transcendentally asleep!) no matter if they were walking or sitting outside. Around five the sky clouded over and at six it began to rain. The streets cleared all at once. I had the thought that if it was as if autumn had unsheathed a claw and scratched: everything was coming apart. The tourists running on the sidewalks in search of shelter, the shopkeepers pulling tarps over the merchandise displayed in the street, the increasing number of shop windows closed until next summer. Whether I felt pity or scorn when I saw this, I don't know. Detached from any external stimulus, the only thing I could see or feel with any clarity was myself. Everything else had been bombarded by something dark; movie sets consigned to dust and oblivion, as if for good.

The classroom gradually filled up with our other roommates, but one bed remained unclaimed, heightening the air of mystery surrounding its future occupant. Then, suddenly, the door crashed open and into the room strode a human hurricane—a sturdy, confident fellow who greeted everyone with great cheer and a ferocious hug. He was almost four years older than me. He introduced himself to me as Brian Blessed. He was not yet the globally renowned actor, mountaineer, adventurer, and star of TV shows, stage musicals, and movies as disparate as Blackadder, Cats, Flash Gordon, and I, Claudius. But I could tell instantly that he was a one-off; they broke the mold when they made Brian. Like Norman and me, he, too, was of humble origin, from the South Yorkshire mining town of Mexborough. I was beginning to feel more comfortable by the minute.

At one point the worst thing to happen was the odd stabbing or slashing, the violence that we live with nowadays used to only be seen in Hollywood gangster movies such as Gangs of New York, Menace to Society and Boys and the Hood. Even when we were reading about the crack hitting London, no one in Scotland would have thought in their wildest dreams that it would have taken off in our cities, towns and now even highland villages.

It was around the time of the divorce that all traces of decency vanished, and his dream of being the next great Southern writer was replaced by his desire to be the next published writer. So he started writing these novels set in Small Town Georgia about folks with Good American Values who Fall in Love and then contract Life-Threatening Diseases and Die. I'm serious. And it totally depresses me, but the ladies eat it up. They love my father's books and they love his cable-knit sweaters and they love his bleachy smile and orangey tan. And they have turned him into a bestseller and a total dick. Two of his books have been made into movies and three more are in production, which is where his real money comes from. Hollywood. And, somehow, this extra cash and pseudo-prestige have warped his brain into thinking that I should live in France. For a year.Alone.I don't understand why he couldn't send me to Australia or Ireland or anywhere else where English is the native language.The only French word I know is oui, which means "yes," and only recently did I learn it's spelled o-u-i and not w-e-e. At least the people in my new school speak English.It was founded for pretentious Americans who don't like the company of their own children. I mean, really. Who sends their kid to boarding school? It's so Hogwarts. Only mine doesn't have cute boy wizards or magic candy or flying lessons. Instead,I'm stuck with ninety-nine other students. There are twenty-five people in my entire senior class, as opposed to the six hundred I had back in Atlanta. And I'm studying the same things I studied at Clairemont High except now I'm registered in beginning French. Oh,yeah.Beginning French. No doubt with the freshman.I totally rock.

He was worried about his country. Something was rotting from the inside—a slow decay of what was right and wrong. It was as if hundreds of cynical little rats were chewing at its very fiber, gnawing away year by year, until it was collapsing into a vat of gray slime and self-loathing. It had oozed under the doors of the classrooms, the newscasts, and in the movies and television shows and had slowly changed the national dialogue until it was now a travesty to be proud of your country, foolish to be patriotic, and insensitive to even suggest that people take care of themselves. History was being rewritten by the hour, heroes pulled down to please the political correctors. We were living in a country where there was freedom of speech for some, but not all. What was it going to take to get America back on track? Would everything they had fought for be forgotten? He was so glad he and Norma had grown up when they had. They had come of age in such an innocent time, when people wanted to work and better themselves. Now the land of the free meant an entirely different thing. Each generation had become a weaker version of the last, until we were fast becoming a nation of whiners and people looking for a free ride—even expecting it. Hell, kids wouldn’t even leave home anymore. He felt like everything was going downhill.

The movie was an enormous hit in 1927. With Wings, it confirmed Bow as Hollywood’s leading female star. She received forty thousand letters a week—more than the population of a fair-sized town. In the summer of 1927, her career seemed set to go on indefinitely. In fact, it was nearly at an end. Winsome and enchanting as she was to behold, her Brooklyn accent was the vocal equivalent of nails on a blackboard, and in the new world of talking pictures that would never do.

Because here’s the thing. We can do a lot in thirty-five days.” He sat on the bed and pulled her down next to him. “I mean, think about books and movies. You can watch a great love story in two hours, right? Or read one in maybe two days? So imagine what we can do with thirty-five. We can celebrate a whole year of holidays. We can lock the door at night and turn the music up and memorize each other. We can taste and smell and touch every single thing we love about this whole town, so we never forget, no matter who we turn into out there.” He hugged her hands tightly with his. “And then when it’s time to leave each other, we’ll go off smiling into the future, and we won’t be distracted by all that ‘when will I find true love’ stuff people always worry about because they don’t know how it feels. Because we’ll already know how it feels. And if neither one of us ever gets another great love story, this one will be enough to last our whole entire lives.

The town had a faint air of benign neglect that only added to its charm: a seaside village with white clapboard buildings, seagulls wheeling overhead, uneven brick sidewalks and local shops. They passed a gas station, several old storefronts with plate-glass windows, a diner, a funeral parlor, a movie theater turned into a bookstore, and an eighteenth-century sea captain’s mansion, complete with widow’s walk. A sign out front identified it as the Exmouth Historical Society and Museum.

He works fast," Alan commented as he lifted his wine. "David?" Shelby sent him a puzzled look. "Actually his fastest sped is crawl unless he's got a guitar in his hands." "Really?" Alan's eyes met hers as he sipped, but she didn't understand the amusement in them. "You only stood him up tonight, and already he's planning his wedding to someone else." "Stood him-" she began on a laugh, then remembered. "Oh." Torn between annoyance and her own sense of te ridiculous, Shelby toyed with the stem of her glass. "Men are fickle creatures," she decided. "Apparently." Reaching over, he lifted her chin with a fingertip. "You're holding up well." "I don't like to wear my heart on my sleeve" Exasperated, amused, she muffled a laugh. "Dammit, he would have to pick tonight to show up here." "Of all the gin joints in all the towns..." This time the laugh escaped fully. "Well done," Shelby told him. "I should've thought of that line myself; I heard the movie not long ago." "Heard it?" "Mmm-hmmm. Well..." She lifted her glass in a toast. "To broken hearts?" "Or foolish lies?" Alan countered. Shelby wrinkled her nose as she tapped her glass against his. "I usually tell very good ones. Besides, I did date David.Once.Tree years ago." She finished off her wine. "Maybe four.You can stop grinning in that smug, masculine way any time, Senator." "Was I?" Rising, he offered Shelby her damp jacket. "How rude of me." "It would've been more polite not to acknowledge that you'd caught me in a lie," she commented as they worked their way through the crowd and back into the rain. "Which you wouldn't have done if you hadn't made me so mad that I couldn't think of a handier name to give you in the first place." "If I work my way through the morass of that sentence it seems to be my fault." Alan slipped an arm around her shoulders in so casually friendly a manner she didn't protest. "Suppose I apologize for not giving you time to think of a lie that would hold up?" "It seems fair.

Back in the time before Columbus, there were only Indians here, no skyscrapers, no automobiles, no streets. Of course, we didn't use the words Indian or Native American then; we were just people. We didn't know we were supposedly drunks or lazy or savages. I wondered what it was like to live without that weight on your shoulders, the weight of the murdered ancestors, the stolen land, the abused children, the burden every Native person carries. We were told in movies and books that Indians had a sacred relationship with the land, that we worshipped and nurtured it. But staring at Nathan, I didn't feel any mystical bond with the rez. I hated our shitty unpaved roads and our falling-down houses and the snarling packs of dogs that roamed freely in the streets and alleys. But most of all, I hated that kids like Nathan - good kids, decent kids - got involved with drugs and crime and gangs, because there was nothing for them to do here. No after-school jobs, no clubs, no tennis lessons. Every month in the Lakota Times newspaper there was an obituary for another teen suicide, another family in the Burned Thigh Nation who'd had their heart taken away from them. In the old days, the eyapaha was the town crier, the person who would meet incoming warriors after a battle, ask them what happened so they wouldn't have to speak of their own glories, then tell the people the news. Now the eyapaha, our local newspaper, announced losses and harms too often, victories and triumphs too rarely.

We decided to attend to our community instead of asking our community to attend the church.” His staff started showing up at local community events such as sports contests and town hall meetings. They entered a float in the local Christmas parade. They rented a football field and inaugurated a Free Movie Night on summer Fridays, complete with popcorn machines and a giant screen. They opened a burger joint, which soon became a hangout for local youth; it gives free meals to those who can’t afford to pay. When they found out how difficult it was for immigrants to get a driver’s license, they formed a drivers school and set their fees at half the going rate. My own church in Colorado started a ministry called Hands of the Carpenter, recruiting volunteers to do painting, carpentry, and house repairs for widows and single mothers. Soon they learned of another need and opened Hands Automotive to offer free oil changes, inspections, and car washes to the same constituency. They fund the work by charging normal rates to those who can afford it. I heard from a church in Minneapolis that monitors parking meters. Volunteers patrol the streets, add money to the meters with expired time, and put cards on the windshields that read, “Your meter looked hungry so we fed it. If we can help you in any other way, please give us a call.” In Cincinnati, college students sign up every Christmas to wrap presents at a local mall — ​no charge. “People just could not understand why I would want to wrap their presents,” one wrote me. “I tell them, ‘We just want to show God’s love in a practical way.’ ” In one of the boldest ventures in creative grace, a pastor started a community called Miracle Village in which half the residents are registered sex offenders. Florida’s state laws require sex offenders to live more than a thousand feet from a school, day care center, park, or playground, and some municipalities have lengthened the distance to half a mile and added swimming pools, bus stops, and libraries to the list. As a result, sex offenders, one of the most despised categories of criminals, are pushed out of cities and have few places to live. A pastor named Dick Witherow opened Miracle Village as part of his Matthew 25 Ministries. Staff members closely supervise the residents, many of them on parole, and conduct services in the church at the heart of Miracle Village. The ministry also provides anger-management and Bible study classes.

Juliet knew that, to many people, she might seem to be odd and solitary—and so, in a way, she was. But she had also had the experience, for much of her life, of feeling surrounded by people who wanted to drain away her attention and her time and her soul. And usually, she let them. Be available, be friendly (especially if you are not popular)—that was what you learned in a small town and also in a girls’ dormitory. Be accommodating to anybody who wants to suck you dry, even if they know nothing about who you are. She looked straight at this man and did not smile. He saw her resolve, there was a twitch of alarm in his face.

As I turn the corner, I hear Peter calling out, “Wait! Wait! Sir!” He’s following a security guard who is approaching a red backpack on the floor. The security guard bends down and picks it up. “Is this yours?” he demands. “Uh, yeah--” “Why did you leave it on the ground?” He unzips the backpack and pulls out a teddy bear. Peter’s eyes dart around. “Can you put that back inside? It’s for a promposal for my girlfriend. It’s supposed to be a surprise.” The security guard is shaking his head. He mutters to himself and starts looking in the backpack again. “Sir, please just squeeze the bear.” “I’m not squeezing the bear,” the security guard tells him. Peter reaches out and squeezes the teddy bear and the bear squeaks out, “Will you go to prom with me, Lara Jean?” I clap my hands to my mouth in delight. Sternly the security guard says, “You’re in New York City, kid. You can’t just leave a backpack on the ground for your proposal.” “It’s actually called a promposal,” Peter corrects, and the security guard gives him a look. “Sorry. Can I just have the bear back?” He spots me then. “Tell him Sleepless in Seattle is your favorite movie, Lara Jean!” I rush over. “Sir, it’s my favorite movie. Please don’t kick him out.” The security guard is trying not to smile. “I wasn’t going to kick him out,” he says to me. To Peter he says, “Just be more aware next time. In New York, we’re vigilant. If we see something, we say something, do you feel me? This is not whatever little country town you guys are from. This is New York City. We do not play around here.” Both Peter and I nod, and the security guard walks away. As soon as he’s gone, Peter and I look at each other and break out into giddy laughter. “Somebody reported my book bag!” he says. “My promposal got fucked.” I take the teddy bear out of his bag and hug it to my chest. I’m so happy I don’t even tell him not to cuss. “I love it.

And then she walked into the room. Like calling this place a “house” was inadequate, saying she “walked” also seemed far too tame. Accurate, yes. I mean, she didn’t do anything extraordinary. Not really. She didn’t glide into the drawing room or ride in on a white horse or anything like that. But she might as well have. She made an entrance and she made it just by entering. I didn’t say “wow” out loud, but I almost did. We both quickly stood, not because we were being gentlemen, but because something about her entrance demanded it. There, in the flesh, was the talk of the town, the movie poster come to life, Angelica Wyatt. “You

Pont Saint Benezet.” “What happened to it?” Luce asked. Daniel glanced over his shoulder. “Remember how quiet Annabelle got when I mentioned we were coming here? She inspired the boy who built that bridge in the Middle Ages in the time when the popes lived here and not in Rome. He noticed her flying across the Rhone one day when she didn’t think anyone could see her. He built the bridge to follow her to the other side.” “When did it collapse?” “Slowly, over time, one arch would fall into the river. Then another. Arriane says the boy-his name was Benezet-had a vision for angels, but not for architecture. Annabelle loved him. She stayed in Avignon as his muse until he died. He never married, kept apart from the rest of Avignon society. The town thought he was crazy.” Luce tried not to compare her relationship with Daniel to what Annabelle had had with Benezet, but it was hard not to. What kind of relationship could an angel and a mortal really have? Once all this was over, if they beat Lucifer…then what? Would she and Daniel go back to Georgia and be like any other couple, going out for ice cream on Fridays after a movie? Or would the whole town think she was crazy, like Benezet? Was it all just hopeless? What would become of them in the end? Would their love vanish like a medieval bridge’s arches? The idea of sharing a normal life with an angel was what was crazy. She sensed that in every moment Daniel flew her through the sky. And yet she loved him more each day.

Even if we don't have a special person in our lives we still all love a lot. We love feelings, tastes, sights and sounds. We love the villages, countryside, sprawling cities and towns, We love a sunrise and a sunset, a full moon, a starry night, a cloudy day, the wind on our face and through our hair, we love the rain. From the hot sun on our back on a mid summers day to the first crisp frost of winter. We love a book, or a movie, a song or symphony. Thoseuunafraid of love will be rewarded and see romance in all manner of places. Love is truly all around, not merely the exclusive feeling between lovers and families, or even between friends. We love a lot and we should always be able to love freely and without fear. To love with all our hearts ability.

We have some great museums. You'd love the lake." "I don't know that I can enjoy any kind of water anymore." "Why not?" I already knew. "After that little girl, little Ann Nash, was left in the creek to drown." She paused to take a sip of her iced tea. "I knew her, you know." Amma whined and began fidgeting in her seat. "She wasn't drowned though," I said, knowing my correction would annoy her. "She was strangled. She just ended up in the creek." "And then the Keene girl. I was fond of both of them. Very fond." She stared away wistfully, and Alan put his hand over hers. Amma stood up, released a little scream the way an excited puppy might suddenly bark, and ran upstairs. "Poor thing," my mother said. "She's having nearly as hard a time as I am." "She actually saw the girls every day, so I'm sure she is," I said peevishly in spite of myself. "How did you know them?" "Wind Gap, I need not remind you, is a small town. They were sweet, beautiful little girls. Just beautiful." "But you didn't really know them." "I did know them. I knew them well." "How?" "Camille, please try not to do this. I've just told you that I am upset and unnerved, and instead of being comforting, you attack me." "So. You've sworn off all bodies of water in the future, then?" My mother emitted a quick, creaky sound. "You need to shut up now, Camille." She folded the napkin around the remains of her pear like a swaddling and left the room. Alan followed her with his manic whistling, like an old-time piano player lending drama to a silent movie.

When it comes to people we admire, it is in our nature to be selective with information, to load with personal associations, to elevate and make heroic. That is especially true after their deaths, especially if those deaths have been in any way untimely and/or shocking. It is hard to hold onto the real people, the true story. When we think of the Clash, we tend to forget or overlook the embarrassing moments, the mistakes, the musical filler, the petty squabbles, the squalid escapades, the unfulfilled promises. Instead, we take only selected highlights from the archive-the best songs, the most flatteringly-posed photographs, the most passionate live footage, the most stirring video clips, the sexiest slogans, the snappiest soundbites, the warmest personal memories-and from them we construct a near-perfect rock 'n' roll band, a Hollywood version of the real thing. The Clash have provided us with not just a soundtrack, but also a stock of images from which to create a movie we can run in our own heads. The exact content of the movie might differ from person to person and country to country, but certain key elements will remain much the same; and it is those elements that will make up the Essential Clash of folk memory. This book might have set out to take the movie apart scene by scene to analyse how it was put together; but this book also believes the movie is a masterpiece, and has no intention of spoiling the ending. It's time to freeze the frame. At the very moment they step out of history and into legend: the Last Gang In Town.

All that day we went about stunned – we, the small town of real people behind the corporate logo of a ringed blue planet spinning through starry space. In the studio's Corner Store, in small groups that met on the company streets and in a hundred offices, we pieced our own experiences together with what was coming to light in the media. The suspect: a deranged, 43-year-old drifter who two days earlier had allegedly killed three people in Albuquerque, NM. He had fled to California where for reasons unknown he had been trying to contact actor-producer Michael Landon on the day of the shootings. The employees he had approached had repeatedly turned him away, since Landon had no particular connection with our studio. But just after dark the man had come back to the main gate again. He had walked up to a young actress waiting for her ride after an audition, said "hello" to her and then stepped over to the guardhouse. "I heard a shot and looked up," a secretary who had been passing nearby told me. "I saw Jeren fall and heard him groan. And there was this guy in a gray jacket just standing over him, pointing down at him with a gun. Then he raised the gun and pointed it at the other guard and shot again, and I saw Armando fall out the other side of the guardhouse. For a split second – just because we're at a movie studio – I thought it must be a movie they were filming. But there weren't any lights or cameras, and I realized it was real, and I thought, ‘He's gonna come after us because we saw it!' So I ran. I felt I was running for my life.

Maybe it’s not a coincidence that I’ve always been interested in heroes, starting with my dad, Phil Robertson, and my mom, Miss Kay. My other heroes are my pa and my granny, who taught me how to play cards and dominoes and everything about fishing (which was a lot), and my three older brothers, who teased me, beat me up, and sometimes let me follow them around. Not much has changed in that department. I’ve always loved movies, and when I was about seven or eight years old, I watched Rocky, Sylvester Stallone’s movie about an underdog boxer who used his fists, along with sheer will, determination, and the ability to endure pain, to make a way for himself. He fought hard but played fair and had a soft spot for his friends. I fell in love with Rocky. He was my hero, and I became obsessed. When I decide to do something, I’m all in; so I found a pair of red shorts that looked like Rocky’s boxing trunks and a navy blue bathrobe with two white stripes on the sleeve and no belt. I took off my shirt and ran around bare-chested in my robe and shorts. Most kids I knew went through a superhero phase, but they picked DC Comics guys, like Batman or Superman. Not me. I was Rocky Balboa, the Italian Stallion, and proud of it. Mom let me run around like that for a couple of years, even when we went in to town. Rocky had a girlfriend, Adrian, who was always there, always by his side. When he was beaten and blinded in a bad fight, he called out for her before anybody else. “Yo, Adrian!” he shouted in his Philly-Italian accent. He needed her. Eventually, I grew up, and the red shorts and blue bathrobe didn’t fit anymore, but I always remembered Rocky’s kindness and his courage. And that every Rocky needs an Adrian.

Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice.

Here’s the thing, people: We have some serious problems. The lights are off. And it seems like that’s affecting the water flow in part of town. So, no baths or showers, okay? But the situation is that we think Caine is short of food, which means he’s not going to be able to hold out very long at the power plant.” “How long?” someone yelled. Sam shook his head. “I don’t know.” “Why can’t you get him to leave?” “Because I can’t, that’s why,” Sam snapped, letting some of his anger show. “Because I’m not Superman, all right? Look, he’s inside the plant. The walls are thick. He has guns, he has Jack, he has Drake, and he has his own powers. I can’t get him out of there without getting some of our people killed. Anybody want to volunteer for that?" Silence. “Yeah, I thought so. I can’t get you people to show up and pick melons, let alone throw down with Drake.” “That’s your job,” Zil said. “Oh, I see,” Sam said. The resentment he’d held in now came boiling to the surface. “It’s my job to pick the fruit, and collect the trash, and ration the food, and catch Hunter, and stop Caine, and settle every stupid little fight, and make sure kids get a visit from the Tooth Fairy. What’s your job, Zil? Oh, right: you spray hateful graffiti. Thanks for taking care of that, I don’t know how we’d ever manage without you.” “Sam…,” Astrid said, just loud enough for him to hear. A warning. Too late. He was going to say what needed saying. “And the rest of you. How many of you have done a single, lousy thing in the last two weeks aside from sitting around playing Xbox or watching movies? “Let me explain something to you people. I’m not your parents. I’m a fifteen-year-old kid. I’m a kid, just like all of you. I don’t happen to have any magic ability to make food suddenly appear. I can’t just snap my fingers and make all your problems go away. I’m just a kid.” As soon as the words were out of his mouth, Sam knew he had crossed the line. He had said the fateful words so many had used as an excuse before him. How many hundreds of times had he heard, “I’m just a kid.” But now he seemed unable to stop the words from tumbling out. “Look, I have an eighth-grade education. Just because I have powers doesn’t mean I’m Dumbledore or George Washington or Martin Luther King. Until all this happened I was just a B student. All I wanted to do was surf. I wanted to grow up to be Dru Adler or Kelly Slater, just, you know, a really good surfer.” The crowd was dead quiet now. Of course they were quiet, some still-functioning part of his mind thought bitterly, it’s entertaining watching someone melt down in public. “I’m doing the best I can,” Sam said. “I lost people today…I…I screwed up. I should have figured out Caine might go after the power plant.” Silence. “I’m doing the best I can.” No one said a word. Sam refused to meet Astrid’s eyes. If he saw pity there, he would fall apart completely. “I’m sorry,” he said. “I’m sorry.

... They're really going to mash the world up this time, the damn fools. When I read that description of the victims of Nagasaki I was sick: "And we saw what first looked like lizards crawling up the hill, croaking. It got lighter and we could see that it was humans, their skin burned off, and their bodies broken where they had been thrown against something." Sounds like something out of a horror story. God save us from doing that again. For the United States did that. Our guilt. My country. No, never again. And then one reads in the papers "Second bomb blast in Nevada bigger than the first! " What obsession do men have for destruction and murder? Why do we electrocute men for murdering an individual and then pin a purple heart on them for mass slaughter of someone arbitrarily labeled "enemy?" Weren't the Russians communists when they helped us slap down the Germans? And now. What could we do with the Russian nation if we bombed it to bits? How could we "rule" such a mass of foreign people - - - we, who don't even speak the Russian language? How could we control them under our "democratic" system, we, who even now are losing that precious commodity, freedom of speech? (Mr. Crockett," that dear man, was questioned by the town board. A supposedly "enlightened" community. All he is is a pacifist. That, it seems, is a crime.) Why do we send the pride of our young men overseas to be massacred for three dirty miles of nothing but earth? Korea was never divided into "North" and "South." They are one people; and our democracy is of no use to those who have not been educated to it. Freedom is not of use to those who do not know how to employ it. When I think of that little girl on the farm talking about her brother - "And he said all they can think of over there is killing those God-damn Koreans." What does she know of war? Of lizard-like humans crawling up a hillside? All she knows is movies and school room gossip. Oh, America's young, strong. So is Russia. And how they can think of atom-bombing each other, I don't know. What will be left? War will come some day now, with all the hothead leaders and articles "What If Women are Drafted?" Hell, I'd sooner be a citizen of Africa than see America mashed and bloody and making a fool of herself. This country has a lot, but we're not always right and pure. And what of the veterans of the first and second world wars? The maimed, the crippled. What good their lives? Nothing. They rot in the hospitals, and we forget them. I could love a Russian boy - and live with him. It's the living, the eating, the sleeping that everyone needs. Ideas don't matter so much after all. My three best friends are Catholic. I can't see their beliefs, but I can see the things they love to do on earth. When you come right down to it, I do believe in the freedom of the individual - but to kill off all the ones who could forge a strong nation? How foolish! Of what good - living and freedom without home, without family, without all that makes life?

SPIEGEL: You have a lot of respect for the Dalai Lama, you even rewrote some Buddhist writings for him. Are you a religious person? Cleese: I certainly don't think much of organized religion. I am not committed to anything except the vague feeling that there is something more going on than the materialist reductionist people think. I think you can reduce suffering a little bit, like the Buddhists say, that is one of the few things I take seriously. But the idea that you can run this planet in a rational and kind way -- I think it's not possible. There will always be these sociopaths at the top -- selfish people, power-seekers who want to spend their whole lives seeking it. Robin Skynner, the psychiatrist that I wrote two books with, said to me that you could begin to enjoy life when you realized how bad the planet is, how hopeless everything is. I reached that point these last two or three years when I saw that our existence here is absolutely hopeless. I see the rich people have got a stranglehold on us. If somebody had said that to me when I was 20, I would have regarded him as a left-wing loony. SPIEGEL: You may not have been a left-wing loony, but you were happy to attack and ridicule the church. The "Life of Brian," the story of a young man in Judea who isn't Jesus Christ, but is nevertheless followed like a savior and crucified afterwards, was regarded as blasphemy when it was released in 1979. Cleese: Well there was a small number of people in country towns, all very conservative, who got upset and said, "You can't show the film." So people hired a coach and drove 15 miles to the next town and went to see the film there. But a lot of Christians said, "We got it, we know that the joke is not about religion, but about the way people follow religion." If Jesus saw the Spanish Inquisition I think he would have said, "What are you doing there?" SPIEGEL: These days Muslims and Islam are risky subjects. Do you think they are good issues for satire? Cleese: For sure. In 1982, Graham Chapman and I wrote a number of scenes for "The Meaning of Life" movie which had an ayatollah in them. This ayatollah was raging against all the evil inventions of the West, you know, like toilet paper. These scenes were never included in the film, although I thought they were much better than many other scenes that were included. And that's why I didn't do any more Python films: I didn't want to be outvoted any longer. But I wouldn't have made fun of the prophet. SPIEGEL: Why not? Cleese: How could you? How could you make fun of Jesus or Saint Francis of Assisi? They were wonderful human beings. People are only funny when they behave inappropriately, when they've been taken over by some egotistical emotion which they can't control and they become less human. SPIEGEL: Is there a difference between making fun of our side, so to speak, the Western, Christian side, and Islam? Cleese: There shouldn't be a difference. [SPIEGEL Interview with John Cleese: 'Satire Makes People Think' - 2015]

What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on. I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute. It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon. “You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.

Steven’s words slush together as he gets to his feet. “Crossing this one off the bucket list.” Then he unbuckles his belt and grabs the waist of his pants—yanking the suckers down to his ankles—tighty whities and all. Every guy in the car holds up his hands to try to block the spectacle. We groan and complain. “My eyes! They burn!” “Put the boa constrictor back in his cage, man.” “This is not the ass I planned on seeing tonight.” Our protests fall on deaf ears. Steven is a man on a mission. Wordlessly, he squats and shoves his lilywhite ass out the window—mooning the gaggle of grannies in the car next to us. I bet you thought this kind of stuff only happened in movies. He grins while his ass blows in the wind for a good ninety seconds, ensuring optimal viewage. Then he pulls his slacks up, turns around, and leans out the window, laughing. “Enjoying the full moon, ladies?” Wow. Steven usually isn’t the type to visually assault the elderly. Without warning, his crazy cackling is cut off. He’s silent for a beat, then I hear him choke out a single strangled word. “Grandma?” Then he’s diving back into the limo, his face grayish, dazed, and totally sober. He stares at the floor. “No way that just happened.” Matthew and I look at each other hopefully, then we scramble to the window. Sure enough, in the driver’s seat of that big old Town Car is none other than Loretta P. Reinhart. Mom to George; Grandma to Steven. What are the fucking odds, huh? Loretta was always a cranky old bitch. No sense of humor. Even when I was a kid she hated me. Thought I was a bad influence on her precious grandchild. Don’t know where she got that idea from. She moved out to Arizona years ago. Like a lot of women her age, she still enjoys a good tug on the slot machine—hence her frequent trips to Sin City. Apparently this is one such trip. Matthew and I wave and smile and in fourth-grader-like, singsong harmony call out, “Hi, Mrs. Reinhart.” She shakes one wrinkled fist in our direction. Then her poofy-haired companion in the backseat flips us the bird. I’m pretty sure it’s the funniest goddamn thing I’ve ever seen. The two of us collapse back into our seats, laughing hysterically.

Don't Stop Believing Just a small town girl, livin' in a lonely world She took the midnight train goin' anywhere... Just a city boy, born and raised in South Detroit He took the midnight train goin' anywhere... A singer in a smoky room, the smell of wine and cheap perfume For a smile they can share the night It goes on and on and on and on... Strangers, waiting, up and down the boulevard Their shadows searching in the night Streetlight people, living just to find emotion Hiding, somewhere in the night Working hard to get my fill, everybody wants a thrill Payin' anything to roll the dice, Just one more time Some will win, some will lose Some were born to sing the blues Oh, the movie never ends It goes on and on and on and on Strangers, waiting, up and down the boulevard Their shadows searching in the night Streetlight people, living just to find emotion Hiding, somewhere in the night Don't stop believin' Hold on to that feelin' Streetlight people Don't stop believin' Hold on to that feelin' Streetlight people Don't stop believin' Hold on to that feelin' Streetlight people

Ever seen a movie where the hero gets punched right in the face? A gruesome slow-mo close-up, where a spray of sweat and blood flies through the air? Notice how you wince, or flinch, or turn away even though you know it’s only a movie? Even though you know it’s make-believe, you can’t help relating to it on some level. How ironic is it that we can so easily relate to the nonexistent pain of a fictitious movie character, but we often completely forget about the very real pain of the people we love? Humans are social animals. When it comes to affairs of the heart, most of us are pretty similar. We want to be loved, respected, and cared for. We want to get along with others and generally have a good time with them. When we fight with, reject, or distance ourselves from the people we love, we don’t feel good. And when they fight with, reject, or distance themselves from us, we feel even worse. So when you fight with your partner, you both get hurt. Your partner may not reveal his pain to you; he may just get angry, or storm out of the house, or quietly switch on the TV and start drinking, but deep inside he hurts just like you. Your partner may refuse to talk to you, she may criticize you in scathing tones, or go out on the town with her friends, but deep inside, she hurts just as you are. It is so important to recognize and remember this. We tend to get so caught up in

Where do the biggest movie star of his generation and a revered director (and great actor in his own right) stay when they are visiting someone? Would you believe the local Holiday Inn? Hoping to forge a better connection to Chris, Clint Eastwood and Bradley Cooper came to see me and the rest of the family in early spring of 2014, before they started filming American Sniper. The unpretentiousness of their visit and their genuine goodwill floored me. It was a great omen for the movie. Bubba and I picked them up at the local airport and brought them home; within minutes Bubba had Bradley out in the back playing soccer. Meanwhile, Clint and I talked inside. He reminded me of my grandfather with his courtly manners and gracious ways. He was very funny, with a quiet, quick wit and dry sense of humor. After dinner--it was an oryx Chris had killed shortly before he died--Bradley took Bubba to the Dairy Queen for dessert. Even in small-town Texas, he couldn’t quite get away without being recognized, and when someone asked for his photo, he stepped aside to pose. Bubba folded his arms across his chest and scanned the area much as his dad would have: on overwatch. I guess I didn’t really understand how unusual the situation was until later, when I dropped them off at the Holiday Inn. I watched them walk into the lobby and disappear. That’s Clint Eastwood and Bradley Cooper! Awesome!

You’re back,” I said, refusing to embarrass myself further by getting angry. “I took Tag home. He had big plans to train for his next fight old school, like Rocky, but discovered that it’s a little more appealing in the movies. Plus, I don’t do a very good Apollo Creed.” “Tag’s a fighter?” “Yeah. Mixed martial arts stuff. He’s pretty good.” “Huh.” I didn’t know what else to say. I didn’t know anything about the sport. “Didn’t Apollo Creed die in one of the movies?” “Yeah. The black guy always dies at the hands of the white man.” I rolled my eyes, and he grinned, making me grin with him before I remembered that I was embarrassed and ticked off that he had kissed me and left town. It felt a little too much like the past. The grin slipped from my face and I turned away, busying myself shaking out the saddle blankets. “So why did you come back?” I kept my eyes averted. He was quiet for a minute, and I bit my lips so I wouldn’t start to babble into the awkward silence. “The house needs more work,” he replied at last. “And I’m thinking of changing my name.” My head shot up, and I met his smirk with confusion. “Huh?” “I heard there was this new law in Georgia. Nobody named Moses can even visit. So I’m thinking a name change is in order.” I just shook my head and laughed, both embarrassed and pleased at his underlying meaning. “Shut up, Apollo,” I said, and it was his turn to laugh.

My Father Comes Home From Work" My father comes home from work sweating through layers of bleached cotton t-shirts sweating through his wool plaid shirt. He kisses my mother starching our school dresses at the ironing board, swings his metal lunchbox onto the formica kitchen table rattling the remnants of the lunch she packed that morning before daylight: crumbs of baloney sandwiches, empty metal thermos of coffee, cores of hard red apples that fueled his body through the packing and unpacking of sides of beef into the walk-in refrigerators at James Allen and Sons Meat Packers. He is twenty-six. Duty propels him each day through the dark to Butcher Town where steers walk streets from pen to slaughterhouse. He whispers Jesus Christ to no one in particular. We hear him-- me, my sister Linda, my baby brother Willy, and Mercedes la cubana’s daughter who my mother babysits. When he comes home we have to be quiet. He comes into the dark living room. Dick Clark’s American Bandstand lights my father’s face white and unlined like a movie star’s. His black hair is combed into a wavy pompadour. He sinks into the couch, takes off work boots thick damp socks, rises to carry them to the porch. Leaving the room he jerks his chin toward the teen gyrations on the screen, says, I guess it beats carrying a brown bag. He pauses, for a moment to watch.

I’m going to miss all the takeout,” Jason said later, after dinner, when I walked him out to his car. “Coach said his wife cooks their meals every night.” “That’s really why you’re leaving, isn’t it?” I asked. “For real home-cooked meals?” He put his hands on my waist, drew me near. “If you knew how hard I found it to stay on my side of the hall last night after we finished watching the movie…” He shook his head. “Your parents absolutely wouldn’t approve of the direction that my thoughts are going. With or without your mom’s contract, I’d move out.” “I can’t believe she did that.” He grinned. “Yeah, it was that first night, after she came out of your room.” “Weren’t you offended?” “How could I be? I started falling for you as soon as you bumped into me. I knew I could be a goner so easily.” “Really?” “Oh, yeah. And when I pictured you in shoulder pads and a helmet--” I shoved his shoulder. “You did not!” “Oh, yeah, I did. And I thought, of all the girls in this town, she is the one that I absolutely can’t find fascinating.” “Is that the reason you sounded like you really didn’t want to take me home after that first night of pizza?” “Yep. I wanted to limit contact. I was trying so hard not to fall for you.” “Well, that’s why I knocked you over,” I said. He laughed. “Will you still come play ball with Dad?” “Sure. But you have to play, too.” I smiled. “Okay.” It was so, so hard--a dozen kisses later--watching him leave. But at least I knew he’d be back.

She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  

We did the dishes and talked--about the cattle business, about my job back in L.A., about his local small town, about family. Then we adjourned to the sofa to watch an action movie, pausing occasionally to remind each other once again of the reason God invented lips. Curiously, though, while sexy and smoldering, Marlboro Man kept his heavy breathing to a minimum. This surprised me. He was not only masculine and manly, he lived in the middle of nowhere--one might expect that because of the dearth of women within a twenty-mile range, he’d be more susceptible than most to getting lost in a heated moment. But he wasn’t. He was a gentleman through and through--a sizzling specimen of a gentleman who was singlehandedly introducing me to a whole new universe of animal attraction, but a gentleman, nonetheless. And though my mercury was rising rapidly, his didn’t seem to be in any hurry. He walked me to my car as the final credits rolled, offering to follow me all the way home if I wanted. “Oh, no,” I said. “I can get home, no problem.” I’d lived in L.A. for years; it’s not like driving alone at night bothered me. I started my car and watched him walk back toward his front door, admiring every last thing about him. He turned around and waved, and as he walked inside I felt, more than ever, that I was in big trouble. What was I doing? Why was I here? I was getting ready to move to Chicago--home of the Cubs and Michigan Avenue and the Elevated Train. Why had I allowed myself to stick my toe in this water? And why did the water have to feel so, so good?

But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)

Kenilworth, Mountainside, Scotch Plains, Dunellen... they themselves seemed far from Jersey: names out of Waverley novels, promising vistas of castles, highland waterfalls, and meadows dotted with flocks of grazing sheep. But the signboards lied, the books had lied, the Times had lied; the land here was one vast and charmless suburb, and as the bus passed through it, speeding west across the state, Freirs saw before him only the flat grey monotony of highway, broken from time to time by gas stations, roadhouses, and shopping malls that stretched away like deserts. The bus was warm, and the ride was beginning to give him a headache. He could feel the backs of his thighs sweating through his chinos. Easing himself farther into the seat, he pushed up his glasses and rubbed his eyes. The scenery disappointed him, yet it was still an improvement over what they'd just come through. Back there, on the fringes of the city, every work of man seemed to have been given over to the automobile, in an endless line of showrooms and repair shops for mufflers, fenders, carburetors, ignitions, tires, brakes. Now at last he could make out hills in the distance and extended zones of green, though here and there the nearness of some larger town or development meant a length of highway lined by construction, billboards touting banks or amusement parks, and drive-in theaters, themselves immense blank billboards, their signs proclaiming horror movies, "family pictures," soft-core porn. A speedway announced that next Wednesday was ladies' night. Food stands offered pizzaburgers, chicken in the basket, fish 'n' chips.

Bannon thrived on the chaos he created and did everything he could to make it spread. When he finally made his way through the crowd to the back of the town house, he put on a headset to join the broadcast of the Breitbart radio show already in progress. It was his way of bringing tens of thousands of listeners into the inner sanctum of the “Breitbart Embassy,” as the town house was ironically known, and thereby conscripting them into a larger project. Bannon was inordinately proud of the movement he saw growing around him, boasting constantly of its egalitarian nature. What to an outsider could look like a cast of extras from the Island of Misfit Toys was, in Bannon’s eyes, a proudly populist and “unclubbable” plebiscite rising up in defiant protest against the “globalists” and “gatekeepers” who had taken control of both parties. Just how Phil Robertson of Duck Dynasty figured into a plan to overthrow the global power structure wasn’t clear, even to many of Bannon’s friends. But, then, Bannon derived a visceral thrill anytime he could deliver a fuck-you to the establishment. The thousands of frustrated listeners calling in to his radio show, and the millions more who flocked to Breitbart News, had left him no doubt that an army of the angry and dispossessed was eager to join him in lobbing a bomb at the country’s leaders. As guests left the party, a doorman handed out a gift that Bannon had chosen for the occasion: a silver hip flask with “Breitbart” imprinted above an image of a honey badger, the Breitbart mascot. — Bannon’s cult-leader magnetism was a powerful draw for oddballs and freaks, and the attraction ran both ways. As he moved further from the cosmopolitan orbits of Goldman Sachs and Hollywood, there was no longer any need for him to suppress his right-wing impulses. Giving full vent to his views on subjects like immigration and Islam isolated him among a radical fringe that most of political Washington regarded as teeming with racist conspiracy theorists. But far from being bothered, Bannon welcomed their disdain, taking it as proof of his authentic conviction. It fed his grandiose sense of purpose to imagine that he was amassing an army of ragged, pitchfork-wielding outsiders to storm the barricades and, in Andrew Breitbart’s favorite formulation, “take back the country.” If Bannon was bothered by the incendiary views held by some of those lining up with him, he didn’t show it. His habit always was to welcome all comers. To all outward appearances, Bannon, wild-eyed and scruffy, a Falstaff in flip-flops, was someone whom the political world could safely ignore. But his appearance, and the company he kept, masked an analytic capability that was undiminished and as applicable to politics as it had been to the finances of corrupt Hollywood movie studios. Somehow, Bannon, who would happily fall into league with the most agitated conservative zealot, was able to see clearly that conservatives had failed to stop Bill Clinton in the 1990s because they had indulged this very zealotry to a point where their credibility with the media and mainstream voters was shot. Trapped in their own bubble, speaking only to one another, they had believed that they were winning, when in reality they had already lost.

Once or twice, at night, he planted himself in front of the type-writer, trying to get back to the book he'd come to New York to write. It was supposed to be about America, and freedom, and the kinship of time to pain, but in order to write about these things, he'd needed experience. Well, be careful what you wish for. For now all he seemed capable of producing was a string of sentences starting, Here was William. Here was William's courage, for example. And here was William's sadness, smallness of stature, size of hands. Here was his laugh in a dark movie theater, his unpunk love of the films of Woody Allen, not for any of the obvious ways they flattered his sensibility, but for something he called their tragic sense, which he compared to Chekhov's (whom Mercer knew he had not read). Here was the way he never asked Mercer about his work; the way he never talked about his own and yet seemed to carry it with him just beneath the skin; the way his skin looked in the sodium light from outside with the light off, with clothes off, in silver rain; the way he embodied qualities Mercer wanted to have, but without ruining them by wanting to have them; the way his genius overflowed its vessel, running off into the drain; the unfinished self-portrait; the hint of some trauma in his past, like the war a shell-shocked town never talks about; his terrible taste in friends; his complete lack of discipline; the inborn incapacity for certain basic things that made you want to mother him, fuck him, give your right and left arms for him, this man-child, this skinny American; and finally his wildness, his refusal to be imaginable by anyone.

Steven’s words slush together as he gets to his feet. “Crossing this one off the bucket list.” Then he unbuckles his belt and grabs the waist of his pants—yanking the suckers down to his ankles—tighty whities and all. Every guy in the car holds up his hands to try to block the spectacle. We groan and complain. “My eyes! They burn!” “Put the boa constrictor back in his cage, man.” “This is not the ass I planned on seeing tonight.” Our protests fall on deaf ears. Steven is a man on a mission. Wordlessly, he squats and shoves his lilywhite ass out the window—mooning the gaggle of grannies in the car next to us. I bet you thought this kind of stuff only happened in movies. He grins while his ass blows in the wind for a good ninety seconds, ensuring optimal viewage. Then he pulls his slacks up, turns around, and leans out the window, laughing. “Enjoying the full moon, ladies?” Wow. Steven usually isn’t the type to visually assault the elderly. Without warning, his crazy cackling is cut off. He’s silent for a beat, then I hear him choke out a single strangled word. “Grandma?” Then he’s diving back into the limo, his face grayish, dazed, and totally sober. He stares at the floor. “No way that just happened.” Matthew and I look at each other hopefully, then we scramble to the window. Sure enough, in the driver’s seat of that big old Town Car is none other than Loretta P. Reinhart. Mom to George; Grandma to Steven. What are the fucking odds, huh? .... Matthew and I wave and smile and in fourth-grader-like, singsong harmony call out, “Hi, Mrs. Reinhart.” She shakes one wrinkled fist in our direction. Then her poofy-haired companion in the backseat flips us the bird. I’m pretty sure it’s the funniest goddamn thing I’ve ever seen. The two of us collapse back into our seats, laughing hysterically.

From Walt: The Grapes of Wrath, Les Misérables, To Kill a Mockingbird, Moby-Dick, The Ox-Bow Incident, A Tale of Two Cities, The Adventures of Huckleberry Finn, The Three Musketeers, Don Quixote (where your nickname came from), The Complete Works of William Shakespeare, and anything by Anton Chekhov. From Henry: Bury My Heart at Wounded Knee, Cheyenne Autumn, War and Peace, The Things They Carried, Catch-22, The Sun Also Rises, The Blessing Way, Beyond Good and Evil, The Teachings of Don Juan, Heart of Darkness, The Human Comedy, The Art of War. From Vic: Justine, Concrete Charlie: The Story of Philadelphia Football Legend Chuck Bednarik, Medea (you’ll love it; it’s got a great ending), The Kama Sutra, Henry and June, The Onion Field, Fear and Loathing in Las Vegas, Zorba the Greek, Madame Bovary, Richie Ashburn’s Phillies Trivia (fuck you, it’s a great book). From Ruby: The Holy Bible (New Testament), The Pilgrim’s Progress, Inferno, Paradise Lost, My Ántonia, The Scarlet Letter, Walden, Poems of Emily Dickinson, My Friend Flicka, Our Town. From Dorothy: The Gastronomical Me, The French Chef Cookbook (you don’t eat, you don’t read), Last Suppers: Famous Final Meals From Death Row, The Bonfire of the Vanities, The Scarlet Pimpernel, Something Fresh, The Sound and the Fury, The Maltese Falcon, Pride and Prejudice, Brides-head Revisited. From Lucian: Thirty Seconds over Tokyo, Band of Brothers, All Quiet on the Western Front, The Virginian, The Basque History of the World (so you can learn about your heritage you illiterate bastard), Hondo, Sackett, The Man Who Shot Liberty Valance, Bobby Fischer: My 60 Memorable Games, The Rise and Fall of the Third Reich, Quartered Safe Out Here. From Ferg: Riders of the Purple Sage, Kiss Me Deadly, Lonesome Dove, White Fang, A River Runs Through It (I saw the movie, but I heard the book was good, too), Kip Carey’s Official Wyoming Fishing Guide (sorry, kid, I couldn’t come up with ten but this ought to do).

July 8, 2013 Review of Bargain with the Devil Author: Gloria Gravitt Moulder My interest in the death of Margaret Mitchell was sparked as a young child growing up in Georgia. I was born in 1953, 4 years after her death. Older relatives, neighbors and friends would sit around discussing her death as I was growing up and with the inquisitive mind of a young child; I found what they were saying interesting enough to listen in. They talked about how the taxi cab driver, Hugh Gravitt, (some of which knew him as this was a small southern town where everyone knew everyone) was not a drinker because of his health and how the newspaper articles had written he was drunk and speeding when it wasn’t true. I overheard many things about how the media was wrong regarding the circumstances of her death. Some speculated she committed suicide; others suspected her husband pushed her in front of the car Mr. Gravitt was driving. All commented that both Margaret and John were drunk and jaywalking across Peachtree Street. I read the book (Gone with the Wind) when I was 13 and went to see the movie in 1969 at the Fox theatre with friends. I cannot relate how this impacted me. I became interested in all I heard as a child again and over the years have read many articles on the subject of Margaret Mitchell and John Marsh. I never believed the stories about Hugh Gravitt being at fault in her death as a result of all those conversations I had overheard by my elders as a child. Gloria Gravitt Moulder, the daughter of Hugh Gravitt, has written the perfect book called “Bargain with the Devil” with facts derived from her own father on his death bed. I could not put this book down; I read it in one day. It has confirmed everything I heard from people who suspected in the few years after Margaret Mitchell’s death what actually happened. Thank you Mrs. Moulder, for your courage in bringing your father’s version to light after all his suffering from 1949 to his death. Also, for confirming my beliefs in what I heard growing up as this was only suspicion until I read about your father’s version. Kathy Whiten 621 Brighton Drive Lawrenceville, GA 30043 404-516-0623

Of course, no china--however intricate and inviting--was as seductive as my fiancé, my future husband, who continued to eat me alive with one glance from his icy-blue eyes. Who greeted me not at the door of his house when I arrived almost every night of the week, but at my car. Who welcomed me not with a pat on the arm or even a hug but with an all-enveloping, all-encompassing embrace. Whose good-night kisses began the moment I arrived, not hours later when it was time to go home. We were already playing house, what with my almost daily trips to the ranch and our five o’clock suppers and our lazy movie nights on his thirty-year-old leather couch, the same one his parents had bought when they were a newly married couple. We’d already watched enough movies together to last a lifetime. Giant with James Dean, The Good, the Bad, and the Ugly, Reservoir Dogs, Guess Who’s Coming to Dinner, The Graduate, All Quiet on the Western Front, and, more than a handful of times, Gone With the Wind. I was continually surprised by the assortment of movies Marlboro Man loved to watch--his taste was surprisingly eclectic--and I loved discovering more and more about him through the VHS collection in his living room. He actually owned The Philadelphia Story. With Marlboro Man, surprises lurked around every corner. We were already a married couple--well, except for the whole “sleepover thing” and the fact that we hadn’t actually gotten hitched yet. We stayed in, like any married couple over the age of sixty, and continued to get to know everything about each other completely outside the realm of parties, dates, and gatherings. All of that was way too far away, anyway--a minimum hour-and-a-half drive to the nearest big city--and besides that, Marlboro Man was a fish out of water in a busy, crowded bar. As for me, I’d been there, done that--a thousand and one times. Going out and panting the town red was unnecessary and completely out of context for the kind of life we’d be building together. This was what we brought each other, I realized. He showed me a slower pace, and permission to be comfortable in the absence of exciting plans on the horizon. I gave him, I realized, something different. Different from the girls he’d dated before--girls who actually knew a thing or two about country life. Different from his mom, who’d also grown up on a ranch. Different from all of his female cousins, who knew how to saddle and ride and who were born with their boots on. As the youngest son in a family of three boys, maybe he looked forward to experiencing life with someone who’d see the country with fresh eyes. Someone who’d appreciate how miraculously countercultural, how strange and set apart it all really is. Someone who couldn’t ride to save her life. Who didn’t know north from south, or east from west. If that defined his criteria for a life partner, I was definitely the woman for the job.