Tourists Thank You Quotes

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Consider the tourist brochures used by countries to advertise their wares: you can expect that the pictures presented to you will look much, much better than anything you will encounter in the place. And the bias, the difference (for which humans correct, thanks to common sense), can be measured as the country shown in the tourist brochure minus the country seen with your naked eyes. That difference can be small, or large. We also make such corrections with commercial products, not overly trusting advertising. But we don’t correct for the difference in science, medicine, and mathematics, for the same reasons we didn’t pay attention to iatrogenics. We are suckers for the sophisticated.
Nassim Nicholas Taleb (Antifragile: Things that Gain from Disorder)
As I watched him, he turned it curiously, then pressed a button on the side of the case. The crystal kitty head popped up to reveal a hidden compact mirror. “I think it’s you,” I chirped. Ben wheeled around and smiled approvingly. “I like it. Very Japanese.” “Thank you,” I said. “I also got something for you.” “I’m not wearing a wig.” “You’re such a downer.” I handed him a baseball cap, then took off my camera case and slung it around his neck. “There: Generic American Tourist. No one will look twice at you.” “I’ll choose not to take that as an insult.
Hilary Duff (Elixir (Elixir, #1))
Although I was fine, that night didn't sit well with me for the rest of our trip. Something had, in the end, been taken from me, something very small. A strange kind of dignity, maybe. In its place remained an alien resentment. I know it seems daft, really, but how does one get justice for not having been mugged? It's a real question, although not a high priority. For what it's worth, I learned this much - even commonplace violence and social dangers can't give me a fair shake. Discrimination feels like discrimination, even when it's for the best. My generation has been so socialized into our rights and so schooled away from discriminations of any kind, I didn't know how to be thankful. Thank you for stereotyping me. Thanks for excluding me from your violence, although I'm a relatively affluent tourist. Gratitude for being spared is something of a double bind. I wanted to lose. I wanted to lose like everybody else in order to keep that bit of dignity.
Ryan Knighton (Cockeyed: A Memoir)
Naturally, without intending to, I transitioned from these dreams in which I healed myself to some in which I cared for others: I am flying over the Champs-Élysées Avenue in Paris. Below me, thousands of people are marching, demanding world peace. They carry a cardboard dove a kilometer long with its wings and chest stained with blood. I begin to circle around them to get their attention. The people, astonished, point up at me, seeing me levitate. Then I ask them to join hands and form a chain so that they can fly with me. I gently take one hand and lift. The others, still holding hands, also rise up. I fly through the air, drawing beautiful figures with this human chain. The cardboard dove follows us. Its bloodstains have vanished. I wake up with the feeling of peace and joy that comes from good dreams. Three days later, while walking with my children along the Champs-Élysées Avenue, I saw an elderly gentleman under the trees near the obelisk whose entire body was covered by sparrows. He was sitting completely still on one of the metal benches put there by the city council with his hand outstretched, holding out a piece of cake. There were birds flitting around tearing off crumbs while others waited their turn, lovingly perched on his head, his shoulders, his legs. There were hundreds of birds. I was surprised to see tourists passing by without paying much attention to what I considered a miracle. Unable to contain my curiosity, I approached the old man. As soon as I got within a couple of meters of him, all the sparrows flew away to take refuge in the tree branches. “Excuse me,” I said, “how does this happen?” The gentleman answered me amiably. “I come here every year at this time of the season. The birds know me. They pass on the memory of my person through their generations. I make the cake that I offer. I know what they like and what ingredients to use. The arm and hand must be still and the wrist tilted so that they can clearly see the food. And then, when they come, stop thinking and love them very much. Would you like to try?” I asked my children to sit and wait on a nearby bench. I took the piece of cake, reached my hand out, and stood still. No sparrow dared approach. The kind old man stood beside me and took my hand. Immediately, some of the birds came and landed on my head, shoulders, and arm, while others pecked at the treat. The gentleman let go of me. Immediately the birds fled. He took my hand and asked me to take my son’s hand, and he another hand, so that my children formed a chain. We did. The birds returned and perched fearlessly on our bodies. Every time the old man let go of us, the sparrows fled. I realized that for the birds when their benefactor, full of goodness, took us by the hand, we became part of him. When he let go of us, we went back to being ourselves, frightening humans. I did not want to disrupt the work of this saintly man any longer. I offered him money. He absolutely would not accept. I never saw him again. Thanks to him, I understood certain passages of the Gospels: Jesus blesses children without uttering any prayer, just by putting his hands on them (Matthew 19:13–15). In Mark 16:18, the Messiah commands his apostles, “They shall lay hands on the sick, and they shall recover.” St. John the Apostle says mysteriously in his first epistle, 1.1, “That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon, and our hands have handled, of the Word of life.
Alejandro Jodorowsky (The Dance of Reality: A Psychomagical Autobiography)
You know you are in a tourist-deprived country when even the concept of postcards is unfamiliar. And that is Afghanistan today. It was one of the most modern countries in the world in the 1970’s. Thanks, Taliban! Good job.
Gunnar Garfors (198: How I Ran Out of Countries*)
Dateline is a major prime-time news show in America, reaching millions of viewers on the NBC network. So it should have been very good news when the show’s producers informed us that they wanted to do a segment on Steve, and they wanted to film it in Queensland. “We want to experience him firsthand in the bush,” the producer told me cheerfully ove the phone. Do you really, mate? I wanted to say. I had been with Steve in the bush. It was the most fantastic experience, but I wasn’t sure he understood how remote the bush really was. I simply responded with all the right words about how excited we were to have Dateline come film. The producers wanted two totally different environments in which to film. We chose the deserts of Queensland with the most venomous snake on earth, and the Cape York mangroves--crocodile territory. Great! responded Dateline. Perfect! Only…the host was a woman, who had to look presentable, so she needed a generator for her blow-dryer. And a Winnebago, because it wasn’t really fair to ask her to throw a swag on the ground among the scorpions and spiders. This film shoot would mean a bit of additional expense. We weren’t just grabbing Sui and the Ute and setting out. But the exposure we would get on Dateline would be good for wildlife conservation, our zoo, and tourism. I telephoned a representative of the Queensland Tourism and Travel Commission in Los Angeles. “I wonder if you could help us out,” I asked. “This Dateline segment will showcase Queensland to people in America.” Could Queensland Tourism possibly subsidize the cost of a generator and a Winnebago? Silence at the end of the line. “What you are showing off of Queensland,” a voice carefully explained, “is not how we want tourists to see our fair country.” The most venomous snake on earth? Giant crocodiles? No, thanks. “But people are fascinated by dangerous animals,” I began to argue. I was wasting my time. There was no convincing him. We scraped up the money ourselves, and off we went with the Dateline crew into the bush.
Terri Irwin (Steve & Me)
I telephoned a representative of the Queensland Tourism and Travel Commission in Los Angeles. “I wonder if you could help us out,” I asked. “This Dateline segment will showcase Queensland to people in America.” Could Queensland Tourism possibly subsidize the cost of a generator and a Winnebago? Silence at the end of the line. “What you are showing off of Queensland,” a voice carefully explained, “is not how we want tourists to see our fair country.” The most venomous snake on earth? Giant crocodiles? No, thanks.
Terri Irwin (Steve & Me)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. I mentioned I’d been in contact with her mother. “Oh crikey, that sounds dangerous!” “She’s a feisty woman, isn’t she?” William giggled. “Granny’s great fun after a few gin and tonics.” “Sh, William,” Diana said, giggling too. “My mother’s been a tremendous source of support to me. She never talks publicly; she’s just there for me.” “And what about William’s other granny?” “I have enormous respect for the Queen; she has been so supportive, you know. People don’t see that side of her, but I do all the time. She’s an amazing person.” “Has she been good over the divorce?” “Yes, very. I just want it over now so I can get on with my life. I’m worried about the attacks I will get afterward.” “What attacks?” “I just worry that people will try and knock me down once I am out on my own.” This seemed unduly paranoid. People adored her. I asked William how he was enjoying Eton. “Oh, it’s great, thanks.” “Do you think the press bother you much?” “Not the British press, actually. Though the European media can be quite annoying. They sit on the riverbank watching me rowing with their cameras, waiting for me to fall in! There are photographers everywhere if I go out. Normally loads of Japanese tourists taking pictures. All saying “Where’s Prince William?’ when I’m standing right next to them.” “How are the other boys with you?” “Very nice. Though a boy was expelled this week for taking ecstasy and snuff. Drugs are everywhere, and I think they’re stupid. I never get tempted.” “Does matron take any?” laughed Diana. “No, Mummy, it gives her hallucinations.” “What, like imagining you’re going to be king?” I said. They both giggled again. “Is it true you’ve got Pamela Anderson posters on your bedroom wall?” “No! And not Cindy Crawford, either. They did both come to tea at the palace, though, and were very nice.” William had been photographed the previous week at a party at the Hammersmith Palais, where he was mobbed by young girls. I asked him if he’d had fun. “Everyone in the press said I was snogging these girls, but I wasn’t,” he insisted. Diana laughed. “One said you stuck your tongue down her throat, William. Did you?” “No, I did not. Stop it, Mummy, please. It’s embarrassing.” He’d gone puce. It was a very funny exchange, with a flushed William finally insisting: “I won’t go to any more public parties; it was crazy. People wouldn’t leave me alone.” Diana laughed again. “All the girls love a nice prince.” I turned to more serious matters. “Do you think Charles will become king one day?” “I think he thinks he will,” replied Diana, “but I think he would be happier living in Tuscany or Provence, to be honest.” “And how are you these days--someone told me you’ve stopped seeing therapists?” “I have, yes. I stopped when I realized they needed more therapy than I did. I feel stronger now, but I am under so much pressure all the time. People don’t know what it’s like to be in the public eye, they really don’t.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Thank you, I will. I look forward to seeing this supposed book gentleman,
Nick James (The Time Travelling Tourist)
Giorno,” says one of the girls working behind the counter. She looks like she’s around my age, maybe a year or two older. “Giorno.” My reply is timid, slow to dip my toes into the waters of Italian communication. She smiles brightly. “What can I get you?” I gape at her. “How did you know--?” “It is a combination. Camera around your neck? Tourist. Fair skin and lighter hair? Rules out quite a few countries. Accent? Definitely American.” “I only said one word, and it was Italian.” She laughs. “I get a lot of practice.” “Well, your English is perfect.” I’m amazed. And jealous. “Thank you. My parents made sure that I learned from an early age. And my uncle’s family lives in New York, so I spend much time there. Most every summer.” I have to force myself not to think about the Mafia.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Thanks for breakfast, Coach.” She got to her feet and stretched. “If you’ll excuse me, where there are tourists, there are bathrooms. I need to use the little praetors’ room.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))