Tourist Quotes

Some tourists think Amsterdam is a city of sin, but in truth it is a city of freedom. And in freedom, most people find sin.

The traveler sees what he sees. The tourist sees what he has come to see.

Truthfully, Professor Hawking? Why would we allow tourists from the future muck up the past when your contemporaries had the task well in Hand?" Brigadier General Patrick E Buckwalder 2241C.E.

You've always been a tourist here. You just didn't know it.

She's kind of a walking poem, she's this perfect beauty...but at the same time very deep, very smart.

Twoflower was a tourist, the first ever seen on the discworld. Tourist, Rincewind had decided, meant 'idiot'.

A man on foot, on horseback or on a bicycle will see more, feel more, enjoy more in one mile than the motorized tourists can in a hundred miles.

If time travel is possible, where are the tourists from the future?

He says it was tourists being careless, where I see a fiendishly clever murder attempt.” “Mr. McCarthy, you’d better explain.” “Patrick, please. You’ll be tempted to laugh. It was a banana skin.

Anyone who needs more than one suitcase is a tourist, not a traveler

Nereus spun and expanded, turning into a killer whale, but I grabbed his dorsal fin as he burst out of the water. A whole bunch of tourists went, "Whoa!" I managed to wave at the crowd. Yeah, we do this every day here in San Francisco.

Tourists don't know where they've been, travelers don't know where they're going.

I'm beginning to think that maybe it's not just how much you love someone. Maybe what matters is who you are when you're with them.

I will not be just a tourist in the world of images, just watching images passing by which I cannot live in, make love to, possess as permanent sources of joy and ecstasy.

The camera makes everyone a tourist in other people's reality, and eventually in one's own.

The saddest journey in the world is the one that follows a precise itinerary. Then you're not a traveler. You're a f@@king tourist.

Tourists went on holidays while travellers did something else. They travelled.

Please be a traveler, not a tourist. Try new things, meet new people, and look beyond what’s right in front of you. Those are the keys to understanding this amazing world we live in.

Favorite Places: I'm not that good at being a tourist because I'm always looking at the way the light shines in your hair or the way your dress opens to the wind & my favorite places in the world are places filled with you.

In an instant he became aware that the tourist was about to try his own peculiar brand of linguistics, which meant that he would speak loudly and slowly in his own language.

You're gonna miss each and every shot you can't be bothered to take. That's not living life--that's just being a tourist. Take every shot, Kate. If it's worth caring about, no matter how impossible you think it is--you take the shot.

Remember our friend Mark?” Wylan winced. “Let’s say the mark is a tourist walking through the Barrel. He’s heard it’s a good place to get rolled, so he keeps patting his wallet, making sure it’s there, congratulating himself on just how alert and cautious he’s being. No fool he. Of course every time he pats his back pocket or the front of his coat, what is he doing? He’s telling every thief on the Stave exactly where he keeps his scrub.” “Saints,” grumbled Nina. “I’ve probably done that.” “Everyone does,” said Inej. Jesper lifted a brow. “Not everyone.” “That’s only because you never have anything in your wallet,” Nina shot back. “Mean.” “Factual.” “Facts are for the unimaginative,” Jesper said with a dismissive wave.

Why do we people in churches seem like cheerful, brainless tourists on a packaged tour of the Absolute?

But those who seek only reassurance from life will never be more than tourists—seeing everything and trying to possess what can only be felt. Beauty is the shadow of imperfection.

For ages, the bull has been harassed and playfully teased to death in the frame of institutionalized games, in the name of "tauromachic art" and under the auspices of a benevolent, "peaceful" tourist audience. ("Transcendental meditation")

[A]nother important difference between tourist and traveler is that the former accepts his own civilization without question; not so the traveler, who compares it with the others, and rejects those elements he finds not to his liking.

I am the twentieth century. I am the ragtime and the tango; sans-serif, clean geometry. I am the virgin's-hair whip and the cunningly detailed shackles of decadent passion. I am every lonely railway station in every capital of Europe. I am the Street, the fanciless buildings of government. the cafe-dansant, the clockwork figure, the jazz saxophone, the tourist-lady's hairpiece, the fairy's rubber breasts, the travelling clock which always tells the wrong time and chimes in different keys. I am the dead palm tree, the Negro's dancing pumps, the dried fountain after tourist season. I am all the appurtenances of night.

As Blake turned around to continue his walk back to Main Justice, he spotted one of the tourists taking his picture. “Don’t waste your film!” Blake yelled at the man. “I’m not that important!” But the $500 stuffed in the photographer’s back pocket argued otherwise.

But the teacher had been right about one thing: violence breeds. Someone pulls a trigger, sets off a bomb, drives a bus full of tourists off a bridge, and what's left in the wake isn't just she'll casings, wreckage, bodies. There's something else. Something bad. An aftermath. A recoil. A reaction to all that anger and pain and death.

She was a stranger in her own life, a tourist in her own body.

أنتِ تحبين مصر تماماً كما تحبين عرضاً طريفاً فى السيرك أو حيواناً نادراً فى حديقة الحيوان.لكن صدقينى.أن تولدى مصرية,فهذه مأساة!!

Whereas the tourist generally hurries back home at the end of a few weeks or months, the traveler belonging no more to one place than to the next, moves slowly over periods of years, from one part of the earth to another. Indeed, he would have found it difficult to tell, among the many places he had lived, precisely where it was he had felt most at home.

I'd rather lie bare-assed naked on the sidewalk and be trampled by tourists from South Dakota than be an accountant.

Eternal tourists of ourselves, there is no landscape but what we are. We possess nothing, for we don’t even possess ourselves. We have nothing because we are nothing. What hand will I reach out, and to what universe? The universe isn’t mine: it’s me.

I felt tired for the first time, and I thought of us lying down on some grassy patch of SeaWorld together, me on my back and she on her side with her arm draped against me, her head on my shoulder, facing me. Not doing anything—just lying there together beneath the sky, the night here so well lit that it drowns out the stars. And maybe I could feel her breathe against my neck, and maybe we could just stay there until morning and then the people would walk past us as they came into the park, and they would see us and think that we were tourists, too, and we could just disappear into them.

The other day I went to a tourist information booth and asked, 'Tell me about some of the people who were here last year.

Kate: “Oh, please, Vincent. We’re in the middle of a major tourist site. Père Lachaise cemetary is practically Disneyland for the Dead. It’s not some Buffy soundstage with vampires rising out of the ground every time someone turns around.

It is not how much you love someone, but who you are when you are with him.

How could I be a tourist in my own past?

cos' your hands were exploring more than Dora. I wouldn't have minded but Dora had a map and a compass so she knows where she was going. You on the other hand were like a tourist in the center of London. Lost as a fucking fiddle. -Mia Hastings

Innocent tourists? You make me sound like the big bad wolf.” “And you’re not?” I questioned. “Only if you’re Red Riding Hood,” he said flirtatiously. “Wow, that’s original.

You need mountains, long staircases don't make good hikers.

Move to a new country and you quickly see that visiting a place as a tourist, and actually moving there for good, are two very different things.

If you're dressed for my funeral, it's too casual. If it's just street clothes, then you must be scaring the tourists.

The best evidence that time travel is impossible is the fact that we haven't been invaded by hordes of tourists from the future.

to be injured on this tundra would lead to a quick and painful death—or at the very least abject humiliation before the popping flashes of the tourist season's tail end, which was slightly less painful than a painful death, but lasted longer.

Wave to the nice tourists, Sparkle. I promise it won't cause pestilence and firestorms." Elena bit the inside of her cheek at Aodhan's glare-she'd never seen anyone crack his reserved shell. "Sparkle and Bluebell, nice." "Never," Aodhan said, hands stubbornly on the girder, "ever repeat that. Illium seems to have forgotten I promised to separate his tongue from his mouth should he utter it again in this immortal lifetime.

The door opened. She looked in the mirror and suppressed a curse. Slipping in behind some tourists, that winged shadow was back again. Karou rose and made for the bathroom, where she took the note that Kishmish had come to deliver. Again it bore a single word. But this time the word was Please.

When a woman grabs my braids and says "How cute!" I crab her breast and say "How cute!" She never touches me again!

Besides, tourists go out there all the time. The volcano can't be that dangerous." "I'm guessing the tourists aren't trying to steal a forbidden object out from under the noses of evil witches." "Not unless they've paid for the deluxe package".

Everyone just laughed. But then, I closed my eyes and deeply thought about the story of the tourist, deeply thinking about that story of how many times he was lied to and when he had only his head left, he still thankfully cried. And then, I understood it. Ahh, that's "love", isn't it? Am I right? Loss... All sorts of pain... He never thought about it. The tourist never thought of himself. And even though he's an idiot to lots of people, to me, he's not an idiot at all. A lot of people would take the chance to cheat him, but I would never do that. I would want to make him happy, and that's all.

From what I'd witnessed, Alona Dare was single minded, determined, and ruthless. If high school was a zoo, she was the lioness running the hunt on the hapless tourists who'd wandered into the wrong enclosure.

To be a mass tourist, for me,...is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.

I like Texas and Texans. In Texas, everything is bigger. When Texans win, they win big. And when they lose, it's spectacular. If you really want to learn the attitude of how to handle risk, losing and failure, go to San Antonio and visit the Alamo. The Alamo is a great story of brave people who chose to fight, knowing there was no hope of success against overwhelming odds. They chose to die instead of surrendering. It's an inspiring story worthy of study; nonetheless, it's still a tragic military defeat. They got their butts kicked. A failure if you will. They lost. So how do Texans handle failure? They still shout, "Remember the Alamo!" That's why I like Texans so much. They took a great failure and turned it into a tourist destination that makes them millions. Texans don't bury their failures. They get inspired by them. They take their failures and turn them into rallying cries. Failure inspires Texans to become winners. But that formula is not just the formula for Texans. It is formula for all winners.

You’re the best boyfriend ever. You let me ride in elevators and everything.” “Laugh it up, Pet. It’ll be hilarious when we get stuck and the smell of unclean tourist is invading your nostrils.” “Don’t worry, Sexy. I’ll protect you.

Books have always been my escape - where I go to bury my nose, hone my senses, or play the emotional tourist in a world of my own choosing... Words are my best expressive tool, my favorite shield, my point of entry...When I was growing up, books took me away from my life to a solitary place that didn't feel lonely. They celebrated the outcasts, people who sat on the margins of society contemplating their interiors. . . Books were my cure for a romanticized unhappiness, for the anxiety of impending adulthood. They were all mine, private islands with secret passwords only the worthy could utter. If I could choose my favorite day, my favorite moment in some perfect dreamscape, I know exactly where I would be: stretched out in bed in the afternoon, knowing that the kids are taking a nap and I've got two more chapters left of some heartbreaking novel, the kind that messes you up for a week.

To be a mass tourist, for me, is to become a pure late-date American: alien, ignorant, greedy for something you cannot ever have, disappointed in a way you can never admit. It is to spoil, by way of sheer ontology, the very unspoiledness you are there to experience, It is to impose yourself on places that in all non-economic ways would be better, realer, without you. It is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.

Without balance, a life is no longer worth the effort.

As one would expect of tourists, they tried to find poverty colourful,

Ever consider what pets must think of us? I mean, here we come back from a grocery store with the most amazing haul - chicken, pork, half a cow. They must think we're the greatest hunters on earth!

There is no sound more peaceful than rain on the roof, if you're safe asleep in someone else's house.

I had dreamed of something so different from what reality was now offering up, but that dream had been a blind man's vision. That dream was a miracle. The morning was fading. And I remembered yet again that I was a tourist here.

Inigo was in despair. Hard to find on the map (this was after maps) not because cartographers didn’t know of its existence, but because when they visited to measure its precise dimensions, they became so depressed they began to drink and question everything, most notably why anyone would want to be something as stupid as a cartographer. It required constant travel, no one ever knew your name, and, most of all, why bother? There grew up, then, a gentleman’s agreement among mapmakers of the period to keep the place as secret as possible, lest tourists flock there and die. (Should you insist on paying a visit, it’s closer to the Baltic States than most places.)

Three Pines wasn’t on any tourist map, being too far off any main or even secondary road. Like Narnia, it was generally found unexpectedly and with a degree of surprise that such an elderly village should have been hiding in this valley all along. Anyone fortunate enough to find it once usually found their way back.

Do you know who I am?" she demanded. "Well, you're Night, I suppose," said Annabeth. "I mean, I can tell because you're dark and everything, though the brochure didn't say much about you." Nyx's eyes winked out for a moment. "What brochure?" Annabeth patted her pockets. "We had one, didn't we?" Percy licked his lips. "Uh-huh." He was still watching the horses, his hand tight on his sword hilt, but he was smart enough to follow Annabeth's lead. [...] "Anyway," she said, "I guess the brochure didn't say much, because you weren't spotlighted on the tour. We got to see the River Phlegethon, the Cocytus, the arai, the poison glade of Akhlys, even some random Titans and giants, but Nyx...hmm, no you weren't really featured." "Featured? Spotlighted?" "Yeah," Percy said, warming up to the idea. "We came down here for the Tartarus tour--like, exotic destinations, you know? The Underworld is overdone. Mount Olympus is a tourist trap--" "Gods, totally!" Annabeth agreed. "So we booked the Tartarus excursion, but no one even mentioned we'd run into Nyx. Huh. Oh, well. Guess they didn't think you were important.

We are kissing like crazy. Like our lives depend on it. His tongue slips inside my mouth, gentle but demanding, and it’s nothing like I’ve ever experienced, and I suddenly understand why people describe kissing as melting because every square inch of my body dissolves into his. My fingers grip his hair, pulling him closer. My veins throb and my heart explodes. I have never wanted anyone like this before. Ever. He pushes me backward and we’re lying down, making out in front of the children with their red balloons and the old men with their chess sets and the tourists with their laminated maps and I don’t care, I don’t care about any of that. All I want is Étienne. The weight of his body on top of mine is extraordinary. I feel him—all of him—pressed against me, and I inhale his shaving cream, his shampoo, and that extra scent that’s just . . . him. The most delicious smell I could ever imagine. I want to breathe him, lick him, eat him, drink him. His lips taste like honey. His face has the slightest bit of stubble and it rubs my skin but I don’t care, I don’t care at all. He feels wonderful. His hands are everywhere, and it doesn’t matter that his mouth is already on top of mine, I want him closer closer closer.

When is the last time you were a tourist?” she asked archly. He just looked at her. Charles, she had to agree, was not tourist material. “Right,” Anna told him. “Buck up. You might even enjoy it.” “You might as well have ‘hapless victim’ tattooed across your forehead,” he muttered.

Louisiana in September was like an obscene phone call from nature. The air--moist, sultry, secretive, and far from fresh--felt as if it were being exhaled into one's face. Sometimes it even sounded like heavy breathing. Honeysuckle, swamp flowers, magnolia, and the mystery smell of the river scented the atmosphere, amplifying the intrusion of organic sleaze. It was aphrodisiac and repressive, soft and violent at the same time. In New Orleans, in the French Quarter, miles from the barking lungs of alligators, the air maintained this quality of breath, although here it acquired a tinge of metallic halitosis, due to fumes expelled by tourist buses, trucks delivering Dixie beer, and, on Decatur Street, a mass-transit motor coach named Desire.

It seems that I have been held in some dreaming state A tourist in the waking world world, never quite awake. No kiss, no gentle word could wake me from this slumber, Until I realised that it was you who held me under.

We were never organized readers who would see a book through to its end in any sory of logical order. We weave in and out of words like tourists on a hop-on, hop-off bus tour. Put a book down in the kitchen to go to the bathroom and you might return to find it gone, replaced by another of equal interest. We are indiscriminate.

Tourists came around and looked into our tipis. That those were the homes we choose to live in didn`t bother them at all. The untied the door, opened the flap, and barged right in, touching our things, poking through our bedrolls, inspecting everything. It boggles my mind that tourists feel they have the god-given right to intrude everywhere.

May 4, 1985. I am packing for a short trip to New York to discuss the cat book with Brion. In the front room where the kittens are kept, Calico Jane is nursing one black kitten. I pick up my Tourister. It seems heavy. I look inside and there are her other four kittens. "Take care of my babies. Take them with you wherever you go.

Industrial tourism is a threat to the national parks. But the chief victims of the system are the motorized tourists. They are being robbed and robbing themselves. So long as they are unwilling to crawl out of their cars they will not discover the treasures of the national parks and will never escape the stress and turmoil of the urban-suburban complexes which they had hoped, presumably, to leave behind for a while.

She went to the window. A fine sheen of sugary frost covered everything in sight, and white smoke rose from chimneys in the valley below the resort town. The window opened to a rush of sharp early November air that would have the town in a flurry of activity, anticipating the tourists the colder weather always brought to the high mountains of North Carolina. She stuck her head out and took a deep breath. If she could eat the cold air, she would. She thought cold snaps were like cookies, like gingersnaps. In her mind they were made with white chocolate chunks and had a cool, brittle vanilla frosting. They melted like snow in her mouth, turning creamy and warm.

My version of an Irish exit has an air of deception to it, because it includes my asking loudly, “Where’s the bathroom?” and making theatrical looking-around gestures like a lost foreign tourist. But then, instead of finding the bathroom, I sneakily grab my coat and leave.

I was on a walking tour of Oxford colleges once with a group of bored and unimpressable tourists. They yawned at Balliol's quad, T.E. Lawrence's and Churchill's portraits, and the blackboard Einstein wrote his E=mc2 on. Then the tour guide said, 'And this is the Bridge of Sighs, where Lord Peter proposed (in Latin) to Harriet,' and everyone suddenly came to life and began snapping pictures. Such is the power of books.

Horses are of a breed unique to Fantasyland. They are capable of galloping full-tilt all day without a rest. Sometimes they do not require food or water. They never cast shoes, go lame or put their hooves down holes, except when the Management deems it necessary, as when the forces of the Dark Lord are only half an hour behind. They never otherwise stumble. Nor do they ever make life difficult for Tourists by biting or kicking their riders or one another. They never resist being mounted or blow out so that their girths slip, or do any of the other things that make horses so chancy in this world. For instance, they never shy and seldom whinny or demand sugar at inopportune moments. But for some reason you cannot hold a conversation while riding them. If you want to say anything to another Tourist (or vice versa), both of you will have to rein to a stop and stand staring out over a valley while you talk. Apart from this inexplicable quirk, horses can be used just like bicycles, and usually are. Much research into how these exemplary animals come to exist has resulted in the following: no mare ever comes into season on the Tour and no stallion ever shows an interest in a mare; and few horses are described as geldings. It therefore seems probable that they breed by pollination. This theory seems to account for everything, since it is clear that the creatures do behave more like vegetables than mammals. Nomads appears to have a monopoly on horse-breeding. They alone possess the secret of how to pollinate them.

That the native does not like the tourist is not hard to explain. For every native of every place is a potential tourist, and every tourist is a native of somewhere. Every native everywhere lives a life of overwhelming and crushing banality and boredom and desperation and depression, and every deed, good and bad, is an attempt to forget this. Every native would like to find a way out, every native would like a rest, every native would like a tour. But some natives—most natives in the world—cannot go anywhere. They are too poor. They are too poor to go anywhere. They are too poor to escape the reality of their lives; and they are too poor to live properly in the place they live, which is the very place you, the tourist, want to go—so when the natives see you, the tourist, they envy you, they envy your ability to leave your own banality and boredom, they envy your ability to turn their own banality and boredom into a source of pleasure for yourself.

To awaken quite alone in a strange town is one of the pleasantest sensations in the world. You are surrounded by adventure. You have no idea of what is in store for you, but you will, if you are wise and know the art of travel, let yourself go on the stream of the unknown and accept whatever comes in the spirit in which the gods may offer it. For this reason your customary thoughts, all except the rarest of your friends, even most of your luggage - everything, in fact, which belongs to your everyday life, is merely a hindrance. The tourist travels in his own atmosphere like a snail in his shell and stands, as it were, on his own perambulating doorstep to look at the continents of the world. But if you discard all this, and sally forth with a leisurely and blank mind, there is no knowing what may not happen to you.

David Attenborough has said that Bali is the most beautiful place in the world, but he must have been there longer than we were, and seen different bits, because most of what we saw in the couple of days we were there sorting out our travel arrangements was awful. It was just the tourist area, i.e., that part of Bali which has been made almost exactly the same as everywhere else in the world for the sake of people who have come all this way to see Bali.

In his rearview mirror, I saw something flash in his eyes. "You want to know?" he sneered. "Let me imagine, Agha sahib. You probably lived in a big two- or three-story house with a nice backyard that your gardener filled with flowers and fruit trees. All gated, of course. Your father drove an American car. You had servants, probably Hazaras. Your parents hired workers to decorate the house for the fancy mehmanis they threw, so their friends would come over to drink and boast about their travels to Europe or America. And I would bet my first son's eyes that this is the first time you've ever worn a pakol." He grinned at me, revealing a mouthful of prematurely rotting teeth. "Am I close?" Why are you saying these things?" I said. Because you wanted to know," he spat. He pointed to an old man dressed in ragged clothes trudging down a dirt path, a large burlap pack filled with scrub grass tied to his back. "That's the real Afghanistan, Agha sahib. That's the Afghanistan I know. You? You've always been a tourist here, you just didn't know it.

My love affair with nature is so deep that I am not satisfied with being a mere onlooker, or nature tourist. I crave a more real and meaningful relationship. The spicy teas and tasty delicacies I prepare from wild ingredients are the bread and wine in which I have communion and fellowship with nature, and with the Author of that nature.

The Hitchhiker's Guide to the Galaxy is an indispensable companion to all those who are keen to make sense of life in an infinitely complex and confusing Universe, for though it cannot hope to be useful or informative on all matters, it does at least make the reassuring claim, that where it is inaccurate it is at least definitively inaccurate. In cases of major discrepancy it's always reality that's got it wrong. This was the gist of the notice. It said "The Guide is definitive. Reality is frequently inaccurate." This has led to some interesting consequences. For instance, when the Editors of the Guide were sued by the families of those who had died as a result of taking the entry on the planet Tralal literally (it said "Ravenous Bugblatter Beasts often make a very good meal for visiting tourists: instead of "Ravenous Bugblatter Beasts often make a very good meal of visiting tourists"), they claimed that the first version of the sentence was the more aesthetically pleasing, summoned a qualified poet to testify under oath that beauty was truth, truth beauty and hoped thereby to prove that the guilty party in this case was Life itself for failing to be either beautiful or true. The judges concurred, and in a moving speech held that Life itself was in contempt of court, and duly confiscated it from all those there present before going off to enjoy a pleasant evening's ultragolf.

I had seen that look before, on the faces of tourists visiting the Texas Book Depository in Dallas where Lee Harvey Oswald took the shots at JFK. I took that tour and met some conspiracy buffs, all of us standing at the gunman’s window and looking down to the spot where the motorcade passed. It’s right there below the window, an easy shot at a slow-moving car. No mystery, just a kid and a rifle and a tragedy. They came looking for dark and terrible revelations and instead found out something even more dark and terrible: that their lives were trite and boring.

You? You can’t believe this? I’m the one who has to go to Artemis to save your ass. She was freaking out over Zarek, now how the hell do I explain to her that Mr. Cool-Calm-and-Collected was doing his impression of Spider Man in a bar loaded with tourists and ended up as the main feature on Tokyo news as what’s wrong with American culture? Question. How many rules did you break in less than a minute? (Acheron)

America is subsidizing what is left of the prestige and strength of the once mighty Britain. The sun has set forever on that monocled, pith-helmeted resident colonialist, sipping tea with his delicate lady in the non-white colonies being systematically robbed of every valuable resource. Britain's superfluous royalty and nobility now exist by charging tourists to inspect the once baronial castles, and by selling memoirs, perfumes, autographs, titles, and even themselves.

But it does no good--solves nothing--to distance myself from the front lines of human need by using the mail as a safe shelter. I believe that serving the best ends of humanity means getting out in the middle of it just as it is, not staying home writing checks and thinking hopeful thoughts. The world does not need tourists who ride by in a bus clucking their tongues. The world as it is needs those who will love it enough to change it, with what they have, where they are. And you're damned right that's idealistic. No apology. When idealism goes into the trash as junk mail, we're finished.

The human mind is a fearful instrument of adaptation, and in nothing is this more clearly shown than in its mysterious powers of resilience, self-protection, and self-healing. Unless an event completely shatters the order of one's life, the mind, if it has youth and health and time enough, accepts the inevitable and gets itself ready for the next happening like a grimly dutiful American tourist who, on arriving at a new town, looks around him, takes his bearings, and says, "Well, where do I go from here?

Yes, the past is a foreign country," I said, "but some of us are full-fledged citizens, others occasional tourists, and some floating itinerants, itching to get out yet always aching to return." "There's a life that takes place in ordinary time," I said, "and another that bursts in but just as suddenly fizzles out. And then there's the life we may never reach but that could so easily be ours if only we knew how to find it. It doesn't necessarily happen on our planet, but is just as real as the one we live by—call it our 'star life.' Nietzsche wrote that estranged friends may become declared enemies but in some mysterious way continue to remain friends, though on a totally different sphere. He called these 'star friendships.

The spectacular landscape circling the fortress supplies an essential backdrop, inspiring dreamers to wander its ruins for the sake of it; North American tourists, bound down by their practical world view, are able to place those members of the disintegrating tribes they may have seen in their travels among these once-living walls, unaware of the moral distance separating them, since only the semi-indigenous spirit of the South American can grasp the subtle differences.

The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.

I'm already waiting when Puck gets to the top of the cliffs. I'm not the only one; about two dozen race tourists have made perches out of rocks, watching Corr and me as closely as they dare. Puck glares at them all, searing enough that some of them flinch in surprise. I'm not certain what to expect from her after last night. I don't know how to address her. I don't know what she expects from me or what I expect from me. What I get is a wordless hello and a November cake in my hand.

TO BE A TOURIST is to escape accountability. Errors and failings don't cling to you the way they do back home. You're able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You're expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walked around dazed, squinting into fold-out maps. You don't know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysentric, thirsty. There is nothing to think about but the next shapeless event.

Thom pulled nervously at his ‘Kings’ t-shirt. The Kings are a brutal West African gang that he follows onscreen. Such ‘tourist shows’, as I understand they are called, have become wildly popular in recent years, as global unrest makes actual travel less popular. Armoured imaging teams, using tiny remote drone cameras known as ‘flies’, take the viewer inside the violent, gang-controlled regions of Nigeria and Cameroon. Using a touch screen, viewers (or ‘zoners’ as they are sometimes called) can follow the action from multiple angles while cheering on their favourite gang.

Three years in London had not changed Richard, although it had changed the way he perceived the city. Richard had originally imagined London as a gray city, even a black city, from pictures he had seen, and he was surprised to find it filled with color. It was a city of red brick and white stone, red buses and large black taxis, bright red mailboxes and green grassy parks and cemeteries. It was a city in which the very old and the awkwardly new jostled each other, not uncomfortably, but without respect; a city of shops and offices and restaurants and homes, of parks and churches, of ignored monuments and remarkably unpalatial palaces; a city of hundreds of districts with strange names - Crouch End, Chalk Farm, Earl's Court, Marble Arch - and oddly distinct identities; a noisy, dirty, cheerful, troubled city, which fed on tourists, needed them as it despised them, in which the average speed of transportation through the city had not increased in three hundred years, following five hundred years of fitful road-widening and unskillful compromises between the needs of traffic, whether horse-drawn, or, more recently, motorized, and the need of pedestrians; a city inhabited by and teeming with people of every color and manner and kind.

A qui écris-tu? -A toi. En fait, je ne t'écris pas vraiment, j'écris ce que j'ai envie de faire avec toi... Il y avait des feuilles partout. Autour d'elle, à ses pieds, sur le lit. J'en ai pris une au hasard: "...Pique-niquer, faire la sieste au bord d'une rivière, manger des pêches, des crevettes, des croissants, du riz gluant, nager, danser, m'acheter des chaussures, de la lingerie, du parfum, lire le journal, lécher les vitrines, prendre le métro, surveiller l'heure, te pousser quand tu prends toute la place, étendre le linge, aller à l'Opéra, faire des barbecues, râler parce que tu as oublié le charbon, me laver les dents en même temps que toi, t'acheter des caleçons, tondre la pelouse, lire le journal par-dessus ton épaule, t'empêcher de manger trop de cacahuètes, visiter les caves de la Loire, et celles de la Hunter Valley, faire l'idiote, jacasser, cueillir des mûres, cuisiner, jardiner, te réveiller encore parce que tu ronfles, aller au zoo, aux puces, à Paris, à Londres, te chanter des chansons, arrêter de fumer, te demander de me couper les ongles, acheter de la vaisselle, des bêtises, des choses qui ne servent à rien, manger des glaces, regarder les gens, te battre aux échecs, écouter du jazz, du reggae, danser le mambo et le cha-cha-cha, m'ennuyer, faire des caprices, bouder, rire, t'entortiller autour de mon petit doigt, chercher une maison avec vue sur les vaches, remplir d'indécents Caddie, repeindre un plafond, coudre des rideaux, rester des heures à table à discuter avec des gens intéressants, te tenir par la barbichette, te couper les cheveux, enlever les mauvaises herbes, laver la voiture, voir la mer, t'appeler encore, te dire des mots crus, apprendre à tricoter, te tricoter une écharpe, défaire cette horreur, recueillir des chats, des chiens, des perroquets, des éléphants, louer des bicyclettes, ne pas s'en servir, rester dans un hamac, boire des margaritas à l'ombre, tricher, apprendre à me servir d'un fer à repasser, jeter le fer à repasser par la fenêtre, chanter sous la pluie, fuire les touristes, m'enivrer, te dire toute la vérité, me souvenir que toute vérité n'est pas bonne à dire, t'écouter, te donner la main, récupérer mon fer à repasser, écouter les paroles des chansons, mettre le réveil, oublier nos valises, m'arrêter de courir, descendre les poubelles, te demander si tu m'aimes toujours, discuter avec la voisine, te raconter mon enfance, faire des mouillettes, des étiquettes pour les pots de confiture..." Et ça continuais comme ça pendant des pages et des pages...

Imagination is not, as some poets have thought, simply synonymous with good. It may be either good or evil. As long as art remained primarily mimetic, the evil which imagination could do was limited by nature. Again, as long as it was treated as an amusement, the evil which it could do was limited in scope. But in an age when the connection between imagination and figuration is beginning to be dimly realized, when the fact of the directionally creator relation is beginning to break through into consciousness, both the good and the evil latent in the working of imagination begin to appear unlimited. We have seen in the Romantic movement an instance of the way in which the making of images may react upon the collective representations. It is a fairly rudimentary instance, but even so it has already gone beyond the dreams and responses of a leisured few. The economic and social structure of Switzerland is noticeably affected by its tourist industry, and that is due only in part to increased facilities of travel. It is due not less to the condition that (whatever may be said about their ‘particles’) the mountains which twentieth-century man sees are not the mountains which eighteenth-century man saw. It may be objected that this is a very small matter, and that it will be a long time before the imagination of man substantially alters those appearances of nature with which his figuration supplies him. But then I am taking the long view. Even so, we need not be too confident. Even if the pace of change remained the same, one who is really sensitive to (for example) the difference between the medieval collective representations and our own will be aware that, without traveling any greater distance than we have come since the fourteenth century, we could very well move forward into a chaotically empty or fantastically hideous world. But the pace of change has not remained the same. It has accelerated and is accelerating. We should remember this, when appraising the aberrations of the formally representational arts. Of course, in so far as these are due to affectation, they are of no importance. But in so far as they are genuine, they are genuine because the artist has in some way or other experienced the world he represents. And in so far as they are appreciated, they are appreciated by those who are themselves willing to make a move towards seeing the world in that way, and, ultimately therefore, seeing that kind of world. We should remember this, when we see pictures of a dog with six legs emerging from a vegetable marrow or a woman with a motorbicycle substituted for her left breast.

There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.

How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands. Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs. Those who go there to be guards are conscripted via the military conscription centers. And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest. Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity? The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest." If you are arrested, can anything else remain unshattered by this cataclysm? But the darkened mind is incapable of embracing these dis­placements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience, can gasp out only: "Me? What for?" And this is a question which, though repeated millions and millions of times before, has yet to receive an answer. Arrest is an instantaneous, shattering thrust, expulsion, somer­sault from one state into another. We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to pene­trate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous num­ber of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but none­theless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all. That's all there is to it! You are arrested! And you'll find nothing better to respond with than a lamblike bleat: "Me? What for?" That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality. That's all. And neither for the first hour nor for the first day will you be able to grasp anything else.

The value of Greek prose composition, he said, was not that it gave one any particular facility in the language that could not be gained as easily by other methods but that if done properly, off the top of one's head, it taught one to think in Greek. One's thought patterns become different, he said, when forced into the confines of a rigid and unfamiliar tongue. Certain common ideas become inexpressible; other, previously undreamt-of ones spring to life, finding miraculous new articulation. By necessity, I suppose, it is difficult for me to explain in English exactly what I mean. I can only say that an incendium is in its nature entirely different from the feu with which a Frenchman lights his cigarette, and both are very different from the stark, inhuman pur that the Greeks knew, the pur that roared from the towers of Ilion or leapt and screamed on that desolate, windy beach, from the funeral pyre of Patroklos. Pur: that one word contains for me the secret, the bright, terrible clarity of ancient Greek. How can I make you see it, this strange harsh light which pervades Homer's landscapes and illumines the dialogues of Plato, an alien light, inarticulable in our common tongue? Our shared language is a language of the intricate, the peculiar, the home of pumpkins and ragamuffins and bodkins and beer, the tongue of Ahab and Falstaff and Mrs. Gamp; and while I find it entirely suitable for reflections such as these, it fails me utterly when I attempt to describe in it what I love about Greek, that language innocent of all quirks and cranks; a language obsessed with action, and with the joy of seeing action multiply from action, action marching relentlessly ahead and with yet more actions filing in from either side to fall into neat step at the rear, in a long straight rank of cause and effect toward what will be inevitable, the only possible end. In a certain sense, this was why I felt so close to the other in the Greek class. They, too, knew this beautiful and harrowing landscape, centuries dead; they'd had the same experience of looking up from their books with fifth-century eyes and finding the world disconcertingly sluggish and alien, as if it were not their home. It was why I admired Julian, and Henry in particular. Their reason, their very eyes and ears were fixed irrevocably in the confines of those stern and ancient rhythms – the world, in fact, was not their home, at least the world as I knew it – and far from being occasional visitors to this land which I myself knew only as an admiring tourist, they were pretty much its permanent residents, as permanent as I suppose it was possible for them to be. Ancient Greek is a difficult language, a very difficult language indeed, and it is eminently possible to study it all one's life and never be able to speak a word; but it makes me smile, even today, to think of Henry's calculated, formal English, the English of a well-educated foreigner, as compared with the marvelous fluency and self-assurance of his Greek – quick, eloquent, remarkably witty. It was always a wonder to me when I happened to hear him and Julian conversing in Greek, arguing and joking, as I never once heard either of them do in English; many times, I've seen Henry pick up the telephone with an irritable, cautious 'Hello,' and may I never forget the harsh and irresistible delight of his 'Khairei!' when Julian happened to be at the other end.