“
I want so many things,” he whispers. “I want your mind. Your strength. I want to be worth your time.” His fingers graze the hem of my top and he says “I want this up.” He tugs on the waist of my pants and says “I want these down.” He touches the tips of his fingers to the sides of my body and says, “I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it’s racing because of me, because you want me. Because you never,” he says, he breathes, “never want me to stop. I want every second. Every inch of you. I want all of it.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
I can write the saddest poem of all tonight.
Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."
The night wind whirls in the sky and sings.
I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.
On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.
She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?
I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.
To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.
What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.
That's all. Far away, someone sings. Far away.
My soul is lost without her.
As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.
The same night that whitens the same trees.
We, we who were, we are the same no longer.
I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.
Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.
I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.
Because on nights like this I held her in my arms,
my soul is lost without her.
Although this may be the last pain she causes me,
and this may be the last poem I write for her.
”
”
Pablo Neruda
“
1) I love you not for whom you are,
but who i am when i'm by your side.
2) No person deserves your tears,
and who deserves them won't make you cry.
3) Just because someone doesn't love you as you wish,
it doesn't mean you're not loved with all his/her being.
4) A true friend is the one,
who hold your hand and touches your heart.
5) The worst way to miss someone is,
to be seated by him/her and know you'll never have him/her.
6) Never stop smiling not even when you're sad,
someone might fall in love with your smile.
7) You may only be a person in this world,
but for someone you're the world.
8) Don't spend time with someone,
who doesn't care spending it with you.
9) Maybe God wants you to meet many wrong people,
before you meet the right one,so when it happens you'll be thankful.
10) Dont cry because it came to an end,
smile because it happened.
11) There will always be people who'll hurt you,
so you need to continue trusting, just be careful.
12) Become a better person and be sure to know who you are,
before meeting someone new and hoping that person knows who you are.
13) Don't struggle so much,
best things happen when not expected.
”
”
Gabriel García Márquez
“
You destroy me."
"Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death.
"I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less."
"You-you said you wanted f-friendship-"
"Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-"
"No," I gasp. "Don't-don't s-say that-"
"I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world."
"I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it."
And I drop dead, all over the floor.
"Juliette."
I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again.
He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Child, child, have patience and belief, for life is many days, and each present hour will pass away. Son, son, you have been mad and drunken, furious and wild, filled with hatred and despair, and all the dark confusions of the soul - but so have we. You found the earth too great for your one life, you found your brain and sinew smaller than the hunger and desire that fed on them - but it has been this way with all men. You have stumbled on in darkness, you have been pulled in opposite directions, you have faltered, you have missed the way, but, child, this is the chronicle of the earth. And now, because you have known madness and despair, and because you will grow desperate again before you come to evening, we who have stormed the ramparts of the furious earth and been hurled back, we who have been maddened by the unknowable and bitter mystery of love, we who have hungered after fame and savored all of life, the tumult, pain, and frenzy, and now sit quietly by our windows watching all that henceforth never more shall touch us - we call upon you to take heart, for we can swear to you that these things pass.
”
”
Thomas Wolfe (You Can't Go Home Again (Perennial Library))
“
Your light is seen, your heart is known, your soul is cherished by more people than you might imagine. If you knew how many others have been touched in wonderful ways by you, you would be astonished. If you knew how many people feel so much for you, you would be shocked. You are far more wonderful than you think you are. Rest with that. Rest easy with that. Breathe again. You are doing fine. More than fine. Better than fine. You’re doin’ great. So relax. And love yourself today.
”
”
Neale Donald Walsch
“
Love doesn't give you very many choices. When you love someone, you just want to be with them. If they break your heart, you will still love them. Because hearts are easy to break, and though love is tender and sometimes fragile, love isn't.
Love sort of envelops you. It covers you like a giant shadow, then pulls you in like a blanket. You are so warm. The feeling surrounds you, and no matter how you feel, it is always there. You can't escape it. But you wouldn't want to. You are so, so safe. You can't remember the last time you were this happy. Were you ever? This happy?
Every second you are apart feels like hours. Sometimes, right before you fall asleep, you miss them so much it hurts. You ache for them. Their warmth. Their touch. Their smell. You need them. When you can't sleep you wish and wish and wish that they would wake up and talk to you. When you dream of them, you wake up smiling. When pain stabs into you, you reach out for them. You cry to them, begging them to hold you and make it all go away, make everything go away.
Love addicts you to its feeling. You never, ever want to lose that feeling. Sometimes the fear of losing love drives people to do crazy things. Like buy a plane ticket. Make a phone call. Run out of a class. Cry. Write. Laugh.
Because when you love someone, you really love them. You give them your whole heart. You trust them. You never want to be away from them. Sometimes, you don't even need their words. You just need them there.
Love is such an amazing thing, and too many people take it for granted. If you're in love, don't let it go. Don't you dare let it go.
”
”
Alysha Speer
“
When I get honest, I admit I am a bundle of paradoxes. I believe and I doubt, I hope and get discouraged, I love and I hate, I feel bad about feeling good, I feel guilty about not feeling guilty. I am trusting and suspicious. I am honest and I still play games. Aristotle said I am a rational animal; I say I am an angel with an incredible capacity for beer.
To live by grace means to acknowledge my whole life story, the light side and the dark. In admitting my shadow side I learn who I am and what God's grace means. As Thomas Merton put it, "A saint is not someone who is good but who experiences the goodness of God."
The gospel of grace nullifies our adulation of televangelists, charismatic superstars, and local church heroes. It obliterates the two-class citizenship theory operative in many American churches. For grace proclaims the awesome truth that all is gift. All that is good is ours not by right but by the sheer bounty of a gracious God. While there is much we may have earned--our degree and our salary, our home and garden, a Miller Lite and a good night's sleep--all this is possible only because we have been given so much: life itself, eyes to see and hands to touch, a mind to shape ideas, and a heart to beat with love. We have been given God in our souls and Christ in our flesh. We have the power to believe where others deny, to hope where others despair, to love where others hurt. This and so much more is sheer gift; it is not reward for our faithfulness, our generous disposition, or our heroic life of prayer. Even our fidelity is a gift, "If we but turn to God," said St. Augustine, "that itself is a gift of God."
My deepest awareness of myself is that I am deeply loved by Jesus Christ and I have done nothing to earn it or deserve it.
”
”
Brennan Manning (The Ragamuffin Gospel)
“
So many people com einto our lives and then leave the way they came. But there are those precious few who touch our hearts so deeply we will never be the same.
”
”
Mary Engelbreit
“
I should like to ask you: -- Does your childhood seem far off? Do the days when you sat at your mother's knee, seem days of very long ago?" Responding to his softened manner, Mr. Lorry answered: "Twenty years back, yes; at this time of my life, no. For, as I draw closer and closer to the end, I travel in the circle, nearer and nearer to the beginning. It seems to be one of the kind smoothings and preparings of the way. My heart is touched now, by many remembrances that had long fallen asleep, of my pretty young mother (and I so old!), and by many associations of the days when what we call the World was not so real with me, and my faults were not confirmed with me.
”
”
Charles Dickens (A Tale of Two Cities)
“
And now I begin to understand why I was imprisoned so many years in this lonely chamber, and why I could never break through the viewless bolts and bars; for if I had sooner made my escape into the world, I should have grown hard and rough, and been covered with earthly dust, and my heart might have become callous by rude encounters with the multi-tude.. ... But living in solitude till the fulness of time was come, I still kept the dew of my youth and the freshness of my heart..... I used to think that I could imagine all passions, all feelings and states of the heart and mind; but how little did I know!...Indeed, we are but shadows—we are not endowed with real life, and all that seems most real about us is but the thinnest substance of a dream—till the heart be touched. That touch creates us,—then we begin to be,—thereby we are beings of reality and inheritors of eternity.
”
”
Nathaniel Hawthorne
“
You are my life.” Though his words were barely a whisper, they seemed to echo from somewhere deep within him, enveloping my body and infusing me with something unshakable. “There is nothing I would not do to make you happy. Before I met you, my world was a string of days that were gray and empty. I had nothing to look forward to, and I cannot tell you what it was like, facing down eternity alone. Every day I wished for you. Every day I held on in hopes that eventually we would meet. And when I finally found you...”
He leaned in and kissed me again, astenderly as before. His hand slid underneath my shirt, splaying across my stomach, but the touch wasn’t sexual. It was as if he were trying to memorize me, just as I was trying to memorize him.
“I have existed for more eons than I remember. I have seen the sun rise and fall so many times that the days lost all meaning. For so long, they passed me by in a blur. But that night we met by the river—the night you gave up yourself in order to save a virtual stranger—my heart began to beat again.”
He took my hand and pressed it against his chest, and there it was—thump thump, thump thump, strong and beautiful. I would’ve given anything to keep his heart beating. The black abyss that had become my world in those hours I’d thought he was dead had faded, but it was a scar I would always bear. I couldn’t go back to that. Even if I had Milo, I would never have another Henry.
”
”
Aimee Carter (The Goddess Inheritance (Goddess Test, #3))
“
Shall I tell her? Shall I be a kind and merciful narrator and take our girl aside? Shall I touch her new, red heart and make her understand that she is no longer one of the tribe of heartless children, nor even the owner of the wild and infant heart of thirteen-year-old girls and boys? Oh, September! Hearts, once you have them locked up in your chest, are a fantastic heap of tender and terrible wonders - but they must be trained. Beatrice could have told her all about it. A heart can learn ever so many tricks, and what sort of beast it becomes depends greatly upon whether it has been taught to sit up or to lie down, to speak or to beg, to roll over or to sound alarm, to guard or to attack, to find or to stay. But the trick most folk are so awfully fond of learning, the absolute second they've got hold of a heart, is to pretend they don't have one at all. It is the very first danger of the hearted. Shall I give fair warning, as neither you nor I was given?
”
”
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
“
Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it?
The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film.
This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire.
Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?
”
”
Naomi Wolf (The Beauty Myth)
“
Or I would be the rain itself, wreathing over the island, mingling in the quiet of moist places, filling its pores with its saturated breaths. And I would be the wind, whispering through the tangled woods, running airy fingers over the island’s face, tingling in the chill of concealed places, sighing secrets in the dawn. And I would be the light, flinging over the island, covering it with flash and shadow, shining on rocks and pools, softening to a touch in the glow of dusk. If I were the rain and wind and light, I would encircle the island like the sky surrounding earth, flood through it like a heart driven pulse, shine from inside it like a star in flames, burn away to blackness in the closed eyes of its night. There are so many ways I could love this island, if I were the rain.
”
”
Richard Nelson (The Island Within)
“
In a society that is essentially designed to organize, direct, and gratify mass impulses, what is there to minister to the silent zones of man as an individual? Religion? Art? Nature? No, the church has turned religion into standardized public spectacle, and the museum has done the same for art. The Grand Canyon and Niagara Falls have been looked at so much that they've become effete, sucked empty by too many stupid eyes. What is there to minister to the silent zones of man as an individual? How about a cold chicken bone on a paper plate at midnight, how about a lurid lipstick lengthening or shortening at your command, how about a Styrofoam nest abandoned by a 'bird' you've never known, how about a pair of windshield wipers pursuing one another futilely while you drive home alone through a downpour, how about something beneath a seat touched by your shoe at the movies, how about worn pencils, cute forks, fat little radios, boxes of bow ties, and bubbles on the side of a bathtub? Yes, these are the things, these kite strings and olive oil cans and Valentine hearts stuffed with nougat, that form the bond between the autistic vision and the experiential world, it is to show these things in their true mysterious light that is the purpose of the moon.
”
”
Tom Robbins
“
You are impossibly cruel, Louis,’ Harry whispers, turning his body to face him so that they are nose-to-nose, heart-to-heart. Louis’ entire body is thrumming with too many emotions and too many desires and too many fears. 'You are cruel for making everything else seem dull. You are cruel for imprisoning me in your very touch—'—carefully, he brings the pads of his fingers to Louis’ cheekbones, swirls delicate patterns onto his flesh—'—for freeing me with your every word—'—his fingers slide to graze over Louis’ lips—'—and for bestowing upon me the most painful sense of longing that I’ve ever had the pleasure to suffer at the hands of. You have shown me color in a world of gray and you are cruel, Louis Tomlinson, for you take the color with you every moment that you’re not beside me. You are cruel because I will gladly suffer until the world has returned.
”
”
Velvetoscar
“
The more beautiful world my heart knows is possible is a world with a lot more pleasure: a lot more touch, a lot more lovemaking, a lot more hugging, a lot more deep gazing into each other’s eyes, a lot more fresh-ground tortillas and just-harvested tomatoes still warm from the sun, a lot more singing, a lot more dancing, a lot more timelessness, a lot more beauty in the built environment, a lot more pristine views, a lot more water fresh from the spring. Have you ever tasted real water, springing from the earth after a twenty-year journey through the mountain? None of these pleasures is very far away. None requires any new inventions, nor the subservience of the many to the few. Yet our society is destitute of them all. Our wealth, so-called, is a veil for our poverty, a substitute for what is missing. Because it cannot meet most of our true needs, it is an addictive substitute. No amount can ever be enough. Many of us already see through the superficial substitute pleasures we are offered. They are boring to us, or even revolting. We needn’t sacrifice pleasure to reject them. We need only sacrifice the habit, deeply ingrained, of choosing a lesser pleasure over a greater. Where does this habit come from? It is an essential strand of the world of separation, because most of the tasks that we must do to keep the world-devouring machine operating do not feel very good at all. To keep doing them, we must be trained to deny pleasure.
”
”
Charles Eisenstein (The More Beautiful World Our Hearts Know Is Possible (Sacred Activism Book 2))
“
Your light is seen, your heart is known, your soul is cherished by more people than you might imagine…If you knew how many others have been touched in wonderful ways by you, you would be astonished. If you knew how many people feel so much for you, you would be shocked…You are far more wonderful than you think you are… Rest with that. Rest easy with that. Breathe again. You are doing fine. Better than fine. You’re doin’ great. So wake up and shine. And love yourself today.
”
”
Neale Donald Walsch
“
Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
And he needed the yes. He had loved her for years, dreamed about touching her for so damned long. And now that the moment was finally here, he just didn’t know if he could bear it if she didn’t really want it. There were only so many ways a man’s heart could break, and he had a feeling his couldn’t survive another puncture.
”
”
Julia Quinn (When He Was Wicked (Bridgertons, #6))
“
Here, just a minute.” He touched a drop of marsh water onto the slide, covered it with another, and focused the eyepiece. He stood. “Have a look.” Kya leaned over gently, as if to kiss a baby. The microscope’s light reflected in her dark pupils, and she drew in a breath as a Mardi Gras of costumed players pirouetted and careened into view. Unimaginable headdresses adorned astonishing bodies so eager for more life, they frolicked as though caught in a circus tent, not a single bead of water. She put her hand on her heart. “I had no idea there were so many and so beautiful,” she said, still looking. He identified some odd species, then stepped back, watching her. She feels the pulse of life, he thought, because there are no layers between her and her planet.
”
”
Delia Owens (Where the Crawdads Sing)
“
Believe me, I wish I could give you what you want. I have thought about it so many times, but I can't just do it. Maybe I could pretend for a while, but then I wouldn't be being honest with you. We have always been honest with each other.
”
”
Jayson James (Tormented Discovery (Finding Our Way, #2))
“
I only half realised at the time how lucky I was. I had a demanding, round-the-clock job, and yet I had the company of my children at the same time. So many men work so hard to keep the home going that they lose touch with the families who are at the heart of it, but it never happened to me. Both Jimmy and Rosie, until they went to school, spent most of their time with me round the farms.
”
”
James Herriot (All Things Wise and Wonderful / The Lord God Made Them All)
“
And now, these books. This. He touched PHYSIOGNOMONIE. The secrets of the individual's character as found on his face. Were Jim and Will, then, featured all angelic, pure, half-innocent, peering up through the sidewalk at marching terror? Did the boys represent the ideal for your Woman, Man, or Child of Excellent Bearing, Color, Balance, and Summer Disposition?
Converserly...Charles Halloway turned a page...did the scurrying freaks, the Illustrated Marvel, bear the foreheads of the Irascible, the Cruel, the Covetous, the mouths of the Lewd and Untruthful? the teeth of the Crafty, the Unstable, the Audacious, the Vainglorious, and your Marvelous Beast?
No. The book slipped shut. If faces were judged, the freaks were no worse than many he'd been slipping from the liberty late nights in his long career.
There was only one thing sure.
Two lines of Shakespeare said it. He should write them in the middle of the clock of books, to fix the heart of his apprehension:
By the pricking of my thumbs,
Something wicked this way comes.
So vague yet so immense.
He did not want to live with it.
Yet he knew that, during this night, unless he lived with it very well, he might have to live with it for all the rest of his life.
At the window he looked out and thought Jim, Will, are you coming? will you get here?
Waiting, his flesh took paleness from his bones.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
When I am gone, release me, let me go.
I have so many things to see and do,
You mustn't tie yourself to me with too many tears,
But be thankful we had so many good years.
I gave you my love, and you can only guess
How much you've given me in happiness.
I thank you for the love that you have shown,
But now it is time I traveled on alone.
So grieve for me a while, if grieve you must,
Then let your grief be comforted by trust.
It is only for a while we must part,
So treasure the memories within your heart.
I won't be far away for life goes on.
And if you need me, call and I will come.
Though you can't see or touch me, I will be near.
And if you listen with your heart, you'll hear,
All my love around you soft and clear.
And then, when you come this way alone,
I'll great you with a smile and a "Welcome Home.
”
”
Robert Bryndza
“
How baffling you are, oh Church, and yet how I love you! How you have made me suffer, and yet how much I owe you! I would like to see you destroyed, and yet I need your presence. You have given me so much scandal and yet you have made me understand what sanctity is. I have seen nothing in the world more devoted to obscurity, more compromised, more false, and yet I have touched nothing more pure, more generous, more beautiful. How often I have wanted to shut the doors of my soul in your face, and how often I have prayed to die in the safety of your arms.
No, I cannot free myself from you, because I am you, though not completely. And besides, where would I go? Would I establish another? I would not be able to establish it without the same faults, for they are the same faults I carry in me. And if I did establish another, it would be my Church, not the Church of Christ. I am old enough to know that I am no better than anyone else. …)
The Church has the power to make me holy but it is made up, from the first to the last, only of sinners. And what sinners! It has the omnipotent and invincible power to renew the Miracle of the Eucharist, but is made up of men who are stumbling in the dark, who fight every day against the temptation of losing their faith. It brings a message of pure transparency but it is incarnated in slime, such is the substance of the world. It speaks of the sweetness of its Master, of its non-violence, but there was a time in history when it sent out its armies to disembowel the infidels and torture the heretics. It proclaims the message of evangelical poverty, and yet it does nothing but look for money and alliances with the powerful.
Those who dream of something different from this are wasting their time and have to rethink it all. And this proves that they do not understand humanity. Because this is humanity, made visible by the Church, with all its flaws and its invincible courage, with the Faith that Christ has given it and with the love that Christ showers on it.
When I was young, I did not understand why Jesus chose Peter as his successor, the first Pope, even though he abandoned Him. Now I am no longer surprised and I understand that by founding his church on the tomb of a traitor(…)He was warning each of us to remain humble, by making us aware of our fragility. (…)
And what are bricks worth anyway? What matters is the promise of Christ, what matters is the cement that unites the bricks, which is the Holy Spirit. Only the Holy Spirit is capable of building the church with such poorly moulded bricks as are we.
And that is where the mystery lies. This mixture of good and bad, of greatness and misery, of holiness and sin that makes up the church…this in reality am I .(…)
The deep bond between God and His Church, is an intimate part of each one of us. (…)To each of us God says, as he says to his Church, “And I will betroth you to me forever” (Hosea 2,21). But at the same time he reminds us of reality: 'Your lewdness is like rust. I have tried to remove it in vain. There is so much that not even a flame will take it away' (Ezechiel 24, 12).
But then there is even something more beautiful. The Holy Spirit who is Love, sees us as holy, immaculate, beautiful under our guises of thieves and adulterers. (…) It’s as if evil cannot touch the deepest part of mankind.
He re-establishes our virginity no matter how many times we have prostituted our bodies, spirits and hearts. In this, God is truly God, the only one who can ‘make everything new again’. It is not so important that He will renew heaven and earth. What is most important is that He will renew our hearts. This is Christ’s work. This is the divine Spirit of the Church.
”
”
Carlo Carretto
“
Seriously, though,” Kieran chuckled. “I can say, hand on heart, that I never thought Con would ever settle down, but when he met Em, she absolutely knocked him for six. Even before Danny warned him, on pain of death, to stay away from her, it was too late. One look at Con and anyone could see that he was so far gone for our little sunshine; it was love for life. Em, you really have no idea how much sunshine you bring into the life of everyone you touch. You are good and gentle, caring and kind, and the fact that you don’t see any of these things in yourself makes you more beautiful. There’s a great many men here tonight who love you like a sister and a daughter and as long as you have all of us, you will never want for anything. I look at you both together and I see hope. Hope that one day, we all might be fortunate enough to fall in love with someone who doesn’t want or need to change you, but who makes you want to be a better person. I wish you both a long and happy life together, but if it doesn’t work out, Em, you know where to find me. Ladies and gentlemen, please raise your glasses. May green be the grass you walk on. May blue be the skies that love you. May pure be the joys that surround you. May true be the hearts that love you.
”
”
R.J. Prescott (The Hurricane (The Hurricane, #1))
“
Come, Paul!" she reiterated, her eye grazing me with its hard ray like a steel stylet. She pushed against her kinsman. I thought he receded; I thought he would go. Pierced deeper than I could endure, made now to feel what defied suppression, I cried -
"My heart will break!"
What I felt seemed literal heart-break; but the seal of another fountain yielded under the strain: one breath from M. Paul, the whisper, "Trust me!" lifted a load, opened an outlet. With many a deep sob, with thrilling, with icy shiver, with strong trembling, and yet with relief - I wept.
"Leave her to me; it is a crisis: I will give her a cordial, and it will pass," said the calm Madame Beck.
To be left to her and her cordial seemed to me something like being left to the poisoner and her bowl. When M. Paul answered deeply, harshly, and briefly - "Laissez-moi!" in the grim sound I felt a music strange, strong, but life-giving.
"Laissez-moi!" he repeated, his nostrils opening, and his facial muscles all quivering as he spoke.
"But this will never do," said Madame, with sternness. More sternly rejoined her kinsman -
"Sortez d'ici!"
"I will send for Père Silas: on the spot I will send for him," she threatened pertinaciously.
"Femme!" cried the Professor, not now in his deep tones, but in his highest and most excited key, "Femme! sortez à l'instant!"
He was roused, and I loved him in his wrath with a passion beyond what I had yet felt.
"What you do is wrong," pursued Madame; "it is an act characteristic of men of your unreliable, imaginative temperament; a step impulsive, injudicious, inconsistent - a proceeding vexatious, and not estimable in the view of persons of steadier and more resolute character."
"You know not what I have of steady and resolute in me," said he, "but you shall see; the event shall teach you. Modeste," he continued less fiercely, "be gentle, be pitying, be a woman; look at this poor face, and relent. You know I am your friend, and the friend of your friends; in spite of your taunts, you well and deeply know I may be trusted. Of sacrificing myself I made no difficulty but my heart is pained by what I see; it must have and give solace. Leave me!"
This time, in the "leave me" there was an intonation so bitter and so imperative, I wondered that even Madame Beck herself could for one moment delay obedience; but she stood firm; she gazed upon him dauntless; she met his eye, forbidding and fixed as stone. She was opening her lips to retort; I saw over all M. Paul's face a quick rising light and fire; I can hardly tell how he managed the movement; it did not seem violent; it kept the form of courtesy; he gave his hand; it scarce touched her I thought; she ran, she whirled from the room; she was gone, and the door shut, in one second.
The flash of passion was all over very soon. He smiled as he told me to wipe my eyes; he waited quietly till I was calm, dropping from time to time a stilling, solacing word. Ere long I sat beside him once more myself - re-assured, not desperate, nor yet desolate; not friendless, not hopeless, not sick of life, and seeking death.
"It made you very sad then to lose your friend?" said he.
"It kills me to be forgotten, Monsieur," I said.
”
”
Charlotte Brontë (Villette)
“
Most of Jacks' books were crookedly stacked and next to volumes without any apparent reason, except for a small collection of the last book she'd have expected to find here: The Ballad of the Archer and the Fox.
Something warmed inside of her at the sight of so many copies of her favourite storybook.
Jacks owned seven volumes, ranging from old to very old. Positioned more precisely than anything else in his den, they sat side by set, on the tip-top of the shelf, the sort of place where a person stored books they didn't want anyone else touching.
What was all this about?
...
Evangeline reached for the first volume- she knew she was being distracted. But all she wanted was to look at the last page and see what sort of ending the story had. She wanted to know if it had a happy ending- if the Archer kissed his Fox girl or if he killed her. And maybe seeing all these books felt like a sign. She was starting to think that sometimes she imagined things were signs when they weren't. But that didn't mean they were not actual signs.
She opened the first book, but the pages in the back were all ripped out. And unfortunately, she did not have better luck with any of the other volumes. Every copy fought her. One book kept falling from her hands every time she tried to open it. Another book only had blank pages at the end.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.”
I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!”
He shrugged his shoulders and grinned. “I missed you.”
My mouth quirked up in a half smile. “I missed you too.”
He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.”
I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.”
“I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.”
“I wouldn’t either.”
He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine.
I squeezed his hand. “I understand. It’s fine. Really.”
He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.”
Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks.
He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me."
Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man."
Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity."
I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life."
"I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me.
I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
The berth belongs to you too. It will always be there when—if you want to come back.”
Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.”
His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.”
“I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words.
Kaz cast her a swift glance. “I thought you wanted to hunt slavers.”
“I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.”
“I’m a Barrel boss.”
“You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.”
“The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.”
“Why not?” Inej asked. “One the seas and in the city. One by one.”
“Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“
“This city doesn’t need a good man. It needs you.”
“Inej—“
“How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.”
He made a sound that might almost have been a laugh.
One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach.
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away.
“I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too.
Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Twenty years back, yes; at this time of my life, no. For, as I draw closer and closer to the end, I travel in the circle, nearer and nearer to the beginning. It seems to be one of the kind smoothings and preparings of the way. My heart is touched now, by many remembrances that had long fallen asleep, of my pretty young mother (and I so old!), and by many associations of the days when what we call the World was not so real with me, and my faults were not confirmed in me.
”
”
Charles Dickens (A Tale of Two Cities)
“
Touch was absolutely
out of the question. I couldn’t stop sweating. My heart, a butterfly pinned
to a glacier. Empires fell inside my mouth. I touched myself like a pogrom
& broke my sex into a history of inconsequential shames. I wept viciously
inside of my own stomach & had it condemned. From an upside-down bell
I drank silence, subsisted on the memory of someone else’s hands. Wolves
sang & I did not answer. I forgot their names. Mornings were the worst, then
there were days & evenings. Streetlights & darkened sycamore & suburban
grief so full it made me foolish. I shattered my fist on the Lord’s jaw. Sorrow
sat, licking my wrists & my neck. I slept at its convenience. O, uncelebrated
body. My penis, a lighthouse on the bottom of the ocean, shining shadows
at the undersides of boats. Nobody drowned for so many years. Desperate
for the making of those candy-throated ghosts, I found the rooms between
the violence of comets. I threw myself into anything’s path. Even the sky
bent around me. How lonely to be something that nothing wants to kill. (So I Locked Myself Inside A Star for Twenty Years)
”
”
Jeremy Radin
“
There was a girl, and her uncle sold her, wrote Mr. Ibis in his perfect copperplate handwriting.
That is the tale; the rest is detail.
There are stories that are true, in which each individual’s tale is unique and tragic, and the worst of the tragedy is that we have heard it before, and we cannot allow ourselves to feel it too deeply. We build a shell around it like an oyster dealing with a painful particle of grit, coating it with smooth pearl layers in order to cope. This is how we walk and talk and function, day in, day out, immune to others’ pain and loss. If it were to touch us it would cripple us or make saints of us; but, for the most part, it does not touch us. We cannot allow it to.
Tonight, as you eat, reflect if you can: there are children starving in the world, starving in numbers larger than the mind can easily hold, up in the big numbers where an error of a million here, a million there, can be forgiven. It may be uncomfortable for you to reflect upon this or it may not, but still, you will eat. There are accounts which, if we open our hearts to them, will cut us too deeply. Look—here is a good man, good by his own lights and the lights of his friends: he is faithful and true to his wife, he adores and lavishes attention on his little children, he cares about his country, he does his job punctiliously, as best he can. So, efficiently and good-naturedly, he exterminates Jews: he appreciates the music that plays in the background to pacify them; he advises the Jews not to forget their identification numbers as they go into the showers—many people, he tells them, forget their numbers, and take the wrong clothes, when they come out of the showers. This calms the Jews: there will be life, they assure themselves, after the showers. And they are wrong. Our man supervises the detail taking the bodies to the ovens; and if there is anything he feels bad about, it is that he still allows the gassing of vermin to affect him. Were he a truly good man, he knows, he would feel nothing but joy, as the earth is cleansed of its pests.
Leave him; he cuts too deep. He is too close to us and it hurts.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
Yes the fact was that, coincidentally or not, this change of heart was happening among conservatives just as opiate addiction was spreading among both rural and middle-class white kids across the country, though perhaps most notably in the deepest red counties and states. Drug enslavement and death, so close at hand, were touching the lives, and softening the hearts, of many Republican lawmakers and constituents. I’ll count this as a national moment of Christian forgiveness. But I also know that it was a forgiveness that many of these lawmakers didn’t warm to when urban crack users were the defendants. Let’s just say that firsthand exposure to opiate addiction can change a person’s mind about a lot of things. Many of their constituents were no longer so enamored with that “tough on crime” talk now that it was their kids who were involved. So a new euphemism emerged—“smart on crime”—to allow these politicians to support the kind of rehabilitation programs that many of them had used to attack others not so long ago.
”
”
Sam Quinones (Dreamland: The True Tale of America's Opiate Epidemic)
“
Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag), whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: now at last you can read all the classics; keep up with your neighbors. Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” Mildred arose and began to move around the room, picking things up and putting them down. Beatty ignored her and continued: “Speed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!” Mildred smoothed the bedclothes. Montag felt his heart jump and jump again as she patted his pillow. Right now she was pulling at his shoulder to try to get him to move so she could take the pillow out and fix it nicely and put it back. And perhaps cry out and stare or simply reach down her hand and say, “What’s this?” and hold up the hidden book with touching innocence. “School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?
”
”
Ray Bradbury (Fahrenheit 451)
“
Home is the true wife’s kingdom. There, first of all places, she must be strong and beautiful. She may touch life outside in many ways, if she can do it without slighting the duties that are hers within her own doors. But if any calls for her service must be declined, they should not be the duties of her home. These are hers, and no other one’s. Very largely does the wife hold in her hands, as a sacred trust, the happiness and the highest good of the hearts that nestle there. The best husband—the truest, the noblest, the gentlest, the richest-hearted—cannot make his home happy if his wife be not, in every reasonable sense, a helpmate to him.
In the last analysis, home happiness depends on the wife. Her spirit gives the home its atmosphere. Her hands fashion its beauty. Her heart makes its love. And the end is so worthy, so noble, so divine, that no woman who has been called to be a wife, and has listened to the call, should consider any price too great to pay, to be the light, the joy, the blessing, the inspiration of a home.
Men with fine gifts think it worth while to live to paint a few great pictures which shall be looked at and admired for generations; or to write a few songs which shall sing themselves into the ears and hearts of men. But the woman who makes a sweet, beautiful home, filling it with love and prayer and purity, is doing something better than anything else her hands could find to do beneath the skies.
”
”
J.R. Miller
“
We all came up out of the ground and took our forms. So much harder for us to have a form because we have one on the outside and too many inside. Depth, surface, power, fragility, direction, indirection, arrogance, servility, rocks, roots, grass, blossoms, dirt. We are a tangle of roots, a young branch, a flower, a moldy spore. You want to say, This is me; this is who I am. But you don’t even know what it is, or what it’s for. Time parts its shabby curtain: There is my father, listening to his music hard enough to break his own heart. Trying to borrow shapes for his emotions so that he may hold them out to the world and the world might say, Yes, we see. We feel. We understand. I touch the hazelnut bush gently as I pass.
”
”
Mary Gaitskill (Veronica)
“
I should like to ask you:-Does your childhood seem far off? Do the days when you sat at your mother's knee, seem days of very long ago?"
Responding to his softened manner, Mr. Lorry answered:
"Twenty years back, yes; at this time of my life, no. For, as I draw closer to the end, I travel in the circle, nearer and nearer to the beginning. It seems to be one of the kind smoothings and preparings of the way. My heart is touched now, by my many remembrances that had long fallen asleep, of my pretty young mother (and I so old!), and by many associations of the days when what we call the World was not so real with me, and my faults were not confirmed in me."
"I understand the feeling!" exclaimed Carton, with a bright flush. "And you are the better for it?"
"I hope so.
”
”
Charles Dickens (A Tale of Two Cities)
“
see. I touched the loose peg gently, running my hands over the warm wood of the lute. The varnish was scraped and scuffed in places. It had been treated unkindly in the past, but that didn’t make it less lovely underneath. So yes. It had flaws, but what does that matter when it comes to matters of the heart? We love what we love. Reason does not enter into it. In many ways, unwise love is the truest love. Anyone can love a thing because.That’s as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect. Stanchion made a sweeping gesture
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
In your madness you said you loved me," she murmured shyly.
His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers.
Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth."
Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?"
"Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?"
...
"I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping."
Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke.
"My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love."
Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more."
Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
”
”
Kathleen E. Woodiwiss (Shanna)
“
Polly asked him questions that were full of guile, and very deep—for she wanted to trap him into damaging revealments. Like many other simple-hearted souls, it was her pet vanity to believe she was endowed with a talent for dark and mysterious diplomacy, and she loved to contemplate her most transparent devices as marvels of low cunning. Said she: "Tom, it was middling warm in school, warn't it?" "Yes'm." "Powerful warm, warn't it?" "Yes'm." "Didn't you want to go in a-swimming, Tom?" A bit of a scare shot through Tom—a touch of uncomfortable suspicion. He searched Aunt Polly's face, but it told him nothing. So he said: "No'm—well, not very much.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
Universe,
tell me about the time when the world was kind,
when words didn't shatter the soul
and leave people bleeding into the crease of their smile.
tell me about the time when people wouldn't hide behind sarcasm or humor to mask themselves from dying slowly on the inside.
Universe,
tell me the names of all the stars in your sky, because I may have met one the other night.
His presence in my thoughts, his touch in my heart and no longer a dream but laying next to me now.
There are marks on my body from the energy of our light.
He is broken, like me, a fallen star. Yet, aspires to soar and believes he can fly.
I too believe in dreams.
Universe,
do you think you can do something
about all the lonely souls? the broken? the fallen stars?
There are so many of us.
And what about the hurt? the pain? the restlessness?
Or
is this all part of something bigger,
a lesson to be learnt? so we can become a part of you?
Universe,
it’s me,
Please hear my soul speak, my heart beat,
I've learnt my lesson.
Forgive me.
Offer me redemption or bring me back to you.
Universe,
are you there?
”
”
Rina Nath
“
Our first kiss, the first touch of our heating lips, the yearning reciprocating from both sides, I was lost in everything. But I had a sudden feeling of eyes staring at our acts and unnecessary muttering. I could feel it even with my closed eyes. So far the sober girl in me resisted and my palms struggled to escape. David realized my condition and he left me be. I could see anger in his eyes for the crowd around but he stayed calm for my sake. My heart purred. ‘I am lost now!’
He sat next to me and didn’t bother to look at anyone around. Though, we knew many looked upon us and then they turned their faces away. He was horny. I could see his bulge behind his winter suit. I avoided looking and forced myself to gaze into his eyes instead. His pair was fixed on mine, reading mine. I gave a wide smile in an attempt to hide my lust although it was clearly written over my face.
”
”
Delicious David (Isabelle)
“
Yes,” he says, he swallows, “I did. I do. I do want to be your friend.” He nods and I register the slight movement in the air between us. “I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend,” he says. “The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette—” “No,” I gasp. “Don’t—don’t s-say that—” I don’t know what I’ll do if he keeps talking I don’t know what I’ll do and I don’t trust myself “I want to know where to touch you,” he says. “I want to know how to touch you. I want to know how to convince you to design a smile just for me.” I feel his chest rising, falling, up and down and up and down and “Yes,” he says. “I do want to be your friend.” He says “I want to be your best friend in the entire world.” I can’t think. I can’t breathe “I want so many things,” he whispers. “I want your mind. Your strength. I want to be worth your time.” His fingers graze the hem of my top and he says “I want this up.” He tugs on the waist of my pants and says “I want these down.” He touches the tips of his fingers to the sides of my body and says, “I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it’s racing because of me, because you want me. Because you never,” he says, he breathes, “never want me to stop. I want every second. Every inch of you. I want all of it.” And I drop dead, all over the floor.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show.
Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars.
It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily?
One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him.
When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.”
And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda.
Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic.
Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp.
Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
”
”
George Takei
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
With that he turned to go, and walking, bareheaded, to the outside of the little porch, took leave of her with such a happy mixture of unconstrained respect and unaffected interest, as no breeding could have taught, no truth mistrusted, and nothing but a pure and single heart expressed.
Many half-forgotten emotions were awakened in the sister’s mind by this visit. It was so very long since any other visitor had crossed their threshold; it was so very long since any voice of apathy had made sad music in her ears; that the stranger’s figure remained present to her, hours afterwards, when she sat at the window, plying her needle; and his words seemed newly spoken, again and again. He had touched the spring that opened her whole life; and if she lost him for a short space, it was only among the many shapes of the one great recollection of which that life was made.
”
”
Charles Dickens (Dombey and Son)
“
I am totally lost in the folds of Love,
totally free of worry and care.
I have passed beyond the four qualities.
My heart has torn away the veil of pretense.
There was a time I circled with the nine spheres, rolling with the stars across the sky.
There was a time I stayed by his side—
I lived in his world
and he gave me everything.
With the best of intentions
I became a prisoner in this form.
How else did I get here?
What crime did I commit?
But I’d rather be in a prison with my Friend
than in a rosegarden all alone.
I came to this world
To have a sight of Joseph’s purity.
Like a baby born of its mother’s womb,
I was brought here with blood and tears.
People think they are born only once
But they have been here so many times.
In the cloak of this ragged body
I have walked countless paths.
How many times I have worn out this cloak!
With ascetics in the desert
I watched night turn into day.
With pagans in the temple
I slept at the foot of idols.
I’ve been a charlatan and a king;
I’ve been a healer, and fraught with disease.
I’ve been on my death-bed so many times. . . . Floating up like the clouds
Pouring down like the rain.
As a darvish I sought the dust of annihilation
but it never touched my robe.
So I gathered armfuls of roses
in this faded garden of existence.
I am not of wind nor fire
nor of the stormy seas.
I am not formed out of painted clay.
I am not even Shams-e Tabriz—
I am the essence of laughter,
I am pure light.
Look again if you see me—
It’s not me you have seen!
”
”
Jalal ad-Din Muhammad ar-Rumi (Rumi: In the Arms of the Beloved)
“
Do not, cherie, ever think you cannot measure up to my expectations."
"You might get tired teaching me things."
His hand spanned the slim column of her throat so that her pulse was beating into the center of his palm. "Never. It will never happen. And I have much to learn from you.There has been no laughter in my life.You have brought that to me.There are many things you have brought to my life-feelings and emotions I could never experience without you." He bent to brush her mouth with his. "Can you not feel that I speak the truth?"
Savannah closed her eyes as his mouth took possession of hers, as his mind merged firmly with hers. There was such an intimacy in sharing his thoughts and feelings. Gregori was intense in his hunger and need. There were no doubts in him, no hesitation. He knew they would always be together; he would accept nothing else.If something ever changed that,he would choose to follow her into the dawn.
Gregori released her slowly, almost reluctantly. She stood very still, looking up at him, her blue eyes studying his face. "We can do this Savannah," he encouraged her softly. "Do not get frightened and try to run from your fate. Stay with me and fight."
A small smile touched her mouth. "Fate. Interesting word to use. You make it sound like I've been sentenced to prison." She took a deep breath and made herself relax. "You're bad, but not quite that bad," she teased him.
His white teeth gleamed, his predator's smile. "I am very bad, ma petite. Do not forget that if you wish to be safe."
She shrugged casually, but her heart leapt in response. "Safety is not a concept I strictly adhere to," she ansered, her chin up.
"That is a double-edged sword for me."
Savannah burst out laughing, her natural sense of humor bubbling up. "You bet it is. I don't intend to make things easy for you. You've had your way for far too long.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
My hands are shaking. he captures them and kisses my knuckles with a kind of reverence. ¨I want to tell you so many lies,¨ he says. I shudder, and my heart hammers as his hands skim over my skin,one sliding between my thighs. I mirror him, fumbling with the buttons of his breeches. He helps me push them down, his tail curling against his leg then twisting to coil against mine, soft as a whisper. I reach over to slide my hand over the flat plane of his stomach. I dont let myself hesitate, but my inexperince is obvious. His skin is hot under my palm, against my calluses. His fingers are too clever by half. I feel as though i am drowning in sensation. His eyes are open, watching my flushed face, my ragged breathing. I try to stop myself from making embarassing noises. Its more intimate than the way hes touching me, to be looked at like that. I hate that he knows what hes doing and i dont. I hate being vulnerable. I hate that I throw my head back, barring my throat. I hate the way i cling to him, the nails of one hand digging into his back, my thoughts splintering, and the single last thing in my head: that i like him better than ive ever liked anyone and that of all the things hes ever done to me, making me like him so much is by far the worst.
pages 145-146
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
The feeling of warmth dawning from deep within, for someone's first glance, their attention, first touch; the feeling of desire, missing and craving them; the feeling of being accustomed and too familiar to them and their idea; the feeling of indifference and apathy when it seemed impossible in the beginning; the feeling of heart-break, detachment, and hatred, and the shock of having these feelings; the feeling of new spark in pitch dark life - the course of life. And though so many have walked upon it, we think it's different for us somehow... - Blaz.
.
"When we are young, we think ourselves the first to have each feeling in the world.
”
”
Madeline Miller (Circe)
“
I counted my years and found that I have less time to live from here on than I have lived up to now.
I feel like that child who won a packet of sweets: he ate the first with pleasure, but when he realized that there were few left, he began to enjoy them intensely.
I no longer have time for endless meetings where statutes, rules, procedures and internal regulations are discussed, knowing that nothing will be achieved.
I no longer have time to support the absurd people who, despite their chronological age, haven't grown up.
My time is too short:
I want the essence,
my soul is in a hurry.
I don't have many sweets
in the package anymore.
I want to live next to human people,
very human,
who know how to laugh at their mistakes,
and who are not inflated by their triumphs,
and who take on their responsibilities.
Thus, human dignity is defended, and we move towards truth and honesty.
It is the essential that makes life worth living.
I want to surround myself with people who know how to touch hearts, people who have been taught by the hard blows of life to grow with gentle touches of the soul.
Yes, I'm in a hurry, I'm in a hurry to live with the intensity that only maturity can give.
I don't intend to waste any of the leftover sweets.
I am sure they will be delicious, much more than what I have eaten so far.
My goal is to reach the end satisfied
and at peace with my loved ones
and my conscience.
We have two lives.
And the second begins when you realize you only have one.
Credits: Mário Raul de Morais Andrade
(Oct 9, 1893 – Feb 25, 1945)
Brazilian poet, novelist, musicologist, art historian and critic, photographer
”
”
Mario Raul de Morais Andrade
“
All at once he found his mind drawing a parallel between that destiny and his own existence; all at once questions of life arose before his vision, like owls in an ancient ruin flushed from sleep by a stray ray of sunlight. Somehow he felt pained and grieved at his arrested development, at the check which had taken place in his moral growth, at the weight which appeared to be pressing upon his every faculty. Also gnawing at his heart there was a sense of envy that others should be living a life so full and free, while all the time the narrow, pitiful little pathway of his own existence was being blocked by a great boulder. And in his hesitating soul there arose a torturing consciousness that many sides of his nature had never yet been stirred, that others had never even been touched, and that not one of them had attained complete formation. Yet with this there went an aching suspicion that, buried in his being, as in a tomb, there still remained a moribund element of sweetness and light, and that it was an element which, though hidden in his personality, as a nugget lies lurking in the bowels of the earth, might once have become minted into sterling coin. But the treasure was now overlaid with rubbish--was now thickly littered over with dust. 'Twas as though some one had stolen from him, and besmirched, the store of gifts with which life and the world had dowered him; so that always he would be prevented from entering life's field and sailing across it with the aid of intellect and of will.
Yes, at the very start a secret enemy had laid a heavy hand upon him and diverted him from the road of human destiny. And now he seemed to be powerless to leave the swamps and wilds in favour of that road.
All around him was a forest, and ever the recesses of his soul were growing dimmer and darker, and the path more and more tangled, while the consciousness of his condition kept awaking within him less and
less frequently--to arouse only for a fleeting moment his slumbering faculties. Brain and volition alike had become paralysed, and, to all appearances, irrevocably--the events of his life had become whittled
down to microscopical proportions. Yet even with them he was powerless to cope--he was powerless to pass from one of them to another. Consequently they bandied him to and fro like the waves of the ocean. Never was he able to oppose to any event elasticity of will; never was he able to conceive, as the result of any event, a reasoned-out impulse. Yet to confess this, even to himself, always cost him a bitter pang: his fruitless regrets for lost opportunities, coupled with burning reproaches of conscience, always pricked him like needles, and led him to strive to put away such reproaches and to discover a scapegoat.
”
”
Ivan Goncharov (Oblomov)
“
I thought if I knew more my problem would be simplified, and maybe I should complete my formal education. But since I’ve been working for Robey I have reached the conclusion that I couldn’t utilize even ten percent of what I already knew. I’ll give you an example. I read about King Arthur’s Round Table when I was a kid, but what am I ever going to do about it? My heart was touched by sacrifice and pure attempts, so what should I do? Or take the Gospels. How are you supposed to put them to use? Why, they’re not utilizable! And then you go and pile on top of that more advice and information. Anything that just adds information that you can’t use is plain dangerous. Anyway, there’s too much of everything of this kind, that’s come home to me, too much history and culture to keep track of, too many details, too much news, too much example, too much influence, too many guys who tell you to be as they are, and all this hugeness, abundance, turbulence, Niagara Falls torrent. Which who is supposed to interpret? Me? I haven’t got that much head to master it all. I get carried away. It doesn’t give my feelings enough of a chance if I have to store up and become like an encyclopedia. Why, just as a question of time spent in getting prepared for life, look! a man could spend forty, fifty, sixty years like that inside the walls of his own being. And all great experience would only take place within the walls of his being. And all high conversation would take place within those walls. And all achievement would stay within those walls. And all glamour too. And even hate, monstrousness, enviousness, murder, would be inside them. This would be only a terrible, hideous dream about existing. It’s better to dig ditches and hit other guys with your shovel than die in the walls.
”
”
Saul Bellow
“
Toccata II
A man sits pen in hand, paper
before him. What is on his mind
he will set down now, the word not to be spoken
lightly. As if of all
his words this was the one that touched the heart
of things and made touch
the last sense of all as it was the first, and the word
that speaks it loaded
with all that came strongest, a planet's-worth
of sunlight, cooling green, the close comfort
of kind. It is the world he must set down
now, also lightly, each thing
changed yet as it was: in so many fumblings traced back
to the print of his fingertips still warm upon it, the warmth
that came when he was touched.
The last, as he sets it down, no more than
a breath, though much
that is still to be grasped may turn upon it.
”
”
David Malouf (Earth Hour)
“
Girls aside, the other thing I found in the last few years of being at school, was a quiet, but strong Christian faith – and this touched me profoundly, setting up a relationship or faith that has followed me ever since.
I am so grateful for this. It has provided me with a real anchor to my life and has been the secret strength to so many great adventures since.
But it came to me very simply one day at school, aged only sixteen.
As a young kid, I had always found that a faith in God was so natural. It was a simple comfort to me: unquestioning and personal.
But once I went to school and was forced to sit through somewhere in the region of nine hundred dry, Latin-liturgical, chapel services, listening to stereotypical churchy people droning on, I just thought that I had got the whole faith deal wrong.
Maybe God wasn’t intimate and personal but was much more like chapel was … tedious, judgemental, boring and irrelevant.
The irony was that if chapel was all of those things, a real faith is the opposite. But somehow, and without much thought, I had thrown the beautiful out with the boring. If church stinks, then faith must do, too.
The precious, natural, instinctive faith I had known when I was younger was tossed out with this newly found delusion that because I was growing up, it was time to ‘believe’ like a grown-up.
I mean, what does a child know about faith?
It took a low point at school, when my godfather, Stephen, died, to shake me into searching a bit harder to re-find this faith I had once known.
Life is like that. Sometimes it takes a jolt to make us sit and remember who and what we are really about.
Stephen had been my father’s best friend in the world. And he was like a second father to me. He came on all our family holidays, and spent almost every weekend down with us in the Isle of Wight in the summer, sailing with Dad and me. He died very suddenly and without warning, of a heart attack in Johannesburg.
I was devastated.
I remember sitting up a tree one night at school on my own, and praying the simplest, most heartfelt prayer of my life.
‘Please, God, comfort me.’
Blow me down … He did.
My journey ever since has been trying to make sure I don’t let life or vicars or church over-complicate that simple faith I had found. And the more of the Christian faith I discover, the more I realize that, at heart, it is simple. (What a relief it has been in later life to find that there are some great church communities out there, with honest, loving friendships that help me with all of this stuff.)
To me, my Christian faith is all about being held, comforted, forgiven, strengthened and loved – yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies.
This is no one’s fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes.
The irony is that I never meet anyone who doesn’t want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn’t just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life.
This really is the heart of what I found as a young teenager: Christ comes to make us free, to bring us life in all its fullness. He is there to forgive us where we have messed up (and who hasn’t), and to be the backbone in our being.
Faith in Christ has been the great empowering presence in my life, helping me walk strong when so often I feel so weak. It is no wonder I felt I had stumbled on something remarkable that night up that tree.
I had found a calling for my life.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
There aren't enough words to describe what you do to me, for me. Every day, I wake thinking about how I can make you smile, cause your laugh. I know I love you because of the things I want to learn about you, endless ways I want to touch your body, your heart. There are so many adventures I want to take you on, experiences I want to have with you - just to live in the moment with you.
”
”
Kat Bastion (Two Bar Mitzvahs (No Weddings, #3))
“
MY FATHER
If I have to write a poem about my father
it has to be about integrity
and kindness —
the selfless kind of kindness
that is so very rare
I am sure there will be many people
living somewhere who must be as kind as him
but what I mean to say is
I have not met one yet
and when it comes to helping others
he always helps too much
and as the saying goes —
help someone, you earn a friend.
help someone too much,
you make an enemy. —
so you know the gist of what
I’m trying to say here
anyways I was talking about the
poem about my father
it has to be about
passion
and hard work
because you see
you cannot separate these
things from him
they are part of him as his two eyes and
two hands and his heart and his soul
and his whole being
and you cannot separate
wind and waves
or living and the universe
or earth and heavens
and although he never got any
award from bureaucracy
the students he taught ages ago
still touch his feet and some
of them are the people
you have to make
an appointment to meet even if
it is for two minutes of their time
and that’s a reward for him
bigger than any other that
some of his colleagues got
for their flattery
and also I have to write about
reliability as well
because you see
as the sun always rises
and the snowflakes are always six-folds
and the spring always comes
and the petals of a sunflower and every flower
follows the golden ratio of symmetry
my father never fails to
keep his promise
I have to mention the rage as well
that he always carries inside him
like a burning fire
for wrongdoings
for injustice
and now
he carries a bitterness too
for people
who used him good
and discarded
as it always happens with every good man
in our world of humans
and you must be thinking he has
learned his lessons well
you go to him —
it does not matter who you are
if he knows you
or you are a stranger from
other side of the world —
and ask for his help
he will be happy to do so
as you must know
people
never change
not their soul in any case.
”
”
Neena H. Brar
“
When I am gone, release me, let me go. I have so many things to see and do, You mustn't tie yourself to me with too many tears, But be thankful we had so many good years. I gave you my love, and you can only guess How much you've given me in happiness. I thank you for the love that you have shown, But now it is time I travelled on alone. So grieve for me a while, if grieve you must, Then let your grief be comforted by trust. It is only for a while that we must part, So treasure the memories within your heart. I won't be far away for life goes on. And if you need me, call and I will come. Though you can't see or touch me, I will be near. And if you listen with your heart, you'll hear, All my love around you soft and clear. And then, when you come this way alone, I'll greet you with a smile and a “Welcome Home”.
”
”
Robert Bryndza (The Girl in the Ice (Detective Erika Foster, #1))
“
We are so busy, so occupied with many little things, that we are blind to the one great thing. Only in the pauses between things, in the brief contemplative spaces of just being, can we catch a glimpse of love itself. Even then, we often feel so unfree that we think we are unworthy of love. But the glimpses keep coming. In the momentary emptiness when an addictive need is not yet satisfied, in encountering a situation in which we do not know what to do, in finding ourselves giving or receiving a touch of tenderness for no reason at all, in the spontaneous eruption of laughter, another small space opens. The invitation is given again.
Time and time again we ignore the invitations and fill the spaces immediately, dulling our consciousness with drivenness. But love continues, hoping to catch us in a willing moment. Thousands of little spaces come each day. They exist between each choice we make and the next, after each thought is completed and before the next begins, between each breath and the next, in every hunger or wanting, whenever something wakes us up to presence.
Now and then, through some mysterious interweaving of divine grace and human willingness, we see what is in the space and do not run away. We become aware of our hearts’ response and are given the most wonderful experience of freedom . . .
”
”
Gerald G. May (The Awakened Heart: Opening Yourself to the Love You Need)
“
I never leave home without my cayenne pepper. I either stash a bottle of the liquid extract in my pocket book or I stick it in the shopping cart I pull around with me all over Manhattan. When it comes to staying right side up in this world, a black woman needs at least three things. The first is a quiet spot of her own, a place away from the nonsense. The second is a stash of money, like the cash my mother kept hidden in the slit of her mattress. The last is several drops of cayenne pepper, always at the ready. Sprinkle that on your food before you eat it and it’ll kill any lurking bacteria. The powder does the trick as well, but I prefer the liquid because it hits the bloodstream quickly. Particularly when eating out, I won’t touch a morsel to my lips ‘til it’s speckled with with cayenne. That’s just one way I take care of my temple, aside from preparing my daily greens, certain other habits have carried me toward the century mark.
First thing I do every morning is drink four glasses of water. People think this water business is a joke. But I’m here to tell you that it’s not. I’ve known two elderly people who died of dehydration, one of whom fell from his bed in the middle of the night and couldn’t stand up because he was so parched.
Following my water, I drink 8 ounces of fresh celery blended in my Vita-mix. The juice cleanses the system and reduces inflammation. My biggest meal is my first one: oatmeal. I soak my oats overnight so that when I get up all I have to do is turn on the burner. Sometimes I enjoy them with warm almond milk, other times I add grated almonds and berries, put the mixture in my tumbler and shake it until it’s so smooth I can drink it. In any form, oats do the heart good.
Throughout the day I eat sweet potatoes, which are filled with fiber, beets sprinkled with a little olive oil, and vegetables of every variety. I also still enjoy plenty of salad, though I stopped adding so many carrots – too much sugar. But I will do celery, cucumbers, seaweed grass and other greens. God’s fresh bounty doesn’t need a lot of dressing up, which is why I generally eat my salad plain. From time to time I do drizzle it with garlic oil. I love the taste.
I also love lychee nuts. I put them in the freezer so that when I bite into them cold juice comes flooding out. As terrific as they are, I buy them only once in awhile. I recently bit into an especially sweet one, and then I stuck it right back in the freezer. “Not today, Suzie,” I said to myself, “full of glucose!”
I try never to eat late, and certainly not after nine p.m. Our organs need a chance to rest. And before bed, of course, I have a final glass of water. I don’t mess around with my hydration.
”
”
Cicely Tyson (Just as I Am)
“
More than anything, I dream of love, crazy crazy mad love. Not the love of rings and white dresses and churches, but of lust and insanity, the love where you can’t stop touching, kissing, licking, sucking, and fucking. The love that breaks hearts, starts wars, ruins lives, the love that sears itself into your soul, that you can feel every time your heart beats, that scorches your memory and comes back to you whenever you’re alone and it’s quiet and the world falls away, the love that still hurts, that makes you sit and stare at the floor and wonder what the fuck happened and why. I dream of crazy crazy mad love the kind that starts with a look, with eyes that meet, a smile, a touch, a laugh, a kiss. The kind of love that hurts and makes you love the pain, makes you want the pain, makes you yearn for the fucking pain, keeps you awake until the sun rises, stirs you while you’re still asleep. The kind of love you can feel with every step you take, every word you speak, every breath, every movement, is part of every thought you have every minute of the day. Love that overwhelms. That justifies our existence. That provides proof we are here for a reason. That either confirms the existence of God and divinity, or renders it utterly meaningless. Love that makes life more than just whatever we know and see and feel. That elevates it. Love for which so many words have been spoken and written and read and cried and screamed and sung and sobbed, but is beyond any real description of it. I’ve known much in my short, silly, unstable, sometimes wonderful sometimes brutal always reckless wreck of a life, but I’ve never known love. Crazy crazy mad love. Fear and pain, insecurity, rage, occasional joy, fleeting peace, they are all friends of mine. Kindness and familial love have always come my way. Disdain, contempt, and rage are constant companions. But never love.
”
”
James Frey (Katerina: A Novel)
“
Paul called it prayer “without ceasing.”[13] The Spanish Carmelite Saint John of the Cross called it “silent love” and urged us to “remain in loving attention on God.” Madame Guyon—the French mystic—called it a “continuous inner act of abiding.” The old Quakers called it “centering down,”[14] as if abiding was getting in touch with the bedrock of all reality. The Jesuit spiritual director Jean-Pierre de Caussade called it “the sacrament of the present moment,” as if each moment with God is its own Eucharist, its own movable feast.[15] A. W. Tozer called it “habitual, conscious communion” and said, “At the heart of the Christian message is God Himself waiting for His redeemed children to push in to conscious awareness of His presence.”[16] Dallas Willard loved to call it “the with-God life.”[17] So many saints, with so many names for life with Jesus. But my undisputed favorite is from a monk named Brother Lawrence, who called this “the practice of the presence of God.
”
”
John Mark Comer (Practicing the Way: Be with Jesus. Become like him. Do as he did.)
“
There are stories that are true, in which each individual’s tale is unique and tragic, and the worst of the tragedy is that we have heard it before, and we cannot allow ourselves to feel it too deeply. We build a shell around it like an oyster dealing with a painful particle of grit, coating it with smooth pearl layers in order to cope. This is how we walk and talk and function, day in, day out, immune to others’ pain and loss. If it were to touch us it would cripple us or make saints of us; but, for the most part, it does not touch us. We cannot allow it to. Tonight, as you eat, reflect if you can: there are children starving in the world, starving in numbers larger than the mind can easily hold, up in the big numbers where an error of a million here, a million there, can be forgiven. It may be uncomfortable for you to reflect upon this or it may not, but still, you will eat. There are accounts which, if we open our hearts to them, will cut us too deeply. Look—here is a good man, good by his own lights and the lights of his friends: he is faithful and true to his wife, he adores and lavishes attention on his little children, he cares about his country, he does his job punctiliously, as best he can. So, efficiently and good-naturedly, he exterminates Jews: he appreciates the music that plays in the background to pacify them; he advises the Jews not to forget their identification numbers as they go into the showers—many people, he tells them, forget their numbers, and take the wrong clothes, when they come out of the showers. This calms the Jews: there will be life, they assure themselves, after the showers. And they are wrong. Our man supervises the detail taking the bodies to the ovens; and if there is anything he feels bad about, it is that he still allows the gassing of vermin to affect him. Were he a truly good man, he knows, he would feel nothing but joy, as the earth is cleansed of its pests. Leave him; he cuts too deep. He is too close to us and it hurts.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
There are stories that are true, in which each individual’s tale is unique and tragic, and the worst of the tragedy is that we have heard it before, and we cannot allow ourselves to feel it too deeply. We build a shell around it like an oyster dealing with a painful particle of grit, coating it with smooth pearl layers in order to cope. This is how we walk and talk and function, day in, day out, immune to others’ pain and loss. If it were to touch us it would cripple us or make saints of us; but, for the most part, it does not touch us. We cannot allow it to.
Tonight, as you eat, reflect if you can: there are children starving in the world, starving in numbers larger than the mind can easily hold, up in the big numbers where an error of a million here, a million there, can be forgiven. It may be uncomfortable for you to reflect upon this or it may not, but still, you will eat.
There are accounts which, if we open our hearts to them will cut us too deeply. Look – here is a good man, good by his own lights and the lights of his friends: he is faithful and true to his wife, he adores and lavishes attention on his little children, he cares about his country, he does his job punctiliously, as best he can. So, efficiently and good-naturedly, he exterminates Jews: he appreciates the music that plays in the background to pacify them; he advises the Jews not to forget their identification numbers as they go into the showers – many people, he tells them, forget their numbers, and take the wrong clothes, when they come out of the showers. This calms the Jews: there will be life, they assure themselves, after the showers. And they are wrong. Our man supervises the detail taking the bodies to the ovens; and if there is anything he feels bad about, it is that he still allows the gassing of vermin to affect him. Were he a truly good man, he knows, he would feel nothing but joy, as the earth is cleansed of its pests.
Leave him; he cuts too deep. He is too close to us and it hurts.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
Love's Retreat"
Soul mates of a depth entwined
are kindred flames beyond the find
who shall be love's caress to know
past the flight of Cupid's bow
And borrowed from a sonnet's hold
of court and spark beyond the fold
truth shall be a love divine
to wrap around and then entwine
For higher love does rise in form
with every tenderness to warm
past a depth beyond the sea
which sanctions kindred flames to be
And hearts of many start to sing
in sweet refrain as lovers bring
a breaking dawn beyond the night
from which two hearts begin their flight
Soul mates shall forever be
the rose within their eyes to see
with twin flames reaching higher chord
in loving song so much adored
For when they merge as sacred one
life is spun as comets run
and from each kiss of gesture felt
heartfelt candles start to melt
Borrowed from each touch to own
love surmounts the all alone
as starlight rainbows cast a gift
among the cosmic river drift
And there amid a starry night
soul mates gather past delight
forming higher venture sweet
lost in Cupid's love retreat.
A V
”
”
Anonymous
“
I reach out and trace the dragon relic on his back, my fingers lingering on the raised silver scars, and he stiffens. They're all short, thin lines, too precise to be a whip, no rhyme or reason to their pattern but never intersecting. 'What happened?' I whisper, holding my breath.
'You really don't want to know.' He's tense, but doesn't move away from my touch.
'I do.' They don't look accidental. Someone hurt him deliberately maliciously, and it makes me want to hunt the person down and do the same to them.
His jaw flexes as he looks over his shoulder, and his eyes meet mine. I bite my lip, knowing this moment can go either way. He can shut me out like always or he can actually let me in.
'There's a lot of them,' I murmur, dragging my fingers down his spine.
'A hundred and seven.' He looks away.
The number makes my stomach lurch, and then my hand pauses. A hundred and seven. That's the number Liam mentioned. 'That's how many kids under the age of majority carry the rebellion relic.'
'Yeah.'
I shift so I can see his face. 'What happened, Xaden?'
He brushes my hair back, and the look that passes is over his face is so close to tender that it makes my heart stutter. 'I saw the opportunity to make a deal,' he says softly. 'And I took it.'
'What kind of deal leaves you with scars like that?'
Conflict rages in his eyes, but then he sighs. 'The kind where I take personal responsibility for the loyalty of the hundred and seven kids the rebellion's leaders left behind, and in return, we're allowed to fight for our lives in the Riders Quadrant instead of being put to death like our parents.' He averts his gaze. 'I chose the chance of death over the certainty.'
The cruelty of the offer and the sacrifice he made to save the others hits like a physical blow. I cradle his cheek and guide his face back to mine. 'So if any of them betray Navarre...' I lift my brows.
'Then my life is forfeit. The scars are a reminder.'
It's why Liam says he owes him everything. 'I'm so sorry that happened to you.' Especially when he wasn't the one who led the rebellion.
He looks at me like he sees into the very depths of who I am. 'You have nothing to apologise for.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
...her own restless coveting of his love and the slow but sure ebullience of her desire for him; then the Nawab's martydom and her spiritual homelessness and physical loneliness; there was so much, so many portraits and landscapes, like the bright pages of an album of words and pictures. They filled her heart overflowing with the tangy, coppery taste of blood that flows from failure, and pricked her soul with nostalgia, for what was and what could have been. She had never thought that happy memories could come accompanied with so much regret, so much pain, so much repining, and discontent. If you plucked a rose without due care, its thorn pricked you to protest the thoughtlessness and the inconsiderateness you had displayed in taking away its crowning glory. Here, it was nothing else but the rose which was the thorn: its each and every petal was saturated with the scents of the past but it stung like the scorpion plant. But was it possible not to touch those memories? For their scents traveled in and out of your being like breath, and their colours were inside every blink of your eye.
”
”
Shamsur Rahman Faruqi (The Mirror of Beauty)
“
Ego or fixed identity doesn’t just mean we have a fixed idea about ourselves. It also means that we have a fixed idea about everything we perceive. I have a fixed idea about you; you have a fixed idea about me. And once there is that feeling of separation, it gives rise to strong emotions. In Buddhism, strong emotions like anger, craving, pride, and jealousy are known as kleshas—conflicting emotions that cloud the mind. The kleshas are our vehicle for escaping groundlessness, and therefore every time we give in to them, our preexisting habits are reinforced. In Buddhism, going around and around, recycling the same patterns, is called samsara. And samsara equals pain. We keep trying to get away from the fundamental ambiguity of being human, and we can’t. We can’t escape it any more than we can escape change, any more than we can escape death. The cause of our suffering is our reaction to the reality of no escape: ego clinging and all the trouble that stems from it, all the things that make it difficult for us to be comfortable in our own skin and get along with one another. If the way to deal with those feelings is to stay present with them without fueling the story line, then it begs the question: How do we get in touch with the fundamental ambiguity of being human in the first place? In fact, it’s not difficult, because underlying uneasiness is usually present in our lives. It’s pretty easy to recognize but not so easy to interrupt. We may experience this uneasiness as anything from slight edginess to sheer terror. Anxiety makes us feel vulnerable, which we generally don’t like. Vulnerability comes in many guises. We may feel off balance, as if we don’t know what’s going on, don’t have a handle on things. We may feel lonely or depressed or angry. Most of us want to avoid emotions that make us feel vulnerable, so we’ll do almost anything to get away from them. But if, instead of thinking of these feelings as bad, we could think of them as road signs or barometers that tell us we’re in touch with groundlessness, then we would see the feelings for what they really are: the gateway to liberation, an open doorway to freedom from suffering, the path to our deepest well-being and joy. We have a choice. We can spend our whole life suffering because we can’t relax with how things really are, or we can relax and embrace the open-endedness of the human situation, which is fresh, unfixated, unbiased. So the challenge is to notice the emotional tug of shenpa when it arises and to stay with it for one and a half minutes without the story line. Can you do this once a day, or many times throughout the day, as the feeling arises? This is the challenge. This is the process of unmasking, letting go, opening the mind and heart.
”
”
Pema Chödrön (Living Beautifully: with Uncertainty and Change)
“
men would not follow us, for they never enter the Uncharted Forest. We had nothing to fear from them. The forest disposes of its own victims. This gave us no fear either. Only we wished to be away, away from the City and from the air that touches upon the air of the City. So we walked on, our box in our arms, our heart empty. We are doomed. Whatever days are left to us, we shall spend them alone. And we have heard of the corruption to be found in solitude. We have torn ourselves from the truth which is our brother men, and there is no road back for us, and no redemption. We know these things, but we do not care. We care for nothing on earth. We are tired. Only the glass box in our arms is like a living heart that gives us strength. We have lied to ourselves. We have not built this box for the good of our brothers. We built it for its own sake. It is above all our brothers to us, and its truth above their truth. Why wonder about this? We have not many days to live. We are walking to the fangs awaiting us somewhere among the great, silent trees. There is not a thing behind us to regret. Then a
”
”
Ayn Rand (Anthem)
“
I touched the loose peg gently, running my hands over the warm wood of the lute. The varnish was scraped and scuffed in places. It had been treated unkindly in the past, but that didn’t make it less lovely underneath. So yes. It had flaws, but what does that matter when it comes to matters of the heart? We love what we love. Reason does not enter into it. In many ways, unwise love is the truest love. Anyone can love a thing because. That’s as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Maryrose smiled good-humouredly, and remained in the circle of his arm, but as if she detached herself from him and every other man. Very many as it were professionally pretty girls have this gift of allowing themselves to be touched, kissed, held, as if this were a fee they have to pay to Providence for being born beautiful. There is a tolerant smile which goes with a submission to the hands of men, like a yawn or a patient sigh. But there was more to it, in Maryrose’s case. “Maryrose,” said Ted, bluffly, looking down at the gleaming little head at rest on his shoulder, “why don’t you love any of us, why don’t you let any of us love you?” Maryrose merely smiled, and even in this broken light, branch-and-leaf-stippled, her brown eyes showed enormous and shone softly. “Maryrose has a broken heart,” observed Willi above my head. “Broken hearts belong to old-fashioned novels,” said Paul. “They don’t go with the time we live in.” “On the contrary,” said Ted. “There are more broken hearts than there have ever been, just because of the times we live in. In fact I’m sure any heart we are ever likely to meet is so cracked and jarred and split it’s just a mass of scar tissue.” Maryrose smiled up at Ted, shyly, but gratefully, and said seriously: “Yes, of course that’s true.
”
”
Doris Lessing (The Golden Notebook)
“
I think this will please you.” The smile in his eyes made Summer’s heart lurch. “What is it?” “Open and see.” She peeled back the layers of rag. “My teacup!” He touched the delicate rim of the cup with one rough finger. “Surprised I was to find it all in one piece. The saucer was broken in two, but not even a chip does the cup have.” He pushed his hands into his pockets. “I save the pieces from the plate, and I will glue them for you.” Tears filled her eyes. There were so many things this man had put back together for her. She looked up at him and found him watching her with a secretive smile on his lips, visible behind the bushiness of his beard.
”
”
Kim Vogel Sawyer (Waiting for Summer's Return (Heart of the Prairie #1))
“
Hey...you okay?"
I recognized the voice-how had my dreams known his voice?-but when he crouched down next to me, I skittered away.
"Don't touch me!" I snapped.
He held up his hands to show he was harmless. "Okay, okay," he said with a smirk. "You were the one chasing me."
I glared at him. It was an impressive show of restraint on my part, when the truth was that having him physically in front of me was wreaking havoc on my body and my brain. My heart was pounding fast, and my mind played a loop of every moment we'd shared in my dreams.
I forced myself to remember he was a stranger. Quite possibly a dangerous stranger. I needed answers from him, but I also needed to stay strong.
"I'm sorry," he said. "I thought you were hurt."
"I am hurt. I twisted my ankle."
"Maybe you shouldn't be chasing strange men through the woods, then."
"Maybe you shouldn't pretend you don't know who I am."
His eyes widened in shock for a moment. "You reme-"
Then he twitched his head briefly to the side, as if flicking away an unwanted thought, and his face relaxed. Only the clenched muscle in his jaw gave away any tension.
"You must be mistaken. I don't think we've ever met."
"Really? You look at most girls like you were caught with your hand in their purse?"
"I don't know what you're talking-"
"And then you ran away. Full speed, even though you knew I was trying to catch up with you. That's not normal. That's not how you act with a stranger."
The man pursed his lips and pressed his right fist to his temple, a gesture I'd seen him make so many times I almost lost my grip. Somehow I managed to stay steely eyed.
He lowered his fist and smiled, though the smile didn't reach his eyes.
"I reacted poorly," he said stiffly. "I don't have a good answer for why, other than I like to keep to myself. I only came back because you were hurt, and it seemed irresponsible to leave a girl all alone in the middle of nowhere. But if you'd rather I left..."
"No.
"Fine. Let's take a look at your ankle.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
But I am a paladin,” Cordelia cried. “It’s awful, I loathe it— don’t imagine that I feel anything other than hated for this thing that binds me to Lilith. But they fear me because of it. They dare not touch me—”
“Oh?” snarled James. “They dare not touch you? That’s not what it bloody looked like.”
“The demon at Chiswick House—it was about to tell me something about Belial, before you shot it.”
“Listen to yourself, Cordelia!” James shouted. “You are without Cortana! You cannot even lift a weapon! Do you know what it means to me, that you cannot protect yourself? Do you understand that I am terrified, every moment of every day and night, for your safety?”
Cordelia stood speechless. She had no idea what to say. She blinked, and felt something hot against her cheek. She put her hand up quickly—surely she was not crying?— and it came away scarlet.
“You’re bleeding,” James said. He closed the distance between them in two strides. He caught her chin and lifted it, his thumb stroking across her cheekbone. “Just a scratch,” he breathed. “Are you hurt anywhere else? Daisy, tell me—”
“No. I’m fine. I promise you,” she said, her voice wavering as his intent golden eyes spilled over her, searching for signs of injury. “It’s nothing.”
“It’s the furthest thing from nothing,” James rasped. “By the Angel, when I realized you’d gone out, at night, weaponless—”
“What were you even doing at the house? I thought you were staying at the Institute.”
“I came to get something for Jesse,” James said. “I took him shopping, with Anna—he needed clothes, but we forgot cuff links—”
“He did need clothes,” Cordelia agreed. “Nothing he had fit.”
“Oh, no,” said James. “We are not chatting. When I came in, I saw your dress in the hall, and Effie told me she’d caught a glimpse of you leaving. Not getting in a carriage, just wandering off toward Shepherd Market—”
“So you Tracked me?”
“I had no choice. And then I saw you—you had gone to where your father died,” he said after a moment. “I thought—I was afraid—”
“That I wanted to die too?” Cordelia whispered. It had not occurred to her that he might think that. “James. I may be foolish, but I am not self-destructive.”
“And I thought, had I made you as miserable as that? I have made so many mistakes, but none were calculated to hurt you. And then I saw what you were doing, and I thought, yes, she does want to die. She wants to die and this is how she’s chosen to do it.” He was breathing hard, almost gasping, and she realized how much of his fury was despair.
“James,” she said. “It was a foolish thing to do, but at no moment did I want to die—”
He caught at her shoulders. “You cannot hurt yourself, Daisy. You must not. Hate me, hit me, do anything you want to me. Cut up my suits and set fire to my books. Tear my heart into pieces, scatter them across England. But do not harm yourself—” He pulled her toward him, suddenly, pressing his lips to her hair, her cheek. She caught him by the arms, her fingers digging into his sleeves, holding him to her. “I swear to the Angel,” he said, in a muffled voice, “if you die, I will die, and I will haunt you. I will give you no peace—”
He kissed her mouth. Perhaps it had been meant to be a quick kiss, but she could not help herself: she kissed back. And it was like breathing air after being trapped underground for weeks, like coming into sunlight after darkness.
”
”
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
“
The thing I remember from the Letters Page in those antique days was the way the OBs signed off. There was Yours faithfully, Yours sincerely, and I have the honour to be, sir, your obedient servant. But the ones I always looked for - and which I took to be the true sign of an Old Bastard - simply ended like this: Yours etc. And then the newspaper drew even more attention to the sign-off by printing it: Yours &c.
Yours &c. I used to muse about that. What did it mean? Where did it come from? I imagined some bespatted captain of industry dictating his OB’s views to his secretary for transmission to the Newspaper of Record which he doubtless referred to with jocund familiarity as ‘The Thunderer’. When his oratorical belch was complete, he would say ‘Yours, etc,’ which Miss ffffffolkes would automatically transcribe into, ‘I have the honour to be, sir, one of the distinguished Old Bastards who could send you the label off a tin of pilchards and you would still print it above this my name,’ or whatever, and then it would be, ‘Despatch this instanter to The Thunderer, Miss ffffffolkes.’
But one day Miss ffffffolkes was away giving a handjob to the Archbishop of York, so they sent a temp. And the temp wrote Yours, etc, just as she heard it and The Times reckoned the OB captain a very gusher of wit, but decided to add their own little rococo touch by compacting it further to &c., whereupon other OBs followed the bespatted lead of the captain of industry, who claimed all the credit for himself. There we have it: Yours &c.
Whereupon, as an ardent damp-ear of sixteen, I took to the parodic sign-off: Love, &c. Not all my correspondents unfailingly seized the reference, I regret to say. One demoiselle hastened her own de-accessioning from the museum of my heart by informing me with hauteur that use of the word etc., whether in oral communication or in carven prose, was common and vulgar. To which I replied, first, that ‘the word’ et cetera was not one but two words, and that the only common and vulgar thing about my letter - given the identity of its recipient - was affixing to it the word that preceded etc. Alack, she didn’t respond to this observation with the Buddhistic serenity one might have hoped.
Love, etc. The proposition is simple. The world divides into two categories: those who believe that the purpose, the function, the bass pedal and principal melody of life is love, and that anything else - everything else - is merely an etc.; and those, those unhappy many, who believe primarily in the etc. of life, for whom love, however agreeable, is but a passing flurry of youth, the pattering prelude to nappy-duty, but not something as solid, steadfast and reliable as, say, home decoration. This is the only division between people that counts.
”
”
Julian Barnes (Talking It Over)
“
What the most advanced researchers and theoreticians in all of science now comprehend is that the Newtonian concept of a universe driven by mass force is out of touch with reality, for it fails to account for both observable phenomena and theoretical conundrums that can be explained only by quantum physics: A quantum view explains the success of small efforts quite differently. Acting locally allows us to be inside the movement and flow of the system, participating in all those complex events occurring simultaneously. We are more likely to be sensitive to the dynamics of this system, and thus more effective. However, changes in small places also affect the global system, not through incrementalism, but because every small system participates in an unbroken wholeness. Activities in one part of the whole create effects that appear in distant places. Because of these unseen connections, there is potential value in working anywhere in the system. We never know how our small activities will affect others through the invisible fabric of our connectedness. In what Wheatley calls “this exquisitely connected world,” the real engine of change is never “critical mass”; dramatic and systemic change always begins with “critical connections.”14 So by now the crux of our preliminary needs should be apparent. We must open our hearts to new beacons of Hope. We must expand our minds to new modes of thought. We must equip our hands with new methods of organizing. And we must build on all of the humanity-stretching movements of the past half century: the Montgomery Bus Boycott; the civil rights movement; the Free Speech movement; the anti–Vietnam War movement; the Asian American, Native American, and Chicano movements; the women’s movement; the gay and lesbian movement; the disability rights/pride movement; and the ecological and environmental justice movements. We must find ourselves amid the fifty million people who as activists or as supporters have engaged in the many-sided struggles to create the new democratic and life-affirming values that are needed to civilize U.S. society.
”
”
Grace Lee Boggs (The Next American Revolution: Sustainable Activism for the Twenty-First Century)
“
Softly, he said, “Why are you crying?”
His words made the tears flow faster.
“Kestrel.”
She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.”
There was a silence. “I don’t understand.”
Kestrel shrugged. She shouldn’t care whether he understood or not.
“You would give up your music?”
Yes. She would.
“But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.”
“He has.”
Arin didn’t speak.
“But I can’t,” she said.
“Kestrel.”
“I can’t.”
“Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough.
“Why can’t you marry him?” he whispered.
She broke her word to herself and looked at him. “Because of you.”
Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak.
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
Yet his hands held hers, and she could do nothing.
He said, “I want the same thing you want.”
Kestrel pulled back. It wasn’t possible his words could mean what they seemed.
“It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name.
Hope.
“But you’ve already given your heart,” she said.
His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.”
This was cruel. “We both know why.”
He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.”
“She…doesn’t?”
“I lied.”
Kestrel blinked. “Then why did you go to the market?”
“Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall.
Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut.
She leaned forward, and kissed his temple.
Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat.
Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
He said, “I want the same thing you want.”
Kestrel pulled back. It wasn’t possible his words could mean what they seemed.
“It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name.
Hope.
“But you’ve already given your heart,” she said.
His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.”
This was cruel. “We both know why.”
He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.”
“She…doesn’t?”
“I lied.”
Kestrel blinked. “Then why did you go to the market?”
“Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall.
Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut.
She leaned forward, and kissed his temple.
Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat.
Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
He licked his lips, still looking earnest. “Sara. We had such a special connection. It was real and it was fantastic. Maybe that’s why I’ve spent so many years yearning for it too. We both knew what it was like, and we lost it. Even though you may not remember yet, it’s somewhere in here.” He reached over and touched my head. “And in there.” He pointed a finger toward my heart.
I was speechless. I stared at Jack, knowing in my heart that he was being honest and truthful. And I was overwhelmed that he understood me so well.
Turning to face me, his eyes burned with intensity. He took my hands in his and said, “I love you Sara Jordan Hamilton, and I’m willing to give you all the desires of your heart, if only you’ll let me. Nothing can take away my love for you. Not time, not distance, not even another husband.
”
”
Sharon Ricklin (Song of Memory)
“
the following prayer by Dr. Jane Goodall, who was named a UN Messenger of Peace for her continued world efforts, she seems to touch on most aspects of world conflict as we know them today and as they pertain to all living things. Prayer for World Peace We pray to the great Spiritual Power in which we live and move and have our being. We pray that we may at all times keep our minds open to new ideas and shun dogma; that we may grow in our understanding of the nature of all living beings and our connectedness with the natural world; that we may become ever more filled with generosity of spirit and true compassion and love for all life; that we may strive to heal the hurts that we have inflicted on nature and control our greed for material things, knowing that our actions are harming our natural world and the future of our children; that we may value each and every human being for who he is, for who she is, reaching to the spirit that is within,knowing the power of each individual to change the world. We pray for social justice, for the alleviation of the crippling poverty that condemns millions of people around the world to lives of misery—hungry, sick, and utterly without hope. We pray for the children who are starving,who are condemned to homelessness, slave labor, and prostitution, and especially for those forced to fight, to kill and torture even members of their own family. We pray for the victims of violence and war, for those wounded in body and for those wounded in mind. We pray for the multitudes of refugees, forced from their homes to alien places through war or through the utter destruction of their environment. We pray for suffering animals everywhere, for an end to the pain caused by scientific experimentation, intensive farming, fur farming, shooting, trapping, training for entertainment, abusive pet owners, and all other forms of exploitation such as overloading and overworking pack animals, bull fighting, badger baiting, dog and cock fighting and so many more. We pray for an end to cruelty, whether to humans or other animals, for an end to bullying, and torture in all its forms. We pray that we may learn the peace that comes with forgiving and the strength we gain in loving; that we may learn to take nothing for granted in this life; that we may learn to see and understand with our hearts; that we may learn to rejoice in our being. We pray for these things with humility; We pray because of the hope that is within us, and because of a faith in the ultimate triumph of the human spirit; We pray because of our love for Creation, and because of our trust in God. We pray, above all, for peace throughout the world. I love this beautiful and magnanimous prayer. Each request is spelled out clearly and specifically, and it asks that love, peace, and kindness be shown to all of earth’s creatures, not just its human occupants.
”
”
Joe Vitale (The Secret Prayer: The Three-Step Formula for Attracting Miracles)
“
A Woman’s Only Flaw Author Unknown
“When God created Woman, he was working late on the sixth day. An Angel came by and asked, ‘Why spend so much time on her?’ The Lord answered, ‘Have you seen all the specifications I have to meet to shape her?’” “‘She must function in all kinds of situations. She must be able to embrace several kids at the same time, have a hug that can heal anything from a bruised knee to a broken heart. She must do all this with only two hands.
She cures herself when sick and can work 18 hours a day.’”
“The Angel was impressed. ‘Just two hands? Impossible! And this is the standard model?’ The Angel came closer and touched the woman. ‘But you have made her so soft, Lord.’ ‘She is soft,’ said the Lord, ‘but I have made her strong. You can’t imagine what she can endure and overcome.’” “‘Can she think?’ the Angel asked.
The Lord answered, ‘Not only can she think, she can reason and negotiate.’ The Angel touched her cheeks. ‘Lord, it seems this creation is leaking! You have put too many burdens on her.’ ‘She is not leaking. It is a tear,’ the Lord corrected the Angel. ‘What’s it for?’ asked the Angel.
The Lord said, ‘Tears are her way of expressing her grief, her doubts, her love, her loneliness, her suffering, and her pride.’” “This made a big impression on the Angel. ‘Lord, you are a genius. You thought of everything. A woman is indeed marvelous.’ The Lord said, ‘Indeed she is. She has strength that amazes a man. She can handle trouble and carry heavy burdens. She holds happiness, love, and opinions. ‘She smiles when she feels like screaming. She sings when she feels like crying, cries when happy and laughs when afraid. She fights for what she believes in. ‘Her love is unconditional. Her heart is broken when a next-of-kin or a friend dies, but she finds strength to get on with life. “The Angel asked, ‘So she is a perfect being?’
The Lord replied, ‘No. She has just one drawback.’
‘She often forgets what she is worth.
”
”
Leslie Braswell (Bitch Up! Expect More, Get More: A Woman’s Guide to Maintaining Her Power and Sanity After a Breakup)
“
The farther back the bed, the older the child looked. The last few didn’t even look like children anymore, but petite senior citizens. Their faces were wrinkled and their hair was gray. “These must be the missing children!” Red gasped. “What’s happening to them?” Tootles asked. Red noticed that the walls were lined with empty coffins. She covered her mouth, and her eyes filled with tears. “Morina is draining their youth and beauty to make potions!” Red said. “She’s a monster!” Red and the Lost Boys stared around at the cursed children in disbelief. They wanted to free them from whatever enchantment was draining their life force, but they didn’t know how. They were too afraid to touch any of them. “Why are there empty beds?” Nibs asked. “Because they died,” said a voice that didn’t belong to Red or the Lost Boys. They looked around the basement to see where it was coming from. Propped up in the corner of the basement was a tall mirror with a silver frame, and to Red’s horror, Froggy was standing inside of it. “Charlie!” Red yelled, and ran to it. She placed both of her hands on the glass and Froggy put his webbed hands against hers. “Our dad’s a giant frog?” Nibs asked. “Hooray, our dad’s a frog!” “Red, who are these children?” Froggy asked. “And why are they calling me Dad?” “These are the Lost Boys of Neverland. I’ve adopted them for the time being—it’s a long story,” Red said. “Charlie, what are you doing inside a mirror?” “Morina put me in here so I would have to watch the children,” Froggy said sadly. “So how do we get you out?” Red asked. Froggy shook his head. “Magic mirrors are irreversible, my darling” he said. “I’m trapped just like the Evil Queen’s lover, but since the wishing spell doesn’t exist anymore, I’ll most likely be in here… forever.” Red fell to her knees and shook her head. She thought her heart was broken before, but it had shattered into so many pieces now, it might never heal again. “No…,” she whispered. “No, no, no…” Froggy became emotional at the sight of her. “I am so sorry, my love,” he cried. “You must take these children and leave before Morina gets back.” “I can’t leave you…,” Red cried. “There’s nothing we can do.” Froggy wept. “Morina wanted to separate us, and I’m afraid she has for good. The
”
”
Chris Colfer (Beyond the Kingdoms (The Land of Stories, #4))
“
Are you a reservoir or are you a canal or a swamp? The distinction is literal. The function of a canal is to channel water; it is a device by which water may move from one place to another in an orderly and direct manner. It holds water in a temporary sense only; it holds it in transit from one point to another. The function of the reservoir is to contain, to hold water. It is a large receptacle designed for the purpose, whether it is merely an excavation in the earth or some vessel especially designed. It is a place in which water is stored in order that it may be available when needed. In it provisions are made for outflow and inflow.
A swamp differs from either. A swamp has an inlet but no outlet. Water flows into it but there is no provision make for water to flow out. The result? The water rots and many living things die. Often there is a strange and deathlike odor that pervades the atmosphere. The water is alive but apt to be rotten. There is life in a swamp but it is stale.
The dominant trend of a man's life may take on the characteristics of a canal, reservoir or swamp. The important accent is on the dominant trend. There are some lives that seem ever to be channels, canals through which things flow. They are connecting links between other people, movements, purposes. They make the network by which all kinds of communications are possible. They seem to be adept at relating needs to sources of help, friendlessness to friendliness. Of course, the peddler of gossip is also a canal. If you are a canal, what kind of things do you connect?
Or are you a reservoir? Are you a resource which may be drawn upon in times of others' needs and your own as well? Have you developed a method for keeping your inlet and your outlet in good working order so that the cup which you give is never empty? As a reservoir, you are a trustee of all the gifts God has shared with you. You know they are not your own.
Are you a swamp? Are you always reaching for more and more, hoarding whatever comes your way as your special belongings? If so, do you wonder why you are friendless, why the things you touch seem ever to decay? A swamp is a place where living things often sicken and die. The water in a swamp has no outlet. Canal, reservoir or swamp-- WHICH?
”
”
Howard Thurman (Meditations of the Heart)
“
[J.Ivy:]
We are all here for a reason on a particular path
You don't need a curriculum to know that you are part of the math
Cats think I'm delirious, but I'm so damn serious
That's why I expose my soul to the globe, the world
I'm trying to make it better for these little boys and girls
I'm not just another individual, my spirit is a part of this
That's why I get spiritual, but I get my hymns from Him
So it's not me, it's He that's lyrical
I'm not a miracle, I'm a heaven-sent instrument
My rhythmatic regimen navigates melodic notes for your soul and your mental
That's why I'm instrumental
Vibrations is what I'm into
Yeah, I need my loot by rent day
But that is not what gives me the heart of Kunte Kinte
I'm tryina give us "us free" like Cinque
I can't stop, that's why I'm hot
Determination, dedication, motivation
I'm talking to you, my many inspirations
When I say I can't, let you or self down
If I were of the highest cliff, on the highest riff
And you slipped off the side and clinched on to your life in my grip
I would never, ever let you down
And when these words are found
Let it been known that God's penmanship has been signed with a language called love
That's why my breath is felt by the deaf
And why my words are heard and confined to the ears of the blind
I, too, dream in color and in rhyme
So I guess I'm one of a kind in a full house
Cuz whenever I open my heart, my soul, or my mouth
A touch of God reigns out
[Chorus]
[Jay-Z (Kanye West)]
Who else you know been hot this long,
(Oh Ya, you know we ain't finished)
Started from nothing but he got this strong,
(The ROC is in the building)
Built the ROC from a pebble, pedalled rock before I met you,
Pedalled bikes, got my nephews pedal bikes because they special,
Let you tell that man I'm falling,
Well somebody must've caught him,
Cause every fourth quarter, I like to Mike Jordan 'em,
Number one albums, what I got like four of dem,
More of dem on the way,
The Eight Wonder on the way,
Clear the way, I'm here to stay,
Y'all can save the chitter chat, this and that, this and Jay,
Dissin' Jay 'ill get you mased,
When I start spitting them lyrics, niggas get very religious,
Six Hail Maries, please Father forgive us,
Young, the Archbishop, the Pope John Paul of y'all niggas,
The way y'all all follow Jigga,
Hov's a living legend and I tell you why,
Everybody wanna be Hov and Hov still alive.
”
”
Kanye West
“
There are many things that men and women ought to think about, and must think about, in private, that they would not for a moment discuss in public. There are books on the proper conduct of women in certain most sacred relations of life, relations of life which are as holy as any, and which can be entered into in the presence of a holy God with no question of His approval, but which do not permit of public mention. . . .
That the Bible is a pure book is evidenced by the fact that it is not a favourite book in dens of infamy. But on the other hand, books that try to make out that the Bible is an obscene book, and that endeavour to keep people from reading it, are favourite books in dens of infamy. The unclean classes, both men and women, were devoted admirers of the most brilliant man this country ever produced who attacked what he called the "obscenity of the Bible." These unclean classes do not frequent Bible classes. They do frequent infidel lectures.
These infidel objectors to the book as an "obscene book" constantly betray their insincerity and hypocrisy. Colonel Ingersoll . . . objected to the Bible for telling these vile deeds "without a touch of humour." In other words, he did not object to telling stories of vice, if only a joke was made of the sin. Thank God, that is exactly what the Bible does not do--make a joke of sin. It makes sin hideous, so men who are obscene in their own hearts object to the Bible as being an obscene book. . . .
To sum up, there are in the Bible descriptions of sins that cannot wisely be read in every public assembly, but these descriptions of sin are morally most wholesome in the places where God, the Author of the Book, manifestly intends them to be read. The child who is brought up to read the Bible as a whole, from Genesis to Revelation, will come to know in the very best way possible what a child ought to know very early in life if he is to be safeguarded against the perils that surround our modern life on every hand. A child who is brought up upon a constant, thorough, continuous reading of the whole Bible is more likely than any other child to be free from the vices that are undermining the mental, moral, and physical strength of our boys and girls, and young men and young women. But the child who is brought up on infidel literature and conversation is the easiest prey there is for the seducer and procuress. The next easiest is the one who, through neglect of the Bible, is left in ignorance of the awful pitfalls of life.
”
”
Reuben A. Torrey
“
The Prime Minister, who was in close contact with the Queen and Prince Charles, captured the feelings of loss and despair when he spoke to the nation earlier in the day from his Sedgefield constituency. Speaking without notes, his voice breaking with emotion, he described Diana as a ‘wonderful and warm human being.’
‘She touched the lives of so many others in Britain and throughout the world with joy and with comfort. How difficult things were for her from time to time, I’m sure we can only guess at. But people everywhere, not just here in Britain, kept faith with Princess Diana. They liked her, they loved her, they regarded her as one of the people. She was the People’s Princess and that is how she will stay, how she will remain in all our hearts and memories for ever.’
While his was the first of many tributes which poured in from world figures, it perfectly captured the mood of the nation in a historic week which saw the British people, with sober intensity and angry dignity, place on trial the ancient regime, notably an elitist, exploitative and male-dominated mass media and an unresponsive monarchy. For a week Britain succumbed to flower power, the scent and sight of millions of bouquets a mute and telling testimony to the love people felt towards a woman who was scorned by the Establishment during her lifetime.
So it was entirely appropriate when Buckingham Palace announced that her funeral would be ‘a unique service for a unique person’. The posies, the poems, the candles and the cards that were placed at Kensington Palace, Buckingham Palace and elsewhere spoke volumes about the mood of the nation and the state of modern Britain. ‘The royal family never respected you, but the people did,’ said one message, as thousands of people, most of whom had never met her, made their way in quiet homage to Kensington Palace to express their grief, their sorrow, their guilt and their regret. Total strangers hugged and comforted each other, others waited patiently to lay their tributes, some prayed silently. When darkness fell, the gardens were bathed in an ethereal glow from the thousands of candles, becoming a place of dignified pilgrimage that Chaucer would have recognized. All were welcome and all came, a rainbow of coalition of young and old of every colour and nationality, East Enders and West Enders, refugees, the disabled, the lonely, the curious, and inevitably, droves of tourists. She was the one person in the land who could connect with those Britons who had been pushed to the edges of society as well as with those who governed it.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
For a second he thought she might chuckle, and honest to God he didn't know what he would do if she did. "Grey, society didn't give you that scar. A woman you treated with no more regard than your dirty stockings gave you that scar. You cannot blame the actions of one on so many."
HIs fingers tightened into fists at his side. "I do not blame all of society for her actions, of course not."
"How could you? You don't even know who it was, do you?"
"No." But he had suspicions. He was almost completely certain it had been Maggie-Lady Devane. He'd broken her heart the worst of them all.
"Of course you don't." Suddenly her eyes were very dark and hard. "I suspect it could be one of a large list of names, all women who you toyed with and cast aside."
A heavy chill settled over Grey's chest at the note of censure, and disapproval in her tone. He had known this day would come, when she would see him for what he truly was. He just hadn't expected it quite so soon.
"Yes," he whispered. "A long list indeed."
"So it's no wonder you would rather avoid society. I would too if I had no idea who my enemies were. It's certainly preferable to apologizing to every conquest and hope that you got the right one." She didn't say it meanly, or even mockingly, but there was definitely an edge to her husky voice.
"Is this what we've come to, Rose?" he demanded. "You've added your name to the list of the women I've wronged?"
She laughed then, knocking him even more off guard. "Of course not. I knew what I was getting myself into when I hatched such a foolhardy plan. No, your conscience need not bear the weight of me, grey." When she moved to stand directly before him, just inches away, it was all he could do to stand his ground and not prove himself a coward.
Her hand touched his face, the slick satin of her gloves soft against his cheek. "I wish you would stop living under all this regret and rejoin the world," she told him in a tone laden with sorrow. "You have so much to offer it. I'm sure society would agree with me if you took the chance."
Before he could engineer a reply, there was another knock at the door. Rose dropped her hand just as her mother stuck her head into the room.
"Ah, there you are. Good evening, Grey. Rose, Lord Archer is here."
Rose smiled. "I'll be right there, Mama." When the door closed once more, she turned to Grey. "Let us put an end to this disagreeable conversation and put it in the past where it belongs. Friends?"
Grey looked down at her hand, extended like a man's. He didn't want to take it. In fact, he wanted to tell her what she could do with her offer of friendship and barely veiled insults. He wanted to crush her against his chest and kiss her until her knees buckled and her superior attitude melted away to pleas of passion. That was what he wanted.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
Camille heard the rustle of grass. She opened one eye and saw Oscar settling down beside her.
“We can spare a few minutes,” he said. She sat up and cradled her knees in her arms. He plucked a blade of grass and commenced peeling it down the center. They heard the Australian snoring from his spot a few yards away, completely hidden in a blanket of green.
“I guess we can spare more than a few minutes.” Oscar smiled and met her gaze, holding it a moment. She suddenly realized how horrible she must look-her hair, her clothes, her skin.
“Do you miss him?” he asked, not seeming to notice any of those things.
Camille uprooted a purple flower and a white daisy near it. “Of course I do. But I’m hoping with the stone I won’t have to very long.”
“Not your father, Camille. Randall.”
She took a deep breath, shocked she hadn’t thought of her fiancé for so long. How many days had it been? A full week, maybe more.
“Oh. Well…I suppose I do.”
Oscar raised an eyebrow and laughed at her clear lack of conviction.
Camille shrugged. “What? A lot has happened and right now getting back to San Francisco isn’t something I’m concerned about.”
Oscar nodded and chewed on the tip of his blade of grass.
“It’s not that Randall isn’t a perfectly good man,” she said, fiddling with the flowers in her hands. The roots crumbled dirt onto her lap. “He’s kind and caring and handsome and an excellent businessman.”
Oscar continued to nod.
“And he’ll make a fine husband, I’m sure,” she added, knowing he really was all those things. If only all of them combined could make up for what she didn’t feel while with him.
“I’m sure,” Oscar repeated. Had he been mocking her? She thought she had caught a trace of sarcasm. All this talk about Randall had her itching.
“Why do you ask?”
“Just wondered if you missed home,” Oscar answered and threw the mangled blade of grass behind him.
“Do you?” she asked, ashamed to her Oscar know how little she desired to return. He thought for a moment, tugging up another switch of grass and rolling it between his fingers.
“No,” he answered with stark certainty. “I have everything I’d miss right here.”
Every inch of Camille’s body smoldered under Oscar’s gentle, and so very forward, gaze. He’d miss her. She looked into his gray-blue eyes, rimmed by thick, honey-colored lashes-had they always been so full? The bridge of his nose crooked to the left slightly, perhaps broken in a fight after he’d moved from her father’s carriage house to a small apartment along the San Francisco harbor front. She’d never noticed the charming imperfection before.
She watched as his eyes traveled over her own features, touching on the wound by her temple and settling on the heart-shaped fullness of her lips.
Oscar held his piercing stare. “We probably won’t arrive home in time for your wedding.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
I’m very glad,” Jones continued fervently, sounding like a card-carrying Colin Firth impersonator. “So very glad. You can’t know how glad . . .” He cleared his throat. “I hate to be the bearer of more bad tidings, but your . . . friend was something of a criminal, the way I heard it. He had a price on his head—millions—from some druglord who wanted him dead. Chased him mercilessly, for years. I guess this Jones fellow used to work for him—it’s all very sordid, I’m afraid. And dangerous. He had to be on the move constantly. It was risky just to have a drink with Jones—you might’ve gotten killed in the crossfire. Of course, the big irony here is that the druglord died two weeks before Jones. He never knew it, but he was finally free.”
As he looked at her with those eyes that she’d dreamed about for so many months, Molly understood. Jones was here, now, only because the druglord known as Chai, a dangerous and sadistic bastard who’d spent years hunting him, was finally dead.
“It’s entirely possible that whoever’s taken over business for this druglord,” he continued, “would’ve gone after this Jones, too. Of course, he probably wouldn’t have searched to the ends of the earth for him . . . Although, when dealing with such dangerous types, it pays to be cautious, I suppose.”
Message received.
“Not that that’s anything Jones needs to worry about,” he added. “Considering he’s left his earthly cares behind. Still, I suspect it’s rather hot where he’s gone.”
Yes, it certainly was hot in Kenya right now. Molly covered her mouth, pretending to sob instead of laugh.
“Shhh,” Helen admonished him, thinking, of course, that he was referring to an unearthly heat. “Don’t say such a thing. She loved him.” She turned back to Molly. “This Jones is the man that you spoke of so many times?”
Molly could see from the expression on Jones’s face that Helen had given her away. She might as well go big with the truth.
She wipes her eyes with a handkerchief that Helen had at the ready, then met his gaze.
“I loved him very much. I’ll always love him,” she told this man who’d traveled halfway around the world for her, who apparently had waited years for it to be safe enough for him to join her, who had actually thought that, once he arrived, she might send him away.
If you don’t want me here—and I don’t blame you if you don’t—just say the word . . .
“He was a good man,” Molly said, “with a good heart.” Her voice shook, because, dear Lord, there were now tears in his eyes, too. “He deserved forgiveness—I’m positive he’s in heaven.”
“I don’t think it’s going to be that easy for him,” he whispered. “It shouldn’t be . . .” He cleared his throat, put his glasses back on. “I’m so sorry to have distressed you, Miss Anderson. And I haven’t even properly introduced myself. Where are my manners?” He held out his hand to her. “Leslie Pollard.”
Even with his glasses on, she could see quite clearly that he’d far rather be kissing her.
But that would have to wait for later, when he came to her tent . . . No, wait, Gina would be there. Molly would have to go to his.
Later, she told him with her eyes, as she reached out and, for the first time in years, touched the hand of the man that she loved.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
The banishing of a leper seems harsh, unnecessary. The Ancient East hasn’t been the only culture to isolate their wounded, however. We may not build colonies or cover our mouths in their presence, but we certainly build walls and duck our eyes. And a person needn’t have leprosy to feel quarantined. One of my sadder memories involves my fourth-grade friend Jerry.1He and a half-dozen of us were an ever-present, inseparable fixture on the playground. One day I called his house to see if we could play. The phone was answered by a cursing, drunken voice telling me Jerry could not come over that day or any day. I told my friends what had happened. One of them explained that Jerry’s father was an alcoholic. I don’t know if I knew what the word meant, but I learned quickly. Jerry, the second baseman; Jerry, the kid with the red bike; Jerry, my friend on the corner was now “Jerry, the son of a drunk.” Kids can be hard, and for some reason we were hard on Jerry. He was infected. Like the leper, he suffered from a condition he didn’t create. Like the leper, he was put outside the village. The divorced know this feeling. So do the handicapped. The unemployed have felt it, as have the less educated. Some shun unmarried moms. We keep our distance from the depressed and avoid the terminally ill. We have neighborhoods for immigrants, convalescent homes for the elderly, schools for the simple, centers for the addicted, and prisons for the criminals. The rest simply try to get away from it all. Only God knows how many Jerrys are in voluntary exile—individuals living quiet, lonely lives infected by their fear of rejection and their memories of the last time they tried. They choose not to be touched at all rather than risk being hurt again.
”
”
Max Lucado (Just Like Jesus: A Heart Like His)
“
In case you haven't noticed,rodeos are a serious business.Careless cowboys tend to break bones,or even their skulls,as hard as that may be to believe."
She stared down at the hand holding her wrist. Despite his smile,she could feel the strength in his grip. If he wanted to,he could no doubt break her bone with a single snap. But she wasn't concerned with his strength,only with the heat his touch was generating. She felt the tingle of warmth all the way up her arm.It alarmed her more than she cared to admit.
"My job is to minimize damage to anyone who is actually hurt."
"I'm grateful." He sat up so his laughing blue eyes were even with hers. If possible,his were even bluer than the perfect Montana sky above them. "What do you think? Any damage from that fall?"
Her instinct was to move back,but his fingers were still around her wrist,holding her close. "I'm beginning to wonder if you were actually tossed from that bull or deliberately fell."
"I'd have to be a little bit crazy to deliberately fell."
"I'd have to be a little bit crazy to deliberately jump from the back of a raging bull just to get your attention, wouldn't I?"
"Yeah." She felt the pull of that magnetic smile that had so many of the local females lusting after Wyatt McCord. Now she knew why he'd gained such a reputation in such a short time. "I'm beginning to think maybe you are. In fact,more than a little.A whole lot crazy."
"I figured it was the best possible way to get you to actually talk to me. You couldn't ignore me as long as there was even the slightest chance that I might be hurt."
There was enough romance in her nature to feel flattered that he'd go to so much trouble to arrange to meet her. At least,she thought,it was original. And just dangerous enough to appeal to a certain wild-and-free spirit that dominated her own life.
Then her practical side kicked in, and she felt an irrational sense of annoyance that he'd wasted so much of her time and energy on his weird idea of a joke.
"Oh,brother." She scrambled to her feet and dusted off her backside.
"Want me to do that for you?"
She paused and shot him a look guaranteed to freeze most men.
He merely kept that charming smile in place. "Mind if we start over?" He held out his hand. "Wyatt McCord."
"I know who you are."
"Okay.I'll handle both introductions. Nice to meet you,Marilee Trainor. Now that we have that out of the way,when do you get off work?"
"Not until the last bull rider has finished."
"Want to grab a bite to eat? When the last rider is done,of course."
"Sorry.I'll be heading home."
"Why,thanks for the invitation.I'd be happy to join you.We could take along some pizza from one of the vendors."
She looked him up and down. "I go home alone."
"Sorry to hear that." There was that grin again,doing strange things to her heart. "You're missing out on a really fun evening."
"You have a high opinion of yourself, McCord."
He chuckled.Without warning he touched a finger to her lips. "Trust me.I'd do my best to turn that pretty little frown into an even prettier smile."
Marilee couldn't believe the feelings that collided along her spine. Splinters of fire and ice had her fighting to keep from shivering despite the broiling sun.
Because she didn't trust her voice, she merely turned on her heel and walked away from him.
It was harder to do than she'd expected. And though she kept her spine rigid and her head high, she swore she could feel the heat of that gaze burning right through her flesh.
It sent one more furnace blast rushing through her system. A system already overheated by her encounter with the bold, brash,irritatingly charming Wyatt McCord.
”
”
R.C. Ryan (Montana Destiny)
“
The traitor elves of the World Above professed to hate evil. In reality, Quenthel thought, they feared what they didn’t understand. Thanks to the tutelage of Lolth, the drow did, and having understood it, they embraced it. For evil, like chaos, was one of the fundamental forces of Creation, manifest in both the macrocosm of the wide world and the microcosm of the individual soul. As chaos gave rise to possibility and imagination, so evil engendered strength and will. It made sentient beings aspire to wealth and power. It enabled them to subjugate, kill, rob, and deceive. It allowed them to do whatever was required to better themselves with never a crippling flicker of remorse. Thus, evil was responsible for the existence of civilization and for every great deed any hero had ever performed. Without it, the peoples of the world would live like animals. It was amazing that so many races, blinded by false religions and philosophies, had lost sight of this self-evident truth. In contrast, the dark elves had based a society on it, and that was one of the points of superiority that served to exalt them above all other races. Paradoxically, though, a touch of the pure black heart of this darkest of all powers could be deadly, just as the highest expression of comforting warmth was the fire that consumed. Even folk who spent their lives in the adoration of evil generally had no real comprehension of the endless burning sea of it raging below and beyond the material world, and that was just as well. Even a fleeting glimpse could convey secrets too huge and fearsome for the average mind. Its touch could annihilate sanity and even identity. The threat was sufficiently grave that the majority of spellcasters hesitated to regard the force directly. They preferred to treat with evil at one remove, by dealing with the devils and undead that embodied it.
”
”
Richard Lee Byers (Dissolution (Forgotten Realms: War of the Spider Queen, #1))
“
Life is pretty short yet magnanimous if we know just how to live right. It isn't that easy, it takes a lot of our soul, sometimes too many broken pieces to finally come together in binding a masterpiece that smiles like a solitary star forever gazing around at the music of an eternal cosmos.
The most brutal yet beautiful truth about Life is that It is marked, marked with Time where every moment takes us closer to death, it doesn't have to sound or feel bad or scary because death is the most inevitable truth in this mortal world. While the knowledge of death jolts our mind with the uncertainty of Life, clutches us in the emotion of fear to think of pain or the loss of bonds, when we acknowledge that as a part of our souls' journey and take every moment as our precious gift, a blessing to experience this Life with its beautiful garden of emotions blossoming with wonderful smiles that we can paint on others, then we make our Life magnanimous, then we make even the very face of death as that of an angel coming to take us to a different voyage, soaked in a lot of memories and experiences beautifully binding our soul.
I have realised that when we live each day as if it's the last day of our life, we become more loving and gentle to everyone around and especially to our own selves. We forgive and love more openly, we grace and embrace every opportunity we get to be kind, to stay in touch with everything that truly matters. I have realised that when we rise every morning with gratitude knowing that the breath of air still passes through our body, just in the mere understanding that we have one more day to experience Life once again, we stay more compassionate towards everything and everyone around and invest more of our selves into everything and everyone that truly connect and resonate with our soul. I have realised that when we consciously try to be good and kind, no matter however bad or suffocating a situation is we always end up taking everything at its best holding on to the firm grip of goodness, accepting everything as a part of our souls' lesson or just a turn of Time or Fate and that shapes into our strength and roots our core with the truest understanding of Life, the simple act of going on and letting go. Letting go of anything and everything that chains our Soul while going on with a Heart open to Love and a Soul ready to absorb all that falls along the pathway of this adventure called Life. I have realised that when we are kind and do anything good for another person, that gives us the most special happiness, something so pure that even our hearts don't know how deep that joy permeates inside our soul. I have realised that at the end of the day we do good not because of others but because of our own selves, for if tomorrow death comes to grace me I hope to smile and say I have Lived, loved unconditionally and embraced forgiveness, kindness and goodness and all the other colours of Love with every breath I caught, I have lived a Life magnanimous.
So each time someone's unkind towards you, hold back and smile, and try to give your warmth to that person. Because Kindness is not a declaration of who deserves it, it's a statement of who you are. So each time some pieces of your heart lay scattered, hold them up and embrace everyone of them with Love. Because Love is not a magic potion that is spilled from a hollow space, it's a breath of eternity that flows through the tunnel of your soul. So each time Life puts up a question of your Happiness, answer back with a Smile of Peace. Because Happiness is not what you look for in others, it's what you create in every passing moment, with the power of Life, that is pretty short when we see how counted it stands in days but actually turns out absolutely incredibly magnanimous when loved and lived in moments.
”
”
Debatrayee Banerjee
“
Then Strathcona discussed literature. He paid his tribute to the "Fleurs de Mal" and the "Songs before Sunrise"; but most, he said, he owed to "the divine Oscar." This English poet of many poses and some vices the law had seized and flung into jail; and since the law is a thing so brutal and wicked that whoever is touched by it is made thereby a martyr and a hero, there had grown up quite a cult about the memory of "Oscar." All up-to-date poets imitated his style and his attitude to life; and so the most revolting of vices had the cloak of romance flung about them—were given long Greek and Latin names, and discussed with parade of learning as revivals of Hellenic ideals. The young men in Strathcona's set referred to each other as their "lovers"; and if one showed any perplexity over this, he was regarded, not with contempt—for it was not aesthetic to feel contempt—but with a slight lifting of the eyebrows, intended to annihilate. One must not forget, of course, that these young people were poets, and to that extent were protected from their own doctrines. They were interested, not in life, but in making pretty verses about life; there were some among them who lived as cheerful ascetics in garret rooms, and gave melodious expression to devilish emotions. But, on the other hand, for every poet, there were thousands who were not poets, but people to whom life was real. And these lived out the creed, and wrecked their lives; and with the aid of the poet's magic, the glamour of melody and the fire divine, they wrecked the lives with which they came into contact. The new generation of boys and girls were deriving their spiritual sustenance from the poetry of Baudelaire and Wilde; and rushing with the hot impulsiveness of youth into the dreadful traps which the traders in vice prepared for them. One's heart bled to see them, pink-cheeked and bright-eyed, pursuing the hem of the Muse's robe in brothels and dens of infamy!
”
”
Upton Sinclair (The Metropolis)
“
One of my best friends is LinDee Loveland, who is a Bible teacher at OCS and the children’s minister at our church. She and another friend and teacher, Mrs. Rita, were there at the hospital with us. As soon as they heard that everything had gone well, the two of them gathered all of Mia’s cousins together.
“Missy, what’s Mia’s room number?” LinDee asked.
I rattled it off, then quickly caught up with Jase, who was heading to the recovery room.
We spent an hour in the recovery room with Mia, and when she was ready to be moved to her regular hospital room, Jase and I walked beside her gurney. When we walked into her room, I burst into tears. Mia’s room was beautiful!
Several weeks before Mia’s scheduled surgery, Mrs. LinDee had asked the children at church to make snowflakes that would be given to a child who needed some encouragement. Mia even made one herself and signed it. “Each individual snowflake is special, and no two are alike,” Mrs. LinDee told them. “It’s the same way with us,” she shared. “No two people are alike. God makes everyone unique and special, with a purpose designed to glorify Him.”
Later, when Mia wasn’t there, she asked all the children to make cards for Mia. When LinDee and the cousins scooted out of the waiting room, they went straight to Mia’s room and hung up the cards and the snowflakes all over her room. Mia was awake by the time she got back to her room, and when she saw the decorations, she literally oohed and ahhed.
Dr. Sperry and Dr. Genecov both made the same comment when they visited Mia later. “I’ve never seen a room like this! This is the most decorated room that’s ever been in this hospital!”
And Dr. Sperry summed it up beautifully: “Wow, somebody must really love you.”
Having a room decorated means so much to a child--and maybe even more to a child’s parents. The fact that so many of Mia’s friends had created such exquisite, handmade snowflakes and worked so hard to make cards for her, and that Mrs. LinDee, Mrs. Rita, and all the cousins surprised us with the final display, spoke volumes to me about the way people loved Mia and our family. That expression of creativity was not only beautiful, it also touched my heart deeply.
”
”
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
“
Then he went up to the window. His heart began pounding excitedly when he turned back the yellow linen of the curtain.
An enchantingly beautiful spectacle was revealed before him — although today he immediately noticed that there was something strange in the entire aspect of this extensive and excellently arranged Garden. Precisely what amazed him he was still unable to say right away, and he began to examine the Garden attentively.
What was there so unpleasant in its beauty? Why was the Youth's heart trembling so painfully?
Was it that everything in the enchanted Garden was too exact. All the paths were laid out geometrically, and all were of the same width, and all were covered with precisely the same amount of yellow sand; the plants were all arranged with exaggerated orderliness; the trees were trimmed in the form of spheres, cones and cylinders; the flowers were arranged according to the various shades so that their composition was pleasing to the eye, but for some reason or other this wounded the soul.
But giving it careful thought, what was there unpleasant in that orderliness which merely bore witness to the careful attention which someone paid to the Garden?
Of course there was no reason for this to cause the strange apprehension which oppressed the Youth. But it was in something else as yet incomprehensible to the Youth.
One thing was for certain, though, that this Garden did not resemble any other garden which the Youth had happened to see in his time. Here he saw giant flowers of an almost too brilliant color — at times it seemed that many-colored fires were burning in the midst of the luxuriant greenery — brown and black stalks of creeping growths, thick like tropical serpents; leaves of a strange shape and immeasurable size, whose greeness seemed to be unnaturally brilliant.
Heady and languid fragrances wafted through the window in gentle waves, breaths of vanilla, frankincense and bitter almond, sweet and bitter, ecstatic and sad, like some joyous funereal mysterium.
The Youth felt the tender yet lively touches of the gentle wind. But in the Garden it seemed as if the wind had no strength and lay exhausted on the tranquil green grass and in the shadows beneath the bushes of the strange growths. And because the trees and grass of the strange Garden were breathlessly quiet and could not hear the softly blowing wind above them and did not reply to it, they seemed to be inanimate. And thus they were deceitful, evil and hostile to man.
("The Poison Garden")
”
”
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
“
One morning, a farmer knocked loudly on the door of a monastery. When Brother Porter opened the door, the farmer held out to him a magnificent bunch of grapes. “Dear Brother Porter, these are the finest grapes from my vineyard. Please accept them as a gift from me.” “Why, thank you! I’ll take them straight to the Abbot, who will be thrilled with such a gift.” “No, no. I brought them for you.” “For me? But I don’t deserve such a beautiful gift from nature.” “Whenever I knocked on the door, you opened it. When the harvest had been ruined by drought, you gave me a piece of bread and a glass of wine every day. I want this bunch of grapes to bring you a little of the sun’s love, the rain’s beauty and God’s miraculous power.” Brother Porter put the grapes down where he could see them and spent the whole morning admiring them: they really were lovely. Because of this, he decided to give the present to the Abbot, whose words of wisdom had always been such a boon to him. The Abbot was very pleased with the grapes, but then he remembered that one of the other monks was ill and thought: “I’ll give him the grapes. Who knows, they might bring a little joy into his life.” But the grapes did not remain for very long in the room of the ailing monk, for he in turn thought: “Brother Cook has taken such good care of me, giving me only the very best food to eat. I’m sure these grapes will bring him great happiness.” And when Brother Cook brought him his lunch, the monk gave him the grapes. “These are for you. You are in close touch with the gifts Nature gives us and will know what to do with this, God’s produce.” Brother Cook was amazed at the beauty of the grapes and drew his assistant’s attention to their perfection. They were so perfect that no one could possibly appreciate them more than Brother Sacristan, who had charge of the Holy Sacrament, and whom many in the monastery considered to be a truly saintly man. Brother Sacristan, in turn, gave the grapes to the youngest of the novices in order to help him understand that God’s work is to be found in the smallest details of the Creation. When the novice received them, his heart was filled with the Glory of God, because he had never before seen such a beautiful bunch of grapes. At the same time, he remembered the day he had arrived at the monastery and the person who had opened the door to him; that gesture of opening the door had allowed him to be there now in that community of people who knew the value of miracles. Shortly before dark, he took the bunch of grapes to Brother Porter. “Eat and enjoy. You spend most of your time here all alone, and these grapes will do you good.” Brother Porter understood then that the gift really was intended for him; he savoured every grape and went to sleep a happy man. In this way, the circle was closed; the circle of happiness and joy which always wraps around those who are in contact with the energy of love.
”
”
Paulo Coelho (The Zahir)