“
All I ever wanted was to reach out and touch another human being not just with my hands but with my heart.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
And then he gives me a smile that just seems so genuinely sweet with just the right touch of shyness that unexpected warmth rushes through me.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy...
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
So what was that all about?"
"I think," Jace said, "that she asked if she could touch my mango."
"She said that?"
Jace shrugged. "Yeah, then she gave me her number.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
I crossed my arms over my chest. "Are you lost, little girl? The elementary school's over on west campus."
A pink flush spread over her cheeks. "Don't you ever touch me again. You screw with me, I'll screw you right back."
Oh man, what an opening that was.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Who are you?
Are you in touch with all of your darkest fantasies?
Have you created a life for yourself where you can experience them?
I have. I am fucking crazy.
But I am free.
”
”
Lana Del Rey
“
He accused me of being Dumbledore's man through and through."
"How very rude of him."
"I told him I was."
Dumbledore opened his mouth to speak and then closed it again. Fawkes the phoenix let out a low, soft, musical cry. To Harry's intense embarrassment, he suddenly realized that Dumbledore's bright blue eyes looked rather watery, and stared hastily at his own knee. When Dumbledore spoke, however, his voice was quite steady.
"I am very touched, Harry.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw.
”
”
Madeline Miller (The Song of Achilles)
“
She leaned down and looked at his lifeless face and Leisel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled herself away, she touched his mouth with her fingers...She did not say goodbye. She was incapable, and after a few more minutes at his side, she was able to tear herself from the ground. It amazes me what humans can do, even when streams are flowing down their faces and they stagger on...
”
”
Markus Zusak (The Book Thief)
“
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body.
I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Tess, Tess, Tessa.
Was there ever a more beautiful sound than your name? To speak it aloud makes my heart ring like a bell. Strange to imagine that, isn’t it – a heart ringing – but when you touch me that is what it is like: as if my heart is ringing in my chest and the sound shivers down my veins and splinters my bones with joy.
Why have I written these words in this book? Because of you. You taught me to love this book where I had scorned it. When I read it for the second time, with an open mind and heart, I felt the most complete despair and envy of Sydney Carton. Yes, Sydney, for even if he had no hope that the woman he loved would love him, at least he could tell her of his love. At least he could do something to prove his passion, even if that thing was to die.
I would have chosen death for a chance to tell you the truth, Tessa, if I could have been assured that death would be my own. And that is why I envied Sydney, for he was free.
And now at last I am free, and I can finally tell you, without fear of danger to you, all that I feel in my heart.
You are not the last dream of my soul.
You are the first dream, the only dream I ever was unable to stop myself from dreaming. You are the first dream of my soul, and from that dream I hope will come all other dreams, a lifetime’s worth.
With hope at least,
Will Herondale
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
You're brilliant,"he says."But you're a fool to stay with someone like me."
I close my eyes at the touch of his hand."Then we are both fools.
”
”
Marie Lu (Legend (Legend, #1))
“
Captain,” she murmured.
“I think I’m in love with you.”
An eyebrow shot up. She counted six beats of his heart before, suddenly, he laughed.
“Don’t tell me it took you two whole days to realize that. I must be losing my touch.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
I have a curse.
I HAVE A GIFT.
I'm a monster.
I'M MORE THAN HUMAN.
My touch Is lethal.
MY TOUCH IS POWER.
I am their weapon.
I WILL FIGHT BACK.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
You can't touch me," I whisper. I'm lying, is what I don't tell him. He can touch me, is what I'll never tell him. Please touch me, is what I want to tell him.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
I didn't have much to say to anybody but kept to myself and my books. With my eyes closed, I would touch a familiar book and draw it's fragrance deep inside me. This was enough to make me happy.
”
”
Haruki Murakami (Norwegian Wood)
“
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
”
”
Margaret Atwood
“
Actually, since I'm gay I think I should count for two guys instead of just one. I mean, in me you get the male point of view and you don't have to worry about me wanting to touch your boobies.
”
”
P.C. Cast (Marked (House of Night, #1))
“
You get tough like me and you don't get hurt. You look out for yourself and nothin' can touch you...
”
”
S.E. Hinton (The Outsiders)
“
No," Dimitri interrupted gently. He moved his face toward mine, our foreheads nearly touching. "It won't happen to you. You're too strong. You'll fight it, just like you did this
time."
"I only did because you were here." He wrapped his arms around me, and I buried my face in his chest. "I can't do it by myself," I whispered.
"You can," he said. There was a tremulous note in his voice. "You're strong—you're so, so strong. It's why I love you.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Will’s voice dropped. “Everyone makes mistakes, Jem.”
“Yes,” said Jem. “You just make more of them than most people.”
“I —”
“You hurt everyone,” said Jem. “Everyone whose life you touch.”
“Not you,” Will whispered. “I hurt everyone but you. I never meant to
hurt you.”
Jem put his hands up, pressing his palms against his eyes. “Will —”
“You can’t never forgive me,” Will said in disbelief, hearing the
panic tinging his own voice. “I’d be —”
“Alone?” Jem lowered his hand, but he was smiling now, crookedly. “And
whose fault is that?
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
he placed his hands
on my mind
before reaching
for my waist
my hips
or my lips
he didn't call me
beautiful first
he called me
exquisite
- how he touches me
”
”
Rupi Kaur (Milk and honey)
“
But no living man am I! You look upon a woman. Éowyn I am, Éomund's daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
Of course you can have a true Shadowhunter name," Will said. "You can have mine."
Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?"
Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
What are you, Rose Hathaway? Are you real? You're a dream within a dream. I'm afraid touching you will make me wake up. You'll disappear.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Jordan doesn't really care about the blood," Simon said now. "His whole thing is about me being comfortable with what I am. Get in touch with your inner vampire, blah, blah."
Clary slid in next to him onto the bed and hugged a pillow. "Is your inner vampire different from your...outer vampire?"
"Definitely. He wants me to wear midriff-baring shirts and a fedora. I'm fighting it."
Clary smiled faintly. "So your inner vampire is Magnus?
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
She leaned forward and caught at his hand, pressing it between her own. The touch was like white fire through his veins. He could not feel her skin only the cloth of her gloves, and yet it did not matter. You kindled me, heap of ashes that I am, into fire. He had wondered once why love was always phrased in terms of burning. The conflagration in his own veins, now, gave the answer.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
For me, forgiveness and compassion are always linked: how do we hold people accountable for wrongdoing and yet at the same time remain in touch with their humanity enough to believe in their capacity to be transformed?
”
”
bell hooks
“
So that's it?" Kenji says. "You just like him for his personality, huh?"
"What?"
"All of this," Kenji says, waving a hand in the air, "has nothing to do with him being all sexy and shit and him being able to touch you all the time?"
"You think Warner is sexy?"
"That is not what I said.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
When I'm with you, my world is complete. When I touch you, I understand the meaning of life. When I lost you, I completely shattered. You. Own. Me.
”
”
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
“
Akhlys lunged at Percy, and for a split second he thought: Well, hey, I’m just smoke. She can’t touch me, right?
He imagined the Fates up in Olympus, laughing at his wishful thinking: LOL, NOOB!
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
I want so many things,” he whispers. “I want your mind. Your strength. I want to be worth your time.” His fingers graze the hem of my top and he says “I want this up.” He tugs on the waist of my pants and says “I want these down.” He touches the tips of his fingers to the sides of my body and says, “I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it’s racing because of me, because you want me. Because you never,” he says, he breathes, “never want me to stop. I want every second. Every inch of you. I want all of it.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
I'll make you so in love with me, that everytime our lips touch, you'll die a little death.
”
”
Ai Yazawa
“
That’s what it feels like when you touch me. Like millions of tiny universes being born and then dying in the space between your finger and my skin. Sometimes I forget.
”
”
Iain S. Thomas (I Wrote This For You (I Wrote This For You #4))
“
I have scars on my hands from touching certain people…Certain heads, certain colours and textures of human hair leave permanent marks on me.
”
”
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
“
Don't touch her," he growled.
There was a note in his voice that would of scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions,and Dimitri began dispatching them with the same deadly grace that had once made people call him a god.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
He turns toward me. I want to touch him, but I’m afraid of his bareness; afraid that he will make me bare too.
‘Is this scaring you, Tris?’
‘No,’ I croak. I clear my throat. ‘Not really. I’m only…afraid of what I want.’
‘What do you want?’ Then his face tightens. ‘Me?’
Slowly I nod.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Go to bed, you fool," Calcifer said sleepily. "You're drunk."
"Who, me?" said Howl. "I assure you, my friends, I am cone sold stober." He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him.
”
”
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
“
Why are you touching me?"
"Because I can.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
I touch the tip of my finger to his lips. "There are secrets in here," I say. "I want them out."
He tries to bite my finger.
I steal it back.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
Don't touch me! Don't question me! Don't speak to me! Stay with me!
”
”
Samuel Beckett
“
I want you to stay. I want you to … I want you.” “You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?” He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting. “How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?”<...>“I will have you without armour, Kaz Brekker. Or I will not have you at all.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
But this Scroll too has magical properties. From the moment I first saw it, the paper warmed to my touch. I know it came alive as I held it. Did you know there’s a serpent on the back? Some say it’s a dragon. It winked at me. Its lashes are gold.
”
”
Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
“
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing.
It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy.
I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”
It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
”
”
Oriah Mountain Dreamer
“
I want to wake up with you every morning and fall asleep beside you each night,” Patch told me gravely. “I want to take care of you, cherish you, and love you in a way no other man ever could. I want to spoil you — every kiss, every touch, every thought, they all belong to you. I’ll make you happy. Every day, I’ll make you happy.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
If you want some advice—which I'm sure you don't—you guys should lay off on the magic. Christian still thinks you're moving in on Lissa."
"What?" he asked in mock astonishment. "Doesn't he know my heart belongs to you?"
"It does not. And no, he's still worried about it, despite what I've told him."
"You know, I bet if we started making out right now, it would make him feel better."
"If you touch me," I said pleasantly, "I'll provide you with the opportunity to see if you can heal yourself. Then we'd see how badass you really are.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
The best way to measure how much you've grown isn't by inches or the number of laps you can now run around the track, or even your grade point average-- though those things are important, to be sure. It's what you've done with your time, how you've chosen to spend your days, and whom you've touched this year. That, to me, is the greatest measure of success.
”
”
R.J. Palacio (Wonder (Wonder, #1))
“
You can't hurt me the way you think you can. But even if you could? I would rather die with the taste of you on my tongue than live and never touch you again. I'm in love with you, Mara. I love you. No matter what you do.
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
If I love you more than you love me, I’m as good as dead. Yet I can’t make myself take it back. I can’t just walk away from you, because every time you pass by me without smiling, without touching my hand, or at least making eye contact, it feels like I’m dying inside.
”
”
Rachel Vincent (Shift (Shifters, #5))
“
We're in this together, right?" he whispers. "You and me? You want to be here, yeah?" There's guilt in his questions. "Yes," I reply. "I chose this." Day pulls me close enough for our noses to touch. "I love you.
”
”
Marie Lu (Prodigy (Legend, #2))
“
Love.
Because of you, in gardens of blossoming
Flowers I ache from the perfumes of spring.
I have forgotten your face, I no longer
Remember your hands; how did your lips
Feel on mine?
Because of you, I love the white statues
Drowsing in the parks, the white statues that
Have neither voice nor sight.
I have forgotten your voice, your happy voice;
I have forgotten your eyes.
Like a flower to its perfume, I am bound to
My vague memory of you. I live with pain
That is like a wound; if you touch me, you will
Make to me an irreperable harm.
Your caresses enfold me, like climbing
Vines on melancholy walls.
I have forgotten your love, yet I seem to
Glimpse you in every window.
Because of you, the heady perfumes of
Summer pain me; because of you, I again
Seek out the signs that precipitate desires:
Shooting stars, falling objects.
”
”
Pablo Neruda
“
What's that?" he snarled, staring at the envelope Harry was still clutching in his hand. "If it's another form for me to sign, you've got another -"
"It's not," said Harry cheerfully. "It's a letter from my godfather."
"Godfather?" sputtered Uncle Vernon. "You haven't got a godfather!"
"Yes, I have," said Harry brightly. "He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy....
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
Who burns me and shocks me and shatters me with a single touch.
”
”
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
“
I do all of these things," Daniel said, leaning into her so that their foreheads touched, "because you're my love, Lucinda. For me, you're all there is.
”
”
Lauren Kate (Fallen (Fallen, #1))
“
Don't touch me, I'm full of snakes.
”
”
Jack Kerouac
“
But when I touch you, your aura … it smolders. The colors deepen, it burns more intensely, the purple increases. Why? Why, Sydney?” He used that hand to pull me closer. “Why do you react that way if I don’t mean anything to you?” There was a desperation in his voice, and it was legitimate.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Tis a Fearful Thing
‘Tis a fearful thing
to love what death can touch.
A fearful thing
to love, to hope, to dream, to be –
to be,
And oh, to lose.
A thing for fools, this,
And a holy thing,
a holy thing
to love.
For your life has lived in me,
your laugh once lifted me,
your word was gift to me.
To remember this brings painful joy.
‘Tis a human thing, love,
a holy thing, to love
what death has touched.
”
”
Yehuda HaLevi
“
Never love a wild thing, Mr. Bell,' Holly advised him. 'That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky."
"She's drunk," Joe Bell informed me.
"Moderately," Holly confessed....Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.
”
”
Truman Capote (Breakfast at Tiffany’s and Three Stories)
“
Please, touch me, I pray.
”
”
Jess C. Scott (The Intern)
“
Hair the color of lemons,'" Rudy read. His fingers touched the words. "You told him about me?"
At first, Liesel could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
Years ago, when they'd raced on a muddy field, Rudy was a hastily assembled set of bones, with a jagged, rocky smile. In the trees this afternoon, he was a giver of bread and teddy bears. He was a triple Hitler Youth athletics champion. He was her best friend. And he was a month from his death.
Of course I told him about you," Liesel said.
”
”
Markus Zusak (The Book Thief)
“
Hi, Princess. Sorry I'm late. Traffic was a bitch." He winked at me, then shot a glance at the winter sidhe, standing in the doorway. "Hey, Shard." He waved. "Nice place you've got here. I'll have to remember it, so I can give it the special 'Puck touch'.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
If You Forget Me
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
”
”
Pablo Neruda
“
What if I promise not to touch you?"
"Cath laughed. "Now I have zero incentive to come."
"What if I promise to let you touch me first?"
"Are you kidding? I'm the untrustworthy person in this relationship. I'm all hands."
"I've seen no evidence of that, Cath."
"In my head, I'm all hands."
"I want to live in your head.
”
”
Rainbow Rowell (Fangirl)
“
I didn’t care about anything except her and the way touching her drove me wild, even as her calm and steady presence soothed the storms that raged within me.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
I laugh at those who think they can damage me. They do not know who I am, they do not know what I think, they cannot even touch the things which are really mine and with which I live.
”
”
Epictetus
“
Achilles was looking at me. “Your hair never quite lies flat, here.” He touched my head, just behind my ear. “I don’t think I’ve ever told you how I like it.”
My scalp prickled where his fingers had been. “You haven’t,” I said.
“I should have.” His hand drifted down to the vee at the base of my throat, drew softly across the pulse. “What about this? Have I told you what I think of this, just here?”
“No,” I said.
“This surely then.” His hand moved across the muscles of my chest; my skin warmed beneath it. “Have I told you of this?”
“That you have told me.” My breath caught a little as I spoke.
“And what of this?” His hand lingered over my hips, drew down the line of my thigh. “Have I spoken of it?”
“You have.”
“And this? Surely I would not have forgotten this.” His cat’s smile. “Tell me I did not.”
“You did not.”
“There is this too.” His hand was ceaseless now. “I know I have told you of this.”
I closed my eyes. “Tell me again,” I said.
”
”
Madeline Miller (The Song of Achilles)
“
Should I tell you that when we're apart, your body comes back to me in dreams? That when I sleep, I see you, the dip of your waist, the freckle above your hip, and when I wake up in the morning, it feels like I've just been with you, the phantom touch of your hand on the back of my neck fresh and not imagined? That I can feel your skin against mine, and it makes every bone in my body ache? That, for a few moments, I can hold my breath and be back there with you, in a dream, in a thousand rooms, nowhere at all?
”
”
Casey McQuiston (Red, White & Royal Blue)
“
This is where you can find your soul if you dare. Where you can touch that part of you that you've never dared look at before. Do not come here and ask me to show you how to draw a face. Ask me to help you find the wind.
”
”
Laurie Halse Anderson (Speak)
“
Noah shifted on the bed, and the oddest crunching sound came underneath him. I looked, really looked, at the bed for the first time.
"What," I asked slowly, as I eyed the animal crackers strewn all over it, "the hell?"
"You were convinced they were your pets," Noah said, not even trying to suppress his laughter. "You wouldn't let me touch them.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
I wanted to see you again, touch you, know who you were, see if I would find you identical with the ideal image of you which had remained with me and perhaps shatter my dream with the aid of reality.
-Claude Frollo
”
”
Victor Hugo (The Hunchback of Notre Dame)
“
The secret is not to dream," she whispered. "The secret is to wake up. Waking up is harder. I have woken up and I am real. I know where I come from and I know where I'm going. You cannot fool me any more. Or touch me. Or anything that is mine.
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
“
I feel free and strong. If I were not a reader of books I could not feel this way. Whatever may happen to me, thank God that I can read, that I have truly touched the minds of other men.
”
”
Walter Tevis (Mockingbird)
“
Sky, I'm not kissing you tonight but believe me when I tell you, I've never wanted to kiss a girl more. So stop thinking I'm not attracted to you because you have no idea just how much I am. You can hold my hand, you can run your fingers through my hair, you can straddle me while I feed you spaghetti, but you are not getting kissed tonight. And probably not tomorrow, either. I need this. I need to know for sure that you're feeling every single thing that I'm feeling the moment my lips touch yours. Because I want your first kiss to be the best first kiss in the history of first kisses.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
When God Created Mothers"
When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one."
And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands."
The angel shook her head slowly and said. "Six pairs of hands.... no way."
It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have."
That's on the standard model?" asked the angel. God nodded.
One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word."
God," said the angel touching his sleeve gently, "Get some rest tomorrow...."
I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower."
The angel circled the model of a mother very slowly. "It's too soft," she sighed.
But tough!" said God excitedly. "You can imagine what this mother can do or endure."
Can it think?"
Not only can it think, but it can reason and compromise," said the Creator.
Finally, the angel bent over and ran her finger across the cheek.
There's a leak," she pronounced. "I told You that You were trying to put too much into this model."
It's not a leak," said the Lord, "It's a tear."
What's it for?"
It's for joy, sadness, disappointment, pain, loneliness, and pride."
You are a genius, " said the angel.
Somberly, God said, "I didn't put it there.
”
”
Erma Bombeck (When God Created Mothers)
“
To think you could have been dreaming the cure for cancer," Blue said. "Look, Sargent," Ronan retorted, "I was gonna dream you some eye cream last night since clearly modern medicine's doing jack shit for you, but I nearly had my ass handed to me by a death snake from the fourth circle of dream hell, so you're welcome."
Blue was appropriately touched. "Ah, thanks, man."
"No problem, bro.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
How can I keep my soul in me, so that it doesn't touch your soul? How can I raise it high enough, past you, to other things?
”
”
Rainer Maria Rilke
“
Kiss me, k-k-kiss me, infect me with your love, and fill me with your poison, take me, t-t-take me, wanna be your victim, ready for abduction boy, you're a werewolf, your touch is so furry, its supernatural, extra-werewolf-iestrial," Jen sung as loud as she could.
”
”
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
“
With my eyes closed, I would touch a familiar book and draw its fragrance deep inside me. This was enough to make me happy.
”
”
Haruki Murakami (Norwegian Wood)
“
Before I go," he said, and paused -- "I may kiss her?"
It was remembered afterwards that when he bent down and touched her face with his lips, he murmured some words. The child, who was nearest to him, told them afterwards, and told her grandchildren when she was a handsome old lady, that she heard him say, "A life you love.
”
”
Charles Dickens (A Tale of Two Cities)
“
and you invented me
and I invented you
and that's why we don't
get along
on this bed
any longer.
you were the world's
greatest invention
until you
flushed me
away.
now it's your turn
to wait for the touch
of the handle.
somebody will do it
to you,
bitch,
and if they don't
you will -
mixed with your own
green or yellow or white
or blue
or lavender
goodbye.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
He slides his hand over my cheek, one finger anchored behind my ear. Then he tilts his head down and kisses me, sending a warm ache through my body. I wrap my hands around his arm, holding him there as long as I can. When he touches me, the hollowed-out feeling in my chest and stomach is not as noticeable.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Don't touch me; I'll die if you touch me.
”
”
Vladimir Nabokov (Lolita)
“
Do you think I’ll ever get better at this? That my heart might someday stop trying to jump out of my chest whenever you touch me?
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
I love you Layla. Do you hear me? I've loved you since the first moment I heard your voice and I will continue to love you. No matter what. I love you.
”
”
Jennifer L. Armentrout (Stone Cold Touch (The Dark Elements, #2))
“
I'm not telling you to make the world better, because I don't think that progress is necessarily part of the package. I'm just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment. And if you ask me why you should bother to do that, I could tell you that the grave's a fine and private place, but none I think do there embrace. Nor do they sing there, or write, or argue, or see the tidal bore on the Amazon, or touch their children. And that's what there is to do and get it while you can and good luck at it.
”
”
Joan Didion
“
Meet me where the sky touches the sea. Wait for me where the world begins.
”
”
Jennifer Donnelly
“
You threw everything away."I bring a hand up to touch her face,to wipe the rain from her eyelashes."Your entire life-your beliefs...Why would you do that for me?"
June has never looked more beautiful than she does now,unadorned and honest,vulnerable yet invincible.When lightning streaks over the sky,her dark eyes shine like gold."Because you were right,"she whispers."About all of it.
”
”
Marie Lu (Legend (Legend, #1))
“
I climb into the dark for you
Are you waiting in the stars for me?
”
”
Ally Condie (Crossed (Matched, #2))
“
lean in to kiss me
in all the places
where the ache
is
the most special.
”
”
Sanober Khan
“
He spoke rapidly in-between his tender kisses. "I love you. I'm sorry. I'm so sorry. The women...I was so scared to touch you. You didn't want me...I couldn't take the pain. I tried to get over you. Every time with them, I was with you. I'm so sorry...I love you.
”
”
S.C. Stephens (Thoughtless (Thoughtless, #1))
“
When I die
Give what’s left of me away
To children
And old men that wait to die.
And if you need to cry,
Cry for your brother
Walking the street beside you
And when you need me,
Put your arms
Around anyone
And give to them
What you need to give to me.
I want to leave you something,
Something better
Than words
Or sounds.
Look for me
In the people I’ve known
Or loved,
And if you cannot give me away,
At least let me live in your eyes
And not on your mind.
You can love me most
By letting
Hands touch hands
By letting
Bodies touch bodies
And by letting go
Of children
That need to be free.
Love doesn’t die,
People do.
So, when all that’s left of me
Is love,
Give me away
”
”
Merrit Malloy
“
I don't know why people are afraid of lust. Then I can imagine that they are very afraid of me, for I have a great lust for everything. A lust for life, a lust for how the summer-heated street feels beneath my feet, a lust for the touch of another's skin on my skin...a lust for everything. I even lust after cake. Yes, I am very lusty and very scary.
”
”
C. JoyBell C.
“
I am supposed to be touched. I can’t wait to find the person who will come into the kitchen just to smell my neck and get behind me and hug me and breathe me in and make me turn around and make me kiss his face and put my hands in his hair even with my soapy dishwater drips. I am a lovely woman. Who will come into my kitchen and be hungry for me?
”
”
Jenny Slate (Little Weirds)
“
XVII
Lady, i will touch you with my mind.
Touch you and touch and touch
until you give
me suddenly a smile,shyly obscene
(lady i will
touch you with my mind.)Touch
you,that is all,
lightly and you utterly will become
with infinite care
the poem which i do not write.
”
”
E.E. Cummings
“
Here's to the kids.
The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party.
Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them.
Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars.
Here's to the kids who never were too good at life, but still were wicked cool.
Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life.
Here's to the kids who care more about the music than the haircuts.
Here's to the kids who have crushes on a stupid lush.
Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night.
Here's to the kids who have ever had a broken heart from someone who didn't even know they existed.
Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so.
Here's to the kids who spend their days in photobooths with their best friend(s).
Here's to the kids who are straight up smartasses & just don't care.
Here's to the kids who speak their mind.
Here's to the kids who consider screamo their lullaby for going to sleep.
Here's to the kids who second guess themselves on everything they do.
Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that.
Here's to the kids.
This one's not for the kids,
who always get what they want,
But for the ones who never had it at all.
It's not for the ones who never got caught,
But for the ones who always try and fall.
This one's for the kids who didnt make it,
We were the kids who never made it.
The Overcast girls and the Underdog Boys.
Not for the kids who had all their joys.
This one's for the kids who never faked it.
We're the kids who didn't make it.
They say "Breaking hearts is what we do best,"
And, "We'll make your heart be ripped of your chest"
The only heart that I broke was mine,
When I got My Hopes up too too high.
We were the kids who didnt make it.
We are the kids who never made it.
”
”
Pete Wentz
“
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose
or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
”
”
E.E. Cummings (Selected Poems)
“
Have you kissed many boys before?" he asked quietly.
His question brought my mind back into focus. I raised an eyebrow. "Boys? That's an assumption."
Noah laughed, the sound low and husky. "Girls, then?"
"No."
"Not many girls? Or not many boys?"
"Neither," I said. Let him make of that what he would.
"How many?"
"Why—"
"I am taking away that word. You are no longer allowed to use it. How many?"
My cheeks flushed, but my voice was steady as I answered. "One."
At this, Noah leaned in impossibly closer, the slender muscles in his forearm flexing as he bent his elbow to bring himself nearer to me, almost touching. I was heady with the proximity of him and grew legitimately concerned that my heart might explode. Maybe Noah wasn't asking. Maybe I didn't mind. I closed my eyes and felt Noah's five o' clock graze my jaw, and the faintest whisper of his lips at my ear.
"He was doing it wrong.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
You piece of shit, you need a wife; a woman’s touch in your life.’ But who would marry someone like me? Being a PI isn’t exactly the best profession to be in to attract a wife. I’ve read about too many investigators and policemen who end up divorced and I certainly fall into that category.
”
”
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
“
I was so afraid that we would just keep colliding over and over again if we stayed together, and that eventually the impact would break me. But now I know I am like the blade and he is like the whetstone—
I am too strong to break so easily, and I become better, sharper, every time I touch him.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
I should feel the air move against me, and feel the things I touched, instead of having only to look at them. I'm sure life is all wrong because it has become much too visual - we can neither hear nor feel nor understand, we can only see. I'm sure that is entirely wrong.
”
”
D.H. Lawrence (Women in Love)
“
I wasn't in love with her. And she didn't love me. For me the question of love was irrelevant. What I sought was the sense of being tossed about by some raging, savage force, in the midst of which lay something absolutely crucial. I had no idea what that was. But I wanted to thrust my hand right inside her body and touch it, whatever it was.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
Ash pulled me back against him, brushing my hair from my neck. His mouth skimmed my shoulder, up my neck, sending butterflies swarming through my insides. "If you want to rest, then do so," he murmured against my skin. "The rain will not touch you, I promise.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
Somewhere someone is thinking of you. Someone is calling you an angel. This person is using celestial colors to paint your image. Someone is making you into a vision so beautiful that it can only live in the mind. Someone is thinking of the way your breath escapes your lips when you are touched. How your eyes close and your jaw tightens with concentration as you give pleasure a home. These thoughts are saving a life somewhere right now. In some airless apartment on a dark, urine stained, whore lined street, someone is calling out to you silently and you are answering without even being there. So crystalline. So pure. Such life saving power when you smile. You will never know how you have cauterized my wounds. So sad that we will never touch. How it hurts me to know that I will never be able to give you everything I have
”
”
Henry Rollins
“
If I profane with my unworthiest hand
This holy shrine, the gentle fine is this:
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.
Juliet:
Good pilgrim, you do wrong your hand too much,
Which mannerly devotion shows in this;
For saints have hands that pilgrims' hands do touch,
And palm to palm is holy palmers' kiss.
Romeo:
Have not saints lips, and holy palmers too?
Juliet:
Ay, pilgrim, lips that they must use in prayer.
Romeo:
O, then, dear saint, let lips do what hands do;
They pray, grant thou, lest faith turn to despair.
Juliet:
Saints do not move, though grant for prayers' sake.
Romeo:
Then move not, while my prayer's effect I take.
Thus from my lips, by yours, my sin is purged.
Juliet:
Then have my lips the sin that they have took.
Romeo:
Sin from thy lips? O trespass sweetly urged!
Give me my sin again.
Juliet:
You kiss by the book.
”
”
William Shakespeare (Romeo and Juliet)
“
Tris," Tobias says, crouching next to me. His face is pale, almost yellow.
There is too much I want to say. The first thing that comes out is, "Beatrice."
He laughs weakly.
"Beatrice," he amends, and touches his lips to mine. I curl my fingers into his shirt.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
As long as I kept moving, my grief streamed out behind me like a swimmer's long hair in water. I knew the weight was there but it didn't touch me. Only when I stopped did the slick, dark stuff of it come floating around my face, catching my arms and throat till I began to drown. So I just didn't stop.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
Sometimes I think the loneliness inside of me is going to explode through my skin and sometimes I’m not sure if crying or screaming or laughing through the hysteria will solve anything at all. Sometimes I’m so desperate to touch, to be touched, to feel, that I’m almost certain I’m going to fall off a cliff in an alternate universe where no one will ever be able to find me.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
If things go wrong, I'll lead them away. Once it's clear, get back to the car. If you don't see me in five minutes, then I've probably died a very brave and heroic death. Oh and don't touch the radio--I've got it tuned right where I want it and I don't want you messing that up.
”
”
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
“
I can write the saddest poem of all tonight.
Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."
The night wind whirls in the sky and sings.
I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.
On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.
She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?
I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.
To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.
What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.
That's all. Far away, someone sings. Far away.
My soul is lost without her.
As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.
The same night that whitens the same trees.
We, we who were, we are the same no longer.
I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.
Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.
I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.
Because on nights like this I held her in my arms,
my soul is lost without her.
Although this may be the last pain she causes me,
and this may be the last poem I write for her.
”
”
Pablo Neruda
“
I don't know you. The only thing I know about you is, you're reading this. I don't know if your happy or not; I don't know whether you're young or not. I sort of hope you're young and sad. If you're old and happy, I can imagine that you'll smile to yourself when you hear me going, he broke my heart. You'll remember someone who broke your heart, and you'll think to yourself, Oh yes, i remember how that feels. But you can't, you smug old git. Oh you'll remember feeling sort of plesantly sad. You might remember listening to music and eating chocolates in your room, or walking along the embankment on your own, wrapped up in a winter coat and feeling lonely and brave. But can you remember how with every mouthful of food it felt like you were biting into your own stomach? Can you remember the taste of red wine as it came back up and into the toilet bowl? Can you remember dreaming every night that you were still together, that he was talking to you gently and touching you, so that every morning when you woke up you had to go through it all over again?
”
”
Nick Hornby (A Long Way Down)
“
He gives me a conflicted look and touches his lips to my forehead, right between my eyebrows. I close my eyes. I don't understand this, whatever it is. But I don't want to ruin it, so I say nothing. He doesn't move; he just stays there with his mouth pressed to my skin, and I stay there with my hands on his waist, for a long time.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Wolf, are you asking me to be ... your alpha female?"
He hesitated.
Scarlet couldn't help it - she burst into laughter. "Oh - I'm sorry. That was mean. I know I shouldn't tease you about this."
Still grinning, she made to retract her hand, but he was suddenly gripping it, refusing to relinquish the touch. "You just look so scared, like I'm going to disappear any minute. We're stuck on a spaceship, Wolf. I'm not going anywhere."
His lips twitched, his nervousness beginning to ease away, though his hand stayed tense over hers.
"Alpha female," he murmured. "I sort of like that."
Beaming, Scarlet gave a mild shrug. "It could grow on me.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
Are you kidding?” I stop in the middle of the kitchen. Spin around. My face is pulled together in disbelief. “You’ve spoken to me maybe once in the two weeks I’ve been here. I hardly even notice you anymore.”
“Okay, hold up,” he says, turning to block my path. “We both know there’s no way you haven’t noticed all of this” — he gestures to himself — “so if you’re trying to play games with me, I should let you know up front that it’s not going to work.”
“What?” I frown. “What are you talking abou—”
“You can’t play hard to get, kid.” He raises an eyebrow. “I can’t even touch you. Takes ‘hard to get’ to a whole new level, if you know what I mean.”
“Oh my God,” I mouth, eyes closed, shaking my head. “You are insane.”
He falls to his knees. “Insane for your sweet, sweet love!
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
She studied me with concern. She touched the new streak of gray in my hair that matched hers exactly—our painful souvenir from holding Atlas's burden. There was a lot I'd wanted to say to Annabeth, but Athena had taken the confidence out of me. I felt like I'd been punched in the gut.
I do not approve of your friendship with my daughter.
"So," Annabeth said. "What did you want to tell me earlier?"
The music was playing. People were dancing in the streets. I said, "I, uh, was thinking we got interrupted at Westover Hall. And… I think I owe you a dance."
She smiled slowly. "All right, Seaweed Brain."
So I took her hand, and I don't know what everybody else heard, but to me it sounded like a slow dance: a little sad, but maybe a little hopeful, too.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
Memory is a tenuous thing. . . .
flickering glimpses, blue
and white, like ancient,
decomposing 16mm film.
Happiness escapes
me there, where faces
are vague and yesterday
seems to come tied
up in ribbons of pain.
Happiness? I look for it intead
in today, where memory
is something I can still
touch, still rely on.
I find it in the smiles
of new friends, the hope
blossoming inside.
My happiest memories
have no place in the
past; they are those
I have yet to create.
”
”
Ellen Hopkins (Impulse (Impulse, #1))
“
I do not remember very many things from the inside out. I do not remember what it felt like to touch things, or how bathwater traveled over my skin. I did not like to be touched, but it was a strange dislike. I did not like to be touched because I craved it too much. I wanted to be held very tight so I would not break. Even now, when people lean down to touch me, or hug me, or put a hand on my shoulder, I hold my breath. I turn my face. I want to cry.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
Clap her in chains," says Randalin.
Never have I so wished there was a way for me to show I was telling the truth. But there isn't. No oath of mine carries any weight.
I feel a guard's hand close on my arm. Then Cardan's voice comes.
"Do not touch her."
A terrible silence follows. I wait for him to pronounce judgement on me. Whatever he commands will be done. His power is absolute. I don't even have the strength to fight back.
"Whatever can you mean?" Randalin says. "She's-"
"She is my wife," Cardan says, his voice carrying over the crowd.
"The rightful High Queen of Elfhame. And most definitely not in exile.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
I'm sorry," he says.
"What? Why?"
"You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things."
"Oh, it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want."
He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that.
Not that that would be so bad.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
This could be the last night of our lives, certainly the last even barely ordinary one. The last night we go to sleep and get up just as we always have. And all I could think of was that I wanted to spend it with you."
Her heart skipped a beat. "Jace-"
"I don't mean it like that," he said. "I won't touch you, not if you don't want me to. I know it's wrong - God, it's all kinds of wrong - but I just want to lie down with you and wake up with you, just once, just once ever in my life." There was desperation in his voice. "It's just this one night. In the grand scheme of things, how much can this one night matter?"
...There was nothing she had ever wanted in her life more than she wanted this night with Jace.
"Close the curtains, then, before you come to bed," she said. "I can't sleep with this much light in the room.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
He reached out and pulled me to him, one hand on my waist and the other behind my neck. He tipped my head up and lowered his lips to mine. I closed my eyes and melted as my whole body was consumed in that kiss. I was nothing. I was everything. Chills, ran over my skin, and fire burned inside me. His body pressed closer to mine, and I wrapped my arms around his neck. His lips were warmer and softer than anything I could have ever imagined, yet fierce and powerful at the same time. Mine responded hungrily, and I tightened my hold on him. His fingers slid down the back of my neck, tracing its shape, and every place they touched was electric.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
What do you want to show me?"
"Nothing, really. I just want to be alone with you for a minute."
He pulled her to the back of the driveway, where they were almost completely hidden by a line of trees and the RV and the garage.
"Seriously?" she said. "That was so lame."
"I know," he said, turning to her. "Next time, I'll just say, 'Eleanor, follow me down this dark alley, I want to kiss you.'"
She didn't roll her eyes. She took a breath, then closed her mouth. He was learning how to catch her off guard.
She pushed her hands deeper in her pockets, so he put his hands on her elbows. "Next time," he said, "I'll just say, 'Eleanor, duck behind these bushes with me, I'm going to lose my mind if I don't kiss you.'"
She didn't move, so he thought it was probably okay to touch her face. Her skin was as soft as it looked, white and smooth as freckled porcelain.
"I'll just say, 'Eleanor, follow me down this rabbit hole...'"
He laid his thumb on her lips to see if she'd pull away. She didn't. He leaned closer. He wanted to close his eyes, but he didn't trust her not to leave him standing there.
”
”
Rainbow Rowell (Eleanor & Park)
“
Then come here," he said, a bit redundantly, as he had already pulled her with him into an armchair and curled her up in his arms. "Tell me what I can do to help you feel better."
Fire looked into his quiet eyes, touched his dear, familiar face, and considered the question. Well. I always like when you kiss me.
"Do you?"
You're good at it.
"Well," he said. "That's lucky, because I'll always be kissing you.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
Why am I so drawn to you?" He muttered, almost to himself. "Why is it so hard to let go? I thought... at first... it was Ariella, that you remind me of so much. But it's not." Though he didn't smile, his eyes lightened a shade. "You're far more stubborn than she ever was."
I sniffed. "That's like the pot calling the kettle black," I whispered, and a faint, tiny grin finally crossed his face, before his expression clouded and he lowered his head, touching his forehead to mine. "What do you want of me, Meghan?" he asked, a low thread of anguish flickering below the surface.
Tears blurred my vision, all the fear and heartache of the past few days rising to the surface. "Just you," I whispered. "I just want you."
-Ash and Meghan
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
While an elderly man in his mid-eighties looks curiously at a porno site, his grandson asks him from afar, “‘What are you reading, grandpa?’” “‘It’s history, my boy.’” “The grandson comes nearer and exclaims, “‘But this is a porno site, grandpa, naked chicks, sex . . . a lot of sex!’” “‘Well, it’s sex for you, my son, but for me it’s history,’ the old man says with a sigh.” All of people in the cabin burst into laughter. “A stale joke, but a cool one,” added William More, the man who just told the joke. The navigator skillfully guided the flying disc among the dense orange-yellow blanket of clouds in the upper atmosphere that they had just entered. Some of the clouds were touched with a brownish hue at the edges. The rest of the pilots gazed curiously and intently outwards while taking their seats. The flying saucer descended slowly, the navigator’s actions exhibiting confidence. He glanced over at the readings on the monitors below the transparent console: Atmosphere: Dense, 370 miles thick, 98.4% nitrogen, 1.4% methane Temperature on the surface: ‒179°C / ‒290°F Density: 1.88 g/cm³ Gravity: 86% of Earth’s Diameter of the cosmic body: 3200 miles / 5150 km.
”
”
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
“
I get to keep you,” he said, staring at me with an
intensity that made me shiver.
“Keep me?” I asked, reaching up to kiss his chin and trail
kisses down his perfect neck.
“Not here. I can’t take much more, Pagan. I’m only so
strong,” he said in a husky voice as he pulled me against his
chest. “You’re mine now. While you walk the Earth you
belong to me. Nothing can hurt you.” I heard a touch of
humor in his voice. “It’s pretty impossible to hurt what Death
protects.
”
”
Abbi Glines (Existence (Existence, #1))
“
I am still every age that I have been. Because I was once a child, I am always a child. Because I was once a searching adolescent, given to moods and ecstasies, these are still part of me, and always will be... This does not mean that I ought to be trapped or enclosed in any of these ages...the delayed adolescent, the childish adult, but that they are in me to be drawn on; to forget is a form of suicide... Far too many people misunderstand what *putting away childish things* means, and think that forgetting what it is like to think and feel and touch and smell and taste and see and hear like a three-year-old or a thirteen-year-old or a twenty-three-year-old means being grownup. When I'm with these people I, like the kids, feel that if this is what it means to be a grown-up, then I don't ever want to be one. Instead of which, if I can retain a child's awareness and joy, and *be* fifty-one, then I will really learn what it means to be grownup.
”
”
Madeleine L'Engle
“
I don't let anyone touch me," I finally said.
Why not?"
Why not? Because I was tired of men. Hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. Men who didn't come to the emergency room with you, men who left on Christmas Eve. Men who slammed the security gates, who made you love them then changed their minds. Forests of boys, their ragged shrubs full of eyes following you, grabbing your breasts, waving their money, eyes already knocking you down, taking what they felt was theirs. (...) It was a play and I knew how it ended, I didn't want to audition for any of the roles. It was no game, no casual thrill. It was three-bullet Russian roulette.
”
”
Janet Fitch (White Oleander)
“
How did I love her?
Let me count the ways.
The freckles on her nose like the shadow of a shadow; the way she chewed on her lower lip when she walked and how when she ran she looked like she was born going fast and how she fit perfectly against my chest; her smell and the touch of her lips and her skin, which was always warm, and how she smiled.
Like she had a secret.
How she always made up words during Scrabble. Hyddym (secret music). Grofp (cafeteria food). Quaw (the sound a baby duck makes). How she burped her way through the alphabet once, and I laughed so hard I spat out soda through my nose.
And how she looked at me like I could save her from everything bad in the world.
This was my secret: she was the one who saved me.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
His eyes are open, watching my flushed face, my ragged breathing. I try to stop myself from making embarrassing noises. It’s more intimate than the way he’s touching me, to be looked at like that. I hate that he knows what he’s doing and I don’t. I hate being vulnerable. I hate that I throw my head back, baring my throat. I hate the way I cling to him, the nails of one hand digging into his back, my thoughts splintering, and the single last thing in my head: that I like him better than I’ve ever liked anyone and that of all the things he’s ever done to me, making me like him so much is by far the worst.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
I know how you guys feel about us. I'm not stupid, and believe me, I've tried to get you out of my head. But there isn't enough liquor or art or any other distraction in the world to do it. I had to stop going to Wolfe's because it was too hard being that close to you, even if it was all just pretend fighting. I couldn't stand the touching. It was agonizing because it meant something to me-and I knew it meant nothing to you. I kept telling myself to stay away altogether, and then I'd find excuses… like the car… anything to be around you again.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
He jests at scars that never felt a wound.
But soft! What light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou, her maid, art far more fair than she.
Be not her maid since she is envious.
Her vestal livery is but sick and green,
And none but fools do wear it. Cast it off!
It is my lady. Oh, it is my love.
Oh, that she knew she were!
She speaks, yet she says nothing. What of that?
Her eye discourses. I will answer it.—
I am too bold. 'Tis not to me she speaks.
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars
As daylight doth a lamp. Her eye in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See how she leans her cheek upon her hand.
Oh, that I were a glove upon that hand
That I might touch that cheek!
”
”
William Shakespeare
“
If anyone were to find out—” I began.
Patch kissed me, hard, but with an amused glint in his eye. “If I get caught, it’ll mean the end of kissing you. Do you really think I’d risk that?” His face grew serious. “I know I can’t feel your touch, but I feel your love, Nora. Inside me. It means everything to me. I wish I could feel you the same way you feel me, but I have your love. Nothing will ever outweigh that. Some people go their entire lives never feeling the emotions you’ve given me. There is no regret in that.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
I want someone who will adore me so much that they cannot even walk past me without touching me in some way. I want someone who will worship me, even when.. I'm sitting around in fluffy slippers with no makeup on and hair scraped back.
I'm sick and tired of being on my own. Most of the time I'm fine. Some of the time I even quite enjoy it. But at this precise moment in time I'm fed up with it. I've had enough..
”
”
Jane Green (Mr. Maybe)
“
I trail my fingers across his cheek. He stays perfectly still for me. “Please stop apologizing, Étienne.”
“Say my name again,” he whispers.
I close my eyes and lean forward. “Étienne.”
He takes my hands into his.Those perfect hands, that fit mine just so. “Anna?”
Our foreheads touch. “Yes?”
“Will you please tell me you love me? I’m dying here.”
And then we’re laughing. And then I’m in his arms, and we’re kissing, at first quickly—to make up for lost time—and then slowly, because we have all
the time in the world. And his lips are soft and honey sweet, and the careful, passionate way he moves them against my own says that he savors the way I
taste, too.
And in between kisses, I tell him I love him.
Again and again and again.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Ponyboy, listen, don't get tough. You're not like the rest of us and don't try to be..."
What was the matter with Two-Bit? I knew as well as he did that if you got tough you didn't get hurt. Get smart and nothing can touch you...
"What in the world are you doing?" Two-Bit's voice broke into my thoughts.
I looked up at him. "Picking up the glass."
He stared at me for a second, then grinned. "You little sonofagun," he said in a relieved voice. I didn't know what he was talking about, so I just went on picking up the glass from the bottle end and put it in a trash can. I didn't want anyone to get a flat tire.
”
”
S.E. Hinton (The Outsiders)
“
His noise is getting quieter, but I can still see it there still-
See how he feels the skin of my hand against his, see how he wants to take it and press it against his mouth, how he wants to breathe in the smell of me and how beautiful I look to him, how strong after all that illness, and how he wants to just lightly touch my neck, just there, and how he wants to take me in his arms and-
"Oh, God," he says, looking away suddenly. "Viola, I'm sorry, I didn't mean-"
But I just put my hand to the back of his neck-
And he says, "Viola-?"
And I pull myself towards him-
And I kiss him.
And it feels like, finally.
”
”
Patrick Ness (Monsters of Men (Chaos Walking, #3))
“
i don't know when love became elusive
what i know, is that no one i know has it
my fathers arms around my mothers neck
fruit too ripe to eat, a door half way open
when your name is a just a hand i can never hold
everything i have ever believed in, becomes magic.
i think of lovers as trees, growing to and
from one another searching for the same light,
my mothers laughter in a dark room,
a photograph greying under my touch,
this is all i know how to do, carry loss around until
i begin to resemble every bad memory,
every terrible fear,
every nightmare anyone has ever had.
i ask did you ever love me?
you say of course, of course so quickly
that you sound like someone else
i ask are you made of steel? are you made of iron?
you cry on the phone, my stomach hurts
i let you leave, i need someone who knows how to stay.
”
”
Warsan Shire
“
I just wanted to thank you' he says, his voice low.
'A group of scientists told you that my genes were damaged, that there was something wrong with me - they showed you the test results that proved it. And even I started to believe it.'
He touches my face, his thumb skimming my cheekbone, and his eyes are on mine, intense and insistent.
'You never believed it,' he says 'Not for a second. You always insisted I was... I don't know, whole.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly.
I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'"
I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'"
He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..."
He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?"
I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house.
"You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath.
"Have I not...just been...saying so?
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Can I say something?'
'Go on'
'I'm a little drunk'
'Me too. That's okay.'
'Just....I missed you, you know.'
'I missed you too.'
'But so, so much, Dexter. There were so many things I wanted to talk to you about, and you weren't there-'
'same here.'
'I tell you what it is. It's.....When I didn't see you, I thought about you every day, I mean EVERY DAY in some way or another-'
'same here.'
'-Even if it was just "I wish Dexter could see this" or "Where's Dexter now?" or "Christ that Dexter, what an idiot", you know what I mean, and seeing you today, well, I thought I'd got you back - my BEST friend. And now all this, the wedding, the baby- I'm so happy for you, Dex, but it feels like I've lost you again.'-
-'You know what happens you have a family, your responsibilities change, you lose touch with people'
'It won't be like that, I promise.'
'Do you?'
'Absolutely'
'You swear? No more disappearing?'
'I won't if you won't.'
Their lips touched now, mouths pursed tight, their eyes open, both of them stock still. The moment held, a kind of glorious confusion.
”
”
David Nicholls (One Day)
“
You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.
”
”
Henry Rollins
“
Maybe you need to get a grip on your libido, Barrons!"
Fuck you, Ms. Lane!"
You just try. I‘ll kick the shit out of you!"
You think you could?"
Bring it on."
He grabbed a fistful of my T-shirt, and dragged me up against him until our noses touched.
I‘ll bring it on, Ms. Lane. But remember you asked for it. So don‘t even think about trying to tap out on the mat and quit the fight."
You hear anybody crying ‗Uncle‘ here, Barrons? I don‘t."
Fine."
Fine.
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
Me: "Touch the cave wall."
Computer: "You touch the cave wall. It is moist."
Isaac: "Lick the cave wall."
Computer: "I do not understand. Repeat?"
Me: "Hump the moist cave wall."
Computer: "You attempt to jump. You hit your head."
Isaac: "Not jump. HUMP."
Computer: "I don't understand."
Isaac: "Dude, I've been alone in the dark in this cave for weeks and I need some relief. HUMP THE CAVE WALL."
Computer: "You attempt to ju-"
Me: "Thrust pelvis against the cave wall."
Computer: "I do not-"
Isaac: "Make sweet love to the cave."
Computer: "I do not-
”
”
John Green (The Fault in Our Stars)
“
It’s me,” he said, and cleared his throat. “I could understand if you didn’t believe me, but I swear on the Angel, Iz, it’s me.” Alec said nothing, but his grip on Jace’s hand tightened. “You don’t need to swear,” he said, and with his free hand touched the parabatai rune near his collarbone. “I know. I can feel it. I don’t feel like I’m missing a part of me anymore.”
“I felt it too.” Jace took a ragged breath. “Something missing. I felt it, even with Sebastian, but I didn’t know what it was I was missing. But it was you. My parabatai.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Late have I loved you, beauty so old and so new: late have I loved you. And see, you were within and I was in the external world and sought you there, and in my unlovely state I plunged into those lovely created things which you made. You were with me, and I was not with you. The lovely things kept me far from you, though if they did not have their existence in you, they had no existence at all. You called and cried out loud and shattered my deafness. You were radiant and resplendent, you put to flight my blindness. You were fragrant, and I drew in my breath and now pant after you. I tasted you, and I feel but hunger and thirst for you. You touched me, and I am set on fire to attain the peace which is yours.
”
”
Augustine of Hippo (Confessions)
“
Will bit at his lip. This was the last time Jem, as Jem, might ever touch him. The sharp memory went through him like a knife—of years of Jem’s light tap on his shoulder, his hand reaching to help Will up when he fell, Jem holding him back when he was furious, Will’s own hands on Jem’s thin shoulders as Jem coughed blood into his shirt. “Listen to me. I am leaving, but I am living. I will not be gone from you entirely, Will. When you fight now, I will be still by you. When you walk in the world, I will be the light at your side, the ground steady under your feet, the force that drives the sword in your hand. We are bound, beyond the oath. The Marks did not change that. The oath did not change that. It merely gave words to something that existed already.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
I think our last kiss was meant to be quick and chaste, but after the first touch of his lips fire leaped up and roared through my belly. My fingers yanked him close, digging into his back, and his arms crushed me to him as if wanting to meld us together. I knotted my fingers in his hair and bit down on his bottom lip, making him groan. His lips parted, and my tongue swept in to dance with his. There was nothing sweet or gentle in our last kiss; it was filled with sorrow and desperation, of the bitter knowledge that we could've had something perfect, but it just wasn't meant to be.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
Here’s my heart Shaw. You have it in your hands and I promise you’re the first and last person to ever touch it. You need to be careful with it because it’s far more fragile than I ever thought and if you try and give it back I’m not taking it. I don’t know enough about love to know for sure that’s what this between us is, but I know that for me it’s you and only you from here on out and I can only promise to be careful and not push you away again. Life without you in it is doable, but if I have a choice I want to do it with you by my side and I’m telling you I’m not running away from the work it takes to make that happen. Shaw I’m not scared of us anymore.
”
”
Jay Crownover (Rule (Marked Men, #1))
“
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says, " the one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, and every shiver of your body, ...."
........
" I want to know where to touch you," he says, " i want to know how to touch you. I want to know how to convince you design a smile just for me." ...... " Yes, " he says, " i do want to be your bestfriend". He says, " I want to be your bestfriend in the entire world". --- Aaron Warner
”
”
Tahareh Mafi
“
Find one thing. One thing that's beautiful. Anything. Anything that shows you you're not one of them."
His eyes were back on me studying my face silently. Panic raced through me. It wasn't working. I couldn't do this. We were going to have to get out of here, regardless of whatever state he was in. I knew he'd leave, too. If i had learned anything, it was that Dimitri's warrior instincts were still working. If I said danger was coming, he would respond instantly, no matter the self-torment he felt. I didn't want him to leave in despair. I wanted him to leave here one step closer to being the man I knew he could be. I wanted him to have one less nightmare.
It was beyond my abilities, though. I was no therapist. I was about to tell him we had to get out of there, about to make his soldier reflexes kick in, when he suddenly spoke. His voice was barley a whisper. "Your hair."
"What?" for a second, I wondered if it was on fire or somthing. I touched a stray lock. No, nothing was wrong exept that it was a mess. I'd bound it up for battle to prevent the strgoi from using it as a handhold, like Angeline had. Much of it had come undone in the struggle, though.
"Your hair," repeated Dimitri. His eyes were wide, almost awestruck. "your hair is beautiful.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
For a moment, I pretended. Not that we weren't two different species, because I didn't see him that way, but that we actually liked each other.
And then he shifted and rolled. I was on my back, and he was still on the move. His face burrowed into the space between my neck and shoulder, nuzzling. Sweet baby Jesus...Warm breath danced over my skin, sending shivers down my body. His arm was heavy against my stomach, his leg between mine, pushing up and up. Scorched air fled my lungs.
Daemon murmured in a language I couldn't understand. Whatever it was, it sounded beautiful and soft. Magical. Unearthly.
I could've woken him up but for some reason I didn't. The thrill of him touching me was far stronger than anything else.
His hand was on the edge of the borrowed shirt, his long fingers on the strip of exposed flesh between the hem on the shirt and the band of the worn pajama bottoms. And his hand inched up under the shirt, across my stomach, where it dipped slightly. My pulse went into cardiac territory. The tips of his fingers brushed my ribs. His body moved, his knee pressed against me.
I gasped.
Daemon stilled. No one moved. The clock on the wall ticked.
And I cringed.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
it may not always be so; and i say
that if your lips, which i have loved, should touch
another's, and your dear strong fingers clutch
his heart, as mine in time not far away;
if on another's face your sweet hair lay
in such a silence as i know,or such
great writhing words as, uttering overmuch,
stand helplessly before the spirit at bay;
if this should be, i say if this should be-
you of my heart, send me a little word;
that i may go unto him, and take his hands,
saying, Accept all happiness from me.
Then shall i turn my face,and hear one bird
sing terribly afar in the lost lands.
”
”
E.E. Cummings
“
Do you know why books such as this are so important? Because they have quality. And what does the word quality mean? To me it means texture. This book has pores. It has features. This book can go under the microscope. You’d find life under the glass, streaming past in infinite profusion. The more pores, the more truthfully recorded details of life per square inch you can get on a sheet of paper, the more ‘literary’ you are. That’s my definition anyway. Telling detail. Fresh detail. The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies. So now you see why books are hated and feared? They show the pores in the face of life.
”
”
Ray Bradbury (Fahrenheit 451)
“
I wish you had sincerity enough to tell me whether Catherine would suffer greatly from his loss: the fear that she would restrains me. And there you see the distinction between our feelings: had he been in my place and I in his, though I hated him with a hatred that turned my life to gall, I never would have raised a hand against him. You may look incredulous, if you please! I never would have banished him from her society as long as she desired his. The moment her regard ceased, I could have torn his heart out, and drunk his blood! But, till then - if you don't believe me, you don't know me - till then, I would have died by inches before I touched a single hair of his head!
”
”
Emily Brontë (Wuthering Heights)
“
You’re about to be rich, Kaz. What will you do when there’s no more blood to shed or vengeance to take?”
“There’s always more.”
“More money, more mayhem, more scores to settle. Was there never another dream?”
He said nothing. What had carved all the hope from his heart? She might never know.
Inej turned to go. Kaz seized her hand, keeping it on the railing. He didn’t look at her. "Stay,” he said, his voice rough stone. “Stay in Ketterdam. Stay with me.”
She looked down at his gloved hand clutching hers. Everything in her wanted to say yes, but she would not settle for so little, not after all she’d been through. “What would be the point?”
He took a breath. “I want you to stay. I want you to … I want you.”
“You want me.” She turned the words over. Gently, she squeezed his hand. “And how will you have me, Kaz?”
He looked at her then, eyes fierce, mouth set. It was the face he wore when he was fighting.
“How will you have me?” she repeated. “Fully clothed, gloves on, your head turned away so our lips can never touch?”
He released her hand, his shoulders bunching, his gaze angry and ashamed as he turned his face to the sea.
Maybe it was because his back was to her that she could finally speak the words. “I will have you without armor, Kaz Brekker. Or I will not have you at all.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he'd bandaged my bloodied and battered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year, but we'd lived a lifetime in it.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Amor"
So many days, oh so many days
seeing you so tangible and so close,
how do I pay, with what do I pay?
The bloodthirsty spring
has awakened in the woods.
The foxes start from their earths,
the serpents drink the dew,
and I go with you in the leaves
between the pines and the silence,
asking myself how and when
I will have to pay for my luck.
Of everything I have seen,
it's you I want to go on seeing:
of everything I've touched,
it's your flesh I want to go on touching.
I love your orange laughter.
I am moved by the sight of you sleeping.
What am I to do, love, loved one?
I don't know how others love
or how people loved in the past.
I live, watching you, loving you.
Being in love is my nature.
You please me more each afternoon.
Where is she? I keep on asking
if your eyes disappear.
How long she's taking! I think, and I'm hurt.
I feel poor, foolish and sad,
and you arrive and you are lightning
glancing off the peach trees.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.
”
”
Pablo Neruda (Intimacies: Poems of Love)
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)
“
I pity the woman who will love you
when I am done. She will show up
to your first date with a dustpan
and broom, ready to pick up all the pieces
I left you in. She will hear my name so often
it will begin to dig holes in her. That
is where doubt will grow. She will look
at your neck, your thin hips, your mouth,
wondering at the way I touched you.
She will make you all the promises I did
and some I never could. She will hear only
the terrible stories. How I drank. How I lied.
She will wonder (as I have) how someone
as wonderful as you could love a monster
like the woman who came before her. Still,
she will compete with my ghost.
She will understand why you do not look
in the back of closets. Why you are afraid
of what’s under the bed. She will know
every corner of you is haunted
by me.
”
”
Clementine von Radics
“
We can express our feelings regarding the world around us either by poetic or by descriptive means. I prefer to express myself metaphorically. Let me stress: metaphorically, not symbolically. A symbol contains within itself a definite meaning, certain intellectual formula, while metaphor is an image. An image possessing the same distinguishing features as the world it represents. An image — as opposed to a symbol — is indefinite in meaning. One cannot speak of the infinite world by applying tools that are definite and finite. We can analyse the formula that constitutes a symbol, while metaphor is a being-within-itself, it's a monomial. It falls apart at any attempt of touching it.
”
”
Andrei Tarkovsky
“
And I do. I do wonder, I think about it all the time. What it would be like to kill myself. Because I never really know, I still can't tell the difference, I'm never quite certain whether or not I'm actually alive. I sit here every single day. Run, I said to myself. Run until your lungs collapse, until the wind whips and snaps at your tattered clothes, until you're a blur that blends into the background.
Run, Juliette, run faster, run until your bones break and your shins split and your muscles atrophy and your heart dies because it was always too big for your chest and it beat too fast for too long and you run.
Run run run until you can't hear their feet behind you. Run until they drop their fists and their shouts dissolve in the air. Run with your eyes open and your mouth shut and dam the river rushing up behind your eyes. Run, Juliette.
Run until you drop dead. Make sure your heart stops before they ever reach you. Before they ever touch you.
Run, I said.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
One last thing," he said. "Stop looking for me."
"I'm not looking for you." I scoffed.
He touched his index finger to my forehead, my skin absurdly warming under his touch. It didn't escape me that he couldn't seem to stop finding reasons to touch me. Nor did I miss that I didn't want him to stop. "Under all the layers, a part of you remembers. It's the part that came looking for me tonight. It's that part that's going to get you killed, if you're not careful."
We stood face-to-face, both of us breathing hard. The sirens were so close now.
"What am I supposed to tell the police?" I said.
"You're not going to talk to the police."
"Oh, really? Funny, because I plan on telling them exactly how you rammed that tire iron into Gabe's back. Unless you answer my questions."
He gave an ironic snort. "Blackmail? You've changed, Angel.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
”
”
Pablo Neruda (If You Forget Me)
“
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death? Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge. The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.
She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
“Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
“Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
I want you, Anastasia,” he murmurs. “I love and I hate, and I love arguing with you. It’s very new. I need to know that we’re okay. It’s the only way I know how.”
“My feelings for you haven’t changed,” I whisper.
His proximity is overwhelming, exhilarating. The familiar pull is there, all my synapses goading me toward him, my inner goddess at her most libidinous. Staring at the patch of hair in the V of his shirt, I bite my lip, helpless, driven by desire—I want to taste him there.
He’s so close, but he doesn’t touch me. His heat is warming my skin.
“I’m not going to touch you until you say yes,” he says softly. “But right now, after a really shitty morning, I want to bury myself in you and just forget everything but us.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
You destroy me."
"Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death.
"I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less."
"You-you said you wanted f-friendship-"
"Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-"
"No," I gasp. "Don't-don't s-say that-"
"I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world."
"I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it."
And I drop dead, all over the floor.
"Juliette."
I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again.
He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Derek's breath touched Sara's throat in unsteady urges. "Sometimes," he whispered, "I'm so close to you ... and I'm still not close enough. I want to share your breath ... every beat of your heart."
He cradled her head in both his hands, his mouth hot on her neck. "Sometimes," he murmured, "I want to punish you a little."
"Why?"
"For making me want you until I ache with it. For the way I wake at night just to watch you sleeping." His face was intense and passionate above her, his green eyes sharp in their brightness. "I want you more each time I'm with you. It's a fever that never leaves me. I can't be alone without wondering where you are, when I can have you again." His lips possessed hers in a kiss that was both savage and tender, and she opened to him eagerly.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
The world of literature has everything in it, and it refuses to leave
anything out. I have read like a man on fire my whole life because the
genius of English teachers touched me with the dazzling beauty of language.
Because of them I rode with Don Quixote and danced with Anna Karenina at a
ball in St. Petersburg and lassoed a steer in "Lonesome Dove" and had
nightmares about slavery in "Beloved" and walked the streets of Dublin in
"Ulysses" and made up a hundred stories in the Arabian nights and saw my
mother killed by a baseball in "A Prayer for Owen Meany." I've been in ten
thousand cities and have introduced myself to a hundred thousand strangers
in my exuberant reading career, all because I listened to my fabulous
English teachers and soaked up every single thing those magnificent men and
women had to give. I cherish and praise them and thank them for finding me
when I was a boy and presenting me with the precious gift of the English
language.
”
”
Pat Conroy
“
When she opened her eyes, she was both in her body and watching it, nowhere near the cavity of the tree. The Blue that was before her stood inches from a boy in an Aglionby sweater. There was a slight stoop to his posture, and his shoulders were spattered darkly with rain. It was his fingers that Blue felt on her face. He touched her cheek with the backs of his fingers.
Tears coursed down the other Blue's face. Though some strange magic, Blue could feel them on her face as well. She could feel, too, sick, rising misery she'd felt in the churchyard, the grief that felt bigger than her. The other Blue's tears seemed endless. One drop slid after another, each following an identical path down her cheeks.
The boy in the Aglionby sweater leaned his forehead against Blue's. She felt the pressure of his skin against hers, and suddenly she could smell mint.
It'll be okay. Gansey told the other Blue. She could tell that he was afraid. It'll be okay.
Impossibly, Blue realized that this other Blue was crying because she loved Gansey. And that the reason Gansey touched her like that, his fingers so careful with her, was because he knew that her kiss could kill him. She could feel how badly the other Blue wanted to kiss him, even as she dreaded it. Though she couldn't understand why, her real, present day memories in the tree cavity were clouded with other false memories of their lips nearly touching, a life this other Blue had already lived.
Okay, I'm ready- Gansey's voice caught, just a little. Blue, kiss me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Haven't I? - he thought. Haven't I thought of it since the first time I saw you? Haven't I thought of nothing else for two years? ...He sat motionless, looking at her. He heard the words he had never allowed himself to form, the words he had felt, known, yet had not faced, had hoped to destroy by never letting them be said within his own mind. Now it was as sudden and shocking as if he were saying it to her ...Since the first time I saw you ...Nothing but your body, that mouth of yours, and the way your eyes would look at me, if ...Through every sentence I ever said to you, through every conference you thought so safe, through the importance of all the issues we discussed ...You trusted me, didn't you? To recognize your greatness? To think of you as you deserved - as if you were a man? ...Don't you suppose I know how much I've betrayed? The only bright encounter of my life - the only person I respected - the best business man I know - my ally - my partner in a desperate battle ...The lowest of all desires - as my answer to the highest I've met ...Do you know what I am? I thought of it, because it should have been unthinkable. For that degrading need, which would never touch you, I have never wanted anyone but you ...I hadn't known what it was like, to want it, until I saw you for the first time. I had thought : Not I, I couldn't be broken by it ...Since then ...For two years ...With not a moments respite ...Do you know what it's like, to want it? Would you wish to hear what I thought when I looked at you ...When I lay awake at night ...When I hear your voice over a telephone wire ...When I worked, but could not drive it away? ...To bring you down to things you cant conceive - and to know that it's I who have done it. To reduce you to a body, to teach you an animal's pleasure, to see you need it, to see you asking me for it, to see your wonderful spirit dependent on the upon the obscenity of your need. To watch you as you are, as you face the world with your clean, proud strength - then to see you, in my bed, submitting to any infamous whim I may devise, to any act which I'll preform for the sole purpose of watching your dishonor and to which you'll submit for the sake of an unspeakable sensation ...I want you - and may I be damned for it!
”
”
Ayn Rand
“
What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you. I would like to say it formally: Richard Parker, thank you. Thank you for saving my life. And now go where you must. You have known the confined freedom of a zoo most of your life; now you will know the free confinement of a jungle. I wish you all the best with it. Watch out for Man. He is not your friend. But I hope you will remember me as a friend. I will never forget you , that is certain. You will always be with me, in my heart. What is that hiss? Ah, our boat has touched sand. So farewell, Richard Parker, farewell. God be with you.
”
”
Yann Martel (Life of Pi)
“
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.
After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm.
That’s what I believe.
The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.
These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
”
”
Robert McCammon (Boy's Life)
“
You do not,’ cried Giovanni, sitting up, ‘love anyone! You never have loved anyone, I am sure you never will! You love your purity, you love your mirror—you are just like a little virgin, you walk around with your hands in front of you as though you had some precious metal, gold, silver, rubies, maybe diamonds down there between your legs! You will never give it to anybody, you will never let anybody touch it—man or woman. You want to be clean. You think you came here covered with soap and you think you will go out covered with soap—and you do not want to stink, not even for five minutes, in the meantime.’ He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying little moralities. And you—you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?
”
”
James Baldwin (Giovanni’s Room)
“
In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
”
”
Toni Morrison (Beloved)
“
On the surface, I was calm: in secret, without really admitting it, I was waiting for something. Her return? How could I have been waiting for that? We all know that we are material creatures, subject to the laws of physiology and physics, and not even the power of all our feelings combined can defeat those laws. All we can do is detest them. The age-old faith of lovers and poets in the power of love, stronger than death, that finis vitae sed non amoris, is a lie, useless and not even funny. So must one be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox...
Must I go on living here then, among the objects we both had touched, in the air she had breathed? In the name of what? In the hope of her return? I hoped for nothing. And yet I lived in expectation. Since she had gone, that was all that remained. I did not know what achievements, what mockery, even what tortures still awaited me. I knew nothing, and I persisted in the faith that the time of cruel miracles was not past.
”
”
Stanisław Lem (Solaris)
“
Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
”
”
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
“
This is where you belong, Calla.” He pulled me closer, tilting my chin up. “Be with me. Tell me it’s what you want.”
I couldn’t tear my eyes from his. “What I want?”
“Yes. Anything, everything you need, I’ll give you. Always. I promise. Just tell me one thing.”
“What?”
“That you want this, us.” His voice dropped so low I could barely hear him. “That someday you’ll love me.”
My hands began to tremble where they rested around his neck. “Ren, you know we’re going to be together. We’ve both known that for a long time.”
He gave me a hard look. “That’s not what I’m talking about.”
“Why are you asking me this?” I tried to pull back, but he held me against him.
The glimmer of a smile appeared on his lips. “Why not?”
My temper flared. “Are you trying to say that you love me?”
I meant it as a challenge rather than a serious question, but his eyes seemed to catch fire.
“What do you think?” He touched his lips to mine, softly at first, gradually building pressure, parting them.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter.
I see it now though.
Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further.
And then he touches me again, and my convictions disappear like smoke in the wind.
This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct?
Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him.
Tomorrow.
What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever.
Just one last time, Sweets. Just one last fix. That’s all I need.
And that is why I now understand addiction.
”
”
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
“
Close your eyes and picture it. Can you see it?"
I nod, eyes closed.
"Imagine it right there before you. See its texture, shape, and color—got it?"
I smile, holding the image in my head.
"Good. Now reach out and touch it. Feel its contours with the tips of your fingers, cradle its weight in the palms of your hands, then combine all of your senses—sight, touch, smell, taste—can you taste it?"
I bite my lip and suppress a giggle.
"Perfect. Now combine that with feeling. Believe it exists right before you. Feel it, see it, touch it, taste it, accept it, manifest it!" he says.
So I do. I do all of those things. And when he groans, I open my eyes to see for myself.
"Ever." He shakes his head. "You were supposed to think of an orange. This isn't even close."
"Nope, nothing fruity about him." I laugh, smiling ateach of my Damens—the replica I manifested before me, and the flesh and blood version beside me. Both of them equally tall, dark, and so devastatingly handsome they hardly seem real.
”
”
Alyson Noel (Blue Moon (The Immortals, #2))
“
Because it begins to seem to me at such times that I am incapable of beginning a life in real life, because it has seemed to me that I have lost all touch, all instinct for the actual, the real; because at last I have cursed myself; because after my fantastic nights I have moments of returning sobriety, which are awful! Meanwhile, you hear the whirl and roar of the crowd in the vortex of life around you; you hear, you see, men living in reality; you see that life for them is not forbidden, that their life does not float away like a dream, like a vision; that their life is being eternally renewed, eternally youthful, and not one hour of it is the same as another; while fancy is so spiritless, monotonous to vulgarity and easily scared, the slave of shadows, of the idea, the slave of the first cloud that shrouds the sun... One feels that this inexhaustible fancy is weary at last and worn out with continual exercise, because one is growing into manhood, outgrowing one's old ideals: they are being shattered into fragments, into dust; if there is no other life one must build one up from the fragments. And meanwhile the soul longs and craves for something else! And in vain the dreamer rakes over his old dreams, as though seeking a spark among the embers, to fan them into flame, to warm his chilled heart by the rekindled fire, and to rouse up in it again all that was so sweet, that touched his heart, that set his blood boiling, drew tears from his eyes, and so luxuriously deceived him!
”
”
Fyodor Dostoevsky (White Nights)
“
Whatever teaches us to talk to ourselves is important: whatever teaches us to sing ourselves out of despair. But the painting has also taught me that we can speak to each other across time. And I feel I have something very serious and urgent to say to you, my non-existent reader, and I feel I should say it as urgently as if I were standing in the room with you. That life—whatever else it is—is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch. For if disaster and oblivion have followed this painting down through time—so too has love. Insofar as it is immortal (and it is) I have a small, bright, immutable part in that immortality. It exists; and it keeps on existing. And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.
”
”
Donna Tartt (The Goldfinch)
“
I wake sometimes in the dark terrified by my life's precariousness, its thready breath. Beside me, my husband's pulse beats at his throat; in their beds, my children's skin shows every faintest scratch. A breeze would blow them over, and the world is filled with more than breezes: diseases and disasters, monsters and pain in a thousand variations. I do not forget either my father and his kind hanging over us, bright and sharp as swords, aimed at our tearing flesh. If they do not fall on us in spite and malice, then they will fall by accident or whim. My breath fights in my throat. How can I live on beneath such a burden of doom? I rise then and go to my herbs. I create something, I transform something. My witchcraft is as strong as ever, stronger. This too is good fortune. How many have such power and leisure and defense as I do? Telemachus comes from our bed to find me. He sits with me in the greensmelling darkness, holding my hand. Our faces are both lined now, marked with our years. Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean it does not hurt. He does not mean we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
”
”
Madeline Miller (Circe)
“
LADY LAZARUS
I have done it again.
One year in every ten
I manage it--
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?--
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
-- written 23-29 October 1962
”
”
Sylvia Plath (Ariel)
“
Tohrment spoke. "Bella's brother called. He's tabled the sehelusion request and asked that she stay here for a couple of days."
Z jacked his head up. "Why?"
"He didn't give a reason-" Tohr's eye's narrowed on Z's face. "Oh... my God."
"What the fuck are you looking at?"
Phury pointed to the antique mirror hanging on the wall next to the double doors. "See for yourself."
Zsadist marched across the room, ready to give them all hell. Bella was what mattered-
His mouth went lax at his reflection. With a shaky hand he reached out to the eyes in the old-fashioned leaded glass. His irises were no longer black. They were yellow. Just like his twin's.
"Phury?" he said softly. "Phury... what happened to me?"
As the male came up behind him, his brother's face appeared right beside Z's. And then Wrath's dark reflection showed up in the mirror, all long hair and sunglasses. Then Rhage's star-fallen beauty. And Vishous's Sox cap. And Tohrment's brush cut. And Butch's busted nose.
One by one they reached out and touched him, their big hands gently on his shoulders.
"Welcome back, my brother," Phury whispered.
Zsadist stared at the males who were behind him. And the oddest thought that if he were to let himself go limp and fall backward... they would catch him.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
I have loved in life and I have been loved.
I have drunk the bowl of poison from the hands of love as nectar,
and have been raised above life's joy and sorrow.
My heart, aflame in love, set afire every heart that came in touch with it.
My heart has been rent and joined again;
My heart has been broken and again made whole;
My heart has been wounded and healed again;
A thousand deaths my heart has died, and thanks be to love, it lives yet.
I went through hell and saw there love's raging fire,
and I entered heaven illumined with the light of love.
I wept in love and made all weep with me;
I mourned in love and pierced the hearts of men;
And when my fiery glance fell on the rocks, the rocks burst forth as volcanoes.
The whole world sank in the flood caused by my one tear;
With my deep sigh the earth trembled, and when I cried aloud the name of my beloved,
I shook the throne of God in heaven.
I bowed my head low in humility, and on my knees I begged of love,
"Disclose to me, I pray thee, O love, thy secret."
She took me gently by my arms and lifted me above the earth, and spoke softly in my ear,
"My dear one, thou thyself art love, art lover,
and thyself art the beloved whom thou hast adored.
”
”
Hazrat Inayat Khan (The Dance of the Soul: Gayan, Vadan, Nirtan (Sufi Sayings))
“
Where have you been?" she cried. "Damn you, where have you been?" She took a few steps toward Schmendrick, but she was looking beyond him, at the unicorn.
When she tried to get by, the magician stood in her way. "You don't talk like that," he told her, still uncertain that Molly had recognized the unicorn. "Don't you know how to behave, woman? You don't curtsy, either."
But Molly pushed him aside and went up to the unicorn, scolding her as though she were a strayed milk cow. "Where have you been?" Before the whiteness and the shining horn, Molly shrank to a shrilling beetle, but this time it was the unicorn's old dark eyes that looked down.
"I am here now," she said at last.
Molly laughed with her lips flat. "And what good is it to me that you're here now? Where where you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I am this?" With a flap of her hand she summed herself up: barren face, desert eyes, and yellowing heart. "I wish you had never come. Why did you come now?" The tears began to slide down the sides of her nose.
The unicorn made no reply, and Schmendrick said, "She is the last. She is the last unicorn in the world."
"She would be." Molly sniffed. "It would be the last unicorn in the world to come to Molly Grue." She reached up then to lay her hand on the unicorn's cheek; but both of them flinched a little, and the touch came to rest on on the swift, shivering place under the jaw. Molly said, "It's all right. I forgive you.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
Oh my. He's English.
"Er. Does Mer live here?"
Seriously, I don't know any American girl who can resist an English accent.
The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?"
"I'm sorry." He takes the smallest step away from me. "You were going to bed."
"Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating.
The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin.
"Étienne," he says. "I live one floor up."
"I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused.
He raps twice on Meredith's door. "Well. I'll see you around then, Anna."
Eh-t-yen says my name like this: Ah-na.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Franz Kafka is Dead
He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind.
That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone.
They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.
”
”
Nicole Krauss (The History of Love)
“
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt.
God, our knees touching isn't enough. I need more.
She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life.
I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand.
She doesn't seem fazed so I move closer. And closer.
When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails.
I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus.
When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one.
With a slight shift of my hand, I lace my fingers through hers.
I'm holding hands. With Maggie Armstrong.
I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them?
The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
... What do you want, Ash?"
"Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her."
I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium.
"Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin.
"This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself."
"Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough."
"Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die."
"Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face.
"I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone.
"So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?"
I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
Derek and I went out for our walk after dinner. Alone.
There was an open field behind the motel and we headed there. Finally, when we were far enough from the motel, Derek led me into a little patch of woods. He hesitated then, unsure, still just holding my hand. When I stepped in front of him, though, his free hand went around my waist.
"So," I said. "Seems you're going to be stuck with me for a while."
He smiled. A real smile that lit up his whole face.
"Good," he said.
He pulled me against him. Then he bent down, breath warming my lips. My pulse was racing so fast I could barely breathe. I was sure he'd stop again and I tensed, waiting for that hesitation, stomach twisting. His lips touched mine, and still I kept waiting for him to pull back.
His lips pressed against mine, then parted. And he kissed me. Really kissed me- arms tightening around me, mouth moving against mine, firm, like he'd made up his mind that this was what he wanted and he wasn't backing down again.
I slid my arms around his neck. His tightened around me and he scooped me up, lifting me off his feet, kissing me like he was never going to stop, and I kissed him back the same way, like I didn't want him to ever stop.
It was a perfect moment, one where nothing else mattered. All I could feel was him. All I could taste was his kiss. All I could hear was the pounding of his heart. All I could think about was him, and how much I wanted this, and how incredibly lucky I was to get it, and how tight I was going to hold onto it.
This was what I wanted. This guy. This life. This me. I was never getting my old life back, and I didn't care. I was happy. I was safe. I was right where I wanted to be.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
Be a light unto the world, and hurt it not. Seek to build not destroy. Bring My people home.
How?
By your shining example. Seek only Godliness. Speak only in truthfulness. Act only in love.
Live the Law of Love now and forever more. Give everything require nothing.
Avoid the mundane.
Do not accept the unacceptable.
Teach all who seek to learn of Me.
Make every moment of your life an outpouring of love.
Use every moment to think the highest thought, say the highest word, do the highest deed. In this, glorify your Holy Self, and thus too, glorify Me.
Bring peace to the Earth by bringing peace to all those whose lives you touch. Be peace. Feel and express in every moment your Divine Connection with the All, and with every person, place, and thing.
Embrace every circumstance, own every fault, share every joy, contemplate every mystery, walk in every man’s shoes, forgive every offense (including your own), heal every heart, honor every person’s truth, adore every person’s God, protect every person’s rights, preserve every person’s dignity, promote every person’s interests, provide every person’s needs, presume every person’s holiness, present every person’s greatest gifts, produce every person’s blessing, pronounce every person’s future secure in the assured love of God.
Be a living, breathing example of the Highest Truth that resides within you. Speak humbly of yourself, lest someone mistake your Highest Truth for boast. Speak softly, lest someone think you are merely calling for attention. Speak gently, that all might know of Love. Speak openly, lest someone think you have something to hide. Speak candidly, so you cannot be mistaken. Speak often, so that your word may truly go forth. Speak respectfully, that no one be dishonored. Speak lovingly, that every syllable may heal. Speak of Me with every utterance. Make of your life a gift. Remember always, you are the gift!
Be a gift to everyone who enters your life, and to everyone whose life you enter. Be careful not to enter another’s life if you cannot be a gift. (You can always be a gift, because you always are the gift—yet sometimes you don’t let yourself know that.) When someone enters your life unexpectedly, look for the gift that person has come to receive from you…I HAVE SENT YOU NOTHING BUT ANGELS.
”
”
Neale Donald Walsch (Conversations With God: An Uncommon Dialogue, Book 2)
“
people used to tell me that i had beautiful hands
told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model”
to which he said no way,
i dont remember the reason he gave me and i wouldve been upset,
but there were far too many stuffed animals to hold
too many homework assignment to write,
too many boys to wave at
too many years to grow,
we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great
big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three.
hands learn more than minds do,
hands learn how to hold other hands,
how to grip pencils and mold poetry,
how to tickle pianos and dribble a basketball,
and grip the handles of a bicycle
how to hold old people, and touch babies ,
i love hands like i love people,
they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future,
but i read hands to tell your past,
each scar marks the story worth telling,
each calloused palm,
each cracked knuckle is a missed punch
or years in a factory,
now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies.
even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer.
one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom.
kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long,
but hands are not about politics, when did it become so complicated. i always thought its simple.
the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
”
”
Sarah Kay
“
Then the best thing I can do is—"
He froze. The brown eyes that had been narrowed with aggravation suddenly went wide with...what? Amazement? Awe? Or perhaps that stunned feeling I kept having when I saw him?
Because suddenly, I was pretty sure he was experiencing the same thing I had earlier. He'd seen me plenty of times in Siberia. He'd seen me just the other night at the warehouse. But now...now he was truly viewing me with his own eyes. Now that he was no longer Strigoi, his whole world was different. His outlook and feelings were different. Even his soul was different.
It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he's bandaged my bloodies and bettered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year but we'd lived a lifetime in it.
And he was realizing that too, I knew as he studied me. His gaze was all-powerful, taking in every single one of my features and filing them away.
Dimly, I tried to recall what I looked like today. I still wore the dress from the secret meeting and knew it looked good on me. My eyes were probably bloodshot from crying earlier, and I'd only had time for a quick brushing of my hair before heading off with Adrian.
Somehow, I doubted any of it mattered. The way Dimitri was looking at me...it confirmed everything I'd suspected. The feelings he'd had for me before he'd been turned-the feelings that had become twisted while a Strigoi—were all still there. They had to be. Maybe Lissa was his savior. Maybe the rest of the Court thought she was a goddess. I knew, right then, that no matter how bedraggled I looked or how blank he tried to keep his face, I was a goddess to him.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with vision of myself dancing and laughing and crying with them. Three year down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not very popular one, who once has dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.
When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lied you head.
I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiviness that was as wide as wavering as the ocean. And if I said that I didn’t plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obssesion for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me.
Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art.
LIVE FAST. DIE YOUNG. BE WILD. AND HAVE FUN.
I believe in the country America used to be. I belive in the person I want to become, I believe in the freedom of the open road. And my motto is the same as ever- *I believe in the kindness of strangers. And when I’m at war with myself- I Ride. I Just Ride.*
Who are you? Are you in touch with all your darkest fantasies?
Have you created a life for yourself where you’re free to experience them?
I Have.
I Am Fucking Crazy. But I Am Free.
”
”
Lana Del Rey
“
Today, suddenly, I reached an absurd but unerring conclusion. In a moment of enlightenment, I realized that I'm nobody, absolutely nobody. When the lightning flashed, I saw that what I had thought to be a city was in fact a deserted plain and, in the same sinister light that revealed me to myself, there seemed to be no sky above it. I was robbed of any possibility of having existed before the world. If I was ever reincarnated, I must have done so without myself, without a self to reincarnate.
I am the outskirts of some non-existent town, the long-winded prologue to an unwritten book. I'm nobody, nobody. I don't know how to feel or think or love. I'm a character in a novel as yet unwritten, hovering in the air and undone before I've even existed, amongst the dreams of someone who never quite managed to breathe life into me.
I'm always thinking, always feeling, but my thoughts lack all reason, my emotions all feeling. I'm falling through a trapdoor, through infinite, infinitous space, in a directionless, empty fall. My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool.
And I, I myself, am the centre that exists only because the geometry of the abyss demands it; I am the nothing around which all this spins, I exist so that it can spin, I am a centre that exists only because every circle has one. I, I myself, am the well in which the walls have fallen away to leave only viscous slime. I am the centre of everything surrounded by the great nothing.
And it is as if hell itself were laughing within me but, instead of the human touch of diabolical laughter, there's the mad croak of the dead universe, the circling cadaver of physical space, the end of all worlds drifting blackly in the wind, misshapen, anachronistic, without the God who created it, without God himself who spins in the dark of darks, impossible, unique, everything.
If only I could think! If only I could feel!
”
”
Fernando Pessoa (The Book of Disquiet)
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?”
“Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it.
“Well, what the hell? Mare didn’t even say goodbye.”
“You knew she was going to class. Quit being a cry baby.”
Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?”
“Shut up.”
“That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?”
“She didn’t say much, except that she’s not into birthdays.”
“So what are we doing?”
“Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.”
Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?”
“How do you feel about a puppy?”
Shepley laughed once. “It’s not my birthday, bro.”
I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.”
“Keep it here? Seriously? What are we going to do with a dog?”
“I found a Cairn Terrier online. It’s perfect.”
“A what?”
“Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.”
Shepley’s face was blank. “The Wizard of Oz.”
“What? I liked the scarecrow when I was a little kid, shut the fuck up.”
“It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.”
“So does America … minus the crapping.”
Shepley wasn’t amused.
“I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.”
“You can’t keep it from barking.”
“Think about it. You gotta admit it’ll win her over.”
Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?”
My brows pulled together. “Quit it.”
His smile widened. “You can get the damn dog…”
I grinned with victory.
“…if you admit you have feelings for Abby.”
I frowned in defeat. “C’mon, man!”
“Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it.
I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day.
“I like her,” I said through my teeth.
Shepley held his hand to his ear. “What? I couldn’t quite hear you.”
“You’re an asshole! Did you hear that?”
Shepley crossed his arms. “Say it.”
“I like her, okay?”
“Not good enough.”
“I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?”
“For now,” he said, grabbing his backpack off the floor.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))