Touch A Chord Quotes

We are not enemies, but friends. We must not be enemies. Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory will swell when again touched, as surely they will be, by the better angels of our nature.

There are chords in the hearts of the most reckless which cannot be touched without emotion.

The wind makes you ache is some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die - migrate or die.

There are chords in the hearts of the most reckless which cannot be touched without emotion, even by the utterly lost, to whom life and death are equally jests, there are matters of which no jest can be made.

Every action of our lives touches on some chord that will vibrate in eternity.

People always ask me "Son what does it take To reach out and touch your dreams?" To them I always say Are you hungry? Are you thirsty? Is it a fire that burns you up inside? How bad do you want it? How bad do you need it? Are you eating, sleeping, dreaming With that one thing on your mind? How bad do you want it? How bad do you need it? Cause if you want it all You've got to lay it all out on the line

All you touch and all you see, is all your life will ever be

The mystic chords of memory, stretching from every battle-field, and patriot grave, to every living heart and hearth-stone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature. --as quoted in THE RIVER OF WINGED DREAMS

The one I felt and still feel most is lack of time. I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with one's thoughts. One goes to college to learn, it seems, not to think. When one enters the portals of learning, one leaves the dearest pleasures--solitude, books and imagination--outside with the whispering pines. I suppose I ought to find some comfort in the thought that I am laying up treasures for future enjoyment, but I am improvident enough to prefer present joy to hoarding riches against a rainy day.

There is in souls a sympathy with sounds: And as the mind is pitch'd the ear is pleased With melting airs, or martial, brisk or grave; Some chord in unison with what we hear Is touch'd within us, and the heart replies.

War and marriage and childbirth had passed over her without touching any deep chord within her and she was unchanged.

I envy the music lovers hear. I see them walking hand in hand, standing close to each other in a queue at a theater or subway station, heads touching while they sit on a park bench, and I ache to hear the song that plays between them: The stirring chords of romance's first bloom, the stately airs that whisper between a couple long in love. You can see it in the way they look at each other... you can almost hear it. Almost, but not quite, because the music belongs to them and all you can have of it is a vague echo that rises up from the bittersweet murmur and shuffle of your own memories.

Color is the keyboard, the eyes are the hammers, the soul is the piano with its many chords. The artist is the hand that, by touching this or that key, sets the soul vibrating automatically.

I began my studies with eagerness. Before me I saw a new world opening in beauty and light, and I felt within me the capacity to know all things. In the wonderland of Mind I should be as free as another [with sight and hearing]. Its people, scenery, manners, joys, and tragedies should be living tangible interpreters of the real world. The lecture halls seemed filled with the spirit of the great and wise, and I thought the professors were the embodiment of wisdom... But I soon discovered that college was not quite the romantic lyceum I had imagined. Many of the dreams that had delighted my young inexperience became beautifully less and "faded into the light of common day." Gradually I began to find that there were disadvantages in going to college. The one I felt and still feel most is lack of time. I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with one's thoughts. One goes to college to learn, it seems, not to think. When one enters the portals of learning, one leaves the dearest pleasures – solitude, books and imagination – outside with the whispering pines. I suppose I ought to find some comfort in the thought that I am laying up treasures for future enjoyment, but I am improvident enough to prefer present joy to hoarding riches against a rainy day.

As Wendy watched them they burst into a chord of tinkling, girlish laughter. She felt a smile touch her own lips; not one of them could be under sixty.

Every era casts illness in its own image. Society, like the ultimate psychosomatic patient, matches its medical afflictions to its psychological crises; when a disease touches such a visceral chord, it is often because that chord is already resonating.

It takes a 'Jack' to pull off any string in the world, however it takes a 'Master' to touch the chord of greatness

The little girl’s gentle touch struck an inner chord in his lonely old heart.

We are not enemies, but friends. We must not be enemies. Though passion may have strained it must not break our bonds of affection. The mystic chords of memory, stretching from every battlefield and patriot grave to every living heart and hearthstone all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.

At the magic touch of the beautiful the secret chords of our being are awakened, we vibrate and thrill in response to its call. Mind speaks to mind. We listen to the unspoken, we gaze upon the unseen. The master calls forth notes we know not of. Memories long forgotten all come back to us with a new significance. Hopes stifled by fear, yearnings that we dare not recognise, stand forth in new glory.

Dev's elbow hits my back and I press forward and she's right there and I'm reaching out and she's right there and right at that moment the amps amplify and the music takes on such a pulse that it becomes my heartbeat and her heartbeat and I know it and she knows it and this is the point where we could break apart and that would be it, totally it. But I look into her eyes and she looks into my eyes and we recognize it--the exitement of being here, the excitement of being now. And maybe I'm realizing what a part of it she is and maybe she's realizing what a part of it I am, because suddenly we're not crashing as much as we're combining. The chords swirling around us are becoming a tornado, tightening and tightening and tightening, and we are at the center of it, and we are at the center of each other. My wrist touches hers right at the point of our pulses, and I swear I can feel it. That thrum. We are moving to the music and at the same time we are a stillness. I am not losing myself in the barrage. I am finding her. And she is--yes, she is finding me.

Once I thought I saw you in a crowded hazy bar, Dancing on the light from star to star. Far across the moonbeam I know that's who you are, I saw your brown eyes turning once to fire. You are like a hurricane There's calm in your eye. And I'm gettin' blown away To somewhere safer where the feeling stays. I want to love you but I'm getting blown away. I am just a dreamer, but you are just a dream, You could have been anyone to me. Before that moment you touched my lips That perfect feeling when time just slips Away between us on our foggy trip. You are like a hurricane There's calm in your eye. And I'm gettin' blown away To somewhere safer where the feeling stays. I want to love you but I'm getting blown away. You are just a dreamer, and I am just a dream. You could have been anyone to me. Before that moment you touched my lips That perfect feeling when time just slips Away between us on our foggy trip. You are like a hurricane There's calm in your eye. And I'm gettin' blown away To somewhere safer where the feeling stays. I want to love you but I'm getting blown away. The song was written in July 1975 after Young had just undergone an operation on his vocal chords after a cocaine-fueled night with friend. "We were all really high, fucked up. Been out partying. Wrote it sitting up at Vista Point on Skyline. Supposed to be the highest point in San Mateo County, which was appropriate. I wrote it when I couldn't sing. I was on voice rest. It was nuts - I was whistling it. I wrote a lot of songs when I couldn't talk.

The word discipline sometimes touches a slightly rebellious chord in our natures. Remember that it comes from the word disciple.

I've got blisters and muscle cramps in places not meant for the touch of anything but a beautiful woman," Max spat back sullenly. "I've bitten my tongue so many times in the past three days that I whistle in musical chords when I exhale. And the smell isn't ever going to come out of my armor, I just know it.

Indeed, all forms of human folly and beastiality touch a very symphathetic chord within our breasts!

Every action in our lives touches on some chord that will vibrate in eternity.

I hardly know where I found the hardihood thus to open a conversation with a stranger; the step was contrary to my nature and habits: but I think her occupation touched a chord of sympathy somewhere;

There are chords in the hearts of the most reckless which cannot be touched without emotion. Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jest can be made.

When a disease insinuates itself so potently into the imagination of an era, it is often because it impinges on an anxiety latent within that imagination. AIDS loomed so large on the 1980s in part because this was a generation inherently haunted by its sexuality and freedom; SARS set off a panic about global spread and contagion at a time when globalism and social contagion were issues simmering nervously in the West. Every era casts illness in its own image. Society, like the ultimate psychosomatic patient, matches its medical afflictions to its psychological crises; when a disease touches such a visceral chord, it is often because that chord is already resonating.

At the magic touch of the beautiful, the secret chords of our being are awakened, we vibrate and thrill in response to its call. Mind speaks to mind. We listen to the unspoken, we gaze upon the unseen. The master calls forth notes we know not of. Memories long forgotten all come back to us with a new significance. Hopes stifled by fear, yearnings that we dare not recognize, stand forth in new glory. Our mind is the canvas on which the artists lay their colour; their pigments are our emotions; their chiaroscuro the light of joy, the shadow of sadness. The masterpiece is of ourselves, as we are of the masterpiece.

The sense of beauty of a physical theory must be something hardwired in our brain and not a social construct. It is something that touches some internal chord. When you stumble on a beautiful theory you have the same emotional reaction that you feel in front of a piece of art.

I'm dashed if I can see why you should be in such a quake!' 'It ain't that,' growled Endymion. 'I mean, I'm not afraid of Cousin Vernon! It's - it's his sisters, and my mother, and Frederica! I daresay you don't know.' This inarticulate appeal for understanding touched chord of sympathy. Harry had had no personal experience of the trials which Endymion so obviously feared, but he had the instinctive male dread of feminine storms. He said, in an awed voice: 'Jupiter! I hadn't thought of that! Lord, what a dust they would kick up!' Endymion cast him a look of gratitude. 'Ay, that's it. Not my mother,' he added scrupulously. 'Never kicks up a dust, precisely.' Well, it *that's* so -' 'Takes to her bed,' said Endymion simply. 'Spasms!

I think about Rilke, who said that it's the questions that move us, not the answers. As a writer I believe it is our task, our responsibility, to hold the mirror up to social injustices that we see and to create a prayer of beauty. The questions serve us in that capacity. Pico Iyer describes his writing as "intimate letters to a stranger," and I think that is what the writing process is. It begins with a question, and then you follow this path of exploration. ... I write out of my questions. Hopefully, if we write out of our humanity, our vulnerable nature, then some chord is struck with a reader and we touch on the page. I know that is why I read, to find those parts of myself in a story that I cannot turn away from. The writers who move me are the ones who create beauty and truth out of their sufferings, their yearnings, their discoveries. It is what I call the patience of words born out of the search. ... Perhaps as writers we are really storytellers, finding that golden thread that connects us to the past, present, and future at once. I love language and landscape. For me, writing is the correspondence between these two passions. It is difficult to ever see yourself. I don't know how I've developed or grown as a writer. I hope I am continuing to take risks on the page. I hope I am continuing to ask the hard questions of myself. If we are attentive to the world and to those around us, I believe we will be attentive on the page. Writing is about presence. I want to be fully present wherever I am, alive to the pulse just beneath the skin. I want to dare to speak "the language women speak when there's no one around to correct them".

Our trials, our troubles, our demons, our angels—we reenact them because these stories explain our lives. Literature's lessons repeat because they echo from deeper places. They touch a chord in our soul because they're notes we've already heard played. Plots repeat because, from the birth of man, they explore the reasons for our being. Stories teach us to not give up hope because there are times in our own journey when we mustn't give up hope. They teach endurance because in our lives we are meant to endure. They carry messages that are older than the words themselves, messages that reach beyond the page.

Young girls like the excess of any quality. Without knowing, they want to suffer, to suffer they must exaggerate; they like to have loud chords struck upon them. Loving art better than life they need men to be actors; only an actor moves them, with his telling smile, undomestic, out of touch with the everyday that they dread. They love to enjoy love as a system of doubts and shocks. They are right; not seeking husbands yet, they have no reason to see love socially.

there was yet the assurance of such power in the preparation of the whole, that we knew her to be merely running over the chords of our appetite with preliminary savors, as a musician acquaints his touch with the keys of an unfamiliar piano before breaking into brilliant and triumphant execution. Within a week she had mastered

I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with one's thoughts.

There chords in the hearts of the most reckless which cannot be touched without emotion.

The chords of the heart need to be touched to be played,

There are chords in the hearts of the most reckless which cannot be touched without emotion.” -Edgar Allan Poe, “The Masque of the Red Death

The chords of the heart need to be touched to be played.

In a crass and materialistic world there must inevitably be a scattered few here and there in whom pumpkins touch no chord.

There are chords in the hearts of the most reckless which cannot be touched without emotion.

Musicians are some of the most driven, courageous people on the face of the earth. They deal with more day-to-day rejection in one year than most people do in a lifetime. Every day, they face the financial challenge of living a freelance lifestyle, the disrespect of people who think they should get real jobs, and their own fear that they’ll never work again. Every day, they have to ignore the possibility that the vision they have dedicated their lives to is a pipe dream. With every note, they stretch themselves, emotionally and physically, risking criticism and judgement. With every passing year, many of them watch as the other people their age achieve the predictable milestones of normal life – the car, the family, the house, the nest egg. Why? Because musicians are willing to give their entire lives to a moment – to that melody, that lyric, that chord, or that interpretation that will stir the audience’s soul. Musicians are beings who have tasted life’s nectar in that crystal moment when they poured out their creative spirit and touched another’s heart. In that instant, they were as close to magic, God, and perfection as anyone could ever be. And in their own hearts, they know that to dedicate oneself to that moment is worth a thousand lifetimes.

The chords of the heart need to be touched to be played,” I recited again, trying to figure out what it meant. Then it hit me. No one is immune to emotion when those chords are pulled. No one.

The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die—migrate or die.

In your hands, my dissatisfied fellow countrymen, and not in mine, is the momentous issue of civil war. The government will not assail you. You can have no conflict without being yourselves the aggressors. You have no oath registered in Heaven to destroy the government, while I shall have the most solemn one to "preserve, protect, and defend it." I am loath to close. We are not enemies, but friends. We must not be enemies. Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory, stretching from every battle-field, and patriot grave, to every living heart and hearth-stone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.

The chords of the heart need to be touched to be played,” I recited again, trying to figure out what it meant. Then it hit me. [Italicized] No one is immune to emotion when those chords are pulled.

Presently, I sense within me the slightest touch. The harmony of one chord lingers in my mind. It fuses, divides, searches--but for what? I open my eyes, position the fingers of my right hand on the buttons, and play out a series of permutations. After a time, I am able, as if by will, to locate the first four notes. They drift down from inward skies, softly, as early morning sunlight. They find me; these are the notes I have been seeking. I hold down the chord key and press the individual notes over and over again. The four notes seem to desire further notes, another chord. I strain to hear the chord that follows. The first four notes lead me to the next five, then to another chord and three more notes. It is a melody. Not a complete song, but the first phrase of one. I play the three chords and twelve notes, also, over and over again. It is a song, I realize, I know.

When we appeal to the throne of grace we do so through Mary, honoring God by honoring His Mother, imitating Him by exalting her, touching the most responsive chord in the sacred heart of Christ with the sweet name of Mary

But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.

I've been looking in the mirror for so long. That I've come to believe my souls on the other side. Oh the little pieces falling, shatter. Shards of me, To sharp to put back together. To small to matter, But big enough to cut me into so many little pieces. If I try to touch her, And I bleed, I bleed, And I breathe, I breathe no more. Take a breath and I try to draw from my spirits well. Yet again you refuse to drink like a stubborn child. Lie to me, Convince me that I've been sick forever. And all of this, Will make sense when I get better. I know the difference, Between myself and my reflection. I just can't help but to wonder, Which of us do you love. So I bleed, I bleed, And I breathe, I breathe now... Bleed, I bleed, And I breathe, I breathe, I breathe- I breathe no more.

I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent.

Today" The ordinary miracles begin. Somewhere a signal arrives: “Now,” and the rays come down. A tomorrow has come. Open your hands, lift them: morning rings all the doorbells; porches are cells for prayer. Religion has touched your throat. Not the same now, you could close your eyes and go on full of light. And it is already begun, the chord that will shiver glass, the song full of time bending above us. Outside, a sign: a bird intervenes; the wings tell the air, “Be warm.” No one is out there, but a giant has passed through town, widening streets, touching the ground, shouldering away the stars.

At the magic touch of the beautiful the secret chords of our being are awakened, we vibrate and thrill in response to its call. Mind speaks to mind. We listen to the unspoken, we gaze upon the unseen. The master calls forth notes we know not of. Memories long forgotten all come back to us with a new significance. Hopes stifled by fear, yearnings that we dare not recognise, stand forth in new glory. Our mind is the canvas on which the artists lay their colour; their pigments are our emotions; their chiaroscuro the light of joy, the shadow of sadness. The masterpiece is of ourselves, as we are of the masterpiece.

Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory, stretching from every battlefield and patriot grave to every living heart and hearthstone all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.”22

The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says - migrate or die.

In mystical literature such self-contradictory phrases as "dazzling obscurity," "whispering silence," "teeming desert," are continually met with. They prove that not conceptual speech, but music rather, is the element through which we are best spoken to by mystical truth. Many mystical scriptures are indeed little more than musical compositions. "He who would hear the voice of Nada, 'the Soundless Sound,' and comprehend it, he has to learn the nature of Dharana…. When to himself his form appears unreal, as do on waking all the forms he sees in dreams, when he has ceased to hear the many, he may discern the ONE—the inner sound which kills the outer…. For then the soul will hear, and will remember. And then to the inner ear will speak THE VOICE OF THE SILENCE…. And now thy SELF is lost in SELF, THYSELF unto THYSELF, merged in that SELF from which thou first didst radiate.. . . Behold! thou hast become the Light, thou hast become the Sound, thou art thy Master and thy God. Thou art THYSELF the object of thy search: the VOICE unbroken, that resounds throughout eternities, exempt from change, from sin exempt, the seven sounds in one, the VOICE OF THE SILENCE. Om tat Sat."[277] [277] H. P. Blavatsky: The voice of the Silence. These words, if they do not awaken laughter as you receive them, probably stir chords within you which music and language touch in common. Music gives us ontological messages which non-musical criticism is unable to contradict, though it may laugh at our foolishness in minding them. There is a verge of the mind which these things haunt; and whispers therefrom mingle with the operations of our understanding, even as the waters of the infinite ocean send their waves to break among the pebbles that lie upon our shores.

This hour of union with the old woman soothed her like music, like chords lightly touched in the evening, with the shadows closing and the moths bruising beyond an open window. She leaned against the old woman’s knee as a support, a prop, drowned, enfolded, in warmth, dimness, and soft harmonious sounds. The hurly-burly receded; the clangour was stilled…

What is it about?" I continued. I hardly know where I found the hardihood thus to open a conversation with a stranger; the step was contrary to my nature and habits: but I think her occupation touched a chord of sympathy somewhere; for I too liked reading, though of a frivolous and childish kind; I could not digest or comprehend the serious or substantial.

Such were the professor's words - rather let me say such the words of the fate - enounced to destroy me. As he went on I felt as if my soul were grappling with a palpable enemy; one by one the various keys were touched which formed the mechanism of my being; chord after chord was sounded, and soon my mind was filled with one thought, one conception, one purpose.

Who is he that shall control me? Why may not I act & speak & write & think with entire freedom? Who am I to the Universe, or the Universe, what is it to me? Who hath forged the chains of Right and Wrong, of Opinion and Custom? And must I wear them? Is Society my anointed King? Or is there any mightier community or any man or more than man, whose slave I am? I am solitary in the vast society of beings; I consort with no species; I indulge no sympathies. I see the world, human, brute & inanimate nature; I am in the midst of them, but not of them; I hear the song of the storm— the Winds & warring Elements sweep by me— but they mix not with my being. I see cities & nations & witness passions— the roar of their laughter— but I partake it not;— the yell of their grief— it touches no chord in me; their fellowships & fashions, lusts & virtues, the words & deeds they call glory & shame— I disclaim them all. I say to the Universe, Mighty one! thou art not my mother; Return to chaos, if thou wilt, I shall still exist. I live. If I owe my being, it is to a destiny greater than thine. Star by Star, world by world, system by system shall be crushed— but I shall live.

We are not enemies, but friends. We must not be enemies. Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory, stretching from every battle-field, and patriot grave, to every living heart and hearthstone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.

Others must by a long dark way Stray to the mystic bards, Or ask some one who has heard them sing Or touch the magic chords. Only the maidens question not The bridges that lead to Dream; Their luminous smiles are like strands of pearls On a silver vase agleam. The maidens' doors of Life lead out Where the song of the poet soars, And out beyond to the great world- To the world beyond the doors. - Maidens

A truly compassionate person touches a chord in us that resonates with some of our deepest yearnings. People flock to such individuals, because they seem to offer a haven of peace in a violent, angry world. This is the ideal to which we aspire, and it is not beyond our capacity. But even if we achieve only a fraction of this enlightenment and leave the world marginally better because we have lived in it, our lives will have been worthwhile.

Angry heat tightens my skin. “Never took you for a coward,” I blurt. His head snaps in my direction. “What do you mean by that?” “You came here tonight for a reason. Why don’t you own up to it?” Before I can think about it, I lean across the center console and stare him directly in the face. “Do you always run from what you want?” Maybe I’m going out on a limb to imply he wants me, but the pulse throbbing at his neck tells me it’s so. And he is here, after all. His gaze drops to my mouth. “I can’t think of the last time I had anything I truly wanted,” he says huskily, so low I could hardly hear him. It’s more like I felt him. His words echo through me, striking a chord so deep that I’m sure there’s a reason for all this. A reason we’ve found each other, first in the mountains and now here. A reason. Something more. Something bigger than coincidence. “Me too.” He leans across the console. Sliding a hand behind my neck, he tugs my face closer. I move fluid, melting toward him. “Maybe it’s time to change that then.” At the first brush of his mouth, stinging heat surges through me, shocking me motionless. My veins and skin pop and pulse. I rise on my knees, clutch his shoulders with clawing fingers, trying to get closer. My hands drift, rounding over his smooth shoulders, skimming down a rock-hard chest. His heart beats like a drum beneath my fingers. My blood burns, lungs expand and smolder. I can’t draw enough air through my nose . . . or at least not enough to chill my steaming lungs. His hands slide over my cheeks, holding my face. His skin feels like ice to my blistering flesh, and I kiss him harder. “Your skin,” he whispers against my mouth,” it’s so . . .” I drink him in, his words, his touch, moaning at his taste, at the sudden burning pull of my skin. The delicious tugging in my back. He kisses me deeper with cool, dry lips. Moves his hands down my face, along my jaw to my neck. His fingertips graze beneath my ear, and I shiver. “Your skin is so soft, so warm . . .

He it is, the innermost one, who awakens my being with his deep hidden touches. He it is who puts his enchantment upon these eyes and joyfully plays on the chords of my heart in varied cadence of pleasure and pain. He it is who weaves the web of this maya in evanescent hues of gold and silver, blue and green, and lets peep out through the folds his feet, at whose touch I forget myself. Days come and ages pass, and it is ever he who moves my heart in many a name, in many a guise, in many a rapture of joy and of sorrow.

Love's Retreat" Soul mates of a depth entwined are kindred flames beyond the find who shall be love's caress to know past the flight of Cupid's bow And borrowed from a sonnet's hold of court and spark beyond the fold truth shall be a love divine to wrap around and then entwine For higher love does rise in form with every tenderness to warm past a depth beyond the sea which sanctions kindred flames to be And hearts of many start to sing in sweet refrain as lovers bring a breaking dawn beyond the night from which two hearts begin their flight Soul mates shall forever be the rose within their eyes to see with twin flames reaching higher chord in loving song so much adored For when they merge as sacred one life is spun as comets run and from each kiss of gesture felt heartfelt candles start to melt Borrowed from each touch to own love surmounts the all alone as starlight rainbows cast a gift among the cosmic river drift And there amid a starry night soul mates gather past delight forming higher venture sweet lost in Cupid's love retreat. A V

There is a magic power in resemblance. When one we love dies, we hope to see them in another state, and half expect that the agency of mind will inform its new garb in imitation of its decayed earthly vesture. But these are ideas of the mind only. We know that the instrument is shivered, the sensible image lies in miserable fragments, dissolved to dusty nothingness; a look, a gesture, or a fashioning of the limbs similar to the dead in a living person, touches a thrilling chord, whose sacred harmony is felt in the heart's dearest recess.

Albertine went on sleeping. I could take her head, tip it back, place it against my lips, put my arms round her neck, she went on sleeping like a watch that never stops, like an animal that goes on living whatever position you put it in, like a climbing plant, a convolvulus that goes on throwing out branches whatever kind of support you give it. Only her breathing was affected by each of my touches, as if she had been an instrument I was playing and from which I drew new chords by producing from one and then another of its strings a variety of notes.

Ah, it is a strange thing - Love's little fingers on the heart, making tenderness out of bitterness and changing weakness into strength! When once a woman's eyes, with understanding love, have looked into the very depths of a man's soul, he need seek no farther for the Philosopher's Stone. As if by magic, the love of the many comes with the love of one. One flash of the love-light makes the whole world new, one chord of Love's music changes all sound to song, and one touch of Love's hand so glorifies the earth that it needs no other alchemy to make it truly gold.

Such were the professor's words—rather let me say such the words of the fate—enounced to destroy me. As he went on I felt as if my soul were grappling with a palpable enemy; one by one the various keys were touched which formed the mechanism of my being: chord after chord was sounded, and soon my mind was filled with one thought, one conception, one purpose. So much has been done, exclaimed the soul of Frankenstein—more, far more, will I achieve: treading in the steps already marked, I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation.

Ask Mrs. Pontellier what she would like to hear me play,” she requested of Robert. She sat perfectly still before the piano, not touching the keys, while Robert carried her message to Edna at the window. A general air of surprise and genuine satisfaction fell upon every one as they saw the pianist enter. There was a settling down, and a prevailing air of expectancy everywhere. Edna was a trifle embarrassed at being thus signaled out for the imperious little woman’s favor. She would not dare to choose, and begged that Mademoiselle Reisz would please herself in her selections. Edna was what she herself called very fond of music. Musical strains, well rendered, had a way of evoking pictures in her mind. She sometimes liked to sit in the room of mornings when Madame Ratignolle played or practiced. One piece which that lady played Edna had entitled “Solitude.” It was a short, plaintive, minor strain. The name of the piece was something else, but she called it “Solitude.” When she heard it there came before her imagination the figure of a man standing beside a desolate rock on the seashore. He was naked. His attitude was one of hopeless resignation as he looked toward a distant bird winging its flight away from him. Another piece called to her mind a dainty young woman clad in an Empire gown, taking mincing dancing steps as she came down a long avenue between tall hedges. Again, another reminded her of children at play, and still another of nothing on earth but a demure lady stroking a cat. The very first chords which Mademoiselle Reisz struck upon the piano sent a keen tremor down Mrs. Pontellier’s spinal column. It was not the first time she had heard an artist at the piano. Perhaps it was the first time she was ready, perhaps the first time her being was tempered to take an impress of the abiding truth.

He considered for a moment, then started to play a piece that was very familiar to Ruth, although she had no idea what it was. It was lilting and wistful, and she could have sung the melody if she had wished. 'Alright?' He raised his eyebrows inquiringly. 'Yes. Exactly.' It was effortless and perfect, and he played it through to the end, closing with the softest and most delicate chords, which hung and faded in the quiet hall like the grains of dust raining through the evening light. Ruth was touched. It was all she had wanted. He did not move until there was complete silence again, then he closed the lid without saying anything, and stood up, shoving back the chair. ... 'What was that piece?' 'A Brahms waltz.' 'Hasn't it got a name?' she wanted it to remember. 'Number fifteen. Opus thirty-nine.' It hadn't sounded like numbers to Ruth.

But I look into her eyes and she looks into my eyes and we recognize it—the excitement of being here, the excitement of being now. And maybe I’m realizing what a part of it she is and maybe she’s realizing what a part of it I am, because suddenly we’re not crashing as much as we’re combining. The chords swirling around us are becoming a tornado, and we are at the center of each other. My wrist touches hers right at the point of our pulses, and I swear I can feel it. That thrum. We are moving to the music and at the same time we are a stillness. I am not losing myself in the barrage. I am finding her. And she is—yes, she is finding me. The crowd is pressing in on us and the bassline is revealing everything and we are two people who are part of a lot more people, and at the same time we’re our own part. There isn’t loneliness, only this intense twoliness.

Next week is Beltane,” she reminded him. “Do you suppose we will make it through the wedding this time?” “Not if Gideon says you cannot get out of this bed,” he countered sternly. “Absolutely not!” she burst out, making him wince and cover the ear she’d been too close to. She immediately regretted her thoughtlessness, making a sad sound before reaching to kiss the ear she had offended with quiet gentleness. Jacob extricated himself from her hold enough to allow himself to turn and face her. “Okay, explain what you meant,” he said gently. “I refuse to wait another six months. We are getting married on Beltane, come hell or . . . necromancers . . . or . . . the creature from the Black Lagoon. There is no way Corrine is going to be allowed to get married without me getting married, too. I refuse to listen to her calling me the family hussy for the rest of the year.” “What does it matter what she says?” Jacob sighed as he reached to touch the soft contours of her face. “You and I are bonded in a way that transcends marriage already. Is that not what is important?” “No. What’s important is the fact that I am going to murder the sister I love if she doesn’t quit. And she will not quit until I shut her up either with a marriage or a murder weapon. Understand?” Clearly, by his expression, Jacob did not understand. “Thank Destiny all I have is a brother,” he said dryly. “I have been inundated with people tied into knots over one sister or another for the past weeks.” “You mean Legna. Listen, it’s not her fault if everyone has their shorts in a twist because of who her Imprinted mate is! Frankly, I think she and Gideon make a fabulous couple. Granted, a little too gorgeously ‘King and Queen of the Prom’ perfect for human eyes to bear looking at for long, but fabulous just the same.” Jacob blinked in confusion as he tried to decipher his fiancée’s statement. Even after all these months, she still came out with unique phraseologies that totally escaped his more classic comprehension of the English language. But he had gotten used to just shrugging his confusion off, blaming it on the fact that English wasn’t his first, second, or third language, so it was to be expected. “Anyway,” she went on, “Noah and Hannah need to chill. You saw Legna when she came to visit yesterday. If a woman could glow, she was as good as radioactive.” She smiled sweetly at him. “That means,” she explained, “that she looks as brilliantly happy as you make me feel.” “I see,” he chuckled. “Thank you for the translation.” He reached his arms around her, drawing her body up to his as close as he could considering the small matter of a fetal obstacle. He kissed her inviting mouth until she was breathless and glowing herself. “I thought I would be kind to you,” she explained with a laugh against his mouth. “You, my love, are all heart.” “And you are all pervert. Jacob!” She laughed as she swatted one of his hands away from intimate places, only to be shanghaied by another. “What would Gideon say?” “He better not say anything, because if he did that would mean he was in here while you are naked. And that, little flower, would probably cost him his vocal chords in any event.” “Oh. Well . . . when you put it that way . . .

Prince Wen-hui’s cook, Ting, was cutting up an ox. Every touch of his hand, every ripple of his shoulders, every step of his feet, every thrust of his knees, every cut of his knife, was in perfect harmony, like the dance of the Mulberry Grove, like the chords of the Lynx Head music. Well done! said the prince. How did you gain such skill? Putting down his knife, Ting said, I follow the Tao, Your Highness, which goes beyond all skills. When I first began cutting up oxen, all I could see was the ox. After three years, I had learned to look beyond the ox. Nowadays I see with my whole being, not with my eyes. I sense the natural lines, and my knife slides through by itself, never touching a joint, much less a bone. A good cook changes knives once a year: he cuts. An ordinary cook changes knives once a month: he hacks. This knife of mine has lasted for nineteen years; it has cut up thousands of oxen, but its blade is as sharp as if it were new. Between the joints there are spaces, and the blade has no thickness. Having no thickness, it slips right through; there’s more than enough room for it. And when I come to a difficult part, I slow down, I focus my attention, I barely move, the knife finds its way, until suddenly the flesh falls apart on its own. I stand there and let the joy of the work fill me. Then I wipe the blade clean and put it away. Bravo! cried the prince. From the words of this cook, I have learned how to live my life.

Due west, halfway to the zenith, Venus was an unblinking diamond; and opposite her, in the eastern sky, was a brilliant twinkling star set off exquisitely, as was Venus, in the sea of blue. In the northeast a silver-green serpentine aurora pulsed and quivered gently. In places the Barrier's whiteness had the appearance of dull platinum. It was all delicate and illusive. The colors were subdued and not numerous; the jewels few; the setting simple. But the way these things went together showed a master's touch. I paused to listen to the silence. My breath, crystallized as it passed my cheeks, drifted on a breeze gentler than a whisper. The wind vane pointed toward the South Pole. Presently the wind cups ceased their gentle turning as the cold killed the breeze. My frozen breath hung like a cloud overhead. The day was dying, the night being born-but with great peace. Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! That was what came out of the silence -a gentle rhythm, the strain of a perfect chord, the music of the spheres, perhaps. It was enough to catch that rhythm, momentarily to be myself a part of it. In that instant I could feel no doubt of man's oneness with the universe. The conviction came that that rhythm was too orderly, too harmonious, too perfect to be a product of blind chance-that, therefore, there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.

The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off? Then Daniel dropped the ax to the ground. "What are you doing?" Luce asked. Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned. And then- Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward. Shouts rang out around the cenote: "What is he?" "The boy is winged!" "He is a god! Sent to us by Chaat!" Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until- Until she couldn't move anymore. Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun. Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening. Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed. She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin. Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out. Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke. Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame. All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce. "Ix Cuat!" Daniel reached for her. His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious." "Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-" "I'm still here," Luce insisted. "You're still-" He was crying. "Can you see me? The true me?" "I can see you." And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before. Hadn't she? As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her. "No!" she cried,feeling the fire sear her heart and her body shake free of something.

Literature’s lessons repeat because they echo from deeper places. They touch a chord in our soul because they’re notes we’ve already heard played. Plots repeat because, from the birth of man, they explore the reasons for our being. Stories teach us to not give up hope because there are times in our own journey when we mustn’t give up hope. They teach endurance because in our lives we are meant to endure. They carry messages that are older than the words themselves, messages that reach beyond the page.

So squeeze together a love of motorcycles, a little edginess and risk taking, a craving for the freedom of the open road, a touch of the loner, a rough sense of humor, some physical and mental toughness along with some multi-faceted motorcycle pride and you have a biker. The more time that biker spends with his machine on the road, the deeper that biker chord runs.

A long time ago, when I was just a child my mother was forcing me to learn the piano, I said to myself that I would only be able to play it well when I was in love. Last night, for the first time in my life, I felt the notes leaving my fingers as if I had no control over what I was doing. A force was guiding me, constructing melodies and chords that I never even knew I could play. I gave myself to the piano because I had just given myself to this man, without him even touching a hair o' my head. I was not myself yesterday, not when I gave myself over to sex or when I played the piano. And yet I think I was myself.

If Only We Could Be Together If only Linus and I could walk downtown on Thursday nights when musicians play on the street corners and art galleries serve crackers and cheese. If only we could dance on the sidewalk, look up at the sequined sky, and wish upon the same shooting star. If only Linus could teach me chords on his guitar, reach around to adjust my fingers and help me strum. If only we could sing about autumn mist and sealing wax, hear out voices mingle, and stir the air as one, And by being with Linus I;d figure it out. I'd learn what love it. If only Linus would kiss me, touch the skin under my shirt, press his fingers to my ribs, and feel my beating heart. Then I'd know. I know I'd know. I'd know I was in love.

I am loth to close. We are not enemies, but friends. We must not be enemies. Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory, stretching from every battle-field, and patriot grave, to every living heart and hearthstone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.58

And when the sun sets, it doesn't even matter. In a canopy of shadows, the life inside a soul never fails to peep through, as if a spark, a flicker holding on to that tunnel of hope, that bird of chained gallows. Yet in the shadows, a muffling voice keeps murmuring a tune that holds the chord of a surreal dream. They scream of scars yet each scar shines in the redolence of a fumed melody. And each time the breeze touches by, the setting sun smiles with a sketch of a dawn, a dusk that kisses the symphony of a crimson morn. And there in a sky of shadows lurks a setting dream, in a mirage of a rainbow, a rainbow of scattered stars, all along a setting sun. And when the sun sets, it doesn't even matter.

Emcee. “Not him! He’s just a kid.” Their attacks slammed against his shield, rocking him. “What are you doing, you idiot?” Jimmy yelled at Dad, his face red with rage. The brief moment was all the time needed for the command block to get a tendril under itself and launch back onto Emcee. Time froze like someone had pressed the pause button. Emcee’s head glowed red again, and he floated into the air. “You’ve made a serious mistake,” he said, but the voice was unlike any time he’d spoken before. Deep and throaty like a frog that grew human vocal chords. “Now you will be punished for that mistake.” Emcee clapped his hands and a ball of light erupted from him in an omnidirectional nova. Everything the light touched — including all the contestants — disintegrated into a haze

I thought of fleeting satisfaction, of happiness, of romance, of perfect silver screen moments shared with a companion, and of perfect blue movie moments too. Yet I had never stopped to wonder whether that one companion might satisfy me completely, having assumed always that there would be another to follow who would touch a different chord in me, who would bring me a different pleasure, and that with all of them taken together I would create for myself a mosaic of experiences that gave me everything that I wanted to experience in the course of my life; everything that I wanted to feel, to enjoy.

This [chaotic environment,] I felt, was only possible because all these types of order were partial, mere fragments that had split off from a central order; they might not have lost their creative force, but they were no longer directed toward a unifying center. Its absence was brought home to me with increasingly painful intensity the longer I listened. I was suffering almost physically, but I was quite unable to find a way towards the center through the thicket of conflicting opinions. ...There was a hush as, high above us, [a young violinist] struck up the first great D minor chord of Bach’s Chaconne. All at once, and with utter certainty, I had found my link with the center….The clear phrases of the Chaconne touched me like a cool wind, breaking through the mist and revealing the towering structures beyond. There has always been a path to the central order in the language of music, in philosophy and in religion, today no less than in Plato’s day and in Bach’s. That I now knew from my own experience.

We are not enemies, but friends. We must not be enemies. Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory, stretching from every battle-field, and patriot grave, to every living heart and hearthstone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.

Society, like the ultimate psychosomatic patient, matches its medical afflictions to its psychological crises; when a disease touches such a visceral chord, it is often because that chord is already resonating.

Drifting out of the black sky, it was a far-carrying and haunting cry. The first hairy man who heard that sound had tilted his head to search out its source, and it has touched a sensitive chord in human beings ever since. It was the voice of freedom unlimited, the incarnation of nature itself, the sound and song of fond dreams: the cry of the northbound wild geese.

Elsa crossed her arms. “All my life I’ve been told to make no noise, don’t want too much, be grateful for any scrap that came my way. And I’ve done that. I thought if I just did what women are supposed to do and played by the rules, it would … I don’t know … change. But the way we’re treated…” “It’s unfair,” he said. “It’s wrong,” she said. “This isn’t who we are in America.” “No.” “A strike.” She said the frightening word quietly. “Can it work?” “Maybe.” She was grateful for his honesty. “They’ll hurt us for trying.” “Yeah,” he said. “But life is more than what happens to us, Elsa. We have choices to make.” “I’m not a brave woman.” “And yet here you are, standing at the edge of battle.” His words touched a chord in her. “My grandfather was a Texas Ranger. He used to tell me that courage was a lie. It was just fear that you ignored.” She looked at him. “Well, I’m scared.” “We’re all scared,” he said.

He read what he could find—the distilled knowledge of hundreds of experts. He couldn’t follow all the physiology. The body had evolved to feel fear, hope, thrill, and peace in the presence of certain semi-ordered vibrations; no one knew why. It made no sense that a few staggered chords could make the brain love an unmet stranger or grieve for friends who hadn’t died. Nobody could say why Barber moved listeners and Babbitt didn’t, or whether an infant might be raised to weep at Carter. But all the experts agreed that waves of compressed air falling on the eardrum touched off chain reactions that flooded the body in signals and even changed the expression of genes.

the work that we produce for business or for culture, there is always a telling moment—when it leaves our hands and reaches the public for which it was intended. In that instant it ceases to be something that was in our heads; it becomes an object that is judged by others. Sometimes this object connects with people in a profound way. It strikes an emotional chord, resonates, and has warmth. It meets a need. Other times it leaves people surprisingly cold—in our minds we had imagined it having a much different effect. This process can seem rather mysterious. Some people seem to have a knack for creating things that resonate with an audience. They are great artists, politicians with the popular touch, or business people who are endlessly inventive. Sometimes we ourselves produce something that works, but we fail to understand why, and lacking this knowledge, we cannot reproduce our success.

No, poetry cannot be thrust upon anyone. It is not a bullet one shoots, it can touch the chord inside only if one is in the tune.

A key hung from the lock on the window, a small scroll of paper tucked in the chain. I looked around the room, wondering who it belonged to. Reaching up, I unhooked the chain from the lock, holding the skeleton key in my hand and pulling the paper out of the link. Unrolling it, I read black handwriting. “The chords of the heart need to be touched to be played.

We are not enemies, but friends. We must not be enemies. Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory, stretching from every battlefield and patriot grave to every living heart and hearth-stone all over this broad land, will yet swell the chorus of the Union when again touched, as surely they will be, by the better angels of our nature.

We are not enemies, but friends. We must not be enemies. Though passion may have strained it must not break our bonds of affection. The mystic chords of memory, stretching from every battlefield and patriot grave to every living heart and hearthstone all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature. —ABRAHAM LINCOLN, First Inaugural Address, 1861

She touched a lower note. It was deep and throbbing, full of sorrow and anger. Gingerly, with one hand, she tapped out a simple, slow melody on the higher keys. Echoes—shreds of memories arising out of the void of her mind. Her rooms were so silent that the music seemed obtrusive. She moved her right hand, playing upon the flats and sharps. It was a piece that she used to play again and again until Arobynn would yell at her to play something else. She played a chord, then another, added in a few silver notes from her right hand, pushed once on a pedal, and was gone. The notes burst from her fingers, staggering at first, but then more confidently as the emotion in the music took over. It was a mournful piece, but it made her into something clean and new. She was surprised that her hands had not forgotten, that somewhere in her mind, after a year of darkness and slavery, music was still alive and breathing. That somewhere, between the notes, was Sam. She forgot about time as she drifted between pieces, voicing the unspeakable, opening old wounds, playing and playing as the sound forgave and saved her.

The marvels of God are not brought forth from one’s self. Rather, it is more like a chord, a sound that is played. The tone does not come out of the chord itself, but rather, through the touch of the Musician. I am, of course, the lyre and harp of God’s kindness. Hildegard of Bingen