“
as•ymp•tote (ˈasəm(p)ˌtōt) n. pl. -s. 1. A wish that continually approaches but never achieves fulfillment. [2015, Whittier]
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Nicola Yoon (Everything, Everything)
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Self-actualization is what educated existence is all about. For members of the educated class, life is one long graduate school. When they die, God meets them at the gates of heaven, totes up how many fields of self-expression they have mastered, and then hands them a divine diploma and lets them in.
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David Brooks (Bobos in Paradise)
“
Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people in the town for a little while and sweat you and get you down where you remember you got a nose again. And when you’re all to yourself that way, you’re really proud of yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder.
”
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Ray Bradbury (Dandelion Wine)
“
Another guy barked orders to a small army of brooms, mops, and buckets that were scuttling around, cleaning up the city.
"Like that cartoon," Sadie said. "Where Mickey Mouse tries to do magic and the brooms keep splitting and toting water."
"'The Sorcerer's Apprentice,'" Zia said. "You do know that was based on an Egyptian story, don't you?
”
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Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
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I don't care what is written," Meyer Landsman says. "I don't care what supposedly got promised to some sandal-wearing idiot whose claim to fame is that he was ready to cut his own son's throat for the sake of a hare-brained idea. I don't care about red heifers and patriarchs and locusts. A bunch of old bones in the sand. My homeland is in my hat. It's in my ex-wife's tote bag.
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Michael Chabon (The Yiddish Policemen's Union)
“
Our boy looks impressed.”
“Should be,” Rhage muttered as he jacked the belt on his robe. “We are awesome.”
Multiple groans at that point. Rolled eyes.
“At least he didn’t pull out the ‘totes amazeballs,’” somebody muttered.
“That’s Lassiter,” came an answer.
“Man, that son of a bitch has got to stop watching Nickel-fucking-odeon.
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J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
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What a pure blessing it was to have a bath in a tub alone in a room where all you had to do was pump the water, not tote buckets. Then all you had to do was pull out the cork, not tote more buckets to the back porch--that kind of thing is easy to take lightly until you don't have it.
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Nancy E. Turner (Sarah's Quilt (Sarah Agnes Prine, #2))
“
I worked for Miss Margaret thirty-eight years. She had her a baby girl with the colic and the only thing that stopped the hurting was to hold her. So I made me a wrap. I tied her up on my waist, toted her around all day with me for a entire year. That baby like to break my back. Put ice packs on it ever night and still do. But I loved that girl. And I loved Miss Margaret.
Miss Margaret always made me put my hair up in a rag, say she know coloreds don't wash their hair. Counted ever piece a silver after I done the polishing. When Miss Margaret die of the lady problems thirty years later, I go to the funeral. Her husband hug me, cry on my shoulder. When it's over, he give me a envelope. Inside a letter from Miss Margaret reading, 'Thank you. For making my baby stop hurting. I never forgot it.'
Callie takes off her black-rimmed glasses, wipes her eyes.
If any white lady reads my story, that's what I want them to know. Saying thank you, when you really mean it, when you remember what someone done for you-she shakes her head, stares down at the scratched table-it's so good.
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Kathryn Stockett (The Help)
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My reading schedule has become butter. I'm being seduced right and left to add books I hadn't even considered. I am a book harlot. A book toting gentleman of the evening.
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Jeffrey Keeten
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You know what I wisht I had, Ma? A pouch like a 'possum, to tote things.
--The Yearling
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Marjorie Kinnan Rawlings
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It's actually against my religion to laugh at men who are toting guns.
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Stephen King
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I'm not laughing at you guys," King said. "It's actually against my religion to laugh at men who are toting guns.
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Stephen King (Song of Susannah (The Dark Tower, #6))
“
Der Rabe auf seinen rubinroten Schwingen
Zwischen den Welten hört Tote er singen,
Kaum kennt er die Kraft, kaum kennt er den Preis,
Die Macht erhebt sich, es schließt sich der Kreis.
Der Löwe - so stolz das diamant'ne Gesicht,
Der jähe Bann trübt das strahlende Licht,
Im Sterben der Sonne bringt er die Wende,
Des Raben Tod offenbart das Ende.
”
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Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
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Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder.
”
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Ray Bradbury (Dandelion Wine)
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So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don’t tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so fur as Ah can see.
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Zora Neale Hurston (Their Eyes Were Watching God)
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Children being children, however, the grotesque Hopping Pot had taken hold of their imaginations. The solution was to jettison the pro-Muggle moral but keep the warty cauldron, so by the middle of the sixteenth century a different version of the tale was in wide circulation among wizarding families. In the revised story, the Hopping Pot protects an innocent wizard from his torch-bearing, pitchfork-toting neighbours by chasing them away from the wizard's cottage, catching them and swallowing them whole.
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J.K. Rowling (The Tales of Beedle the Bard (Hogwarts Library, #3))
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Fuck what is written," Landsman says. “You know what?" All at once he feels weary of ganefs and prophets, guns and sacrifices and the infinite gangster weight of God. He's tired of hearing about the promised land and the inevitable bloodshed required for its redemption. “I don't care what is written. I don't care what supposedly got promised to some sandal-wearing idiot whose claim to fame is that he was ready to cut his own son's throat for the sake of a hare-brained idea. I don't care about red heifers and patriarchs and locusts. A bunch of old bones in the sand. My homeland is in my hat. It's in my ex-wife's tote bag.
”
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Michael Chabon (The Yiddish Policemen's Union)
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I carry pepper spray in this tote. And a gun.'
'What the fuck , he cried , putting the car in park. 'You're drunk with a gun flopping around in your wine bag?'
I buckled my seat belt. 'It was a joke. The gun part, not the 'killing you if you tried something' part. I meant that
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Emily Henry (Beach Read)
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Kay, I'm sleeping with a gun-toting man I banged in an ally, hopped up on cocaine, who wants to know how to tamper with identification records without the Feds finding out. Oh yeah, and he turns into a wolf. And he's got me wrapped around his cock.
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Jez Morrow (Touch of a Wolf)
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She has always been somehow weightless, free of the heavy burden of mother tongues, national histories, native soils, homelands, fatherlands, myths, that many of the people around her tote on their backs like a sack of red-hot stones.
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Daša Drndić
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Oh, please,” Della said. “Excuse me while I go and grow a penis so the sausage-and-meatball-toting gender will stop thinking I need a man to protect me.
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C.C. Hunter (Unspoken (Shadow Falls: After Dark, #3))
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But Holly the gun-toting, wild-haired madwoman of the night before was in there somewhere, I knew. It made me look upon her with fond affection.
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Jonathan Stroud (The Creeping Shadow (Lockwood & Co., #4))
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Simply put, I love books, physical books. I own so many--many of which I have not read (yet). I just need to have them . On shelves. In piles. In random conference tote bags. Paper magazines and newspapers too. Some call it clutter. I call it cozy. It's comforting to know I am surrounded by pages of stories. And, thus, by storytellers.
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Donna Talarico (Selected Memories: Five Years of Hippocampus Magazine)
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Phoenix sank to the desk chair and stared at her computer screen. “I don’t know. I’ve lived like this for so long, it’s who I am. Everything seems so stupid. Like, look at this girl,writing to Sasha. She’s all”—he spoke in a falsetto voice—“‘OMG!’ and ‘LOL!’ and ‘WTF?’ and ‘Girl, you should totes go out with Tyler in Telluride!’” He looked up at her.“You’re seventeen years old, and this is how seventeenyear-olds talk to each other. I’m a thousand years old, and this stuff is like alien-speak to me. If I found another Anabo,she’d be writing OMG and I’d be thinking, You’re f’ing
kidding me.
”
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Trinity Faegen (The Redemption of Ajax (The Mephisto Covenant, #1))
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Dammit. What kind of weapons are they toting?” “Uh, teeth. Mostly teeth, Harry.” I glared at him. “Not the dogs.
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Jim Butcher (Blood Rites (The Dresden Files, #6))
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The book that simply demands to be read, for no good reason, is asking us to change our lives by putting aside what we usually think of as good reasons. It's asking us to stop calculating. It's asking us to do something for the plain old delight and interest of it, not because we can justify its place on the mental spreadsheet or accounting ledger (like the one Benjamin Franklin kept) by which we tote up the value of our actions.
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Alan Jacobs (The Pleasures of Reading in an Age of Distraction)
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Easy there, Sage. I’m no gun-toting crazy guy. Crazy, yes. But not the rest.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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La seva vida potser sí que era una vida trista, però ¿no són tristes totes les vides es visquin com es visquin?
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Mercè Rodoreda
“
When we got to class, Andy reached in to my tote and set the rose on my desk. I didn’t understand why she had pulled it out. I had been very careful in making sure it wouldn’t get crushed. It wasn’t until I saw Jean tighten her brows when Andy said in a really loud voice, “David, that rose you gave Isis is beautiful,” that I understood Andy’s reason for putting the flower on display.
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Nely Cab (Creatura (Creatura, #1))
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If you ever go to any event ever, for any reason, they will give you a tote bag. Medical conference? Tote bag. Wedding? Tote bag. Syrian refugee arriving in Canada? Maple leaf tote bag. My orthodontist gave me a tote bag. And a t-shirt. Which I put in the tote bag.
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Jennifer McCartney (The Joy of Leaving Your Sh*t All Over the Place: The Art of Being Messy)
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If only he could be like that – intellectually honourable. Another baffling item on the cryptic report card his mother toted around in some mental pocket, the report card on which he was always just barely passing.
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Margaret Atwood (Oryx and Crake (MaddAddam, #1))
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A Christian in many American circles, for example, means 'right-wing, gun-toting fanatic who hates Democrats.' As such, a pacifist Democrat who called himself a Christian in those circles, would be lying, albeit unwittingly. To most of this world, America is Christian, just as to most Americans being an Arab means being a Muslim. Both labels have only limited usefulness.
I have been called a Christian writer, but I'm not a right-wing, gun-toting fanatic who hates Democrats, not by a long shot. So am I a Christian? Yes and no - it depends on what Christian means to you. . . But labels are almost impossible to shed.
”
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Ted Dekker (Tea with Hezbollah: Sitting at the Enemies' Table Our Journey Through the Middle East)
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Up steps, three, six, nine, twelve! Slap! Their palms hit the library door.
* * *
They opened the door and stepped in.
They stopped.
The library deeps lay waiting for them.
Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.
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Ray Bradbury (Something Wicked This Way Comes)
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You can’t keep digging up the corpse of who you used to be, Wayne. You can’t keep toting it around. Let him stay buried. Consider who you are, not who you left behind. That’s what I’ve learned these last few years. It’s made all the difference.
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Brandon Sanderson (The Lost Metal (Mistborn, #7))
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Ja. Es ist wirklich möglich Dinge hinter sich zu lassen, Rakel. Es kommt bei diesen Gespenstern darauf an, sie lange und intensiv genug anzuschauen, damit man erkennt, dass es bloß Gespenster sind. Das ist die Kunst. Tote, ohnmächtige Trugbilder.
”
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Jo Nesbø (Phantom (Harry Hole, #9))
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We're alone then, all of us, even me, each treading a deserted highway, toting in a bundle on a shouldered stick the schemes, the flow charts, for unconscious advancement.
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Ian McEwan (Nutshell)
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Lebendiges! Was nützt der tote Kram!
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Georg Büchner
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The witch Mariketa had been the one to sense it, telling her: “You do know you’re totes preggo, right?
”
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Kresley Cole (Dark Skye (Immortals After Dark, #15))
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Crispin Hershey!” Lady Suze holds up both hands as if I’m the sun god Ra. “Your event was totes amazeballs! As they say.
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David Mitchell (The Bone Clocks)
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Really, though, I toted up the other night, and I’ve only had eleven lovers—not counting anything that happened before I was thirteen because, after all, that just doesn’t count.
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Truman Capote (Breakfast at Tiffany's)
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as•ymp•tote (ˈasəm(p)ˌtōt) n. pl. -s. 1. A wish that continually approaches but never achieves fulfillment.
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Nicola Yoon (Everything, Everything)
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Qui està disposat a morir per un ideal, està, en el fons, igualment disposat a matar per l’ideal. Totes les doctrines que comencen amb uns màrtirs acaben amb una inquisició.
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Joan Fuster (Consells, proverbis i insolències)
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Alys told her that it was the way of women, to tote a newborn and then adjust as it grew until by the time the child was plump and heavy, the weight seemed naught.
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Lois Lowry (Son (The Giver, #4))
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Ain't I been trying to tell you that you can't be holding grudges against people? Didn't you hear me say that? What do you think Jesus is gonna say if we come walking up to those pearly gates carrying a whole sackful of grievances and grudges on our backs? Jesus is gonna ask, What's that you toting on your back? Do you want to be opening that sack and showing Him all those ugly thing? He's dressed all in white and shining like the sun, and you're coming in with a load a hate in your your arms? Umm hmm. I can't imagine doing that.
”
”
Lynn Austin (Wonderland Creek)
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Her given name was Lucinda but she’d called herself Juveline since age fifteen, when she’d been caught selling knockoff Burberry totes and a cop at the booking desk misspelled the word “juvenile.” Big
”
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Carl Hiaasen (Razor Girl)
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When men were ready to marry, look out.
Their evolution busted out all over. They nabbed the closest female hanging out near their caves, anyone who looked like she would clean his woolly mammoth tunics down by the creek, keep his fires burning, bear his children, and tote his brood around on a fur-clad hip.
”
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Gale Martin
“
She reaches down into her bulging tote bag and pulls out a small plastic box with a hinged lid. It contains a round pill box with a threaded lid from which she tips out a vitamin pill, a fish-oil pill, and the enzyme tablet that lets her stomach digest milk. Inside the hinged plastic box she also carries packets of salt, pepper, horseradish, and hand-wipes, a doll size bottle of Tabasco sauce, chlorine pills for treating drinking water, Pepto-Bismol chews, and God knows what else. If you go to a concert, Bina has opera glasses. If you need to sit on the grass, she whips out a towel. Ant traps, a corkscrew, candles and matches, a dog muzzle, a penknife, a tiny aerosol can of freon, a magnifying glass - Landsman has seen everything come out of that overstuffed cowhide at one time or another.
”
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Michael Chabon (The Yiddish Policemen's Union)
“
Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hem-lock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder.
”
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Ray Bradbury (Dandelion Wine (Green Town, #1))
“
No one gossips more than God-fearing, casserole-toting women,
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Ashley Elston (First Lie Wins)
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It is also true that one satiric stunt on US television featured a fake severed head of Trump himself, but in that case the (female) comedian concerned lost her job as a consequence. By contrast, this scene of Perseus-Trump brandishing the dripping, oozing head of Medusa-Clinton was very much part of the everyday, domestic American decorative world. You could buy it on T-shirts and tank tops, on coffee mugs, on laptop sleeves and tote bags (sometimes with the logo TRIUMPH, sometimes TRUMP). It may take a moment or two to take in that normalisation of gendered violence, but if you were ever doubtful about the extent to which the exclusion of women from power is culturally embedded or unsure of the continued strength of classical ways of formulating and justifying it – well, I give you Trump and Clinton, Perseus and Medusa, and rest my case.
”
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Mary Beard (Women & Power: A Manifesto)
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Each morning, when we wake—if we wake—we pick up whatever it is we’ve been given to carry for that day, with the sweet Lord Jesus in the yoke beside us to tote the load. Each night we lay it down, giving it into God’s hands. If it’s still there in the morning, we pick it up and begin again. If the burden is gone or if there is something different, we know where to start.
”
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Cathy Gohlke (Promise Me This)
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We do like to have such good opinions of our own motives when we're about to do something harmful, to someone else. But as Mr. Erskine also pointed out, Eros with his bow and arrows is not the only blind god. Justitia is the other one. Clumsy blind gods with edged weapons: Justicia totes a sword, which, coupled with her blindfold, is a pretty good recipe for cutting yourself.
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Margaret Atwood (The Blind Assassin)
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The Blacks was a white foreigner’s idea of a people he did not understand. Genet had superimposed the meanness and cruelty of his own people onto a race he had never known, a race already nearly doubled over carrying the white man’s burden of greed and guilt, and which at the same time toted its own insufficiency. I threw the manuscript into a closet, finished with Genet and his narrow little conclusions. Max
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Maya Angelou (The Heart Of A Woman)
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But she did not notice that her insistence annoyed the presiding judge. She had no sense of context, of the rules of the game, of the formulas by which her statements and those of the others were toted up into guilt and innocence, conviction and acquittal. To compensate for her defective grasp of the situation, her lawyer would have had to have more experience and self-confidence, or simply to have been better.
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Bernhard Schlink (The Reader)
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She liked solitude and the thoughts of her own interesting and creative mind. She liked to be comfortable. She liked hotel rooms, thick towels, cashmere sweaters, silk dresses, oxfords, brunch, fine stationery, overpriced conditioner, bouquets of gerbera, hats, postage stamps, art monographs, maranta plants, PBS documentaries, challah, soy candles, and yoga. She liked receiving a canvas tote bag when she gave to a charitable cause. She was an avid reader (of fiction and nonfiction), but she never read the newspaper, other than the arts sections, and she felt guilty about this. Dov often said she was bourgeois. He meant it as an insult, but she knew that she probably was. Her parents were bourgeois, and she adored them, so, of course, she had turned out bourgeois, too. She wished she could get a dog, but Dov’s building didn’t allow them.
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Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
I have to hear this all the time in England: "Well, all Americans are fat and stupid, mm-hm-hm-hm-hm." Really? Well, thanks for sending over the best and brightest to start the party. Maybe we can send a few freaky, Texas, militia, hate-group, gun-toting weirdoes back to your country.
”
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Greg Proops
“
I did believe, at first, that I wanted only justice. I thought my heart was pure. We do like to have such good opinions of our motives when we're about to do something harmful, to someone else. But as Mr. Erskine also pointed out, Eros with his bow and arrows is not the only blind god. Justitia is the other one. Clumsy blind gods with edged weapons: Justitia totes a sword, which, coupled with her blindfold, is a pretty good recipe for cutting yourself.
”
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Margaret Atwood (The Blind Assassin)
“
I went to interview some of these early Jewish colonial zealots—written off in those days as mere 'fringe' elements—and found that they called themselves Gush Emunim or—it sounded just as bad in English—'The Bloc of the Faithful.' Why not just say 'Party of God' and have done with it? At least they didn't have the nerve to say that they stole other people's land because their own home in Poland or Belarus had been taken from them. They said they took the land because god had given it to them from time immemorial. In the noisome town of Hebron, where all of life is focused on a supposedly sacred boneyard in a dank local cave, one of the world's less pretty sights is that of supposed yeshivah students toting submachine guns and humbling the Arab inhabitants. When I asked one of these charmers where he got his legal authority to be a squatter, he flung his hand, index finger outstretched, toward the sky.
”
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Christopher Hitchens (Hitch 22: A Memoir)
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Your sweet-toting and sugarcoating is of no service to anyone! Do not sugarcoat reality; it only gives the people in your life a sweet-tooth that then makes it more challenging for them to later bite down on the hardness of life. Do not tote and tout sweets either – you’re malnourishing people! Instead give them the truth. What is the truth you may ask? Authentic expression of who you really are, how you really feel, without projecting the labels of right or wrong.
”
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Alaric Hutchinson
“
The Tote End itself was demolished in the nineties. Sadly a monstrous IKEA store now stands in it's place. Where once tribes of youths performed their rites of passage and bodily fluids flowed in the name of love, hate and pride; Justin and Kate bicker over which wood flooring they should choose. It fucking kills me.
”
”
Chris Brown
“
The imaginary child implied by the toys on exhibit in Hong Kong was impossible to reconcile with my actual child. I didn't think I'd like to meet the imaginary child they implied. That child was mad with contradictions. He was a machine-gun-toting, Chopin-playing psychopath with a sugar high and a short attention span.
”
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Donovan Hohn (Moby-Duck: The True Story of 28,800 Bath Toys Lost at Sea and of the Beachcombers, Oceanographers, Environmentalists, and Fools, Including the Author, Who Went in Search of Them)
“
Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people and the town for a little while and sweat you and get you down where you remember you got a nose again. And when you're all to yourself that way, you're really yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder.
”
”
Ray Bradbury (Dandelion Wine)
“
Stheno just kept toting them across California so she could offer Percy a snack before she killed him.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
He equates his worth with his penis, and also uses it as a weapon.” “Okay, now I see it wearing a gold chain and toting a blaster. Stop now.
”
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J.D. Robb (Fantasy in Death / Indulgence in Death / Treachery in Death (In Death #30-32))
“
If closing my eyes would make unfair things disappear, I would do that
”
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Isuna Hasekura (Spice & Wolf, Vol. 09: The Town of Strife II)
“
Poder llegir i escriure no donava resposta a totes les preguntes. Duia cap a altres preguntes, i després cap a d'altres.
”
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Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
Well, you may be a bird-brained, zany, off-the-trolley little Shaunie boy, but I doubt that you are a spy. So we should totes be friends!
”
”
timeforgruems
“
La feblesa més gran de totes és, precisament, la dels forts: acaben creient-se que són invencibles.
[…] Ningú no s'escapa de la debilitat.
”
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Antonio Iturbe (La bibliotecaria de Auschwitz)
“
Wenn die Fakten sprechen, hört der kluge Mann zu.‹ Dreiundzwanzig Tote ergeben einen ganzen Berg von Fakten.
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Stephen King (The Wind Through the Keyhole (The Dark Tower, #4.5))
“
I thought I had a handle on my future. But the future, it turns out, is not a tote bag.
”
”
Anna Quindlen
“
Wenn man so viele Tote gesehen hat, kann man so viel Schmerz um einen einzigen nicht mehr recht begreifen.
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Erich Maria Remarque (All Quiet on the Western Front)
“
Nina thought about how often she saw the phrase “Live Like Your String Is Short” emblazoned on T-shirts and tote bags and posters. The popular refrain was heard a lot
”
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Nikki Erlick (The Measure)
“
When they tote up our contribution," Luke once said, "all that can be claimed for us is that we took 'fuck' out of the oral tradition and wrote it plain.
”
”
Mordecai Richler (St. Urbain's Horseman)
“
T'ho empasses tot, sigui el que sigui, fins que ha passat el pitjor. Llavors, quan estàs sana i estàlvia, pots plorar totes les llàgrimes que no et podies permetre de vessar abans.
”
”
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
On our way home, we stop by a bookstore, where he hands me a massive tote bag and gestures to the shelves like he owns them. “Choose as many as you like,” he tells me. “I’ll buy them for you.
”
”
Ann Liang (I Hope This Finds You)
“
Hilary says to her sister, “You can’t eat only pie for lunch.”
“Just watch me.” Lily plucks her ukulele out of the tote bag at her feet and strums it, singing, “Pie is fine. It’s very nice/ Especially with lots of spice/ Like cinnamon and ginger too/ My sis would like it, but she’s a poo.”
“Oh, well, that’s brilliant,” Hilary says. “Taylor Swift must be looking over her shoulder.
”
”
Claire LaZebnik (The Last Best Kiss)
“
It's far too easy to tote around a pocketbook of virtues when people are around but the truth always claws its way out in silence. This business of quiet and aloneness is working me through and through.
”
”
Donna VanLiere (The Good Dream)
“
We need an engineering friend.” She points a finger at Carin. “Go back to Briar and hook up with an engineering student.”
“Okay, but I’ll need to actually have sex with him beforehand, so I won’t be back until,” she pretends to check the time, “ten or so.”
“We’re all college graduates,” I proclaim. “We can put this together ourselves.”
Clapping my hands, I motion for everyone to get on the floor with me. After three tries of trying to lower myself to the ground and making Hope and Carin nearly pee their pants laughing in the process, D’Andre takes pity on all of us and helps me onto my knees. Which is where Tucker finds us.
“Is this some new fertility ritual?” he drawls from the doorway, one shoulder propped against the frame. “Because she’s already pregnant, you know.”
“Get yo ass in here, white boy, and put this thing together,” D’Andre snaps. “This is ridiculous.”
“What’s ridiculous?” Tucker stops next to me, and I take the opportunity to lean against his legs. Even kneeling is hard when you’re toting around an extra thirty pounds. “We took it apart. How can you not know how to put it back together?”
D’Andre repeats his earlier excuse. “I’m an accounting major.”
Tucker rolls his eyes. “You got an Allen wrench?”
“Are you mocking us right now?” I grumble. “I don’t have any wrenches, let alone ones with names.”
He grins. “Leave this to me, darlin’. I’ll get it fixed up.”
“I want to help,” Hope volunteers. “This is like surgery, except with wood and not people.”
“Lord help us,” D’Andre mutters.
”
”
Elle Kennedy (The Goal (Off-Campus, #4))
“
In your madness you said you loved me," she murmured shyly.
His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers.
Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth."
Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?"
"Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?"
...
"I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping."
Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke.
"My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love."
Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more."
Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
”
”
Kathleen E. Woodiwiss (Shanna)
“
The books in the tote bag banged against her side as she pushed her bike, bringing her back to the present. The weight of the books grounded her, giving her careening emotions purchase with their heft and substance.
”
”
Jenn McKinlay (Books Can Be Deceiving (Library Lover's Mystery, #1))
“
She was a skinny sixth grader with long brown hair and this look to her, cold-blooded. Carrying around at all times a Hello Kitty backpack that she looked ready to bludgeon you with, then tote around your head inside.
”
”
Barbara Kingsolver (Demon Copperhead)
“
Come to yo’ Grandma, honey. Set in her lap lak yo’ use tuh. Yo’ Nanny wouldn’t harm a hair uh yo’ head. She don’t want nobody else to do it neither if she kin help it. Honey, de white man is de ruler of everything as fur as Ah been able tuh find out. Maybe it’s some place way off in de ocean where de black man is in power, but we don’t know nothin’ but what we see. So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don’t tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so fur as Ah can see. Ah been prayin’ fuh it tuh be different wid you. Lawd, Lawd, Lawd!
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
Imogene has twenty-two birdfeeders, some pole-mounted, some suspended from eaves, platform feeders and globe feeders, coffee can feeders and feeders that look like little Swiss chalets, and every evening, when she comes home from work, she drags a stepladder from one to the next, toting a bucket of mixed seeds, keeping them full. In
”
”
Anthony Doerr (Memory Wall)
“
You…you rented an entire yacht…just so I could read by the water?” He holds up the tote bag he packed for me and hands it over so I can see my Kindle and both paperbacks I packed resting comfortably inside. “I did. You ready?
”
”
Natasha Bishop (Only for the Week)
“
If you have no arms
To hold your crying child but your own arms
And no legs but your own to run the stairs one more time
To fetch what was forgotten
I bow to you
If you have no vehicle
To tote your wee one but the wheels that you drive
And no one else to worry, “Is my baby okay?”
When you have to say goodbye on the doorsteps of daycare
or on that cursed first day of school
I bow to you
If you have no skill but your own skill
To replenish an ever-emptying bank account
And no answers but your own to
Satisfy the endless whys, hows, and whens your child asks and asks again
I bow to you
If you have no tongue to tell the truth
To keep your beloved on the path without a precipice
And no wisdom to impart
Except the wisdom that you’ve acquired
I bow to you
If the second chair is empty
Across the desk from a scornful, judging authority waiting
For your child’s father to appear
And you straighten your spine where you sit
And manage to smile and say, “No one else is coming—I’m it.”
Oh, I bow to you
If your head aches when the spotlight finally shines
on your child because your hands are the only hands there to applaud
I bow to you
If your heart aches because you’ve given until everything in you is gone
And your kid declares, “It’s not enough.”
And you feel the crack of your own soul as you whisper,
“I know, baby. But it’s all mama’s got.”
Oh, how I bow to you
If they are your life while you are their nurse, tutor, maid
Bread winner and bread baker,
Coach, cheerleader and teammate…
If you bleed when your child falls down
I bow, I bow, I bow
If you’re both punisher and hugger
And your own tears are drowned out by the running of the bathroom faucet
because children can’t know that mamas hurt too
Oh, mother of mothers, I bow to you.
—Toni Sorenson
”
”
Toni Sorenson
“
I rubbed my head against his chest like a cat soliciting attention and marking her territory. I couldn't get close enough. I wished humans had a pouch like kangaroos.. I would happily climb in and let Griff tote me around everywhere.
”
”
Genna Rulon (Pieces for You (For You, #2))
“
Henry unpacked the car and loaded himself up with everything they'd brought, little bags and big ones, a string tote, a knapsack.
As he started up the driveway, his girlfriend said, "Do you have the wine, Hank?"
Whoever Hank was, he had it.
”
”
Melissa Bank (The Girls' Guide to Hunting and Fishing)
“
He whispered, “Follow me,” though he had no idea where to go. There was a time, not long ago, when his instincts had kept him alive on the dark streets, the long beats, with rain hammering down on gun-toting punks, slick drug dealers, prostitutes with sharp teeth. He’d thought it a mad world then, and he thought it now, It’s a sharp, mad world. It’ll bleed you out.
”
”
Lee Thompson (Down Here In The Dark (Division, #8))
“
Anyone who remembered the grim, gun-toting, thug-murdering Batman of 1939 could see that he’d become a fundamentally different guy: a grinning, lantern-jawed, wisecracking adventure hero who’d left that emo “creature of the night” shtick far behind.
”
”
Glen Weldon (The Caped Crusade: Batman and the Rise of Nerd Culture)
“
I revealed everything to her as we sat in my Fort Tempo in the parking lot of Cinema Five after seeing Spice World: The Spice Girls Movie.
"Carrie, can I tell you something?" I took off my oversized sunglasses and put them in my Spice Girls unisex tote bag.
”
”
Ross Mathews (Man Up!)
“
És una ciutat de paper. Mira-te-la bé, Q [...]. Totes aquestes persones de paper, que viuen en cases de paper, i cremen el futur per escalfar-se. [...] Tothom obsessionat amb la dèria de posseir coses. Coses fines i fràgils com el paper. I les persones, també.
”
”
John Green (Paper Towns)
“
Es ist eines der Geheimnisse der Muetter: sie verzichten niemals, ihre Kinder wiederzusehn, ihre totgeglaubten nicht und auch nicht ihre wirklich toten; und wenn es moeglich waehre dass ein totes Kind wiederauferstuende vor seiner Mutter, wuerde sie es in ihre Arme nehmen, so selbstverstaendlich, als waere es nicht aus dem Jenseits sondern aus einem der fernen Gegenden des Diesseits heimgekehrt. Eine Mutter erwarted die Wiederkehr ihres Kindes immer: ganz gleichgueltig, ob es in ein fernes Land gewandert ist, in ein nahes oder den Tod.
”
”
Joseph Roth (The Emperor's Tomb (Von Trotta Family, #2))
“
Actresses talking about characters they’ve played often use the phrase “strong woman”, which kind of irks me. Firstly, the description appears to be reserved for two kinds of female: the gun-toting chick in tiny-vest-and-shorts combo, or the tough-talking businesswoman who secretly longs for a man to bring out her softer side. So obviously, our idea of strength is pretty narrow and one-dimensional. Secondly, why isn’t Brad Pitt ever asked about how much he enjoys playing a “strong man”? Is it automatically assumed that men’s roles will be complex and interesting?
”
”
Rosie Blythe (The Princess Guide to Life)
“
What role models do kids have nowadays?Some ridiculously overpaid footballer prone to childish tantrums?The morons in the Big Brother house,perhaps? Or maybe the various gun-toting rappers who regularly delight us with their expletive-ridden vocabulary and eccentric attitude to women?
”
”
Frank Chalk (It's Your Time You're Wasting)
“
Shaw grinned again, wishing mightily that he and she were alone by the fire. “I never claimed to be much of a gentleman. But whether you tote about a parasol or not, you are every inch a lady. Quite possibly the finest I’ve ever met.”
“Goodness. If you continue saying such things, I’ll begin to think you’re smitten with me.”
“I’d describe it more as being clubbed into submission,” he murmured, aware both that her palm had come to rest just over his heart, and that his men and the Mayfair mob across the fire pit could see it. “But yes, I am rather smitten with you.
”
”
Suzanne Enoch (Rules of an Engagement (Adventurers’ Club, #3))
“
There comes a time when you don't know what your capable of anymore. Looking back, you can remember what you were capable of then, how you thought, what you did, who you loved, who people said you were. Then something happens and takes all that away, the basket of good intentions you've been toting around, the trunk of dreams you've been pulling behind you, all of its gone in an instant, and its just you, naked, bare, exposed.
”
”
Donna VanLiere (The Good Dream)
“
The second day I was in Texas. I was traveling through the part where the flat-footed, bilious, frog-sticker-toting Baptist biscuit-eaters live. Then I was traveling through the part where the crook-legged, high-heeled, gun-wearing, spick-killing, callous-rumped sons of the range live and crowd the drugstore on Saturday night and then all go round the corner to see episode three of "Vengeance on Vinegar Creek," starring Gene Autry as Borax Pete. But over both parts, the sky was tall hot brass by day and black velvet by night, and Coca Cola is all a man needs to live on.
”
”
Robert Penn Warren (All the King's Men)
“
Libby, not all the gays have an encyclopedic knowledge of the American musical theater. It's not like they hand you a DVD box set of of the Rodgers and Hammerstein Collection in a Liza Minnelli souvenir tote bag when you come out.'
'Well, they should. I'd totally be gay for a Liza Minnelli tote bag.
”
”
Stephanie Kate Strohm (Pilgrims Don't Wear Pink (Pilgrims, #1))
“
I'm going to kill her."
"Any particular reason you're plotting her murder?"
"She's eating everyone's food, including mine! She ate my cheesecake and my goddamn yogurt!" I gestured wildly, flinging my hands into the air. "Do you know why she's doing this? She thought people were being totes adorbs and naming the food."
"Leslie didn't realize the names on food meant it belonged to someone?"
"Today, she enjoyed a turkey sandwich named Gary. And a yogurt and piece of motherfucking cheesecake named Georgia. She thought it was like, the cutest thing ever how her coworkers were naming food. She's too dumb to live. Literally.
”
”
Max Monroe (Tapping the Billionaire (Billionaire Bad Boys, #1))
“
So what are you doing, any looting?"
"Why? You got anything to loot?"
"Me? Oh, no. Got a decent cookstove, but I can't see you toting that back on the ship."
"Don't suppose you've got a coin hoard or anything buried out back?"
"Jeezum crow, I wish I did have. Coin hoard, I'd really turn things around for myself.
”
”
Wells Tower (Everything Ravaged, Everything Burned)
“
On the afternoon of October 26, 1881, the Earps were incorruptible, intrepid lawmen bravely marching off to protect the city from gun-toting outlaws. The next morning, they were cold-blooded killers who’d murdered three men on a public street because of some kind of personal feud between Doc Holliday and Ike Clanton.
”
”
Mary Doria Russell (Epitaph)
“
An “alternative” to the mainstream frat boys and premed straight and narrow guys, these scholarly, charmless, intellectual brats dominated the more creative departments. As an art history major, I couldn’t escape them. “Dudes” reading Nietzsche on the subway, reading Proust, reading David Foster Wallace, jotting down their brilliant thoughts into a black Moleskine pocket notebook. Beer bellies and skinny legs, zip-up hoodies, navy blue peacoats or army green parkas, New Balance sneakers, knit hats, canvas tote bags, small hands, hairy knuckles, maybe a deer head tattooed across a flabby bicep. They rolled their own cigarettes, didn’t brush their teeth enough, spent a hundred dollars a week on coffee. They would come into Ducat, the gallery I ended up working at, with their younger—usually Asian—girlfriends. “An Asian girlfriend means the guy has a small dick,” Reva once said. I’d hear them talk shit about the art. They lamented the success of others. They thought that they wanted to be adored, to be influential, celebrated for their genius, that they deserved to be worshipped. But they could barely look at themselves in the mirror. They were all on Klonopin, was my guess. They lived mostly in Brooklyn, another reason I was glad to live on the Upper East Side.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
You got your classical clockworks to tote up. The timelets in your seanet. Let everything drain. You may have to hang the hydrocephalics from the rafters overhead but that’s okay. Dont worry about the floor. Everything will dry. The thing we’re really talking about is the situation of the soul. Saturation, said the Kid.
”
”
Cormac McCarthy (The Passenger (The Passenger #1))
“
Now I remember, this happened to me before. This is why I left. You have begun to find your answers. Although it will seem difficult the rewards will be great. Exercise your human mind as fully as possible knowing that it is only an exercise. Build beautiful artifacts, solve problems, explore the secrets of the physical universe, savor the input from all the senses, filled with joy and sorrow and laughter, empathy, compassion, and tote the emotional memory in your travel bag. I remember where I came from, and how I became human, why I hung around, and now my final departure's scheduled. This way out, escaping velocity. Not just eternity, but Infinity.
”
”
Robert A. Monroe (Ultimate Journey)
“
I've thought of myself a girl on several occasions because I like to polish shoes and find household tasks amusing. There was once even a time when I insisted on mending a torn suit with my own hands. And in winter I always light the heating stoves myself, as though this were the natural course of things. But of course I'm not a real girl. Please give me a moment to consider all this would entail. The first thing that comes to mind is the question of whether I might possibly be a girl has never, never, not for a single moment, troubled me, rattled my bourgeois composure or made me unhappy. An absolutely by no means unhappy person stands before you, I'd like to put quite special emphasis on this, for I have never experienced sexual torment or distress, for I was never at a loss for quite simple methods of freeing myself from pressures. A rather curious, that is to say, important discovery for me was that it filled me with the most delightful gaiety to imagine myself someone's servant.... My nature, then, merely inclines me to treat people well, to be helpful and so forth. Not long ago I carried with flabbergasting zeal a shopping bag full of new potatoes for a petit bourgeoise. She's have been perfectly able to tote it herself. Now my situation is this: my particular nature also sometimes seeks, I've discovered, a mother, a teacher, that is, to express myself better, an unapproachable entity, a sort of goddess. At times I find the goddess in an instant, whereas at others it takes time before I'm able to imagine her, that is, find her bright, bountiful figure and sense her power. And to achieve a moment of human happiness, I must always first think up a story containing an encounter between myself and another person, whereby I am always the subordinate, obedient, sacrificing, scrutinized, and chaperoned party. There's more to it, of course, quite a lot, but this still sheds light on a few things. Many conclude it must be terribly easy to carry out a course of treatment, as it were, upon my person, but they're all gravely mistaken. For, the moment anyone seems ready to start lording and lecturing it over me, something within me begins to laugh, to jeer, and then, of course, respect is out of the question, and within the apparently worthless individual arises a superior one whom I never expel when he appears in me....
”
”
Robert Walser (The Robber)
“
The dichotomy of the gun-toting, substance-abusing queer seeking spiritual refuge might strike some as anticlimactic. But William Burroughs was not what he appeared to be to many of his fans. The work which so many revere as biblical texts in the church of addiction were always seen by the writer himself as cautionary rather than visionary.
”
”
William S. Burroughs (Word Virus: The William S. Burroughs Reader (Burroughs, William S.))
“
Suposo que sona una mica estrany, venint d'un vampir […], però espero que aquesta vida tingui algun sentit, fins i tot per a nosaltres. He de reconèixer que és una possibilitat remota […]. Pel que diuen, estem condemnats de totes maneres, però tinc l'esperança, segurament absurda, que rebrem alguna mena de reconeixement per haver-nos-hi esforçat.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
The most horrible thing about her? She was still holding her big platter of free samples: Crispy Cheese 'n' Wieners. Her platter was dented from all the times Percy had killed her, but those little samples looked perfectly fine. Stheno just kept toting them across California so she could offer Percy a snack before she killed him. Percy didn't know why she kept doing that, but if he ever needed a suit of armour he was going to make it out of Crispy Cheese 'n' Wieners. They were indestructible.
'Try one?' Stheno offered.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
Yesterday she walked three hours to harvest water lilies from a lake so her kids would have something to eat. And what do our most enlightened leaders suggest we do? Switch to e-billing. Buy three LED bulbs and get a free tote bag. Earth has eight billion people to feed and the extinction rate is a thousand times higher than it was at pre-human levels.
”
”
Anthony Doerr (Cloud Cuckoo Land)
“
But there is no Messiah of Sitka. Landsman has no home, no future, no fate but Bina. The land that he and she were promised was bounded only by the fringes of their wedding canopy, by the dog-eared corners of their cards of membership in an international fraternity whose members carry their patrimony in a tote bag, their world on the tip of the tongue.
”
”
Michael Chabon (The Yiddish Policemen's Union)
“
I'm craftier than a fox, quicker than the strike of a snake, and quieter than a mosquito's sneeze.
”
”
Terrell L. Bowers (The Doctor Totes a Six-Gun)
“
Abgeschieden vom Lärm des Alltags ist da immer die Sicherheit, dass in uns noch jemand ist, der auf uns aufpasst, auch wenn wir das nicht sehen und nicht hören wollen.
”
”
Ben Void (Gottes tote Katze und die Last der Existenz: Nihilistische Geschichten)
“
Marriage is the union of two people who arrive toting the luggage of life. And that luggage always contains sin.
”
”
Dave Harvey (When Sinners Say "I Do": Discovering the Power of the Gospel for Marriage)
“
Hobby Lobby masculinity, meanwhile, is a mix of gun-toting bravado, nostalgic imperial conquest, and flag-waving (white) Christian nationalism.
”
”
Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)
“
The Tote End (a large and foreboding terrace at Eastville) itself was demolished in the nineties. Sadly a monstrous Ikea store now stands in it's place. Where once tribes of youths performed their rites of passage and bodily fluids flowed in the name of love, hate and pride; Justin and Kate bicker over which wood flooring they should choose. It fucking kills me.
”
”
Chris Brown (Bovver: My Journey Through Football, Music, Fashion and Violence)
“
Our restaurant fostered a sense of camaraderie in a number of ways besides sharing the same nickname of 'chef.' Initially, we bonded through training. Once we opened, we worked in teams each night, meaning that we not only knew our colleagues well, we depended on them. Most importantly, we all had 'family meal' together every night, just like President Bush recommended to all families so that their children would have good values and grow up to be gun-toting, pro-life, pro-death, gas-guzzling, warmongering, monolingual, homophobic, wiretapped, Bible-thumping, genetically engineered, stem-cell harboring, abstinent creationists. Oops, I think I just lost all of my red state readers. To make up for it, I'll let you lose my ballot.
”
”
Phoebe Damrosch (Service Included: Four-Star Secrets of an Eavesdropping Waiter)
“
Les nostres mirades es varen creuar uns instants. Els seus ulls daurats eren tan profunds que em vaig imaginar que podia veure fins al fons de la seva ànima. Em semblava absurd que se n'hagués qüestionat mai l'existència […]. Tenia l'ànima més bella de totes les ànimes […].
Em va tornar la mirada com si també hagués pogut contemplar la meva ànima i li hagués agradat.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
Nach dem Holocaust haben lebende wie tote Juden in der Leitkultur nämlich einen Wert als symbolisches Kapital gewonnen, von dem man möglichst viel um sich anhäufen möchte. Denn der Grad der Legitimität eines deutschen Ordnungskonzepts wie der deutschen Leitkultur bemisst sich in der Gegenwart auch nah der Menge lebender und toter Juden, die es für sich deklarieren kann.
”
”
Max Czollek (Gegenwartsbewältigung)
“
...why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life... Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people and the town for a little while and sweat you and get you down where you remember you got a nose again. And when you're all to yourself that way, you're really yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder. As Samuel Spaudling, Esquire, once said, 'Dig in the earth, delve in the soul.' Spin those mower blades, Bill, and walk in the spray of the Fountain of Youth.
”
”
Ray Bradbury
“
A tall woman with ass-length, honey-blonde hair had entered the lobby and was barking orders at an entourage of men who toted her Gucci leather luggage. Her dog, a white Westie, was barking, adding to the commotion. “Justin!” the woman chastised the man who held the door open for her. “Icky snow on my feet. My Manolo Blahniks. Oh my God! These shoes are a work of art! Do somethinggg!
”
”
Ana B. Good (The Big Sugarbush)
“
The sunken grave would fade away, probably in my lifetime. If I could avoid killer zombies for a few years. And vampires. And gun-toting humans. Oh, hell, the hot-spot would probably outlast me.
”
”
Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
“
When I see Peter at the bus the next morning, he’s standing around with all this lacrosse friends, and at first I feel shy and nervous, but then he sees me, and his face breaks into a grin. “C’mere, Covey,” he says, so I go to him and he throws my tote over his shoulder. In my ear he says, “You’re sitting with me, right?”
I nod.
As we make our way onto the bus, somebody wolf whistles. It seems like people are staring at us, and at first I think it’s just my imagination, but then I see Genevieve look right at me and whisper to Emily Nussbaum. It sends a chill down my spine.
“Genevieve keeps staring at me,” I whisper to Peter.
“It’s because you’re so adorably quirky,” he says, and he rests his hands on my shoulders and gives me a kiss on the cheek, and I forget all about Genevieve.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
La por no és la vana fantasia d'algú que potser vol que li passi alguna cosa important, encara que la cosa important sigui horrible. [...] Aquesta és l'emoció més abjecta de totes, una sensació que ja dúiem a dins abans que existíssim, [...] abans que existís la Terra. Aquesta és la por que va fer que els peixos s'arrosseguessin per terreny sec i desenvolupessin pulmons, la por que ens ensenya a córrer.
”
”
John Green (Paper Towns)
“
Annabeth hadn’t seen much of Buford during the trip. He mostly stayed in the engine room. (Leo insisted that Buford had a secret crush on the engine.) He was a three-legged table with a mahogany top. His bronze base had several drawers, spinning gears, and a set of steam vents. Buford was toting a bag like a mail sack tied to one of his legs. He clattered to the helm and made a sound like a train whistle.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
La Mariche no es pot reprimir més. Titlla l'Ona de somiadora.
Som dones sense veu, puntualitza l'Ona, tranquil·la. Som dones sense temps ni lloc, fins i tot sense la llengua del país on vivim. Som mennonites sense pàtria. No tenim cap lloc on tornar, fins els animals de Molotschna estan més segurs a casa seva que nosaltres, les dones. Totes les dones tenim els nostres somnis… Així que, i tant que som somiadores.
”
”
Miriam Toews (Women Talking)
“
Who the hell is Warren Ellis again?”
Hardison gaped at the man. “Only one of the greatest comics writers in the past twenty years. Might as well ask who Alan Moore is, or Frank Miller, or Mark Waid, or Brian Michael Bendis, or Marv Wolfman, or Geoff Johns.”
Eliot gave Hardison a blank look as they wove their way through the hall. Parker took the lead, toting a printed sign with her. Eliot and Hardison trailed in her wake. They made a point of striding right past Patronus’s booth. They didn’t turn to see if he noticed them.
“No one?” Hardison said. “Nothing? Not even Kurt Busiek? Neil Gaiman?”
“I have a life. I do things, active things. I date women.”
“Stan Lee?”
Eliot gave Hardison that one with a wag of his head. “Who hasn’t heard of Stan Lee?”
“All right,” Hardison said with satisfaction. “You had me worried there, man.
”
”
Matt Forbeck (The Con Job (Leverage, #1))
“
She was half right. Harlowe was a sweet girl. Although we’d only been in school a few weeks, my sister was already thriving. She’d been on several playdates and was easily the most popular girl in her class. People were naturally drawn to Harlowe. She was like Dorothy in The Wizard of Oz, picking up new buddies wherever she went. But I was like a blond, ferret-toting Wednesday Addams, leisurely repelling everyone in my path.
”
”
Patric Gagne (Sociopath)
“
One of my goals is to be a person who is easily delighted, who can find great cause for celebration in a fig or a familiar face. If you need fireworks and perfection in order to crack a smile, you’re going to be disappointed over and over when life fails to be spectacular on command. I want to live with an extremely low bar for delight. It takes almost nothing at all—a good song, a ripe piece of fruit, a perfectly packed tote.
”
”
Shauna Niequist (I Guess I Haven't Learned That Yet: Discovering New Ways of Living When the Old Ways Stop Working)
“
Well, I'm sorry there are no giant neon arrows pointing to my head here, but it's a forest, Cyrus," I say, exasperated. "Its main characteristic is that it has trees."
"Describe—the rock—then ... Be specific..."
"Describe the rock?" My brows furrow as I turn toward it. If the situation weren't so dire, I'd think he was playing a prank on me. "It's pretty square, as far as rocks go. About the size of Prada's straw tote bag from last season. When you stare at it from a certain angle, the surface looks shockingly like the face of a sloth."
It's hard to tell if the heavy static crackling through the phone is from the patchy reception, or just from him sighing. "Please never—get lost again."
"I have no plans to," I reassure him. "But, like, what am I supposed to do now? Describe more rocks to you?"
"Stay there. I'll come find you—" And then the line breaks.
”
”
Ann Liang (Never Thought I'd End Up Here)
“
Totes dues es queden en silenci sense dir res més. Se'ls escapa aquella edat en què penses que n'hi ha prou desitjant les coses perquè es compleixin. De petits, els somnis són com la carta d'un restaurant: assenyales el que vols i estàs convençut que el futur t'ho servirà en una safata de plata. Més tard es deixa enrere la infantesa i la vida tria per camins imprevistos. El cambrer arriba a la taula i et diu que la cuina està tancada.
”
”
Antonio Iturbe (The Librarian of Auschwitz)
“
I did believe, at first, that I wanted only justice. I thought my heart was pure. We do like to have such good opinions of our own motives when we’re about to do something harmful, to someone else. But as Mr. Erskine also pointed out, Eros with his bow and arrows is not the only blind god. Justitia is the other one. Clumsy blind gods with edged weapons: Justitia totes a sword, which, coupled with her blindfold, is a pretty good recipe for cutting yourself.
”
”
Margaret Atwood (The Blind Assassin)
“
Building literacy doesn’t even have to start with actual reading. I’ve seen little kids who insist on carrying around a Harry Potter book or a Paul Auster novel. Maybe they just like the colors on the cover. And that’s okay. The important part is that they are identifying as someone who totes around a big book. It doesn’t matter whether or not that child can truly read it. That child is loving that book. We can still celebrate it. It’s all a part of literacy development.
”
”
James Patterson (The Secret Lives of Booksellers and Librarians: True Stories of the Magic of Reading)
“
When it comes to two women having a private conversation, they tune it out. I think they’re terrified we might be talking about PMS. They’d rather charge into a building full of gun-toting psychopaths than overhear a woman discussing feminine issues.
”
”
Paige Tyler (Wolf Unleashed (SWAT: Special Wolf Alpha Team, #5))
“
There are those who believe, at times too hastily, that Iran is at core a Western-loving nation that can hardly wait for America to save it from its own bloodthirsty leaders. And there are those who are convinced that Iran, by and large, is a nation of Allah-worshipping, gun-toting terrorists. In truth, Iranians themselves live in a far more complex and schizophrenic reality, at a surreal crossroads between political Islam and satellite television, massive national oil revenues and searing social inequalities.
”
”
Lila Azam Zanganeh (My Sister, Guard Your Veil; My Brother, Guard Your Eyes: Uncensored Iranian Voices)
“
És una ciutat de paper. Mira-te-la bé, Q, mira tots els carrerons sense sortida, els carrers que acaben i comencen al mateix lloc, les cases que es van construir i que després van acabar caient a trossos. Totes aquestes persones de paper, que viuen en cases de paper, i cremen el futur per escalfar-se. Tots els noiets de paper, que beuen la cervesa que els ha comprat qualsevol penjat a qualsevol botigueta de paper. Tothom obsessionat amb la dèria de posseir coses. Coses fines i fràgils com el paper. I les persones, també.
”
”
John Green (Paper Towns)
“
Ain't I been trying to tell you that you can't be holding grudges against people? Didn't you hear me say that? What do you think Jesus is gonna say if we come walking up to those pearly gates carrying a whole sackful of grievances and grudges on our backs? Jesus is gonna ask, What's that you toting on your back? Do you want to be opening that sack and showing Him all those ugly thing? He's dressed all in white and shining like the sun, and you're coming in with a load a hate in your your arms? Umm hmm. I can't imagine doing that.
”
”
Lynn Austin (Wonderland Creek)
“
Two years later, my son and I traveled to Medjugorje with Hearts of the World. One of the side trips we made was to Mostar to visit Sister Janja’s orphanage and present her with our donations. Sister took one look at my tote bag and said, “That looks like little Boris.” Then she did a double-take and said, “That is little Boris.” It turns out that the child I had been calling “my poster boy for the Rosary,” whose image was helping to raise money for the orphanage, had actually been an orphan under Sister’s care years earlier. I burst into tears.
”
”
Elizabeth Ficocelli (The Fruits of Medjugorje: Stories of True and Lasting Conversion)
“
I could see their menfolk patrolling nervously up and down toting sub-machine guns and draped in cartridge belts. They were wearing their trademark sunglasses, those gold rimmed feminine accessories which should look comic on a man but instead manage to look as sinister as the wedding dresses and blonde wigs worn by Liberia's drugged fighters. They are the modern equivalent of the wooden masks donned around night fires by warriors preparing to do battle, which turn their wearers into something utterly alien -- faceless instruments of violence capable of unspeakable acts.
”
”
Michela Wrong (In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in Mobutu's Congo)
“
That theory will be blown when she’s conferring with the event security, wearing an earpiece and holstering a firearm under her business suit. Or if she perceives a threat and pulls a gun, because she—and no offense, sweetheart—looks awful trigger-happy.”
She set her forearms on the table. “You have no idea how true that statement is. But right now the person I’d be gunning for most is you, sweetheart.” Then she smiled.
Holy shit. The smile completely transformed her face—but Devin wasn’t sure if it was a good thing or a bad thing because the grin straddled the line between sexy and evil.
”
”
Lorelei James (Hillbilly Rockstar (Blacktop Cowboys, #6))
“
However much he might deny it, then and later, it was clear that Hart had wanted to put some distance between the poor, jug-eared, Bible-toting youth he had been in Kansas and the secular, Yale-educated reformer he later became. But that didn’t make him different from a lot of other Americans who grew up in claustrophobic small towns with overbearing parents and later found themselves caught up in the cultural upheaval of the sixties, where personal identities were always evolving. It didn’t make Hart some shadowy, Gatsby-like figure; the salient facts of his upbringing had been well established since he entered public life.
”
”
Matt Bai (All the Truth Is Out: The Week Politics Went Tabloid)
“
Sie sollten uns Achtzehnjährigen Vermittler und Führer zur Welt des Erwachsenseins werden, zur Welt der Arbeit, der Pflicht, der Kultur und des Fortschritts, zur Zukunft. [...] Mit dem Begriff der Autorität, dessen Träger sie waren, verband sich in unseren Gedanken größere Einsicht und menschlicheres Wissen. Doch der erste Tote, den wir sahen, zertrümmerte diese Überzeugung. Wir mußten erkennen, daß unser Alter ehrlicher war als das ihre; sie hatten vor uns nur die Phrase und die Geschicklichkeit voraus. Das erste Trommelfeuer zeigte uns unseren Irrtum, und unter ihm stürzte die Weltanschauung zusammen, die sie uns gelehrt hatten.
”
”
Erich Maria Remarque (Im Westen nichts Neues)
“
She liked receiving a canvas tote bag when she gave to a charitable cause. She was an avid reader (of fiction and nonfiction), but she never read the newspaper, other than the arts sections, and she felt guilty about this. Dov often said she was bourgeois. He meant it as an insult, but she knew that she probably was. Her parents were bourgeois, and she adored them, so, of course, she had turned out bourgeois, too. She wished she could get a dog, but Dov’s building didn’t allow them. But the reason she was bourgeois was so she could make work that wasn’t bourgeois. If she were cautious in her life, she could avoid compromising in her work.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
A thousand books and movies and lessons in school have told you this was true, so much so that it’s seeped into your very soul. That wasn’t your fault, but what you do about it now is. So how will you confront the lie? What will you sacrifice? What are you willing to put on the line? Are you going to send your kid to the public school down the street? Are you going to rent your house to a young Black family? Are you going to hire more eager dark girls with kinky curls to be your junior executive? Because your well-meaning intentions, your woke T-shirts, your Black Lives Matter tote bags, your racial justice book clubs are not going to cut it.
”
”
Christine Pride (We Are Not Like Them)
“
In telling these stories of our Nation's past, however, let's not be so zealous in correcting liberal historians that we create our own historical revisionism. If the Founding Fathers were alive today, some of them would not want to go to the typical Evangelical church. Some were influenced by the pagan Enlightenment, as well as the Protestant Reformation. one historical figure (not a Founding Father) who's been misrepresented in our quest to find Christian heroes is Johnny Appleseed. He's routinely pictured as a nice man who went around scattering apple seeds everywhere and toting a Bible under his arm. The fact is, Johnny Appleseed was a missionary for Swedenbogrism, a spiritist cult. This cult taught many false doctrines and claimed that the writings of the Apostle Paul had no place in the Bible. When a child hears that Johnny Appleseed is a 'godly hero' and then discovers that he was in fact a cult member, what will he logically conclude about everything he's been taught?
”
”
Gregg Harris (The Christian Home School)
“
It's me I'm losing control of. Hundreds of sketches, and still can't get enough of your face." He traces the dimple in my chin with his thumb.
"Your neck." His palm moves along my throat.
"Your..." both hands find my waist and drag me off the table so we're standing toe tote.
"I'm not wasting another second drawing you," he whispers against my lips, "when I can touch you instead." He presses his mouth to mine.
A spark, hot and electric, jumps between us. Shock and sensation shimmer through me, aglow with his heat ad flavor. Six year of secret desire. Six years of denying that he's the orbit of my world.
To think, he's been running from me, too.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
Wow."
That was one way of putting it.
"My mother likes Klimt," I explained. She had this, The Kiss, on coasters, a tote bag, and a tea set she'd bought herself for her twentieth wedding anniversay.
It wasn't Klimt the painter she liked, so much as the combination of lots and lots of metallic paint and a red-haired woman in the arms of a dark-haired man. "It's me and your dad," she used to say to our collective distress. Little kids don't want to see their parents canoodling. Older kids really don't want to see it. "Hey. You keep rolling your ryes, Sienna Donatella," she would snap, "and they're gonna stick like that. See then if you can find a guy to kiss you!
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
This legislative ennui about musket-and rifle-toting insurgents also ignored that, from Shays’s Rebellion to the Whiskey Rebellion, white men were the ones who had taken up arms against the United States of America. And in a pattern that would repeat itself well into the twenty-first century, there were little to no consequences for that.
”
”
Carol Anderson (The Second: Race and Guns in a Fatally Unequal America)
“
As Americans embraced Wild West mythology by ignoring inconvenient facts and exaggerating or inventing more palatable ones, they also altered the meaning of a traditionally negative term. In Wyatt’s real West, anyone referred to as a cowboy was most likely a criminal. But in movies the word was used first to describe hardworking ranch hands and then, generically, those who rode horses, toted six-guns, and, when necessary (and it always became necessary) fought to uphold justice at the risk of their own lives. Cowboys were heroes, and their enemies were outlaws. So far as his growing legion of fans was concerned, Wyatt Earp was a cowboy in the new, best sense of the word. B
”
”
Jeff Guinn (The Last Gunfight: The Real Story of the Shootout at the O.K. Corral-And How It Changed the American West)
“
When Flora got married, she was fourteen. Now she has three kids and the village wells are dry and the nearest reliable water source is a two-hour walk from her home. Here in the Funhalouro District adolescent moms like Flora spend about six hours a day searching for and transporting water. Yesterday she walked three hours to harvest water lilies from a lake so her kids would have something to eat. And what do our most enlightened leaders suggest we do? Switch to e-billing. Buy three LED bulbs and get a free tote bag. Earth has eight billion people to feed and the extinction rate is a thousand times higher than it was at pre-human levels. This is not something we fix with tote bags. Bishop
”
”
Anthony Doerr (Cloud Cuckoo Land)
“
Aquesta por no s'assembla gens a les pors que hagi pogut sentir anteriorment. Aquesta és l'emoció més abjecta de totes, una sensació que ja dúiem a dins abans que existíssim, abans que existís aquest edifici, abans que existís la Terra. Aquesta és la por que va fer que els peixos s'arrosseguessin per terreny sec i desenvolupessin pulmons, la por que ens ensenya a córrer, la por que ens fa enterrar els nostres morts.
La pudor em provoca un pànic aclaparador; no pas aquell pànic que em buida els pulmons d'aire, sinó el que buida l'atmosfera d'aire. Em sembla que potser la raó per la qual m'he passat bona part de la vida atemorit és que m'he estat preparant, que he entrenat el cos per quan arribés la por de debò. Però no estic preparat.
”
”
John Green (Paper Towns)
“
Daniel looked down the barrel of the shotgun al set to blow his
brains out and grinned. These days, even a gun-toting, trigger-happy
female was a delight to behold, and she was perfect.
Sunlight streamed in through the kitchen window. She all but shone
with it, like an angel or a princess or something. Something a little
overdue for a bath and a lot on edge, but something very good just
the same. The feeling of sweet relief rushing through him nearly
buckled his knees.
Tall and curvy, around thirty at a guess, and uninfected, she was by
far the best thing he had ever seen in jeans and a t-shirt. Not even the
dried blood splattered on the wal behind her could diminish the
picture she made.
Sadly, his girl did not appear to share his joy
”
”
Kylie Scott (Flesh (Flesh, #1))
“
Porter knew little about golf. The idea of hitting a little white ball, then chasing after it for hours on end, did not appeal to him. While he understood it was challenging, he did not consider it a sport. Baseball was a sport. Football was a sport. Anything you could play at eighty years old while toting your oxygen tank and wearing pastel slacks would never be a sport in his book.
”
”
J.D. Barker (The Fourth Monkey (4MK Thriller, #1))
“
They were in and out of Walmart in under ten minutes, toting a bag of generic clothes. Max then drove his fiancée back to his hotel as planned, but their love making didn’t wait until after dinner. Since the purple dress was so eye-catching, he wanted her to change before going down to dinner. But the moment she slipped the dress off her slender shoulders, the dinner plan was postponed.
”
”
Tim Tigner (The Lies of Spies (Kyle Achilles, #2))
“
I wrote about a place called Alki Beach. When I had first crossed the bridge into West Seattle, I could see the city skyline over Puget Sound. I stood on a strip of purple-gray beach sand. A pier house sold hairy mussels and one-hour bike rentals. Copper and metal signs whipped against the wind. Old couples toted bouquets under wooden pergolas. Those singing and strolling on the beach eventually curved around the bend toward the northern arc and out of sight. I wanted to live here by its waters, read its signs, admire the wind as one admires an old friend. The skyscrapers across the water might be a bracelet across my wrist—the Ferris wheel, city stadium, ships in the harbor. I had never known that joy was a practice the way poetry was a practice. Somebody asked if they could
”
”
E.J. Koh (The Magical Language of Others)
“
When Flora got married, she was fourteen. Now she has three kids and the village wells are dry and the nearest reliable water source is a two-hour walk from her home. Here in the Funhalouro District adolescent moms like Flora spend about six hours a day searching for and transporting water. Yesterday she walked three hours to harvest water lilies from a lake so her kids would have something to eat. And what do our most enlightened leaders suggest we do? Switch to e-billing. Buy three LED bulbs and get a free tote bag. Earth has eight billion people to feed and the extinction rate is a thousand times higher than it was at pre-human levels. This is not something we fix with tote bags.
Excerpt from: "Cloud Cuckoo Land: A Novel" by Anthony Doerr. Scribd.
This material may be protected by copyright.
”
”
Anthony Doerr
“
El sol ja s'havia post just darrere el perfil de les muntanyes, a través dels arbres encesos per la llum daurada del seu voltant traspuaven uns rajolins de llum molt prims, d'un singular to rosat, que queien sobre la vall. Era un espectacle meravellós. Al cel hi havia una llum rogenca, com un incendi que cremés a la llunyania, i molt al fons, damunt la ciutat, la calitja formava una cúpula d'intensos colors resplendents, com una esfera púrpura. I tots els sorolls es perdien en el capvespre en una plàcida harmonia: el cant llunyà acompanyat d'una harmònica dels excursionistes que tornaven a casa, el ric-ric clar dels grills, cada vegada més fort, i el brunzit i el cruixit i el brogit imprecisos que habitaven a totes les fulles, murmuraven a totes les branques i fins i tot semblaven brumir en l'aire.
”
”
Stefan Zweig (Die Liebe der Erika Ewald und andere Novellen: Bereicherte Ausgabe. Verwirrung der Gefühle, Der Stern über dem Walde, Vergessene Träume, Geschichte in der Dämmerung… (German Edition))
“
Juanita refused to analyze this process, insisted that it was something ineffable, something you couldn't explain with words. A radical, rosary-toting Catholic, she has no problem with that kind of thing. But the bitheads didn't like it. Said it was irrational mysticism. So she quit and took a job with some Nipponese company. They don't have any problem with irrational mysticism as long as it makes money.
”
”
Neal Stephenson (Snow Crash)
“
Mann kann Kantorek natürlich nicht damit in Zusamenhang bringen; - wo bliebe die Welt sonst, wenn man das schon Schuld nennen wollte. Es gab ja Tausende von Kantoreks, die alle überzeugt waren, auf eine für sie bequeme Weise das Beste zu tun.
Darin liegt aber gerade für uns ihr Bankerott.
Sie sollten uns Achtzehnjährigen Vermittler und Führer zur Welt des Erwachsenseins werden, zur Welt der Arbeit, der Pflicht, der Kultur und des Fortschritts, zur Zukunft. Wir verspotteten sie manchmal und spielten ihnen kleine Streiche, aber im Grunde glaubten wir ihnen. Mit dem Begriff der Autorität, dessen Träger sie waren, verband sich in unseren Gedanken größere Einsicht und menschlicheres Wissen. Doch der erste Tote, den wir sahen, zertrümmerte diese Überzeugung. Wir mußten erkennen, daß unser Alter ehrlicher war als das ihre; sie hatten vor uns nur die Phrase und die Geschicklichkeit voraus. Das erste Trommelfeuer zeigte uns unseren Irrtum, und unter ihm stürzte die Weltanschauung zusammen, die sie uns gelehrt hatten.
Während sie noch schrieben und redeten, sahen wir Lazarette und Sterbende; - während sie den Dienst am Staate als das Größte bezeichneten, wußten wir bereits, daß die Todesangst stärker ist. Wir wurden darum keine Meuterer, keine Deserteure, keine Feiglinge – alle diese Ausdrücke waren ihnen ja so leicht zur Hand -, wir liebten unsere Heimat genau so wie sie, und wir gingen bei jedem Angriff mutig vor; - aber wir unterschieden jetzt, wir hatten mit einem Male sehen gelernt. Und wir sahen, daß nichts von ihrer Welt übrigblieb. Wir waren plötzlich auf furchtbare Weise allein; - und wir mußten allein damit fertig werden.
”
”
Erich Maria Remarque
“
Jo em quedo assegut mentre tu i la Mai, sense dubtar-ho, us poseu en marxa, els braços us planen per damunt l'ossada rígida de la vostra mare. Faig l'única cosa que sé fer. M'arronso els genolls contra el pit i començo a comptar-li els dits dels peus, que estan lila. 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5. Em gronxo amb els nombres mentre a tu les mans et floten damunt del cos, metòdiques com les infermeres quan fan la ronda. Malgrat el meu vocabulari, els meus llibres, el meu coneixement, m'estic replegat contra la paret de més enllà, desolat. Observo com dues filles cuiden algú dels seus amb una inèrcia idèntica a la gravetat. M'estic assegut amb totes les meves teories, les metàfores, les equacions, Shakespeare i Milton, Barthes, Du Fu i Homer, mestres de la mort que, al final, no em saben ensenyar a tocar els meus morts.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
Siguin quines siguin les diferències que tinguin l'Agnes i la Mary [...] quan estan davant d'una missió impor tant, s'esvaeixen. Poden queixar-se l'una de l'altra, es poden punxar i retreure's coses; poden discutir, barallar-se i sospirar; poden llançar a la galleda dels porcs el menjar que ha cuinat l'altra perquè està massa salat o no prou ben molt o massa especiat; poden aixecar una cella davant del sargit, el cosit o el brodat de l'altra. Ara bé, en un moment com aquest, són capaces de funcionar com dues mans de la mateixa persona.
[...]
Ara totes dues pugen l'escala, sense dir-se res, i l'Agnes sap que la Mary saludarà la Judith amb un somriure a la cara i li dirà paraules estimulants i tranquil·litzadores. Juntes s'ocuparan de la nena, portaran la màrfega a baix, donaran la medecina a la nena. Plantaran cara.
”
”
Maggie O'Farrell (Hamnet)
“
What do you think Jesus is gonna say if we come walking up to those pearly gates carrying a whole sackful of grievances and grudges on our backs? Jesus is gonna ask, What’s that you toting there on your back? Do you want to be opening that sack and showing Him all those ugly things? He’s dressed all in white and shining like the sun, and you’re coming in with a load of hate in your arms? Umm hmm. I can’t imagine doing that.
”
”
Lynn Austin (Wonderland Creek)
“
Hey, you,” I snap at a waiter on his phone just outside the door. “Are those the coconut shrimp?” He nods dumbly, eyes wide at being caught slacking on the job. “Give them to me.” “What?” He’s scared. He looks around for a manager, but it’s just us. “You heard me. Stuff them in my purse—now!” And that’s how I leave Dr. Lopez’s retirement party toting two dozen coconut shrimp.
Grey, R.S.. Hotshot Doc (pp. 55-56). Kindle Edition.
”
”
R.S. Grey (Hotshot Doc)
“
They opened the door and stepped in.
They stopped.
The library deeps waited for them.
Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast, marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Come on, Gray,” another sailor called. “Just one toast.”
Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response.
Siren.
“Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.”
The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.”
Her eyes narrowed to slits. The men groaned.
“You’re no fun anymore, Gray,” O’Shea grumbled.
“No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.”
“Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.”
Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed?
Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.”
My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had.
“My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.”
The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.”
“Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.”
“The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks.
“He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.”
“I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.”
That was it. This little scene was at its end.
Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat.
“Put me down, you brute!” She squirmed and pounded his back with her fists.
Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other.
“Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.”
Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin.
With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides.
Oh, bloody hell.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Like her father, Sumaiya believed that everyone has the right to make individual choices. But like him, she was conscious that people needed limits, and she was skeptical about the culture of indivualism that dominates Western life. It starts so early, she marveled: "Even in nursery, in Show and Tell, there's a sense of 'Look what I've got.' There's all this emphasis on the fact that it's your thing and you're showing it off."
I'd never thought of Show and Tell as baby's first building block of individualism, but seen through Sumaiya's eyes, it suddenly seemed like an early foray into the culture of the self. The monogrammed towels, vanity license plates, and sloganeering tote bags would follow - a lifelong parade displaying one's own distinctiveness. If Western culture has the laudable goals of speaking up and standing out, these values also bring collateral damage: the cult of personalization.
”
”
Carla Power (If the Oceans Were Ink: An Unlikely Friendship and a Journey to the Heart of the Quran)
“
En Peeta i jo tornem a lluitar junts. Encara hi ha moments en què agafa el respatller d'una cadira i no el deixa anar fins que se li han acabat els flashbacks. Jo em desperto cridant per culpa d'algun malson amb mutants i nens perduts. Però els seus braços són allà per reconfortar-me. I, de vegades fins els seus llavis. La nit en què torno a sentir aquella cosa, la fam que es va apoderar de mi a la platja, sé que hauria passat de totes maneres. Que el que necessito per sobreviure no és el foc d'en Gale, atiat amb ràbia i odi. Jo mateixa ja tinc prou foc. El que necessito és la dent de lleó a la primavera. Aquell groc brillant que significa renaixement en comptes de destrucció. La promesa que la vida pot continuar, malgrat la gravetat de les pèrdues. Que pot tornar a ser bona. I això, només m'ho pot donar en Peeta.
Així doncs, quan després em xiuxiueja:
—M'estimes. Real o no real?
Jo li dic:
—Real.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Donald Trump is magnificently terrifying to reasonable Americans because his popularity, win or lose, illuminates a massive stratum of voting, gun-toting Americans who want desperately to be told that their binary values are valid. They want someone to enunciate for them what they know in their heart of hearts: that they and their prejudices and their lust for violence and their stalwart refusal to take part in a complex world of political moving parts puts them in league with the men who waited for the British, guns in hand at Concord Bridge.
”
”
Dan Johnson (Catawampusland)
“
Er stand einen Moment und sah auf den offenen Körper unter den weißen Tüchern. Das grelle Licht machte die Tücher noch weißer, wie frischer Schnee, unter dem der rote Krater der klaffenden Wunde gähnte. Kate Hegström, vierunddreißig Jahre alt, kapriziös, schmal, braun, trainiert, voll von Willen zum Leben – zum Tode verurteilt durch den neblig unsichtbaren Griff, der ihre Zellen zerstört hatte.
Er beugte sich wieder über den Körper. „Wir müssen ja noch –“
Das Kind. In diesem zerfallenden Körper wuchs ja noch blind ein tappendes Leben heran. Verurteilt mit ihm. Noch fressend, saugend, gierig, nichts als Trieb zum Wachsen, irgendetwas, das einmal spielen wollte in Gärten, das irgendetwas werden wollte, Ingenieur, Priester, Soldat, Mörder, Mensch, etwas, das leben, leiden, glücklich sein wollte und zerbrechen – vorsichtig ging das Instrument die unsichtbare Wand entlang – fand den Widerstand, brach ihn behutsam, brachte ihn heraus – vorbei. Vorbei mit all dem unbewußten Kreisen, vorbei mit dem ungelebten Atem, Jubel, Klage, Wachsen, Werden. Nichts mehr als etwas totes, bleiches Fleisch und etwas gerinnendes Blut.
”
”
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
“
Cutting grass and pulling weeds can be a way of life, son."
Bill Forrester was smiling quietly at him.
"I know," said Grandpa, "I talk too much."
"There's no one I'd rather hear."
"Lecture continued, then. Lilacs on a bush are better than orchids. And dandelions and devil grass are better! Why? Because they bend you over and turn you away from all the people and the town for a little while and sweat you and get you down where you remember you got a nose again. And when you're all to yourself that way, you're really yourself for a little while; you get to thinking things through, alone. Gardening is the handiest excuse for being a philosopher. Nobody guesses, nobody accuses, nobody knows, but there you are, Plato in the peonies, Socrates force-growing his own hemlock. A man toting a sack of blood manure across his lawn is kin to Atlas letting the world spin easy on his shoulder. As Samuel Spaulding, Esquire, once said, 'Dig in the earth, delve in the soul.' Spin those mower blades, Bill, and walk in the spray of the Fountain of Youth. End of lecture. Besides, a mess of dandelion greens is good eating once in a while.
”
”
Ray Bradbury (Dandelion Wine)
“
How could I love a man as uptight as Nathan Edwards and still have a raging crush on someone as wicked as Ronnie Radke? Maybe I am an undiagnosed schizophrenic. That’s what happened to Jamie Foxx’s character in The Soloist. One day, he’s a gifted musical student at Julliard, and the next day he’s toting his cello through the streets of Los Angeles, disoriented and muttering to himself. “What are you thinking, Vivian?” I drop my hand and look at my best friend. “Nothing.” “Vivian?” I grimace. “Do you think I have schizophrenia?” Fanny tosses her pillow at me. “Shut up!
”
”
Leah Marie Brown (Faking It (It Girls, #1))
“
But, after all, he knows I’m preggers. Well, I am, darling. Six weeks gone. I don’t see why that should surprise you. It didn’t me. Not un peu bit. I’m delighted. I want to have at least nine. I’m sure some of them will be rather dark—José has a touch of le nègre, I suppose you guessed that? Which is fine by me: what could be prettier than a quite coony baby with bright green beautiful eyes? I wish, please don’t laugh—but I wish I’d been a virgin for him, for José. Not that I’ve warmed the multitudes some people say: I don’t blame the bastards for saying it, I’ve always thrown out such a jazzy line. Really, though, I toted up the other night, and I’ve only had eleven lovers—not counting anything that happened before I was thirteen because, after all, that just doesn’t count. Eleven. Does that make me a whore? Look at Mag Wildwood. Or Honey Tucker. Or Rose Ellen Ward. They’ve had the old clap-yo’-hands so many times it amounts to applause. Of course I haven’t anything against whores. Except this: some of them may have an honest tongue but they all have dishonest hearts. I mean, you can’t bang the guy and cash his checks and at least not try to believe you love him. I never have. Even Benny Shacklett and all those rodents. I sort of hypnotized myself into thinking their sheer rattiness had a certain allure. Actually, except for Doc, if you want to count Doc, José is my first non-rat romance.
”
”
Truman Capote (Breakfast at Tiffany's)
“
Oh my absolute god!” said Vicky or Sophie or Sarah. “You’ve got a girlfriend?” “Ah, how sweet!” added Sophie or Sarah or Vicky. “Oh my god!” Sarah or Vicky or Sophie gushed. “You absolutely have to bring her to the drinks on Friday.” The others squealed their approval at this suggestion. “What’s her name?” Her name. No matter how many times I have to explain it, it doesn’t get any easier. “Her name’s Miranda,” I mumbled into my computer keyboard, “but she calls herself Panda because it rhymes with Miranda and also because she likes pandas.” There was a pause while Vicky/Sophie/Sarah, Sophie/ Sarah/Vicky and Sarah/Vicky/Sophie took this in. I waited for the mocking peals of laughter but they never came. “That is actually awesome,” said Vicky or Sophie or Sarah finally. “I wish my name rhymed with an animal.” “Yeah,” said Sophie or Sarah or Vicky. “It would be so awesome to be called, like, Miraffe or Mirelephant.” “Oh my god, yeah,” agreed Sarah or Vicky or Sophie. “I am totes naming my daughter Miraffe.” “What if you have a boy, though?” Sarah or Vicky or Sophie chewed her pen while she considered this. “Maybe I’ll go for a more masculine animal, like Mirhino or Mirocodile.” “Yeah, Mirocodile’s gorgeous, actually.” “Well, I’ve already got dibs, so you’ll have to take Mirhino.” The conversation continued in this vein until all the peanut M&M’s were finished and it was time for us to go home.
”
”
Tom Ellen (A Totally Awkward Love Story)
“
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
But now 'tis the modern ole Coast Division S.P. and begins at those dead end blocks and at 4:30 the frantic Market Street and Sansome Street commuters as I say come hysterically running for ther 112 to get home on time for the 5:30 televisions Howdy Doody of their gun toting Neal Cassady'd Hopalong childrens. 1.9 miles to 23rd Street, another 1.2 Newcomb, another 1.0 to Paul Avenue and etcetera these being the little piss stops on that 5 miles short run thru 4 tunnels to mighty Bayshore, Bayshore at milepost 5.2 shows you as I say that gigantic valley wall sloping in with sometimes in extinct winter dusks the huge fogs milking furling meerolling in without a sound but as if you could hear the radar hum, the oldfashioned dullmasks mouth of Potato Patch Jack London old scrollwaves crawling in across the gray bleak North Pacific with a wild fleck, a fish, the wall of a cabin, the old arranged wallworks of a sunken ship, the fish swimming in the pelvic bones of old lovers lay tangled ath the bottom of the sea like slugs no longer discernible bone by bone but melted into one squid of time that fog, that terrible and bleak Seattlish fog that potatopatch wise comes bringing messages from Alaska and from the Aleutian mongol, and from the seal, and from the wave, and from the smiling porpoise, that fog at Bayshore you can see waving in and filling in rills and rolling down and making milk on hillsides and you think, "It's hypocricy of men makes these hills grim.
”
”
Jack Kerouac (Lonesome Traveler)
“
Ich hatte nicht das Glück, Marias einziger oder bevorzugter Geliebter zu sein, ich war einer von mehreren. Oft hatte sie keine Zeit für mich, manchmal eine Stunde am Nachmittag, wenige Male eine Nacht. Sie wollte kein Geld von mir nehmen, dahinter steckte wohl Hermine. Aber Geschenke nahm sie gerne, und wenn ich ihr etwa ein neues kleines Portemonnaie aus rotlackiertem Leder schenkte, durften auch zwei, drei Goldstücke darin stecken. Übrigens mit dem roten Geldbeutelchen wurde ich von ihr sehr ausgelacht! Es war entzückend, aber es war ein Ladenhüter, verschollene Mode. In diesen Dingen, von welchen ich bisher weniger gewußt und verstanden hatte als von irgendeiner Eskimosprache, lernte ich von Maria viel. Ich lernte vor allem, daß diese kleinen Spielzeuge, Mode- und Luxussachen nicht bloß Tand und Kitsch sind und eine Erfindung geldgieriger Fabrikanten und Händler, sondern berechtigt, schön, mannigfaltig, eine kleine oder vielmehr große Welt von Dingen, welche alle den einzigen Zweck haben, der Liebe zu dienen, die Sinne zu verfeinern, die tote Umwelt zu beleben und zauberhaft mit neuen Liebesorganen zu begaben, vom Puder und Parfüm bis zum Tanzschuh, vom Fingerring bis zur Zigarettendose, von der Gürtelschnalle bis zur Handtasche. Diese Tasche war keine Tasche, der Geldbeutel war kein Geldbeutel, Blumen keine Blumen, der Fächer kein Fächer, alles war plastisches Material der Liebe, der Magie, der Reizung, war Bote, Schleichhändler, Waffe, Schlachtruf.
”
”
Hermann Hesse (Steppenwolf)
“
THEY HAD GATHERED in Stansfield’s study. It was a quarter past ten in the evening. The director had just returned from the White House and looked tired. At Rapp’s urging, Stansfield had requested extra protection. No one in the CIA’s Office of Security had asked any questions. They didn’t even bat an eye at the request. They were used to such things. Within thirty minutes of Stansfield making the call, a mobile command post and a Chevy Suburban arrived at the director’s house. The mobile command post came with two men to monitor the CP’s communication and surveillance equipment and two more heavily armed men to provide security. The Suburban had brought two German shepherds. The dogs and their machine-gun-toting handlers now patrolled the perimeter
”
”
Vince Flynn (The Third Option (Mitch Rapp, #4))
“
He’d been toting it, and checking it, and packing and unpacking, all the way since fate was on the river - that’s how long - the Big River” - Fate Marable and his riverboat caliope (Cleo seemed to recall), who hadastonished the landings between New Orleans and St. Louis with the wild, harsh, skirling Gypsy music, and left there, echoing in the young and restless even as it dies off round the bed; to linger with them thereafter, in the pelting roar of November midnights and the clickety-clack of lonesome valley freights, until they up one night and go after it in a battered bus, following the telephone wires that make a zigzag music staff against the evening sky - some variation of that basic beginning could be told for everyone who jazz has touched and altered.
”
”
John Clellon Holmes
“
So now I was a beauty editor. In some ways, I looked the part of Condé Nast hotshot—or at least I tried to. I wore fab Dior slap bracelets and yellow plastic Marni dresses, and I carried a three-thousand-dollar black patent leather Lanvin tote that Jean had plunked down on my desk one afternoon. (“This is . . . too shiny for me,” she’d explained.) My highlights were by Marie Robinson at Sally Hershberger Salon in the Meatpacking District; I had a chic lavender pedicure—Versace Heat Nail Lacquer V2008—and I smelled obscure and expensive, like Susanne Lang Midnight Orchid and Colette Black Musk Oil. But look closer. I was five-four and ninety-seven pounds. The aforementioned Lanvin tote was full of orange plastic bottles from Rite Aid; if you looked at my hands digging for them, you’d see that my fingernails were dirty, and that the knuckle on my right hand was split from scraping against my front teeth. My chin was broken out from the vomiting. My self-tanner was uneven because I always applied it when I was strung out and exhausted—to conceal the exhaustion, you see—and my skin underneath the faux-glow was full-on Corpse Bride. A stylist had snipped out golf-ball-size knots that had formed at the back of my neck when I was blotto on tranquilizers for months and stopped combing my hair. My under-eye bags were big enough to send down the runway at Mercedes-Benz Fashion Week: I hadn’t slept in days. I hadn’t slept for more than a few hours at a time in months. And I hadn’t slept without pills in years. So even though I wrote articles about how to take care of yourself—your hair, your skin, your nails—I was falling apart.
”
”
Cat Marnell (How to Murder Your Life)
“
It's ironic that Juanita has come into this place in a low-tech, black-and-white
avatar. She was the one who figured out a way to make avatars show something
close to real emotion. That is a fact Hiro has never forgotten, because she did
most of her work when they were together, and whenever an avatar looks surprised
or angry or passionate in the Metaverse, he sees an echo of himself or Juanita -
- the Adam and Eve of the Metaverse. Makes it hard to forget.
Shortly after Juanita and Da5id got divorced, The Black Sun really took off.
And once they got done counting their money, marketing the spinoffs, soaking up
the adulation of others in the hacker community, they all came to the
realization that what made this place a success was not the collision-avoidance
algorithms or the bouncer daemons or any of that other stuff. It was Juanita's
faces. Just ask the businessmen in the Nipponese Quadrant. They come here to
talk turkey with suits from around the world, and they consider it just as good
as a face-to-face. They more or less ignore what is being said -- a lot gets
lost in translation, after all. They pay attention to the facial expressions
and body language of the people they are talking to. And that's how they know
what's going on inside a person's head-by condensing fact from the vapor of
nuance.
Juanita refused to analyze this process, insisted that it was something
ineffable, something you couldn't explain with words. A radical, rosary-toting
Catholic, she has no problem with that kind of thing. But the bitheads didn't
like it. Said it was irrational mysticism. So she quit and took a job with
some Nipponese company. They don't have any problem with irrational mysticism
as long as it makes money.
But Juanita never comes to The Black Sun anymore. Partly, she's pissed at Da5id
and the other hackers who never appreciated her work. But she has also decided
that the whole thing is bogus. That no matter how good it is, the Metaverse is
distorting the way people talk to each other, and she wants no such distortion
in her relationships.
”
”
Neal Stephenson (Snow Crash)
“
Sempre que he pensat en la mort d'aquell home, […] l'he imaginat com vas dir tu, que se li van trencar totes les cordes de dins. Però hi ha mil maneres de mirar-s'ho: potser es trenquen les cordes, o potser s'enfonsa el nostre vaixell, o potser som herba, i les arrels són tan interdependents que ningú no es mor mentre encara hi hagi algú viu. El que dic és que, de metàfores, en tenim tantes com vulguem. Però s'ha de vigilar la que es tria, perquè és important. Si tries les cordes, llavors conceps un món en què et pots trencar sense que et puguin arreglar. Si tries l'herba, insinues que tots estem connectats fins a l'infinit, que podem utilitzar aquest sistema d'arrels no només per entendre'ns els uns als altres, sinó també per convertir-nos en l'altre.
[…] Les cordes fan que el dolor sembli més fatídic del que és, diria. No som tan fràgils com ens podrien fer entendre les cordes. I també m'agrada l'herba. L'herba m'ha portat fins a tu, m'ha ajudat a imaginar-te com una persona real. Però no som diferents brots de la mateixa planta. Jo no puc ser tu. Tu no pots ser jo. Es pot imaginar prou bé una altra persona, però mai a la perfecció, oi?
Potser és més com deies abans, tots estem esquerdats. Tots comencem sent un vaixell hermètic, un compartiment estanc. I passen coses; la gent ens deixa, o no ens estima, o no ens entén, o no els entenem nosaltres, i ens perdem i ens decebem i ens ferim mútuament. I el vaixell es comença a esquerdar per molts llocs. I, és clar, un cop s'esquerda el vaixell, el final esdevé inevitable. […] Però hi ha tot un lapse de temps entre que es comencen a obrir les esquerdes fins que finalment ens trenquem. I és només durant aquest temps que ens podem veure, perquè nosaltres ens veiem a través de les esquerdes i veiem l'interior dels altres a través de les seves esquerdes. Quan ens hem vist cara a cara? No ha estat fins que tu m'has vist a través de les meves esquerdes i jo t'he vist a través de les teves. Abans, només miràvem idees d'un i altre […]. Però un cop el vaixell s'esquerda, la llum hi pot entrar. La llum en pot sortir.
”
”
John Green (Paper Towns)
“
A Poetry Reading at West Point I read to the entire plebe class, in two batches. Twice the hall filled with bodies dressed alike, each toting a copy of my book. What would my shrink say, if I had one, about such a dream, if it were a dream? Question and answer time. “Sir,” a cadet yelled from the balcony, and gave his name and rank, and then, closing his parentheses, yelled “Sir” again. “Why do your poems give me a headache when I try to understand them?” he asked. “Do you want that?” I have a gift for gentle jokes to defuse tension, but this was not the time to use it. “I try to write as well as I can what it feels like to be human,” I started, picking my way care- fully, for he and I were, after all, pained by the same dumb longings. “I try to say what I don’t know how to say, but of course I can’t get much of it down at all.” By now I was sweating bullets. “I don’t want my poems to be hard, unless the truth is, if there is a truth.” Silence hung in the hall like a heavy fabric. My own head ached. “Sir,” he yelled. “Thank you. Sir.
”
”
Anthony Holden (Poems That Make Grown Men Cry: 100 Men on the Words That Move Them)
“
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s. He paused inside the door, and identified Chang instantly, because she was the only woman in the place. He slid in opposite, across the worn vinyl, and hauled his bag after him. He put his forearm on the table and said, “I assume your other colleague is still missing. Mr. Keever, was it?” Chang nodded and said, “We hit the wall, as far as he’s concerned. We’re dead-ended. We can trace him so far, but no further.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
He was sitting at his desk. He had to get some relief from seeing what he did not want to see. The factory was empty. There was only the night watchman who’d come on duty with his dogs. He was down in the parking lot, patrolling the perimeter of the double-thick chain-link fence, a fence topped off, after the riots, with supplemental scrolls of razor ribbon that were to admonish the boss each and every morning he pulled in and parked his car, “Leave! Leave! Leave!” He was sitting alone in the last factory left in the worst city in the world. And it was worse even than sitting there during the riots, Springfield Avenue in flames, South Orange Avenue in flames, Bergen Street under attack, sirens going off, weapons firing, snipers from rooftops blasting the street lights, looting crowds crazed in the street, kids carrying off radios and lamps and television sets, men toting armfuls of clothing, women pushing baby carriages heavily loaded with cartons of liquor and cases of beer, people pushing pieces of new furniture right down the center of the street, stealing sofas, cribs, kitchen tables, stealing washers and dryers and ovens—stealing not in the shadows but out in the open. Their strength is tremendous, their teamwork is flawless. The shattering of glass windows is thrilling. The not paying for things is intoxicating. The American appetite for ownership is dazzling to behold. This is shoplifting. Everything free that everyone craves, a wonton free-for-all free of charge, everyone uncontrollable with thinking, Here it is! Let it come! In Newark’s burning Mardi Gras streets, a force is released that feels redemptive, something purifying is happening, something spiritual and revolutionary perceptible to all. The surreal vision of household appliances out under the stars and agleam in the glow of the flames incinerating the Central Ward promises the liberation of all mankind. Yes, here it is, let it come, yes, the magnificent opportunity, one of human history’s rare transmogrifying moments: the old ways of suffering are burning blessedly away in the flames, never again to be resurrected, instead to be superseded, within only hours, by suffering that will be so gruesome, so monstrous, so unrelenting and abundant, that its abatement will take the next five hundred years. The fire this time—and next? After the fire? Nothing. Nothing in Newark ever again.
”
”
Philip Roth (American Pastoral)
“
AT: oKAYYYY, mY BROMO SAPIEN,
AT: r U READY,
AT: tO GET STRAIGHT IN, FLAT DOWN, BROAD SIDE, SCHOOL FED UP THE BONE BULGE,
AT: bY A DOPE SMACKED, TRINKED OUT, SMOTHER FUDGING,
AT: tROLLLLLLLLLLLLLLLLL,
TG: dont care
AT: oK, lET ME,
AT: oRGANIZE MY NOTES HERE,
AT: oKAYYY,
AT: (tURN ON SOME STRICT BEATS MAYBE, iT WILL HELP TO LISTEN TO THEM WHILE i DESTROY YOU,)
AT: wHEN THE POLICE MAN BUSTS ME, aND POPS THE TRUNK,
AT: hE'S ALL SUPRISED TO FIND I'M TOTING SICK BILLY,
AT: wHOSE,
AT: gOAT IS THAT, hE ASKS, wHILE HE STOPS TO THUNK
AT: aBOUT IT, aND i'S JUST SAY IT'S DAVE'S, yOU SILLY
AT: gOOSE,
AT: bUT THE MAN SAYS, gOOSE! wHERE, lET ME SEE YOUR HANDS,
AT: aND i SAY SHIT SORRY, i DIDN'T KNOW IT WAS HONKTRABAND,
AT: wOW, oK,
AT: i AM GETTING OFF THE POINT, wHICH WAS,
AT: aBOUT THIS HOT MESS DAVE, tHAT YOU GOT LANDED IN,
AT: lIKE THE COP i MENTIONED, bUT INSTEAD OF YOUR BADGE,
AT: aND YOUR GUN, IT'S YOUR ASS THAT YOU HANDED IN,
AT: (aND THEN GOT HANDED BACK TO YOU,)
AT: cAUSE THAT'S HOW HUMANS GET SERVED,
AT: aND GUYS LIKE YOU DESERVE TO UNDERSTAND THAT iT'S,
AT: a CIRCLE AND HORNS IN YOUR BUTT THAT GOT BRANDED IN,
AT: (uMM, bEFORE i GAVE YOUR ASS BACK TO YOU, i DID THAT, iS WHAT i MEAN,)
AT: bUT i MEAN, gETTING BACK TO THE POINT, oR MAYBE TWO ACTUALLY,
AT: tHE FIRST IS YOU SUCK, aND THE SECOND IS HOW i SMACKEDYOUFULLY,
AT: (oH YEAH, tHAT RHYME WAS SO ILLLLLLLLL,)
AT: bUT NO, jUST JOKING, lET'S SEE, hOW CAN i PUT THIS TACTFULLULLY,
AT: i MEAN THE POINTS ON THE HORNS ON MY HEAD,
AT: cOMING AT YOU THROUGH TRAFFIC,
AT: aIMED AT THE TARGET ON YOUR SHIRT THAT IS RED,
AT: wE'RE ABOUT TO GET MAD HORNOGRAPHIC,
AT: (i MEAN SORT OF LIKE A GRAPHIC CRIME SCENE, nOT LIKE,)
AT: (aNYTHING SEXUAL,)
AT: (eRR, wHOAAAAA,)
AT: (nEVERMIND,)
AT: oK, gETTING BACK TO THE ACTUAL, tACTICAL, vERNACULAR SMACKCICLE,
AT: i'M FORCING YOU TO BE LICKING, (aND lIKING,)
AT: gRAB MY HORNS AND START KICKING, lIKE YOU'RE RIDING A VIKING,
AT: cAUSE i'M YOUR BULLY, aND YOU'RE NOT IN CHARGE,
AT: yOU THINK YOU'RE IN CHARGE BUT YOU'RE NOT IN CHARGE,
AT: i'M IN CHARGE, cAUSE i'M CHARGING IN,
AT: yOUR CHINASHOP,
AT: bREAKING, uH, yOUR PLATES AND STUFF, WHICH i DON'T REALLY KNOW,
AT: wHAT THE PLATES ARE SUPPOSED TO REPRESENT, bUT,
AT: (fUCK,)
AT: iT'S JUST THAT YOU THINK YOU ARE THE COCK OF THE WALK'S HOT SHIT
AT: bUT WHEN IN FACT YOU ARE NOT, mORE LIKE YOU ARE,
AT: sOMETHING THAT RHYMES WITH THE COCK OF THE WALK'S HOT SHIT,
AT: bUT IS SO MUCH WORSE THAN THE COCK'S SHIT,
AT: sO, gIVEN THAT, lET ME BE THE FIRST,
AT: tO SAY YOU ACT LIKE YOU'RE GOLD FROM PROSPIT,
AT: wHEN YOU'RE REALLY COLD SHIT FLUSHED FROM DERSE,
”
”
Andrew Hussie (Homestuck)
“
Obama benefited from Saul Alinsky’s transracial strategy to assemble an effective coalition. Alinsky’s goal was for the activist to reach America’s white middle class because, as he put it, “that is where the power is.” Alinsky had nothing but contempt for left-wing activists who treated the white middle class as a bunch of square, sexually uptight, gun-toting, small-minded racists. Yes, Alinsky wrote, the middle class is mighty screwed up. But it has become that way because it’s desperate; its economic condition is deteriorating and so people turn to guns and religion to give them consolation. (Sound familiar?) Alinsky advocated that a successful activist must not disdain the middle class but rather join it. Certainly he wasn’t calling for an embrace of the provincial values of the middle class. Rather, he urged that activists adopt the style and attitude of the middle class. If the middle class is “square,” then be square. Don’t wear the black leather jacket and the hippie bandana; wear a suit and tie. Don’t come across as an angry misfit; come across as a nice young man who is only upset because of manifest injustice. Smile a lot; smiles are a great way to disguise rage and contempt. In this way, Alinsky argued, the activist could build a rapport with ordinary Americans and mobilize them on behalf of radical causes.10
”
”
Dinesh D'Souza (The Roots of Obama's Rage)
“
Sky's The Limit"
[Intro]
Good evening ladies and gentlemen
How's everybody doing tonight
I'd like to welcome to the stage, the lyrically acclaimed
I like this young man because when he came out
He came out with the phrase, he went from ashy to classy
I like that
So everybody in the house, give a warm round of applause
For the Notorious B.I.G
The Notorious B.I.G., ladies and gentlemen give it up for him y'all
[Verse 1]
A nigga never been as broke as me - I like that
When I was young I had two pair of Lees, besides that
The pin stripes and the gray
The one I wore on Mondays and Wednesdays
While niggas flirt I'm sewing tigers on my shirts, and alligators
You want to see the inside, I see you later
Here comes the drama, oh, that's that nigga with the fake, blaow
Why you punch me in my face, stay in your place
Play your position, here come my intuition
Go in this nigga pocket, rob him while his friends watching
And hoes clocking, here comes respect
His crew's your crew or they might be next
Look at they man eye, big man, they never try
So we rolled with them, stole with them
I mean loyalty, niggas bought me milks at lunch
The milks was chocolate, the cookies, butter crunch
88 Oshkosh and blue and white dunks, pass the blunts
[Hook: 112]
Sky is the limit and you know that you keep on
Just keep on pressing on
Sky is the limit and you know that you can have
What you want, be what you want
Sky is the limit and you know that you keep on
Just keep on pressing on
Sky is the limit and you know that you can have
What you want, be what you want, have what you want, be what you want
[Verse 2]
I was a shame, my crew was lame
I had enough heart for most of them
Long as I got stuff from most of them
It's on, even when I was wrong I got my point across
They depicted me the boss, of course
My orange box-cutter make the world go round
Plus I'm fucking bitches ain't my homegirls now
Start stacking, dabbled in crack, gun packing
Nickname Medina make the seniors tote my Niñas
From gym class, to English pass off a global
The only nigga with a mobile can't you see like Total
Getting larger in waists and tastes
Ain't no telling where this felon is heading, just in case
Keep a shell at the tip of your melon, clear the space
Your brain was a terrible thing to waste
88 on gates, snatch initial name plates
Smoking spliffs with niggas, real-life beginner killers
Praying God forgive us for being sinners, help us out
[Hook]
[Verse 3]
After realizing, to master enterprising
I ain't have to be in school by ten, I then
Began to encounter with my counterparts
On how to burn the block apart, break it down into sections
Drugs by the selections
Some use pipes, others use injections
Syringe sold separately Frank the Deputy
Quick to grab my Smith & Wesson like my dick was missing
To protect my position, my corner, my lair
While we out here, say the Hustlers Prayer
If the game shakes me or breaks me
I hope it makes me a better man
Take a better stand
Put money in my mom's hand
Get my daughter this college grant so she don't need no man
Stay far from timid
Only make moves when your heart's in it
And live the phrase sky's the limit
Motherfuckers
See you chumps on top
[Hook]
”
”
The Notorious B.I.G
“
Sociologist Barry Glassner (1999) has documented many of the biases introduced by “If it bleeds, it leads” news reporting, and by the strategic efforts of special interest groups to control the agenda of public fear of crime, disease, and other hazards. Is an increase of approximately 700 incidents in 50 states over 7 years an “epidemic” of road rage? Is it conceivable that there is (or ever was) a crisis in children’s day care stemming from predatory satanic cults? In 1994, a research team funded by the U.S. government spent 4 years and $750,000 to reach the conclusion that the myth of satanic conspiracies in day care centers was totally unfounded; not a single verified instance was found (Goodman, Qin, Bottoms, & Shaver, 1994; Nathan & Snedeker, 1995). Are automatic-weapon-toting high school students really the first priority in youth safety? (In 1999, approximately 2,000 school-aged children were identified as murder victims; only 26 of those died in school settings, 14 of them in one tragic incident at Columbine High School in Littleton, Colorado.) The anthropologist Mary Douglas (Douglas & Wildavsky, 1982) pointed out that every culture has a store of exaggerated horrors, many of them promoted by special interest factions or to defend cultural ideologies. For example, impure water had been a hazard in 14th-century Europe, but only after Jews were accused of poisoning wells did the citizenry become preoccupied with it as a major problem.
But the original news reports are not always ill-motivated. We all tend to code and mention characteristics that are unusual (that occur infrequently). [...] The result is that the frequencies of these distinctive characteristics, among the class of people considered, tend to be overestimated.
”
”
Reid Hastie (Rational Choice in an Uncertain World: The Psychology of Judgement and Decision Making)
“
Der Wille der Kranken, irgendeine Form der Überlegenheit darzustellen, ihr Instinkt[864] für Schleichwege, die zu einer Tyrannei über die Gesunden führen – wo fände er sich nicht, dieser Wille gerade der Schwächsten zur Macht! Das kranke Weib insonderheit: niemand übertrifft es in Raffinements, zu herrschen, zu drücken, zu tyrannisieren. Das kranke Weib schont dazu nichts Lebendiges, nichts Totes, es gräbt die begrabensten Dinge wieder auf (die Bogos sagen: »das Weib ist eine Hyäne«). Man blicke in die Hintergründe jeder Familie, jeder Körperschaft, jedes Gemeinwesens: überall der Kampf der Kranken gegen die Gesunden – ein stiller Kampf zumeist mit kleinen Giftpulvern, mit Nadelstichen, mit tückischem Dulder-Mienenspiele, mitunter aber auch mit jenem Kranken-Pharisäismus der lauten Gebärde, der am liebsten »die edle Entrüstung« spielt. Bis in die geweihten Räume der Wissenschaft hinein möchte es sich hörbar machen, das heisere Entrüstungs-Gebell der krankhaften Hunde, die bissige Verlogenheit und Wut solcher »edlen« Pharisäer (– ich erinnere Leser, die Ohren haben, nochmals an jenen Berliner Rache-Apostel Eugen Dühring, der im heutigen Deutschland den unanständigsten und widerlichsten Gebrauch vom moralischen Bumbum macht: Dühring, das erste Moral-Großmaul, das es jetzt gibt, selbst noch unter seinesgleichen, den Antisemiten). Das sind alles Menschen des Ressentiment, diese physiologisch Verunglückten und Wurmstichigen, ein ganzes zitterndes Erdreich unterirdischer Rache, unerschöpflich, unersättlich in Ausbrüchen gegen die Glücklichen und ebenso in Maskeraden der Rache, in Vorwänden zur Rache: wann würden sie eigentlich zu ihrem letzten, feinsten, sublimsten Triumph der Rache kommen? Dann unzweifelhaft, wenn es ihnen gelänge, ihr eignes Elend, alles Elend überhaupt den Glücklichen ins Gewissen zu schieben: so daß diese sich eines Tags ihres Glücks zu schämen begännen und vielleicht untereinander sich sagten »es ist eine Schande, glücklich zu sein! es gibt zu viel Elend!«... Aber es könnte gar kein größeres und verhängnisvolleres Mißverständnis geben, als wenn dergestalt die Glücklichen, die Wohlgeratenen, die Mächtigen an Leib und Seele anfingen, an ihrem Recht auf Glück zu zweifeln. Fort mit dieser »verkehrten Welt«! Fort mit dieser schändlichen Verweichlichung des Gefühls! Daß die Kranken nicht die Gesunden krank machen – und dies wäre eine solche Verweichlichung –, das sollte doch der oberste Gesichtspunkt auf Erden sein – dazu aber gehört[865] vor allen Dingen, daß die Gesunden von den Kranken abgetrennt bleiben, behütet selbst vor dem Anblick der Kranken, daß sie sich nicht mit den Kranken verwechseln. Oder wäre es etwa ihre Aufgabe, Krankenwärter oder Ärzte zu sein?... Aber sie könnten ihre Aufgabe gar nicht schlimmer verkennen und verleugnen – das Höhere soll sich nicht zum Werkzeug des Niedrigeren herabwürdigen, das Pathos der Distanz soll in alle Ewigkeit auch die Aufgaben auseinanderhalten! Ihr Recht, dazusein, das Vorrecht der Glocke mit vollem Klange vor der mißtönigen, zersprungenen, ist ja ein tausendfach größeres: sie allein sind die Bürgen der Zukunft, sie allein sind verpflichtet für die Menschen-Zukunft. Was sie können, was sie sollen, das dürften niemals Kranke können und sollen: aber damit sie können, was nur sie sollen, wie stünde es ihnen noch frei, den Arzt, den Trostbringer, den »Heiland« der Kranken zu machen?... Und darum gute Luft! gute Luft! und weg jedenfalls aus der Nähe von allen Irren- und Krankenhäusern der Kultur! Und darum gute Gesellschaft, unsre Gesellschaft! Oder Einsamkeit, wenn es sein muß! Aber weg jedenfalls von den üblen Dünsten der inwendigen Verderbnis und des heimlichen Kranken-Wurmfraßes!... Damit wir uns selbst nämlich, meine Freunde, wenigstens eine Weile noch gegen die zwei schlimmsten Seuchen verteidigen, die gerade für uns aufgespart sein mögen – gegen den großen Ekel am Menschen! gegen das große Mitleid mit dem Menschen!...
”
”
Friedrich Nietzsche (Jenseits von Gut und Böse/Zur Geneologie der Moral)
“
She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides.
She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds.
With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God.
After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.
”
”
Tracy Guzeman (The Gravity of Birds)
“
The most comprehensive studies of racial bias in the exercise of prosecutorial and judicial discretion involve the treatment of juveniles. These studies have shown that youth of color are more likely to be arrested, detained, formally charged, transferred to adult court, and confined to secure residential facilities than their white counterparts.65 A report in 2000 observed that among youth who have never been sent to a juvenile prison before, African Americans were more than six times as likely as whites to be sentenced to prison for identical crimes.66 A study sponsored by the U.S. Justice Department and several of the nation’s leading foundations, published in 2007, found that the impact of the biased treatment is magnified with each additional step into the criminal justice system. African American youth account for 16 percent of all youth, 28 percent of all juvenile arrests, 35 percent of the youth waived to adult criminal court, and 58 percent of youth admitted to state adult prison.67 A major reason for these disparities is unconscious and conscious racial biases infecting decision making. In the state of Washington, for example, a review of juvenile sentencing reports found that prosecutors routinely described black and white offenders differently.68 Blacks committed crimes because of internal personality flaws such as disrespect. Whites did so because of external conditions such as family conflict. The risk that prosecutorial discretion will be racially biased is especially acute in the drug enforcement context, where virtually identical behavior is susceptible to a wide variety of interpretations and responses and the media imagery and political discourse has been so thoroughly racialized. Whether a kid is perceived as a dangerous drug-dealing thug or instead is viewed as a good kid who was merely experimenting with drugs and selling to a few of his friends has to do with the ways in which information about illegal drug activity is processed and interpreted, in a social climate in which drug dealing is racially defined. As a former U.S. Attorney explained: I had an [assistant U.S. attorney who] wanted to drop the gun charge against the defendant [in a case in which] there were no extenuating circumstances. I asked, “Why do you want to drop the gun offense?” And he said, “‘He’s a rural guy and grew up on a farm. The gun he had with him was a rifle. He’s a good ol’ boy, and all good ol’ boys have rifles, and it’s not like he was a gun-toting drug dealer.” But he was a gun-toting drug dealer, exactly.
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
The belief that one cannot be fascist in any shape or form liberates the individual to behave as fascist as possible, granting him or her the illusion of anti-fascist sainthood—as has been witnessed with the wildly violent, Fascist-Marxist organizations like the ‘Antifa’ movement. These hateful gangs of revolutionary socialist and anarcho-statist militants are convinced that they are incapable of ever toting the baggage of fascism and therefore can freely be more violently fascist than the average fascist. Thinking they are free of fascist-socialist contamination, they can easily become what they oppose.
”
”
L.K. Samuels (Killing History: The False Left-Right Political Spectrum and the Battle between the 'Free Left' and the 'Statist Left')
“
If you’re a lawyer in a TV show, you handle only one case at a time, wrap it up by the last pitch for Pepto-Bismol, after which you’re toting your briefcase down the courthouse steps with a beautiful client congratulating you for a wonderful job. Real life is different.
”
”
Paul Levine (Flesh and Bones (Jake Lassiter #7))
“
For the life of me, I can’t comprehend why any black man with even a lick of sense would have the slightest bit of interest in time travel. Going backward in time? A black man? You have got to be out of your mind. “Why are you laughing? This is serious business. I am telling you the truth now. You give a white man a time machine and he’s gonna think about going on vacation! He’ll think it might be fun to go check out the 1960s, or ancient Rome, or something. He will jump in that time machine, and start twisting dials, and he will have himself a grand old time. He’ll fit in just about anywhere! But can you imagine some crazy black man doing that? Some Carlton Banks–looking jackass strolling up to this time machine with a sweater tied around his neck, toting a picnic basket, thinking this shit is a joke? Next thing Carlton knows, he’s on the Middle Passage! Hundreds of men chained in the hold of a ship, constant wailing and moaning. The guy on one side of him just died two hours ago; the guy on his other side is saying, ‘When I had land beneath my feet I was a prince. Now I am at sea, and I am less than a maggot. When I am taken up to the deck for food and fresh air, I will throw myself over the side, and I will sink beneath the waves. When my feet touch the ocean floor I will become a prince once more.’ Carlton is all shackled up and ready to shit himself, and he’s going, ‘Oh dear me, the conditions of this cruise are most intolerable! Where is the all-you-care-to-eat buffet? Where is the family-friendly stand-up comic? Rest assured I will be writing a stern letter to the proprietors as soon as this is over.’ Hell with that.
”
”
Dexter Palmer (Version Control)
“
Here is what I don’t understand at all. For the life of me, I can’t comprehend why any black man with even a lick of sense would have the slightest bit of interest in time travel. Going backward in time? A black man? You have got to be out of your mind. “Why are you laughing? This is serious business. I am telling you the truth now. You give a white man a time machine and he’s gonna think about going on vacation! He’ll think it might be fun to go check out the 1960s, or ancient Rome, or something. He will jump in that time machine, and start twisting dials, and he will have himself a grand old time. He’ll fit in just about anywhere! But can you imagine some crazy black man doing that? Some Carlton Banks–looking jackass strolling up to this time machine with a sweater tied around his neck, toting a picnic basket, thinking this shit is a joke? Next thing Carlton knows, he’s on the Middle Passage! Hundreds of men chained in the hold of a ship, constant wailing and moaning. The guy on one side of him just died two hours ago; the guy on his other side is saying, ‘When I had land beneath my feet I was a prince. Now I am at sea, and I am less than a maggot. When I am taken up to the deck for food and fresh air, I will throw myself over the side, and I will sink beneath the waves. When my feet touch the ocean floor I will become a prince once more.’ Carlton is all shackled up and ready to shit himself, and he’s going, ‘Oh dear me, the conditions of this cruise are most intolerable! Where is the all-you-care-to-eat buffet? Where is the family-friendly stand-up comic? Rest assured I will be writing a stern letter to the proprietors as soon as this is over.’ Hell with that. “I’m telling you, Terence: time travel is something only a white man would think is a good idea, and he is welcome to it, as far as I’m concerned.
”
”
Dexter Palmer (Version Control)
“
(...) la vida l'hem de viure com un Tour de France que ens deixen córrer però que no podem guanyar, com si ens haguessin desqualificat a la sortida perquè havíem de ser d'un país oficial, què sé jo, i som d'un altre lloc extraoficial que no pot competir, una cosa així d'absurda; però precisament per això n'hem d'intentar guanyar totes les etapes.
”
”
Maria Climent (Gina)
“
... während sie schnell und atemlos die Treppe hochstieg und hinter den winselnden Hunden durch den langen Flur des ersten Stockwerks zu Rudolfs Zimmer ging, war in ihr eine entgegengesetzte Bewegung ständigen Zurückweichens und Fliehens, und als sie im Türrahmen von Rudolfs Zimmer stand, hatte sie einen Zustand unmenschlicher Sachlichkeit und Leere erreicht.
Sie sah, daß er sich erschossen hatte. Er hatte sich durch den Mund geschossen, der ein blutiges Loch in zerrissenen und zerfetzten Wangen war. Er lag zurückgeschleudert auf dem Bett, den Kopf in der Wandecke, das Gewehr neben sich, die Augen waren aufgerissen, der Hinterkopf fehlte und klebte hinter ihm an der Wand als eine blutige Aureole. Als sie seine nackten Füße sah, wußte sie, daß er mit den Zehen den Schuß gelöst hatte, während die Mündung des Laufes in seinem Mund steckte.
Hinter allem Begreifen mußte der Schrecken sein. Oder war das der Schrecken, abgeschnitten von jedem Gefühl, immer nur sehen zu müssen, daß alles zu spät war? So getrennt zu werden von jeder Vergebung? So stehen zu müssen, angestarrt von Augen, die sie erwartet hatten und die jetzt gebrochen waren über dem Blutloch des Mundes und seinem schreienden Schweigen?
Sie wagte nicht, sich abzuwenden und der zusammengesunkenen Gestalt und ihrem zersprengten Kopf den Rücken zuzukehren, wagte auch nicht, näher heranzugehen. Rudolf, dachte sie. Aber der Tote schien den Namen nicht anzunehmen. Er war es und war niemand. Unmerklich und unaufhörlich verwandelte er sich. Der Tod, der seine Augen von innen versiegelt hatte, dehnte sich immer mehr aus. Sie verurteilte sich, ihn anzusehen. Er lag da, unabänderlich, unberührbar, in einer kalten, reglosen Fremdheit, die noch endgültiger als das Entsetzen war. Seine Zeit, die auch ihre Zeit hätte sein können, war vorbei.
”
”
Wellershoff Dieter
“
Hi ha llocs on una pensa que no hi anirà mai, llocs inabastables, tan llunyans i perillosos que gairebé no existeixen, llocs que no surten als mapes ni a les cartes de navegació perquè només són reals dins d’una mateixa, són una creació del cap i el cor i les entranyes, espais per on gairebé no gosem ni imaginar-nos que puguem arribar a transitar perquè són els llocs inexistents pels quals en canvi valdria la pena arriscar-ho tot, penjar la vida i capbussar-se en la quimera. Em sembla que tots tenim un lloc així, o potser no tots, potser hauria de dir totes; potser aquesta fal·làcia és més de dones, que tenim una tendència innata a crear contes de fades en la nostra imaginació i ens agrada pensar malgrat tot que el príncep blau no només existeix sinó que sap on som i un dia o altre vindrà a buscar-nos.
En el moment en què una cançó que sona a l’iPod ens fa plorar a la cua del supermercat, en el precís instant en què un paràgraf d’una novel·la evoca el record d’un fet que potser no ha passat però que tot i així fa tant de mal que obliga a tancar el llibre i respirar fondo, llavors s’obre la porta a aquests llocs que ens acompanyen, i és allà on hi trobes una part de tu mateixa que no existeix enlloc més i que mai no saps si has d’endur-te posada o s’ha de quedar allà on és i des d'allà il·luminar la vida que vius dia a dia.
”
”
Berta Noy (Lugares que no aparecen en los mapas)
“
One early morning while jogging through the outskirts of Bahesht along the river, I had the rare privilege to witness a spectacular anthropological wonder. A huge caravan of what seemed like a thousand kuchis (nomads), at least twice that many camels toting all their worldly goods, and several thousand sheep and goats came walking through town on a singular dirt road. They were obviously heading to a new home somewhere up in the mountains, stirring up the dust in the early morning light. Their caravan stretched for well over a mile. As I ran past countless camels—laden with collapsed, black tents topped by ancient-looking women and led by men who looked as if they had stepped out of the Old Testament—I couldn’t help but marvel that these are some of the very few true nomads left on the face of the earth. The kuchis looked back at me as though I was from another planet. Abraham must have looked like these men, I thought as I continued my jog. Now there was a true nomad who walked by faith and not by sight! His citizenship was in heaven! It dawned on me that if I am to be a real follower of Jesus, I am called to be something of a nomad on this earth. I thought of a verse that I had recently read about Abraham and other spiritual nomads, Hebrews 11:16: “But as it is, they desire a better country, that is, a heavenly one. Therefore God is not ashamed to be called their God, for he has prepared for them a city.” I smiled at the kuchi men that I jogged past. I know that I look different, but I am more like you than you may think ... I’m a nomad, too! Our guys in Bahesht were living as nomads on earth more than I was. I had a family and lived in the fair city of Iskandar in The Museum—basically a mud mansion—and here they were scraping by in one of the most remote and difficult places on the planet, trying to serve the poorest of the poor.
”
”
Matthew Collins (Three Years in Afghanistan: An American Family’s Story of Faith, Endurance, and Love)
“
Tinc la teoria que el motiu pel qual somiem és perquè pensem en coses que no sabem que pensem; i totes aquestes coses, no ho sé, se'ns escapoleixen a través dels somnis.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
Va traçar el seu nom a la meva esquena. Jo el meu a la seva.
Tota l'estona.
Era això, el que em passava. Durant tot aquest temps havia estat intentant esbrinar els secrets de l'univers, els secrets del meu propi cos, del meu cor. Totes les respostes havien estat sempre tan a prop i a la vegada sempre les havia combatut sense ni tan sols saber-ho. Des del primer minut que vaig conèixer en Dante, me'n vaig enamorar. E que passa és que no em vaig permetre saber-ho, pensar-ho, sentir-ho. El pare tenia raó. I era cert el que la mare deia. Tots llitem les nostres pròpies guerres.
Mentre en Dante i jo estàvem estirats amb les esquenes contra la part del darrere de la camioneta i contemplàvem les estrelles de l'estiu, era lliure. Imagina-t'ho. Aristòtil Mendoza, un home lliure. Ja no tenia por.
Vaig pensar en la cara que havia fet la mare quan li vaig dir que estava avergonyit. Vaig pensar en aquella mirada d'amor i compassió que feia mentre em mirava. «Avergonyit? D'estimar en Dante?»
Vaig agafar-li la mà a en Dante.
Com podia haver estat mai avergonyit d'estimar en Dante Quintana?
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))