Tosspot Quotes

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Mr. Suttree it is our understanding that at curfew rightly decreed by law and in that hour wherein night draws to its proper close and the new day commences and contrary to conduct befitting a person of your station you betook yourself to various low places within the shire of McAnally and there did squander several ensuing years in the company of thieves, derelicts, miscreants, pariahs, poltroons, spalpeens, curmudgeons, clotpolls, murderers, gamblers, bawds, whores, trulls, brigands, topers, tosspots, sots and archsots, lobcocks, smellsmocks, runagates, rakes, and other assorted and felonious debauchees. I was drunk, cried Suttree.
Cormac McCarthy (Suttree)
Now, are you just a bloody noisy tosspot, or are you going to help me?
Ian Simpson (Murder on Page One (Flick Fortune and Baggo Chandavarkar, #1))
toss-pot
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
tosspot,
Stephen King (The Stand)
Mr Suttree it is our understanding that at curfew rightly decreed by law and in that hour wherein night draws to its proper close and the new day commences and contrary to conduct befitting a person of your station you betook yourself to various low places within the shire of McAnally and there did squander several ensuing years in the company of thieves, derelicts, miscreants, pariahs, poltroons, spalpeens, curmudgeons, clotpolls, murderers, gamblers, bawds, whores, trulls, brigands, topers, tosspots, sots and archsots, lobcocks, smellsmocks, runagates, rakes, and other assorted and felonious debauchees. I was drunk, cried Suttree.
Cormac McCarthy (Suttree)
I had my Boswell, once,” Mason tells Boswell, “Dixon and I. We had a joint Boswell. Preacher nam’d Cherrycoke. Scribbling ev’rything down, just like you, Sir. Have you,” twirling his Hand in Ellipses,— “you know, ever . . . had one yourself? If I’m not prying.” “Had one what?” “Hum . . . a Boswell, Sir,— I mean, of your own. Well you couldn’t very well call him that, being one yourself,— say, a sort of Shadow ever in the Room who has haunted you, preserving your ev’ry spoken remark,— ” “Which else would have been lost forever to the great Wind of Oblivion,— think,” armsweep south, “as all civiliz’d Britain gathers at this hour, how much shapely Expression, from the titl’d Gambler, the Barmaid’s Suitor, the offended Fopling, the gratified Toss-Pot, is simply fading away upon the Air, out under the Door, into the Evening and the Silence beyond. All those voices. Why not pluck a few words from the multitudes rushing toward the Void of forgetfulness?
Thomas Pynchon (Mason & Dixon)
No tosspot talks like that about my brother.” Marianne picked up the gin bottle, dragged out the cork with her teeth, and spat it on the table. “To womanly dignity.” She swigged a mouthful and passed the bottle.
K.J. Charles (The Gentle Art of Fortune Hunting)
These young people didn’t live in a world of ladies and gentlemen. They were allowed to dress like slobs and curse like gangsters. To drink like tosspots. To tattoo and pierce their bodies like primitives. To listen to songs with animal rhythms and vulgar lyrics. They had no curfews, no chaperones, no guidance that applied to real-life male and female behavior. Indeed, they were told that gender was mutable and sex an irrelevance. And then the young men—only the men—were held to rules of behavior that would have been restrictive when Victoria was queen.
Andrew Klavan
Chris had recently got a tattoo across his back reading: ‘CRIMINAL’. He told us he got it done because that was what we were always calling him, saying, “I want to be unique, just like everyone else.” He should have listened a bit closer to find out what we actually called him, and then he would have ended up getting ‘TOSSPOT’ tattooed instead and saved himself the cost of a letter. Chris
John Donoghue (Police, Crime & 999 - The True Story of a Front Line Officer)
Preface This piece of shit (book?) was written during a 7 day alcohol binge and as such contains many errors in booth smelling and, grandma. They’ve been left in largely out of laziness but I’ll justify it and say ‘comedic effect’. If you take umbrage (hmm big word) with this please email me at: getalife_tosspot@fakeemails.co.uk  Or alternatively wright a letter to the following address: 123 Fake street, London, Brazil Me and the team (just me then) will definitely read what you send, we (I) promise.
Joseph Hendon (Musings of a Madman and Drunkard)
Miserable tosspots always expected the worst and usually got it.
Derek Birks (The Blood of Princes)
Dreamy tosspots, they stand all afternoon in a 2nd Avenue bar looking at the sun-patterns under the L or their own faces in the mirror; they do good but not good enough work on the paper and dream of the novel they're certainly going to get around to someday; they stand behind a desk on the lecture-platform lecturing with loving and fruitless persuasion to students watching the clock; throughout whole evenings with sinking heart they sit watching their wives over the edge of a book and wondering how, how, how had it ever come about; they live in and search the past not to discover where and at what point they missed the boat but only to revel in the fancied and fanciful pleasures of a better happier and easier day; they see not wisely but too well and what they see isn't worth it; they eat of and are eaten by ennui, with no relief from boredom even in their periodic plunges from euphoria to despair or their rapid rise back to the top again. They wake up mornings such as this, all but out of their minds with remorse, enduring what others call and can call a hangover—that funny word Americans will joke about forever, even when the morning-after is their own.
Charles Jackson (The Lost Weekend)