Top Shelf Quotes

Look, calling somebody in a wheelchair handicapable doesn`t all of a sudden give them the power to climb stairs or the ability to grab Ho-Hos off the top shelf.

Your mom isn’t going to let me step foot inside this place. I’ve seen the gun she keeps on the top shelf of the pantry.

GOD DOESN’T HATE FAGS OR ANYBODY ELSE FOR THAT MATTER. GOD SAVES! THEN, GOD PASSES IT TO GRETZKY - WHO ROOFS THAT SHIT, TOP-SHELF! THEN GOD AND GRETZKY HIGH FIVE & BELLY-BUMP, CELEBRATING THEIR HOCKEY PROWESS. AND NEVER ONCE DO THEY GIVE A SHIT IF ANYBODY’S GAY OR NOT.

[Greens] don't come through the back door the same as other groceries. They don't cower at the bottom of paper bags marked 'Liberty.' They wave over the top. They don't stop to be checked off the receipt. They spill out onto the counter. No going onto shelves with cans in orderly lines like school children waiting for recess. No waiting, sometimes for years beyond the blue sell by date, to be picked up and taken from the shelf. Greens don't stack or stand at attention. They aren't peas to be pushed around. Cans can't contain them. Boxed in they would burst free. Greens are wild. Plunging them into a pot took some doing. Only lobsters fight more. Either way, you have to use your hands. Then, retrieving them requires the longest of my mother's wooden spoons, the one with the burnt end. Swept onto a plate like the seaweed after a storm, greens sit tall, dark, and proud.

A funeral is supposed to be a way to say goodbye. You look inside yourself and find a place to put your grief, not somewhere hidden, not the top shelf or the back of a cupboard, but maybe by a window, where it can catch the light.

Ah." Ax nodded. "She does not understand how menacing we are." He tapped her on the shoulder. "You do not know me," he said, "but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow and I am causing mayhem in this store." He reached behind her and pulled three jars of baby food from the top shelf. Shoved them behind a box of macaroni. Shuffled the Chess Whizzed in front of the Marshmallow Fluff. Tossed a bag of lady's shavers onto a bag of hamburger buns. "There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened." "If she could see you, she'd have you committed," Marco muttered.

He’s like top shelf alcohol, nice to look at and dream about, but you just know that one taste will knock you on your ass.

...Mr. Wodehouse is a prose stylist of such startling talent that Frankie nearly skipped around with glee when she first read some of his phrases. Until her discovery of Something Fresh on the top shelf of Ruth's bookshelf one bored summer morning, Frankie's leisure reading had consister primarily of paperback mysteries she found on the spinning racks at the public library down the block from her house, and the short stories of Dorothy Parker. Wodehouse's jubilant wordplay bore itself into her synapses like a worm into a fresh ear of corn.

Top shelf where momma hides the cookies!

[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again

To be poor in a rich city brings all kinds of ironies, perhaps none greater than this: The donated clothing is top shelf. Used purple uggs and pantagonia fleeces cover thinning socks and fraying jeans. A Phil & Teds rain shell fished from the garbage protects the babys creaky stroller.

I folded up that last bit of hope and put it away on the top shelf of my life.

Is that so? Trauma in Hampstead? Let me guess, catastrophic hernias from making a mistake picking up a sack of money, reaching for a book on the top shelf and being bludgeoned by a misplaced gold bar.

Cause The one thing that I learned from dad besides the cheap stuff fucks you up as much as the stuff on the top shelf does is it doesn't matter what you say or think, or wish you said but didn't say- just what you do.

Put your vocabulary on the top shelf of your toolbox, and don't make any conscious effort to improve it... One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you're maybe a little bit ashamed of your shot ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of pre-meditated cuteness should be even more embarrassed. Make yourself a solemn promise right now that you'll never use 'emolument' when you mean 'tip' and you'll never say 'John stopped long enough to perform an act of excretion' when you mean 'John stopped long enough to take a shit'. If you believe 'take a shit' would be considered offensive or inappropriate by your audience, feel free to say 'John stopped long enough to move his bowels'...

Little soul, little perpetually undressed one, do now as I bid you, climb the shelf-like branches of the spruce tree; wait at the top, attentive, like a sentry or look-out. He will be home soon; it behooves you to be generous. You have not been completely perfect either; with your troublesome body you have done things you shouldn’t discuss in poems. Therefore call out to him over the open water, over the bright water with your dark song, with your grasping, unnatural song—passionate, like Marie Callas. Who wouldn’t want you? Whose most demonic appetite could you possibly fail to answer? Soon he will return from wherever he goes in the meantime, suntanned from his time away, wanting his grilled chicken. Ah, you must greet him, you must shake the boughs of the tree to get his attention, but carefully, carefully, lest his beautiful face be marred by too many falling needles.

Wear your new boots." He passed her the clothes. "They'll work well with that, and with the coat as well." "What new boots?" Her eyebrows drew together as he took them off a shelf. "And where did they come from?" "The boot elves, I assume." "The boot elves are going to be pissed when they're dinged and scuffed inside a week." "Oh, I think they're more tolerant than that." "Those elves keep this up I'm going to need a bigger closet." But she dressed as advised, then sat to pull on the boots while Roarke programmed breakfast for two. They slid on like--as Peabody might say--butter. "Okay." She stood, took some strides. "They're great. Sturdy--I could definitely kick some teeth in with these." "The elves had that as top priority.

Friday night, I resolved to have a quiet time. Two pints and a chips carry-home. Alas, the pints got away from me and I hit the top shelf.

Vodka. Top shelf.” He slaps his hand on the bar top like he’s been waiting ten hours to be served.

If the choices you make are not quality, don't put them on the top shelf.

Standing in front of my wardrobe, staring at the boxes on the top shelf, I smiled to myself. I was faced with my usual dilemma, picking out the right hat.

In cases like this, I recommend that my clients make a personal altar in a corner of their house. Although I use the word “altar,” there is no need to worry about the direction it faces or the design. Just make a corner that is shrine-like. I recommend the top shelf in a bookcase because locating it above eye level makes it more shrine-like. One theme underlying my method of tidying is transforming the home into a sacred space, a power spot filled with pure energy. A comfortable environment, a space that feels good to be in, a place where you can relax—these are the traits that make a home a power spot. Would you rather live in a home like this or in one that resembles a storage shed? The answer, I hope, is obvious.

One of my dinner companions invited me on a strip-club excursion. I demurred, spoiled by the erotic revues of Anhedonia, where the performers remain fully clothed but get emotionally naked, delivering monologues about their top-shelf disappointments, and times when they were almost happy. Hard to enjoy American-style strip clubs after that. Once you go bleak, you never go back.

Randy stared into the glass he held in his hand, gazing into its cobra eyes. A double shot of thirty-year-old single malt whisky. You can’t be an alcoholic when you only drink top shelf. Right?

you are an exit wound the extra shot of tequila the tangled knot of hair that has to be cut out you are the cell phone ringing in a hushed theatre pebble wedged in the sole of a boot the bloody hangnail you are, just this once you are flip flops in a thunderstorm the boy’s lost erection a pen gone dry you are my father’s nightmare my mother’s mirage you are a manic high which is to say: you are a bad idea you are herpes despite the condom you are, I know better you are pieces of cork floating in the wine glass you are the morning after whose name I can’t remember still in my bed the hole in my rain boots vibrator with no batteries you are, shut up and kiss me you are naked wearing socks mascara bleeding down laughing cheeks you are the wrong guy buying me a drink you are the typo in an otherwise brilliant novel sweetalk into unprotected sex the married coworker my stubbed toe you are not new or uncommon not brilliant or beautiful you are a bad idea rock star in the back seat of a taxi burned popcorn top shelf, at half price you are everything I want you are a poem I cannot write a word I cannot translate you are an exit wound a name I cannot bring myself to say aloud

After Laura and Mary had washed and wiped the dishes, swept the floor, made their bed, and dusted, they settled down with their books. But the house was so cosy and pretty that Laura kept looking up at it. The black stove was polished till it gleamed. A kettle of beans was bubbling on its top and bread was baking in the oven. Sunshine slanted through the shining windows between the pink-edged curtains. The red-checked cloth was on the table. Beside the clock on its shelf stood Carrie’s little brown-and-white dog, and Laura’s sweet jewel-box. And the little pink-and-white shepherdess stood smiling on the wood-brown bracket.

She hummed to herself because she was an unrivaled botcher of lyrics. When we were first dating, a Genesis song came on the radio: “She seems to have an invisible touch, yeah.” And Amy crooned instead, “She takes my hat and puts it on the top shelf.” When I asked her why she’d ever think her lyrics were remotely, possibly, vaguely right, she told me she always thought the woman in the song truly loved the man because she put his hat on the top shelf. I knew I liked her then,

I couldn't motivate myself. I was subject to occasional depression, relatively mild, certainly not suicidal, and not long episodes so much as passing moments like this, when meaning and purpose and all prospect of pleasure drained away and left me briefly catatonic. For minutes on end I couldn't remember what kept me going. As I stared at the litter of cups and pot and jug in front of me, I thought it was unlikely I would ever get out of my wretched little flat. The two boxes I called rooms, the stained ceilings walls and floors would contain me to the end. There was a lot like me in the neighbourhood, but thirty or forty years older. I had seen them in Simon's shop, reaching for the quality journals from the top shelf. I noted the men especially and their shabby clothes. They had swept past some crucial junction in their lives many years back - a poor career choice, a bad marriage, the unwritten book, the illness that never went away. Now there options were closed, they managed to keep themselves going with some shred of intellectual longing or curiosity. But their boat was sunk.

You’re allowed to have fun. You’re allowed to have a fling with an old boyfriend and not feel like it’s some big life decision or an unhealthy coping mechanism. Be smart about it, but don’t deny yourself some simple life pleasures. Taking your photos. Hanging out with your awesome, amazing, super-wise friends. And hot cop penis.” A real laugh burst out of Liv this time, and she quickly pressed her hand over her mouth to staunch it. “He’s FBI, for the record.” “Federal cop penis,” Kincaid corrected. “That’s top shelf. It has authority across state lines.

two men are doing a bit of work, one will say to the other, ‘Put this bowl inside the bigger bowl which you’ll find on the top shelf of the green cupboard.’ The female for this is, ‘Put that in the other one in there.’ And then if you ask them, ‘in where?’ they say, ‘in there, of course.

There was no point in fighting with Celia once she got mean," Evelyn says, "If things got too tense, I tended to back off before they came to a head. I would tell her I loved her and I couldn't live without her, and then I'd take my top off, and that usually ended the conversation. For all her posturing, Celia had one thing in common with almost every straight man in America: she wanted nothing more than to get her hands on my chest." "Did it stick with you, though?" I ask, "Those words?" "Of course it did. Look, I'd be the first person to say back when I was young that all I was was a nice pair of tits. The only currency I had was my sexuality, and I used it like money. I wasn't well educated when I got to Hollywood, I wasn't book-smart, I wasn't powerful, I wasn't a trained actress. What did I have to be good at other than being beautiful? And taking pride in your beauty is a damning act. Because you allow yourself to believe that the only thing notable about yourself is something with a very short shelf life.

Most of Jacks' books were crookedly stacked and next to volumes without any apparent reason, except for a small collection of the last book she'd have expected to find here: The Ballad of the Archer and the Fox. Something warmed inside of her at the sight of so many copies of her favourite storybook. Jacks owned seven volumes, ranging from old to very old. Positioned more precisely than anything else in his den, they sat side by set, on the tip-top of the shelf, the sort of place where a person stored books they didn't want anyone else touching. What was all this about? ... Evangeline reached for the first volume- she knew she was being distracted. But all she wanted was to look at the last page and see what sort of ending the story had. She wanted to know if it had a happy ending- if the Archer kissed his Fox girl or if he killed her. And maybe seeing all these books felt like a sign. She was starting to think that sometimes she imagined things were signs when they weren't. But that didn't mean they were not actual signs. She opened the first book, but the pages in the back were all ripped out. And unfortunately, she did not have better luck with any of the other volumes. Every copy fought her. One book kept falling from her hands every time she tried to open it. Another book only had blank pages at the end.

located inside, he entered the bathroom and opened the top cabinet above the towels. He felt around and felt nothing metallic or hard plastic that might rattle against the weapons. He then placed them on the top shelf of the cabinet and slowly closed the door. Back in the bedroom he paused to listen to her breathing. He satisfied himself that she was still asleep—very asleep. She had worked a long, hard shift and her body was tired and resting deeply. So he crossed to the dresser, found her purse, and stuck his hand inside. Instantly he located the clip of 65 $100 bills with his fingers, and eased them out.

Her parties are always the best. She gets the top shelf liquor and plays only eighties music, which is fine by me. Dancing drunk to the eighties is life. But, more than that, she makes a point of inviting handsome men as an incentive for her girlfriends to attend. I’d be fine with just the expensive booze, but I suppose the scenery is a nice plus.

Well, I am going to leave the war to Haig for the rest of the day and make a frosting for my chocolate cake. And when it is made I shall put it on the top shelf. The last one I made I left it on the lower shelf and little Kitchener sneaked in and clawed all the icing off and ate it. We had company for tea that night and when I went to get my cake what a sight did I behold!

elves on horseback set off at a gallop toward the hill that backed the city, planning to ride up the side of it and attack the wall along the top of the immense shelf that hung over Urû’baen.

Her mental list of items she’d need from her apartment was growing. There were things a girl just couldn’t live without, so Keegan would have to get them when he retrieved Muffin. “I need another purse. Can you get me my Prada knockoff? It’s in my closet on the shelf. Pink. It’s pink. I got it from a vendor in Manhattan. Jeez he was a tough negotiator, but it was worth the haggling. It’s soooo cute.” Keegan sighed, raspy and long. “Okay.” “Oh! And my nail polish. I have two new bottles in the bathroom under the sink in one of those cute organizer baskets, you know? Like the ones you get at Bed Bath and Beyond? God, I love those. Anyway, I need Retro Red and Winsome Wisteria.” Another sigh followed, and then a nod of consent. “My moisturizer. I never go anywhere, not even overnight, without my moisturizer. Not that I ever really go anywhere, but anyway I need it, or my skin will dehydrate and it could just be ugly. Top left side of my medicine cabinet.” “Er, okay.” “My shoes. I can’t be without shoes. Let’s see. I need my tennis shoes and my white sandals, because I don’t think there’s much hope for these, wouldn’t you say?” Marty looked up at him and saw impatience written all over his face. “And my laptop. I can’t check on my clients without my laptop, and they need me. Plus, there’s that no-good bitch Linda Fisher. I have to watch that she’s not stealing my accounts. Do you have all of that?” He gave her that stern look again. The one that made her insides skedaddle around even if it was meant in reproach. “I’m going too far, huh?” His smile was crooked. “Just a smidge.

When I was eleven years old, I bought a tiny book containing a verse from the Quran from a stall outside a Cairo mosque. The amulet was designed to be tucked into a pocket to comfort its owner throughout the day. I was neither Muslim nor literate in Arabic; I bought it not for the words inside but for its dainty proportions. The stall’s proprietress watched me bemusedly as I cooed over the matchbox-sized book. My family and I were living in Egypt at the time, and back at home I taped a bit of paper over the cover and crayoned a woman in a long blue dress, writing on top, “Jane Eyre by C. Bronte.” I then placed the book in the waxy hand of my doll, which sat stiffly on a high shelf in my Cairo bedroom. The

crammed from floor to ceiling with religious images, crucifixes and ‘pathetic, cheap little tin ikons’.8 On every shelf and table top in her private sitting room the tsaritsa had set out yet more knick-knacks and photographs of her children and her darling Nicky. Personal possessions were few and surprisingly trivial – useful domestic items such as a gold thimble, sewing materials and embroidery scissors, as well as cheap toys and trinkets – ‘a china bird and a pincushion

The thought of giving up alcohol crossed my mind too, but I was soon reminded of the promise to Ketel One, Grey Goose, and other top-shelf vodkas that I had made in my early twenties. Never turn your back on someone who has asked nothing in return.

Have you ever played Killer Bunnies?” she asked. “Killer Bunnies?” he repeated, blinking the way people always did when they didn’t follow her brain’s train. “It’s a card game. Not spades and clubs, kings and jacks cards. It’s like a board game, with cards instead of a board. Here. I’ll show you.” She stretched up to the top shelf beside her TV and pulled down a bright blue box. “But I have to warn you, I never hesitate to use the nuclear warheads or the anti-matter raisins. Your bunnies are going down.

It’s only physical, she reminded herself. Just lust. Some kind of twisted, mutual escape valve. And those physical things, with no love or respect or loyalty to bind and preserve them, had a short shelf life. They were limited-time offers. Three months, tops.

Excerpt from the Marquis's Mistake by myself. “So what am I my Lord, an antidote, a bluestocking or on the shelf? I assume it is the last because I should have come out three years ago and am all of twenty and one.” “But you were not out so that doesn’t count and I find you extremely desirable so you are far from an antidote. I think you very pretty and my taste has always been considered excellent. You are well educated but have other interests and ride well, so you fail to fit the criteria of a bluestocking. It might interest you to know my grandmother put you top of the girls she invited to her dinner party. Her opinion only confirmed what I had already concluded from examining your notebook and sketches. You eavesdrop and I sneak a peek at other people’s private notebooks. You see I think we would be well-matched.

Don't bother pulling my string again- Not behind those doll eyes anymore I won't say what's expected, kid, laugh at your tantrum on the floor I'm just not looking at you, kid, I'm not a piss-poor heart anymore; Not going home with the lowest bid Out of stock- your projection whore I'm never going back to the toy box Elevated up from the cellar- home of the wish-washed pretty cocks Out of the dark, preachin' Helen Keller Bored with the coin-operated allure I'm top shelf, kid, out of your reach You can't afford to walk in the store Turn around, kid, don't slip in bleach -from 'Ragdoll$ & Riche$

When I buy Finnegans Wake by James Joyce, the acquisitive part of me is buying it for the deluded part of me that thinks I’ll read it one day, while the archivist part of me keeps it on a shelf with all the other books I haven’t read, so that one day it can present a logistical problem to those who survive me.

The cousin has blond hair with black roots, overly plucked eyebrows, a heart-shaped face, and a high-pitched voice like Michael Jackson. She wears a low-cut top and a push-up bra, which creates a small, sad shelf for her name necklace to rest. Her name is Maria. In the middle of mozzarella sticks, they run out of conversation.

She hooked a small stool over with her foot, climbed up on it, and began to count the bottles of floor-wax on the top shelf, touching each one lightly with the tips of her right thumb and forefinger as she went. She had to reach, and when she did, her dress pulled up and he could see beyond the brown tops of her stockings to the waffled white flesh of her upper thighs and he turned his eyes away, suddenly and aimlessly recalling what had happened to Noah’s third son when he looked at his father as the old man lay drunk and naked on his pallet. Poor guy had ended up being a hewer of wood and fetcher of water ever after. Him and all his descendants. And that’s why we have race riots today, son. Praise God.

wander down the hallway to our old bedroom off the kitchen. It is exactly as it has always been: our twin beds made, our favorite children’s books still on the shelf, a red tobacco tin filled with crayon stubs. I know if I go into the guest bathroom and reach up blindly onto the top shelf above the toilet I will find a pack of menthol cigarettes, hidden where she thinks no one will find them. The most wonderful thing about my grandmother, among many wonderful things, is that everything is always the same. The lovely lemon-wood smell of the house, the little bottles of ginger ale pushed to the back of the icebox for hot days. The silver thimble her mother gave her when she was a girl, nestled in a lavender box on her bureau.

As a warm-up, Lambiase sets up A.J. with his cousin. The cousin has blond hair with black roots, overly plucked eyebrows, a heart-shaped face, and a high-pitched voice like Michael Jackson. She wears a low-cut top and a push-up bra, which creates a small, sad shelf for her name necklace to rest. Her name is Maria. In the middle of mozzarella sticks, they run out of conversation.

There was a grumpy librarian in the library. I could tell that he was the librarian because he seemed to be made of books. I told him that we needed information, and he got us some butterfly nets and sent us up to the top floor of the library. I wondered why we were carrying nets. Valentine didn't know. The book I wanted was pretty obvious. It was called A History of Everything. Finding it was easy. Catching it, however, was not. The moment I reached for it, the whole shelfful of books took off into the air, fluttering like pigeons, and suddenly I knew what the butterfly nets were for. I waved the net about and eventually I caught A History of Everything. As soon as I'd got it, all the rest of the books flapped back to their shelf, all except one, a little red-covered book, which fluttered over my head happily.

She headed to the YA section, scanning the shelves for books she hadn't read before. There was a method to it: start at the top and move your way across, and then reverse back along the row to the beginning and move down to the next shelf. You had to keep your eyes skimming back and forth just in case you missed a book, and then right at the end do another quick scan to make sure nothing had escaped your attention.

When my condition improved I made up my mind to go away, to go somewhere where people would never find me again, like a dog with distemper who knows that he is going to die or like the birds that hide themselves when the time to die has come. Early one morning I rose, dressed, took a couple of cakes that were lying on the top shelf and, without attracting anyone’s attention, fled from the house. I was running away from my own misery. I walked aimlessly along the streets, I wandered without set purpose among the rabble-men as they hurried by, an expression of greed on their faces, in pursuit of money and sexual satisfaction. I had no need to see them since any one of them was a sample of the lot. Each and every one of them consisted only of a mouth and a wad of guts hanging from it, the whole terminating in a set of genitals.

The fairy let her go and pulled aside a piece of bright gold-and-pink silk hanging on the wall. Behind it was the fairy's own private room. She had a soft bed of bright green moss with several iridescent feathers for a counterpane. A shelf mushroom served as an actual shelf displaying an assortment of dried flowers and pretty gewgaws the fairy had collected. There was a charming little dining table, somewhat bold in irony: It was the cheery but deadly red-and-white amanita. The wide top was set with an acorn cap bowl and jingle shell charger. In the corner, a beautifully curved, bright green leaf collected drops from somewhere in the celling much like the water barrel did, but this was obviously for discreet fairy bathing. An assortment of tiny buds, rough seeds, and spongy moss were arranged neatly on a piece of gray driftwood nearby to aid in cleansing.

What are you doing here?" He shoved one hand in his pocket. "I need a wife." "And you came here..." She searched for an explanation for his outlandish statement. "Because you thought a company that sells feminine care products might also have a supply of women available for marriage? I can go to the stock room if you want and see what we have on the shelf. Are you looking for a blonde or a brunette? I guess it doesn't matter whether she likes you or not." "It's not just for me," Liam explained, pulling his hand out of his pocket. "I need a wife to preserve my family legacy." "So you want to breed her? Good to know. That takes Margie and Joan out of the running. They're both in their sixties." He dropped to one knee and held out a blue velvet box. "I want you. Marry me, Daisy." Of all the things she'd expected him to say, "Marry me," did not even make the top thousand. For a long moment, all she could do was stand and stare. "I think you have me confused with someone who would even want to be in the same room as you, much less wed you after such a romantic proposal.

I looked into the display window this morning. On a white marble shelf are aligned innumerable boxes, packages, cornets of silver and gold paper, rosettes, bells, flowers, hearts, and long curls of multicolored ribbon. In glass bells and dishes lie the chocolates, the pralines, Venus's nipples, truffles, mendiants, candied fruits, hazelnut clusters, chocolate seashells, candied rose petals, sugared violets... Protected from the sun by the half-blind that shields them, they gleam darkly, like sunken treasure, Aladdin's cave of sweet clichés. And in the middle she has built a magnificent centerpiece. A gingerbread house, walls of chocolate-coated pain d'épices with the detail piped on in silver and gold icing, roof tiles of florentines studded with crystallized fruits, strange vines of icing and chocolate growing up the walls, marzipan birds singing in chocolate trees... And the witch herself, dark chocolate from the top of her pointed hat to the hem of her long cloak half-astride a broomstick that is in reality a giant guimauve, the long twisted marshmallows that dangle from the stalls of sweet-vendors on carnival days...

She went around reading everything- the directions on the grits bag, Tate's notes, and the stories from her fairy-tale books she had pretended to read for years. Then one night she made a little oh sound, and took the old Bible from the shelf. Sitting at the table, she turned the thin pages carefully to the one with the family names. She found her own at the very bottom: There it was, her birthday: Miss Catherine Danielle Clark, October 10, 1945. Then, going back up the list, she read the real names of her brothers and sisters: Master Jeremy Andrew Clark, January 2, 1939. "Jeremy," she said out loud. "Jodie, I sure never thought a' you as Master Jeremy." Miss Amanda Margaret Clark, May 17, 1937. Kya touched the name with her fingers. Repeated it several times. She read on. Master Napier Murphy Clark, April 14, 1936. Kya spoke softly, "Murph, ya name was Napier." At the top, the oldest, Miss Mary Helen Clark, September 19, 1934. She rubbed her fingers over the names again, which brought faces before her eyes. They blurred, but she could see them all squeezed around the table eating stew, passing cornbread, even laughing some. She was ashamed that she had forgotten their names, but now that she'd found them, she would never let them go again. Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents' proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans.

Likewise, we “trusted the process,” but the process didn’t save Toy Story 2 either. “Trust the Process” had morphed into “Assume that the Process Will Fix Things for Us.” It gave us solace, which we felt we needed. But it also coaxed us into letting down our guard and, in the end, made us passive. Even worse, it made us sloppy. Once this became clear to me, I began telling people that the phrase was meaningless. I told our staff that it had become a crutch that was distracting us from engaging, in a meaningful way, with our problems. We should trust in people, I told them, not processes. The error we’d made was forgetting that “the process” has no agenda and doesn’t have taste. It is just a tool—a framework. We needed to take more responsibility and ownership of our own work, our need for self-discipline, and our goals. Imagine an old, heavy suitcase whose well-worn handles are hanging by a few threads. The handle is “Trust the Process” or “Story Is King”—a pithy statement that seems, on the face of it, to stand for so much more. The suitcase represents all that has gone into the formation of the phrase: the experience, the deep wisdom, the truths that emerge from struggle. Too often, we grab the handle and—without realizing it—walk off without the suitcase. What’s more, we don’t even think about what we’ve left behind. After all, the handle is so much easier to carry around than the suitcase. Once you’re aware of the suitcase/handle problem, you’ll see it everywhere. People glom onto words and stories that are often just stand-ins for real action and meaning. Advertisers look for words that imply a product’s value and use that as a substitute for value itself. Companies constantly tell us about their commitment to excellence, implying that this means they will make only top-shelf products. Words like quality and excellence are misapplied so relentlessly that they border on meaningless. Managers scour books and magazines looking for greater understanding but settle instead for adopting a new terminology, thinking that using fresh words will bring them closer to their goals. When someone comes up with a phrase that sticks, it becomes a meme, which migrates around even as it disconnects from its original meaning. To ensure quality, then, excellence must be an earned word, attributed by others to us, not proclaimed by us about ourselves. It is the responsibility of good leaders to make sure that words remain attached to the meanings and ideals they represent.

Hurry up, he'll be coming back pretty soon!" Lynda spelled with a "y" Corgill, who was two years behind Dara, Mackenzie, and Jennifer, and had just completed her sophomore year, squeezed the hot glue gun into the door lock of the headmaster's office. Shelby Andrews, her accomplice and the newest resident to be accepted at Wood Rose, stood watch. "I see the lights of the truck. Hurry! He's coming back! Are you finished?" Lynda gave the metal apparatus one last squeeze, filling the lock with the quick-drying cement glue guaranteed to harden on contact. "Finished." In the soft illumination of the crescent moon high overhead, the two girls, barefooted and wearing dark blue pajamas, ran across the lawn crisscrossed by dark, elongated shadows and dampened by night-cooled air to the maintenance shed where they placed the glue gun on the top shelf where it was normally kept. With their task completed, they quickly returned to the dormitory, to the far end from where Ms. Larkins slept, and crawled through the open window. Within minutes they were back in their rooms, in their individual beds, and sound asleep. The sleep of innocent angels. It would soon be light; and Wood Rose Orphanage and Academy for Young Women would start another day.

Standing at the bar, he watched the bartender pour another shot. He downed it in a single gulp. The alcohol scalded his oesophagus and landed like a fireball in his belly. He’d never developed a taste for even the top-shelf whiskies, but this wasn’t about pleasure. It was about getting through another day without blowing his brains out.... He knew mixing prescription drugs with alcohol was stupid and pathetic and that some day Fate would make him pay. Sooner or later, she always got her due. But he didn’t think that cruel bitch could do anything worse than what she’d already done. In some sick way, it was a comforting thought.

She stared at her mother's hat resting so quiet and rich on top of her parent's closet. It had a soft brown velvet brim ad white feathers were peeking out brown with dots and that hat was amazing because it stayed so solid and fixed to the shelf and yet the girl thought the feathers made it seem as if it could just fly away when she wasn't looking and if it really wanted to. Anyway, maybe the hat had thoughts of its own or could absorb all the thoughts and made-up stories of the person who wore the hat and keep them under the velvet brim and hide them in between the soft feathers as if they were eggs and keep them warm until they escaped.

Because it wasn’t enough to be accompanied by the beast who scared the crap out of every god in Heaven, Xuanzang was assigned a few more traveling companions. The gluttonous pig-man Zhu Baijie. Sha Wujing, the repentant sand demon. And the Dragon Prince of the West Sea, who took the form of a horse for Xuanzang to ride. The five adventurers, thusly gathered, set off on their— “Holy ballsacks!” I yelped. I dropped the book like I’d been bitten. “How far did you get?” Quentin said. He was leaning against the end of the nearest shelf, as casually as if he’d been there the whole time, waiting for this moment. I ignored that he’d snuck up on me again, just this once. There was a bigger issue at play. In the book was an illustration of the group done up in bold lines and bright colors. There was Sun Wukong at the front, dressed in a beggar’s cassock, holding his Ruyi Jingu Bang in one hand and the reins of the Dragon Horse in the other. A scary-looking pig-faced man and a wide-eyed demon monk followed, carrying the luggage. And perched on top of the horse was . . . me. The artist had tried to give Xuanzang delicate, beatific features and ended up with a rather girly face. By whatever coincidence, the drawing of Sun Wukong’s old master could have been a rough caricature of sixteen-year-old Eugenia Lo from Santa Firenza, California. “That’s who you think I am?” I said to Quentin. “That’s who I know you are,” he answered. “My dearest friend. My boon companion. You’ve reincarnated into such a different form, but I’d recognize you anywhere. Your spiritual energies are unmistakable.” “Are you sure? If you’re from a long time ago, maybe your memory’s a little fuzzy.” “The realms beyond Earth exist on a different time scale,” Quentin said. “Only one day among the gods passes for every human year. To me, you haven’t been gone long. Months, not centuries.” “This is just . . . I don’t know.” I took a moment to assemble my words. “You can’t walk up to me and expect me to believe right away that I’m the reincarnation of some legendary monk from a folk tale.” “Wait, what?” Quentin squinted at me in confusion. “I said you can’t expect me to go, ‘okay, I’m Xuanzang,’ just because you tell me so.” Quentin’s mouth opened slowly like the dawning of the sun. His face went from confusion to understanding to horror and then finally to laughter. “mmmmphhhhghAHAHAHAHA!” he roared. He nearly toppled over, trying to hold his sides in. “HAHAHAHA!” “What the hell is so funny?” “You,” Quentin said through his giggles. “You’re not Xuanzang. Xuanzang was meek and mild. A friend to all living things. You think that sounds like you?” It did not. But then again I wasn’t the one trying to make a case here. “Xuanzang was delicate like a chrysanthemum.” Quentin was getting a kick out of this. “You are so tough you snapped the battleaxe of the Mighty Miracle God like a twig. Xuanzang cried over squashing a mosquito. You, on the other hand, have killed more demons than the Catholic Church.” I was starting to get annoyed. “Okay, then who the hell am I supposed to be?” If he thought I was the pig, then this whole deal was off. “You’re my weapon,” he said. “You’re the Ruyi Jingu Bang.” I punched Quentin as hard as I could in the face.

America is a hard place to be if you’re self-conscious about your smile—especially certain parts of America, like Southern California. I used to think that people there wore dark glasses because it was hard to drive with the sun in their eyes. More likely it’s the glare of an oncoming driver’s teeth that blinds them. This is why I feel so comfortable in Japan, where dental standards are seemingly nonexistent and people have been wearing masks for years. The scariest mouth I ever saw was on a clerk in a Tokyo department store. The woman’s top central incisors grew outward from her gums like tusks and formed a dark, uneven shelf her upper lip rested upon.

You pay homage when and where you can. I love the smell of the bulb as the earth opens and releases it in harvest, an aroma that only those who grow garlic and handle the bulb and the leaves still fresh from the earth can know.Anyone who gardens knows these indescribable presences--of not only fresh garlic, but onions, carrots and their tops, parsley's piercing signal, the fragrant exultations of a tomato plant in its prime, sweet explosions of basil. They can be known best and most purely on the spot, in the instant, in the garden, in the sun, in the rain. They cannot be carried away from their place in the earth. They are inimitable. And they have no shelf life at all.

Still, everything in their house was buffed to a high, flat shine, so much reflection to protect the fact that there was nothing underneath. They didn’t read; there were a few books, a set of encyclopedias (the wine-colored spines warmed up the den), but the only well-leafed volumes were instruction manuals, do-it-yourself how-to’s, cookbooks, and a haggard set of The Way Things Work, volumes one and two. They had no comprehension why anyone would seek out a film with an unhappy ending or buy a painting that wasn’t pretty. They owned a top-shelf stereo with speakers worth $1,000 apiece, but only a handful of easy-listening and best-of CDs: Opera Stoppers; Classical Greatest Hits. That sounds lazy, but I think it was more helpless: They didn’t know what music was for.

She hoots like a monkey and pulls me back onto a shelf in the tub. I fall between her legs, I fall on top of her, we sink … and then we’re twirling, spinning in the water, me on top, then her, then me, and giggling, and making bird cries. Steam envelops us, cloaks us; light sparkles on the agitated water; and we keep spinning, so that at some point I’m not sure which hands are mine, which legs. We aren’t kissing. This game is far less serious, more playful, free-style, but we’re gripping each other, trying not to let the other’s slippery body go, and our knees bump, our tummies slap, our hips slide back and forth. Various submerged softnesses on Clementine’s body are delivering crucial information to mine, information I store away but won’t understand until years later. How long do we spin? I have no idea. But at ,some point we get tired. Clementine beaches on the shelf, with me on top.

After loud overtures from his daughters, Anthony finally left the house and went up the winding path to the “museum,” to the mobile home where he and his parents had lived from 1949 to 1958. It has been left untouched. The furniture, tables, the paint on the walls, the ’50s cabinets, the dressers, the closets, are all unchanged, remaining as they once were. And in her closet in the bedroom, past the nurse’s uniform, far away in the right-hand corner on the top shelf, lies the black backpack that contains Tatiana’s soul. Every once in a while when she can stand it—or when she can’t stand it—she looks through it. Alexander never looks through it. Tatiana knows what Anthony is about to see. Two cans of Spam in the pack. A bottle of vodka. The nurse’s uniform she escaped from the Soviet Union in that hangs in plastic in the museum closet, next to the PMH nurse’s uniform she nearly lost her marriage in. The Hero of the Soviet Union medal in the pack, in a hidden pocket. The letters she received from Alexander—including the last one from Kontum, which, when she heard about his injuries, she thought would be the last one. That plane ride to Saigon in December 1970 was the longest twelve hours of Tatiana’s life. Francesca and her daughter Emily took care of Tatiana’s kids. Vikki, her good and forgiven friend, came with her, to bring back the body of Tom Richter, to bring back Anthony. In the backpack lies an old yellowed book, The Bronze Horseman and Other Poems. The pages are so old, they splinter if you turn them. You cannot leaf, you can only lift. And between the fracturing pages, photographs are slotted like fragile parchment leaves. Anthony is supposed to find two of these photographs and bring them back. It should take him only a few minutes. Cracked leaves of Tania before she was Alexander’s. Here she is at a few months old, held by her mother, Tania in one arm, Pasha in the other. Here she is, a toddler in the River Luga, bobbing with Pasha. And here a few years older, lying in the hammock with Dasha. A beaming, pretty, dark-haired Dasha is about fourteen. Here is Tania, around ten, with two dangling little braids, doing a fantastic one-armed handstand on top of a tree stump. Here are Tania and Pasha in the boat together, Pasha threateningly raising the oar over her head. Here is the whole family. The parents, side by side, unsmiling, Deda holding Tania’s hand. Babushka holding Pasha’s, Dasha smiling merrily in front.

she picked up a jug of distilled water and poured it into a flask, plugging the flask with a stopper outfitted with a tube wriggling from its top. Next, she clipped the flask onto one of two metal stands that stood between two Bunsen burners and struck a strange metal gadget that sparked like flint striking steel. A flame appeared; the water began to heat. Reaching up to a shelf, she grabbed a sack labeled “C8H10N4O2,” dumped some into a mortar, ground it with a pestle, overturned the resulting dirtlike substance onto a strange little scale, then dumped the scale’s contents into a 6- x 6-inch piece of cheesecloth and tied the small bundle off. Stuffing the cheesecloth into a larger beaker, she attached it to the second metal stand, clamping the tube coming out of the first flask into the large beaker’s bottom. As the water in the flask started to bubble, Mrs. Sloane, her jaw practically on the floor, watched as the water forced its way up the tube and into the beaker. Soon the smaller flask was almost empty and Elizabeth shut off the Bunsen burner. She stirred the contents of the beaker with a glass rod. Then the brown liquid did the strangest thing: it rose up like a poltergeist and returned to the original flask. “Cream and sugar?” Elizabeth

The walls were lined with books from floor to ceiling. Stacks of books stood neatly arranged on every horizontal surface—tables, windowsills, even the top of an unplugged television. Since Sophie had been forbidden to explore the library at home, her only real experience with books had come at school and from the few children's books that lay on the bottom shelf of a cabinet in the nursery. She sensed immediately that this was something altogether different. It was a library, yes, but she knew these books had been read. They weren't arranged in long lines of matching bindings like the ones in Bayfield House, and almost every volume had slips of paper protruding from the top. she wondered if Uncle Bertram had marked all the best bits. "Shall we have a story?" said her uncle, when he had hung up their coats. "Yes, please," said Sophie. "What would you like?" he asked. "You pick." And so he did. They settled onto the couch, Bertram with a cup of tea and Sophie with a mug of cocoa. He began to read and Sophie's world was transformed—this was not like the insubstantial children's stories her mother read to her at bedtime. This was ever so much more. "The Wind in the Willows," read Uncle Bertram. "Chapter One, The River Bank. The Mole had been working very hard all the morning, spring-cleaning his little home." Sophie closed her eyes and fell into the story.

Imagine yourself sitting at a computer, about to visit a website. You open a Web browser, type in a URL, and hit Enter. The URL is, in effect, a request, and this request goes out in search of its destination server. Somewhere in the midst of its travels, however, before your request gets to that server, it will have to pass through TURBULENCE, one of the NSA’s most powerful weapons. Specifically, your request passes through a few black servers stacked on top of one another, together about the size of a four-shelf bookcase. These are installed in special rooms at major private telecommunications buildings throughout allied countries, as well as in US embassies and on US military bases, and contain two critical tools. The first, TURMOIL, handles “passive collection,” making a copy of the data coming through. The second, TURBINE, is in charge of “active collection”—that is, actively tampering with the users. You can think of TURMOIL as a guard positioned at an invisible firewall through which Internet traffic must pass. Seeing your request, it checks its metadata for selectors, or criteria, that mark it as deserving of more scrutiny. Those selectors can be whatever the NSA chooses, whatever the NSA finds suspicious: a particular email address, credit card, or phone number; the geographic origin or destination of your Internet activity; or just certain keywords such as “anonymous Internet proxy” or “protest.” If TURMOIL flags your traffic as suspicious, it tips it over to TURBINE, which diverts your request to the NSA’s servers. There, algorithms decide which of the agency’s exploits—malware programs—to use against you. This choice is based on the type of website you’re trying to visit as much as on your computer’s software and Internet connection. These chosen exploits are sent back to TURBINE (by programs of the QUANTUM suite, if you’re wondering), which injects them into the traffic channel and delivers them to you along with whatever website you requested. The end result: you get all the content you want, along with all the surveillance you don’t, and it all happens in less than 686 milliseconds. Completely unbeknownst to you. Once the exploits are on your computer, the NSA can access not just your metadata, but your data as well. Your entire digital life now belongs to them.

Imagine yourself sitting at a computer, about to visit a website. You open a Web browser, type in a URL, and hit Enter. The URL is, in effect, a request, and this request goes out in search of its destination server. Somewhere in the midst of its travels, however, before your request gets to that server, it will have to pass through TURBULENCE, one of the NSA’s most powerful weapons. Specifically, your request passes through a few black servers stacked on top of one another, together about the size of a four-shelf bookcase. These are installed in special rooms at major private telecommunications buildings throughout allied countries, as well as in US embassies and on US military bases, and contain two critical tools. The first, TURMOIL, handles “passive collection,” making a copy of the data coming through. The second, TURBINE, is in charge of “active collection”—that is, actively tampering with the users. You can think of TURMOIL as a guard positioned at an invisible firewall through which Internet traffic must pass. Seeing your request, it checks its metadata for selectors, or criteria, that mark it as deserving of more scrutiny. Those selectors can be whatever the NSA chooses, whatever the NSA finds suspicious: a particular email address, credit card, or phone number; the geographic origin or destination of your Internet activity; or just certain keywords such as “anonymous Internet proxy” or “protest.” If TURMOIL flags your traffic as suspicious, it tips it over to TURBINE, which diverts your request to the NSA’s servers. There, algorithms decide which of the agency’s exploits—malware programs—to use against you. This choice is based on the type of website you’re trying to visit as much as on your computer’s software and Internet connection. These chosen exploits are sent back to TURBINE (by programs of the QUANTUM suite, if you’re wondering), which injects them into the traffic channel and delivers them to you along with whatever website you requested. The end result: you get all the content you want, along with all the surveillance you don’t, and it all happens in less than 686 milliseconds. Completely unbeknownst to you. Once the exploits are on your computer, the NSA can access not just your metadata, but your data as well. Your entire digital life now belongs to them.

She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.

Tell me what happened.” “He was here,” I said, hoarse. “He lit the can on fire and took the extinguisher nearby. I ran to the back to get the other and he pushed one of the shelves over on me.” The muscles in Holt’s jaw clenched and flexed beneath the stubble that lined his face. “Do you ever shave?” I wondered out loud. He smiled and rubbed at the gruffness. “I just trim it.” I nodded. “Do you like it?” he asked. Once again, I touched him, brazenly running my hand along his jaw. It was soft and rough at the same time—the perfect balance. “Yeah, I do.” “Good to know,” he said, taking my hand, linking our fingers together, and then his face grew serious again. “Obviously, I avoided the shelf.” “Did you get a look at his face?” I cringed at the hopefulness in his voice. “No,” I admitted. “I tried, but he kicked me.” His eyes went murderous. Maybe I shouldn’t have said that. “He. Kicked. You,” he ground out, making each word into a pointed sentence. This time I kept my mouth shut. “Where?” he demanded. I wasn’t going to reply, but his eyes narrowed and I knew he would eventually make me tell him. I was going to have to tell the cops anyway. Weariness floated over me at the thought of enduring yet another one of their hours-long interrogations. I lifted my wrist, the bandage just dangling from the area now, not covering or protecting a thing. The waves of hatred that rolled off him made me sincerely glad that all that emotion wasn’t directed at me. He stared at my delicately injured skin (some of it had gotten torn in the struggle and was slick with some sort of puss… Eww, gross), and I kind of thought the top of his head might explode. I was going to reassure him that I was okay, but the police rushed inside, followed closely behind by a medic with a first aid kit. “She needs medical attention,” Holt barked, authority ringing through his tone. The medic hurried to comply, slamming down his kit and springing it open. Holt dropped his hand onto the man’s shoulder and squeezed. “Bryant, I don’t even want to see a flick of pain cross her face when you touch her.” Bryant looked at me and swallowed thickly. “Yes, Chief.” “Chief?” I said, looking up at Holt. “I’ll be right back,” he said to me in a much gentler tone and then moved away. Bryant was fumbling with his supplies, Holt’s words clearly making him nervous. “Relax.” I tried to soothe him. “He’s just on edge about what happened. I’m fine. I promise to smile the whole time you fix me up.” “But it’s going to hurt,” he blurted apologetically. “Yeah, I know. Just do it. I’ll be fine.” That seemed to calm him a little, and he got to work. It did hurt. Incredibly. I felt Holt’s stare and I glanced up, giving him a fake smile. He rolled his eyes and turned back to one of the officers. “Hey,” I said to the medic. “Why did you call him chief?” He gave me a quizzical look. “Arkain’s the Wilmington Fire Chief.” My eyes jerked back to Holt where he stood talking to the police force and the firefighters that responded to the call. His firefighters. “I didn’t realize,” I murmured. Bryant nodded. “I guess I can understand that. He’s a humble guy. Doesn’t like to throw his position around.” I made a sound of agreement as he applied something to my wrist that made my entire body jerk. I bit down on my lip to keep from crying out. “I’m sorry!” he said a little too loudly. Holt stiffened and he turned, looking at me over his shoulder. I blinked back the tears that flooded my eyes and waved at him with my free hand. He said a few more words to the men standing around him and then he left them, coming to stand over poor Bryant. I never realized how intimidating he was when he wanted to be.

If the end of the world could be localized in a precise spot, it would be the meteorological observatory of Pëtkwo: a corrugated-iron roof that rests on four somewhat shaky poles and houses, lined up on a shelf, some recording barometers, hygrometers, and thermographs, with their rolls of lined paper, which turn with a slow clockwork ticking against an oscillating nib. The vane of an anemometer at the top of a tall antenna and the squat funnel of a pluviometer complete the fragile equipment of the observatory, which, isolated on the edge of an escarpment in the municipal garden, against the pearl-gray sky, uniform and motionless, seems a trap for cyclones, a lure set there to attract waterspouts from the remote tropical oceans, offering itself already as the ideal relict of the fury of the hurricanes.

My room leads directly from Reception, where old fosters new, modern, light and airy but still entirely intimate. The colours are cool yet warm, shades of white, pale blues and citrus-fruit seasonings. Natural oak shelving engulfs the walls; heavy with journals and books, some receding to my undergraduate and training days. Two hardbacks take precedence on the top shelf. One of these, an extremely worn leather-bound Complete Works of William Shakespeare. The other being The Meaning of Dreaming, my early allure to the workings of the human mind.

My bedroom looked very different the morning of my eighteenth birthday. It looked lonely. I opened my eyes just as the sun started creeping through the window, and I stared at the white chest of drawers that had greeted me every morning since I could remember. Maybe it’s stupid to think that a piece of furniture had feelings, but then again, I’m the same girl who kept my tattered old baby doll dressed in a sweater and knitted cap so she wouldn’t get cold sitting on the top shelf of my closet. And this morning that chest of drawers was looking sad. All the photographs and trophies and silly knickknacks that had blanketed the top and told my life story better than any words ever could were gone, packed in brown cardboard boxes and neatly stacked in the cellar. Even my pretty pink walls were bare. Mama picked that color after I was born, and I’ve never wanted to change it. Ruthis Morgan used to try to convince me that my walls should be painted some other color. ‘Pink’s just not your color, Catherine Grace. You know as well as I do that there’s not a speck of pink on the football field.’ There was nothing she could say that was going to change my mind of the color on my walls. If I had I would have lost another piece of my mama. And I wasn’t letting go of any piece of her, pink or not. Daddy insisted on replacing my tired, worn curtains a while back, but I threw such a fit that he spent a good seven weeks looking for the very same fabric, little bitsy pink flowers on a white -and-pink-checkered background. He finally found a few yards in some textile mill down in South Carolina. I told him there were a few things in life that should never be allowed to change, and my curtains were one of them. So many other things were never going to stay the same, and this morning was one of them. I’d been praying for this day for as long as I could remember, and now that it was here, all I wanted to do was crawl under my covers and pretend it was any other day. . . . I know that this would be the last morning I would wake up in this bed as a Sunday-school-going, dishwashing, tomato-watering member of this family. I knew this would be the last morning I would wake up in the same bed where I had calculated God only knows how many algebra problems, the same bed I had hid under playing hide-and-seek with Martha Ann, and the same bed I had lain on and cried myself to sleep too many nights after Mama died. I wasn’t sure how I was going to make it through the day considering I was having such a hard time just saying good-bye to my bed.

I’ve been trying to write the perfect book since high school. The results are in a large Rubbermaid tub in my closet. I don’t know what all is in there, but I do know that the tub makes a great stepping stool when I want to organize my socks on the top shelf of my closet.

Try these," she suggested. She held out a pair of simple long gauntlets that were almost as fine as gloves, chain underneath and plate on top. Aurora Rose carefully took off the ones she wore and slipped the others on. They fit perfectly. "This is a bit more your style," the blue one said, approaching her with a breastplate that was almost as big as she was. It was curved femininely to fit Aurora Rose's body, but not ridiculously so. A staid design of roses and thorns was inlaid along the sides. It was sturdy, and 'heavy.' The princess had to readjust the way she stood to support it while everyone helped buckle it on the back. "And for the top..." the red one said, looking around. "Let 'her' choose," the green one suggested gently. Aurora Rose walked down the aisle slowly, getting used to the weight of the armor. She passed each of the women and then Phillip- dashing in his shining cuirass and silver-white greaves, like a soldier from ancient Rome. Her eyes swept over everything, everywhere, pausing nowhere. Golden helms, intricate onyx headpieces, spiked and dangerous-looking crowns, plated metal turbans. Finally, she saw what she wanted. She strode forward and lifted a helmet- one she 'knew' would fit- off the top shelf. A point came down the middle of the forehead to protect her nose- and was also vaguely reminiscent of Maleficent's headpiece. But instead of horns, silver wings swept back over the ears. With slow, sure movements she put it on. It 'did' fit. Perfectly. She turned around to show the others. Phillip sucked in his breath. "You look 'magnificent,' Rose. Like- like an ancient goddess of war." "Like victory," the green one said softly.

The key to disrupting the cue is to think about ways of altering your day-to-day environment. For example, if you are trying to lose weight, try getting rid of all the unhealthy food from your fridge and cupboards and replacing it with food that will help reinforce more positive eating behaviours. Or if that sounds like too much of a strain in the first instance, at the very least try moving the unhealthy stuff to the top shelf so that it’s out of reach – you will be surprised by the effect that this has in disrupting the automaticity of your response to the cue.

Fine.” Syn glanced at her. “By the way, if he ever looks like he’s sleeping, don’t touch him or make any sudden moves. He’s been known to bite.” She pulled the tape off the top shelf. “I’m not worried.” Syn lifted a questioning brow. “What, no fear?” She shrugged and plopped her bundle of wrapping supplies on the floor. “I’m the daughter of a soldier. My father comes awake with a blaster aimed at your head if you disturb him from his sleep.” Syn gave Nykyrian a knowing smile. “And I thought it was just you and your idiosyncrasies.” Nykyrian shrugged and sat in the other chair across from the couch. “I’ve told you not to think. It’s just a waste of your time.” Kiara was startled by the barb. There was a tiny lifting of the corners of Nykyrian’s mouth that might actually have been a smile. She glanced at Syn who took the words in stride.

I want words which are scalpel sharp and shiny; poems keen enough to gut a fish and clean it. Poems labelled not for domestic use. The kind you keep on the top shelf away from the thieving hands of children. And I want to feed you warmly scented words; small loaves of wholemeal bread so you will remember the kitchens where you stood in a slant of sunlight and listened to the radio crooning somewhere above. I want to rock you with my mothering songs. I want my poems to fly out of your pockets--- a troupe of magician's doves, somersaulting in the air, a perfect explosion of soft fireworks. I want them to follow you; like Valentine's cards or bad cheques constantly re-addressed. These poems are birthed from some deep place. They wear that bruised look of the newborn. They will find their way into your sleep with their naked hands and greed. They will come to you like a lover, saying: let me bring you inside into the circle made by my tongues of fire.

return to my bedroom, put my empty handbag in a bag, and put it on the top shelf of the closet, saying, “You did well. Have a good rest.

I like that. I’m all for being an empowered female badass, but I still need someone to lift heavy things off the top closet shelf.

With the slightly miffed air of one who has run their finger along a daughter-in-law’s top shelf and found against all expectation that it is sparkling clean,

Welcome to Vanilla Honey," Alisha sang out, sliding a tray of golden-brown scalloped madeleines onto a display shelf. Butterscotch notes of blond chocolate wafted toward her. The flaked sea salt on top balanced the sweetness and lent texture to the airy cookies.

To be poor in a rich city brings all kinds of ironies, perhaps none greater than this: The donated clothing is top shelf. Used purple Uggs and Patagonia fleeces cover thinning socks and fraying jeans. A Phil & Teds rain shell, fished from the garbage, protects the baby’s creaky stroller.

Rich people never get points for creativity. There are about eighteen bottles of Dom scattered on the table. They’re mixing it with top-shelf whisky. Graham is drinking along with everyone else but he is sitting with me in the far corner, away from the action. He hasn’t left my side all night.

Agricultural education is still overwhelmingly about change and innovation, and "disruption," not what is sustainable and what will work in the long run. From the modernizing perspective, the student in my hay meadow was right. The current economics of farming are such that almost no genuinely sustainable farming is profitable at present. Farming for nature is economic suicide. Produce meat at a greater cost than intensively produced chicken or pork and you are considered an anachronism on the supermarket shelf.     I have to ignore my accounts in this bid for good husbandry and hope the rest of the world comes to its senses someday soon. Of course this is no basis for a sound system, but I decided years ago that if I had to work off the farm to top up our income, to enable me to look after our land properly, than I would. There is nothing new in having to adapt and earn a crust away from the farm. I know that if we are too proud, too stubborn, and too unbending, then we will be finished.

The store smelled of old books and woodsmoke. A counter stood on the wall to his left, flanked by bookshelves and magazine racks. Photographs hung over the counter—pictures of authors, it looked like. Bookcases jutted out from the wall to his right, and bookshelves covered every wall, even under the windows. On the shelf before him, books ran in a proper row for half a shelf, then a stack of books on their sides. More books rested in front of the row, on top, wherever they fit. New books with crisp dust jackets stood beside older titles with spines shiny from wear. More books covered a table by the window, circled by two mismatched wooden chairs and a stuffed armchair.

[Collard] greens are special. They don't come through the back door the same as other groceries. They don't cower at the bottom of paper bags marked"Liberty." They wave over the top. They don't stop to be checked off the receipt. They spill out onto the counter. No going onto shelves with cans in orderly lines like school children waiting for recess. No waiting, sometimes for years beyond the blue sell by date, to be picked up and taken from the shelf. Greens don't stack or stand at attention. They aren't peas to be pushed around. Cans can't contain them. Boxed in they would burst free. Greens are wild. Plunging them into a pot took some doing. Only lobsters fight more. Either way, you have to use your hands. Then, retrieving them requires the longest of my mother's wooden spoons, the one with the burnt end. Swept onto a plate like the seaweed after a storm, greens sit tall, dark, and proud.

So sorry to disappoint,” Nikolas muttered. Gia paused in the middle of the room to throw her arms about his waist. “Not that I don’t love you, Twin. You know I do.” “Someone has to reach things on the top shelf,” he muttered, but his eyes softened. Gia pulled back, chuckling. “You know nothing of the affliction of being short.

They got on beautifully over dinner, and the next day Teej went to Mike’s place for coffee. She nearly fainted when she walked in. On the top shelf of his bookcase was a book by her grandfather, Robert Ardrey, a legendary scientist, essayist, writer. (He’d won an Oscar nomination for the screenplay of Khartoum.) In addition to her grandfather’s books, Mike had all Teej’s other favourites arranged in the same order as they were arranged on her own shelves. She put a hand to her mouth. This was synchronicity. This was a sign. She never went back to her apartment, except to pack her stuff. She and Mike had been together ever since.

I breathe in the fresh summer air as I pass a table covered with all sorts of cakes---Victorian sponge, Madeira, Battenberg, lemon drizzle. Again my mind drifts to my childhood, this time to the Michigan State Fair, which my family would visit at the end of every summer. It had all sorts of contests---pie eating, hog calling, watermelon seed spitting (Stevie's favorite)---but the cake competition was my favorite challenge of all. Every year I'd eye the confections longingly: the fluffy coconut cakes, the fudge chocolate towers filled with gooey caramel or silky buttercream, the cinnamon-laced Bundts topped with buttery streusel. The competition was divided into adult and youth categories, and when I turned twelve, I decided to enter a recipe for chocolate cupcakes with peanut butter buttercream and peanut brittle. My mom was a little befuddled by my participation (her idea of baking involved Duncan Hines and canned, shelf-stable frosting, preferably in a blinding shade of neon), but she rode along with my dad, Stevie, and me as we carted two-dozen cupcakes to the fairgrounds in Novi. The competition was steep---pumpkin cupcakes with cream cheese frosting, German chocolate cupcakes, zucchini cupcakes with lemon buttercream---but my entry outshone them all, and I ended up taking home the blue ribbon, along with a gift certificate to King Arthur Flour.

But here I am, having worked so hard and for so long that I’ve made myself sick. And worst of all, I’ve nearly forgotten how to rest. I’m tired, inevitably. But it’s more than that. I’m hollowed out. I’m tetchy and irritable, constantly feeling like prey, believing that everything is urgent and that I can never do enough. And my house—my beloved home—has suffered a kind of entropy in which everything has slowly collapsed and broken and worn out, with detritus collecting on every surface and corner, and I have been helpless in the face of it. Since being signed off sick, I’ve been forced to lean back on the sofa and stare at the wreckage for hours at a time, wondering how the hell it got so bad. There’s not a single soothing place left in the house, where you can rest a while without being reminded that something needs to be mended or cleaned. The windows are clouded with the dusty veil of a hundred rainstorms. The varnish is wearing from the floorboards. The walls are dotted with nails that are missing their pictures or holes that should be filled and painted over. Even the television hangs at a drunken angle. When I stand on a chair and empty the top shelf in the wardrobe, I find that I have meant to replace the bedroom curtains at least three times in the last few years, and every bundle of fabric I’ve bought has ended up folded neatly and stowed away, entirely forgotten. That I’m noticing these things only now that I’m physically unable to remedy them feels like the kind of exquisite torture devised by vengeful Greek gods. But here it is: my winter. It’s an open invitation to transition into a more sustainable life and to wrest back control over the chaos I’ve created. It’s a moment when I have to step into solitude and contemplation. It’s also a moment when I have to walk away from old alliances, to let the strings of some friendships fall loose, if only for a while. It’s a path I’ve walked over and over again in my life. I have learned the skill set of wintering the hard way.

I'm just not sure that I'm good enough for her. She's a top shelf drink, I'm a house poured shot.

I nodded and watched as he poured the top shelf vodka into a tumbler. Glass, of course. Only the most ridiculous shit for a Hollywood

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they’re thinking and all. It really is. I kept trying not to yawn. It wasn’t that I was bored or anything – I wasn’t – but I was so damn sleepy all of a sudden. “Something else an academic education will do for you. If you go along with it any considerable distance, it’ll begin to give you an idea what size mind you have. What it’ll fit and, maybe, what it won’t. After a while, you’ll have an idea what kind of thoughts your particular size mind should be wearing. For one thing, it may save you an extraordinary amount of time trying on ideas that don’t suit you, aren’t becoming to you. You’ll begin to know your true measurements and dress your mind accordingly.” Then, all of a sudden, I yawned. What a rude bastard, but I couldn’t help it! Mr. Antolini just laughed, though. “C’mon, Holden,” he said, and got up. “We’ll fix up the couch for you.” I followed him and he went over to this closet and tried to take down some sheets and blankets and stuff that was on the top shelf, but he couldn’t do it with this highball glass in his hand. So he drank it and then put the glass down on the floor and then he took the stuff down. I helped him bring it over to the couch. We both made the bed together. He wasn’t too hot at it. He didn’t tuck anything in very tight. I didn’t care, though. I could’ve slept standing up I was so tired. “How’re all your women?” “They’re okay.” I was being a lousy conversationalist, but I didn’t feel like it.

fragment of the good thiefs cross, the largest in the world. Now to the glass case.”    The shelves were filled with a variety of gold and silver ornaments, intricately decorated with adorning crosses.   “On the top shelf is the bone of an index finger said to belong to St Thomas.

two thorns from the crown that was placed on Christ’s head. On the next shelf down you can see, once again the reliquary with the cross on top, this contains the three pieces of the true cross once found by St Helena. On the bottom shelf is a nail used in the crucifixion.