Top Gear Quotes

We've searched our database for all the quotes and captions related to Top Gear. Here they are! All 94 of them:

The Buddha, the Godhead, resides quite as comfortably in the circuits of a digital computer or the gears of a cycle transmission as he does at the top of the mountain, or in the petals of a flower. To think otherwise is to demean the Buddha - which is to demean oneself.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
Glass shattered, vampires roared, humans screamed. The noise battered at me, just as the tidal wave of scores of brains at high gear washed over me. When it began to taper off, I looked up into Eric's eyes. Incredibly, he was excited. He smiled at me. "I knew I'd get on top of you somehow," he said. Are you trying to make me mad so I'll forget how scared I am?" No, I'm just opportunistic." I wiggled, trying to get out from under him, and he said, "Oh, do that again. It felt great.
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
i mean talk about decadence," he declared, "how decadent can a society get? Look at it this way. This country's probably the psychiatric, psychoanalytical capital of the world. Old Freud himself could never've dreamed up a more devoted bunch of disciples than the population of the United States - isn't that right? Our whole damn culture is geared to it; it's the new religion; it's everybody's intellectual and spiritual sugar-tit. And for all that, look what happens when a man really does blow his top. Call the Troopers, get him out of sight quick, hustle him off and lock him up before he wakes the neighbors. Christ's sake, when it comes to any kind of showdown we're still in the Middle Ages. It's as if everybody'd made this tacit agreement to live in a state of total self-deception. The hell with reality! Let's have a whole bunch of cute little winding roads and cute little houses painted white and pink and baby blue; let's all be good consumers and have a lot of Togetherness and bring our children up in a bath of sentimentality -- and if old reality ever does pop out and say Boo we'll all get busy and pretend it never happened.
Richard Yates (Revolutionary Road)
Recently, I spent eight days in a car with my co-host from Top Gear James May, who has a notoriously flatulent bottom. But because he was living on army rations the interior was always pine fresh and lemon zesty.
Jeremy Clarkson
I therefore have to use The Force. And weirdly, this doesn't work very well. I don't understand why, because on the last census, I put my religion down as Jedi Knight...
Jeremy Clarkson (The Top Gear years)
To those who hadn't been around Violet long, nothing would have seemed unusual, but those who knew her well knew that when she tied her hair up in a ribbon to keep it out of her eyes, it meant that the gears and levers of her inventing brain were whirring at top speed.
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
Emma whirled and looked up. Someone stood at the top of the stairs: a young Shadowhunter with dark hair, a gleaming chakhram still in his right hand. Several others were hooked to his weapons belt. In the red light of the demon towers he seemed to glow- a tall, thin figure in dark gear against the darker black of night, the Accords Hall rising like a pale moon behind him. “Brother Zachariah?” said Helen in amazement.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Now, thats a pie!
James May
A ring-whorled prow rode in the harbour, ice-clad, outbound, a craft for a prince. They stretched their beloved lord in his boat, laid out by the mast, amidships, the great ring-giver. Far fetched treasures were piled upon him, and precious gear. I have never heard before of a ship so well furbished with battle tackle, bladed weapons and coats of mail. The massed treasure was loaded on top of him: it would travel far on out into the ocean's sway. They decked his body no less bountifully with offerings than those first ones did who cast him away when he was a child and launched him alone over the waves. And they set a gold standard up high above his head and let him drift to wind and tide, bewailing him and mourning their loss. No man can tell, no wise man in hall or weathered veteran knows for certain who salvaged that load.
Seamus Heaney (Beowulf)
Gopnik has tested this hypothesis on children in her lab and has found that there are learning problems that four-year-olds are better at solving than adults. These are precisely the kinds of problems that require thinking outside the box, those times when experience hobbles rather than greases the gears of problem solving, often because the problem is so novel. In one experiment, she presented children with a toy box that lights up and plays music when a certain kind of block is placed on top of it. Normally, this “blicket detector” is set to respond to a single block of a certain color or shape, but when the experimenter reprograms the machine so that it responds only when two blocks are placed on it, four-year-olds figure it out much faster than adults do.
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
Among all the machines, motorcar is my favorite machine.
Amit Kalantri (Wealth of Words)
Clegg, Miliband, Farage resigning (rumours that they are to be the new Top Gear line-up cannot be confirmed at this time).
Charles Stross
Clear night, thumb-top of a moon, a back-lit sky. Moon-fingers lay down their same routine On the side deck and the threshold, the white keys and the black keys. Bird hush and bird song. A cassia flower falls. I want to be bruised by God. I want to be strung up in a strong light and singled out. I want to be stretched, like music wrung from a dropped seed. I want to be entered and picked clean. And the wind says “What?” to me. And the castor beans, with their little earrings of death, say “What?” to me. And the stars start out on their cold slide through the dark. And the gears notch and the engines wheel.
Charles Wright
The Buddha, the Godhead, resides quite as comfortably in the circuits of a digital computer or the gears of a cycle transmission as he does at the top of a mountain or in the petals of a flower. To think otherwise is to demean the Buddha—which is to demean oneself.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
The revolution of 1917 is a revolution of trains. History proceeding in screams of cold metal. The tsar’s wheeled palace, shunted into sidings forever; Lenin’s sealed stateless carriage; Guchkov and Shulgin’s meandering abdication express; the trains criss-crossing Russia heavy with desperate deserters; the engine stoked by ‘Konstantin Ivanov’, Lenin in his wig, eagerly shovelling coal. And more and more will come: Trotsky’s armoured train, the Red Army’s propaganda trains, the troop carriers of the Civil War. Looming trains, trains hurtling through trees, out of the dark. Revolutions, Marx said, are the locomotives of history. ‘Put the locomotive into top gear’, Lenin exhorted himself in a private note, scant weeks after October, ‘and keep it on the rails.’ But how could you keep it there if there really was only one true way, one line, and it is blocked? ‘I have gone where you did not want me to go.’ In
China Miéville (October: The Story of the Russian Revolution)
owning cool or expensive BDSM gear doesn’t necessarily make him a good Top,
Michael Makai (Domination & Submission: The BDSM Relationship Handbook)
The kiss wasn’t just any kiss. No, it was a tricky little bastard, because it started out soft and gentle, but shifted gears in a matter of seconds. The moment her response went from surprise to surrender, the kiss turned hard and hungry, launching us into a frenzy of movement. Her arms were around my neck, my hands were moving all over her body, and somehow, in a span of about five seconds, she climbed up me like a tree, her legs wrapped tightly around my waist. We spun and bumped into the counter. I reached behind my back with one hand to tighten the cross of her ankles. And then I had her sitting on the edge of the stovetop, my hands exploring the tops of her thighs. I pushed the ruffled skirt hem up and clasped on to her bare, silky skin. Her tongue dove to the back of my throat, sliding over mine like wet, slick velvet. Holy mother fuck, I couldn’t breathe. I was drowning in this girl.
Rachael Wade (Declaration (Preservation, #3))
We set up our gear for the tune-up and Tony [Iommi] launched into the opening riff of ‘Black Sabbath’ – doh, doh, doooohnnnn – but before I’d got through the first line of lyrics the manager had run on to the stage, red in the face, and was shouting, ‘STOP, STOP, STOP! Are you f**king serious? This isn’t Top-Forty pop covers! Who are you people?’ ‘Earth,’ said Tony, shrugging. ‘You booked us, remember?’ ‘I didn’t book this. I thought you were going to play “Mellow Yellow” and “California Dream-in’”.’ ‘Who – us?’ laughed Tony. ‘That’s what your manager told me!’ ‘Jim Simpson told you that?’ ‘Who the hell’s Jim Simpson?’ ‘Ah,’ said Tony, finally working out what had happened. He turned to us and said, ‘Lads, I think we might not be the only band called Earth.’ He was right: there was another Earth on the C-list gig circuit. But they didn’t play satanic music. They played pop and Motown covers.
Ozzy Osbourne (I Am Ozzy)
Project Princess Teeny feet rock layered double socks Popping side piping of many colored loose lace ups Racing toe keeps up with fancy free gear slick slide and just pressed recently weaved hair Jeans oversized belie her hips, back, thighs that have made guys sigh for milleni year Topped by an attractive jacket her suit’s not for flacking, flunkies, junkies or punk homies on the stroll. Her hands mobile thrones of today’s urban goddess Clinking rings link dragon fingers no need to be modest. One or two gap teeth coolin’ sport gold initials Doubt you get to her name just check from the side please chill. Multidimensional shrimp earrings frame her cinnamon face Crimson with a compliment if a comment hits the right place Don’t step to the plate with datelines from ‘88 Spare your simple, fragile feelings with the same sense that you came Color woman variation reworks the french twist with crinkle cut platinum frosted bangs from a spray can’s mist Never dissed, she insists: “No you can’t touch this.” And, if pissed, bedecked fists stop boys who must persist. She’s the one. Give her some. Under fire. Smoking gun. Of which songs are sung, raps are spun, bells are rung, rocked, pistols cocked, unwanted advances blocked, well stacked she’s jock. It’s all about you girl. You go on. Don’t you dare stop.
Tracie Morris (Intermission)
I just think that their flight from and hatred of technology is self-defeating. The Buddha, the Godhead, resides quite as comfortably in the circuits of a digital computer or the gears of a cycle transmission as he does at the top of a mountain or in the petals of a flower. To think otherwise is to demean the Buddha—which is to demean oneself. That is what I want to talk about in this Chautauqua.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
Annabeth hadn’t seen much of Buford during the trip. He mostly stayed in the engine room. (Leo insisted that Buford had a secret crush on the engine.) He was a three-legged table with a mahogany top. His bronze base had several drawers, spinning gears, and a set of steam vents. Buford was toting a bag like a mail sack tied to one of his legs. He clattered to the helm and made a sound like a train whistle.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
The Buddha resides quite as comfortably in the circuits of a digital computer or the gears of a cycle transmission as he does at the top of a mountain. — Robert Pirsig, Zen and the Art of Motorcycle Maintenance
Mark Hurst (Bit Literacy: Productivity in the Age of Information and E-mail Overload)
It's her! Selene! Your Majesty!" Cinder took a step back and felt her serenity slough away, leaving behind the same tension she'd lived with for two long years. That feeling of being in the spotlight, of having responsibilities, of needing to meet expectations... "Why did you abdicate the throne?" someone yelled. And another: "How does it feel to be back on Earth?" And "Will you attend the Commonwealth ball again this year?" And "Is the upcoming Lunar-Earthen wedding a political statement? Do you want to say anything about the union? A loud gunshot blared across the gravel driveway. The journalists screamed and dispersed, some cowering behind the Rampion's landing gear, others rushing back to the safety of their own hovers. "I'll give you a statement," said Scarlet, reloading the shotgun in her arms as she marched toward them. She sent a piercing glare at the journalists who dared to peek out at her. "And the statement is, Leave my guests alone, you pitiful, news-starved vultures." With a frustrated huff, she looked up at Cinder, who had been joined by the others at the top of the ramp. Scarlet looked much the same as Cinder remembered her, only more frenzied. Her eyes had an annoyed, bewildered look to them as she gestured haplessly at the farmland behind her. "Welcome to France. Let's get you inside before they send out the android journalists -they're not as easy to scare off.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
The Goddess resides as comfortably in the circuits of a digital computer or the gears of a cycle transmission as she does at the top of a mountain or in the petals of a flower. To think otherwise is to demean the Goddess...which is to demean oneself.
Glenn Hefley
Whoever had chosen the engagement gift had selected wineglasses and a matching carafe. Such accoutrements are unnecessary when you drink vodka—I simply use my favorite mug. I purchased it in a charity shop some years ago, and it has a photograph of a moon-faced man on one side. He is wearing a brown leather blouson. Along the top, in strange yellow font, it says Top Gear. I don’t profess to understand this mug. It holds the perfect amount of vodka, however, thereby obviating the need for frequent refills.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
I still can’t unsee Tommy’s outfit: nighttime sunglasses, a dark blazer as loose and baggy as rain gear, sand-colored cargo pants with pockets filled to capacity (was he smuggling potatoes?), a white tank top, clunky Frankenstein combat boots, and two belts. Yes, two belts.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made (A Gift for Film Buffs))
When we entered a classroom we always tossed our caps on the floor, to free our hands; as soon as we crossed the threshold we would throw them under the bench so hard that they struck the wall and raised a cloud of dust; this was "the way it should be done." But the new boy either failed to notice this maneuver or was too shy to perform it himself, for he was still holding his cap on his lap at the end of the prayer. It was a head-gear of composite nature, combining elements of the busby, the lancer cap, the round hat, the otter-skin cap and the cotton nightcap--one of those wretched things whose mute ugliness has great depths of expression, like an idiot's face. Egg-shaped and stiffened by whalebone, it began with three rounded bands, followed by alternating diamond-shaped patches of velvet and rabbit fur separated by a red stripe, and finally there was a kind of bag terminating in a cardboard-lined polygon covered with complicated braid. A network of gold wire was attached to the top of this polygon by a long, extremely thin cord, forming a kind of tassel. The cap was new; its visor was shiny. "Stand up," said the teacher. He stood up; his cap fell. The whole class began to laugh. He bent down and picked it up. A boy beside him knocked it down again with his elbow; he picked it up once again. "Will you please put your helmet away?" said the teacher, a witty man.
Gustave Flaubert (Madame Bovary)
There was a scream of tortured rubber as the tyres caught the boulevard in a harsh left-handed turn, the deafening echo of a Citroën’s exhaust in second gear, a crash into top, then a swiftly diminishing crackle as the car hared off between the shops on the main street towards the coast-road.
Ian Fleming (Casino Royale (James Bond, #1))
The Buddha, the Godhead, resides quite as comfortably in the circuits of a digital computer or the gears of a cycle transmission as he does at the top of a mountain or in the petals of a flower. To think otherwise is to demean the Buddha—which is to demean oneself. That is what I want to talk about in this Chautauqua.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
Colonel Kassad returns to the fire and slides the night visor up onto the top of his helmet. Kassad is wearing full combat gear, and the activated chameleon polymer shows only his face, floating two meters above the ground. “Nothing,” he says. “No movement. No heat traces. No sound besides the wind.” Kassad leans the FORCE multipurpose assault rifle against a rock and sits near the others, the fibers of his impact armor deactivating into a matte black not much more visible than before.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
What's going on? I'm in the back car of a roller coaster at the top of the climb, with the front rows already giving themselves over to gravity. I can hear those front riders screaming and know my own scream is only seconds away. I'm at the moment you hear the landing gear of a plane grind loudly into place, in that instant before your rational mind tells you it's just the landing gear. I'm leaping off a cliff only to discover I can fly... and then realizing there's nowhere to land. Ever. That's what's going on.
Neal Shusterman (Challenger Deep)
I’d gone to an outdoor store in Minneapolis called REI about a dozen times over the previous months to purchase a good portion of these items. Seldom was this a straightforward affair. To buy even a water bottle without first thoroughly considering the latest water bottle technology was folly, I quickly learned. There were the pros and cons of various materials to take into account, not to mention the research that had been done regarding design. And this was only the smallest, least complex of the purchases I had to make. The rest of the gear I would need was ever more complex, I realized after consulting with the men and women of REI, who inquired hopefully if they could help me whenever they spotted me before displays of ultralight stoves or strolling among the tents. These employees ranged in age and manner and area of wilderness adventure proclivity, but what they had in common was that every last one of them could talk about gear, with interest and nuance, for a length of time that was so dumbfounding that I was ultimately bedazzled by it. They cared if my sleeping bag had snag-free zipper guards and a face muff that allowed the hood to be cinched snug without obstructing my breathing. They took pleasure in the fact that my water purifier had a pleated glass-fiber element for increased surface area. And their knowledge had a way of rubbing off on me. By the time I made the decision about which backpack to purchase—a top-of-the-line Gregory hybrid external frame that claimed to have the balance and agility of an internal—I felt as if I’d become a backpacking expert.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Just before noon, they were standing at a Schnell-Imbiss wagon in Kreuzberg, both with tinned beers, Frank with a Bulette or bunless hamburger, cold but cooked meat that one could hold in one’s fingers and dip into mustard. A Turk standing with beer and a frankfurter next to them wore the last word in casual summer gear: no top at all, hairy abdomen bulging over short green shorts not only worn out but eaten nearly to pieces perhaps by a dog. His dirty feet were in sandals. Frank looked this chap up and down with an unfazed eye, and said: “I think Berlin is quite big. Not cramped at all.
Patricia Highsmith (The Boy Who Followed Ripley (Ripley, #4))
More raiders came down the stairs prodding the Reverend Dr. Lionel J. D. Jones, the Black Fuehrer, and Father Keeley before them. Dr. Jones stopped halfway down the stairs, confronted his tormentors. 'All I've done, 'he said majestically, 'is do what you people should be doing.' 'What should we be doing?' said a G-man. He was obviously in command of the raid. 'Protecting the Republic,' said Jones. 'Why bother us? Everything we do is to make the country stronger! Join with us, and let's go after the people who are trying to make it weaker!' 'Who's that?' said the G-man. 'I have to tell you?' said Jones. 'Haven't you even found that in the course of your work? The Jews! The Catholics! The Negroes! The Orientals! The Unitarians! The foreign-born, who don't have any understanding of democracy, who play right into the hands of the socialists, the communists, the anarchists, the anti-Christs and the Jews!' 'For your information,' said the G-man in cool triumph, 'I am a Jew.' 'That proves what I've just been saying!' said Jones. 'How's that?', said the G-man. 'The Jews have infiltrated everything!' said Jones, smiling the smile of a logician who could never be topped. 'You talk about the Catholics and the Negroes-' said the G-man, 'and yet your two best friends are a Catholic and a Negro.' 'What's so mysterious about that?' said Jones. 'Don't you hate them?', said the G-man. 'Certainly not,' said Jones. 'We all believe the same basic thing.' 'What's that?' said the G-man. 'This once-proud country of ours is falling into the hands of wrong people,' said Jones. He nodded, and so did Father Keeley and the Black Fuehrer. 'And, before it gets back on the right track,' said Jones, 'some heads are going to roll.' I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be linked unto a system of gears where teeth have been filed off at random.
Kurt Vonnegut Jr. (Mother Night)
You let those kids rule you.” Zorn slid the car in gear and moved away from the curb. “Not rule me so much as…keep me from doing anything harebrained.” “You’re not a great authority figure.” “Gee thanks, Zorn. Wow. What a great insight. It really warms my heart.” “It’s a good thing. Kids in their situation need to be hard. You’ve forced them to be independent, while shrouding them in a loving environment. You’ve created a strong pack mentality— your success is their success, and vice versa—and your bumbling and incompetence have forced them to be leaders and caregivers themselves. Their sense of responsibility will help them get ahead. They’ll be the top of their trade.
K.F. Breene (Sin & Magic (Demigods of San Francisco, #2))
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
You create your reality. Corky reinforced this idea for me. He believes that even when you’re not feeling on top of your game, you need to tell yourself that you are and put that image out there. It’s like shifting a gear from off to on. If you are not feeling happy or driven, then make an effort to radiate a sense of confidence. If you’re mortified that you screwed up a dance, pretend you’re proud and unfazed. It’s not self-deception; it’s creating your own reality. Put it out there in the universe and watch what happens. You begin to realize who you are is what you believe you are. Your personal perception of reality is determined by how you think and feel. Your thoughts and feelings create your attitude, and your attitude dictates how you act. We all have an incredible power at our disposal: the power to become what we think about. Visualize what you want. See it, own it, be it.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
On my next-to-last day in the country, I flew into Tokyo from Sapporo and needed to get to Tokyo’s main railroad station, called Shinjuku. I climbed into a taxi at the airport and said to the driver, “Shinjuku station, please.” He didn’t seem to have any idea what I meant. I repeated my request, as articulately as I could, and he looked at me as if I had asked him to take me to Boise. I pulled a map of Tokyo out and showed him Shinjuku station. He studied this with a look of great dissatisfaction, but at length put the car in gear and we set off. We drove for what seemed hours through the endless, numbing sprawl of Tokyo. Eventually we entered a long, deep tunnel—a kind of underground freeway, it seemed. About a mile along, the driver pulled into an emergency parking bay and stopped. He pointed to a metal door cut into the tunnel wall and indicated that I should get out and go through that door. “You want me to go through that door?” I said in disbelief. He nodded robustly and presented me with a bill for about a zillion yen. Everything was beginning to seem more than a touch surreal. He took my money, gave me several small bills in change, and encouraged me to depart, with a little shooing gesture. This was crazy. We were in a tunnel, for crying out loud. If I got out and he drove off, I would be hundreds of feet under Tokyo in a busy traffic tunnel with no sidewalk or other escape. You’ll understand when I say this didn’t feel entirely right. “Through that door there?” I said again, dubiously. He nodded and made another shooing gesture. I got out with my suitcase and went up three metal steps to the door and turned the handle. The door opened. I looked back at the driver. He nodded in encouragement. Ahead of me, lit with what seemed emergency lighting, was the longest flight of stairs I had ever seen. It took a very long while to climb them all. At the top I came to another door, exactly like the one at the bottom. I turned the handle and cautiously opened it, then stepped out onto the concourse of the world’s busiest railway station. I don’t know whether this is the way lots of people get to Shinjuku or whether I am the only person in history ever to have done so. But what I do know is this: it’s why I like to travel.
Bill Bryson (The Best American Travel Writing 2016 (The Best American Series))
Where is everyone?" Alec shrugged, striding across the hall as if he owned the place, which Magnus supposed he sort of did. "I expect everyone's off gathering gear and weapons. We should just go find my mother." "How do you propose to find her?" Magnus said. "Ah," said Alec, "the Institute has a very old magic woven into its walls. I shall now use it to commune with my mother, wherever she might be found." He put his hands around his mouth and bellowed at the top of his lungs. "MOOOOOOOOOM!" Alec's voice reverberated impressively against the stone walls. Max giggled and yelled, "Maaaaaaaaaaaaaaaaaaa!" alongside Alec. The sound faded away and Magnus waited. "Well?" he said, and Alec held up a finger. After a moment, there was a flare, and a fire-message appeared in front of him. He plucked it from the air and opened it, giving Magnus a superior look. "'She's in the library,'" he read. A second fire-message appeared, in the same spot as the first. Alec opened it. "'Did you know you can send fire-messages within the Institute?'" he read. "'I just found out.'" He looked at Magnus in bewilderment. "Of course I knew that." "To the library, then?" said Magnus. A third fire-message appeared. Max lunged to try to grab it, but it was too far above his head. Magnus grabbed that one and read, "'I love fire-messages, have a great day, your friend, Simon Lovelace, Shadowhunter.' Can we go?" They heard a fourth one burst behind them as they left by the hall door, but neither of them looked back at it.
Cassandra Clare (The Lost Book of the White (The Eldest Curses, #2))
against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in
Ernest Cline (Ready Player One)
When I start to feel him slide in, I gasp. I knew he was going to feel big---because he is big. I didn't know he'd feel this good, this quickly, though. I close my eyes and savor the way he stretches me, the immediate intensity I feel. When he starts that slow slide, my mouth falls open. Soon I'm clawing at the bedsheets like I'm crazed. I'm certain I'll go hoarse at the end of this, but I don't care. I could lose my voice for a year and it would be worth it, this feels so freaking incredible. Max eases to a slower pace, then leans over me and kisses my shoulder. "Damn it, Joelle. You are...god, you're..." My eyes roll to the back of my head as I smile to myself. His inability to finish a sentence while inside me is the highest compliment. My vision focuses, and I take in just how gorgeous he is in this moment: eyes glazed over with arousal, jaw clenched, brow dotted with sweat, lips swollen from kissing me. Seeing Max so turned on combined with just how good he feels has me tingling between my thighs once more. He digs his fingers into my hips and picks up the pace. "Do you have any idea how long I've wanted to do this with you?" he growls. I moan. "No" and push my hips up higher. "A long fucking time." "Same," I rasp. "Same, same, same." He goes harder and faster until my vision begins to go starry. And then he slips a hand between my legs and works the most sensitive part of me with the pads of his fingers. The intensity deepens until my legs start to shake. I reach around and grip a handful of his delectably rock-hard ass. "I'm gonna need to get a good look at this up close very, very soon," I say. He chuckles between pants. I babble that I'm close. "Thank fuck." And then Max puts it into some high gear I didn't know he was capable of. He goes harder and faster than I thought was humanly possible. It's enough, though. Because moments later I'm bursting once again. He isn't far behind. He tenses against me before shuddering, then grunting. He lightly bites the spot where my neck meets my shoulder. The soft scrape, so sweet and carnal at once, has me grinning in ecstasy. We collapse on the bed, him on top of me, and stay that way for nearly a minute. I close my eyes and breathe in the mint-spice scent on his bedsheets, relishing the weight of his body on top of mine.
Sarah Echavarre Smith (The Boy With the Bookstore)
The successful individual sales producer wins by being as selfish as possible with her time. The more often the salesperson stays away from team members and distractions, puts her phone on Do Not Disturb (DND), closes her door, or chooses to work for a few hours from the local Panera Bread café, the more productive she’ll likely be. In general, top producers in sales tend to exhibit a characteristic I’ve come to describe as being selfishly productive. The seller who best blocks out the rest of the world, who maintains obsessive control of her calendar, who masters focusing solely on her own highest-value revenue-producing activities, who isn’t known for being a “team player,” and who is not interested in playing good corporate citizen or helping everyone around her, is typically a highly effective seller who ends up on top of the sales rankings. Contrary to popular opinion, being selfish is not bad at all. In fact, for an individual contributor salesperson, it is a highly desirable trait and a survival skill, particularly in today’s crazed corporate environment where everyone is looking to put meetings on your calendar and take you away from your primary responsibilities! Now let’s switch gears and look at the sales manager’s role and responsibilities. How well would it work to have a sales manager who kept her office phone on DND and declined almost every incoming call to her mobile phone? Do we want a sales manager who closes her office door, is concerned only about herself, and is for the most part inaccessible? No, of course not. The successful sales manager doesn’t win on her own; she wins through her people by helping them succeed. Think about other key sales management responsibilities: Leading team meetings. Developing talent. Encouraging hearts. Removing obstacles. Coaching others. Challenging data, false assumptions, wrong attitudes, and complacency. Pushing for more. Putting the needs of your team members ahead of your own. Hmmm. Just reading that list again reminds me why it is often so difficult to transition from being a top producer in sales into a sales management role. Aside from the word sales, there is truly almost nothing similar about the positions. And that doesn’t even begin to touch on corporate responsibilities like participating on the executive committee, dealing with human resources compliance issues, expense management, recruiting, and all the other burdens placed on the sales manager. Again,
Mike Weinberg (Sales Management. Simplified.: The Straight Truth About Getting Exceptional Results from Your Sales Team)
The Man-Moth Man-Moth: Newspaper misprint for “mammoth.” Here, above, cracks in the buildings are filled with battered moonlight. The whole shadow of Man is only as big as his hat. It lies at his feet like a circle for a doll to stand on, and he makes an inverted pin, the point magnetized to the moon. He does not see the moon; he observes only her vast properties, feeling the queer light on his hands, neither warm nor cold, of a temperature impossible to record in thermometers. But when the Man-Moth pays his rare, although occasional, visits to the surface, the moon looks rather different to him. He emerges from an opening under the edge of one of the sidewalks and nervously begins to scale the faces of the buildings. He thinks the moon is a small hole at the top of the sky, proving the sky quite useless for protection. He trembles, but must investigate as high as he can climb. Up the façades, his shadow dragging like a photographer’s cloth behind him he climbs fearfully, thinking that this time he will manage to push his small head through that round clean opening and be forced through, as from a tube, in black scrolls on the light. (Man, standing below him, has no such illusions.) But what the Man-Moth fears most he must do, although he fails, of course, and falls back scared but quite unhurt. Then he returns to the pale subways of cement he calls his home. He flits, he flutters, and cannot get aboard the silent trains fast enough to suit him. The doors close swiftly. The Man-Moth always seats himself facing the wrong way and the train starts at once at its full, terrible speed, without a shift in gears or a gradation of any sort. He cannot tell the rate at which he travels backwards. Each night he must be carried through artificial tunnels and dream recurrent dreams. Just as the ties recur beneath his train, these underlie his rushing brain. He does not dare look out the window, for the third rail, the unbroken draught of poison, runs there beside him. He regards it as a disease he has inherited the susceptibility to. He has to keep his hands in his pockets, as others must wear mufflers. If you catch him, hold up a flashlight to his eye. It’s all dark pupil, an entire night itself, whose haired horizon tightens as he stares back, and closes up the eye. Then from the lids one tear, his only possession, like the bee’s sting, slips. Slyly he palms it, and if you’re not paying attention he’ll swallow it. However, if you watch, he’ll hand it over, cool as from underground springs and pure enough to drink.
Elizabeth Bishop (The Complete Poems 1927-1979)
Disney                Question 16.    Stag Party was the original name of what?     A         Top Gear
Charlotte Brown (Interactive Trivia Quiz Book)
At noon one day Will Hamilton came roaring and bumping up the road in a new Ford. The engine raced in its low gear, and the high top swayed like a storm-driven ship. The brass radiator and the Prestolite tank on the running board were blinding with brass polish. Will pulled up the brake lever, turned the switch straight down, and sat back in the leather seat. The car backfired several times without ignition because it was overheated. “Here she is!” Will called with a false enthusiasm. He hated Fords with a deadly hatred, but they were daily building his fortune. Adam and Lee hung over the exposed insides of the car while Will Hamilton, puffing under the burden of his new fat, explained the workings of a mechanism he did not understand himself. It is hard now to imagine the difficulty of learning to start, drive, and maintain an automobile. Not only was the whole process complicated, but one had to start from scratch. Today’s children breathe in the theory, habits, and idiosyncracies of the internal combustion engine in their cradles, but then you started with the blank belief that it would not run at all, and sometimes you were right. Also, to start the engine of a modern car you do just two things, turn a key and touch the starter. Everything else is automatic. The process used to be more complicated. It required not only a good memory, a strong arm, an angelic temper, and a blind hope, but also a certain amount of practice of magic, so that a man about to turn the crank of a Model T might be seen to spit on the ground and whisper a spell. Will Hamilton explained the car and went back and explained it again. His customers were wide-eyed, interested as terriers, cooperative, and did not interrupt, but as he began for the third time Will saw that he was getting no place. “Tell you what!” he said brightly. “You see, this isn’t my line. I wanted you to see her and listen to her before I made delivery. Now, I’ll go back to town and tomorrow I’ll send out this car with an expert, and he’ll tell you more in a few minutes than I could in a week. But I just wanted you to see her.” Will had forgotten some of his own instructions. He cranked for a while and then borrowed a buggy and a horse from Adam and drove to town, but he promised to have a mechanic out the next day.
John Steinbeck
Imagine two cars stuck in third gear. Each is being pushed up opposite sides of a hill, but just before the drivers get to the top and can see each other, they keep sliding back down the hill. That’s what it’s like trying to make on-the-record small talk with Hillary.
Amy Chozick (Chasing Hillary: On the Trail of the First Woman President Who Wasn't)
Ironically enough, when we returned to the zoo, the Dr. Dolittle cameo almost came true. We had to transfer a big female crocodile named Toolakea to another enclosure. Steve geared up for the move as he always did. “Don’t think about catching Toolakea,” he instructed his crew, me included, before we ever got near to the enclosure. “If you’re concentrating on catching her, she’ll know it. We’ll never get a top-jaw rope on. Crocs know when they’re being hunted.” For millions of years, wild animals have evolved to use every sense to tune into the world around them. Steve understood that their survival depended on it. So as I approached the enclosure, I thought of mowing the lawn, or doing the croc show, or picking hibiscus flowers to feed the lizards. Anything but catching Toolakea. It went like clockwork. Steve top-jaw-roped Toolakea, and we all jumped her. He decided that since she was only a little more than nine feet long, we would be able to just lift her over the fence and carry her to her other enclosure. Steve never built his enclosures with gates. He knew that sooner or later, someone could make a mistake and not latch a gate properly. We had to be masters at fence jumping. He picked up Toolakea around her shoulders with her neck held firmly against his upper arm. This would protect his face if she started struggling. The rest of us backed him up and helped to lift Toolakea over the fence. All of a sudden she exploded, twisting and writhing in everyone’s arms. “Down, down, down,” Steve shouted. That was our signal to pin the crocodile again before picking her up. Not everyone reacted quickly enough. As Steve moved to the ground, the people on the tail were still standing up. That afforded Toolakea the opportunity to twist her head around and grab hold of Steve’s thigh. The big female croc sank her teeth deep into his flesh. I never realized it until later. Steve didn’t flinch. He settled the crocodile on the ground, keeping her eyes covered to quiet her down. We lifted her again. This time she cleared the fence easily. I noticed the blood trickling down Steve’s leg. We got to the other enclosure before I asked what had happened, and he showed me. There were a dozen tears in the fabric of his khaki shorts. A half dozen of Toolakea’s teeth had gotten through to his flesh, putting a number of puncture holes in his upper thigh. As usual, Steve didn’t bother with the wound. He cleaned it out and carried on, but even after his leg had healed, he couldn’t feel the temperature accurately on his leg. Once, about a month after the incident, I got a drink out of the fridge and rested it on his thigh. “I can feel something there,” he said. “Hot or cold?” I quizzed. “I don’t know,” he said. The croc-torn khaki shorts he wore that day made an amazing souvenir for a lucky sponsor of the zoo. People who donated a certain amount of money to our conservation efforts received a bonus in return: one of Steve’s uniforms and a photograph of him in it. Steve was very proud to include his khakis with teeth holes in them as the gift for a generous supporter.
Terri Irwin (Steve & Me)
Dorothy,” said my mother, shifting gears with an angry little spurt, and we cleared the top of the hill,
Alice Munro (The Moons of Jupiter)
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Compared to all this, Ronstadt and Browne were still trying to graduate from the kids' table. Ronstadt had released her first album for Geffen, Don't Cry Now, in September 1973. Browne followed a few weeks later, in October, with his second album, For Everyman. Both albums sold respectably, but neither cracked the Top 40 on the Billboard album chart. And while Geffen had great expectations for both artists, in early 1974 each was still building an audience. Their tour itinerary reflected their transitional position. It brought them to big venues in Detroit, Boston, Philadelphia, and Washington, DC, but also took them far from the bright lights to small community theaters and college campuses in Oxnard, San Luis Obispo, New Haven, and Cortland, New York. At either end, there wasn't much glamour in the experience. They had moved up from the lowest rung on the touring ladder, when they had lugged their gear in and out of station wagons, but had progressed only to a Continental Trailways bus without beds that both bands crammed into for the late-night drives between shows. "The first thing that happened is we were driving all night, and the next morning we were exhausted," Browne remembered. "Like, no one slept a wink. We were sitting up all night on a bus."' "Touring was misery," Ronstadt said, looking back. "Touring is just hard. You don't get to meet anybody. You are always in a bubble . . . You saw the world outside the bus window, and you did the sound check every day."9 The performances were uneven, too. "While Browne is much more assured and confident on stage than he was a year or two ago, he's still very much like a smart kid with a grown-up gift for songwriting," sniffed Judith Sims of Rolling Stone. She treated Ronstadt even more dismissively, describing her as peddling "country schmaltz."' The young rock journalist Cameron Crowe, catching the tour a few days later in Berkeley, described Browne's set as "painfully mediocre."" But Ronstadt and Browne found their footing as they progressed, each alternating lead billing depending on who had sold more records in each market. By the time the cavalcade rolled into Carnegie Hall, the reception for Browne and Ronstadt was strong enough that the promoters added a second show. In February 1974, Jackson Browne and Linda Ronstadt were still at the edge of the stardom they would soon achieve.
Ronald Brownstein (Rock Me on the Water: 1974—The Year Los Angeles Transformed Movies, Music, Television and Politics)
Of course these days, when class can be cloned as easy as sheep, anyone could buy the gear and walk the walk and talk the talk. But there’s always a pea under the mattress, and to Joe’s keen eye, where real kiss-my-ass class showed through was in the way your born-to-its sat easy. Folk like him either slumped or, at best, lolled. Somewhere toward the top of the heap you learned the art of reclining gracefully.
Reginald Hill (The Roar Of The Butterflies (Joe Sixsmith, #5))
We crossed the Wichita late that afternoon, there being not over fifty feet of swimming water for the cattle. Our wagon gave us the only trouble, for the load could not well be lightened, and it was an imperative necessity to cross it the same day. Once the cattle were safely over and a few men left to graze them forward, the remainder of the outfit collected all the ropes and went back after the wagon. As mules are always unreliable in the water, Flood concluded to swim them loose. We lashed the wagon box securely to the gearing with ropes, arranged our bedding in the wagon where it would be on top, and ran the wagon by hand into the water as far as we dared without flooding the wagon box. Two men, with guy ropes fore and aft, were then left to swim with the wagon in order to keep it from toppling over, while the remainder of us recrossed to the farther side of the swimming channel, and fastened our lariats to two long ropes from the end of the tongue. We took a wrap on the pommels of our saddles with the loose end, and when the word was given our eight horses furnished abundant motive power, and the wagon floated across, landing high and dry amid the shoutings of the outfit.
Andy Adams (10 Masterpieces of Western Stories)
What’s more, when Grant plotted total revenue over the three months against employees’ scores on the 1-to-7 scale, he found a distinct, and revealing, pattern. Indeed, revenue peaked between 4 and 4.5—and fell off as the personality moved toward either the introvert or extravert pole. Those highest in extraversion fared scarcely better than those highest in introversion, but both lagged behind their coworkers in the modulated middle.31 “These findings call into question the longstanding belief that the most productive salespeople are extraverted,” Grant writes.32 Instead, being too extraverted can actually impair performance, as other research has begun to confirm. For example, two recent Harvard Business Review studies of sales professionals found that top performers are less gregarious than below-average ones and that the most sociable salespeople are often the poorest performers of all.33 According to a large study of European and American customers, the “most destructive” behavior of salespeople wasn’t being ill-informed. It was an excess of assertiveness and zeal that led to contacting customers too frequently.34 Extraverts, in other words, often stumble over themselves. They can talk too much and listen too little, which dulls their understanding of others’ perspectives. They can fail to strike the proper balance between asserting and holding back, which can be read as pushy and drive people away.* The answer, though, isn’t to lurch to the opposite side of the spectrum. Introverts have their own, often reverse, challenges. They can be too shy to initiate and too timid to close. The best approach is for the people on the ends to emulate those in the center. As some have noted, introverts are “geared to inspect,” while extraverts are “geared to respond.”35 Selling of any sort—whether traditional sales or non-sales selling—requires a delicate balance of inspecting and responding. Ambiverts can find that balance. They know when to speak up and when to shut up. Their wider repertoires allow them to achieve harmony with a broader range of people and a more varied set of circumstances. Ambiverts are the best movers because they’re the most skilled attuners. For most of you, this should be welcome news. Look again at the shape of the curve in that second chart. That’s pretty much what the distribution of introverts and extraverts looks like in the wider population.36 A few of us are extraverts. A few of us are introverts. But most of us are ambiverts, sitting near the middle, not the edges, happily attuned to those around us. In some sense, we are born to sell.
Daniel H. Pink (To Sell Is Human: The Surprising Truth About Moving Others)
From the top of my head to the soles of my feet, I'm wearing black: knit watch cap, a long-sleeved wool pullover on top of a polypropylene undershirt, tough black Cordura nylon cargo pants and high-top black cross-trainers. It's all very ninja. Over all that, I've got a Kevlar-lined tactical vest with six magazines of nine-millimeter frangible ammunition. The magazines are for the suppressed Uzi submachine gun slung over my back. I've also got a black tactical belt rig around my waist, suppressed Ruger .22 automatic riding low on one hip, with two spare mags and a combat knife balancing the load on the other side. I've got a short-range secure radio set clipped to my back, the wire running up to a headset tucked around my ear, throat mic hanging loose at the moment. One frag grenade and two flash-bangs round out my arsenal. I've got a small LED flashlight, a multi-tool, a couple of plastic zip-tie restraints, and that's it. I like to keep my loadout light so I'm quick on my feet; I've seen too many guys bite it because they were turtled by their combat gear. I feel like a G.I. Joe commando. Hell, all I need is a code-name.
Jack Badelaire (Killer Instincts)
If he was paralyzed, we'd have to put in ramps and have things altered for wheelchair access; you can get kitchens refitted; bathrooms altered ... I'd get him a really fast wheelchair. It'd be OK. If he couldn't talk, I'd get him a great computer. Anything can be dealt with, everything can be overcome. Just be alive. Just, please God, I beg you, please, please keep him alive for me.
Mindy Hammond (On the Edge)
Even today, a decade later, I still can’t unsee Tommy’s outfit: nighttime sunglasses, a dark blazer as loose and baggy as rain gear, sand-colored cargo pants with pockets filled to capacity (was he smuggling potatoes?), a white tank top, clunky Frankenstein combat boots, and two belts. Yes, two belts. The first belt was at home in its loops; the second draped down in back to cup Tommy’s backside, which was, he always claimed, the point: “It keeps my ass up. Plus it feels good.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made (A Gift for Film Buffs))
Ding! Ding! Ding! I tapped the brass bell in rapid succession until Violet bustled in from the back room, wearing the blue-and-white pinafore that was the SugarWerks’s uniform and a frown that was not. The same age as Nic and I, Violet wore her amethyst hair spiked and a brass gearring stud on the left side of her nose. On one set of knuckles, BAKE was tattooed in elaborate black calligraphy; CAKE was on the other. Today she had an aquamarine bow pinned to the top of her head, a silver cupcake and crossbones marking the spot between the two loops of ribbon.
Lisa Mantchev (Ticker)
The bottom tier customers buy sleeping bags, canteens, flashlights and one or two -man tents. They'll buy life vests and inflatable rafts. They'll usually wait until there is a sale or promotion to get what they are looking for. The middle tier will buy all of the above, but a higher end tent and sleeping bag, and will also buy cook stoves, fishing gear, coolers, and aluminum boats with oars. They will also look for discounts and use their loyalty points to purchase maybe one or more high-end items. The top tier will buy all of the above, but everything top of the line, and they'll buy the boat with the motor, and the fish finder. They'll completely outfit themselves for their camping excursion no matter the cost. For them it's all about the best quality goods, no matter the price.
Ellis Howell (Sales and Marketing 80/20: What Everyone Ought To Know About Increasing Effectivity In Business)
whoever goes to bed before midnight is a rogue" Dr Johnson
Dr. Johnson (Dr Johnson's Dictionary of Modern Life: Survey, Definition & Justify'd Lampoonery of Divers Contemporary Phenomena, from Top Gear unto Twitter)
It's hard to know where to stand when you are surrounded by stupidity.
Routledge Wood
That bastard making fun of me in front of all my peers Those people think I own this town, you're stripping all my gears Well guess what Mr. President, I'll be seeing you In four years Though on the campaign trail the papers paint me like a clown Still all I see are crowds who want to fit me for a crown I point out all my enemies just so my fans Bring them down Isn't anybody going to stop me? I don't want this job I don't want this job, my god Can't you tell I'm unwell You try to pin me down but you don't really try that hard I throw out any shit I want and no one trumps that card So dazzled and distracted by your fantasy Of Hildegard Isn't anybody going to stop me? I don't want this job I don't want this job, my god Can't you tell I'm unwell You ask about my plan but baby my plan is to win I wind up all the tops and watch the others keep the spin You handing me grenades is just compelling me To pull the pin Isn't anybody going to stop me? I don't want this job I can't do this job, my god Can't you tell I'm unwell
Aimee Mann
My first, off-the-top-of-my-head list went something like this: Anchors, rodes, windlass Diesel engine Sails Dinghy, oars, lifejackets Batteries   But it wasn’t long before I started adding such items as: Downwind poles Storm trysail Monitor windvane Electric autopilot Dodger GPS VHF Depth meter     And, once we really got serious about circumnavigating: Paratech sea anchor Gale-rider Life raft with survival gear Jimmy Cornell’s World Cruising books Charts EPIRB SSB Outboard for dinghy MPS with sock. Anemometer Spear gun   The reason you need a list—on both paper and in your head—is because you are going to constantly come across one item while looking for another. You
Cap'n Fatty Goodlander (Buy, Outfit, and Sail)
He reached the Devil’s River Bridge at sundown and half way across he pulled the cruiser to a halt and turned on the rooflights and got out and shut the door and walked around in front of the vehicle and stood leaning on the aluminum pipe that served for the top guardrail. Watching the sun set into the blue reservoir beyond the railroad bridge to the west. A westbound semi coming around the long curve of the span downshifted when the lights came into view. The driver leaned from the window as he passed. Dont jump, Sheriff. She aint worth it. Then he was gone in a long suck of wind, the diesel engine winding up and the driver double clutching and shifting gears. Bell smiled. Truth of the matter is, he said, she is.
Cormac McCarthy (No Country for Old Men)
In the late afternoon he was standing by a tent run by a trapper-merchant from Oregon, an Englishman named Haversham, the only man at the rendezvous in European dress, and Haversham asked, “Care for a cup of tea?” It had been a long time since McKeag had drunk tea and he said, “Don’t mind if I do.” The Englishman had two china cups and a small porcelain pot. Washing the cups with steaming water, he took down a square brown tin, opened the top carefully and placed a small portion of leaves in the pot. To McKeag they bore no visible difference from the tea leaves his mother had used, but when Haversham poured him a cup and he took his first sip, an aroma unlike any he had ever known greeted him. He sniffed it several times, then took a deep taste of the hot tea. It was better than anything he had previously tasted, better even than whiskey. What did it taste like? Well, at first it was tarry, as if the person making the tea had infused by mistake some stray ends of well-tarred rope. But it was penetrating too, and a wee bit salty, and very rich and lingering. McKeag noticed that its taste dwelled in the mouth long after that of an ordinary tea. It was a man’s tea, deep and subtle and blended in some rugged place. “What is it?” he asked. Haversham pointed to the brown canister, and McKeag said, “I can’t read.” Haversham indicated the lettering and the scene of tea-pickers in India. “Lapsang souchong,” he said. “Best tea in the world.” Impulsively McKeag asked, “You have some for sale?” “Of course. We’re the agents.” It was a tea, Haversham explained, blended in India especially for men who had known the sea. It was cured in a unique way which the makers kept secret. “But smoke and tar must obviously play a part,” he said. It came normally from India to London, but the English traders in Oregon imported theirs from China. “How long would a can like that last?” McKeag asked, cautiously again. “It’ll keep forever … with the top on.” “I mean, how many cups?” “I use it sparingly. It would last me a year.” “I’ll take two cans,” McKeag said, without asking the price. It was expensive, and as he tucked his small supply of coins back into his belt, Haversham explained, “The secret in making good lapsang souchong lies in heating the cup first. Heat it well. Then the flavor expands.” McKeag hid the canisters at the bottom of his gear, for he knew they were precious.
James A. Michener (Centennial)
Beauregard hit the clutch and shifted into third. There were no numbers on the gearshift knob. It was an old 8-ball his Daddy had fixed to fit on top of the shifter. He didn’t need numbers. He knew what gear he was in by feel. By sound. The car shivered like a wolf shaking its pelt.
S.A. Cosby (Blacktop Wasteland)
Shiva lives on the mountain top of awareness. This world is in the valley. Many old souls have been trying to climb this mountain in reverse gear. Even if they climb and reach near Shiva, they roll back down to the valley because of their attachments. Climbing this mountain is not as important as changing the orientation: Turn your back to the valley and face towards Shiva.
Shunya
We make a habit of getting ready to get ready. To gearing up to get going. But I would rather see a sermon than just hear one. Activity is not the same as productivity, but you can’t have production without induction. You can’t hope to think your way all the way to the top.
Chris J. Gregas
I told you: so we could both get the feel of the world as a whole, not just our side of the river. So we could see what our way of life has done to the lives of others." Anita was on top of the situation now, having successfully attacked and confused Paul, and having found that she wasn't be baited or punished. "They all look perfectly well fed to me." "But they've had the spiritual stuffing knocked out of them by people like my father, like Kroner and Baer and Shepard, like us." "They couldn't have been too well stuffed in the first place, or they wouldn't be here." Paul was mad, and the delicate mechanism that kept him from hurting her stripped its gears. "Here, but for the grace of God, go you!" "Paul!" She burst into tears. "That's not fair," she said brokenly. "Not at all fair. I don't why you had to say that." "It isn't fair for you to cry.
Kurt Vonnegut Jr. (Player Piano)
Liam dropped down to one knee and clasped her hand. "From the day we first met, I knew I needed you in my life. You took the chaos and made it calm. You lifted my heart with your smile and awed me with your brilliant mind. I kept every secret valentine, every scribbled note, your stuffed rabbit, and the answer to every math question I gave you. I hoped one day to be the kind of man you could love, a man who would hold and cherish you, a man worthy of you, and who would protect you with the sword you are going to allow him to have at our wedding." He fumbled in his pocket. "I didn't really plan this..." Daisy laughed. "Of course not." "I did try, but it wasn't me, and if I had, I would have missed this incredible opportunity to turn the ultimate cinematic symbol of uncontrollable passion upside down and make the fantasy of a love so intense that nothing else matters into something real." Her face softened. "You remembered all that?" "I remember every moment I spend with you." He pulled out a silver ring with a Sharks logo on top. "I keep my fan gear in Hamish's warehouse. I grabbed it when I left with the bike, just in case." He slipped the ring on her finger. "Daisy Patel, my humraaz, love of my life, will you marry me?" Her happiness bubbled over and she punched her fist in the air. "Go Sharks!" "Is that a yes?" He looked up, frowning. "It's a little less romantic than I had anticipated..." "Of course it's a yes.
Sara Desai (The Dating Plan (Marriage Game, #2))
This show was the most ambitious thing I’d done. Although the idea was simple, the fact that every piece of gear had to come onstage for tech check in the afternoon and then be removed again before the show was a lot of work for the crew. But the show was a success; the transparency and conceptual nature of its structure took away nothing from the emotional impact. It was tremendously gratifying. I didn’t perform for a while after that. It was hard to top that experience. I directed a feature film, married, and had a child, and I wanted to be around for as much of my daughter’s early years as I could. I continued to make records and launch other creative endeavors, but I didn’t perform.
David Byrne (How Music Works)
the performance of British riders had been so underwhelming that one of the top bike manufacturers in Europe refused to sell bikes to the team because they were afraid that it would hurt sales if other professionals saw the Brits using their gear.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
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thadwilliam
it putted to life after one try. He patted the handlebars and muttered, “Good loyal girl.” He put it into gear and pulled away from the ditch, running with filthy water. Soon he’d maneuvered himself along a parallel road. He couldn’t see them but knew from the updates that they were one block away, still moving north. He scowled. Soon that road would leave the congestion of city traffic, and his updates would stop as the car would outdistance his people on bicycles trying to keep tabs on them. Time to move over and get on the same road. But before he did, it dawned on him. He slammed his hand on the handlebars and picked up the walkie-talkie. “Break off,” he said in Spanish. “I know where they’re going.” Instead of veering onto their road, he accelerated. Traffic on this road was much lighter than the main road, and what little there was, he could easily avoid. “She’s a clever one,” he said, and he rubbed the speedometer lovingly. Soon he topped out his speed and his road merged with the main road. He chanced a glance behind, but didn’t see them yet. He didn’t doubt their destination for an instant, though. It made perfect sense. The Americans would need proof that she wasn’t a Nazi spy, and showing them a couple of dead Nazis she’d killed would be just the thing. He didn’t know what they’d do with her then, but he’d be close by if she needed him. He could feel the weight of the .38-caliber pistol he had shoved into his waistband. He hoped he wouldn’t need to use it, but he wouldn’t hesitate. * * * “Pull in here.” Ilsa pointed to a wide point in the road. The driver veered in and stopped in front of a seemingly impregnable wall of green jungle. Portman, in the front passenger seat, asked, “Here?” Ilsa nodded. Mr. Portman held an M1 carbine. He stepped out and ordered, “Keep her there while I check it out.” Ilsa, Mr. Blake, and the driver watched him walk around, searching for an ambush.
Chris Glatte (A Time to Serve (A Time to Serve #1))
And, before you ask, yes, Mervyn is heterosexual. He’s had two wives and five kids, and there was a Top Gear DVD on one of his shelves.
Richard Osman (The Bullet That Missed (Thursday Murder Club, #3))
Chapter 2 After stopping for a hot breakfast, Dad and I were ready to hit the mountain and now our anticipation was really building. My heart was beating a little faster and my eyes were alert watching the headlights paint a mountain picture in front of us. We pulled off the highway and made our way up a narrow two-lane road that ran through a little old mining town. About a half mile past the last house, we came to our turn. The road was pretty quiet on this Saturday morning. We only passed two or three trucks on our way to the dirt road. “Here we go!” Dad said, turning the wheel. The blacktop was behind us and we were now on a well-packed gravel road. It started by winding right, then left, and then back right again. It was like riding a rollercoaster up the mountain. We finally came to the end of the gravel and now we were heading up a true back country mountain road. The road was littered with huge rocks Dad had to swerve around and plenty of big gullies where rain had washed the road away. The truck growled in low gear as we crawled our way up the mountain, heading to our camp. I could feel butterflies of excitement building in my stomach with each turn. I rolled down my window to get some fresh air and the crisp mountain breeze instantly sent chills down my back. “Whoa, it’s pretty cold out,” “The truck thermometer says its thirty-six degrees. That sure is a change from the sixty-five degrees we had yesterday at home. But don’t you worry, that Colorado sun always warms it up around noon,” Dad explained. That last half hour seemed to take forever because we could only manage about five or ten miles per hour on the steep, rugged road. The last thing we wanted to do, after all the hours we spent on the journey to elk camp, was get a flat tire or bust a shock. Dad patiently and expertly guided the truck through the obstacle course as we kept climbing up, up, up. Finally we leveled off and I could tell we had reached the top. We made our way around the back side of the mountain and headed down a dead-end road to a grassy field where we have camped before. “I sure hope no one is in our spot.” “I’m not worried. There are plenty of areas to pitch a tent,” Dad replied. “That’s true, but I really like our old spot. It’s flat, which is perfect for the tent, it’s
Kevin Lovegreen (The Muddy Elk (Lucky Luke's Hunting Adventures #6))
I was in love with the result—the image of me on stage, people cheering, me rocking out, pouring my heart into what I was playing—but I wasn’t in love with the process. And because of that, I failed at it. Repeatedly. Hell, I didn’t even try hard enough to fail at it. I hardly tried at all. The daily drudgery of practicing, the logistics of finding a group and rehearsing, the pain of finding gigs and actually getting people to show up and give a shit, the broken strings, the blown tube amp, hauling forty pounds of gear to and from rehearsals with no car. It’s a mountain of a dream and a mile-high climb to the top. And what it took me a long time to discover is that I didn’t like to climb much. I just liked to imagine the summit. The common cultural narratives would tell me that I somehow failed myself, that I’m a quitter or a loser, that I just didn’t “have it,” that I gave up on my dream and that maybe I let myself succumb to the pressures of society. But the truth is far less interesting than any of these explanations. The truth is, I thought I wanted something, but it turns out I didn’t. End of story. I wanted the reward and not the struggle. I wanted the result and not the process. I was in love with not the fight but only the victory. And life doesn’t work that way. Who you are is defined by what you’re willing to struggle for. People who enjoy the struggles of a gym are the ones who run triathlons and have chiseled abs and can bench-press a small house. People who enjoy long workweeks and the politics of the corporate ladder are the ones who fly to the top of it. People who enjoy the stresses and uncertainties of the starving artist lifestyle are ultimately the ones who live it and make it. This is not about willpower or grit. This is not another admonishment of “no pain, no gain.” This is the most simple and basic component of life: our struggles determine our successes. Our problems birth our happiness, along with slightly better, slightly upgraded problems. See: it’s a never-ending upward spiral. And if you think at any point you’re allowed to stop climbing, I’m afraid you’re missing the point. Because the joy is in the climb itself.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
and egg from her fingers she wiped her hands and went out to the café. ‘You’re not running in this hideous weather, are you?’ She took in her friend’s running gear, the autumn long-sleeved top now with the addition of a body warmer, a knitted hat, and gloves. ‘Can’t always use weather as an excuse,’ she puffed, a faint sound still coming from the earbuds that hung waiting around her neck. ‘I’d get far too lazy if I did.’ ‘Well, I’m in awe,’ Jo admitted. ‘It’s so cosy in here.’ Jess took in the twinkly lights which stood out all the more when it was so miserable outside. ‘And the tree smells beautiful.’ She sniffed in the scent that would soon be mingled with the smell of baking. ‘I almost don’t want to venture outside again, but I must, so it’s a banana smoothie to go for me, please.’ ‘Coming right up.’ Jo went out to the kitchen and chopped the fruit, poured milk, drizzled honey and had the takeaway drink whizzed up in no time. Jess was perusing the postcards board by the time Jo came out with her smoothie and a paper straw to push through the lid on top. She was repinning the card that had come today. Locals were invited to read the cards at their leisure – it was a big part of the community feel in the café. ‘Harry seems to be having fun,’ she said, closing her eyes briefly at the refreshing first sip of her drink. ‘It was sitting on the mat this morning when I got here.’ It had fallen through the letterbox at the bottom of the door and landed writing side up and Jo’s heart had skipped a beat when she unlocked the door to the café, hoping with everything she had that the card was from her secret admirer, but when she’d seen Harry’s name she’d shaken away the thought, glad she could pin up a card from someone who would always be a friend. She was so pleased he’d found a fresh start and seemed happy and she was even happier she hadn’t let nostalgia
Helen J. Rolfe (The Little Café at the End of the Pier (Café at the End of the Pier #1-5))
The Buddha, the Godhead, resides quite as comfortably in the circuits of a digital computer or the gears of a cycle transmission as he does at the top of a mountain or in the petals of a flower.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
Similarly, the hit car show Top Gear has twice been caught faking a scenario where an electric car runs out of power during a review or feature to make for a more entertaining storyline.19
Duncan Clark (The Burning Question: We can't burn half the world's oil, coal and gas. So how do we quit?)
[T]he corporate customer service culture we currently have in place is neither about customers nor about those serving them. It is primarily geared to serve the pockets of those at the top of the corporate ladder.
Louis Yako
So again, why are you climbing a tree?” Christine asked as she shielded her eyes from the sun. She and everyone else sat around on blankets watching Kellen help Stevie put her gear on. “I wanted to learn how to do it, and Kellen fixed up this dead tree for me. I want to show off my new skills, too, because Linden made fun of me,” Stevie said and struck a pose. “Be still, I’m trying to connect the climb line to your saddle,” Kellen said, focused on the task. Kenzie climbed onto Trent’s shoulders and made a face. “Uncle Linden says Aunt Stevie’s gonna break her butt.” “Thanks, Linden,” Stevie said and shot him a look. “She won’t.” Kyle laughed. “I’ve never seen so much safety equipment in my life. Kell, you forgot to bubble wrap her butt before you put the saddle on.” “Where’d you get them giant pads from?” Walt asked. “They’re the ones the track team at the school used to use for pole vaulting.” Kellen adjusted the chinstrap on Stevie’s helmet. “This is our exercise tree.” Stevie patted the trunk. “I want iron legs like Kellen’s, so she topped it for me, cut most of the branches off, and put out the pads. See how she spoils me?” “Yeah, she gave you what looks like fifty feet of dead tree,” Kyle said with a grin. “Most people just get flowers.” Trent snorted. “Nothing says love like a fifty-foot stump.” Kellen double-checked her own gear just in case Stevie got into trouble and she had to go up for her. “Okay, babe, don’t go past the fifteen-foot mark, trust your saddle when your legs get tired, pay attention to the depth of your spikes.” She patted Stevie’s cheek and whispered, “Now show them your monkey.
Robin Alexander (Kellen's Moment)
12:40 p.m.: start making the plan. Remember when you could be roused from a night being spent on the couch in your pajamas, curled around a pint of Chubby Hubby, and goaded into joining your friends at the bar even though you’d already taken off your bra? Yeah, I can’t either, but I know those days existed. I have the liver damage to prove it. Now when I go out I have to start gearing up for that shit at least three days in advance, and if I’m actually going to go through with it, it has to include both an ironclad reservation and a reliable seating arrangement. Showing up at a restaurant and hoping for the best is a young person’s game. If I’m going out, I need to know that there is a table with my name on it and a comfortable seat pulled up to it. I’m too old to hover anxiously near the door, sweating under my coat in my good outside clothes, watching people who actually planned ahead be ushered to their awaiting tables and served the foods I am dying to eat. I’m not that organized, though, so I spend a long time scrolling through OpenTable to try to find a reservation for 7 p.m. at a place that has more than a few high-tops left and won’t attempt to put us outside. It’s slim pickings.
Samantha Irby (Wow, No Thank You.)
iron the kids
Richard Porter (And on that Bombshell: Inside the Madness and Genius of Top Gear)
My hand hit the top ledge and I jolted out of it, and looked over to see Rafe beside me, sweat dripping down his face, eyes glowing, face glowing, his gaze locked on mine again, lips parting to say something-- A jerk on my harness made me look up sharply as Daniel adjusted the rope, preparing to let me belay down. The look on his face told me who’d won. “Damn,” I said. “Seriously?” “By a fingertip,” Rafe said. “You need to grow longer arms.” Before we’d even hit the ground, the others crowded around, asking who’d won. I waited for Rafe to claim the victory. He didn’t. So I told them. “Because she let you catch up,” Sam said. “I wouldn’t count that as a win.” “Which is why I didn’t say I won,” Rafe said, and he undid his harness. “Still counts,” Corey said. “Give the guy some room so he can collect his prize.” Daniel rounded the bend in the path, picking up speed, like he was coming to rescue me from my obligation. When he caught my eye, he slowed. Rafe shucked his harness and took mine. He set them aside and I braced myself, but he only called over to Daniel, “That’s an amazing wall. Sometime I’d love to know how you did it.” Daniel nodded, still watching Rafe warily. “Um, your prize…” Corey said. “If you aren’t going to take it, I’d be happy to play stand-in.” “I’ll collect it later,” Rafe said. “Without an audience.” “Uh-uh,” Corey said. “No rain checks.” Rafe only shrugged. “I can ask for one. If Maya doesn’t want to honor it, that’s her choice.” Daniel grunted and collected the gear. He didn’t say anything, but I knew Rafe had scored a point.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
The guys had made log benches for spectators, back when they were twelve and had visions of every girl in class lining those benches, swooning as they showed off in the ring. Never quite worked out that way--if there were spectators, they were more likely to be heckling than swooning--but the memory made me smile as I lowered myself quietly onto the bench behind Daniel. He was shadowboxing, throwing punches and dodging an imaginary opponent. He was dressed in his usual gear--sweatpants and a tank top, both emblazoned with the school logo. I sat there and watched him, muscles flexing, sweat dripping from his dark blond hair, spraying with every swing, the silence punctuated by soft grunts when a blow seemed right and frustrated snorts when it didn’t. As I watched him, I started to relax. This was familiar. The sight, the sounds, the feel of the bench under my fingers, even the faint smell of perspiration--it was familiar and it was real and it made the last few hours drift away, wisps of a nightmare disconnected from reality. Finally, he sensed me there and danced in a circle, fists falling to his sides, feet still moving. His face lit up in a grin so big it chased away the last of my worries.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
Linus: Okay sorry, what is this called ? Scotty: "Huaqiangbei" *laughs* Linus: fantastic, alright so i'm here at Scotty: "Huaqiangbei" Linus: yeah perfect thank you, with Scotty From 'Strange Parts', so I'm "getting me some strange parts" In China Which is actually exactly what we're doing So, in this, like, gigantic tech mall-thing They have everything from components like switches To.. Computer parts, to drones, to cryptocurrency-crap Mobile phones.. Pretty much you name it, they got it here. So I don't really have any objective, other than go shopping and see exactly what it is That I can buy with my little stack of 'Canadian Rubles' here. So, uhh.. Wish me luck. And hopefully that's not for me. Scotty: No, I think we're good. [chuckles] [Intro music: Laszlo - Supernova] Linus: This video is brought to you by Corsair's Obsidian 500D It's a mid-tower gaming case, featuring: Premium tempered glass an aluminium construction Removable top fan trays and more! Check it out at the link below. Scotty: I think this is going to be an uphill battle, To get them to even recognize what those are, let alone know the value of them. Linus: They are gonna be like "what is this $H!T?!" Yeah, no, it's okay; there's an ATM. This is the world's most helpful error message: "Transaction is cancelled for some reason" "Operation Timeout" "Thank you!" Okay.. So like this is the kind of stuff that I wish we had a shop like this. We were trying to do a piece a little while ago Where we wanted lit.. Uhh.. Buttons! Or like.. Like.. Big fun buttons we could press And if we could have just walked into a mall and bought them That would have made my Christmas. Scotty: The cool thing about here, particularly for buttons, is you can actually come in and touch them, right. So, like, the button-feel is super important Linus: Oh my god, I already found something I need. Entire bags of like, motherboard standoffs. I was trying to buy just a bag of computer screws Only place I could find for it was eBay Pricing was just totally unreasonable. Scotty: Yeah and it will be very reasonable here. Linus: Smartwatches, totally 100% real Beats. Scotty: These are probably, like, semi-real Linus: Semi-real? Scotty: Yeah, like refurb-ed type. Linus: Right, okay. Wow. This place is enormous. Scotty: It's crazy, right? This is probably one of twenty buildings Linus: Honestly, it's overwhelming. Scotty: Yeah. Linus: Okay, so here's stuff I mostly recognize. Scotty: "Right!" Linus: There's like A bunch of mining gear.. Like Antminers and.. What else do they got? Mining Power supplies ROG.. Something something Looks like Very similar SKU's Linus: I'm just looking. Linus: just looking Linus: Uhh.. Linus: No, I don't.. Necessarily wanna get lead in here. Linus: Hi! Nah, I'm just looking around, it's okay. Linus: Thank you. [Sad Music] I mean this is the kind of thing you would never find in a retail store back home This is like, dual socket, like server boards and stuff like that. Can you ask how much this 1800W Xfurbish
Vinay 2.O
I know where the Tower of the Beast is; and I also know that the beast is still alive.” “Now, see here,” said Brender good-humoredly, “I’m intrigued by your resemblance to me; and as a matter of fact I’d like Pamela—my wife—to see you. How about coming over to dinner? But don’t, for Heaven’s sake, expect me to believe such a story. The beast, if there is such a thing, fell from the sky when Mars was young. There are some authorities who maintain that the Martian race died out a hundred million years ago, though twenty-five million is the conservative estimate. The only things remaining of their civilization are their constructions of ultimate metal. Fortunately, toward the end they built almost everything from that indestructible material.” “Let me tell you about the Tower of the Beast,” said the thing quietly. “It is a tower of gigantic size, but only a hundred feet or so projected above the sand when I saw it. The whole top is a door, and that door is geared to a time lock, which in turn has been integrated along a line of ieis to the ultimate prime number.” Jim Brender stared; and the thing caught his startled thought, the first uncertainty, and the beginning of belief.
A.E. van Vogt (Vault of the Beast)
Just say why you like Gnosticism, was the reply. I have to admit that I found this really amusing. I mean I can tell you why I like sushi, old Volvos, the colour green, high-heeled snakeskin boots and watching re-runs of Top Gear, but "like" Gnosticism?
Tracy Saunders (Priscillian, the Cathars and Me)
Get your life in your top gear, Peel off your negative layers, Free yourself from anxieties, doubts and fears... Faith maximized, With freedom get #Mickeymized!!!
Mickey Mehta
Journal Entry – April 17, 2013/May 10, 2013 Hollow. Numb. Empty. Nothingness. Are these feelings? Or are they just words in the English language? I ask these questions, because these words best describe how I feel right now as I sit here in my hospital room. The waiting game. My mind and thoughts swishing around my head, and my eyes burn feeling as if I am going to cry at any moment. Breakfast has come and gone. Vitals have been taken. And the five to ten minute check in with my assigned morning nurse has occurred. It has been three hours since I woke up, and I have twelve to thirteen hours to survive before I can go to sleep for the night. My day will be made up of one education group, lunch, dinner, and the remainder of the day and evening doing nothing but laying on the bed curled up in a ball depressed waiting for the time to pass looking at the clock hanging on the wall periodically wishing the time would move faster… on the flip side…a few days later…Writing in an attempt to keep my mind and head out of the skies. My heart feels as though it will beat outside of my chest, and my brain is on its own axis within my skull. I feel like I am on top of the world. I feel like I could do anything. I feel like I could write forever. I feel like my mind is on the spin cycle of a washing machine. Or, like I am hooked onto a pair of windshield wipers stuck on a speed mode. Although, my brain has spun faster than this and I feel that the meds are keeping the jerks at bay, I still feel that all too familiar whirling feeling. It is indescribable. It is hard to pinpoint. Some of it must be anxiety. Some of it must be that I am locked up like a caged animal ready to pounce. Then again, some of it must be nature. My brain misfiring and backfiring and causing itself to spin in every which direction at all sorts of speeds none of which are consistent or in the same direction. Inconsistency. Slow, fast, in between. A complete blur. I have trouble tracking. I have trouble focusing. I have trouble remembering…My mind is obsessing. I try to stop my mind from racing. I try to stop my eyes from darting across the page. I try to stop my legs from jittering. To no avail. It all starts again. My internal engine drives the show. It is as if I have a compulsion to move and dart and jerk. It is uncomfortable. My thoughts are scattered. My thoughts do not make sense. I find I have to edit my own thoughts or at least dig through the mess. I must navigate the thoughts to find the ones that fit together all in time before the memory loses focus and the tracking loses hold and “poof” the statement or thought is gone forever. Frustrating. I am intelligent. I feel stupid. My mind is in 5th gear and climbing at an unprecedented rate of speed. It is magical and amazing, but terrifying and exhausting. How to remain “normal” – is it possible? Is there a possibility of the insanity to stop? Is it possible for the cycle of speed to come to an end? I like the productivity, but the wreckage is too much to take. I just want a break. I want to be normal. I don’t want to be manic.
Justin Schleifer (Fractures)
In a hilly, long-course race, your focus must be on “smoothing” the course. The power on uphills must be restricted by gearing down and keeping your power output below your functional threshold power (FTP) (or even lower on longer climbs). The typical newcomer to Ironman-distance racing pushes far too hard on hills, especially early in the race, and pays the price later as high fatigue sets in. •  For short climbs of up to 5 min. duration, athletes should consider an effort ceiling of 90–100 percent of FTP. •  For longer climbs, consider an effort ceiling of 80–90 percent of FTP. •  For all climbs, it is very important to “save some watts” for cresting the apex of the climb. Novices tend to have their highest watts at the base of a climb. The intelligent athlete will have his or her highest watts over the top of a climb and accelerate down the backside. Experienced power users know that higher lactate levels can be cleared during the descent and after the rider has returned to cruising speed. •  On the downhill side, stop pedaling and coast in the aero position when your pedaling cadence becomes so high that you begin to breathe more heavily. If in doubt, coast the downhills so long as your speed is well above your average for the race.
Joe Friel (Going Long: Training for Triathlon's Ultimate Challenge, 2nd Edition (Ultrafit Multisport Training Series))
Not everything on TV can be edgy and irreverent, otherwise you’d end up with weather presenters shouting, ‘Listen up bitches!’, after which the whole of middle England would spin off its axis and someone would get strangled with a tea towel.
Richard Porter (And on that Bombshell: Inside the Madness and Genius of Top Gear)
The world around her was stratified. She saw that ever more clearly. The up top concerned itself with a blurring view, taking for granted the squeezed juice enjoyed with breakfast. The people who lived below and worked the gardens or cleaned animal cages orbited their own world of soil, greenery, and fertilizer. To them, the outside view was peripheral, ignored until there was a cleaning. And then there was the down deep, the machine shops and chemistry labs, the pumping oil and grinding gears, the hands-on world of grease-limned fingernails and the musk of toil. To these people, the outside world and the food that trickled down were mere rumors and bodily sustenance. The point of the silo was for the people to keep the machines running, when Jahns had always, her entire long life, seen it the other way around.
Hugh Howey (Wool (Silo Trilogy #1))