Took My Kindness For Weakness Quotes

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Simon whispered to me, “But is everything okay?” “No,” Tori said. “I kidnapped her and forced her to escape with me. I’ve been using her as a human shield against those guys with guns, and I was just about to strangle her and leave her body here to throw them off my trail. But then you showed up and foiled my evil plans. Lucky for you, though. You get to rescue poor little Chloe again and win her undying gratitude.” “Undying gratitude?” Simon looked at me. “Cool. Does that come with eternal servitude? If so, I like my eggs sunnyside up.” I smiled. “I’ll remember that.” *** “Oh, right. You must be starving.” Simon reached into his pockets. “I can offer one bruised apple and one brown banana. Convenience stores aren’t the place to buy fruit, as I keep telling someone.” “Better than these. For you, anyway, Simon.” Derek passed a bar to Tori. “Because you aren’t supposed to have those, are you?” I said. “Which reminds me…” I took out the insulin. “Derek said it’s your backup.” “So my dark secret is out.” “I didn’t know it was a secret.” “Not really. Just not something I advertise.” ... “Backup?” Tori said. “You mean he didn’t need that?” “Apparently not,” I murmured. Simon looked from her to me, confused, then understanding. “You guys thought…” “That if you didn’t get your medicine in the next twenty-four hours, you’d be dead?” I said. “Not exactly, but close. You know, the old ‘upping the ante with a fatal disease that needs medication’ twist. Apparently, it still works.” “Kind of a letdown, then, huh?” “No kidding. Here we were, expecting to find you minutes from death. Look at you, not even gasping.” “All right, then. Emergency medical situation, take two.” He leaped to his feet, staggered, keeled over, then lifted his head weakly. “Chloe? Is that you?” He coughed. “Do you have my insulin?” I placed it in his outstretched hand. “You saved my life,” he said. “How can I ever repay you?” “Undying servitude sounds good. I like my eggs scrambled.” He held up a piece of fruit. “Would you settle for a bruised apple?” I laughed.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
what love looks like what does love look like the therapist asks one week after the breakup and i’m not sure how to answer her question except for the fact that i thought love looked so much like you that’s when it hit me and i realized how naive i had been to place an idea so beautiful on the image of a person as if anybody on this entire earth could encompass all love represented as if this emotion seven billion people tremble for would look like a five foot eleven medium-sized brown-skinned guy who likes eating frozen pizza for breakfast what does love look like the therapist asks again this time interrupting my thoughts midsentence and at this point i’m about to get up and walk right out the door except i paid too much money for this hour so instead i take a piercing look at her the way you look at someone when you’re about to hand it to them lips pursed tightly preparing to launch into conversation eyes digging deeply into theirs searching for all the weak spots they have hidden somewhere hair being tucked behind the ears as if you have to physically prepare for a conversation on the philosophies or rather disappointments of what love looks like well i tell her i don’t think love is him anymore if love was him he would be here wouldn’t he if he was the one for me wouldn’t he be the one sitting across from me if love was him it would have been simple i don’t think love is him anymore i repeat i think love never was i think i just wanted something was ready to give myself to something i believed was bigger than myself and when i saw someone who probably fit the part i made it very much my intention to make him my counterpart and i lost myself to him he took and he took wrapped me in the word special until i was so convinced he had eyes only to see me hands only to feel me a body only to be with me oh how he emptied me how does that make you feel interrupts the therapist well i said it kind of makes me feel like shit maybe we’re looking at it wrong we think it’s something to search for out there something meant to crash into us on our way out of an elevator or slip into our chair at a cafe somewhere appear at the end of an aisle at the bookstore looking the right amount of sexy and intellectual but i think love starts here everything else is just desire and projection of all our wants needs and fantasies but those externalities could never work out if we didn’t turn inward and learn how to love ourselves in order to love other people love does not look like a person love is our actions love is giving all we can even if it’s just the bigger slice of cake love is understanding we have the power to hurt one another but we are going to do everything in our power to make sure we don’t love is figuring out all the kind sweetness we deserve and when someone shows up saying they will provide it as you do but their actions seem to break you rather than build you love is knowing who to choose
Rupi Kaur (the sun and her flowers)
For every person who closed the door in my face, thank you. For every person who told me I wasn't good enough, thank you. For every person who laughed and told me that I was wasting my time going to college, because I was going to fail, thank you. For every person who tried to break me, thank you. For every person who took my kindness for weakness, thank you. For every person who told me I was wasting time chasing my dreams because I would fail, thank you. It could of broke me. From the core of my heart, I thank you. I truly mean it, because if it weren't for each of you I wouldn't be who I am today. I wouldn't of spend hours and loss sleep studying. I wouldn't developed tough skin. You pushed me to think about what I "really" want out of life. You pushed me to master my craft. You helped me develop the drive, passion and determination. You pushed me to not wait for someone to believe in my vision, but to find a way to make things happen. I know you didn't "intend" to, but I thank you for teaching me to believe in myself! AND you taught me to TRUST in God and lean on my faith, not man. Thank You!
Yvonne Pierre (The Day My Soul Cried: A Memoir)
When I’d had enough of my kindness being taken for weakness, I felt like I was floating in the ocean. People’s actions toward me were like the crashing of the waves. Their words and actions were like tides that took me further and deeper into the deep. I didn’t have anything to hold on to but the flow of the water kept me afloat. When the tides took me further out, I floated on my back and went with the flow. The water became my friend as it taught me not to panic in trying times.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
And, increasingly, I find myself fixing on that refusal to pull back. Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy?
Donna Tartt (The Goldfinch)
Nature Boy I was just a boy when I sat down To watch the news on TV I saw some ordinary slaughter I saw some routine atrocity My father said, don't look away You got to be strong, you got to be bold, now He said, that in the end it is beauty That is going to save the world, now And she moves among the sparrows And she floats upon the breeze She moves among the flowers She moves something deep inside of me I was walking around the flower show like a leper Coming down with some kind of nervous hysteria When I saw you standing there, green eyes, black hair Up against the pink and purple wisteria You said, hey, nature boy, are you looking at me With some unrighteous intention? My knees went weak, I couldn't speak, I was having thoughts That were not in my best interests to mention And she moves among the flowers And she floats upon the smoke She moves among the shadows She moves me with just one little look You took me back to your place And dressed me up in a deep sea diver's suit You played the patriot, you raised the flag And I stood at full salute Later on we smoked a pipe that struck me dumb And made it impossible to speak As you closed in, in slow motion, Quoting Sappho, in the original Greek She moves among the shadows She floats upon the breeze She moves among the candles And we moved through the days and through the years Years passed by, we were walking by the sea Half delirious You smiled at me and said, Babe I think this thing is getting kind of serious You pointed at something and said Have you ever seen such a beautiful thing? It was then that I broke down It was then that you lifted me up again She moves among the sparrows And she walks across the sea She moves among the flowers And she moves something deep inside of me She moves among the sparrows And she floats upon the breeze She moves among the flowers And she moves right up close to me
Nick Cave
let Corvus into my heart the day Edward’s soldiers came, and he’s been there ever since. Devouring it bit by bit. Every decision I made was led by Corvus. Every cruelty I inflicted. Every life I took. He convinced me that mercy was weakness. That kindness would be repaid with treachery. And I believed him. And now?
Jennifer Donnelly (Poisoned)
Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy?
Donna Tartt (The Goldfinch)
The house is still standing on the banks of the lake in Zurich. Jung’s descendants manage it, but unfortunately it’s not open to the public, so people can’t view the interior. Rumor has it, though, that at the entrance to the original tower there is a stone into which Jung carved some words with his own hand. ‘Cold or Not, God Is Present.’ That’s what he carved into the stone himself.” Tamaru paused again. “ ‘Cold or Not, God Is Present,’ ” he intoned, quietly, once more. “Do you know what this means?” Ushikawa shook his head. “No, I don’t.” “I can imagine. I’m not sure myself what it means. There’s some kind of deep allusion there, something difficult to interpret. But consider this: in this house that Carl Jung built, piling up the stones with his own hands, at the very entrance, he found the need to chisel out, again with his own hands, these words. I don’t know why, but I’ve been drawn to these words for a long time. I find them hard to understand, but the difficulty in understanding makes it all the more profound. I don’t know much about God. I was raised in a Catholic orphanage and had some awful experiences there so I don’t have a good impression of God. And it was always cold there, even in the summer. It was either really cold or outrageously cold. One or the other. If there is a God, I can’t say he treated me very well. Despite all this, those words of Jung’s quietly sank deep into the folds of my soul. Sometimes I close my eyes and repeat them over and over, and they make me strangely calm. ‘Cold or Not, God Is Present.’ Sorry, but could you say that out loud?” “ ‘Cold or Not, God Is Present,’ ” Ushikawa repeated in a weak voice, not really sure what he was saying. “I can’t hear you very well.” “ ‘Cold or Not, God Is Present.’ ” This time Ushikawa said it as distinctly as he could. Tamaru shut his eyes, enjoying the overtones of the words. Eventually, as if he had made up his mind about something, he took a deep breath and let it out. He opened his eyes and looked at his hands. He had on disposable latex gloves so he wouldn’t leave behind any fingerprints. “I’m sorry about this,” Tamaru said in a low voice. His tone was solemn. He took out the plastic bag again, put it over Ushikawa’s head, and wrapped the thick rubber band around his neck. His movements were swift and decisive. Ushikawa was about to protest, but the words didn’t form, and they never reached anyone’s ears. Why is he doing this? Ushikawa thought from inside the plastic bag.
Haruki Murakami (1Q84 (Vintage International))
It was like I was going through the motions of life but not really living. Barely even eating. And the thoughts—” Her voice cracks, and I swear I feel it like a punch to the heart. “I hated myself so much. For months, I blamed myself. Because what kind of stupid woman wouldn’t realize a man was cheating on her? I felt pathetic and used.” “You’re many amazing things, and pathetic isn’t one of them.” My blood heats at the idea of her thinking anything bad about herself. She sniffs again. “I know that now. But at the time, I felt so weak because nothing I did could stop this feeling of hopelessness that took over. I tried. God, I really did because I never knew what it was like to be anything but happy. But the harder I tried to put on a face, the worse things got. I eventually hit a scary point where I wondered if life was worth it.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
Cursing himself, he glided his fingertips from her shoulder inward along the elegant line of her collarbone. She responded to him with a sigh of intoxicated pleasure, arching her head back, lifting her breasts slightly as her body rose to his touch. His eyes glazed over as he realized then that she was awake enough to know what she wanted. He leaned down at once and kissed her shoulder softly, whispering her name. "Wake to me." She touched his head in answer, draping her arm weakly over his neck. He moved onto the bed with her, his heart pounding. He lay beside her, close enough to consume with his lips the small, heady sigh that escaped hers. He watched the dreamy smile that curved her lips as he began caressing her with seductive reassurance, letting her get accustomed to his touch. "That's right. You just relax," he breathed. He skimmed his palm down her arm, but at her elbow, he diverted his explorations to her slender waist. From there, he ran his hand down lower, to her hip. She stretched a little like a pampered cat under his patient stroking. He bent his head at length and pressed a kiss to the white line of her tender neck. He was rewarded with another enticing undulation of her body, drawing him closer. As his lips worked his way higher, Kate turned her mouth to his invitingly. She met his gaze for a fleeting instant before he kissed her; her glittering, heavy-lidded eyes teemed with feverish desire. "Hullo there," he whispered, then he bent his head and claimed her mouth. Her low moan passed from her lips to his. Rohan answered in kind as he deepened the kiss, capturing her chin between his finger and thumb. She clutched two fistfuls of his shirt for a passing instant. Her mouth tasted of red wine. He drank deeper. As she opened her mouth to his hungry kiss, he skimmed his fingertips down her throat to her chest. He slipped his hand into her gown and cupped her breast. With tingling hands, he took her nipple between his finger and thumb and held it lightly as he kissed her. Her approving groan asked wordlessly for more. She touched his shoulders, arms, and chest as he moved downward over her body to indulge himself in sampling her breasts. She made no move to stop him, no longer cold or shivering as she had been in the great hall, but panting, her skin aglow with newfound heat as he undid the bodice of her skimpy gown and bared her lovely breasts. Closing his eyes, he took her nipple into his mouth and sucked until it swelled to glorious fullness against his tongue. The kiss went on and on, for she was even sweeter than he had already fantasized in the great hall. Now that he had her nipple in his mouth, he could not get enough of her. But when she began to writhe hungrily beneath him, her moans climbing, he obliged her, taking his hand down slowly over her quivering stomach through her gown. She was wanton, but he stoked her fire by keeping a leisurely pace for now. He put his hand between her legs, giving her a taste of what she craved. She began rubbing restlessly against the snug hold of his hand cupping her mound. He was rock hard, and enjoyed pleasuring her for a while further, feeling the dampness of her core permeating the thin cloth of her gown
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
The funny thing: I’d worried, if anything, that Boris was the one who was a little too affectionate, if affectionate is the right word. The first time he’d turned in bed and draped an arm over my waist, I lay there half-asleep for a moment, not knowing what to do: staring at my old socks on the floor, empty beer bottles, my paperbacked copy of The Red Badge of Courage. At last—embarrassed—I faked a yawn and tried to roll away, but instead he sighed and pulled me closer, with a sleepy, snuggling motion. Ssh, Potter, he whispered, into the back of my neck. Is only me. It was weird. Was it weird? It was; and it wasn’t. I’d fallen back to sleep shortly after, lulled by his bitter, beery unwashed smell and his breath easy in my ear. I was aware I couldn’t explain it without making it sound like more than it was. On nights when I woke strangled with fear there he was, catching me when I started up terrified from the bed, pulling me back down in the covers beside him, muttering in nonsense Polish, his voice throaty and strange with sleep. We’d drowse off in each other’s arms, listening to music from my iPod (Thelonious Monk, the Velvet Underground, music my mother had liked) and sometimes wake clutching each other like castaways or much younger children. And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet—fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And yet, more than once, I had wondered if I should step up my nerve and say something: draw some kind of line, make things clear, just to make absolutely sure he didn’t have the wrong idea. But the moment had never come. Now there was no point in speaking up and being awkward about the whole thing, though I scarcely took comfort in the fact.
Donna Tartt (The Goldfinch)
Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy? To try to make some meaning out of all this seems unbelievably quaint. Maybe I only see a pattern because I’ve been staring too long. But then again, to paraphrase Boris, maybe I see a pattern because it’s there.
Donna Tartt (The Goldfinch)
One day Marlboro Man invited my sister, Betsy, and me to the ranch to work cattle. She was home from college and bored, and Marlboro Man wanted Tim to meet another member of my family. “Working cattle” is the term used to describe the process of pushing cattle, one by one, through a working chute, during which time they are branded, dehorned, ear tagged, and “doctored” (temperature taken, injections given). The idea is to get all the trauma and mess over with in one fell swoop so the animals can spend their days grazing peacefully in the pasture. When Betsy and I pulled up and parked, Tim greeted us at the chute and immediately assigned us our duties. He handed my sister a hot shot, which is used to gently zap the animal’s behind to get it to move through the chute. It’s considered the easy job. “You’ll be pushing ’em through,” Tim told Betsy. She dutifully took the hot shot, studying the oddly shaped object in her hands. Next, Tim handed me an eight-inch-long, thick-gauge probe with some kind of electronic device attached. “You’ll be taking their temperature,” Tim informed me. Easy enough, I thought. But how does this thing fit into its ear? Or does it slide under its arm somehow? Perhaps I insert it under the tongue? Will the cows be okay with this? Tim showed me to my location--at the hind end of the chute. “You just wait till the steer gets locked in the chute,” Tim directed. “Then you push the stick all the way in and wait till I tell you to take it out.” Come again? The bottom fell out of my stomach as my sister shot me a worried look, and I suddenly wished I’d eaten something before we came. I felt weak. I didn’t dare question the brother of the man who made my heart go pitter-pat, but…in the bottom? Up the bottom? Seriously? Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Chris smiled at me, showing two ridiculously cute dimples and a few feet away a waitress dropped an empty cup she had cleared from a table. Blushing, she muttered an apology and hurried inside. I scowled at him, refusing to be swayed by his charm. “I see,” he murmured, nodding slightly as if he had just solved a puzzle. “See what?” Ignoring my question, he pulled out a cell phone, hit a number and held the phone out to me. I hesitated for a few seconds then took the phone and put it to my ear. “What’s up, Chris?” said a familiar deep voice on the other end. “Good question,” I responded tersely. “I told Chris you’d recognize him if he got too close.” Was that amusement in his tone? “Great. You won the bet. Buy him a beer or whatever.” I glanced at Chris, saw that he looked amused now, too and I grew even more agitated. “I thought we had an understanding when you left here last week.” “And what understanding would that be?” I gritted my teeth. “The one where you go your way and I go mine and we all live happily ever after.” “I don’t recall that particular arrangement,” he replied in his infuriatingly easy manner. “I believe I told you I’d be seeing you again.” I opened my mouth but words would not come out. People say ‘I’ll be seeing you’ all the time when they say good bye. It doesn’t mean anything. It certainly doesn’t mean they will send their friends to stalk you. “Sara?” “What do you want from me, Nikolas? I told you I just want to be left alone.” There was a brief silence then a quiet sigh on the other end. “We got word of increased activity in Portland and we have reason to believe the vampire might be searching for you.” It felt like an icy breath touched the back of my neck. Eli’s face flashed through my mind and my knees wobbled. Roland stepped close to me. “What’s wrong, Sara? What is he saying to you?” I smiled weakly at Roland and put up a hand to let him know I’d fill him in when I got off the phone. “I don’t know anyone in Portland so there is no way he can trace me here, right?” “There is more than one way to track someone.” Nikolas’s voice hardened. “Don’t worry, we will keep you safe. Chris will stay close by until we handle this situation.” Great, I was the ‘situation’ again. “I don’t need a babysitter. I’m not a child.” “No you’re not,” he replied gruffly and warmth unfurled in my stomach. “But you are not a warrior either. It is our duty to protect you even if you don’t want it.” I felt like stomping my feet like a two year old. Didn’t I get any choice in this? My eyes fell on Chris as I spoke. “How close is he planning to stay? He’s kind of conspicuous and I can’t have my uncle or anyone else asking questions.” Chris peered in confusion down at his form-fitting blue jeans and black sweater as Nikolas said, “Conspicuous?” I looked heavenward. “If you guys wanted to blend in you shouldn’t have sent Dimples here. The way some of the women are staring at him, I might end up having to protect him instead.” There was a cough on the other end and Nikolas sounded like he was grinning when he said, “Ah, I’m sure Chris can take care of himself. He will be in town in case we suspect any trouble is coming that way.
Karen Lynch
Sometimes we think we are not capable of doing certain things. I hear comments from my students such as, “My brain isn’t wired to do math,” or “I am not good at math.” It is true that there are people who are better at math than you, but that does not mean you can’t do it. This just means you need to put in more effort than others do. Focusing on our weaknesses may hinder our progress. We may think that we must be born with certain skills and abilities; they must be in our genes. This is not the case. Do you think Nephi could build a ship? Could the brother of Jared have caused light to come into dark barges? Do you think Noah could have built an ark that would hold two of every animal species on the earth? Do you think Moses had the power to part a sea? Actually, no. None of these men had the power to do any of these things. However, they all had something in common. They all knew how to tap into the power of someone who could—the Savior’s power. It is so important that we learn how to tap into that power. The Atonement literally means “at-one-ment,” or becoming one with God. The Savior gave us the power to become gods. He enabled us so we would be able to perform miracles through Him. But we must understand that this kind of power is not free. There is only one thing that the Savior, through His Atonement, gave us for free and that is the power to overcome death. Everything else that He offers must come “after all we can do.” [2] For example, Jesus Christ promises us eternal life, but only after we have faith in Him, obey His commandments, and endure to the end. Similarly, He gives us power to move mountains, but only after doing all we can and having trust in Him. The power to change our lives, change the world, and perform miracles is within each of us. However, we need to have enough humility to realize that, in the end, we are not the ones performing the miracles—He is. Occasionally, I have a student who does not do their homework, rarely comes to class, and then comes at the end of the semester and asks, “Sister Qumsiyeh, is there anything I can do to pass? Do you offer any extra credit?” I know some of you are smiling right now because you know you have done this to your teachers. This is what I wish I could say to the student who asks that question: “You need to invent a time machine and go back and do what you should have done this semester. You failed because you did not try your best. It is too late.” Do we all really hope to stand before the Savior at the Judgement Day and expect Him to save us without us doing our part? Do we really expect Him to allow us into the celestial kingdom and to just save us? No, that is not how the Atonement works. It does not work without us having tried our best. Of course, our best may not be enough. In fact, it hardly ever is. But if we do our best and have faith in Him, He magnifies our efforts. The brother of Jared could not make the 16 stones shine, but he spent hours preparing them and then humbly took them to the Lord and basically said, “Here is my small effort; magnify it.” This the Lord did. [3] Elder David A. Bednar said, “The power of the Atonement makes repentance possible and quells the despair caused by sin; it also strengthens us to see, do, and become good in ways that we could never recognize or accomplish with our limited mortal capacity.
Sahar Qumsiyeh
I hadn’t noticed, through all my inner torture and turmoil, that Marlboro Man and the horses had been walking closer to me. Before I knew it, Marlboro Man’s right arm was wrapped around my waist while his other hand held the reins of the two horses. In another instant, he pulled me toward him in a tight grip and leaned in for a sweet, tender kiss--a kiss he seemed to savor even after our lips parted. “Good morning,” he said sweetly, grinning that magical grin. My knees went weak. I wasn’t sure if it was the kiss itself…or the dread of riding. We mounted our horses and began walking slowly up the hillside. When we reached the top, Marlboro Man pointed across a vast prairie. “See that thicket of trees over there?” he said. “That’s where we’re headed.” Almost immediately, he gave his horse a kick and began to trot across the flat plain. With no prompting from me at all, my horse followed suit. I braced myself, becoming stiff and rigid and resigning myself to looking like a freak in front of my love and also to at least a week of being too sore to move. I held on to the saddle, the reins, and my life as my horse took off in the same direction as Marlboro Man’s. Not two minutes into our ride, my horse slightly faltered after stepping in a shallow hole. Having no experience with this kind of thing, I reacted, shrieking loudly and pulling wildly on my reins, simultaneously stiffening my body further. The combination didn’t suit my horse, who decided, understandably, that he pretty much didn’t want me on his back anymore. He began to buck, and my life flashed before my eyes--for the first time, I was deathly afraid of horses. I held on for dear life as the huge creature underneath me bounced and reared, but my body caught air, and I knew it was only a matter of time before I’d go flying. In the distance, I heard Marlboro Man’s voice. “Pull up on the reins! Pull up! Pull up!” My body acted immediately--it was used to responding instantly to that voice, after all--and I pulled up tightly on the horse’s reins. This forced its head to an upright position, which made bucking virtually impossible for the horse. Problem was, I pulled up too tightly and quickly, and the horse reared up. I leaned forward and hugged the saddle, praying I wouldn’t fall off backward and sustain a massive head injury. I liked my head. I wasn’t ready to say good-bye to it. By the time the horse’s front legs hit the ground, my left leg was dangling out of its stirrup, even as all my dignity was dangling by a thread. Using my balletic agility, I quickly hopped off the horse, tripping and stumbling away the second my feet hit the ground. Instinctively, I began hurriedly walking away--from the horse, from the ranch, from the burning. I didn’t know where I was going--back to L.A., I figured, or maybe I’d go through with Chicago after all. I didn’t care; I just knew I had to keep walking. In the meantime, Marlboro Man had arrived at the scene and quickly calmed my horse, who by now was eating a leisurely morning snack of dead winter grass that had yet to be burned. The nag. “You okay?” Marlboro Man called out. I didn’t answer. I just kept on walking, determined to get the hell out of Dodge. It took him about five seconds to catch up with me; I wasn’t a very fast walker. “Hey,” he said, grabbing me around the waist and whipping me around so I was facing him. “Aww, it’s okay. It happens.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Niggas took Tez’ kindness for weakness, and although he was laid back, he was far from a punk. Three things my brother didn’t play about—his life, his family, and his money! Sitting
Tynessa (What Hurts The Most 3)
This week has had a strange effect on me,” Llandrindon ruminated aloud. “I feel… different.” “Are you ill?” Daisy asked in concern, closing the sketchbook. “I’m sorry, I’ve made you sit out in the sun too long.” “No, not that kind of different. What I meant to say is that I feel… wonderful.” Llandrindon was staring at her in that odd way again. “Better than I ever have before.” “It’s the country air, I expect.” Daisy stood and brushed her skirts off, and went to him. “It’s quite invigorating.” “It’s not the country air I find invigorating,” Llandrindon said in a low voice. “It’s you, Miss Bowman.” Daisy’s mouth fell open. “Me?” “You.” He stood and took her shoulders in his hands. Daisy could only stutter in surprise. “I— I— my lord—” “These past few days in your company have given me cause for deep reflection.” Daisy twisted to glance at their surroundings, taking in the neatly trimmed hedges covered with bursts of pink climbing roses. “Is Mr. Swift nearby?” she whispered. “Is that why you’re talking this way?” “No, I’m speaking for myself.” Ardently Llandrindon pulled her closer, until the sketchbook was nearly crushed between them. “You’ve opened my eyes, Miss Bowman. You’ve made me see everything a different way. I want to find shapes in clouds, and do something worth writing a poem about. I want to read novels. I want to make life an adventure—” “How nice,” Daisy said, wriggling in his tightening grasp. “— with you.” Oh no. “You’re joking,” she said weakly. “I’m besotted,” he declared. “I’m unavailable.” “I’m determined.” “I’m… surprised.” “You dear little thing,” he exclaimed. “You’re everything he said you were. Magic. Thunderstorms wrapped up with rainbows. Clever and lovely and desirable—” “Wait.” Daisy stared at him in astonishment. “Matth— that is, Mr. Swift said that?” “Yes, yes, yes…” And before she could move, speak or breathe, Llandrindon lowered his head and kissed her.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I don’t know. He’s the kind of person they probably won’t retire anyway.” But one of the executives was proactive. He was driven by values, not feelings. He took the initiative—he anticipated, he empathized, he read the situation. He was not blind to the president’s weaknesses; but instead of criticizing them, he would compensate for them. Where the president was weak in his style, he’d try to buffer his own people and make such weaknesses irrelevant. And he’d work with the president’s strengths—his vision, talent, creativity. This man focused on his Circle of Influence. He was treated like a gofer, also. But he would do more than what was expected. He anticipated the president’s need. He read with empathy the president’s underlying concern, so when he presented information, he also gave his analysis and his recommendations based on that analysis. As I sat one day with the president in an advisory capacity, he said, “Stephen, I just can’t believe what this man has done. He’s not only given me the information I requested, but he’s provided additional information that’s exactly what we needed. He even gave me his analysis of it in terms of my deepest concerns, and a list of his recommendations. “The recommendations are consistent with the analysis, and the analysis is consistent with the
Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
Yes.” Then his lips were against mine, softly, sweetly, a featherlight touch. The kind of kiss you imagine when you’re a tween dreaming about your first kiss. He’d obviously intended for it to be sweet and gentle. Which meant that it should have made me feel dreamy and nostalgic and swoony. It did none of those things. From the moment his lips touched mine, it was like someone had plugged my mouth into an electrical socket. A surge zipped through me, giving me goose bumps and heating my blood. It lasted for only a few seconds but it almost zapped my ability to hold myself upright. He pulled back slightly, still within kissing range. I felt his warm breath against my face and it took all my restraint not to press my mouth against his and keep this going. Which he may not have wanted. I swallowed, trying to figure out what to do next. I settled on finding out what he’d thought of our experiment. “How,” I started to speak, surprised at the breathy quality to my voice. “How was that?” His lips pulled up into a smile. “I think I need more data before I can draw any conclusions.” Again, perfectly sound logic. I nodded, feeling as if I couldn’t quite catch my breath. I noticed that he was looking at my lips. As if he’d only had a fleeting impression and now needed to do a more thorough investigation. The look in his intense blue eyes made the air around me feel charged with energy, like lightning could strike us both then and there. That feeling didn’t lessen when he pressed his lips against mine again, this time kissing me. Not just a peck, but moving his mouth against mine with a gentle firmness that left me weak and shivering. He made the nerve endings in my lips explode from sheer pleasure. Now both of his hands were on the side of my face, guiding my head this way and that as he kissed me over and over again. Some
Sariah Wilson (Roommaid)
Huh?” she said. “What’s this?” “I think you have a fever. Might be from damn near freezing to death, might be from something else. First we try aspirin.” “Yeah,” she said, taking them in her small hand. “Thanks.” While Marcie took the aspirin with water, he fixed up the tea. They traded, water cup for mug of tea. He stayed across the room at his table while she sipped the tea. When she was almost done, he said, “Okay, here’s the deal. I have to work this morning. I’ll be gone till noon or so—depends how long it takes. When I get back, you’re going to be here. After we’re sure you’re not sick, then you’ll go. But not till I tell you it’s time to go. I want you to sleep. Rest. Use the pot, don’t go outside. I don’t want to stretch this out. And I don’t want to have to go looking for you to make sure you’re all right. You understand?” She smiled, though weakly. “Aw, Ian, you care.” He snarled at her, baring his teeth like an animal. She laughed a little, which turned into a cough. “You get a lot of mileage out of that? The roars and growls, like you’re about to tear a person to pieces with your teeth?” He looked away. “Must keep people back pretty good. Your old neighbor said you were crazy. You howl at the moon and everything?” “How about you don’t press your luck,” he said as meanly as he could. “You need more tea?” “If it’s all the same to you, I think I’ll nap. I don’t want to be any trouble, but I’m awful tired.” He went to her and took the cup out of her hand. “If you didn’t want to be any trouble, why didn’t you just leave me the hell alone?” “Gee, I just had this wild urge to find an old friend…” She lay back on the couch, pulling that soft quilt around her. “What kind of work do you do?” “I sell firewood out of the back of my truck.” He went to his metal box, which was nailed to the floor from the inside so it couldn’t be stolen if someone happened by his cabin, which was unlikely. He unlocked it and took out a roll of bills he kept in there and put it in his pocket, then relocked it. “First snowfall of winter—should be a good day. Maybe I’ll get back early, but no matter what, I want you here until I say you go. You get that?” “Listen, if I’m here, it’s because it’s where I want to be, and you better get that. I’m the one who came looking for you, so don’t get the idea you’re going to bully me around and scare me. If I wasn’t so damn tired, I might leave—just to piss you off. But I get the idea you like being pissed off.” He stood and got into his jacket, pulled gloves out of the pockets. “I guess we understand each other as well as we can.” “Wait—it’s
Robyn Carr (A Virgin River Christmas (Virgin River #4))
But she did have a sulky bursting prowling sort of energy, because she was in that state so many young girls go through―a state of sexual obsession that can be like a sort of trance. When I was fifteen, still living in Baker Street with my father, I spent some months in that state, so that now I can't walk through that area without remembering, half amused, half embarrassed, an emotional condition which was so strong it had the power to absorb into it pavements, houses, shop windows. What was interesting about June was this: surely nature should have arranged matters so that the men she met must be aware of what afflicted her. Not at all. That first evening Maryrose and I involuntarily exchanged glances and nearly laughed out loud from recognition and amused pity. We did not, because we also understood that the so obvious fact was not obvious to the men and we wanted to protect her from their laughter. All the women in the place were aware of June. I remember sitting one morning on the verandah with Mrs. Lattimer, the pretty red-haired woman who flirted with young Stanley Lett, and June came into sight prowling blindly under the gum-trees by the railway lines. It was like watching a sleepwalker. She would take half a dozen steps, staring across the valley at the piled blue mountains, lift her hands to her hair, so that her body, tightly outlined in bright red cotton, showed every straining line and the sweat patches dark under the armpits―then drop her arms, her fists clenched at her sides. She would stand motionless, then walk on again, pause, seem to dream, kick at the cinders with the toe of high white sandal, and so on, slowly, till she was out of sight beyond the sun-glittering gum-trees. Mrs. Lattimore let out a deep rich sigh, laughed her weak indulgent laugh, and said: 'My God, I wouldn't be a girl again for a million pounds. My God, to go through all that again, not for a million million.' And Maryrose and I agreed. Yet, although to us every appearance of this girl was so powerfully embarrassing, the men did not see it and we took care not to betray her. There is a female chivalry, woman for woman, as strong as any other kind of loyalty. Or perhaps it was we didn't want brought home to us the deficiencies of imagination of our own men.
Doris Lessing (The Golden Notebook)
I see.” A smile played on his lips. “I must do the thing properly, then. If you’ll rise?” He pressed her to her feet, then slid from the chair and dropped to one knee. He took her hand in his own roughened one. “You will not be offended by the truth?” She looked down at him, this kneeling duke, with his odd, deliberate ways. There was simply no one else like him, and she loved him for that. “I might. But I want it anyway.” He worked shaking fingers between hers, then gave a sharp nod. “Here it is. Eleven years ago, you married an old man who wanted to cheer his last years with a nubile young wife. I have no expectation of dying soon, so I am quite prepared to see you grow haggard and fat over the forthcoming decades.” A crack of laughter burst from her throat; his mouth creased in a barely suppressed smile as he added, “My finances are adequate without the aid of your fortune. And—forgive me for mentioning it—but my bloodline is more noble than yours too.” “This is hardly a litany of praise.” “It’s the truth. And so is this: that there is only one remaining reason for me to offer you marriage. I love you.” His grip about her fingers tightened. “For many years, I had no talent for using my heart, and so I never bothered with it—until you entered my life and showed me the pleasurable bits of life that I was missing. How much sweeter is work when there is someone to play with at day’s end. How a small kindness can grow to touch everyone around it. Everything is better with you near.” The walls around her heart were weak now, indeed. “I want to believe you. So much. But I know your nature is solitary. How can I be sure you won’t tire of me and toss me aside like a Carcel lamp?” “I would never toss aside a Carcel lamp.” She couldn’t help but laugh.
Theresa Romain (To Charm a Naughty Countess (The Matchmaker Trilogy, #2))
Serendipitously, on the very night of my meeting with Ben, I had scheduled a dinner with Mark Epstein. In the taxi on my way downtown I called Bianca and told her how it’d gone. “He’s right,” she said. Which came as no surprise; Ben had basically affirmed her thesis. “This is good. Now you know what you need to do.” Mark and I met to eat at a fussy Japanese restaurant called Brushstroke, where they only served a tasting menu and the waiters took themselves very, very seriously. Once we’d placed our orders, I told Mark what had just gone down in Ben’s office. He responded with a catchy little suggestion: “Hide the Zen.” “People will take advantage of you if they’re reading you as too Zen,” he said. “There’s a certain kind of aggression in organizational behavior that doesn’t value that—that will see it as weak. If you present yourself too much like that, people won’t take you seriously. So I think it important to hide the Zen, and let them think that you’re really someone they have to contend with.” But I was attached to my rep as a Zen guy. “I don’t want to be an asshole at the office.” “No,” he said. “That’s the tricky thing about what he’s saying to you. I’m sure there’s a way of doing it where you don’t have to be an asshole.
Dan Harris (10% Happier)
In that very brief period of time I was made abundantly aware of the extent to which various things inside me had degenerated without my even knowing it. I'd always hated working, and I'd never cared much about the kinds of jobs I took or whether I had one or not or anything like that, and none of that had changed at all, it wasn't that... it was something like guts, the ability to move on to the next thing when I had to, it was something like hope, like anticipation... I can't explain it very well. But I feel sure that this something I'd unknowingly cast aside was the same thing that Shiori had lost, was what she'd cast aside herself, also without noticing. Maybe if she'd been lucky she could have gone on living anyway, just as she was. But she was too weak, she couldn't endure a life like that. The flow was so strong that it swallowed her whole.
Banana Yoshimoto (Asleep)
But it’s true that I have faced the Dark Court and lived. I suppose I could survive this peril as well, if need be.” “What? Oh—no. I mean…” Eddi faltered and shook her head. “I’m not good at saying this kind of thing. I always sound stupid or too casual or…” “My poet, betrayed by words?” He smiled crookedly. “I never said I was a poet. Besides, it’s not the same thing. This is public speaking.” She smiled weakly and looked at his ruffles. He set his hands on her shoulders, but they were motionless and weightless. “You’ve kept me alive for the last three months,” Eddie began, groping furiously for the words. “You’ve made me coffee. You’ve carried my amplifier.” A nervous chuckled escaped her. “And you’ve been pretty good company. Even when you were being a jerk, you were pretty good company, now that I look back on it.” “But,” he said without inflection. Eddi looked up at him, alarmed. “But? Oh, hell, I told you I was bad at this! No, no buts. You’re a wonderful person. Even if you are a supernatural being. Damn it, Phouka, how am I going to tell my mother that I’m in love with a guy who turns into a dog?” She blushed; she could feel it. A silence of unreasonable proportions followed; the phouka’s only response was a quick spasm of his fingers on her shoulders. “Are you in love with him, then?” “I said so, didn’t I?” “Not quite.” There was a smile twitching in the corner of his mouth. “All right, Al right.” Eddi took a long breath. “I love you.” “There. Now why should that be so hard to say?” “Because it sounds like something out of a soap opera,” Eddi grumbled. “Does it? Not to me. The best line from a favorite song, perhaps.” His smile softened his whole face in a way she hadn’t seen before. “That’s because you’re a damned romantic.” He reached up and tucked her hair behind her ear on one side. “Then you’re a doubly damned romantic, my heart, since you won’t even admit it. But perhaps with my excellent example before you…” Eddi caught at his disconcerting fingers, which were now tracing the edge of her ear, and kissed his knuckles. “You’re a jerk,” she said fondly. “Where were we going, when we got distracted?” “Earth and Air, I’d forgotten! It’s your fault, you know. The color of your hair in the moonlight, the curve of your waist, the—” “You’re going to forget again.” “You’re quite right. But I’ll try not to do so for at least a few minutes. You will enjoy this, I think.” He flashed her a grin and folded his fingers around hers. “Come along, then.
Emma Bull (War for the Oaks)
But it’s true that I have faced the Dark Court and lived. I suppose I could survive this peril as well, if need be.” “What? Oh—no. I mean…” Eddi faltered and shook her head. “I’m not good at saying this kind of thing. I always sound stupid or too casual or…” “My poet, betrayed by words?” He smiled crookedly. “I never said I was a poet. Besides, it’s not the same thing. This is public speaking.” She smiled weakly and looked at his ruffles. He set his hands on her shoulders, but they were motionless and weightless. “You’ve kept me alive for the last three months,” Eddie began, groping furiously for the words. “You’ve made me coffee. You’ve carried my amplifier.” A nervous chuckled escaped her. “And you’ve been pretty good company. Even when you were being a jerk, you were pretty good company, now that I look back on it.” “But,” he said without inflection. Eddi looked up at him, alarmed. “But? Oh, hell, I told you I was bad at this! No, no buts. You’re a wonderful person. Even if you are a supernatural being. Damn it, Phouka, how am I going to tell my mother that I’m in love with a guy who turns into a dog?” She blushed; she could feel it. A silence of unreasonable proportions followed; the phouka’s only response was a quick spasm of his fingers on her shoulders. “Are you in love with him, then?” “I said so, didn’t I?” “Not quite.” There was a smile twitching in the corner of his mouth. “All right, All right.” Eddi took a long breath. “I love you.” “There. Now why should that be so hard to say?” “Because it sounds like something out of a soap opera,” Eddi grumbled. “Does it? Not to me. The best line from a favorite song, perhaps.” His smile softened his whole face in a way she hadn’t seen before. “That’s because you’re a damned romantic.” He reached up and tucked her hair behind her ear on one side. “Then you’re a doubly damned romantic, my heart, since you won’t even admit it. But perhaps with my excellent example before you…” Eddi caught at his disconcerting fingers, which were now tracing the edge of her ear, and kissed his knuckles. “You’re a jerk,” she said fondly. “Where were we going, when we got distracted?” “Earth and Air, I’d forgotten! It’s your fault, you know. The color of your hair in the moonlight, the curve of your waist, the—” “You’re going to forget again.” “You’re quite right. But I’ll try not to do so for at least a few minutes. You will enjoy this, I think.” He flashed her a grin and folded his fingers around hers. “Come along, then.
Emma Bull (War for the Oaks)
I can’t stop cleaning and I have a monster inside my brain and I miss you and Sloan is falling apart and his parents won’t take him off life support, so his organs are rotting. I can’t get all the lines right on the carpet with the vacuum and Stuntman is in a kennel and I haven’t seen him in days, and I just need you to let me clean this fucking apartment!” I’m not sure how much of it he heard, if any. I was crying so hard I could barely understand myself. He just held me and caressed my hair, and for the first time in weeks the velociraptor hunted other prey. Josh made me weak. Or strong. It was hard to tell anymore what I was without my coping mechanism. At least when I rode the beast, I got shit done. And now I was nothing but an emotional mess. But at least the mess was mine. Why did he have this effect on me? He had this way of waking up dormant parts of my soul. He ripped through me and let everything in with him like a storm surge. I took on water. And at the same time, something told me if I let him, he’d keep me afloat. He wouldn’t let me sink. I’d never felt this vulnerable and safe with anyone. I felt hot and shaky. I gasped and clutched his shirt until the crying spasms stopped. He held me so tight my knees could have given out and I wouldn’t have fallen an inch. “I can’t be the only one who has their shit together,” I whispered. His chest rumbled as he spoke. “It doesn’t look like you have your shit together…” I snorted. “Josh, please.” I looked up at him, my hands trembling on his collarbone. “I need you to insert yourself here. Go talk to his parents. They’ll listen to you.” He looked at me like seeing me cry was agony. The longing on his face was razor blades to my heart. His sad eyes, the set of his mouth, his knit brows. He loved me almost as much as I loved him, and I knew I was hurting him. I knew he thought I was enough. But I wasn’t enough. How could one of me be any kind of substitute for the half dozen kids he’d always wanted? It just couldn’t. The math didn’t work. The logic wasn’t sound. He wiped a tear off my cheek with his thumb. “Okay,” he whispered. “I’ll go. Just, sit down or something. Stop cleaning.” He dipped his head to catch my eyes. “Are you okay? You’re shaking.” He put a hand over mine to still the tremor against his chest, and the closeness of him made me whole for the first time in weeks. “I’m fine,” I said, swallowing. “Just hurry, okay?” He looked at me for a long moment, like he was trying to memorize my face or steal an extra second to hold me. Then he turned for the bathroom. When he walked away from me, the absence of his body pressed into mine felt like I’d lost my clothes and I stood naked and exposed to the elements. I missed him. No amount of time lessened it. It made it worse. My heart was a neglected building, and every day I weathered a fierce storm that dripped through my roof, flooded my floors, and broke my windows, and the disrepair just made me weaker and closer to collapse. The water turned on in the bathroom and I looked around the apartment, my compulsion raging back with a fury now that he was gone. At least I could do this for him. I could take care of his space, give it order. Wash his clothes and his blankets. Make things smell clean, turn his home into someplace he wanted to be. Do this thing that he obviously couldn’t do for himself at the moment.
Abby Jimenez
Perhaps it is worth nothing at all. How can I tell?” he thought, with the heartsickness of a great timidity. Now that he had left it there, it seemed to him so hazardous, so vain, so foolish, to dream that he, a little lad with bare feet, who barely knew his letters, could do anything at which great painters, real artists, could ever deign to look. Yet he took heart as he went by the cathedral: the lordly form of Rubens seemed to rise from the fog and the darkness, and to loom in its magnificence before him, whilst the lips, with their kindly smile, seemed to him to murmur, “Nay, have courage! It was not by a weak heart and by faint fear that I wrote my name for all time upon Antwerp.
Louise De La Ramee (Ouida). (Dog of Flanders and Other Stories ( Companion Library Edition))
can hardly explain how it felt When you ripped me apart, Tore off my thick skin, Stomped on my heart. Your weapons were words, The most hurtful kind. They weren’t curses or insults; They were lies. You made me believe things That weren’t true, Doubt my own memories Before I thought to doubt you. When I said that you were wrong, Perhaps lying or forgetting, You looked at me like I was crazy, overreacting. Guilting me into thinking I was mistaken and petty, Caused me to go to bed Questioning my own reality. I would constantly wonder If I was mentally unstable, Would I die this way Or learn to see false from real? My memories changed As I trusted your experience. I tried to scrub myself of What I thought was delirium. In you, I finally believed, Although it took time; I decided to make you My eyes, ears, and guide. Sometime later, The truth knocked on our door. We had no choice but to answer it; There was no hiding anymore. I can still remember The way your face changed in front of me. I’ll never forget That nightmare of a memory. It soon become clear There was nothing wrong with me. I was right all along, But still I wondered, was I really? The doubt would kill me, Rip my brain to pieces And from this trauma, There was no healing. I can hardly explain how it felt, To be programmed to doubt myself. My tears, cuts, and bruises Were a cry for help, That no one heard. Perhaps I could have shouted louder, But I thought I was in the wrong. You don’t realize your weakness When you think you’re being strong. I still can’t believe there was a time You convinced me to believe in lies. Little did I know back then That it was all a gaslight.
Shai Kara (Hellfire: A Poetry Collection)
Had I fallen prey, in middle age, to a kind of andropause? It wouldn’t have surprised me. To find out for sure I decided to spend my evenings on YouPorn, which over the years had grown into a sort of porn encyclopedia. The results were immediate and extremely reassuring. YouPorn catered to the fantasies of normal men all over the world, and within minutes it became clear that I was an utterly normal man. This was not something I took for granted. After all, I’d devoted years of my life to the study of a man who was often considered a kind of Decadent, whose sexuality was therefore not entirely clear. At any rate, the experiment put my mind at rest. Some of the videos were superb (shot by a crew from Los Angeles, complete with a lighting designer, cameramen and cinematographer), some were wretched but ‘vintage’ (German amateurs), and all were based on the same few crowd-pleasing scenarios. In one of the most common, some man (young? old? both versions existed) had been foolish enough to let his penis curl up for a nap in his pants or boxers. Two young women, of varying race, would alert him to the oversight and, this accomplished, would stop at nothing until they liberated his organ from its temporary abode. They’d coax it out with the sluttiest kind of badinage, all in a spirit of friendship and feminine complicity. The penis would pass from one mouth to the other, tongues crossing paths like restless flocks of swallows in the sombre skies above the Seine-et-Marne when they prepare to leave Europe for their winter migration. The man, destroyed at the moment of his assumption, would utter a few weak words: appallingly weak in the French films (‘Oh putain!’ ‘Oh putain je jouis!’: more or less what you’d expect from a nation of regicides), more beautiful and intense from those true believers the Americans (‘Oh my God!’ ‘Oh Jesus Christ!’), like an injunction not to neglect God’s gifts (blow jobs, roast chicken). At any rate I got a hard-on, too, sitting in front of my twenty-seven-inch iMac, and all was well. Once I was made a professor, my reduced course load meant I could get all my teaching done on Wednesdays.
Michel Houellebecq (Submission)
The idea that he thought more of her than she sometimes thought of herself took her aback. Trust him, Scamp urged. Don't be a fool, Dilly said. Forget about him! Peter exclaimed. I shall save you! Dude, Leo sneered. Stop being such a tool. She can save herself. “Everybody remembers their first time.” “There wasn't any first time,” she said. “We didn't make it that far.” “Near enough. And I thought you didn't remember.” “I remember that much.” He kicked back in his chair. “We used to make out for hours. Do you remember that?” How could she forget? Their kisses had gone on and on – cheeks, neck, mouth, and tongue. Seconds... minutes... hours. Then they'd start all over again. Adults were too fixed on the final goal to take that kind of time. Only teenagers afraid of the next step exchanged kisses that lasted forever. …....... “Kissing has turned into a lost art.“ “Do you think?” “Um.” She took another sip of the rich, heady wine. “You're probably right,” he said. “I know I'm lousy at it.” She barely suppressed the urge to correct him. “Most men wouldn't admit it.” “I'm too anxious to get to the next step.” “You and every other guy.
Susan Elizabeth Phillips (Heroes Are My Weakness)
Everybody remembers their first time.” “There wasn't any first time,” she said. “We didn't make it that far.” “Near enough. And I thought you didn't remember.” “I remember that much.” He kicked back in his chair. “We used to make out for hours. Do you remember that?” How could she forget? Their kisses had gone on and on – cheeks, neck, mouth, and tongue. Seconds... minutes... hours. Then they'd start all over again. Adults were too fixed on the final goal to take that kind of time. Only teenagers afraid of the next step exchanged kisses that lasted forever. …....... “Kissing has turned into a lost art.“ “Do you think?” “Um.” She took another sip of the rich, heady wine. “You're probably right,” he said. “I know I'm lousy at it.” She barely suppressed the urge to correct him. “Most men wouldn't admit it.” “I'm too anxious to get to the next step.” “You and every other guy.
Susan Elizabeth Phillips (Heroes Are My Weakness)
See, you smart, James. You sit and watch everyone, and you know stuff without having to run your mouth. I'm always running my mouth, which gets my release took away and a bunch of knows in my head.
Shawn Goodman (Kindness for Weakness)
kinds of disguises and dance to all sorts of tunes to make myself Harry’s addiction. If he had not been fatally flawed, early corrupted by the brutality of his school, I should never have been able to keep him from Celia. I knew I was a hundred times more beautiful than she, a hundred times stronger. But I could not always remember that, when I saw the quiet strength she drew on when she believed she was morally right. And I could not be certain that every man would prefer me, when I remembered how Harry had looked at her with such love when we came back from France. I would never forgive Celia for that summer. Even though it was the summer when I cared nothing for Harry but rode and danced day and night with John, I would not forget that Celia had taken my lover from me without even making an effort at conquest. And now my husband bent to kiss her hand as if she were a queen in a romance and he some plighted knight. I might give a little puff of irritation at this scene played out before my very window. Or I might measure the weakness in John and think how I could use it. But use it I would. Even if I had felt nothing else for John I should have punished him for turning his eyes to Celia. Whether I wanted him or not was irrelevant. I did not want my husband loving anyone else. For dinner that afternoon I dressed with extra care. I had remodelled the black velvet gown that I had worn for the winter after Papa’s death. The Chichester modiste knew her job and the deep plush folds fitted around my breasts and waist like a tight sheath, flaring out in lovely rumpled folds over the panniers at my hips. The underskirt was of black silk and whispered against the thick velvet as I walked. I made sure Lucy powdered my hair well, and set in it some black ribbon. Finally, I took off my pearl necklace and tied a black ribbon around my throat. With the coming of winter, my golden skin colour was fading to cream, and against the black of the gown I looked pale and lovely. But my eyes glowed green, dark-lashed and heavy-lidded, and I nipped my lips to make them red as I opened the parlour door. Harry and John were standing by the fireplace. John was as far away from Harry as he could be and still feel the fire. Harry was warming his plump buttocks with his jacket caught up, and drinking sherry. John, I saw in my first sharp glance, was sipping at lemonade. I had been right. Celia was trying to save my husband. And he was hoping to get his unsteady feet back on the road to health. Harry gaped openly when he saw me, and John put a hand on the mantelpiece as if one smile from me might destroy him. ‘My word, Beatrice, you’re looking very lovely tonight,’ said Harry, coming forward
Philippa Gregory (Wideacre)
Even as I write this, I’m still battling for the right to share custody and attempting to peacefully end my marriage. Through all of this, I have had a great support group. I have my parents and I have the kind of friends that I can call at any hour of the day to talk about what’s bothering me. I can go lie on their couch and cry for hours, saying nothing at all. Accepting that I need these caring people in my life doesn’t mean I’m a weak person. I don’t have to be okay all the time. It took me my whole life to learn that, to understand that no one is happy all the time, no one is perfect.
Jodie Sweetin (unSweetined)
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