Toni Bentley Quotes

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If a man can possess a woman sexually -really possess- he won't need to control her ideas, her opinions, her clothes, her friends, even her other lovers.
Toni Bentley
A man must have confidence in himself and his cock, to fuck a woman in the ass. If he does not have this control, his cock will direct the action; he will move too quickly, hurt the once-willing woman, and rarely, rightly, will he be given a second chance.
Toni Bentley
It's my hurt, my pain, and who are you to take it from me? I don't need rescuing, I don't need pity, I don't need opinions, I need fucking--and maybe a little spanking for indulging my anger.
Toni Bentley
Dancing may not be the perfect substitute for love, human love, but it certainly requires all the time and thought and energy that could otherwise be dedicated to love.
Toni Bentley (Winter Season: A Dancer's Journal)
Women are taught that size doesn't matter, that it's the motion in the ocean. But this is a theory propagated by those bright guys with insecurities who need big theories.
Toni Bentley
Bliss, I learned from being sodomized, is an experience of eternity in a moment of real time.
Toni Bentley (The Surrender: An Erotic Memoir)
Afterwards Isabelle often wondered if the moments themselves were greater or the memory of them. At least the memory did not pass, while the moments passed all too fast. Life whizzed by; she no longer had time to recollect it. Her notebooks to this day retain the story of her desperate attempt to hold together her self, her mind, her reason, her order, her morals.
Toni Bentley (Winter Season: A Dancer's Journal)
The publisher has, helpfully, categorized this book under “self-improvement” in the time-honored American “self-help” tradition. These books, as Dr. Phil knows best, endlessly sell because they never work . . . but maybe the sequel will. There is, I surmise, a kind of insidious intimacy in these books, as on Freud’s couch, between author and reader, an unspoken collusion in knowing much will be said but nothing will be done.
Toni Bentley
In February, 1943, eight months before she was murdered in Auschwitz, the German painter Charlotte Salomon killed her grandfather. Salomon’s grandparents, like many Jews, had fled Germany in the mid-nineteen-thirties, with a stash of “morphine, opium, and Veronal” to use “when their money ran out.” But Salomon’s crime that morning was not a mercy killing to save the old man from the Nazis; this was entirely personal. It was Herr Doktor Lüdwig Grünwald, not “Herr Hitler,” who, Salomon wrote, “symbolized for me the people I had to resist.
Toni Bentley
Two months ago, Lauren Carmichael’s husband and son were murdered in a home invasion. She was conveniently working late that night. Sheldon Kaufman’s sister died two weeks later, casualty of a convenience store robbery. Just a day after that, Meadow Brand’s father was stabbed to death in what’s being reported as a mugging gone wrong.” Why don’t you just kill your wife? Sheldon had asked Tony back at the golf course. Because I don’t love my wife. “Christ,” I breathed. “It’s not just any souls they need. Family members. Blood relations, maybe. Someone they have a personal bond with.” “An intimate sacrifice,” Bentley said.
Craig Schaefer (The Long Way Down (Daniel Faust, #1))
I’m going to find out who Amber is. We’ve got to get to her before he does.” My head swirled with maybes. Maybe Tony would lose his nerve. Maybe he’d drag his heels just a little longer. Maybe he’d show his hand too soon, and Amber would fight him off or get away from him in time. There was still a chance. I love social media and the people who are careless with it. Tony had an open Facebook profile. I rummaged through his pictures and posts, looking for a clue. Then I found one, and wished I hadn’t. “Bentley.” “Did you find her?” he asked, peering over his bifocals. “Amber’s his daughter, Bentley. She’s eight years old.
Craig Schaefer (The Long Way Down (Daniel Faust, #1))
The unexpected but dependable law that functions in most artistic endeavors: namely that the pursuit of excellence has an even stronger instinctual draw than the need for emotional self-preservation.
Toni Bentley (Costumes By Karinska)