Tongue Can Hurt Quotes

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You can't hurt me the way you think you can. But even if you could? I would rather die with the taste of you on my tongue than live and never touch you again. I'm in love with you, Mara. I love you. No matter what you do.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Could it be because it reminds us that we are alive, of our mortality, of our individual souls- which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one’s own. Even more terrible, as we grow old, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?
Donna Tartt (The Secret History)
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
Why does that obstinate little voice in our heads torment us so? Could it be because it reminds us that we are alive, of our mortality, of our individual souls – which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one’s burned tongues and skinned knees, that one’s aches and pains are all one’s own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that’s why we’re so anxious to lose them, don’t you think?
Donna Tartt (The Secret History)
It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one's own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them...
Donna Tartt (The Secret History)
It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one’s own. Even more terrible, as we grow old, to learn that no person, no matter how beloved, can ever truly understand us.
Donna Tartt (The Secret History)
The hardest thing is being with other people - it's like they're on a different wavelenght, but only you know it. They talk about their lives and what's wrong with them, and you kind of, like, just let them go. It's a whole different language, and you've got to remember that you can only respond in their mother tongue. It's really hard to relate.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
You can’t hurt me the way you think you can. But even if you could? I would rather die with the taste of you on my tongue than live and never touch you again. I’m in love with you, Mara. I love you. No matter what you do.
Michelle Hodkin
Sometimes I can feel my darkness, like a fragment of nerves inside of me somewhere, sparking my hate. I picture it moving throughout my body, the other cells letting it pass by, yielding to its master. It moves to my tongue when it wants me to spew beautiful, damaging words, it moves to my hands when it wants me to feel all it can take away, and it moves to my eyes to blind me from truly seeing the destruction I’ve done.
Piper Payne (Breathing Black (The Black and White Duet, #1))
Now, listen to me and listen hard,” Tristan uttered, shaking her father’s jaw for emphasis. “She’s under my protection. Mine. Nobody hurts her. Nobody talks shit about her. Not me, not you, not anyone. Next time I hear you call her anything less than the woman she is, I will cut your tongue out and feed it to your dogs. Next time I see you anywhere close to her, I will kill you. Stay. The. Fuck. Away. From. Her. Do you understand?” Her father nodded. Tristan nodded. “Good. And anytime you forget that, just remember how I killed my father when I was a boy for her. And think on and think of the people I can kill now that I am a man to keep her safe.
RuNyx (The Reaper (Dark Verse, #2))
Little sister don't you worry about a thing today Take the heat from the sun Little sister I know that everything is not ok But you're like honey on my tongue True love never can be rent But only true love can keep beauty innocent I could never take a chance Of losing love to find romance In the mysterious distance Between a man and a woman No I could never take a chance 'Cause I could never understand The mysterious distance Between a man and a woman You can run from love And if it's really love it will find you Catch you by the heel But you can't be numb for love The only pain is to feel nothing at all How can I hurt when I'm holding you? I could never take a chance Of losing love to find romance In the mysterious distance Between a man and a woman And you're the one, there's no-one else who makes me want to lose myself In the mysterious distance Between a man and a woman Brown eyed girl across the street On rue Saint Divine I thought this is the one for me But she was already mine You were already mine... Little sister I've been sleeping in the street again Like a stray dog Little sister I've been trying to feel complete again But you're gone and so is God The soul needs beauty for a soul mate When the soul wants...the soul waits ... No I could never take a chance Of losing love to find romance In the mysterious distance Between a man and a woman For love and FAITH AND SEX and fear And all the things that keep us here In the mysterious distance Between a man and a woman How can I hurt when I'm holding you?
U2
The soundtrack should be a lilting indie affair; equal parts hopeful and with a broken, bittersweet lyric hook that makes your heart hurt for some unknown reason. But instead it’s scored by the 1980s hair metal I found in an incriminating iPod playlist titledGym. “You seriously got those abs while listening to Poison and Bon Jovi,” I crow, and he can’t deny it. It’s just us, windows down, stereo cranked, the road curling in front of us like a tongue.
Sally Thorne (The Hating Game)
It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one's own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can never truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?
Donna Tartt (The Secret History)
Keeping The City "Unless the Lord keepeth the city, the watchman guardeth in vain" - John F. Kennedy's unspoken words in Dallas on November 23, 1963. Once, in August, head on your chest, I heard wings battering up the place, something inside trying to fly out and I was silent and attentive, the watchman. I was your small public, your small audience but it was you that was clapping, it was you untying the snarls and knots, the webs, all bloody and gluey; you with your twelve tongues and twelve wings beating, wresting, beating, beating your way out of childhood, that airless net that fastened you down. Since then I was more silent though you had gone miles away, tearing down, rebuilding the fortress. I was there but could do nothing but guard the city lest it break. I was silent. I had a strange idea I could overhear but that your voice, tongue, wing belonged solely to you. The Lord was silent too. I did not know if he could keep you whole, where I, miles away, yet head on your chest, could do nothing. Not a single thing. The wings of the watchman, if I spoke, would hurt the bird of your soul as he nested, bit, sucked, flapped. I wanted him to fly, burst like a missile from your throat, burst from the spidery-mother-web, burst from Woman herself where too many had laid out lights that stuck to you and left a burn that smarted into your middle age. The city of my choice that I guard like a butterfly, useless, useless in her yellow costume, swirling swirling around the gates. The city shifts, falls, rebuilds, and I can do nothing. A watchman should be on the alert, but never cocksure. And The Lord - who knows what he keepeth?
Anne Sexton (45 Mercy Street)
Healing is your right, your responsibility and the risk you can't afford not to take.
Thaiia Senquetta (Honey peppered tongue)
Okay.' I can feel the letters vomit off my tongue. O. K. A. Y. I watch the vet insert the syringe into the catheter and inject the second drug. And then the adventures come flooding back: The puppy farm. The gentle untying of the shoelace. THIS! IS! MY! HOME! NOW! Our first night together. Running on the beach. Sadie and Sophie and Sophie Dee. Shared ice-cream cones. Thanksgivings. Tofurky. Car rides. Laughter. Eye rain. Chicken and rice. Paralysis. Surgery. Christmases. Walks. Dog parks. Squirrel chasing. Naps. Snuggling. 'Fishful Thinking.' The adventure at sea. Gentle kisses. Manic kisses. More eye rain. So much eye rain. Red ball. The veterinarian holds a stethoscope up to Lily's chest, listening for her heartbeat. All dogs go to heaven. 'Your mother's name is Witchie-Poo.' I stroke Lily behind her ears the way that used to calm her. 'Look for her.' OH FUCK IT HURTS. I barely whisper. 'She will take care of you.
Steven Rowley (Lily and the Octopus)
Five thousand dollars? For a kiss?” “That’s what I said.” “With tongue?” “It’s not really a kiss without it. Just say yes, pet. You obviously need the money.” I gasp before I can stop myself. I didn’t think five words from a stranger could hurt so much. What a dick. “For fuck’s sake, Nicholas,” Simon says. But he just looks at me, waiting, those arrogant green eyes alight with anticipation. So I give him what he’s waiting for. “Hands under the table,” I order. He smiles wider, puts his flask in his pocket, and does what he’s told. “Close your eyes.” “I like a woman who’s not afraid to take charge.” “No more talking.” He’s said more than enough. I lean in, keeping my eyes open the whole time, memorizing every angle of that face, feeling his warm breath against my cheek. This close, I can see the shadow of stubble on his chin and for just a second, I let myself wonder what it would feel like scratching against my stomach, my thighs—everywhere. Then in one move, I pick up his plate—and smash the apple pie in his stupid, handsome face. “Kiss this, asshole.
Emma Chase (Royally Screwed (Royally, #1))
SPRING POEM It is spring, my decision, the earth ferments like rising bread or refuse, we are burning last year's weeds, the smoke flares from the road, the clumped stalks glow like sluggish phoenixes / it wasn't only my fault / birdsongs burst from the feathered pods of their bodies, dandelions whirl their blades upwards, from beneath this decaying board a snake sidewinds, chained hide smelling of reptile sex / the hens roll in the dust, squinting with bliss, frogbodies bloat like bladders, contract, string the pond with living jelly eyes, can I be this ruthless? I plunge my hands and arms into the dirt, swim among stones and cutworms, come up rank as a fox, restless. Nights, while seedlings dig near my head I dream of reconciliations with those I have hurt unbearably, we move still touching over the greening fields, the future wounds folded like seeds in our tender fingers, days I go for vicious walks past the charred roadbed over the bashed stubble admiring the view, avoiding those I have not hurt yet, apocalypse coiled in my tongue, it is spring, I am searching for the word: finished finished so I can begin over again, some year I will take this word too far.
Margaret Atwood (You are Happy)
When you die, you don't get to catch snowflakes on your tongue. You don't get to breathe winter in, deep in your lungs. You can't lie in bed and watch for the lights of the passing town plow. You can't suck on an icicle until your forehead hurts.
Jodi Picoult (The Tenth Circle)
I'm sorry Donatella wounded you so badly,' Evangeline said. And she meant it. She imagined Jacks was probably leaving a few things out, but she believed his hurt was genuine. 'Maybe the stories have it wrong and there's another true love waiting for you.' Jacks laughed derisively. 'Are you saying this because you think you can be her?' He eyed Evangeline through the bars, gaze bordering on indecent. 'Do you want to kiss me, Little Fox?' Something new and terrible knotted up inside her. 'No, that's not what I'm saying.' 'You don't sound too sure about that. You might not like me, but I bet you'd like it if I kissed you.' His eyes went to her lips, and the heat that swept across her mouth felt like the beginning of a kiss. 'Jacks, stop it,' she demanded. He didn't really want to kiss her. He was just teasing her to deflect the pain. 'I know what you're doing.' 'I doubt it.' He smiled, flashing his dimples as he ran his tongue over the tip of a very sharp and long incisor, looking suddenly thoughtful. 'Maybe it wouldn't be so bad to stay like this. I rather like these.' 'You also like daylight.' Evangeline reminded him. 'I could probably live without the sun if I could trade it for other things.' He cocked his head. 'I wonder... if I were to become a true vampire, perhaps my kiss wouldn't be fatal anymore.' His fangs lengthened. 'You could let me bite you and we could try it out.' Another piercing lick of heat, this time right beneath her jaw, then her wrist, and a few other intimate places she'd have never thought anyone would bite. Evangeline blushed from her neck down to her collarbone. 'We're not talking about biting,' she said hotly.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
He sighed and grabbed my left arm, examining the tattoo. “What were you thinking? Didn’t you know I’d come as soon as I could?” I yanked my arm from him. “I was dying! I had a fever—I was barely able to keep conscious! How was I supposed to know you’d come? That you even understood how quickly humans can die of that sort of thing? You told me you hesitated that time with the naga.” “I swore an oath to Tamlin—” “I had no other choice! You think I’m going to trust you after everything you said to me at the manor?” “I risked my neck for you during your task. Was that not enough?” His metal eye whirred softly. “You offered up your name for me—after all that I said to you, all I did, you still offered up your name. Didn’t you realize I would help you after that? Oath or no oath?” I hadn’t realized it would mean anything to him at all. “I had no other choice,” I said again, breathing hard. “Don’t you understand what Rhys is?” “I do!” I barked, then sighed. “I do,” I repeated, and glared at the eye in my palm. “It’s done with. So you needn’t hold to whatever oath you swore to Tamlin to protect me—or feel like you owe me anything for saving you from Amarantha. I would have done it just to wipe the smirk off your brothers’ faces.” Lucien clicked his tongue, but his remaining russet eye shone. “I’m glad to see you didn’t sell your lively human spirit or stubbornness to Rhys.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
It's a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one's own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us.
Donna Tartt (The Secret History)
Better to trip with the feet than with the tongue.” —ZENO, QUOTED IN DIOGENES LAERTIUS, LIVES OF THE EMINENT PHILOSOPHERS, 7.1.26 You can always get up after you fall, but remember, what has been said can never be unsaid. Especially cruel and hurtful things.
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
The only way to peace is to lay aside weapons. (Rowena) And the bloodiest of wars are often fought not with weapons, but rather with tongues. A man can heal an external wound a thousand times faster than he can heal even a small one dealt to his heart. You are a warrior, milady. You just choose a different forum for your battles, but you battle nonetheless. Like the men you hate so much, you hurt and wound. Have you given thought to why you fight the wars you do? (Zenobia)
Kinley MacGregor (A Dark Champion (Brotherhood of the Sword, #5))
Nobody hurt me, Sloane. No one made me who I am. I wasn’t molested or abused, or made to perform disturbing sexual acts. You have to know that there isn’t always a sinister shadow standing over the shoulder of someone like me. We’re a rare and dark breed. I carry that bag because I like it. I cut myself while I’m fucking sometimes because I like it. I play with a knife occasionally because I like it. I do all of the things that I do to you because I like it. And you know what, angry girl? The thing that disturbs you the most…” My breath catches in my throat. I can hardly fucking breathe. Zeth’s tongue carefully flicks out, teasing my upper lip just once. I close my eyes as his words hit home, words that are whispered yet more powerful than a shout. “…is that you like it, too. You’re just like me, Sloane. You’re just like me.
Callie Hart (Fallen (Blood & Roses #4))
It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one's own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us.
Donna Tartt (The Secret History)
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me. 'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.' Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.' She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build. I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right. I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.' Someone knocks, I ignore it. 'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth. 'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.' Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink. Never again. Those eyes will never reflect hurt I've inflicted ever again. 'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.' I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them. 'And if it's not possible?' 'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
If you have no arms To hold your crying child but your own arms And no legs but your own to run the stairs one more time To fetch what was forgotten I bow to you If you have no vehicle To tote your wee one but the wheels that you drive And no one else to worry, “Is my baby okay?” When you have to say goodbye on the doorsteps of daycare or on that cursed first day of school I bow to you If you have no skill but your own skill To replenish an ever-emptying bank account And no answers but your own to Satisfy the endless whys, hows, and whens your child asks and asks again I bow to you If you have no tongue to tell the truth To keep your beloved on the path without a precipice And no wisdom to impart Except the wisdom that you’ve acquired I bow to you If the second chair is empty Across the desk from a scornful, judging authority waiting For your child’s father to appear And you straighten your spine where you sit And manage to smile and say, “No one else is coming—I’m it.” Oh, I bow to you If your head aches when the spotlight finally shines on your child because your hands are the only hands there to applaud I bow to you If your heart aches because you’ve given until everything in you is gone And your kid declares, “It’s not enough.” And you feel the crack of your own soul as you whisper, “I know, baby. But it’s all mama’s got.” Oh, how I bow to you If they are your life while you are their nurse, tutor, maid Bread winner and bread baker, Coach, cheerleader and teammate… If you bleed when your child falls down I bow, I bow, I bow If you’re both punisher and hugger And your own tears are drowned out by the running of the bathroom faucet because children can’t know that mamas hurt too Oh, mother of mothers, I bow to you. —Toni Sorenson
Toni Sorenson
Now, the only song a woman knows is the song she learns at birth, a sorrowin’ song, with the words all wrong, in the many tongues of Earth. The things a woman wants to say, the tales she longs to tell . . . they take all day in the tongues of Earth, and half of the night as well. So nobody listens to what a woman says, except the men of power who sit and listen right willingly, at a hundred dollars an hour . . . sayin’ “Who on Earth would want to talk about such foolish things?” Oh, the tongues of Earth don’t lend themselves to the songs a woman sings! There’s a whole lot more to a womansong, a whole lot more to learn; but the words aren’t there in the tongues of Earth, and there’s noplace else to turn. . . . So the woman they talk, and the men they laugh, and there’s little a woman can say, but a sorrowin’ song with the words all wrong, and a hurt that won’t go away. The women go workin’ the manly tongues, in the craft of makin’ do, but the women that stammer, they’re everywhere, and the wellspoken ones are few. . . . ’Cause the only song a woman knows is the song she learns at birth; a sorrowin’ song with the words all wrong, in the manly tongues of Earth. (a 20th century ballad, set to an even older tune called “House of the Rising Sun”; this later form was known simply as “Sorrowin’ Song, With the Words All Wrong”)
Suzette Haden Elgin (Native Tongue (Native Tongue, #1))
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one’s burned tongues and skinned knees, that one’s aches and pains are all one’s own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us.
Donna Tartt (The Secret History)
Sometimes you welcome people only for them to show you how unwelcoming you are. Sometimes you generously help people only for them to show you how extravagant and evil you are. Sometimes you teach people only for them to show you how ignorant you are. Sometimes you open your doors to people only for them to show you how dirty your room is. Sometimes you make way for people only for them to block your ways. Sometimes you draw people closer to you only for them to teach you the real meaning of betrayal and loneliness. Sometimes you smile to people only for them to show you the color of your teeth. Sometimes you play with people only for them to show you how uncouth you are. In life, sometimes, your very best intentions shall be seen as woefully bad. Sometimes in life, your very good deeds and acts would see another meaning, but no matter how people perceive, accept and treat you or your good intentions, acts and deeds, know yourself, and dare not to be changed by circumstances so easily! Regardless of how hurtful circumstances might be, dare to guard your heart and your tongue, so you may not speak what you should never say that can make you miss your reward from the Sovereign Lord. Keep doing what you have to do, as you have to do, as a living sacrifice to your Father who is in Heaven, knowing that your reward is from Him alone, and wait patiently with a calm and an understanding heart for your reward from Him, regardless of the arduous nature of the hurt and trials!
Ernest Agyemang Yeboah
You are driving home. You listen to ‘Tongue Tied’ by Grouplove. Someone side-swipes the Ferrari. You almost strike three pedestrians and crash into a Dunkin’ Donuts. This is somewhere near the Brooklyn Bridge and you find out—later—the lady who hit you, she died. She was old. “Wasn’t wearing her glasses,” someone on the street says. “She was basically driving blind,” the police officer says. “I’m surprised this didn’t happen earlier.” An EMT examines you. You try and act normal. “Am I hurt?” you ask. “You’re not hurt,” the EMT says. You talk to the cops. “Am I in trouble?” you ask. “You’re not in trouble,” a young cop says. You freak out a little. You can smell pomade in your sweat. “Everything is under control,” someone says—another police officer. You freak out some more.
Mike Kleine (Mastodon Farm)
It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one’s burned tongues and skinned knees, that one’s aches and pains are all one’s own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that’s why we’re so anxious to lose them, don’t you t
Donna Tartt (The Secret History)
It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one’s burned tongues and skinned knees, that one’s aches and pains are all one’s own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that’s why we’re so anxious to lose them, don’t you think?
Donna Tartt (The Secret History)
It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one’s burned tongues and skinned knees, that one’s aches and pains are all one’s own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that’s why we’re so anxious to lose them, don’t you think? Remember the Erinyes?
Donna Tartt (The Secret History)
I only… I want to know what it is like to be normal. To spend a day and a night with my lover where we do not have to hide, where we can just be like everyone else. Where I could hold your hand and dance with you and…” He shook his head. “I sound foolish. Forgive me.” “No.” Cassius fingered Merrick’s hair. “You do not sound foolish. It is my dream as well.” “We shall dream together, then.” Cassius nodded before he leaned down, pressing his lips upon the prince’s. Merrick’s tongue sneaked into his mouth, and Cassius welcomed it, sucked it, offered his own to Merrick. He pulled Cassius on top of him as their tongues continued to tangle and Cassius fingered Merrick’s hair. His hands cupped Cassius’s buttocks as they fed each other, quenched each other’s thirst with the pleasure of the moment. They kissed until Cassius’s jaw hurt and he leaned far enough away that he could look down at the prince again. He touched a lock of his hair. “Please do not cut it,” Cassius asked
Riley Hart (Ever After)
It’s hard to accept. One minute you’re a parent to a small child. You have all the power. You say what’s for dinner. You say when bedtime is, when the homework gets done, whether or not so-and-so can sleep over. And then, suddenly that power is gone. Motherly advice is now an insult. Fatherly wisdom is offensive. Opinions are hurtful. Everything is a judgment. So, what do you do? You take a step back. You hold your tongue. You say to yourself, It’s their life. You say it so many times it loses its meaning. You try to diffuse the bomb.
Elizabeth Castellano (Save What's Left)
The discussion that day was about loss of self, about Plato's four divine madnesses, about madness of all sorts; he began by talking about what he called the burden of the self, and why people want to lose the self in the first place. 'Why does that obstinate little voice in our heads torment us so?' he said, looking round the table. 'Could it be because it reminds us that we are alive, of our mortality, of our individual souls – which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one's own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think? Remember the Erinyes?' 'The Furies,' said Bunny, his eyes dazzled and lost beneath the bang of hair. 'Exactly. And how did they drive people mad? They turned up the volume of the inner monologue, magnified qualities already present to great excess, made people so much themselves that they couldn't stand it. 'And how can we lose this maddening self, lose it entirely? Love? Yes, but as old Cephalus once heard Sophocles say, the least of us know that love is a cruel and terrible master. One loses oneself for the sake of the other, but in doing so becomes enslaved and miserable to the most capricious of all the gods. War? One can lose oneself in the joy of battle, in fighting for a glorious cause, but there are not a great many glorious causes for which to fight these days.
Donna Tartt (The Secret History)
He slowly lifted his head, eyes focused on the ceiling. “I can dig through.” “Lachlain, I doona think that’s wise. This house is centuries old and gets battered as you would no’ believe.” “Doona care.” “You might care that all three stories are tongue-and-groove construction—one piece falls, it’ll be like a domino effect. War, hurricanes, and constant lightning have made it unsound. I doona think Val Hall can take a Lykae biting through the first floor.” “Support it while I’m gone.” “Hold the floor? If I canna, you could be hurting both our mates. This place could come crashing down.” Lachlain slapped him on the shoulder. “Be sure that you doona drop it.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
Words, our simple words, can be used to hurt or they can be used to heal. They can build up or break down. Our words have power…the power to edify and the power to mortify. Words, the simple words we use every single day can be swords or sanctuaries, bitter herbs or sweet honey. There is no greater influence than our words…ask any child that's been built up or broken by them. In understanding the impact of our words, it’s vital to harness our tongues when we speak and bridle our fingers when we type; for behind the curtain of our words reveal the truth of our hearts. Being mindful that what we say to others often reflects more about ourselves than any mirror in this world.
Jason Versey (A Walk with Prudence)
Chase grunts at that, shoving himself up and away. For a moment he looks down at me, flushed and open mouthed. “Suck me.” It’s a demand. “I want to feel your tongue on my cock.” He isn’t gentle. Once I take him in my mouth he twists his fingers in my hair, the hold burning as I tilt my face to see the drop of his head, his eyes closed, his mouth parted to an O. “Fuck.” He shudders, the word hardly a shaping of his heavy breath. “Like that.” He feels so good in my mouth. Hot and hard, too much for me to take into my throat without gagging a little over his length. That makes him grunt, the hard planes of his belly tensing. I can feel his twitching indecision in the movements of his fingers through my hair, torn between the need to hold me close and the need to be inside another part of me. He doesn’t stay indecisive for long. “You want me to fuck you?” His voice is ragged. Yes, yes. I try to tell him with the sweep of my tongue and the hollow of my cheeks, the enthusiastic bob of my head. When Chase grabs me he’s rough. His hands hold tight at my shoulders as he shoves me over, face down on the bed. One fist tugs my hip up as the other braces low over my spine. “Wait,” is a rasped order. I can feel the mattress move as he leans to the bedside drawer, and then there’s the ripping sound of a foil packet torn on his teeth. There’s no warning after that. Only his cock, buried inside of me in one savage thrust. I cry out his name, and everything splinters with too much and yes and the good-ache pain of being opened by him. “Brooke.” It’s grunted at my ear as Chase begins a slow, solid pound into me, each thrust shoving to full sink. It hurts a little. He’s too big. It’s too quick. But god, it’s amazing. “Your pussy feels so good wrapped around my cock. So fucking good.” His fingers find my clit, and it’s all I can do not to cry out with how good it feels. His hips slam against my raised ass as he pounds into me, all that muscle riding me as expertly as he rode the mountains today. “Come.” He bites it at my ear, grinding his cock into me, holding the deepest penetration all the way into my aching core. “Come for me.” He’s starting to pound me again, and where my face is smashed against the pillow I whimper out the too-much-good of it, each slam of his body into mine forcing the breath from my lungs and spiking pleasure along my spine. “Please—please—please—” “Beg me,” Chase growls. “Say you want me. Say you need me inside of you.” “Please. Make me come. Chase. Please. Fuck me.” It’s so much I’m almost sobbing with it. Chase pounds on, relentless, until as I begin to spasm with my orgasm he grunts out his own. My hips pinned in his fingers. His body slammed into mine. Both of us, breaking apart together.
Harper Dallas (Ride (The Wild Sequence, #1))
Why does that obstinate little voice in our heads torment us so?” he said, looking round the table. “Could it be because it reminds us that we are alive, of our mortality, of our individual souls—which, after all, we are too afraid to surrender but yet make feel more miserable than any other thing? But isn’t it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one’s burned tongues and skinned knees, that one’s aches and pains are all one’s own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand
Donna Tartt (The Secret History)
Why does that obstinate little voice in our heads torment us so? Could it be because it reminds us that we are alive, of our mortality, of our individual souls—which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one’s burned tongues and skinned knees, that one’s aches and pains are all one’s own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that’s why we’re so anxious to lose them, don’t you think?
Donna Tartt (The Secret History)
You think we should try sandbagging it?” I ask, tipping my head back toward the barn. Ryder shakes his head. “I don’t think it’ll do much good.” “Just in front, then? The gap’s pretty big under the door. It can’t hurt, right?” “I’ve got a few sandbags in the Durango--probably enough for the door. I’ll get ‘em,” he offers. “You just make sure the door is latched tight.” I want to say something along the lines of, “No, I’d thought I’d just leave it flapping in the wind,” but I manage to bite my tongue. What is it with him and giving orders? I mean, I get that he’s the quarterback and all, but I’m not one of his teammates. But, hey, if he wants to thump his chest and carry the heavy sandbags, I’ll him do it.
Kristi Cook (Magnolia (Magnolia Branch, #1))
The little Otak was hiding in the rafters of the house, as it did when strangers entered. There it stayed while the rain beat on the walls and the fire sank down and the night wearing slowly along left the old woman nodding by the hearthpit. Then the otak crept down and came to Ged where he lay stretched stiff and still upon the bed. It began to lick his hands and wrists, long and patiently, with its dry leaf-brown tongue. Crouching beside his head it licked his temple, his scarred cheek, and softly his closed eyes. And very slowly under that soft touch Ged roused. He woke, not knowing where he had been or where he was or what was the faint grey light in the air about him, which was the light of dawn coming to the world. Then the otak curled up near his shoulder as usual, and went to sleep. Later, when Ged thought back upon that night, he knew that had none touched him when he lay thus spirit-lost, had none called him back in some way, he might have been lost for good. It was only the dumb instinctive wisdom of the beast who licks his hurt companion to comfort him, and yet in that wisdom Ged saw something akin to his own power, something that went as deep as wizardry. From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
I worship Life—all of life. The life that burns without shame. The life that dances, smiling, just one step away from the abyss. The life that sips margarita on the beach, surrounded by seagulls. The life that cries tears of blood when it gives everything it can give, but everything is not enough. The life in whose veins flow lightning. The life whose depth hurts. The life moved by the autumn rain and by the summer heat. The life that doesn't wait to continue after the commercial break. The life that sticks its tongue out at Duty. The life that runs in the woods chasing its meal. The life that reveals itself only when you are ready to leave it on the battlefield. Most of all, I worship the life that refuses to regret even one of the days it wasted.
Daniele Bolelli (Create Your Own Religion: A How-To Book Without Instructions)
Rio lowered his head and licked Nella from her shoulder to her neck. “You feel it,” he whispered. “You feel her wanting him. I can feel you feeling it.” He chuckled. “You can feel me feeling you feel it.” His leggings stretched over his cock, huge and stiff, the length of it pressing her backside. “You want me there,” he said. “Yes.” “You don’t know why, and you are not ready to take me. I’d hurt you if I took you now.” Nella dragged in a breath. His tongue moved to her ear, tracing the shell of it, breath burning. “It would hurt,” he said. “And you’d love it. I’m Shareem. I could   make you love it.” “Yes,” she gasped. “But I won’t.” He teased the tips of her breasts with slow touches. “I’ll never hurt you. I’ll give you only the good kind of hurt.
Allyson James (Rio (Tales of the Shareem, #2))
Why does that obstinate little voice in our heads torment us so?' [...] 'Could it be because it reminds us that we are alive, of our mortality, of our individual souls - which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? Is it a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one's own. Even more terrible, as we grow older, to learn that no person. no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?
Donna Tartt (The Secret History)
Please,' she says, her head bent. 'Please. You must try to break the curse. I know that you are the queen by right and that you may not want him back, but-' If anything could have increased my astonishment, it was that. 'You think that I'd-' 'I didn't know you, before,' she says, the anguish clear in her voice. There is a hitch in her breath that comes with weeping. 'I thought you were just some mortal.' I have to bite my tongue at that, but I don't interrupt her. 'When you became his seneschal, I told myself that he wanted you for your lying tongue. Or because you'd become biddable, although you never were before. I should have believed you when you told him he didn't know the least of what you could do. 'While you were in exile, I got more of the story out of him. I know you don't believe this, but Cardan and I were friends before we were lovers, before Locke. He was my first friend when I came here from the Undersea. And we were friends, even after everything. I hate that he loves you.' 'He hated it, too,' I say with a laugh that sounds more brittle than I'd like. Nicasia fixes me with a long look. 'No, he didn't.' To that, I can only be silent. 'He frightens the Folk, but he's not what you think he is,' Nicasia says. 'Do you remember the servants that Balekin had? The human servants?' I nod mutely. Of course I remember. I will never forget Sophie and her pockets full of stones. 'They'd go missing sometimes, and there were rumours that Cardan hurt them, but it wasn't true. He'd return them to the mortal world.' I admit, I'm surprised. 'Why?' She throws up a hand. 'I don't know! Perhaps to annoy his brother. But you're human, so I thought you'd like that he did it. And he sent you a gown. For the coronation.' I remember it- the ball gown in the colours of the night, with the stark outlines of trees stitched on it and the crystals for stars. A thousand times more beautiful than the dress I commissioned. I had thought perhaps it came from Prince Dain, since it was his coronation and I'd sworn to be his creature when I'd joined the Court of Shadows. 'He never told you, did he?' Nicasia says. 'So see? Those are two nice things about him you didn't know. And I saw the way you used to look at him when you didn't think anyone was watching you.' I bite the inside of my cheek, embarrassed despite the fact that we were lovers, and wed, and it should hardly be a secret that we like each other. 'So promise me,' she says. 'Promise me you'll help him.' I think of the golden bridle, about the future the stars predicted. 'I don't know how to break the curse,' I say, all the tears I haven't shed welling up in my eyes. 'If I could, do you think i would be at this stupid banquet? Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.' My voice breaks. She gives me a steady look. Whatever else I might think of her, she really does care for Cardan. And as tears roll down my cheeks, to her astonishment, I think she realises I do, too. Much good it does him.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Bran snapped into the room in a corkscrew of mist, jerked my robe open and down to clamp my shoulders, and kissed me. His teeth clicked against mine. I kneed him, but he expected it and blocked with his leg. He realized his tongue wouldn’t make it into my mouth and let go. “I’ll still get you,” he promised. Curran lunged at him and caught tendrils of mist. I wiped my mouth with the back of my hand. “Did he hurt you?” Curran said. If my eyes could shoot lightning, I would’ve fried him on the spot. “Depends on how you define hurt. What kind of show are you running here, anyway?” Curran snarled. “Very impressive,” I told him. “He can’t hear you.” I pulled my robe shut, again, climbed into my bed, and covered myself with my blanket. I had had entirely enough embarrassment for one night.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
In the Thriving Season In memory of my mother Now as she catches fistfuls of sun riding down dust and air to her crib, my first child in her first spring stretches bare hands back to your darkness and heals your silence, the vast hurt of your deaf ear and mute tongue with doves hatched in her young throat. Now ghost-begotten infancies are the marrow of trees and pools and blue uprisings in the woods spread revolution to the mind, I can believe birth is fathered by death, believe that she was quick when you forgave pain and terror and shook the fever from your blood Now in the thriving season of love when the bud relents into flower, your love turned absence has turned once more, and if my comforts fall soft as rain on her flutters, it is because love grows by what it remembers of love.
Lisel Mueller (Alive Together)
You can buy some more clothes, by and by, and another stereo and alll that. That’s all right, That’s not the worst. The worst thing is that you slowly begin to hate, to despise this person, this person that you loved. You hate him because he hates himself. And that’s horrible, I swear to feel your love drip out of you, drop by drop, until you empty of it and there’s just a big, hurting hole. It’s terrible, but you wish your friend had died. That way, you could have wept for him and out him away and by and by it would be all right, everything would be clean. You wouldn’t have that filthy taste of contempt and hatred on your tongue, and you wouldn’t have that hurting, empty hole. That hole I got in me right now, that hole which sends burning water and ice-cold water all up and down my spine, every time I think of Red.” He stubbed out his cigarette. “My heart”.
James Baldwin (Just Above My Head)
We lived here for a while, after my father died,’ Iris says. Esme has to swallow once, twice before she can speak, and it hurts her throat. ‘How did he die?’ she asks. ‘Oh, it was stupid. A stupid accident. He was in hospital for a routine operation and he was given a drug he was allergic to. He was young, only thirty-one.’ Esme gets flashes of this scene. She thinks she has seen this, or something like it. When? She can’t recall. But she remembers the convulsions, the thrashing body, the lolling tongue, and then the awful stillness. She has to concentrate on her plate to get rid of them. ‘That’s very sad,’ she says, and speaking the words is good because it distracts her mind into thinking about forming the syllables. ‘My parents were already separated by the time he died so I didn’t see him much, but I still miss him. It would have been his birthday next week.
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
Before I leave the bathroom, I pinch my cheeks hard to bring blood to the surface of my skin. It’s stupid, but I don’t want to look weak and exhausted in front of everyone. When I walk back into Tobias’s room, Uriah is sprawled across the bed facedown; Christina is holding the blue sculpture above Tobias’s desk, examining it; and Lynn is poised above Uriah with a pillow, a wicked grin creeping across her face. Lynn smacks Uriah hard in the back of the head, Christina says, “Hey Tris!” and Uriah cries, “Ow! How on earth do you make a pillow hurt, Lynn?” “My exceptional strength,” she says. “Did you get smacked, Tris? One of your cheeks is bright red.” I must not have pinched the other one hard enough. “No, it’s just…my morning glow.” I try the joke out on my tongue like it’s a new language. Christina laughs, maybe a little harder than my comment warrants, but I appreciate the effort. Uriah bounces on the bed a few times when he moves to the edge. “So, the thing we’re all not talking about,” he says. He gestures to me. “You almost died, a sadistic pansycake saved you, and now we’re all waging some serious war with the factionless as allies.” “Pansycake?” says Christina. “Dauntless slang.” Lynn smirks. “Supposed to be a huge insult, only no one uses it anymore.” “Because it’s so offensive,” says Uriah, noddng. “No. Because it’s so stupid no Dauntless with any sense would speak it, let alone think it. Pansycake. What are you, twelve?” “And a half,” he says. I get the feeling their banter is for my benefit, so that I don’t have to say anything; I can just laugh. And I do, enough to warm the stone that has formed in my stomach. “There’s food downstairs,” says Christina. “Tobias made scrambled eggs, which, as it turns out, is a disgusting food.” “Hey,” I say. “I like scrambled eggs.” “Must be a Stiff breakfast, then.” She grabs my arm. “C’mon.
Veronica Roth (Insurgent (Divergent, #2))
I don't give him a chance to argue, I just kiss him. Gently at first, but then I'm no longer able to hold back. He opens, granting me access to explore and tease his tongue with mine. Soon, he's giving as much as he takes, cupping my ass in his hands and lifting me until I straddle his waist. My lips begin to travel as I slowly rock my pelvis back and forth, leaving open-mouthed kisses down his neck, nipping and suckling from one side to the other. "Cassie, stop. I can't do this." He pulls back to meet my hurt gaze. "I know why you're doing this." I draw a breath, letting it out on a long exhale. "You don't trust me with your heart. You're afraid if you give it to me there's a chance it could be broken again." "It's been shattered once. I'm afraid next time it won't get broken. It'll be obliterated," he says quietly. I press a single kiss to his lips. "You're my Superman. You're not supposed to be afraid of anything." "Even Superman had weaknesses.
Rhonda James (Jersey Girl (Sticks & Hearts, #1))
Tina woke to a thin beam of afternoon sun. She lay still for a moment, revisiting, reliving, trying to get comfortable with the events of the night before. The sound of rustling paper got her up and the smell assaulted her again. Lockie was eating a burger, trying for slow, but failing.He had his back to her as he perched in a corner, secretively stuffing his mouth. ‘Hey, Lockie,’ said Tina. Lockie turned, wild-eyed and fearful. He stopped mid-chew and pushed his tongue through his teeth to spit the gooey mess out. ‘Gross, kid, just swallow for fuck’s sake.’ ‘Sorry,’ he mumbled. ‘Sorry for touching, sorry for eating, sorry for being a bad boy.’ ‘You’re not being a bad boy,’ Tina said. She hated how pathetic the kid sounded. ‘The food is for you, do you understand? It’s all for you.’ Lockie stared. He was still and silent, as if waiting for what would happen next. Tina hated the idea that he was afraid of her, that he would have to be afraid of everyone he ever met from now on. ‘Say it, kid. Say, “It’s all for me.” Go on, say it.’ Lockie stared. ‘Say it, Lockie.’ ‘It’s all . . .’ He faltered. “It’s all for me.” 'Say it, I mean it.’ ‘It’s all for me.’ ‘Say it again, Lockie.’ ‘It’s all for me. All for me, all for me.’ ‘Okay, kid, you can shut up now. Get back to your breakfast. I might have a cigarette.’ ‘The food is all for me,’ said Lockie. His voice was determined. He was telling her, but mostly he was telling himself. ‘That’s right, kid, it’s all for you.’ ‘But you can share it with me,’ he said, and he gave Tina a small smile.Someone had taught Lockie all the right rules. Someone who didn’t even know if he was alive right now. ‘I bet you’ve got the best mum and dad somewhere.' Lockie nodded and chewed. ‘I bet I do.’ He didn’t talk anymore after that. The memory of his parents had obviously been put somewhere far away so thoughts of them wouldn’t hurt. He wasn’t ready to take them out again.
Nicole Trope (The Boy Under the Table)
Dear father, It's been five years today, but makes no difference! Not a day goes by without me remembering your pure green eyes, the tone of your voice singing In Adighabza, or your poems scattered all around the house. Dear father, from you I have learned that being a girl doesn't mean that I can't achieve my dreams, no matter how crazy or un-urban they might seem. That you raised me with the utmost of ethics and morals and the hell with this cocooned society, if it doesn't respect the right to ask and learn and be, just because I'm a girl. Dear father, from you I have learned to respect all mankind, and just because you descend from a certain blood or ethnicity, it doesn't make you better than anybody else. It's you, and only you, your actions, your thoughts, your achievements, are what differentiates you from everybody else. At the same time, thank you for teaching me to respect and value where I came from, for actually taking me to my hometown Goboqay, for teaching me about my family tree, how my ancestors worked hard and fought for me to be where I am right now, and to continue on with the legacy and make them all proud. Dear father, from you and mom, I have learned to speak in my mother tongue. A gift so precious, that I have already made a promise to do the same for my unborn children. Dear father, from you I have learned to be content, to fear Allah, to be thankful for all that I have, and no matter what, never loose faith, as it's the only path to solace. Dear father, from you I have learned that if a person wants to love you, then let them, and if they hurt you, be strong and stand your ground. People will respect you only if you respect yourself. Dear father, I'm pretty sure that you are proud of me, my sisters and our dear dear Mom. You have a beautiful grand daughter now and a son in-law better than any brother I would have ever asked for. Till we meet again, Shu wasltha'3u. الله يرحمك يا غالي. (الفاتحة) على روحك الطاهرة.
Larissa Qat
—And yet, he was thinking all over again, and all over again as for the first time, how he had suffered, suffered, suffered without her; indeed such desolation, such a desperate sense of abandonment bereavement, as during this last year without Yvonne, he had never known in his life, unless it was when his mother died. But this present emotion he had never experienced with his mother: this urgent desire to hurt, to provoke, at a time when forgiveness alone could save the day, this, rather, had commenced with his stepmother, so that she would have to cry:—“I can’t eat, Geoffrey, the food sticks in my throat!” It was hard to forgive, hard, hard to forgive. Harder still, not to say how hard it was, I hate you. Even now, of all times. Even though here was God’s moment, the chance to agree, to produce the card, to change everything; or there was but a moment left … Too late. The Consul had controlled his tongue. But he felt his mind divide and rise, like the two halves of a counterpoised drawbridge, ticking, to permit
Malcolm Lowry (Under the Volcano)
It was her acceptance that brought him back to sanity. This woman was not in a trance; she was offering herself freely because she felt his raging need, because she trusted him to stop before he hurt her, before he killed her. Mikhail’s tongue lapped across her breast, closed the wound. He lifted his head, his dark eyes still glowing with the beast, the taste of her in his mouth, on his lips. He swore softly, bitterly, his self-loathing total. She was under his protection. He had never hated himself or his kind more. She had freely given of herself and he had taken selfishly, the beast in him so strong he had given in to the ecstasy of uniting with one’s lifemate. He gathered her limp body to him, cradled her in his arms. “You will not die, Raven.” He was furious with himself. Had he done this on purpose? In some dark corner of his mind, had he wanted this to happen? He would try to find the answer to the question at a later date. Right now she needed blood, and she needed it fast. “Stay with me, little one. I remained in this world because of you. You will have to be strong for both of us. Can you hear me, Raven? Do not leave me. I can make you happy. I know I can.
Christine Feehan (Dark Prince (Dark, #1))
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
You are all you have'. Something that I used to tell myself when I was knee deep in the quicksand of pain. I forgot it over time, as you do when you meet people wrapped in promises of forever and 'I love you' at the tip of their tongue, people who soften your jarred edges with love and laughter and welcome you into their arms, and heart, until you no longer believe that you're alone. But words are just words at the end of the day. As much as you want to believe others, in the stories that flutter out of their mouths, in the faith that shines in their eyes an d in the strength of their hands to hold you together - they will still let you down. It's not because they weren't kind, or gentle, or soft with you heart, but because you depended too much on them. Other people can't make you a whole person. No matter how much they love you. They will still say or do something that will pound like a heavy punch inside your chest. And it will hurt. Deeply. Horribly, But that's when you need to remember the most important lesson that you learned from all those years before. 'You are all you have'. I tell myself now, knee deep in the ocean of happiness. Because no matter who comes along and who leaves, I will be all that I have at the end.
Ruby Dhal
Eddie: What has four wheels and flies? Blaine: (disapproving) THE TOWN GARBAGE WAGON, AS I HAVE ALREADY SAID. ARE YOU SO STUPID OR INATTENTIVE THAT YOU DO NOT REMEMBER? IT WAS THE FIRST RIDDLE YOU ASKED ME. Eddie: (in his mind) Yes. And what we all missed--because we were fixated on stumping you with some brain-buster out of Roland's past or Jake's book--is that the contest almost ended right there. (to Blaine) You didn't like that one, did you, Blaine? Blaine: (agreeably) I FOUND IT EXCEEDINGLY STUPID. PERHAPS THAT'S WHY YOU ASKED IT AGAIN. LIKE CALLS TO LIKE, EDDIE OF NEW YORK, IS IT NOT SO? Eddie: (smiling and shaking his finger) Sticks and stones may break my bones, but words will never hurt me. Or, as we used to say back in the neighborhood, 'You can rank me to the dogs and back, but I'll never lose the hard-on I use to fuck your mother.' Jake: Hurry up! If you can do something, DO IT! Eddie: It doesn't like silly questions. It doesn't like silly games. And we KNEW that. We knew it from Charlie the Choo-Choo. How stupid can you get? Hell, THAT was the book with the answers, not Riddle-De-Dum, but we never saw it. (to Blaine) Blaine: when is a door not a door? Blaine: (clicking his tongue) WHEN IT'S AJAR, OF COURSE. WOULD YOU DIE WITH SUCH STUPID RIDDLES IN YOUR MOUTH?
Stephen King (Wizard and Glass (The Dark Tower, #4))
He was a marvelous talker, a magical talker, and I wish I were able to give a better idea what he said, but it is impossible for a mediocre intellect to render the speech of a superior one - especially after so many years - without losing a good deal in the translation. The discussion that day was about loss of self, about Plato's four divine madnesses, about madness of all sorts; he began by talking about what he called the burden of the self, and why people want to lose the self in the first place. 'Why does that obstinate little voice in our heads torment us so?' he said, looking around the table. 'Could it be because it reminds us that we are alive, of our mortality, of our individual souls - which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from all the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one's own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?
Donna Tartt (The Secret History)
Now, the only song a woman knows is the song she learns at birth, a sorrowin’ song, with the words all wrong, in the many tongues of Earth. The things a woman wants to say, the tales she longs to tell . . . they take all day in the tongues of Earth, and half of the night as well. So nobody listens to what a woman says, except the men of power who sit and listen right willingly, at a hundred dollars an hour . . . sayin’ “Who on Earth would want to talk about such foolish things?” Oh, the tongues of Earth don’t lend themselves to the songs a woman sings! There’s a whole lot more to a womansong, a whole lot more to learn; but the words aren’t there in the tongues of Earth, and there’s noplace else to turn. . . . So the woman they talk, and the men they laugh, and there’s little a woman can say, but a sorrowin’ song with the words all wrong, and a hurt that won’t go away. The women go workin’ the manly tongues, in the craft of makin’ do, but the women that stammer, they’re everywhere, and the wellspoken ones are few. . . . ’Cause the only song a woman knows is the song she learns at birth; a sorrowin’ song with the words all wrong, in the manly tongues of Earth. (a 20th century ballad, set to an even older tune called “House of the Rising Sun”; this later form was known simply as “Sorrowin’ Song, With the Words All Wrong”)
Suzette Haden Elgin (Native Tongue (Native Tongue, #1))
No son of mine, Lord. No son of mine! Beat beat beat You try to beat it out of me Belt it out of me Heartless heart Beat beating You think you can bruise me Out of being Bruise it out of me When you belt it beat it Try to break it- Try to break the thing you cannot break Because I carry it so deep inside No beat of yours no belt of yours Will ever come close. You try to beat it out of me Belt it out of me Belt me into buckling Beat me into heartstopping Stophurting Trying so hard You say you'll kill me to save me Kill the me inside of me Beat it belt it but it Just won't budge. Not for you. I know You can't stay in this room forever I know We can't stay in this room forever You beat me belt me to get to me But you'll never get to me Not the me me heartbeat me. I am saving it. I am saving it for tonight I am saving it for you right there And you over there. I am saving it for Every you with a me deep inside. Now that I've left that room Out into the world as big As a billion rooms I have saved me Yes, I have saved me Constructed of words and hurt And the glass self I've protected All this time To get to this one of a billion rooms This room tonight. Beat beat beat I have found my own beat My own pitter-patter My own sis-boom-bah! Beat beat beat I belt it out Song sung strong Stung song Tongue song Back from being Bitten back Some songs sung beg to be carried home. This song sings To be carried far and wide. Beat beat beat- The sound it brings Is the sound of wings.
Nina LaCour (You Know Me Well)
No son of mine, Lord. No son of mine!" Beat beat beat You try to beat it out of me Belt it out of me Heartless heart Beat beating You think you can bruise me Out of being Bruise it out of me When you belt it beat it Try to break it- Try to break the thing you cannot break Because I carry it so deep inside No beat of yours no belt of yours Will ever come close. You try to beat it out of me Belt it out of me Belt me into buckling Beat me into heartstopping Stophurting Trying so hard You say you'll kill me to save me Kill the me inside of me Beat it belt it but it Just won't budge. Not for you. I know You can't stay in this room forever I know We can't stay in this room forever You beat me belt me to get to me But you'll never get to me Not the me me heartbeat me. I am saving it. I am saving it for tonight I am saving it for you right there And you over there. I am saving it for Every you with a me deep inside. Now that I've left that room Out into the world as big As a billion rooms I have saved me Yes, I have saved me Constructed of words and hurt And the glass self I've protected All this time To get to this one of a billion rooms This room tonight. Beat beat beat I have found my own beat My own pitter-patter My own sis-boom-bah! Beat beat beat I belt it out Song sung strong Stung song Tongue song Back from being Bitten back Some songs sung beg to be carried home. This song sings To be carried far and wide. Beat beat beat- The sound it brings Is the sound of wings.
Nina LaCour (You Know Me Well)
When He Needs to Understand the Power of His Own Words Death and life are in the power of the tongue, and those who love it will eat its fruit. PROVERBS 18:21 MANY MEN DON’T FULLY COMPREHEND the power and impact of their words. Just by reason of being male, a man’s voice has the strength to be intimidating. A man can say something casually, carelessly, or insensitively without even realizing that he has frightened or hurt someone. Not all men use their voice to that degree, but many do. A man has the power to heal or harm the heart of those to whom he speaks, and never is that more true than within his marriage and family. What your husband says to you or your children—and the way he says it—can build up or tear down. His words can strengthen family relationships or break them apart. You cannot have a successful and fulfilling marriage when your husband is careless or thoughtless in the words he speaks or the manner in which he speaks them. When a husband speaks hurtful words to his wife, he strikes her soul with a damaging blow far greater than he may realize. If your husband ever does that, pray he will understand his potential to intimidate or even wound. Ask God to help your husband hear what he is saying and the way he says it even before he says it. The book of Proverbs says, “He who guards his mouth preserves his life, but he who opens wide his lips shall have destruction” (13:3). Pray that God will fill your husband’s heart with an abundance of His love, patience, kindness, and goodness so that they overflow in the words he speaks to you and your children. If your husband has never hurt another with his words, then thank God for that and pray he never will. Pray that his gentle spirit will rub off on the other men around him. My Prayer to God LORD, I pray You would lead my husband in the way he speaks to me and our family. Help him to build up with his words and not tear down. Teach him to bless and not curse, to encourage and not discourage, to inspire and not intimidate. I pray when he must speak words that are hard for others to hear, help him speak them from a kind heart. Your Word says that out of the overflow of our hearts we speak (Matthew 12:34). If ever his heart is filled with anger, resentment, or selfishness, I pray he will see that as sin and repent of it. Fill him instead with an abundance of Your love, peace, and joy. Help him to understand that “life and death are in the power of the tongue” and there are consequences to the words he says (Proverbs 18:21). Where my husband has been abusive or hurtful in the words he has spoken to me, I pray You would convict his conscience about that and cause him to see the damage he is doing to me and to our marriage. If I have spoken words to him that have caused harm to our relationship, forgive me. Enable me to speak words that will bring healing. Help us both to think carefully about what we say to each other and to our children and how we say it (Proverbs 15:28). Enable us to always consider the consequences of the words we speak. I know we have a choice about what we say and the way we say it. Help us both to always make the right choice. In Jesus’ name I pray.
Stormie Omartian (The Power of a Praying Wife Devotional)
Are we to treat persons known for liars and strife-makers as the children of the devil or not? Are we to turn away from them, and refuse to acknowledge them, rousing an ignorant strife of tongues concerning our conduct? Are we guilty of connivance, when silent as to the ambush whence we know the wicked arrow privily shot? Are we to call the traitor to account? or are we to give warning of any sort? I have no answer. Each must carry the question that perplexes to the Light of the World. To what purpose is the spirit of God promised to them that ask it, if not to help them order their way aright? One thing is plain—that we must love the strife-maker; another is nearly as plain—that, if we do not love him, we must leave him alone; for without love there can be no peace-making, and words will but occasion more strife. To be kind neither hurts nor compromises. Kindness has many phases, and the fitting form of it may avoid offence, and must avoid untruth. We must not fear what man can do to us, but commit our way to the Father of the Family. We must be nowise anxious to defend ourselves; and if not ourselves because God is our defence, then why our friends? is he not their defence as much as ours? Commit thy friend's cause also to him who judgeth righteously. Be ready to bear testimony for thy friend, as thou wouldst to receive the blow struck at him; but do not plunge into a nest of scorpions to rescue his handkerchief. Be true to him thyself, nor spare to show thou lovest and honourest him; but defence may dishonour: men may say, What! is thy friend's esteem then so small? He is unwise who drags a rich veil from a cactus-bush.
George MacDonald (Hope of the Gospel)
The first step in retracing our way to health is to abandon our attachment to what is called positive thinking. Too many times in the course of palliative care work I sat with dejected people who expressed their bewilderment at having developed cancer. “I have always been a positive thinker,” one man in his late forties told me. “I have never given in to pessimistic thoughts. Why should I get cancer?” As an antidote to terminal optimism, I have recommended the power of negative thinking. “Tongue in cheek, of course,” I quickly add. “What I really believe in is the power of thinking.” As soon as we qualify the word thinking with the adjective positive, we exclude those parts of reality that strike us as “negative.” That is how most people who espouse positive thinking seem to operate. Genuine positive thinking begins by including all our reality. It is guided by the confidence that we can trust ourselves to face the full truth, whatever that full truth may turn out to be. As Dr. Michael Kerr points out, compulsive optimism is one of the ways we bind our anxiety to avoid confronting it. That form of positive thinking is the coping mechanism of the hurt child. The adult who remains hurt without being aware of it makes this residual defence of the child into a life principle. The onset of symptoms or the diagnosis of a disease should prompt a two-pronged inquiry: what is this illness saying about the past and present, and what will help in the future? Many approaches focus only on the second half of that healing dyad without considering fully what led to the manifestation of illness in the first place. Such “positive” methods fill the bookshelves and the airwaves. In order to heal, it is essential to gather the strength to think negatively. Negative thinking is not a doleful, pessimistic view that masquerades as “realism.” Rather, it is a willingness to consider what is not working. What is not in balance? What have I ignored? What is my body saying no to? Without these questions, the stresses responsible for our lack of balance will remain hidden. Even more fundamentally, not posing those questions is itself a source of stress. First, “positive thinking” is based on an unconscious belief that we are not strong enough to handle reality. Allowing this fear to dominate engenders a state of childhood apprehension. Whether or not the apprehension is conscious, it is a state of stress. Second, lack of essential information about ourselves and our situation is one of the major sources of stress and one of the potent activators of the hypothalamicpituitary-adrenal (HPA) stress response. Third, stress wanes as independent, autonomous control increases. One cannot be autonomous as long as one is driven by relationship dynamics, by guilt or attachment needs, by hunger for success, by the fear of the boss or by the fear of boredom. The reason is simple: autonomy is impossible as long as one is driven by anything. Like a leaf blown by the wind, the driven person is controlled by forces more powerful than he is. His autonomous will is not engaged, even if he believes that he has “chosen” his stressed lifestyle and even if he enjoys his activities. The choices he makes are attached to invisible strings. He is still unable to say no, even if it is only to his own drivenness. When he finally wakes up, he shakes his head, Pinocchio-like, and says, “How foolish I was when I was a puppet.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
I didn't mean to hurt you.' He grabs my hand, possibly to keep me from hitting him again. Our fingers lace together. 'No, it's not that, not exactly. I didn't think I could hurt you. And I never thought you would be afraid of me.' 'And did you like it?' I ask. He looks away from me then, and I have my answer. Maybe he doesn't want to admit to that impulse, but he has it. 'Well, I was hurt, and yes, you scare me.' Even as I am speaking, I wish I could snatch back the words. Perhaps it is exhaustion or having been so close to death, but the truth pours out of me in a devastating rush. 'You've always scared me. You gave me every reason to fear your capriciousness and your cruelty. I was afraid of you even when you were tied to that chair in the Court of Shadows. I was afraid of you when I had a knife to your throat. And I am scared of you now.' Cardan looks more surprised than he did when I slapped him. He was always a symbol of everything about Elfhame that I couldn't have, everything that would never want me. And telling him this feels a little like throwing off a heavy weight, except that weight is supposed to be my armour, and without it, I am afraid I am going to be entirely exposed. But I keep talking anyway, as though I no longer have control over my tongue. 'You despised me. When you said you wanted me, it felt like the world had turned upside down. 'But sending me into exile, that made sense.' I meet his gaze. 'That was an entirely right-side-up Cardan move. And I hated myself for not seeing it coming. And I hate myself for not seeing what you're going to do to me next.' He closes his eyes. When he opens them, he releases my hand and turns so I can't see his face. 'I can see why you thought what you did. I suppose I am not an easy person to trust. And maybe I ought not to be trusted, but let me say this: I trust you.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I flip the lock back in place and turn, hitting a concrete wall of a man. “What’s he made of? Concrete and sex?” I whisper into the phone like the man in front of me can’t hear me. “Good, he’s already there,” I hear Elle say as my eyes travel up and up an endless span of chest. Up, up, up, until my eyes finally land on a hard face with a clenched jaw. He’s hot in that oh-my-God-he-could-crush-me way. Wait, is that hot? “Listen here, Hulk. You can take your incredible body and vacate my home. I won’t be needing your services.” “I’m standing in the middle of your apartment, and you didn't so much as scream. This is despite you knowing someone has been stalking you. I could have been that someone. Fuck. I could be that someone.” I snort and roll my eyes. “Yeah right, Hulk-man.” I pat him on the chest before resting my hand there. I start to rub. I only meant to do a quick pat, but now I can’t seem to remove my hand. I like the feel of him. I don’t think I’ve ever liked the feel of a man before. I don’t think I’ve ever had the urge to touch one before. “You think I couldn’t hurt you?” He grabs my wrist, pulling it away from his chest. The action makes me frown. Oh, I know he could hurt me, but someone like him would never stalk me. That just didn’t add up to me. If anything, I’d end up stalking him. “Oh, I’m sure you could Hulk smash me.” Now that I’m not touching him, I bring my other hand up to his chest and continue doing what I was doing before, but he just grabs that wrist, too. “Then why aren’t you worried?” His words are hard and laced with anger. So unlike the soft hold he has on my wrist. I could easily pull away with one good tug. Maybe. “Someone like you wouldn’t stalk me.In fact, I don’t see anyone stalking me. There has to be a mi...” His mouth hits mine, cutting off my words. He gives a little tug on my wrist, and I fall into him, gasping when I feel his erection press into me. He takes the opening and pushes his tongue into my mouth. I let my eyes close as he devours me. My body feels like I’m buzzing. I push further into him, wanting to be closer. I deepen the kiss. He goes to pull back, but I wrap my hands around his neck, not even noticing that I’m eye level with him and that my feet are no longer on the floor as I pull him back to me. I move against him, needing the friction. His cock is settled against my core, and I move my hips against him, taking what I want. What I need. Everything else is forgotten, my mind just shuts off. He growls into my mouth, and I swear the sound vibrates through my whole body and goes straight to where I need it. My body explodes. A moan falls from my lips as I finally pull them from his. I let my head drop back and enjoy the sensations rocking through my whole body. I feel like I’m floating. When I finally come back down, I realize I kind of am. My legs are wrapped around his waist and I’ve somehow ended up with my back to a wall. I feel his tongue come out and lick my neck, making my body jerk. “I wanna do that again,” I say lazily. I think I could do that over and over again. “Your place isn’t secure. Come to mine and I’ll do it over and over again.” “Mmkay,” is all I say. I’d probably go anywhere he asked me at the moment. “Holy shit.” I roll my head to the side and see my sister standing in the doorway. A man stands beside her with a shocked looked on his face, mirroring Elle’s expression. I’m guessing that’s her guard. “I’m keeping this one,” I say, locking my arms around him, not wanting to do a trade. “Fuck,” Hart says, placing me on the floor. I regretfully let my arms fall from around his neck. He steps in front of me, blocking my view of my sister and the other man. “I don’t think you should be her guard, Hart,” I hear the other man say. His words make my heart drop. “I’m moving in with him,” I retort, popping my head out from behind him. Elle giggles.
Alexa Riley (Guarding His Obsession)
Leo was at her side in an instant, crouching on the floor as he sorted through the hissing tangle of limbs and skirts. “Are you hurt? I feel certain there’s a woman in here somewhere. … Ah, there you are. Easy, now. Let me—” “Don’t touch me,” she snapped, batting at him with her fists. “I’m not touching you. That is, I’m only touching you with the—ow, damn it—with the intention of helping.” Her hat, a little scrap of wool felt with cheap corded trim, had fallen over her face. Leo managed to push it back to the top of her head, narrowly missing a sharp blow to his jaw. “Christ. Would you stop flailing for a moment?” Struggling to a sitting position, she glared at him. Leo crawled to retrieve the spectacles and returned to hand them to her. She snatched them from him without a word of thanks. She was a lean, anxious-looking woman. A young woman with narrowed eyes, from which bad temper flashed out. Her light brown hair was pulled back with a gallows-rope tightness that made Leo wince just to see it. One would have hoped for some compensating feature—a soft pair of lips, perhaps, or a pretty bosom. But no, there was only a stern mouth, a flat chest, and gaunt cheeks. If Leo were compelled to spend any time with her—which, thankfully, he wasn’t—he would have started by feeding her. “If you want to help,” she said coldly, hooking the spectacles around her ears, “retrieve that blasted ferret for me. Perhaps I’ve tired him enough that you may be able to run him to ground.” Still crouching on the floor, Leo glanced at the ferret, which had paused ten yards away and was watching them both with bright, beady eyes. “What is his name?” “Dodger.” Leo gave a low whistle and a few clicks of his tongue. “Come here, Dodger. You’ve caused enough trouble for the morning. Though I can’t fault your taste in … ladies’ garters? Is that what you’re holding?” The woman watched, stupefied, as the ferret’s long, slender body wriggled toward Leo. Chattering busily, Dodger crawled onto Leo’s thigh. “Good fellow,” Leo said, stroking the sleek fur. “How did you do that?” the woman asked in annoyance. “I have a way with animals. They tend to acknowledge me as one of their own.” Leo gently pried a frilly bit of lace and ribbon from the long front teeth. It was definitely a garter, deliciously feminine and impractical. He gave the woman a mocking smile as he handed it to her. “No doubt this is yours.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
It’s no wonder your grandmother despairs of you. God only knows what a trial you are to your poor parents.” The humor vanished abruptly from his face. “Sadly, my parents are too dead to be overly concerned about my behavior.” His words were flip, but the sudden glint of grief in his eyes told another tale. “Please forgive me,” she said hastily, cursing her quick tongue. “It’s awful to lose your parents. I know that better than anyone.” “No need for apologies.” He pushed away from the door. “They despaired of me long before they died, so you weren’t far off the mark.” “Still, it was very wrong of me to-“ “Come now, Miss Butterfield, this has naught to do with my proposal. Will you pretend to be my fiancée or not?” When she hesitated, he went on with a hint of anger, “I don’t see why you make such a fuss over it. It’s not as if I’m asking you to do anything wicked.” That ridiculous remark banished her brief moment of sympathy. “You’re asking me to lie! To deceive a woman for the sake of your purpose, whatever that is. It goes against every moral principle-“ “And threatening to stab a man does not?” He cast her a thin smile. “Think of it as playing a role, like an actress. You and your cousin will be guests at my estate for a week or two, entirely at your leisure.” A dark gleam shone in his eyes. “I can even set up an effigy of myself for you to stab at will.” “That does sound tempting,” she shot back. “As for Freddy there, he can ride and hunt and play cards with my brothers. It’s better entertainment than he’d find in the gaol.” “As long as you feed me, sir,” Freddy said, “I’ll follow you anywhere.” “Freddy!” Maria cried. “What? That blasted inn where we’re staying is flea-ridden and cold as a witch’s tit. Plus, you keep such tight hold on my purse strings that I’m famished all the time. What’s wrong with helping this fellow if it means we finally sleep in decent beds? And it’s not a big thing, your pretending to be betrothed to him.” “I’m already betrothed, thank you very much,” she shot back. “And what about Nathan? While we’re off deceiving this man’s poor grandmother, Nathan might be hurt or in trouble. You expect me just to give up searching for him so you can get a decent meal?” “And keep from being hanged,” Freddy pointed out. “Let’s not forget that.” “Ah, the missing fiancé,” Lord Stoneville said coldly. “I did wonder when you would bring him back into it.” She glowered at him. “I never let him out of it. he’s the reason I’m here.” “So you say.” That inflamed her temper. “Now see here, you insufferable, arrogant-“ “Fine. If you insist on clinging to your wild story, how about this: while you pretend to be my fiancée, I’ll hire someone to look for fiancé. A simple trade of services.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
She didn’t want to be empty, didn’t want to vanish. She wanted to be whole. She said, “I want to remember you.” An emotion flared in his face. He braced her hips, tugged her closer. His lids were heavy, eyes dark. His mouth was a wet gleam. She didn’t recognize his expression. It was new. She leaned in and drank the newness of him. Their kiss turned savage. She made it so. She felt his teeth, reveled in the sure knowledge that it had never been like this between them. Yet at the same time, she felt each kiss they’d shared before, felt them live inside this one. His mouth left hers, rasping down her neck. He buried his face in her skin. She sought his mouth and found that he tasted different now. She was tasting the taste of her skin on his mouth. Coppery. She dipped her tongue into it again. “Kestrel.” She didn’t answer him. “This is a bad idea.” “No,” she said. “It isn’t.” He pulled away, closed his eyes, and dropped his head to press his brow against her belly. She felt rich with the words he muttered against her nightdress. His mouth burned through the cloth. His chair scraped back. He no longer touched her. “Not like this.” “Yes. Exactly like this.” She tried to find the words to express how this helped, how he somehow mapped the country of herself, showed the ridges, the rise and valley of her very being. “Kestrel, I think that you’re…using me a little.” She stopped, unpleasantly startled. It occurred to her that what he’d said was another version of what she’d been struggling to say. “It’s not, ah, a hardship.” He gave a rueful smile. “It’s not that I don’t want--” She’d never heard him stammer. Even with her untrustworthy memory, she knew this. You’re easy to know, she wanted to say. Memories of him came quickly. It didn’t hurt, not as much as she’d feared before, on the tundra, or in his empty bed. At least, it didn’t hurt anymore. It was better. Better than…other things. A faceless horror. A monster. Inside her. It thickened, grew into a featureless, blunt shape. She wouldn’t touch it. She’d go nowhere near it. Arin had been right, that day when he’d suggested that there was something too horrible for her to remember. “It’s not enough,” he said. It took her a moment to realize he was continuing his refusal and not responding to her thoughts, which were so loud in her head that she felt as if she’d shouted them. She said, “What would be enough?” Color mounted on his face. “You can tell me,” she said. “Ah,” he said. “Well. Me.” “I don’t understand.” “I want…you to want me.” “I do.” He pushed a hand through his rough hair. “I don’t mean this.” He gestured between them, his hand flipping from her to him. “I…” He struggled, knuckled his eyes, and let the words come. “I want you to be mine, wholly mine, your heart, too. I want you to feel the same way.” Her stomach sank. She’d sworn to herself not to lie to him. He read her answer in her eyes. He dimmed, and said nothing either. But he brushed hair from her face, lifting away strands that had caught in her eyelashes and between her lips. His fingertip painted a slow line over her lower lip. She felt it down her spine, in her belly. Then his hand fell away, and she felt alone.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
Laura Moore (Night Swimming: A Novel)
Then he made the mistake of looking into her eyes and froze. Her expression was so open, so full of tenderness and longing as well as heat that he almost balked. This was supposed to be about closure, about having the goodbye they’d never gotten last time. How was he supposed to leave after if she gave herself to him this completely? Her hand came up to cradle the side of his face, her thumb stroking back and forth across his jaw, her touch gentle and loving. “Need you,” she murmured, It was good. Even better than he remembered. Liam buried his face in the side of her neck and sucked in a breath, struggling to hang on. Being cradled in Honor’s arms, buried to the hilt inside her while she opened her body and heart to him was the most incredible thing in the world. How the f*&^ was he going to walk away later? Without warning his eyes began to sting. As though she sensed how close he was to coming unglued, Honor murmured to him and pressed kisses to the side of his face, her hand urging his head to turn toward her. Liam shook his head, unable to bear that final level of intimacy when he knew this was their last time. Keeping his face in her neck he fought back the swell of emotion and began to move, a slow, shallow rocking motion that was more profound than words could ever be. He loved her. Would always love her, but it wasn’t enough because some things couldn’t be undone and he just couldn’t let her in the way he had before. All they had left was this bittersweet farewell, and he was going to make it memorable. .... A lump settled in his throat and he squeezed his eyes shut, torn between the excruciating pleasure swelling inside him and the need to see her face as he took her this last time. In the end, his heart won out. Powerless to stop himself, he lifted his head and looked down at her. Anguish sliced through his chest when he saw the tears glistening in her beautiful eyes. Don’t. Don’t cry. Shit, he didn’t want either of them to hurt anymore. He was sick of hurting. That’s why he was ending it all tonight. With a low sound of regret he covered her mouth with his, his tongue sliding against hers as he took her. Honor kissed him back deep and slow... Cupping her cheek with his free hand he gave her everything he had left to give, allowing his emotional shields to drop for these final moments. She ran her fingertips up and down his back in a soothing motion, her body limp and pliant beneath his, legs still wrapped around him. And all of a sudden he felt like crying. He felt too much, was in too deep again. He didn’t know what to say to make this any easier. After what they’d just shared he was more conflicted than ever about what to do. “I’ll miss you,” she murmured, and he caught the slight catch in her voice. Ah, fu&%. He gritted his teeth. It would be so much easier if they could just hate each other. For a moment he considered saying something to make her do exactly that, but couldn’t. Even he wasn’t enough of an a**hole to end things that way. And that look on her face… Against his better judgment, Liam sat back down on the edge of the bed and pulled her into his arms. Honor went willingly into his embrace, pressing her face to his chest as she hugged him tight in return. “I’ll miss you too.” Dammit, he should never have come here tonight. “I wish it could be different, but I just… I can’t do this anymore.” I’ll always love you but I can’t afford to let you back in again. “I’m sorry.
Kaylea Cross (Collateral Damage (Bagram Special Ops, #5))
I noticed I’d been leaning against something hard and metallic. It was another skull switch, just begging to be flicked. I started reaching for it but Arlene butted my hand away with her shotgun. That hurt. “You don’t know what that’s going to do,” she protested. “I can’t help it . . . I’m a born lever-puller.” I flicked the tongue.
Dafydd ab Hugh (Knee-Deep in the Dead (Doom Book 1))
But it was taking forever. I was drooling hard as Cindy ate her chicken. I got impatient, so I reached into the furnace and pulled out the chicken before it was done. I didn’t bother blowing on it or anything, I was too hungry. I bit into the semi-cooked chicken meat. It was super hot, and it seared my tongue. “AHHHH!! Hssssssss!” I screamed and then hissed. I accidentally dropped my chicken on the grass. Cindy looked over to me. “What’s wrong?!” “Yikes! I burnt my tongue a bit. Now I know how Lucky felt.” “Oh, are you okay?” “I think so,” I said as I picked up my chicken. It was covered in grass and dirt. “Ew… it’s all dirty…” “Here, have some of my chicken. We can share,” Cindy suggested. I inspected my chicken further and shrugged. “It’s okay, dirt don’t hurt,” I said as I dusted off my semi-cooked chicken. “You’re still going to eat that?” Cindy asked with big o’ eyes. “Yeah, I can’t waste food.” “I guess you’re right.” I raised the chicken up to my mouth. The smell of dirt and grass filled my nostrils and I gagged a bit.
Steve the Noob (Diary of Steve the Noob 12 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
A traffic cop was monitoring the drop-off line, waving cars on if they stood too long. Dreadlock Guy got in his car to leave, but not before rolling down his passenger-side window and beckoning me over. “What you leave behind?” he wanted to know, his Jamaican accent lilting. “Wedding dress.” It came out barely above a whisper. “And his computer. And luggage.” He shook his head with a smile, his dreaded ponytail smacking each shoulder, back and forth. “Clothing is easily replaced. Computers, you can back up the data. Insurance covers what you lose.” I looked at him expectantly, figuring that at any moment, he’d utter “Don’t worry, be happy.” Say it and I’ll pull you out your car window by your dreads and put the hurt on you. “But a kiss like that , miss—” He clucked his tongue. “Irreplaceable. Don’t let that go the other way.” It took me a moment to process his last words, as they came out “gowdee otterway.” But as he put the car in reverse and backed up in order to swing around the shuttle parked infront of him, it sank in.
Jessica Topper (Dictatorship of the Dress (Much "I Do" About Nothing, #1))
In my experience, it’s those words on the tip of the tongue that we most need to hear. They are the key. The thing that’s missing. But you can’t pull them out. They have to be offered. Freely. And they won’t be offered until the owner trusts you with them. And to do that means they’ve got to break through a world of hurt and pain just to get them out of their mouth.
Charles Martin (Thunder and Rain)
You hurt me, Maxon. You hurt me somethin’ fierce. I’m not sure I can handle that kind of hurtin’ again.” Then she left me there, my fists clenched at my side, a silent promise on my tongue. She was mine. And I’d never let a fucking thing hurt her again.
A.L. Jackson (Pieces of Us (Confessions of the Heart, #3))
Sometimes you peel back the skin And there’s nothing but the sting I’d pin that heart of yours to my chest That is of course, if you had one at all I cracked my rib cage right open to fit you in You’re clawing up my legs But baby, I’ll never let you in You can’t trick me you snake You can’t lure me with that serpent’s tongue I’ll roast you with that apple in your mouth I’ll wipe my lips with the blood of your false regret Tell me another pretty lie Your words are rotting, the putrid smell of distain lingers I’ve destroyed everything you’ve ever touched I’m burning myself clean, exorcising every memory Bodies once entwined. Tell me one last pretty tale Lie steady, I swear it wont hurt a bit Truth like poison, love like venom
Renee Ruin (Wounds Volume 2)
There’s no way that Vacuum can hurt me because I destroyed her arm. I smile and let my tongue hang out. Vacuum can’t stop this stubborn, flat-faced, and wrinkly pug.
Kristen Otte (The Adventures of Zelda: A Pug Tale (Zelda Pug, #1))
Did I hurt you?” His tongue slowly circles my swollen clit. “Don’t answer that. Can you come like this?” He groans. “Fuck, you’re all swollen. I’m so sorry, baby. But God, your pussy is pretty like this.
Chloe Maine (Cabin Mates)
Thus, being dysregulated is not the same as being upset. You can be upset and still be quite able to make effective decisions, hold your tongue, or otherwise “control” yourself—manage to act in ways that help you achieve a better relationship, a better life, rather than simply escaping an unpleasant (or even awful) situation by doing something that hurts the other person, escalates the conflict, or, in general, makes things worse in the long run.
Alan E. Fruzzetti (The High-Conflict Couple: A Dialectical Behavior Therapy Guide to Finding Peace, Intimacy, and Validation)
Ride my face, Gillian,” he says, his voice muffled by my sex as he continues to explore with his tongue. “Won’t I hurt you?” I ask, gasping as he feasts on me. “No, just pretend my mouth is my cock, and ride me just like you do when you’re in my lap.” “What if you can’t breathe?” “Then I’ll die a happy man. Now, you should know better than to deny me. Fuck my face, and don’t be gentle.
G. Eilsel (Come to Cupid (One Handed Holidays))
know you too well,” he murmured beside my ear. “I’ve upset you.” “Stop it,” I whispered. “I don’t want to hurt you.” He nuzzled into my hair. “Don’t you know that?” I squeezed my eyes shut. “No.” “I don’t, Elise. These last few days have driven me crazy and caused me to act outside of my character. I’m sorry for that. You just ended a serious relationship. The last thing I want to do is hurt you further.” I shook my head. “You haven’t.” His mouth was beside my ear, which was the only reason I heard his soft groan. “I wish that was true.” He let go of my elbow to wrap his arm around my middle, drawing me firmly against him. “Weston…” I rasped, torn between pulling away and leaning into him. “Please. This isn’t—” “Once you leave this office, I won’t touch you again. Let me fucking have this, baby. Let me hold you for a minute, then you can go.” It was stupid of me not to immediately walk out his door, but I didn’t. I allowed him to turn me toward him. He took my face in his hands and covered my mouth with his. I held on to the lapels of his jacket, whimpering into his mouth. He kissed me hard, backing me into his door. In that wayward moment, I didn’t even care that Renata must have heard me clunk against it. Weston urged my mouth open and delved his tongue inside.
Julia Wolf (Dear Grumpy Boss (The Harder They Fall, #1))
He seemed surprised to hear from me now, his tone holding a note of shock. “Saint, how are you? What can I do for you?” “Kenneth. I just heard about the new volunteer counselor. I was hoping to get a copy of his credentials. As you know, the situation with some of the kids is pretty tenuous and new people scare them,” I said. “Oh! Didn’t you know he was coming? He said he had been approved months ago but he had delayed his start date due to traveling out of state for a family death. His name is Roland Cunningham. He’s been a high school counselor for fifteen years and now he’s semi-retired and wants to give back. He says that he saw so many gay kids who needed an ear.” I rolled my eyes so hard I almost hurt myself and Rio frowned at me questioningly. I shook my head and pulled in one deep breath before I spoke. “No, he hasn’t been approved for months. I’ve never heard of him. I suspect he’s a spy who belongs to Clay Greene.” I could hear Kenneth suck air, then chuckle disbelievingly. “Oh, no, Saint. That’s impossible. He had a copy of a volunteer application that you signed and dated in January. You probably just forgot, I know you’ve had a lot on your mind with your sister and everything.” I heard him click his tongue and had to work to not reach through the phone and wring his neck. “He’s going to make sure the kids have someone else to talk to. Don’t worry about it, I’m taking care of everything.” Rio’s frown had morphed into mild alarm, and I wasn’t sure what my face was doing that was causing it but whatever it was must have been interesting. He edged closer as I took several deep breaths. “Kenneth. Listen to me. You need to be cautious. Have you seen the security reports from Mr. Rao? Did make sure you let him know about this Cunningham? Did you run the background check?” “I glanced through the reports, yes, but no, I didn’t tell him about Roland. Mr. Rao is the night guard and Roland is scheduled for afternoons.” He chuckled lightly. “I didn’t see the overlap.” I did not grind my teeth, but it was a near thing. Rio hovered, not touching me, which I was grateful for. Once I got off this phone I was going to go off. “What about the background check, Ken? You know the background check policy.” “Oh, yes,” Kenneth said. “We did the background check. Completely clean, exemplary record with several awards from his career. Really, you need to calm down. I have it all under control.” “Right,” I said. “Well, I’ll let you get back to it then, Ken. Thank you.” I hung up before Kenneth could reply and Rio looked at me warily. “I am going to have him kicked off the board so fast his fucking head is going to spin. Shouldn’t be too hard, it’s full of ball bearings and broken gravel,” I snarled. “So that didn’t go well,” Rio observed quietly. He was still hovering, clearly unsure of how best to handle me.
Joy Danvers (Saint's Shelter (Alden Security #4))
I want her with every fucking fibre of my being so much it hurts. I want to paint my seed across her chest and into my bite marks. I want to take every inch of her body with my tongue and cock, but that will come later, for now, I want it to fill her, and I can’t hold back anymore.
K.A. Knight (Den of Vipers)
Colin and Edmund were here. How embarrassing. “She’s alive. Conscious too,” Edmund said in the bluff pretend-nothing’s-really-wrong tone she’d only heard him take about horses and hounds before. Colin said something rough. He said it in a foreign tongue—not French or German—and it had a number of syllables, but Reggie knew an oath when she heard one. “. . . gonna hope,” she managed, though her tongue was as swollen as her brain from the feel of it, “you’re not mad ’m alive.” “For the love of God, woman,” said Colin, “don’t talk.” Close up—and he was close up now—his voice didn’t sound normal. His accent was very thick now. More to the point, his voice had dropped at least an octave, and it sounded almost sibilant. Reggie heard more swishing grass and felt a shadow fall over her, then a hand on her arm. It was Colin’s, she thought, but even hotter than he normally was. “…’s wrong w’ you?” she asked. She didn’t want to open her eyes to find out, because of the light needles. “A damned fine question” he said. “Do not move. Do what I say this time.” As Reggie wasn’t inclined to move anyhow, she held still while an equally warm set of fingers travelled gently but urgently over her head, at first avoiding the sticky place on one side and then probing lightly around its edges. No amount of gentleness could have made that not hurt, and she couldn’t manage to control herself. She cried out and batted at Colin’s arm. “Stoppit. Go ’way.” “Damned if I will.” He caught her fingers in his free hand. “There’s a bloody great lump here,” he said, not to her, “but nothing feels broken. But she’s bleeding. Quite a bit, and would you for the love of God go get a doctor? Make yourself useful, man!” “I—” Edmund started to retort angrily, and Reggie wondered if she’d have to get up and deal with the two of them, because she’d quite cheerfully kill both if so. Moving hurt. Thinking hurt. Edmund and Colin shouting hurt. Luckily for everyone, she heard Edmund take a long breath. “I’ll go down to the village and get Dr. Brant if you take Reggie back to the house. We can’t bring him out here, and I don’t want to leave you both waiting—not when she might come back.” She? Reggie was puzzled for a moment, then remembered: Janet Morgan. Ghost, witch, and generally unpleasant person. Quite possibly the reason she was lying on the ground with spikes in her brain. “Stupid cow,” she said. “Stupid? I’d love it if she were,” said Edmund.
Isabel Cooper (The Highland Dragon's Lady (Highland Dragon, #2))
Her name was Jane,” I said, and Olivia stopped walking. “We were together for two years, married after a few months. I was happy, genuinely happy. Even though she was human, and I knew I’d outlive her, I just wanted to enjoy the time that we had together. “It all ended on a damp November morning in seventeen eighty-two. I’d been away working for Avalon for a few months and had been eager to get home. I found her inside the house we’d shared. She’d been butchered. Her blood decorated our bedroom. She was naked and appeared to have been dead for several days. My rage was…terrifying. I buried Jane with my own hands, placing her near a field that we used to love going to. And then I burnt the house to the ground.” Olivia’s shoulders sagged, but she didn’t turn and face me. “I hunted her killer for a year. I didn’t care who I hurt to get the information I needed. I was so single-minded, so determined to have vengeance. Eventually, I discovered that her murderer had been part of the king’s army, which had been going through the area. “The killer was an officer by the name of Henry. No idea what his last name was. It didn’t matter. He liked hurting women, and once he’d finished with them, he kept their hair as a souvenir. The rest of his squad had waited outside while he brutalized and murdered the woman I loved. No one had helped Jane, and no one had tried to stop him. “I discovered that they’d been on training maneuvers the day of the murder, just their squad of thirty. And after all my searching, I found them and I killed them. They died in one night of blood and rage. All but one. I left Henry until last. I took him away to a secluded place and had my fill of vengeance. It took a week for him to die, and when he finally succumbed, I buried Hellequin with him.” The memory of Henry’s blind and bloody form flashed in my mind—his pleas had long since silenced because I’d removed his tongue. I hadn’t wanted information from him; I’d just wanted to make him suffer. Before he’d lost his ability to talk, he’d told me that someone had paid him to do it, but he never said who. No matter what I did to him, he took that secret to his grave. And after a few years of searching, I decided he’d been lying. Trying to prolong his life for a short time more, hoping for mercy where there was none to give. “I no longer had the desire to go by that name,” I continued, still talking to Olivia’s back, “I no longer wanted to instill fear with a word. I hoped that the legend would die, but it didn’t, it grew, became more…fanciful. “You’re right, I’m a killer. I’ve killed thousands, and very few of them have ever stained my conscience. I can go to a dark place and do whatever I need to. But for those I care about, those I love, I will move fucking mountains to keep them safe. And I care about Tommy and Kasey, whether you grant permission or not.
Steve McHugh (Born of Hatred (Hellequin Chronicles, #2))
Some mothers with sore nipples are told that if they latch the baby on and it hurts, they should un-latch the baby and try again; if it hurts again, un-latch the baby and try again, and again, and again. Unfortunately, each time the baby is relatched poorly, more damage is done to the nipples. The mother is in pain and frustrated, and the baby may get so frustrated that he refuses to latch on at all. It is often possible to improve the latch without taking the baby off the breast. The mother pushes the baby’s bottom into her body, which makes the latch more asymmetrical. And she can gently pull down the baby’s chin to get more of the breast into his mouth. Even if these “tricks” don’t help, the pain usually improves as the feeding goes on (if it doesn’t, the baby may have a tongue tie). So if she can get through this feeding, she can try again to fix the latch when the baby takes the other side.
Jack Newman (Dr. Jack Newman's Guide to Breastfeeding: updated edition)
He touched her lips softly with his, gently, tentatively. Her eyes closed as she allowed this and his arms tightened around her as he pressed more firmly against her lips. Hers opened and his breath caught as he opened his own and felt her small tongue dart into his mouth. His world reeled and he was lost in a kiss that deepened, that moved him, that shook him. “Don’t,” she whispered against his mouth. “Don’t get mixed up with me, Jack.” He kissed her again, holding her against him as though he would never let her go. “Don’t worry about me,” he said against her lips. “You don’t understand. I have nothing to give. Nothing.” “I haven’t asked you for a thing,” he said. But in his mind he was saying, You’re mistaken. You are giving, and taking—and it feels damn good. All Mel could think, in the abstract, was that her body for once wasn’t hollow and so empty she ached. She drank it in, the feeling of being connected to something. To someone. Anchored. So wonderful to have that human contact again. In her soul she had forgotten how, but her body remembered. “You’re a good man, Jack,” she said against his lips. “I don’t want you to be hurt. Because I can’t love anyone.” All he said was, “I can take care of myself.” She kissed him again. Deeply. Passionately. For a long minute; two minutes, moving under his mouth with heat. And the baby fussed. She pulled away from him. “Oh, man, why’d I do that?” she asked. “That’s a mistake.” He shrugged. “Mistake? Nah. We’re friends,” he said. “We’re close. You needed some comfort and—and here I am.” “That just can’t happen,” she said, sounding a little desperate. He took charge, feeling his own sense of desperation. “Mel, stop it. You were crying. That’s all.” “I was kissing,” she said. “And so were you!” He smiled at her. “You are so hard on yourself sometimes. It’s okay to feel something that doesn’t hurt once in a while.” “Promise me that won’t happen again!” “It won’t if you don’t want it to. But let me tell you something—if you do want it to, I’m going to let you. You know why? Because I like kissing. And I don’t beat myself up about it.” “I’m not doing that,” she said. “I just don’t want to be stupid.” “You’re punishing yourself. I can’t figure out why. But,” he said, lifting her off his lap and putting her on her feet, “you get to call the shots. Personally, I think you secretly like me. Trust me. And I think for a minute there, you also liked kissing me.” He grinned at her. “I could tell. I’m so smart that way.” “You’re just desperate for a little female companionship,” she said. “Oh, there are females around. That has nothing to do with anything.” “Still—you have to promise.” “Sure,” he said. “If that’s what you want.” “It’s what I need.” He
Robyn Carr (Virgin River (Virgin River #1))
He smoothed a little hair off her forehead. “I’m proud of you.” “It was so awesome.” “See? I knew you’d find something here to sink your teeth into.” He reached down, crossed his arms under her bottom and lifted her straight up so that her face was even with his. “Nowwww, what did we decide?” she asked, but her tone was teasing. Her smile was playful. “We decided that I would not kiss you.” “That’s right.” “I haven’t,” he said. “Maybe we should have talked about this,” she added, but she certainly didn’t struggle. In fact, this seemed oddly right. Celebratory. Like being picked up and swung around after the win of a big game. And that was how she felt—as though she’d just scored a touchdown. Arms resting on his shoulders, she clasped her hands behind his head. “We further decided that if you kissed me, I would let you,” he said. “You’re fishing.” “Does this look like fishing to you?” “Begging?” “Doing exactly as I’ve been told. Waiting.” What the hell, she thought. Absolutely nothing could feel better after the night she’d just spent than to plant a big wet one on this guy—a guy who’d keep his business open all night just in case they needed something. So she laid one on him. She slid her lips over his, opening them, moving over his with wicked and delicious intent, getting her tongue involved. And he did nothing but hold her there, allowing this. “Did you not like that?” she asked. “Oh,” he said. “Am I allowed to respond?” She whacked him softly in the head, making him laugh. She tried it again, and this time it was much more interesting. It made her heart beat faster, made her breathe hard. Yes, she thought. It is okay to feel something that doesn’t hurt sometimes. This wasn’t because she was grief-stricken or needy, this was because she was victorious. And all she could think about at the moment was his delicious mouth. When their mouths came apart, she said, “I feel like a total champ.” “You are,” he said, enjoying her mood more than she would ever guess. “God, you taste good.” “You don’t taste that bad,” she said, laughing. “Put me down now,” she instructed. “No. Do it again.” “Okay, but only one more, then you have to behave.” She planted another one on him, thoroughly enjoying his lips and tongue, the strength of the arms that held her. She refused to worry about whether this was a mistake. She was here, she was happy for once, and his mouth felt as natural to hers as if she’d been kissing him for years. She let the kiss be a little longer and deeper than she thought prudent, and even that made her smile. When it was over, he put her on her feet. “Whew,” she said. “We don’t have nearly enough births in this town.” “We have another one in about six weeks. And if you’re very, very good…” Ah, he thought. That gives me six weeks. He touched the end of her nose. “Nothing wrong with a little kissing, Mel.” “And you won’t get ideas?” He bellowed. “You can make me behave, it turns out. But you can’t keep me from getting ideas.” *
Robyn Carr (Virgin River (Virgin River #1))
Stop talking,” I whisper. “Seriously, stop talking right now.” “Why?” he says, somewhat hurt at the interruption. “Because I’m pretty sure that if you keep talking like this... I’ll have to marry you, or something,” I explain nervously. “So just zip it.” “You’ll have to...” Liam is repeating what I said in confusion, when his car door opens. “Okay!” Owen says. “I filled up the tank, and got popsicles. But Liam, you’re going to have to take the wheel, so I can play games on my phone. It’s very important. And if you don’t want to drive, I’m unwrapping your popsicle and tossing it on the ground.” “Fine,” Liam says, and there is the sound of crinkling plastic as he grabs the popsicle and gets out of the car. I am very surprised that this mild level of blackmail is so effective. Liam really is a softie. I feel the car shift as Owen lunges into the seat in front of me. I flinch when a cold plastic item is pressed against my cheek. “Your popsicle, as requested, milady!” Owen says happily. Lifting my hand, I take the popsicle away from Owen. I smile as I begin to unwrap the item, so I can press the sweet concoction against my tongue. Just as I taste the frozen sugar-water, the driver’s side door opens and a cold wind blasts into the car. I shiver. “Dammit. I should have thought of something
Loretta Lost (Clarity (Clarity, #1))
Life’s got an interesting sense of humor.” He was relaxing now that she’d decided to drop the subject. A long, put-upon sigh. “Isn’t that the truth? Clearly, I’m being tested.” Curious, he asked, “And are you passing?” Another adorable pout. “I don’t think so.” That mouth looked like she’d just eaten a bowl of strawberries and the juices had stained her lips. He wanted to bite her. Lick her to see if she tasted as sweet as she looked. She got all squinty, another pretzel firmly in hand. “I’m drunk.” Unfortunately. “I don’t doubt that.” Her gaze caught his. Darted away. Her pink tongue flitted out to wet her full lower lip. It glistened like an invitation. “I’d leave, but I can’t walk. My feet hurt.” “I wouldn’t let you go, anyway.” He was a little taken aback to find the words true. It had been a long time since he’d wanted anything, but he still recognized the spark of desire. He wanted her, and wasn’t ready for her to walk off into the sunset yet. The right or wrong of the situation didn’t much matter. She swirled a finger over the edge of her ice water. “Do you think you could stop me? He cocked a brow and gave her a once-over. “Considering the way you hobbled in here, I think I can take you.” Dark lashes almost obscured the green of her irises as she squinted. “I’m supposed to be getting independent now.” “I see,” he said, considering the guy she’d ditched at the altar for the first time. It took a lot to drive a woman out a church window with nothing but the clothes on her back. “Everyone needs a little rescue sometime.” “You’re not one of those knight-in-shining-armor guys, are you?” She said the words as if they were foul. “Not normally, but I’m making an exception for you.” He was surprised to find he wanted the role, despite her distain. “I don’t want an exception.” Her tone had taken on a decided wail. “Too bad.” Yep, he wasn’t budging on this one. She wanted to stand on her own two feet. He understood, but it only made him more determined. “Why me?” “Because I want to.” It was that simple. Besides, she’d probably take off in the morning and he’d never see her again. One night to break the monotony wouldn’t hurt. Before she could respond, he turned and walked the length of the bar. Flipping open the counter, he rounded the corner, striding to stand in front of her. “It’s been a long time since I’ve done anything chivalrous. Won’t you let me?” Even white teeth nibbled on her bottom lip and he curled his hand into a fist to keep from stroking his thumb over the abused, moist flesh. Glassy, pensive eyes blinked up at him. He stepped close enough to feel the warmth of her skin. “What kind of a man would I be if I left you stranded?” “I’m
Jennifer Dawson (Take a Chance on Me (Something New, #1))
It's just sex, Blake. Isn't that what you said to me the last time? No emotions. Just sex.” “I'll only end up hurting you,” I say to the wall. “Worse than I did before.” He moves from the back of the sofa and comes to stand directly in front of me. His dick is mere inches from my mouth. I have to swallow several times to keep from using my tongue on it. I close my eyes. “I can't, Seth. If I take you now I'll be rough and I'll end up hurting you in other ways.” “Being rough wasn't a concern of yours before.” “I'm not the same person I was before.
Candi Kay (Blake the Rogue Reindeer & His Cocky Human (Willy the Kinky Elf & His Bad-Ass Reindeer #3))
This is how we know what love is: Jesus Christ laid down his life for us. And we ought to lay down our lives for our brothers. If anyone has material possessions and sees his brother in need but has no pity on him, how can the love of God be in him? Dear children, let us not love with words or tongue but with actions and in truth.
Steve Corbett (When Helping Hurts: How to Alleviate Poverty Without Hurting the Poor . . . and Yourself)
May 30 A Prayer about Healing Words The words of the reckless pierce like swords, but the tongue of the wise brings healing. (Prov. 12:18 NIV) Gracious Jesus, I love words. I especially love the way you use words to bring me healing, freedom, and hope. You never shame me with words. You never manipulate me with words. You never hurt me with words. You never flatter me, but you do bring great encouragement. You never repeat my failures to others; you only bring my sin and brokenness to the throne of grace. You never say too much or too little. You neither mince words nor waste words. You alone have the words of life. My prayer is simple yet necessary: grant me greater stewardship of my words, Jesus. As you speak to me, please speak through me. I’m painfully aware that my words can bring great harm and death, even as they can be a source of hope and life (Prov. 18:21). If I’m not careful, my words can have the effect of gangrene (Eph. 4:29). You tell me that my words are a sure reflection of what’s filling my heart: “The good person out of the good treasure of his heart produces good, and the evil person out of his evil treasure produces evil, for out of the abundance of the heart his mouth speaks” (Luke 6:45). So no mere promise to avoid gossip, idle chatter, reckless words, or coarse jesting will be enough. I must constantly be preaching the gospel to my heart. May the overflow of your grace be obvious to all. I want my tongue to be a scalpel for healing, Jesus, not a hammer for harm. I pray in your merciful name. Amen.
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)