Tomorrow When The War Began Quotes

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All these words, words like 'evil' and 'vicious', they meant nothing to Nature. Yes, evil was a human invention.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
The Bible just said ‘Thou shalt not kill’, then told hundreds of stories of people killing each other and becoming heroes, like David with Goliath.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
the biggest risk is to take no risk. or to take crazy risks.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
We believed we were safe. That was the big fantasy.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
We'd thought that we were among the first humans to invade this basin, but humans had invaded everything, everywhere. They didn't have to walk into a place to invade it.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
Time spent in reconnaissance is seldom wasted.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
At that age you think boys have as much personality as coat hangers and, you don't notice their looks. Then you grow up.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
Why did people call it Hell?" I wondered. [...] No place was Hell, no place could be Hell. It's the people calling it Hell, that's the only thing that made it so. People just sticking names on places, so that no one could see those places properly anymore. [...] No, Hell wasn't anything to do with place, Hell was all to do with people. Maybe Hell was people.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
Name three types of olives." "Olives! I wouldn't know one type!" "Well, there are three. You can get green ones, you can get black ones, or you can get stuffed.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
People just sticking names on places, so that no one could see those places properly any more. Every time they looked at them or thought about them the the first thing they saw was a huge big sign saying 'Housing Commission' or 'private school' or 'church' or 'mosque' or 'synagogue'. They stopped looking once they saw those signs.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
How funny are dogs?
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
The biggest risk, is to take no risks
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
In the midst of death we are in life
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
A few people would suffer, but a lot of people would be better off.' 'It's just not right,' said Kevin stubbornly. 'Maybe not. But neither's your way of looking at it. There doesn't have to be a right side and a wrong side. both sides can be right, or both sides can be wrong...
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
I felt that my life was permanently damaged, that I could never be normal again, that the rest of my life would just be a shell.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
We'll never feel safe again, and so it's bye-bye innocence. It's been nice knowing you, but you're gone now.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
He carried Hell with him, as we all did, like a little load on our backs that we hardly noticed most of the time, or like a huge great hump of suffering that bent us over with its weight.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
It all began when... they're funny, those words. Everyone uses them, without thinking what they mean. When does anything begin? With everyone it begins when you're born. Or before that, when your parents got married. Or before that, when your parents were born. Or when your ancestors colonised the place. Or when humans came squishing out of the mud and slime, dropped off their flippers and fins, and started to walk. But all the same, all that aside, for what's happened to us there was quite a definite beginning
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
Chris says his father was born on the corner of straight and narrow...
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
They say teenagers can sleep all day. I often used to look at dogs and be amazed by the way they seemed to sleep for twenty hours a day. But I envied them too. It was the kind of lifestyle I could relate to. We didn't sleep for twenty hours, but we gave it our best shot.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
So, that was Nature's way. The mosquito felt pain and panic but the dragonfly knew nothing of cruelty. Humans would call it evil, the big dragonfly destroying the mosquito and ignoring the little insects suffering. Yet humans hated mosquitoes too, calling them vicious and bloodthirsty. All these words, words like 'evil' and 'vicious', they meant nothing to Nature. Yes, evil was a human invention.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
In this life of froth and bubble, Two things stand like stone. Kindness in another’s trouble, Courage in your own.
John Marsden (Tomorrow, When the War Began)
Human laws, moral laws, religious laws, they seemed artificial and basic, almost childlike.
John Marsden (Tomorrow, When the War Began)
Homer was so used to being told off in his life that you might as well have told a rock off for being sedimentary,
John Marsden (Tomorrow, When the War Began)
mind. Your feelings might be coming
John Marsden (Tomorrow, When the War Began (The Tomorrow Series, #1))
Four times during the first six days they were assembled and briefed and then sent back. Once, they took off and were flying in formation when the control tower summoned them down. The more it rained, the worse they suffered. The worse they suffered, the more they prayed that it would continue raining. All through the night, men looked at the sky and were saddened by the stars. All through the day, they looked at the bomb line on the big, wobbling easel map of Italy that blew over in the wind and was dragged in under the awning of the intelligence tent every time the rain began. The bomb line was a scarlet band of narrow satin ribbon that delineated the forward most position of the Allied ground forces in every sector of the Italian mainland. For hours they stared relentlessly at the scarlet ribbon on the map and hated it because it would not move up high enough to encompass the city. When night fell, they congregated in the darkness with flashlights, continuing their macabre vigil at the bomb line in brooding entreaty as though hoping to move the ribbon up by the collective weight of their sullen prayers. "I really can't believe it," Clevinger exclaimed to Yossarian in a voice rising and falling in protest and wonder. "It's a complete reversion to primitive superstition. They're confusing cause and effect. It makes as much sense as knocking on wood or crossing your fingers. They really believe that we wouldn't have to fly that mission tomorrow if someone would only tiptoe up to the map in the middle of the night and move the bomb line over Bologna. Can you imagine? You and I must be the only rational ones left." In the middle of the night Yossarian knocked on wood, crossed his fingers, and tiptoed out of his tent to move the bomb line up over Bologna.
Joseph Heller (Catch-22)
It’s terribly, terribly important recording what we’ve done, in words, on paper, it’s got to be our way of telling ourselves that we mean something, that we matter. That the things we’ve done have made a difference. I don’t know how big a difference, but a difference. Writing it down means we might be remembered. And by God that matters to us. None of us wants to end up as a pile of dead white bones, unnoticed, unknown, and worst of all, with no one knowing or appreciating the risks we’ve run.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
Yes, it is very likely that I shall be killed tomorrow,’ he thought. And suddenly at this thought of death a whole series of most distant, most intimate, memories rose in his imagination: he remembered his last parting from his father and his wife; he remembered the days when he first loved her. He thought of her pregnancy and felt sorry for her and for himself, and in a nervously emotional and softened mood he went out of the hut in which he was billeted with Nesvitsky and began to walk up and down before it.
Leo Tolstoy (War and Peace)
No, Hell wasn't anything to do with places, Hell was all to do with people. Maybe Hell was people.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
The most self confident aces began to wonder when their turn would come.. Faced by the empty chairs of men you had laughed and joked with at lunch. And, miraculously, you were still there. Until tomorrow..
Cecil Lewis
Astrology is superstition. A remnant of the ignorant dark ages, when people knew nothing about how the world works. They believed the earth is flat and the center of the universe. Astrology might have made sense a long time ago, when people didn't know any better. Back then people believed that the stars were gods, with names like Zeus or Mars, the God of war, who had nothing better to do than to watch us down here on earth, and fuck with us. And gods have superpowers. So it would make sense for gods to be able to influence our lives or our decisions. Back then it sounded like there was an internal logic to it all. But nowadays we know better. Now we know that the earth is not flat and not the center of the universe. And now we know that the stars are not gods with superpowers, but simply suns and planets, millions of miles away. Big balls of gas and rock, flying through space, minding their own business. Mars is not the God of War. Mars is just a big red rock. There is simply no mechanism by which a big rock, flying through space millions of miles away, is gonna affect whether you're gonna get a raise tomorrow or not. Think about how self-centered and narcissistic that idea actually is. Astrology is the idea that this endlessly big universe and all the trillions of planets in it, are only here to affect whether you are gonna have a good day tomorrow. Because all these big rocks flying through space millions of miles away have nothing better to do than worry about you. Because you're so special, and everything is about you. The idea behind astrology is so stupid, it's actually kinda funny.
Oliver Markus Malloy (Bad Choices Make Good Stories - Finding Happiness in Los Angeles (How The Great American Opioid Epidemic of The 21st Century Began, #3))
Then the day came when we stopped playing. We'd gone a couple of months without our usual games, but a few days into the school holidays I got my dolls out and tried to start up again. And it had all gone. The magic didn't work any more. I could barely even remember how we'd done it, but I tried to recapture the mood, the storylines, the way the dolls had moved and thought and spoken. But now it was like reading a meaningless book.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
There is a sort of subdued pandemonium in the air, a note of repressed violence, as if the awaited explosion required the advent of some utterly minute detail, something microscopic but thoroughly unpremeditated, completely unexpected. In that sort of half-reverie which permits one to participate in an event and yet remain quite aloof, the little detail which was lacking began obscurely but insistently to coagulate, to assume a freakish, crystalline form, like the frost which gathers on the windowpane. And like those frost patterns which seem so bizarre, so utterly free and fantastic in design, but which are nevertheless determined by the most rigid laws, so this sensation which commenced to take form inside me seemed also to be giving obedience to ineluctable laws. My whole being was responding to the dictates of an ambience which it had never before experienced; that which I could call myself seemed to be contracting, condensing, shrinking from the stale, customary boundaries of the flesh whose perimeter knew only the modulations of the nerve ends. And the more substantial, the more solid the core of me became, the more delicate and extravagant appeared the close, palpable reality out of which I was being squeezed. In the measure that I became more and more metallic, in the same measure the scene before my eyes became inflated. The state of tension was so finely drawn now that the introduction of a single foreign particle, even a microscopic particle, as I say, would have shattered everything. For the fraction of a second perhaps I experienced that utter clarity which the epileptic, it is said, is given to know. In that moment I lost completely the illusion of time and space: the world unfurled its drama simultaneously along a meridian which had no axis. In this sort of hair-trigger eternity I felt that everything was justified, supremely justified; I felt the wars inside me that had left behind this pulp and wrack; I felt the crimes that were seething here to emerge tomorrow in blatant screamers; I felt the misery that was grinding itself out with pestle and mortar, the long dull misery that dribbles away in dirty handkerchiefs. On the meridian of time there is no injustice: there is only the poetry of motion creating the illusion of truth and drama. If at any moment anywhere one comes face to face with the absolute, that great sympathy which makes men like Gautama and Jesus seem divine freezes away; the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open.
Henry Miller (Tropic of Cancer (Tropic, #1))
A servant came in with punch. Napoleon called for another glass for Rapp, and stood there sipping at his own in silence. "I can't taste anything or smell anything," he said, sniffing at the glass. "I'm fed up with this cold. They go on and on about medicine. What good is medicine when they can't cure a cold? Corvisart gave me these lozenges, but they're not doing me any good. What can they cure? They can't cure anything. Our body is a machine for living. That's the way it's organised, and that's its nature. The life inside should be left alone. Let the life inside defend itself. It will get on better like that, instead of paralysing it and clogging it with remedies. Our body is like a perfect watch with only a fixed time to run. The watchmaker has no power to get inside it, he can only fumble with it blindfold. Our body is a machine for living, and that's all there is to it." And once launched into defining things - Napoleon had a weakness for coming out with definitions - he seemed suddenly impelled to produce a new one. "Do you know, Rapp, what the military art is?" He asked. "It's the art of being stronger than the enemy at a given moment. "That's all it is." Rapp made no reply. "Tomorrow we shall have Kutuzov to deal with," said Napoleon. "Let's see what happens! You remember - he was in command at Braunau, and not once in three weeks did he get on a horse and go round his entrenchments! Let's see what happens!" He looked at his watch. It was still only four o'clock. He didn't feel sleepy, the punch was finished, and there was still nothing to do. He got to his feet, paced up and down, put on a warm overcoat and hat and walked out of his tent. The night was dark and clammy; you could almost feel the dampness seeping down from on high. Near by, the French guards' camp-fires had burned down, but far away you could see the Russian fires burning smokily all down their line. The air was still, but there was a faint stirring and a clear rumble of early-morning movement as the French troops began the business of taking up their positions.
Leo Tolstoy (War and Peace)
I could stay,” he said. “I could leave tomorrow.” “No. I want you to go now.” “Do you?” “Yes.” “Ah, but what about what I want?” The softness in his voice made her lift her gaze. She would have answered him--how, she wasn’t sure--if Javelin’s attention hadn’t turned to him. The stallion began nuzzling Arin as if he were the horse’s favorite person in the world. Kestrel felt a pang of jealousy. Then she saw something that sent thoughts of jealousy and loneliness and want right out of her head, and just made her mad. Javelin was nibbling a certain part of Arin, waffling around a pocket exactly the right size to hold a-- “Winter apple,” Kestrel said. “Arin, you have been bribing my horse!” “Me? No.” “You have! No wonder he likes you so much.” “Are you sure it’s not because of my good looks and pleasing manners?” This was said lightly--not quite sarcastically, yet in a voice that nevertheless told Kestrel that he doubted he possessed either of these things. But he was pleasing. He pleased her. And she could never forget his beauty. She had learned it all too well. She blushed. “It’s not fair,” she said. He took in her rising color. His mouth curved. And although Kestrel wasn’t sure that he could interpret what effect he was having on her simply by standing there and saying the word pleasing, she knew that he always knew when he had an advantage. He pressed it. “Doesn’t your father’s theory of war include winning over the other side by offering sweets? No? An oversight, I think. I wonder…might I bribe you?” Kestrel’s fingers clenched. It probably looked like anger. It wasn’t. It was the instinctive gesture of someone dangerously tempted. “Open your hands, Little Fists,” said Arin. “Open your eyes. I haven’t stolen his love for you. Look.” It was true that in the course of their conversation, Javelin had turned away from Arin, disappointed by the empty pocket. The horse nosed Kestrel’s shoulder. “See?” Arin said. “He knows the difference between an easy mark and his mistress.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
People, shadows, good, bad, Heaven, Hell: all of these were names, labels, that was all. Humans had created these opposites: Nature recognised no opposites. Even life and death weren't opposites in Nature: one was merely an extension of the other.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
Ludzie, cienie, dobro, zło, niebo, piekło: wszystko to tylko etykietki, nic więcej. Ludzie sami stworzyli te przeciwieństwa: natura ich nie dostrzegała. W naturze nawet życie i śmierć nie były przeciwieństwami - po prostu jedno stawało się przedłużeniem drugiego.stwa,
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
In this life of froth and bubble, Two things stand like stone. Kindness in another's trouble, Courage in your own.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
Ice. Loretta sucked in a whine of air as the shock of water washed over her body. A warm arm encircled her waist. A large hand clamped over her ribs. She twisted her neck to see, then froze. The Comanche. Instinctively she thrashed and squirmed in his arms. She tried to throw herself away from him. But it was all to no avail. Hunter held her fast with one arm hooked through her elbows behind her and walked deeper into the water until it hit her chin high. A convulsive shudder ran the length of her. Cold. Oh, mercy, it was so horribly cold. He ran a hand down her belly. The touch was slow, effortless, leaving her in no doubt that he could explore any part of her he chose, at his leisure. “Ah, mah-tao-yo, you are so hot. Even where you are not burned. Toquet,” he whispered. “You will not fight.” Something about his voice seemed familiar, oddly comforting. Her father, she realized, somehow his voice put her in mind of her father. She fought back tears. Shivers racked her. So cold. The freezing ache of it blocked out everything else. Her teeth began chattering nonstop. When she could bear it no longer, she made one last attempt to get free. “It will pass,” he promised. “You will be still. It is a burn, no? From the sun. You have fire inside you. The cold will chase it away. You understand?” She tried to nod. When she did, she took a mouthful of water and choked. He exclaimed under his breath and turned her so her chin rested on his shoulder. The shock of his body heat against her breasts and belly made her gasp. In the moonlight, the cut in his flesh from Rachel’s bullet was a black line. “Toquet, mah-tao-yo, toquet.” His arms tightened around her, hard, powerful, yet strangely gentle. “Close your eyes, eh? Trust this Comanche. We will make war tomorrow.” Time ceased to exist. There was nothing but the night, the water, and the Indian. Loretta floated into a dream world. She was sick, so awfully sick. Too sick to care what happened. Too sick to fight it.
Catherine Anderson (Comanche Moon (Comanche, #1))
White Man, to you my voice is like the unheard call in the wilderness. It is there, though you do not hear it. But, this once, take the time to listen to what I have to say. Your history is highlighted by your wars. Why is it all right for your nations to conquer each other in your attempts at domination? When you sailed to our lands, you came with your advanced weapons. You claimed you were a progressive, civilized people. And today, White Man, you have the ultimate weapons. Warfare which could destroy all men, all creation. And you allow such power to be in the hands of those few who have such little value in true wisdom. White Man, when you first came, most of our tribes began with peace and trust in dealing with you, strange white intruders. We showed you how to survive in our homelands. We were willing to share with you our vast wealth. Instead of repaying us with gratitude, you, White Man, turned on us, your friends. You turned on us with your advanced weapons and your cunning trickery. When we, the Indian people, realized your intentions, we rose to do battle, to defend our nations, our homes, our food, our lives. And for our efforts, we are labelled savages, and our battles are called massacres. And when our primitive weapons could not match those which you had perfected through centuries of wars, we realized that peace could not be won, unless our mass destruction took place. And so we turned to treaties. And this time, we ran into your cunning trickery. And we lost our lands, our freedom, and were confined to reservations. And we are held in contempt. 'As long as the Sun shall rise...' For you, White Man, these are words without meaning. White Man, there is much in the deep, simple wisdom of our forefathers. We were here for centuries. We kept the land, the waters, the air clean and pure, for our children and our children's children. Now that you are here, White Man, the rivers bleed with contamination. The winds moan with the heavy weight of pollution in the air. The land vomits up the poisons which have been fed into it. Our Mother Earth is no longer clean and healthy. She is dying. White Man, in your greedy rush for money and power, you are destroying. Why must you have power over everything? Why can't you live in peace and harmony? Why can't you share the beauty and the wealth which Mother Earth has given us? You do not stop at confining us to small pieces of rock an muskeg. Where are the animals of the wilderness to go when there is no more wilderness? Why are the birds of the skies falling to their extinction? Is there joy for you when you bring down the mighty trees of our forests? No living things seems sacred to you. In the name of progress, everything is cut down. And progress means only profits. White Man, you say that we are a people without dignity. But when we are sick, weak, hungry, poor, when there is nothing for us but death, what are we to do? We cannot accept a life which has been imposed on us. You say that we are drunkards, that we live for drinking. But drinking is a way of dying. Dying without enjoying life. You have given us many diseases. It is true that you have found immunizations for many of these diseases. But this was done more for your own benefit. The worst disease, for which there is no immunity, is the disease of alcoholism. And you condemn us for being its easy victims. And those who do not condemn us weep for us and pity us. So, we the Indian people, we are still dying. The land we lost is dying, too. White Man, you have our land now. Respect it. As we once did. Take care of it. As we once did. Love it. As we once did. White Man, our wisdom is dying. As we are. But take heed, if Indian wisdom dies, you, White Man, will not be far behind. So weep not for us. Weep for yourselves. And for your children. And for their children. Because you are taking everything today. And tomorrow, there will be nothing left for them.
Beatrice Mosionier (In Search of April Raintree)
No, that's being too logical! You're my best friends! I don't want to be that logical!" Neither did I, when I thought about it. "Ok, then" I said. "All for one and one for all. Let's go. The three musketeers.
John Marsden (Tomorrow, When the War Began #1 in the Tomorrow Series)
The people I knew who thought brutal thoughts and acted in brutal ways—the racists, the sexists, the bigots—never seemed to doubt themselves. They were always so sure that they were right.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
I can understand why they're doing it but understanding isn't the same as supporting.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
There doesn't have to be a right side and a wrong side. Both sides can be right, or both sides can be wrong.
John Marsden (Tomorrow, When the War Began (Tomorrow, #1))
This was the moment when the 20th century really began, in all its viciousness and bloody-mindedness. Me, I had imagination in spades, though. I saw myself as a corpse, swept into this stream of fools against my will along with thousands, millions of other corpses, and I didn’t like it one little bit. The other guys, still waiting on the platform at the Gare de l’Est, already saw themselves throwing back a well-earned beer on Alexanderplatz. Only the mothers really knew. They knew the babies in their arms were tomorrow’s war orphans, and the cattle cars (8 horses, 40 men) were nothing but rail-mounted coffins joined end to end and headed for military cemeteries.
Jacques Tardi (Goddamn This War!)