Tommy Quotes

We've searched our database for all the quotes and captions related to Tommy. Here they are! All 100 of them:

KILL ME!" And then Newt's eyes cleared, as if he'd gained one last trembling gasp of sanity, and his voice softened. "Please, Tommy. Please." With his heart falling into a black abyss, Thomas pulled the trigger.
James Dashner (The Death Cure (The Maze Runner, #3))
Never tell all you know—not even to the person you know best.
Agatha Christie (The Secret Adversary (Tommy and Tuppence Mysteries, #1))
I half closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy, and he'd wave, and maybe even call.
Kazuo Ishiguro (Never Let Me Go)
In the middle of all this, as Sean slips out of his jacket, he looks over his shoulder at me and he smiles at me, just a glancing, faint thing before he turns back to Tommy. I'm quite happy for that smile, because Dad told me once you should be grateful for the gifts that are the rarest.
Maggie Stiefvater (The Scorpio Races)
People try to say suicide is the most cowardly act a man could ever commit. I don't think that's true at all. What's cowardly is treating a man so badly that he wants to commit suicide.
Tommy Tran
And you, Tommy” the boy said, lowering his voice. “You’ve got a lot of nerve coming here and asking me to leave with you. A lot of bloody nerve. The sight of you makes me sick
James Dashner (The Death Cure (The Maze Runner, #3))
The best books, they don't talk about things you never thought about before. They talk about things you'd always thought about, but that you didn't think anyone else had thought about. You read them, and suddenly you're a little bit less alone in the world. You're part of this cosmic community of people who've thought about this thing, whatever it happens to be.
Tommy Wallach (We All Looked Up)
Please, Tommy, Please.
James Dashner (The Death Cure (The Maze Runner, #3))
They're saying that you and Sean Kendrick were burning up the cliffs." Tommy spins me again and grins at me. "And when I say you and Sean Kendrick, I mean you and Sean Kendrick. And by burning, I mean burning.
Maggie Stiefvater (The Scorpio Races)
To all those who lead monotonous lives in the hope that they may experience at second hand the delights and dangers of adventure. [author's dedication]
Agatha Christie (The Secret Adversary (Tommy and Tuppence Mysteries, #1))
I hated the place, Tommy. I hated every second of every day. And it was all … your … fault!
James Dashner (The Death Cure (The Maze Runner, #3))
I want my first son to be called 'Tommy.' It will sound great, Tommy Tomlinson
Louis Tomlinson
We make our own monsters, then fear them for what they show us about ourselves.
Mike Carey (The Unwritten, Vol. 1: Tommy Taylor and the Bogus Identity)
God did not create you to fail!
Tommy Coletta
That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.
Kazuo Ishiguro (Never Let Me Go)
All of them are men, not a girl amongst them unless you count Tommy Falk because his lips are so pretty.
Maggie Stiefvater (The Scorpio Races)
Those who have much to hope and nothing to lose will always be dangerous.
Tommy Wallach (We All Looked Up)
He half rose from his seat and reached across another student’s desk to drop the mangled paper clip in front of Tommy. “Look, dude,” he said, his voice low and earnest. “You want to ask me out, you man up and do it proper.
Brigid Kemmerer (Storm (Elemental, #1))
Why had he assumed time was some sort of infinite resource? Now the hourglass had busted open, and what he’d always assumed was just a bunch of sand turned out to be a million tiny diamonds.
Tommy Wallach (We All Looked Up)
We live in a world full of people who are satisfied with pretending to be someone they are not.
Tommy Tran
Words are such uncertain things, they so often sound well but mean the opposite of what one thinks they do.
Agatha Christie (Partners in Crime (Tommy & Tuppence Mysteries, #2))
There must be some Tommy Hilfiger event horizon, beyond which it is impossible to be more derivative, more removed from the source, more devoid of soul.
William Gibson (Pattern Recognition (Blue Ant, #1))
When we lost something precious, and we'd looked and looked and still couldn't find it, then we didn't have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we grow up, and we were free to travel around the counry, we would always go and find it in Norfolk...And that's why years and years later, that day Tommy and I found another copy of that lost tape of mine in a town on the Norfolk coast, we didn't just think it pretty funny; we both felt deep down some tug, some old wish to believe again in something that was once close to our hearts.
Kazuo Ishiguro (Never Let Me Go)
If you want to lead an extraordinary life, find out what the ordinary do–and don't do it.
Tommy Newberry (Success Is Not an Accident: Change Your Choices, Change Your Life)
You don’t wanna go out of this world with regrets. If there’s some- thing you want to do, you do it. You take this life by the balls and you tell it that you existed.
Tommy Wallach (We All Looked Up)
I'm about to do something very clever and a tiny bit against the rules of the universe. It's important that I'm properly dressed.
Tommy Donbavand (Doctor Who: Shroud of Sorrow)
Do you think it is better to fail at something worthwhile, or succeed at something meaningless
Tommy Wallach (We All Looked Up)
No matter how good you are, you're going to lose one-third of your games. No matter how bad you are you're going to win one-third of your games. It's the other third that makes the difference.
Tommy Lasorda
What's up, Tommy?" Newt exclaimed, his face filled with genuine happiness at the pleasant surprise that'd been sprung on them. Thomas couldn't remember exactly how long it'd been since the last time he'd seen Newt. "You look bloody fantastic for three in the morning.
James Dashner (The Fever Code (The Maze Runner, #0.5))
We are the memories we don't remember, which live in us, which we feel, which make us sing and dance and pray the way we do, feelings from memories that flare and bloom unexpectedly in our lives like blood through a blanket from a wound made by a bullet fired by a man shooting us in the back for our hair, for our heads, for a bounty, or just to get rid of us.
Tommy Orange (There There)
You know what I hate most of all in the whole wide world?...More than people who think that if you're bisexual it means you'll fuck absolutely anyone (especially them)?
Alan Cumming (Tommy's Tale)
Newt..." "Do it before I become one of them!" "I..." "KILL ME!" And then Newt's eyes cleared, as if he'd gained one last trembling gasp of sanity, and his voice softened. "Please, Tommy. Please." With his heart falling into a black abyss, Thomas pulled the trigger.
James Dashner (The Death Cure (The Maze Runner, #3))
You didn’t win the game of life by losing the least. That would be one of those—what were they called again?—Pyrrhic victories. Real winning was having the most to lose, even if it meant you might lose it all. Even though it meant you would lose it all, sooner or later.
Tommy Wallach (We All Looked Up)
Apologies don’t even mean as much as just…just acknowledging that you fucked up, hurt people, and that you don’t wanna do that anymore. Not to yourself either. That’s sometimes the hardest part.
Tommy Orange (There There)
You know, somebody actually complimented me on my driving today. They left a little note on the windscreen, it said 'Parking Fine.
Tommy Cooper
The difference between the impossible and the possible lies in a person's determination.
Tommy Lasorda
-"Nick?" "I'm still here, Laurant." -"Did you tell Tommy we slept together?" "No, but you just did. He's standing right here." She fell asleep. But this time she didn't have any dreams or nightmare.
Julie Garwood (Heartbreaker (Buchanan-Renard, #1))
The only casting directors who’d be willing to call Tommy in on the basis of this headshot were the ones curious about what it was like to be murdered.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
Being Indian has never been about returning to the land. The land is everywhere or nowhere.
Tommy Orange (There There)
So let me get this straight.”... “He threw the note at Tommy and then told him to fuck off? Or do I have it backwards?” “I’m detecting some sarcasm.” “And then got himself sent the principal’s office because he was ready to defend your honor?” “Quinn.” “Her friend waved a hand. “No, I think you might be on to something. This is clearly an elaborate plot to screw with you. He asks you out, he defends you from that meathead—what next?” Quinn’s eyes flashed wide in mock surprise. “Crap, Bex, do you think he will do something truly horrible like buy you flowers?
Brigid Kemmerer (Storm (Elemental, #1))
And don’t make the mistake of calling us resilient. To not have been destroyed, to not have given up, to have survived, is no badge of honor. Would you call an attempted murder victim resilient?
Tommy Orange (There There)
A great many men are mad, and no one knows it. They do not know it themselves
Agatha Christie (The Secret Adversary (Tommy and Tuppence Mysteries, #1))
Life will do its best to get at you. Sneak up from behind and shatter you, into tiny unrecognizable pieces. You have to be ready to pick everything up pragmatically. Keep your head down and make it work.
Tommy Orange (There There)
Everyone's a whore, Grace. We just sell different parts of ourselves.
Tommy Shelby (Peaky Blinders)
Do we still have to floss?" Tommy asked. "I mean, what's the point of being immortal if we have to floss?
Christopher Moore (You Suck (A Love Story, #2))
Seth,” she says, “wherever you are, it’s okay. You can come back from it. Whatever happened to you down there, whatever the world looks like now, that’s not how it always looks. That’s not how it’s always going to look. There’s more. There’s always more. Whatever you see, wherever you are, we’re still here with you. Me and Tommy.
Patrick Ness (More Than This)
Love is the exception to the law of diminishing returns.
Tommy Wallach (Thanks for the Trouble)
Some Day Someone is going to pick up this book (The Bible) and believe it, and put us all to shame.
Leonard Ravenhill (Why Revival Tarries: A Classic on Revival)
And my own affairs were as bad, as dismal, as the day I had been born. The only difference was that now I could drink now and then, though never often enough. Drink was the only thing that kept a man from feeling forever stunned and useless. Everything else just kept picking and picking, hacking away. And nothing was interesting, nothing. The people were restrictive and careful, all alike. And I've got to live with these fuckers for the rest of my life, I thought. God, they all had assholes and sexual organs and their mouths and their armpits. They shit and they chattered and they were dull as horse dung. The girls looked good from a distance, the sun shining through their dresses, their hair. But get up close and listen to their minds running out of their mouths, you felt like digging in under a hill and hiding out with a tommy-gun. I would certainly never be able to be happy, to get married, I could never have children. Hell, I couldn't even get a job as a dishwasher.
Charles Bukowski (Ham on Rye)
The children came to a perfume shop. In the show window was a large jar of freckle salve, and beside the jar was a sign, which read: DO YOU SUFFER FROM FRECKLES? 'What does the sign say?' ask Pippi. She couldn’t read very well because she didn’t want to go to school as other children did. 'It says, "Do you suffer from freckles?"' said Annika. 'Does it indeed?' said Pippi thoughtfully. 'Well, a civil question deserves a civil answer. Let’s go in.' She opened the door and entered the shop, closely followed by Tommy and Annika. An elderly lady stood back of the counter. Pippi went right up to her. 'No!' she said decidedly. 'What is it you want?' asked the lady. 'No,' said Pippi once more. 'I don’t understand what you mean,' said the lady. 'No, I don’t suffer from freckles,' said Pippi. Then the lady understood, but she took one look at Pippi and burst out, 'But, my dear child, your whole face is covered with freckles!' 'I know it,' said Pippi, 'but I don’t suffer from them. I love them. Good morning.' She turned to leave, but when she got to the door she looked back and cried, 'But if you should happen to get in any salve that gives people more freckles, then you can send me seven or eight jars.
Astrid Lindgren (Pippi Longstocking (Pippi Långstrump, #1))
the fundamental rule of life: Things were never so bad that they couldn’t get worse.
Tommy Wallach (We All Looked Up)
Pressure is a word that is misused in our vocabulary. When you start thinking of pressure, it's because you've started to think of failure.
Tommy Lasorda
Hit him." "Don't make her do that," Hunter told Tommy. "She'll break her hand.
Jennifer Echols (Love Story)
O it's Tommy this, and Tommy that, and Tommy 'ow's your soul/But it's thin red line of heroes when the drums begin to roll.
Rudyard Kipling (Barrack Room Ballads & Departamental Ditties and Ballads)
Sweetheart, wake up; you've destroyed the house and I need you to suffer for it.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
Beauty always made a target of its possessor. Every other human quality was hidden easily enough – intelligence, talent, selfishness, even madness – but beauty would not be concealed.
Tommy Wallach (We All Looked Up)
I learned that love can end in one night, that great friends can become great strangers, that strangers can become best friends, that we never finish to know and understand someone completely, that the “never ever again” will happen again and that “forever” always ends, that the one that wants it can, will achieve it and get it, that the one that risks it never looses anything, that physique, figure and beauty attracts but personality makes one fall in love.
Tommy Tran
Which is why you chose to wear that delightful ensemble from the skank-wear collection at Hoes-n-Thangs?" -Tommy
Christopher Moore (You Suck (A Love Story, #2))
Youth is a failing only too easily outgrown.
Agatha Christie (The Secret Adversary (Tommy and Tuppence Mysteries, #1))
(On 'The Story Of Tonight (Reprise)') Tommy Kail and I always described this scene as “When your hometown friends are at the party with your college friends.
Lin-Manuel Miranda (Hamilton: The Revolution)
Some of us got this feeling stuck inside, all the time, like we’ve done something wrong. Like we ourselves are something wrong. Like who we are deep inside, that thing we want to name but can’t, it’s like we’re afraid we’ll be punished for it.
Tommy Orange (There There)
I tried cutting myself to express my heartbreak over Tommy (Lord Flood) rejecting me, but OMFG it hurts like flaming fuck.
Christopher Moore (Bite Me (A Love Story, #3))
In the love scene’s final shot, Johnny gets out of bed and walks bare-assed to the bathroom. Tommy thought long and hard about his decision to show his ass. “I need to do it,” he told me. “I have to show my ass or this movie won’t sell.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
A few minutes later, he said suddenly: 'Kath, can we stop? I'm sorry, I need to get out a minute.' ...I could make out in the mid-distance, near where the field began to fall away, Tommy's figure, raging, shouting, flinging his fists and kicking out. I caught a glimpse of his face in the moonlight, caked in mud and distorted with fury, then I reached for his failing arms and held on tight. He tried to shake me off, but I kept holding on, until he stopped shouting and I felt the fight go out of him. Then I realised he too had his arms around me. And so we stood together like that, at the top of the field, for what seemed like ages, not saying anything, just holding each other, while the wind kept blowing and blowing at us, tugging our clothes, and for a moment, it seemed like we were holding onto each other because that was the only way to stop us being swept away into the night.
Kazuo Ishiguro (Never Let Me Go)
We didn't have last names before they came. When they decided they needed to keep track of us, last names were given to us, just like the name "INDIAN" itself was given to us. These were attempted translations and botched Indian names, random surnames, and names passed down from white American generals, admirals, and colonels, and sometimes troop names, which were sometimes just colors.
Tommy Orange (There There)
I'm a hopeless fu**ing romantic. That's a part of me that a lot of people don't know about. They know everything there is to know about another part of me, but not a thing about my heart.'- Tommy Lee
Tommy Lee
Maxine makes me read her Indian stuff that I don’t always get. I like it, though, because when I do get it, I get it way down at that place where it hurts but feels better because you feel it, something you couldn’t feel before reading it, that makes you feel less alone, and like it’s not gonna hurt as much anymore.
Tommy Orange (There There)
He thought for a second, then spun to Clara. 'Did you say something cruel to the TARDIS while I was getting changed?' 'No! Of course not!' 'Did you call her fat?' 'What?' 'Because she's not fat. She's just bigger on the inside.
Tommy Donbavand (Doctor Who: Shroud of Sorrow)
They took everything and ground it down to dust as fine as gunpowder, they fired their guns into the air in victory and the strays flew out into the nothingness of histories written wrong and meant to be forgotten. Stray bullets and consequences are landing on our unsuspecting bodies even now.
Tommy Orange (There There)
Just because we are wearing lipstick doesn't mean we can't kick your ass!
Tommy Lee
She was miserable because she kept hoping things would change. If she could eradicate the hope, she could eradicate the sadness.
Tommy Wallach (We All Looked Up)
It's strange, isn't it. You stand in the middle of a library and go 'aaaaagghhhh' and everyone just stares at you. But you do the same thing on an aeroplane, and everyone joins in.
Tommy Cooper
Gabe brings home a chicken and Tommy Falk for dinner. Truth be told, I'm not unhappy to see any of them. Gabe, because it's been so long since we've had dinner with him; the chicken because it's not beans; and Tommy Falk because his presence makes Gabe cheerful and goofy.
Maggie Stiefvater (The Scorpio Races)
When you fall in love with someone you treasure their quirks as much as anything else. Flaws become unique marks of character, things you'd miss if they weren't there.
Tommy Cotton (Just Went Out for Milk)
This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, "It's too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings." And then someone else on board says something like, "But your father gave you this yacht, and these are his servants who brought the hors d'oeuvres." At which point that person gets tossed overboard by a group of hired thugs who'd been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can't get to him soon enough, or they don't even try, and the yacht's speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered.
Tommy Orange (There There)
My mom told me once that she wouldn't be a kid again for a million bucks. She said things hurt more when you don't have any perspective on pain. That's true. But doesn't everyone want to be young and hot forever? They only think they want it, Parker. But nobody really wants anything forever. Just for longer than they get it.
Tommy Wallach (Thanks for the Trouble)
There's a tap on the door then. We all exchange looks, Tommy Falk's as uncertain as the rest of ours. No one moves, so I finally wipe my hands off on my pants, go to the door, and open it a crack. Sean stands on the other side, one hand in his trouser pocket, the other holding a loaf of bread. I wasn't prepared for it to be Sean, so my stomach does a neat little trick that feels like either hunger or escaping.
Maggie Stiefvater (The Scorpio Races)
That's the curious part about speaking the truth. No one does believe it.
Agatha Christie (The Secret Adversary (Tommy and Tuppence #1))
Izzi: Remember Moses Morales? Tom Verde: Who? Izzi: The Mayan guide I told you about. Tom Verde: From your trip. Izzi: Yeah. The last night I was with him, he told me about his father, who had died. Well Moses wouldn't believe it. Tom Verde: Izzi... Izzi: [embraces Tom] No, no. Listen, listen. He said that if they dug his father's body up, it would be gone. They planted a seed over his grave. The seed became a tree. Moses said his father became a part of that tree. He grew into the wood, into the bloom. And when a sparrow ate the tree's fruit, his father flew with the birds. He said... death was his father's road to awe. That's what he called it. The road to awe. Now, I've been trying to write the last chapter and I haven't been able to get that out of my head! Tom Verde: Why are you telling me this? Izzi: I'm not afraid anymore, Tommy.
Darren Aronofsky (The Fountain)
No, you love to confuse me and drive me crazy. You don't really love me. You don't know what love is." "Yeah, I think I do." His brows lowered, and he took a step toward her. "I have loved you my whole life, Delaney. I can't remember a day when I didn't love you. I loved you the day I practically knocked you out with a snowball. I loved you when I flattened the tires on your bike so I could walk you home. I loved you when I saw you hiding behind the sunglasses at the Value Rite, and I loved you when you loved that loser son of a bitch Tommy Markham. I never forgot the smell of your hair or the texture of your skin the night I laid you on the hood of my car at Angel Beach. So don't tell me I don't love you. Don't tell me--" His voice shook and he pointed a finger at her. "Just don't tell me that.
Rachel Gibson (Truly Madly Yours (Truly, Idaho, #1))
I open the door wide to reveal the answer. They all look at Sean standing there with his hands in his pocket and the other hand around loaf of bread and it occurs to me all in a rush as they stare at him that Sean looks a little, just a little, like he's courting. I don't have time to explain the truth of it before Tommy laughs and jumps to his feet. "Sean Kendrick, the devil. How are you?
Maggie Stiefvater (The Scorpio Races)
Secrets lie through omission just like shame lies through secrecy.
Tommy Orange (There There)
And there in the darkness of the hotel room, scarcely more than twenty-four hours before the maybe end of the world, the three of them managed to laugh together. It turned out that no amount of terror could stop the great human need to connect. Or maybe, Anita thought, terror was actually at the heart of that need. After all, every life ended in an apocalypse, in one way or another.
Tommy Wallach (We All Looked Up)
The best books, they don't talk about things you never thought about before. They talk about things you'd always thought about, but that you didn't think anyone else had thought about. You read them, and suddenly you're a little less alone in the world.
Tommy Wallach (We All Looked Up)
Tommy had felt alone in a crowd before, even inferior to everyone in a crowd, but now he felt, well, different. It wasn't just the clothes and the make up, it was the humanity. He wasn't part of it. Heightened senses or not, he felt like he had his nose pressed against the window, looking in. The problem was, it was the window of a donut shop.
Christopher Moore (You Suck (A Love Story, #2))
Red Rover, Red Rover, send Ardor right over," Eliza said. They laughed. The asteroid was a little bigger now, brighter, and still they went on laughing. Laughing in the face of what they couldn't predict or change or control. Would it be fire and brimstone? Would it be Armageddon? Or would it be a second chance? Eliza held tight to her friends, laughing, and a pair of hands land soft as feathers on her shoulders, like the hands of a ghost, laughing and laughing as Ardor swept along its fated course, laughing and through that laughter, praying. Praying for forgiveness. Praying for grace. Praying for mercy. 0
Tommy Wallach (We All Looked Up)
Time has us. It holds us in it's mouth like an owl holds a field mouse. We shiver, we struggle for release, and then it pecks out our eyes and intestines for sustenance and we die the death of field mice.
Tommy Orange (There There)
They said no man was an island, and Anita figured that was probably true. But women were; they had to be. And even if someone bothered to sail over and disembark, he'd soon discover that there was always a castle at the center of the island, surrounded by a deep moat, with a rickety drawbridge and archers manning the battlements and a big pot of oil posed above the gate, ready to boil alive anyone who dared to cross the threshold.
Tommy Wallach (We All Looked Up)
Listen, baby, it makes me happy you want to know, but learning about your heritage is a privilege. A privilege we don’t have. And anyway, anything you hear from me about your heritage does not make you more or less Indian. More or less a real Indian. Don’t ever let anyone tell you what being Indian means. Too many of us died to get just a little bit of us here, right now, right in this kitchen. You, me. Every part of our people that made it is precious. You’re Indian because you’re Indian because you’re Indian,
Tommy Orange (There There)
Her magic formula for dealing with children is ignoring all faults and accenting tiny virtues. She says, "Instead of telling Tommy day in and day out that he is the naughtiest boy in the United States of America, which could very well be true, take an aspirin and comment on his neatly tied shoes. Almost anybody would rather be known for expert shoe-tying than for kicking the cat." She always tells whiners how charming they are--bullies how brave--bad sports how good--sneaks how honest!
Betty MacDonald (Onions in the Stew (Betty MacDonald Memoirs, #4))
Ironically, it was the father's blessing that actually "financed" the prodigal son's trip away from the Father's face! and it was the son's new revelation of his poverty of heart that propelled him back into his Father's arms. Sometimes we use the very blessings that God gives us to finance our journey away from the centrality of Christ. It's very important that we return back to ground zero, to the ultimate eternal goal of abiding with the Father's in intimate communion. (pg. 243)
Tommy Tenney (The God Chasers: My Soul Follows Hard After Thee)
Just as we all like love tales because there is an instinct of sex, we all like astonishing tales because they touch the nerve of the ancient instinct of astonishment. This is proved by the fact that when we are very young children we do not need fairy tales: we only need tales. Mere life is interesting enough. A child of seven is excited by being told that Tommy opened a door and saw a dragon. But a child of three is excited by being told that Tommy opened a door. Boys like romantic tales; but babies like realistic tales -- because they find them romantic. In fact, a baby is about the only person, I should think, to whom a modern realistic novel could be read without boring him.
G.K. Chesterton
An Urban Indian belongs to the city, and cities belong to the earth. Everything here is formed in relation to every other living and nonliving thing from the earth. All our relations. The process that brings anything to its current form—chemical, synthetic, technological, or otherwise—doesn’t make the product not a product of the living earth. Buildings, freeways, cars—are these not of the earth? Were they shipped in from Mars, the moon? Is it because they’re processed, manufactured, or that we handle them? Are we so different? Were we at one time not something else entirely, Homo sapiens, single-celled organisms, space dust, unidentifiable pre-bang quantum theory? Cities form in the same way as galaxies.
Tommy Orange (There There)
For a while he'd tried molding himself into the tragic Romantic hero, brooding and staring clench-jawed off into space as he composed dark verse in his head. But it turned out that trying to appear tragic in Incontinence, Indiana, was redundant, and his mother kept shouting at him and making him forget his rhymes. "Tommy, if you keep grinding your teeth like that, they'll wear away and you'll have to have dentures like Aunt Ester." Tommy only wished his beard was as heavy as Aunt Ester's---then he could stare out over the moors while he stroked it pensively.
Christopher Moore (You Suck (A Love Story, #2))
THE ONE WHO STAYED You should have heard the old men cry, You should have heard the biddies When that sad stranger raised his flute And piped away the kiddies. Katy, Tommy, Meg and Bob Followed, skipped gaily, Red-haired Ruth, my brother Rob, And little crippled Bailey, John and Nils and Cousin Claire, Dancin', spinnin', turnin', 'Cross the hills to God knows where- They never came returnin'. 'Cross the hills to God knows where The piper pranced, a leadin' Each child in Hamlin Town but me, And I stayed home unheedin'. My papa says that I was blest For if that music found me, I'd be witch-cast like all the rest. This town grows old around me. I cannot say I did not hear That sound so haunting hollow- I heard, I heard, I heard it clear... I was afraid to follow.
Shel Silverstein (Where the Sidewalk Ends)
Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.” The words horrified Thomas. “Newt, maybe we can—” “Shut up! Just shut up! I trusted you! Now do it!” “I can’t.” “Do it!” “I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends? “Kill me or I’ll kill you. Kill me! Do it!” “Newt …” “Do it before I become one of them!” “I …” “KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.” With his heart falling into a black abyss, Thomas pulled the trigger.
James Dashner (The Death Cure (Maze Runner, #3))
You see, we were able to give you something, something which even now no one will ever take from you, and we were able to do that principally by sheltering you. Hailsham would not have been Hailsham if we hadn’t. Very well, sometimes that meant we kept things from you, lied to you. Yes, in many ways we fooled you, I suppose you could even call it that. But we sheltered you during those years, and we gave you your childhoods. Lucy was well-meaning enough. But if she’d have her way, your happiness at Hailsham would have been shattered. Look at you both now! I’m so proud to see you both. You built your lives on what we gave you. You wouldn’t be who you are today if we’d not protected you. You wouldn’t have become absorbed in your lessons, you wouldn’t have lost yourselves in your art and your writing. Why should you have done, knowing what lay in store for each of you? You would have told us it was all pointless, and how could we have argued with you? So she had to go.
Kazuo Ishiguro (Never Let Me Go)
With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt. He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...] He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences: Kill me. If you’ve ever been my friend, kill me. Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank. And Thomas had failed him. [...] “Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!” Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.” “Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.” The words horrified Thomas. “Newt, maybe we can—” “Shut up! Just shut up! I trusted you! Now do it!” “I can’t.” “Do it!” “I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends? “Kill me or I’ll kill you. Kill me! Do it!” “Newt …” “Do it before I become one of them!” “I …” “KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.” With his heart falling into a black abyss, Thomas pulled the trigger.
James Dashner (The Death Cure (The Maze Runner, #3))
His hand was a claw, sharp enough to open her. She would be like all the others—Ruta Badowski, in her broken dancing shoes. Tommy Duffy, still with the dirt of his last baseball game under his nails. Gabriel Johnson, taken on the best day of his life. Or even Mary White, holding out for a future that never arrived. She’d be like all those beautiful, shining boys marching off to war, rifles at their hips and promises on their lips to their best girls that they’d be home in time for Christmas, the excitement of the game showing in their bright faces. They’d come home men, heroes with adventures to tell about, how they’d walloped the enemy and put the world right side up again, funneled it into neat lines of yes and no. Black and white. Right and wrong. Here and there. Us and them. Instead, they had died tangled in barbed wire in Flanders, hollowed by influenza along the Western Front, blown apart in no-man’s-land, writhing in trenches with those smiles still in place, courtesy of the phosgene, chlorine, or mustard gas. Some had come home shell-shocked and blinking, hands shaking, mumbling to themselves, following orders in some private war still taking place in their minds. Or, like James, they’d simply vanished, relegated to history books no one bothered to read, medals put in cupboards kept closed. Just a bunch of chess pieces moved about by unseen hands in a universe bored with itself.
Libba Bray (The Diviners (The Diviners, #1))
Gustavo Tiberius speaking." “It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.” “It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.” “Oh boy, there’s the Grumpy Gus I know. You miss me?” Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.” “Really.” “Yes.” “Gus.” “Casey.” “I miss you.” “I miss you too,” Gus mumbled into the phone, blushing fiercely. “Yeah? How much?” Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.” “I know what you mean,” Casey said. “The guys were saying the same thing about me.” Gus smiled. “How embarrassing for you.” “Completely. You have no idea.” “They’re going to get you packed up this week?” “Ah, yeah. Sure. Something like that.” “Casey.” “Yes, Gustavo.” “You’re being cagey.” “I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.” Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?” There was a knock on the window to the Emporium. Gus looked up. Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen. Casey wiggled his eyebrows at Gus. “Hey, man.” “Hi,” Gus croaked. “Come over here, but stay on the phone, okay?” Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal. Gus went to the window, and Casey smiled that lazy smile. He said, “Hi.” Gus said, “Hi.” “So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?” “I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close. The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.” Gus didn’t even try to stop the eye roll. “Oh my god.” “Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.” “What did?” Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?” “Yeah?” “I’m going to ask you a question, okay?” Gustavo’s throat felt very dry. “Okay.” “What was the Oscar winner for Best Song in 1984?” Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to— And then he could barely breathe. Casey’s smile wobbled a little bit. “Okay?” Gus blinked the burn away. He nodded as best he could. And Casey said, “Yeah, man. I love you too.” Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
T.J. Klune (How to Be a Normal Person (How to Be, #1))