Tom Keen Quotes

I was playing Rasputin and what was motivating him was crumpet really, and I was extremely keen on crumpet so I was really rather good as Rasputin. And my next catastrophic failure was Macbeth, who I played in the style of a crumpet-lover, and then when Doctor Who came along, I embraced this lunacy, this cloud-cuckoo-land where people had to be convinced by absolute nonsense. I came from a very religious background, so it was easy for me to believe in something I knew nothing about.

Sir Henry fixed him with a keen eye. 'Odd name, Tom Skatt - eh?' 'Thats right' 'You don't think we could be related?' Tom looked up at his great-great-great-uncle and smiled. 'I don't think so' 'No,' grinned Sir Henry "no, of course not

Many moral advances have taken the form of a shift in sensibilities that made an action seem more ridiculous than sinful, such as dueling, bullfighting, and jingoistic war. And many effective social critics, such as Swift, Johnson, Voltaire, Twain, Oscar Wilde, Bertrand Russell, Tom Lehrer, and George Carlin have been smart-ass comedians rather than thundering prophets. What in our psychology allows the joke to be mightier than the sword? Humor works by confronting an audience with an incongruity, which may be resolved by switching to another frame of reference. And in that alternative frame of reference, the butt of the joke occupies a lowly or undignified status. ... Humor with a political or moral agenda can stealthily challenge a relational model that is second nature to an audience by forcing them to see that it leads to consequences that the rest of their minds recognize as absurd. ... According to the 18th-century writer Mary Wortley Montagu, 'Satire should, like a polished razor keen / Wound with touch that's scarcely felt or seen.' But satire is seldom polished that keenly, and the butts of a joke may be all too aware of the subversive power of humor. They may react with a rage that is stoked by the intentional insult to a sacred value, the deflation of their dignity, and a realization that laughter indicates common knowledge of both. The lethal riots in 2005 provoked by the editorial cartoons in the Danish newspaper Jyllands-Posten (for example, one showing Muhammad in heaven greeting newly arrived suicide bombers with 'Stop, we have run out of virgins!') show that when it comes to the deliberate undermining of a sacred relational model, humor is no laughing matter. (pp. 633-634)

And then there was the expansive garden that ran the length of the rear of the house- lush with color and fragrances that seemed to burst from every branch and bloom. Whoever had designed it possessed a keen eye for beauty, each plant chosen with obvious care and an affinity for nature. She'd even acquired a new cat from its depths, a stray orange tom she found wandering among the hydrangea bushes one morning. An offered dish of milk and he'd been her bosom beau ever since. She'd decided to call him Ranunculus because Buttercup was far too feminine a name for such a large and impressive male. She gazed at him now where he slept in the sunshine, basking like a small potentate in the heat of the day.

...[She] was not nearly so intrusive. If she happened to observe the comings and goings of her friends out of the corner of her eye (which she could hardly fail to do, given the nature of her favorite sitting-place) and chanced to be able to remember when she had seen them and where they had been going, it was simply a tribute to her keen powers of observation and recall. Conscious spying was beneath her altogether.

O, Topsy, poor child, I love you!" said Eva, with a sudden burst of feeling, and laying her little thin, white hand on Topsy's shoulder; "I love you, because you haven't had any father, or mother, or friends;—because you've been a poor, abused child! I love you, and I want you to be good. I am very unwell, Topsy, and I think I shan't live a great while; and it really grieves me, to have you be so naughty. I wish you would try to be good, for my sake;—it's only a little while I shall be with you." The round, keen eyes of the black child were overcast with tears;—large, bright drops rolled heavily down, one by one, and fell on the little white hand. Yes, in that moment, a ray of real belief, a ray of heavenly love, had penetrated the darkness of her heathen soul! She laid her head down between her knees, and wept and sobbed,—while the beautiful child, bending over her, looked like the picture of some bright angel stooping to reclaim a sinner.

Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,–that was out of the question,–she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little. "Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!" ...But Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggie–perhaps it was even more bitter–than what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.

In early 2014, the global economy’s top five companies’ gross cash holdings—those of Apple, Google, Microsoft, as well as the US telecom giant Verizon and the Korean electronics conglomerate Samsung—came to $387 billion, the equivalent of the 2013 GDP of the United Arab Emirates.78 This capital imbalance puts the fate of the world economy in the hands of the few cash hoarders like Apple and Google, whose profits are mostly kept offshore to avoid paying US tax. “Apple, Google and Facebook are latter-day scrooges,” worries the Financial Times columnist John Plender about a corporate miserliness that is undermining the growth of the world economy.79 “So what does it all mean?” Michael Moritz rhetorically asks about a data factory economy that is immensely profitable for a tiny handful of Silicon Valley companies. What does the personal revolution mean for everyone else, to those who aren’t part of what he calls the “extreme minority” inside the Silicon Valley bubble? “It means that life is very tough for almost everyone in America,” the chairman of Sequoia Capital, whom even Tom Perkins couldn’t accuse of being a progressive radical, says. “It means life is very tough if you’re poor. It means life is very tough if you’re middle class. It means you have to have the right education to go and work at Google or Apple.

John Adams was keenly aware of the relationship between secrecy and corruption in government and the preservation of liberty. Many of the Founding Fathers understood the importance of transparency in a nation’s rulers. James Madison wrote that “A popular government without popular information, or the means of acquiring it, is but a prologue to a Farce or a Tragedy, or perhaps both.” Thomas Jefferson said that “If we are to guard against ignorance and remain free, it is the responsibility of every American to be informed.” Judicial Watch has always believed that knowing the “characters and conduct” of the individuals who serve in the government and ensuring that the public is “informed” about what its government is doing is crucial to preserving our great republic. That is why for over twenty-two years we have been the most active user of the federal Freedom of Information Act (FOIA) to promote transparency, accountability, and integrity in government, politics, and the law. We are the nation’s largest and most effective government watchdog group that works to advance the public interest. Transparency is all about self-governance. If we don’t know what the government is doing, how is that self-governance? How is that even a republic? When we were founded in 1994, we used the FOIA open records law to root out corruption in the Clinton administration. During the Bush administration, we used it to combat that administration’s penchant for improper secrecy. But the Bush administration pales in comparison to the Obama administration. Today, our government is bigger than ever, and also the most secretive in recent memory.

Tom often met Winterborne for a quick lunch at one of the cook shops or chop houses between their respective offices. It was on one of these occasions that Winterborne revealed West Ravenel had just become engaged to marry Phoebe, Lady Clare, a young widow with two small sons, Justin and Stephen. “I suspected he would,” Tom said, pleased by the revelation. “I went to Jenner’s Club with him the night before last, and she was all he wanted to talk about.” “I heard about that,” Winterborne commented. “It seems you and Ravenel encountered a bit of trouble.” Tom rolled his eyes. “Lady Clare’s former suitor came to the table with a pistol in hand. It wasn’t nearly as interesting as it sounds. He was soon disarmed and hauled off by a night porter.” He leaned back in his seat as the barmaid set plates of chilled crab salad and celery in front of them. “But before that happened, Ravenel was rambling on about Lady Clare, and how he wasn’t good enough for her because of his disreputable past, and how he was worried about setting a bad example for her children.” Winterborne’s black eyes were keen with interest. “What did you say?” Tom shrugged. “The match is to his advantage, and what else matters? Lady Clare is wealthy, beautiful, and the daughter of a duke. As for her sons … no matter what example you set, children insist on turning out how they will.” Tom took a swallow of ale before continuing. “Scruples always complicate a decision unnecessarily. They’re like those extra body parts none of us need.” Winterborne paused in the act of lifting a forkful of dressed crab to his lips. “What extra body parts?” “Things like the appendix. Male nipples. The external ears.” “I need my ears.” “Only the inner parts. The outer ear structure is superfluous in humans.” Winterborne looked sardonic. “I need them to hold up my hat.” Tom grinned and shrugged, conceding the point. “In any case, Ravenel has managed to win the hand of a fine woman. Good for him.” They lifted their glasses and clinked them in a toast.

For Dylan, this electric assault threatened to suck the air out of everything else, only there was too much radio oxygen to suck. “Like a Rolling Stone” was the giant, all-consuming anthem of the new “generation gap” disguised as a dandy’s riddle, a dealer’s come-on. As a two-sided single, it dwarfed all comers, disarmed and rejuvenated listeners at each hearing, and created vast new imaginative spaces for groups to explore both sonically and conceptually. It came out just after Dylan’s final acoustic tour of Britain, where his lyrical profusion made him a bard, whose tabloid accolade took the form of political epithet: “anarchist.” As caught on film by D. A. Pennebaker’s documentary Don’t Look Back, the young folkie had already graduated to rock star in everything but instrumentation. “Satisfaction” held Dylan back at number two during its four-week July hold on Billboard’s summit, giving way to Herman’s Hermits’ “I’m Henry the Eighth, I Am” and Sonny and Cher’s “I Got You Babe” come August, novelty capstones to Dylan’s unending riddle. (In Britain, Dylan stalled at number four.) The ratio of classics to typical pop schlock, like Freddie and the Dreamers’ “I’m Telling You Now” or Tom Jones’s “It’s Not Unusual,” suddenly got inverted. For cosmic perspective, yesterday’s fireball, Elvis Presley, sang “Do the Clam.” Most critics have noted the Dylan influence on Lennon’s narratives. Less space gets devoted to Lennon’s effect on Dylan, which was overt: think of how Dylan rewires Chuck Berry (“Subterranean Homesick Blues”) or revels in inanity (“Rainy Day Women #12 & 35”). Even more telling, Lennon’s keening vocal harmonies in “Nowhere Man,” “And Your Bird Can Sing,” and “Dr. Robert” owed as much to the Byrds and the Beach Boys, high-production turf Dylan simply abjured. Lennon also had more stylistic stretch, both in his Beatle context and within his own sensibility, as in the pagan balalaikas in “Girl” or the deliberate amplifier feedback tripping “I Feel Fine.” Where Dylan skewed R&B to suit his psychological bent, Lennon pursued radical feats of integration wearing a hipster’s arty façade, the moptop teaching the quiet con. Building up toward Rubber Soul throughout 1965, Beatle gravity exerted subtle yet inexorable force in all directions.

The story of Cassius Clay’s lost bicycle would later be told as an indication of the boxer’s determination and the wonders of accidental encounters, but it carries broader meaning, too. If Cassius Clay had been a white boy, the theft of his bicycle and an introduction to Joe Martin might have led as easily to an interest in a career in law enforcement as boxing. But Cassius, who had already developed a keen understanding of America’s racial striation, knew that law enforcement wasn’t a promising option. This subject—what white America allowed and expected of black people—would intrigue him all his life. “At twelve years old I wanted to be a big celebrity,” he said years later. “I wanted to be world famous.” The interviewer pushed him: Why did he want to be famous? Upon reflection he answered from a more adult perspective: “So that I could rebel and be different from all the rest of them and show everyone behind me that you don’t have to Uncle Tom, you don’t have to kiss you-know-what to make it . . . I wanted to be free. I wanted to say what I wanna say . . . Go where I wanna go. Do what I wanna do.” For young Cassius, what mattered was that boxing was permitted, even encouraged, and that it gave him more or less equal status to the white boys who trained with him. Every day, on his way to the gym, Cassius passed a Cadillac dealership. Boxing wasn’t the only way for him to acquire one of those big, beautiful cars in the showroom window, but it might have seemed that way at the time. Boxing suggested a path to prosperity that did not require reading and writing. It came with the authorization of a white man in Joe Martin. It offered respect, visibility, power, and money. Boxing transcended race in ways that were highly unusual in the 1950s, when black Americans had limited control of their economic and political lives. Boxing more than most other sports allowed black athletes to compete on level ground with white athletes, to openly display their strength and even superiority, and to earn money on a relatively equal scale. As James Baldwin wrote in The Fire Next Time, many black people of Clay’s generation believed that getting an education and saving money would never be enough to earn respect. “One needed a handle, a lever, a means of inspiring fear,” Baldwin wrote. “It was absolutely clear the police would whip you and take you in as long as they could get away with it, and that everyone else—housewives, taxi

Front door looks like the only way in, Bish.” “Not keen for any Mission Impossible antics onto the roof?” Mirza gave him a look that summarized his low regard for Tom Cruise’s on-screen stunts. “Yeah, I thought so.

Aunt YA walked in, saw Kirabo, and wailed, 'Tom, you have not loved this child enough!’ and got down on her knees and keened. Uncle Ndiira disappeared. The women picked up Aunt YA’s lament like a tidal wave.

July 10, 1980 WASHINGTON, D.C. The stunning collapse of the Justice Department’s attempt to throw Tom Soobzokov out of the country attracted little notice outside New Jersey. But in Washington, Elizabeth Holtzman was livid. The Brooklyn congresswoman had been watching the long-playing drama surrounding Soobzokov with keen interest, and she was seething

Tom let out a grunt of surprise a moment later when Jon moved over to begin working his mouth over Tom’s cock. The first mate buried his shaking hands in Jon’s dark curls as Jon gagged trying to take all of Tom in. Jon swallowed and tried again, keenly wanting to reward Tom. He relaxed his throat, shifted his position, and lapped at the head of Tom’s cock before sliding it back into his throat. With Baltsaros thrusting into him from below and Jon gorging himself on his cock, Tom soon started breathing through clenched teeth with a low, rumbling moan that Jon knew meant he was close. Jon curled his fingers around the base of Tom’s cock and tightened his lips, spit running down the sides of the big man’s shaft and over Jon’s fingers. Suddenly Baltsaros let out a low growl, fucking Tom faster with his arms tight around the first mate’s chest, the muscles taut and twitching as his body rocked beneath him, caught in the feverish, frantic surge of orgasm. Then, with a strangled cry, Tom finally let himself cum, his bitter seed gushing over Jon’s tongue as his body shuddered and hands clutched at him before falling limp to his sides. Jon almost laughed with giddiness. With a grin he came forward to press kisses to Tom’s sweat-slick skin when the captain rolled the first mate gently to his side and began murmuring soft praises. “Good boy.

A businesswoman must always be cognizant of her appearance when dealing with customers. A tidy appearance gives the impression of capability and competence. Your muscles and height might be enough to recommend your abilities to tote and carry heavy crates and supplies, but for money to change hands, customers need to be assured that they are dealing with a professional.” Tori folded her hands in her lap, proud of her little speech until she realized she’d basically insulted her business partner, implying that all he was good for was hauling heavy objects, as if he were no better than the draft horses pulling their wagon. She knew for a fact the man had a keen mind. Why, this entire venture was his idea. Her posture sagged a bit as she turned in the seat to face him. “I didn’t mean that the way it sounded. I . . . ” He glanced her way, a cocky half grin making her belly tighten. “Like my muscles, do you?” He waggled his eyebrows. “Too bad we didn’t bring along a few sacks of flour on this run. I can carry two at a time. ’Course, if someone loads me up, I can do twice that many. Two on each shoulder.” Good heavens! That was nearly four-hundred pounds. Not that she doubted his word. All one had to do was look at him. His coat barely contained the width of his . . . He flexed just as her attention drifted to his biceps, stretching the already strained material even tighter around the impressive bulge of muscle. Tori jerked her gaze away, hating that he’d caught her looking. For pity’s sake. She didn’t even like big men. They were too powerful. Dangerous. Yet Mr. Porter looked far from dangerous when he wiggled his eyebrows in that ridiculously overblown fashion and puffed up like a tom turkey showing off his feathers. Well, this hen wasn’t impressed with a bunch of fluff and gobble.

But a cursory review of ancient Egyptian literature suggests that the Egyptians of three thousand years ago were already keenly aware of the insubstantial nature of human achievement. These monuments, these tombs, these mummies were not necessarily meant to escape the passage of time but rather to provide future generations with a past they could find, a past whose shadow would loom over them and offer them guidance. As archaeologists continue to study ancient Egypt thousands of years later, the pharaohs continue to guide posterity and provide humanity with permanent symbols of history, in more impressive and far-reaching ways than even they could have planned.

Even with all of this plot to be dispensed, the songs do rise organically out of the script. Doris’s first entrance, in head-to-toe buckskin, finds her astride a stagecoach, belting out the very catchy Sammy Fain/Paul Francis Webster song “The Deadwood Stage (Whip Crack Away).” The rollicking tune and exuberant Day vocal match the physical staging of the song, and character is revealed. Similarly, later in the film there is a lovely quiet moment when Calamity, Bill, the lieutenant, and Katie all ride together in a wagon (with Calamity driving, naturally) to the regiment dance, softly singing the lilting “Black Hills of Dakota.” These are such first-rate musical moments that one is bound to ask, “So what’s the problem?” The answer lies in Day’s performance itself. Although Calamity Jane represents one of Day’s most fondly remembered performances, it is all too much by half. Using a low, gravelly voice and overly exuberant gestures, Day, her body perpetually bent forward, gives a performance like Ethel Merman on film: She is performing to the nonexistent second balcony. This is very strange, because Day is a singer par excellence who understood from her very first film, at least in terms of ballads, that less is more on film. Her understated gestures and keen reading of lyrics made every ballad resonate with audiences, beginning with “It’s Magic” in Romance on the High Seas. Yet here she is, fourteen films later, eyes endlessly whirling, gesturing wildly, and spending most of her time yelling both at Wild Bill Hickok and at the citizens of Deadwood City. As The New York Times review of the film held, in what was admittedly a minority opinion, “As for Miss Day’s performance, it is tempestuous to the point of becoming just a bit frightening—a bit terrifying—at times…. David Butler, who directed, has wound her up tight and let her go. She does everything but hit the ceiling in lashing all over the screen.” She is butch in a very cartoonlike manner, although as always, the tomboyish Day never loses her essential femininity (the fact that her manicured nails are always evident helps…). Her clothing and speech mannerisms may be masculine, but Day herself never is; it is one of the key reasons why audiences embraced her straightforward assertive personality. In the words of John Updike, “There’s a kind of crisp androgynous something that is nice—she has backbone and spunk that I think give her a kind of stiffness in the mind.

You screamed and cursed like a woman possessed. Now you think he’s the greatest thing under the sun.” “Point taken. I just know it’s not going to be easy obeying the rules of a new kid on the block. Que sera, sera. Anyway, I’ve come to the conclusion that there’s no use worrying about things beyond my control.” The chief proved how well he knew her and asked, “Are you and Tom having problems?” He reached across the desk and placed a hand over hers. Tears of frustration sprang to her eyes. Without looking up she replied, “Sorry, sir. Slip of the tongue. Ignore me. That package probably affected me more than I realised.” He gripped her hand tightly. “Look at me, Lorne.” She obeyed him. “If you want to talk any time, you know where I am.” Easing her hand from under his, she said, “I’ll remember that, the next time we have an argument and I’m contemplating my life’s journey at three o’clock in the morning.” “Ah, don’t think the wife would be too keen on that idea, do you?” They both smiled, and Lorne stood up to leave the room. “I meant what I said, Lorne. Don’t ever forget it.” She nodded and left his office. As she headed down the corridor towards the conference room, she took a few deep breaths to help push down her bubbling emotions. Chapter 26 “What have we got?” Lorne asked, walking into the incident room. “At 4:32 AM, a suspect delivered the package. Take a look.” Pete nodded at Tracy, and she started the video. A shudder ran up Lorne’s spine as she watched a man, dressed from head to toe in black, deposit the box on the top step of the station. He arrogantly stopped to wave at the camera, obviously knowing his every movement was being taped. His hooded sweatshirt obscured his face; it was impossible to make out his features as he mocked the camera. “Is there any way we can find out how tall he is? It would be a start.” “I’ll line a few of the guys up—varying heights, of course. See what we can come up with. I’ll get on it straightaway,” Pete said. Lorne and Tracy checked the video, frame by frame, for clues. Nothing—no rings, no glimpses of tattoos. Nothing. Mitch burst into the room and threw himself into one of the vacant chairs. He placed a list on the table and slid it across to Lorne. “Fifteen perverts in and around the Chelling Forest area.” “By ‘perverts’, I take it you mean registered sex offenders, Mitch?” she asked, studying the list. “Actually, what I meant to say was, there are fifteen names on the list—thirteen sex offenders and two registered paedophiles.

Robbie was always keen to remind us that we weren’t there to cure cancer. We weren’t saving the world. We were simply making a film.

Robbie was always keen to remind us that we weren't there to cure cancer. We weren't saving the world. We were simply making a film. We should remember that, not get too big for our boots and try to have a laugh along the way. He had a good dose of Hagrid in him: the big friendly giant who never lose sight of what was important in life.

In two years of research the best example of self-disruption I can find is Netflix. Netflix’s transition to streaming from DVD rental by mail was not nearly as smooth as many would like to remember it, but in hindsight it appears genius. Netflix was founded in 1997 as a DVD mail service and pretty rapidly rose to take huge market share from local video stores who could not compete with its vast range of titles. People soon appreciated the appeal of no late fees, the ability to have several movies out at the same time, as well as its unlimited consumption tariff. Always keen to keep abreast of the latest technology, in 2007 Netflix spent about $40 million to build data centres and to cover the cost of licensing for the initial streaming titles (Rodriguez, 2017). When internet speeds allowed, it introduced streaming as an additional service for its existing subscribers. Monthly fees remained the same, but those with more expensive tariffs were given access to more hours of streamed content. While it added something for free, it also helped give people a reason to upgrade to more expensive plans. Growth was impressive, the video libraries of streamed content rose, the share price rose impressively from $3 in 2007 to over $42 in 2011, and life was good. In September 2011 Netflix made a very bold move. It created two tariffs, and moved all its US subscribers onto two separate plans: the original DVD-by-mail service was to be called Qwikster; the other was a streaming service for a lower monthly fee. The market was shocked, and by December the stock price was below $10 and the company was in pieces. The company rapidly lost higher revenue DVD subscribers and within nine months profits were down by 50 per cent (Steel, 2015). And yet slowly things changed. First, the lower prices suddenly appealed to a much wider market, bringing in far more paying customers, allowing Netflix to buy more content and to slowly raise prices. Then Netflix started making its own original content, clearing out global streaming rights, and then at a flick of a switch it was able to expand globally. If Netflix had not disrupted itself it would be a very different company. It would rely on a massive physical distortion system, with very high costs. It would probably have lost out massively to YouTube and would have withered away as a mail-order DVD supplier. Instead, Netflix’s share price is now nearly $200, five times more than it was when it bravely self-disrupted, it operates in 190 countries, makes nearly $9 billion in revenue from over 110 million customers (Feldman, 2017). Today DVDs represent only 4 per cent of Netflix’s users. It seems that in 2011, when Wall Street was demanding the resignation of Reed Hastings for reinventing the business, they were wrong. From this you can see the pressure this approach places on leaderships, the confidence you need to have, the degree to which this antagonizes the market and everyone around you. This move takes balls. The confidence, conviction, and aggression, to change before you have to create your own future, is remarkable.

Kemper astutely explains how the highly integrated music industry created, developed, and eventually abandoned the Monkees." -- Library Journal "A keenly incisive---and, at times, refreshingly objective and even-handed---analysis of the entertainment machinery of the era, and the manner in which radio, television, and other areas worked together to manufacture The Monkees seemingly out of thin air." -- Musoscribe "I spent the entire summer of 1987 on the road opening up for The Monkees, and I didn't learn 1% as much about them as I learned from this thorough and remarkable book by Tom Kemper." -- "Weird Al" Yankovic "The Monkees gets into the vast machinery that goes on behind the scenes of producing perfect pop - still relevant today even if the names and corporations have changed - and does it with a lot of fun." -- Chris Shiflett, Foo Fighters "Kemper's book clarifies so much that is misunderstood in the Monkees story." -- Susanna Hoffs, The Bangles "A knowledgeable and incisive portrait of the popular music industry." -- Paul Hirsch, Northwestern University "Fascinating and witty . . .The book is full of interesting insights . . . [and] Kemper is impressive in unpacking particular songs . . . a fresh and engaging take on an oft-told story." ― Shindig! " Valuable, interesting, well-argued, and built on a pile of documented evidence. " - Psychobabble "Belittled at the time of their creation in the mid-Sixties, as made-for-TV Help-era Beatles clones, The Monkees' music has stood the test of time, and then some. Tom Kemper suggests, in his excellent book, that the initial snobbery surrounding the group, at least in elevated critical circles, came about because of the rise of a new rock culture based on authenticity, individual expression and idealism." - Pick of the Week, Choice "Kemper helps us understand what it is that continues to make the Monkees phenomenon 'compelling, fascinating and divisive." - The Spectator

Robbie was always keen to remind us that we weren’t there to cure cancer. We weren’t saving the world. We were simply making a film. We should remember that, not get too big for our boots and try to have a laugh along the way. He had a good dose of Hagrid in him: the big friendly giant who never lost sight of what was important in life.

Neither of them spoke much on the way back to the station, and Morgan was desperate to change out of her soiled uniform. As if reading her mind, Ben parked up, saying, ‘You can go get changed, shower then come up to the office.’ ‘I’d better go and speak to my sergeant, tell him where I’m going. They might be short on patrol if I come up now.’ ‘You sort yourself out, and I’ll speak to Mads. He won’t mind; the DCI requested we ask you as soon as possible.’ That wasn’t strictly true, he knew. He’d requested Ben find someone ASAP. He hadn’t specifically requested Morgan, but she didn’t need to know that. She went in the direction of the women’s locker room, and he headed to the patrol sergeant’s office. Knocking on the door, he walked in without waiting to be asked. ‘Mads.’ ‘Ben, how’s it going? Is Morgan with you, is she coping okay? It’s a bit much for your first independent patrols.’ ‘She’s fine; at least she seems it. Look, I need some help. We’re desperately short-staffed and Tom said to find someone today. I’ve asked her and she’s happy to come up and do a three-month attachment. It will be a massive help.’ ‘What? It’s her second day. Don’t you want someone slightly more experienced and who’s willing to take on the extra caseload? Dan has been wanting to come up for months. He’d be more than happy to.’ Ben shut the door and lowered his voice. ‘Dan’s difficult; I can’t work with him. Not at the moment. This is the biggest murder case I’ve ever worked on, and I need to be focused. I can’t afford to spend all day wasting my effort trying to keep him in line. Morgan’s keen and has been on the case from the moment it was called in. I think she’ll be okay.’ ‘I think she won’t, she’s inexperienced.’ ‘Yes, but she’s confident and I have faith in her. Don’t forget, you owe me one.

All the much-boasted ‘freedom’ and ‘rights’ that some in Corinth were so keen on must give way before the needs of the work of the gospel. This will mean that many things the body wants to do, has a right (in theory) to do, and is ‘free’ to do, must be denied. This message, we may well imagine, was about as popular in Corinth as it is today, that is, not popular at all. Western culture still tells its own story as the story of developing freedoms, and any attempt to speak of discipline, self-denial or the necessary abandonment of ‘rights’ is shouted down as a return to ‘the dark ages’ or ‘the Middle Ages’ (not that those doing the shouting often have much idea what those periods of history were actually like).

I know you are called Daniel now, and I shall call you that from now on, but Tom was the name I gave you when you were born. I am writing to say that I would be very happy to meet you. If you are still keen, I suggest we do so at the house of Marjory Best, the lady who took me in when I was pregnant with you and who’s happy to host our meeting. She lives in Kent, about eight miles from Canterbury, and her nearest station is Faversham. I don’t know where you live, but I hope this isn’t too inconvenient for you. I thought it would be better to meet there than in a noisy public place.

I used to have a cat, an old fighting tom, who sprang through the open window by my bed and pummeled my chest, barely sheathing his claws. I’ve been bloodied and mauled, wrung, dazzled, drawn. I taste salt on my lips in the early morning; I surprise my eyes in the mirror and they are ashes, or fiery sprouts, and I gape appalled or full of breath. The planet whirls along and dreaming. Power broods, spins, and lurches down. The planet and the power meet with a shock. They fuse and tumble, lightning, ground fire; they part, mute, submitting, and touch again with hiss and cry. The tree with the lights in it buzzes into flame and the cast-rock mountains ring. Emerson saw it. “I dreamed that I floated at will in the great Ether, and I saw this world floating also not far off, but diminished to the size of an apple. Then an angel took it in his hand and brought it to me and said, ‘This must thou eat.’ And I ate the world.” All of it. All of it intricate, speckled, gnawed, fringed, and free. Israel’s priests offered the wave breast and the heave shoulder together, freely, in full knowledge, for thanksgiving. They waved, they heaved, and neither gesture was whole without the other, and both meant a wide-eyed and keen-eyed thanks. Go your way, eat the fat, and drink the sweet, said the bell. A sixteenth-century alchemist wrote of the philosopher’s stone, “One finds it in the open country, in the village and in the town. It is in everything which God created. Maids throw it on the street. Children play with it.” The giant water bug ate the world. And like Billy Bray, I go my way, and my left foot says “Glory,” and my right foot says “Amen”: in and out of Shadow Creek, upstream and down, exultant, in a daze, dancing, to the twin silver trumpets of praise.

I know, Proph.” Tom smiled, then turned toward the equipment. He picked up an alcohol pad, but before he swiped it on Prophet’s nipple, he bent, sucked the nipple hard into his mouth, making Prophet give a keening cry. He abused the fucking thing, twisted it until it was hard and angry, and then he wiped it down and reached for forceps. It was only when he pulled Prophet’s nipple out taut that he said, “I trained to do this.” Prophet looked up at him. “I trust you, Tommy.” Tom smiled. Then he picked up the needle and pushed it fast through Prophet’s nipple, and holy mother of fuck, the line between pain and pleasure completely blurred as he saw the long, thin metal pole impaling his nipple. Tom threaded the ring onto the needle and pulled it through the hole, which caused a whole other set of motherfucking pain that made him curse. Loudly. Tom glanced up at him, looking like he was holding back a laugh—the asshole—and then he released the forceps and set about closing the ring, which seemed like it took forever. Prophet

Those who are without children, and without even the hope of having any, feel all too keenly what it is to be excluded from this great universe of human meaning. They feel themselves as outsiders to society and even to humanity, standing in the cold, condemned for ever to experience the warmth and fulfilment of family life at best through stolen moments with other people’s children, if at all. It may be that they rarely come nearer the real thing than seeing the idealised families of the TV commercials and sitcoms: their pain will be all the greater because they cannot see that real parenthood often has its agonies and disappointments too. The fact that their view of what they are missing may be unrealistic is neither here nor there. It is their feelings that concern us for the moment, their pain at being left out, sidelined, on the margins of life.

some of the senior players said that they were keen on Tom Moody, the Australian all-rounder who had been a part of the World Cup-winning teams of 1987 and 1999. However, Sourav was keener on Greg Chappell, from whom he had sought technical advice prior to India’s tour of Australia in 2003–04 and had even trained with him for a few days.