Tom Horn Quotes

I know you adore Father, but he isn't the white knight you imagine him to be. He never was. True, he's charming and loving in his way. But he's selfish. He's a limited man determined to bring about his own end-" "But-" Tom grabs both my hands in his and gives them a small squeeze. "Gemma, you can't save him. Why can't you accept that?" I see my reflection on the surface of the Thames. My face is a watery outline, all blurred edges with nothing settled. "Because if I let go of that" - I swallow hard, once, twice - "then I have to accept that I am alone." The ship's horn howls again as it slips out toward sea. Tom's reflection appears beside mine, just as uncertain. "We're every one of us alone in this world, Gemma." He doesn't say it bitterly. "But you have company, if you want.

A mask has but one expression, frozen and eternal, yet it is always and ever the essential expression, and to hide one’s telltale flesh behind the external skeleton of the mask is to display the universal identity of the inner being in place of the outer identity that is transitory and corrupt. The freedom of the masked is not the vulgar political freedom of the successful revolutionary, but the magical freedom of the Divine, beyond politics and beyond success. A mask, any mask, whether horned like a beast or feathered like an angel, is the face of immortality. Meet me in Cognito, baby. In Cognito, we’ll have nothing to hide.

The Internet is to news," he said, "what car horns are to music.

When you have two notes from two different performances Auto-Tuned, it sounds like a car horn. And then you add harmonies, and it starts to sound like baby seals honking." - Tom Lord-Alge on Auto-Tune

He also starred in The Blob, The Magnificent Seven, The Great Escape, Love with a Proper Stranger, Nevada Smith, and The Sand Pebbles, for which he received an Academy Award nomination for Best Actor. Other features include, Le Mans, The Getaway, Towering Inferno, The Reivers, Tom Horn, The

If I learned one thing that day, it was that Peter Bartholomew, Arnulf, even Saint John the Divine had all been wrong. The world did not have to end with ten-horned beasts and dragons, angels and fantastical monsters. The prophets who foretold those things had succumbed to the extravagance of their imaginations, and it had played them false. Nothing on earth could be so terrible as men.

America’s recent decline isn’t an accident. It’s decline by design. For more than a century, liberal Democrats have plotted to sabotage American power. These Democrats believe a strong and confident America brings war, arrogance, and oppression—not safety, freedom, and prosperity. They want America to pull in its horns and apologize for its sins. I don’t assert these liberals are necessarily un-American or hate our country—though plenty are and do—but they genuinely believe American power is dangerous for both America and the world.

No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly.  No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are!  No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles’s Wain like a locomotive engine-driver.  No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs.   To

They’ll have Donald Duck and Goofy and the gang on the wallpaper ready for the first arrival in the nursery, the boy who would be conker champion, and the signed baseball bat and mitt, and his granddad’s fighter plane suspended from the ceiling. And he’ll coach him in baseball, and Phineas in cricket, and Owain will teach him to fish, and later shoot. Phineas would be one godparent, he’d decided, and Annie and Owain, and Jasmine, and the Commander and Priny, and Miss Wyndham and John Beecher, and Tom Parr, there’ll be plenty to go round, enough new trees over the years. And they’ll grow up, their brood, like Jasmine’s and the Owens’, and there’ll be all the Hall and the grounds to chase each other round in, and the river to explore, and picnics on it, and trips to its hidden places, and all that English countryside, and the half that was in Wales, to play in. Humphrey clamped his cigar in his mouth, and scattered sheep feeding by a field gate with a couple more blasts on the horn, singing his way down Batch Valley.

crawfish. Nine guests were already gathered around, squeezing the highly seasoned meat out of the tails, sucking the juice out of the rest of the carcass and then going immediately for another, washing them down with beer and also eating the potatoes and corn on the cob that had been boiled along with the crawfish. It was one of the most ingrained communal rituals in New Orleans, everyone eating from the same horn of plenty, facing one another and talking, talking, talking as they ate, about music they had seen, city politics, the Saints game, which was still going inside, making jokes, making plans, making good-natured trouble.

Upon patterned cushions that might have been honked, zig by zag, out of Ornette Coleman’s horn, the odalisque exposed her flesh to a society that had grown frightened again of flesh.

demimonde.

opening. In a derisive tone, I (Tom) said to my wife, “Can you believe the lack of intelligence of some people?” I strolled casually into the store, snatched a book from the shelf, and began offering sarcastic

also appears that demons can work together over groups of people as a hive mind in concert with a principality that governs that region or nation. This hive mind produces an energy called egregores that can take on a life of its own within its directed movement. Dr. Tom Horn comments on this energy the hive mind can create:

But Tom,” readers might be thinking, “are you suggesting that Wormwood is actually a volcano instead of the falling star that Revelation describes?

As the Iberian explorers made their way down the African coast—the Portuguese going around the Horn to East Asia, the Spaniards cutting west to the Americas—both powers had two main goals in mind: finding precious metals and planting sugarcane. (Oh, and spreading the word of God.) The

What can you tell me about this ship?” “She’s one hundred fifteen feet in length, with a beam of twenty-eight, and a depth of sixteen—” “I meant, more generally, what can you tell me about the ship?” “We were a whaler, came sailing around Cape Horn, where we put in at Paita in Peru. The captain received an urgent letter from the American consulate there, enjoining him to pick up passengers and cargo at Panama and bring them to San Francisco. We sold off or unloaded all our stores right there, and converted the ship as well as we might en route to Panama. Once we got here, the captain decided to run the ship aground at high tide. . . .” Again, not exactly what I need to know. “Maybe it would just be better to take us on a tour.” “I can do that,” he says. “Olive! Andrew!” calls out Becky. “Gather around. We’re going to take a tour of the ship.” Our group, which had been wandering and inspecting independently, converges at the center of the deck. Melancthon points to the front of the ship. “That’s the foaksul . . .” “Pardon me, the what?” asks Tom. “Could you spell that please?” “F-O-R-E-C-A-S-T-L-E.” “Ah,” says Tom, as if this makes perfect sense. “Forecastle?” I ask. “That’s what I said!” Melancthon points in the other direction. “And that’s the quarter deck, and there in the rear, that’s the poop deck.” Olive turns to her mother. “Ma, did he just say poop deck?” “I’m certain you misheard,” Becky says. “It’s from la poupe, the French word for the stern of the ship,” Henry explains. “Which, in turn, is derived from the Latin word puppis.” “La poop, la poop, la poop,” Andrew says. His mother turns scarlet. This is all going terribly off track. “Maybe I can just tell you what I want, and you can tell me if it can be done, and, if so, how fast you can do it.” “Yes, ma’am,” Melancthon says.

They're kidding themselves, of course. Our sky can go from lapis to tin in the blink of an eye. Blink again and your latte's diluted. And that's just fine with me. I thrive here on the certainty that no matter how parched my glands, how anhydrous the creek beds, how withered the weeds in the lawn, it's only a matter of time before the rains come home. The rains will steal down from the Sasquatch slopes. They will rise with the geese from the marshes and sloughs. Rain will fall in sweeps, it will fall in drones, it will fall in cascades of cheap Zen jewelry. And it will rain a fever. And it will rain a sacrifice. And it will rain sorceries and saturnine eyes of the totem. Rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy. Rain will dramatize the countryside, sewing pearls into every web, winding silk around every stump, redrawing the horizon line with a badly frayed brush dipped in tea and quicksilver. And it will rain an omen. And it will rain a trance. And it will rain a seizure. And it will rain dangers and pale eggs of the beast. Rain will pour for days unceasing. Flooding will occur. Wells will fill with drowned ants, basements with fossils. Mossy-haired lunatics will roam the dripping peninsulas. Moisture will gleam on the beak of the Raven. Ancient shamans, rained from their rest in dead tree trunks, will clack their clamshell teeth in the submerged doorways of video parlors. Rivers will swell, sloughs will ferment. Vapors will billow from the troll-infested ditches, challenging windshield wipers, disgusing intentions and golden arches. Water will stream off eaves and umbrellas. It will take on the colors of beer signs and headlamps. It will glisten on the claws of nighttime animals. And it will rain a screaming. And it will rain a rawness. And it will rain a disorder, and hair-raising hisses from the oldest snake in the world. Rain will hiss on the freeways. It will hiss around the prows of fishing boats. It will hiss in the electrical substations, on the tips of lit cigarettes, and in the trash fires of the dispossessed. Legends will wash from desecrated burial grounds, graffiti will run down alley walls. Rain will eat the old warpaths, spill the huckleberries, cause toadstools to rise like loaves. It will make poets drunk and winos sober, and polish the horns of the slugs. And it will rain a miracle. And it will rain a comfort. And it will rain a sense of salvation from the philistinic graspings of the world. Yes, I am here for the weather. And when I am lowered at last into a pit of marvelous mud, a pillow of fern and skunk cabbage beneath my skull, I want my epitaph to read, IT RAINED ON HIS PARADE, AND HE WAS GLAD!

the modern world’s cultural wallpaper. Of course, a good deal of what we think we know is just plain wrong, starting with those horned helmets, completely impractical in any kind of close combat. But more important than what’s wrong is what’s missing. There’s a question that has to be asked. How did the Vikings get away with it for so long? Or, putting it another way, what gave them their edge? An edge they maintained for almost three centuries, during which they became the scourge of Europe, from Ireland to Ukraine, from Hamburg to Gibraltar, and beyond in both directions. [from Laughing Shall I Die by Tom Shippey]

...and CUES THE FINAL NOTE. The whole band roars it out, horns hitting their highest C’s, and Andrew rolling around his drum set like a madman, cymbals and snare and toms and the entire apparatus about to burst, as WE DIVE IN CLOSE TO HIM, his instrument, his sticks, his face, all sweat and eyes about to pop, the next Buddy Rich, the next Charlie Parker-- Fletcher’s only Charlie Parker -- decking the stage with a climactic crash of cymbals right as, on that very last hit of hits, we- SMASH CUT TO BLACK.