Token Of My Love Quotes

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My child, I know you're not a child But I still see you running wild Between those flowering trees. Your sparkling dreams, your silver laugh Your wishes to the stars above Are just my memories. And in your eyes the ocean And in your eyes the sea The waters frozen over With your longing to be free. Yesterday you'd awoken To a world incredibly old. This is the age you are broken Or turned into gold. You had to kill this child, I know. To break the arrows and the bow To shed your skin and change. The trees are flowering no more There's blood upon the tiles floor This place is dark and strange. I see you standing in the storm Holding the curse of youth Each of you with your story Each of you with your truth. Some words will never be spoken Some stories will never be told. This is the age you are broken Or turned into gold. I didn't say the world was good. I hoped by now you understood Why I could never lie. I didn't promise you a thing. Don't ask my wintervoice for spring Just spread your wings and fly. Though in the hidden garden Down by the green green lane The plant of love grows next to The tree of hate and pain. So take my tears as a token. They'll keep you warm in the cold. This is the age you are broken Or turned into gold. You've lived too long among us To leave without a trace You've lived too short to understand A thing about this place. Some of you just sit there smoking And some are already sold. This is the age you are broken Or turned into gold. This is the age you are broken or turned into gold.
Antonia Michaelis (The Storyteller)
Being exceptional isn’t revolutionary, it’s lonely. It separates you from your community. Who are you, really, without community? I have been held up consistently as a token, as the “right” kind of trans woman (educated, able-bodied, attractive, articulate, heteronormative). It promotes the delusion that because I “made it,” that level of success is easily accessible to all young trans women. Let’s be clear: It is not.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love & So Much More)
How impoverished my internal life had become, the scrabbling for a token of love from somebody who didn’t want to offer it.
Megan Nolan (Acts of Desperation)
If thou art indeed my father, then hast thou stained thy sword in the life-blood of thy son. And thous didst it of thine obstinacy. For I sought to turn thee unto love, and I implored of thee thy name, for I thought to behold in thee the tokens recounted of my mother. But I appealed unto thy heart in vain, and now is the time gone for meeting.
Khaled Hosseini (The Kite Runner)
Dear Son, I would call you by name, but I’m waiting for your mother to decide. I only hope she is joking when she calls you Albert Dalbert. For weeks now I have watched your mother zealously gather her tokens for this box. She’s so afraid of you not knowing anything about her, and it bothers me greatly that you’ll never know her strength firsthand. I’m sure by the time you read this, you’ll know everything I do about her. But you’ll never know her for yourself and that pains me most of all. I wish you could see the look on her face whenever she talks to you. The sadness she tries so hard to hide. Every time I see it, it cuts through me. She love you so much. You’re all she talks about. I have so many orders from her for you. I’m not allowed to make you crazy the way I do your Uncle Chris. I’m not allowed to call the doctors every time you sneeze and you are to be allowed to tussle with your friends without me having a conniption that someone might bruise you. Nor am I to bully you about getting married or having kids. Ever. Most of all, you are allowed to pick your own car at sixteen. I’m not supposed to put you in a tank. We’ll see about that one. I refuse to promise her this last item until I know more about you. Not to mention, I’ve seen how other people drive on the roads. So if you have a tank, sorry. There’s only so much changing man my age can do. I don’t know what our futures will hold. I only hope that when all is said and done, you are more like your mother than you are like me. She’s a good woman. A kind woman. Full of love and compassion even though her life has been hard and full of grief. She bears her scars with a grace, dignity, and humor that I lack. Most of all, she has courage the likes of which I haven’t witnessed in centuries. I hope with every part of me that you inherit all her best traits and none of my bad ones. I don’t really know what more to say. I just thought you should have something of me in here too. Love, Your father (Wulf)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
The Call Out of the nothingness of sleep, The slow dreams of Eternity, There was a thunder on the deep: I came, because you called to me. I broke the Night's primeval bars, I dared the old abysmal curse, And flashed through ranks of frightened stars Suddenly on the universe! The eternal silences were broken; Hell became Heaven as I passed. -- What shall I give you as a token, A sign that we have met, at last? I'll break and forge the stars anew, Shatter the heavens with a song; Immortal in my love for you, Because I love you, very strong. Your mouth shall mock the old and wise, Your laugh shall fill the world with flame, I'll write upon the shrinking skies The scarlet splendour of your name, Till Heaven cracks, and Hell thereunder Dies in her ultimate mad fire, And darkness falls, with scornful thunder, On dreams of men and men's desire. Then only in the empty spaces, Death, walking very silently, Shall fear the glory of our faces Through all the dark infinity. So, clothed about with perfect love, The eternal end shall find us one, Alone above the Night, above The dust of the dead gods, alone.
Rupert Brooke
This is not just a token of my love, but my vow to always be your man. I’ll protect you, take care of you, and devote my life to making you happy. Saylor Samson, will you do me the honor of being my ol’ lady and wearing my patch?” She
Kim Jones (Sinner's Creed (Sinner's Creed MC, #1))
I am glad I have found this napkin. This was her first remembrance from the Moor, My wayward husband hath a hundred times Wooed me to steal it, but she so loves the token— For he conjured her she should ever keep it— That she reserves it evermore about her To kiss and talk to. I’ll ha’ the work ta’en out, And give’t Iago. What he will do with it, Heaven knows, not I. I nothing, but to please his fantasy.
William Shakespeare (Othello)
I turned my face to the side and stared out my window. I was filled not only with misery about what he was saying, and his awareness of it, but also with shame at how squalidly I was wasting my short life. I was sitting in a car with someone who loved me more than life itself, and yet all I could think about was Ciaran. How impoverished my internal life had become, the scrabbling for a token of love from somebody who didn’t want to offer it.
Megan Nolan (Acts of Desperation)
We can’t just stand here in the rain with our backs to the town,’ said Baucis. ‘I’ll look if you will.’ ‘I love you Philemon, my husband.’ ‘I love you Baucis, my wife.’ They turned and looked down. They were just in time to see the great flood inundating Eumeneia before Philemon was turned into an oak tree and Baucis into a linden. For hundreds of years the two trees stood side by side, symbols of eternal love and humble kindness, their intertwining branches hung with the tokens left by admiring pilgrims.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Here have lived for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths have left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing have left this." -Viginia Woolf
Virginia Woolf
When I ask you to be my valentine, I’m not asking you to love me. I’m simply asking you to accept tokens of my love for you.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Say to my friends, when they look upon me, dead, Weeping for me and mourning me in sorrow, ‘Do not believe that this corpse you see is myself, In the name of God, I tell you, it is not I, I am a spirit, and this is naught but flesh, It was my abode and my garment for a time. I am a treasure, by a talisman kept hid, Fashioned of dust, which served me as a shrine, I am a pearl, which has left it’s shell deserted, I am a bird, and this body was my cage, Whence I have now flown forth and it is left as a token, Praise to God, who hath now set me free, And prepared for me my place in the highest of the Heavens, Until today I was dead, though alive in your midst. Now I live in truth, with the grave – clothes discarded. Today I hold converse with the Saints above, With no veil between, I see God face to face. I look upon “Loh-i-Mahfuz” and there in I read, Whatever was and is, and all that is to be. Let my house fall in ruins, lay my cage in the ground, Cast away the talisman, it is a token no more, Lay aside my cloak, it was but my outer garment. Place them all in the grave, let them be forgotten, I have passed on my way and you are left behind, Your place of abode was no dwelling place for me. Think not that death is death, nay, it is life, A life that surpasses all we could dream of here, While in this world, here we are granted sleep, Death is but sleep, sleep that shall be prolonged Be not frightened when death draweth nigh, It is but the departure for this blessed home, Think of the mercy and love of your Lord, Give thanks for His Grace and come without fear. What I am now, even so shall you be, For I know that you are even as I am, The souls of all men come forth from God, The bodies of all are compounded alike, Good and evil, alike it was ours. I give you now a message of good cheer May God’s peace and joy forever more be yours.
Abu Hamid al-Ghazali
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution... "Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?" "I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
Charlotte Brontë (Jane Eyre)
To be sure, I had, and have, spent the better part of my post-college life growing up in the public eye, with my shameful warts, big and ugly, looming there for the world to see; and it has been a mighty battle trying to be a man, a Black man, a human being, a responsible and consistent human being, as I have interfaced with my past and with my personal demons, with friends and lovers, with enemies and haters. As Tupac Shakur once famously said to me, “There is no placed called careful.” On the one hand, Tupac was right: There is not much room for error in America if you are a Black male in a society ostensibly bent on profiling your every move, eager to capitalize on your falling into this or that trap, particularly keen to swoop down on your self-inflicted mishaps. But by the same token, Tupac was wrong: There can be a place called careful, once one becomes aware of the world one lives in, its potential, its limitations, and if one is willing to struggle to create a new model, some new and alternative space outside and away from the larger universe, where one can be free enough to comprehend that even if the world seems aligned against you, you do not have to give the world the rope to hang you with.
Kevin Powell (Who's Gonna Take the Weight: Manhood, Race, and Power in America)
Alyson, now and forever, I love you for you are my breath and I am yours. Take this as a token of my love." Ethan slipped the ring onto my finger.
Kristin Groulx (The Secret Promise: Return of the Wishing Star (mis-adventures of Alyson Bell #6))
I cling to her and try to believe my financial troubles and dark secret can be erased by taking off my clothes for strangers Kiki loves me more than I love myself. She loves me enough for us both.
Marata Eros (The Token (The Token, #1))
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
Joseph Brodsky
It must be this overarching commitment to what is really an abstraction, to one's children right or wrong, that can be even more fierce than the commitment to them as explicit, difficult people, and that can consequently keep you devoted to them when as individuals they disappoint. On my part it was this broad covenant with children-in-theory that I may have failed to make and to which I was unable to resort when Kevin finally tested my maternal ties to a perfect mathematical limit on Thursday. I didn't vote for parties, but for candidates. My opinions were as ecumenical as my larder, then still chock full of salsa verde from Mexico City, anchovies from Barcelona, lime leaves from Bangkok. I had no problem with abortion but abhorred capital punishment, which I suppose meant that I embraced the sanctity of life only in grown-ups. My environmental habits were capricious; I'd place a brick in our toilet tank, but after submitting to dozens of spit-in-the-air showers with derisory European water pressure, I would bask under a deluge of scalding water for half an hour. My closet wafter with Indian saris, Ghanaian wraparounds, and Vietnamese au dais. My vocabulary was peppered with imports -- gemutlich, scusa, hugge, mzungu. I so mixed and matched the planet that you sometimes worried I had no commitments to anything or anywhere, though you were wrong; my commitments were simply far-flung and obscenely specific. By the same token, I could not love a child; I would have to love this one. I was connected to the world by a multitude of threads, you by a few sturdy guide ropes. It was the same with patriotism: You loved the idea of the United States so much more powerfully than the country itself, and it was thanks to your embrace of the American aspiration that you could overlook the fact that your fellow Yankee parents were lining up overnight outside FAO Schwartz with thermoses of chowder to buy a limited release of Nintendo. In the particular dwells the tawdry. In the conceptual dwells the grand, the transcendent, the everlasting. Earthly countries and single malignant little boys can go to hell; the idea of countries and the idea of sons triumph for eternity. Although neither of us ever went to church, I came to conclude that you were a naturally religious person.
Lionel Shriver (We Need to Talk About Kevin)
[Knowing God]... call it love, yes, only that can sound too emotional, or call it faith, and that can sound too cerebral. And what is it? Both, and neither... [its] the decision to be faithful, the patient refusal of easy gratifications... of Jesus' prayer in Gethsemane and on the cross, that bloody crown of love and faith. That is how I learn finally of a God who will not be fitted into my catergories and expectations... the living truth too great for me to see, trusting that He will see and judge and yet not turn me away... That is the mercy which will never give us, or even let us be content with less than itself and less than the truth... we have seen the truth enacted in our own world as mercy, grace and hope, as Jesus, the only-begotten, full of grace and truth..
Rowan Williams (Tokens of Trust)
Ain't Got No/i Got Life I ain't got no home, ain't got no shoes Ain't got no money, ain't got no class Ain't got no skirts, ain't got no sweater Ain't got no perfume, ain't got no beer Ain't got no man Ain't got no mother, ain't got no culture Ain't got no friends, ain't got no schooling Ain't got no love, ain't got no name Ain't got no ticket, ain't got no token Ain't got no God Then what have I got Why am I alive anyway? Yeah, what have I got Nobody can take away Got my hair, got my head Got my brains, got my ears Got my eyes, got my nose Got my mouth, I got my smile I got my tongue, got my chin Got my neck, got my boobs Got my heart, got my soul Got my back, I got my sex I got my arms, got my hands Got my fingers, got my legs Got my feet, got my toes Got my liver, got my blood I've got life I've got my freedom I've got life I've got life And I'm gonna keep it I've got life And nobody's gonna take it away
Nina Simone
I'd rather have you die and have known you for five minutes then to have never known you and not have this hole in my heart. The pain is real but so is the love.
Marata Eros (The Token 5 (The Token, #5))
My best friend in all the world really did have a boyfriend and had never told me. My best friend was sharing me with someone else and I knew whatever she had been giving me was only what she had left over from him, the scraps, the tokens, the lies. I had fought for this friendship, worried over it, made sacrifices for it, measured myself against it, lost myself inside it, had little to show for it but this bewildered sense of betrayal. Now I knew that I had never been the one she loved, I was a convenient diversion, a practice run until the real thing came along to claim her.
Meera Syal (Anita and Me)
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
Alexander Pushkin (Eugene Onegin)
My lady,” says Aladdin, extending an arm toward the sun, “I give you gold as a token of my love.” “All I want is you,” I reply. I turn and kiss him, pulling him against me, feeling the warmth of the dawn in my hair. Then I rest my head on his shoulder, simply feeling his arms around me, his heart beating against me. “Are you cold?” asks Aladdin. “You’re shivering.” “A little.” “I’ll go get a blanket. And breakfast. If I can find the kitchen.” “Galley, love. It’s called a galley.” “Right. Galley. Got it. I’ll ask the captain. What was his name?” “Sinbad, I think?” “I’ll be right back.” But I catch his hand. “I’m all right. Don’t go yet.” He stays with me, and together we watch the sun stain the sea and sky a thousand and one shades of gold. My thumb rubs the ring on my finger, its dents and contours as familiar to me now as my hand. So this is what it feels like to have all your wishes come true.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
My normal friends loved having a token author. Just like every WoW raiding party needs at least one healer, every gaggle needs at least one artist. They enjoyed introducing me to people at bars. “This is Jessica. She’s a writer.
Jessica Wildfire (Professor Gone Wild)
I ask you most humbly to continue loving me a little, and to be content for the moment with this token of a congratulation until new drawers can be made for my small little brain box, so I have a place to put the brain that I still hope to acquire.
Wolfgang Amadeus Mozart (Mozart's Letters, Mozart's Life)
… I’d procured a small collection of mismatching teeth from each male that had violated her. One day, I would present my little treasure trove of teeth as a gift to her… A token of my undying love and readiness to f*cking murder anyone who dared to wrong her...
Chiara Forestieri (A Kingdom of Blood and Magic (Hallowed Fates, Book One))
And have you mercy too! I never did Offend you in my life; never loved Cassio But with such general warranty of heaven As I might love: I never gave him token. OTHELLO By heaven, I saw my handkerchief in's hand, O perjured woman! thou dost stone my heart, And makes me call what I intend to do A murder, which I thought a sacrifice: I saw the handkerchief.
William Shakespeare (Othello)
The people close to you influence your outlook, your values, how you spend your time, and how you treat other people. In other words, who you hang out with matters. If you are consistently in the company of someone who gossips, for example, it’s likely you’ll gossip. If you live with someone who is depressed, in my experience you are likely to become depressed. Spending time with positive, uplifting people will make you feel positive and hopeful. If you want to improve your attitude and conduct, spend time with someone whose conduct and values you admire. Emulate his or her behavior, and you will likely find it rubs off! You’ll notice yourself avoiding actions and statements that might cause disapproval in the person you admire. By the same token, you find yourself naturally guided toward better, more life-affirming, behavior.
Daniel G. Amen (Healing the Hardware of the Soul: How Making the Brain-Soul Connection Can Optimize Your Life, Love, and Spiritual Growth)
I thank you for the Ave Maris Stella that you offer me. It touches my Heart and I answer each one of its petitions in your favour. This is why I inspired you to begin praying it. I ask little of souls and I give much. Such is my way. Such, too, is the way of my Son. Yes, our Hearts are moved even by the smallest tokens of love, and our response to them surpasses what you can imagine. We bless you and those whom you have recommended to our Hearts.
Anonymous (In Sinu Jesu: When Heart Speaks to Heart--The Journal of a Priest at Prayer)
February 21 Have You Ever Been Carried Away for Him? She hath wrought a good work on Me. Mark 14:6 If human love does not carry a man beyond himself, it is not love. If love is always discreet, always wise, always sensible and calculating, never carried beyond itself, it is not love at all. It may be affection, it may be warmth of feeling, but it has not the true nature of love in it. Have I ever been carried away to do something for God not because it was my duty, nor because it was useful, nor because there was anything in it at all beyond the fact that I love Him? Have I ever realised that I can bring to God things which are of value to Him, or am I mooning round the magnitude of His Redemption whilst there are any number of things I might be doing? Not Divine, colossal things which could be recorded as marvellous, but ordinary, simple human things which will give evidence to God that I am abandoned to Him? Have I ever produced in the heart of the Lord Jesus what Mary of Bethany produced? There are times when it seems as if God watches to see if we will give Him the abandoned tokens of how genuinely we do love Him. Abandon to God is of more value than personal holiness. Personal holiness focuses the eye on our own whiteness; we are greatly concerned about the way we walk and talk and look, fearful lest we offend Him. Perfect love casts out all that when once we are abandoned to God. We have to get rid of this notion—“Am I of any use?” and make up our minds that we are not, and we may be near the truth. It is never a question of being of use, but of being of value to God Himself. When we are abandoned to God, He works through us all the time.
Oswald Chambers (My Utmost for His Highest)
Why are women so ungenerous to other women? Is it because we have been tokens for so long? Or is there a deeper animosity we owe it to ourselves to explore? A publisher...couldn't understand why women were so loath to help each other.... The notion flitted through my mind that somehow, by helping..., I might be hurting my own chances for something or other -- what I did not know. If there was room for only one woman poet, another space would be filled.... If I still feel I am in competition with other women, how do less well-known women feel? Terrible, I have to assume. I have had to train myself to pay as much attention to women at parties as to men.... I have had to force myself not to be dismissive of other women's creativity. We have been semi-slaves for so long (as Doris Lessing says) that we must cultivate freedom within ourselves. It doesn't come naturally. Not yet. In her writing about the drama of childhood developments, Alice Miller has created, among other things, a theory of freedom. in order to embrace freedom, a child must be sufficiently nurtured, sufficiently loved. Security and abundance are the grounds for freedom. She shows how abusive child-rearing is communicated from one generation to the next and how fascism profits from generations of abused children. Women have been abused for centuries, so it should surprise no one that we are so good at abusing each other. Until we learn how to stop doing that, we cannot make our revolution stick. Many women are damaged in childhood -- unprotected, unrespected, and treated with dishonesty. Is it any wonder that we build up vast defences against other women since the perpetrators of childhood abuse have so often been women? Is it any wonder that we return intimidation with intimidation, or that we reserve our greatest fury for others who remind us of our own weaknesses -- namely other women? Men, on the other hand, however intellectually condescending, clubbish, loutishly lewd, are rarely as calculatingly cruel as women. They tend, rather, to advance us when we are young and cute (and look like darling daughters) and ignore us when we are older and more sure of our opinions (and look like scary mothers), but they don't really know what they're doing. They are too busy bonding with other men, and creating male pecking orders, to pay attention to us. If we were skilled at compromise and alliance-building, we could transform society. The trouble is: we are not yet good at this. We are still quarrelling among ourselves. This is the crisis feminism faces today.
Erica Jong (Fear of Fifty: A Midlife Memoir)
But first: Kip Mdang, I would like you to have this, as a token of my esteem, a promise of my affection, an affirmation of my readiness to follow your star wherever you wander with it, an acknowledgement of my willingness to raise an island for you whenever you need one, and…” Fitzroy took a deep breath. “And a statement of something I have never quite dared say in its full simplicity before, which is that I love you.” Before Cliopher could say anything—before Cliopher could do anything—Fitzroy tugged off his signet ring and placed it on the palm of Cliopher’s hand. Cliopher looked at his fanoa. “That’s the Imperial Seal,” he said, but even without looking down he had closed his hand around the ring. It was warm in his hand from Fitzroy’s body-heat, his inner fire. “It is,” said Fitzroy. “And you know very well that there is not another person in all the Nine Worlds and the lands beyond whom I would trust with it.” “I don’t know what to say,” Cliopher said, knowing his face and his heart were both open as the proverbial shell on the beach. Now Fitzroy smiled, a curving, splendid smile, a Fitzroy Angursell smile. “‘Thank you’ will be quite sufficient, my dear Kip. Seeing as you’ve already done all the hard work of taking down the empire and creating a home for me.
Victoria Goddard (At the Feet of the Sun (Lays of the Hearth-Fire, #2))
There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.
Virginia Woolf (Orlando)
He stroked the filly's neck, and she sniffed at the pouch on his belt, then turned her head away. "She wants to let me know she doesn't care that I've apples in here.No, doesn't matter a bit to her." He looped the line around the fence and took an apple and his knife from his pocket. Idly he cut it in half. "Maybe I'll just offer this token to this other pretty lady here." He held out the apple to Keeley, and Betty gave him a solid rap with her head that rammed him into the fence. "Now she wants my attention. Would you like some of this then?" He shifted, held the apple out. Betty nipped it from his palm with dignified delicacy. "She loves me." "She loves your apples," Keeley commented. "Oh,it's not just that. See here." Before Keeley could evade-could think to-he cupped a hand at the back of her neck, pulled her close and rubbed his lips provocatively over hers. Betty huffed out a breath and butted him. "You see?" Brian let his teeth graze lightly before he released Keeley. "Jealous.She doesn't care to have me give affection to another woman." "Next time kiss her and save yourself a bruise." "It was worth it.On both counts." "Horses are more easily charmed than women, Donnelly." She plucked the apple out of his hand, bit in. "I just like your apples," she told him, and strolled away. "That one's as contrary as you are." He nuzzled Betty's cheek as he watched Keeley walk to her stables. "What is it that makes me find contrary females so appealing?
Nora Roberts (Irish Rebel (Irish Hearts, #3))
As a child Valentine’s Day was fun. You got to design your own little heart-laden box to accept all your classmate’s Valentine’s. Then you’d get to fill in the To: and From: fields on your G.I. Joe cards (because nothing says “Be Mine” like Snake Eyes). I remember each time taking extra special care when filling out a card for the girl who I happened to like that particular year. When the day arrived and cards were exchanged I would rifle through my haul finding the one from whichever girl it was and kept it apart from the others. It was special even though I’m sure she’d written the exact same thing on mine that she’d written on everyone else’s. No matter, love was given and received. Valentine’s Day was for a young boy not yet mature enough to express his affections and for him to hold fast to even a token expression from the object those affections.
Aaron Blaylock (It's Called Helping...You're Welcome)
The more I try to fill this void, the deeper the hole and the wider the gap between my current state and my desired contentment. What will fill the space? Comfort foods have provided an external cushion to the pain, but ultimately they fail to comfort. The passionate embrace of another has provided momentary satisfaction, but cannot restore my value or self-worth. Many substances help dull my awareness of the empty space inside, but none have poured in anything of substance. Each has only served to take more out of me. When all my vices have been spent and all my tokens have been played, will there be anything left of me to give, or will the shell that is left only be a hollow reminder of the person I could have been? You, God, are my God, earnestly I seek you; I thirst for you, my whole being longs for you, in a dry and parched land where there is no water. Psalm 63:1 NIV
Saundra Dalton-Smith (Come Empty - Pour Out Life's Hurts and Receive God's Healing Love)
And yet to possess a young soul that has barely developed is a source of very deep delight. It is like a flower whose richest perfume goes out to meet the first ray of the sun. One must pluck it at that very moment and, after inhaling its perfume to one's heart's content, discard it along the wayside on the chance that someone will pick it up. I sense in myself that insatiable avidity that devours everything in its path. And I regard the sufferings and joys of others merely in relation to myself, as food to sustain my spiritual strength. Passion is no longer capable of robbing me of my sanity. My ambition has been crushed by circumstances, but it has manifested itself in a new form, for ambition is nothing but lust for power, and my greatest pleasure I derive from subordinating everything around me to my will. Is it not both the first token of power and its supreme triumph to inspire in others the emotions of love, devotion and fear? Is it not the sweetest fare for our vanity to be the cause of pain or joy for someone without the least claim thereto? And what is happiness? Pride gratified. Could I consider myself better and more powerful than anyone else in the world, I would be happy. Were everybody to love me, I'd find in myself unending wellsprings of love. Evil begets evil; one's first suffering awakens a realization of the pleasure of tormenting another. The idea of evil cannot take root in the mind of man without his desiring to apply it in practice. Someone has said that ideas are organic entities: their very birth imparts them form, and this form is action. He in whose brain the most ideas are born is more active than others, and because of this a genius shackled to an office desk must either die or lose his mind, just as a man with a powerful body who leads a modest, sedentary life dies from an apoplectic stroke
Mikhail Lermontov
This Butterfly Stings by Stewart Stafford The gold of my eye dances on stage for me, Her wings wafting behind her in the chorus, Yet none glimpsed that girl's beauty as I did, This butterfly flew solo in my mind's eye. For two years hence, I concealed my interest, Yet I gazed at her endlessly, so close yet apart, Places of learning changed, but she did not, I foolishly let fly Cupid's token to my inamorata. Seeing my love in a looking glass reflected, Shadow feelings illuminated St Valentine's Eve, My butterfly became a sullen stinging bee, Crushing my tender rose in pieces at my feet. Nor would her wicked scorn end there, She told her friends who joined in my shaming, For years after, turning my last shreds of adoration, Into contemptuous hatred of her existence. Truly no one can take away our memories, Where my former crush still dances on occasion, O sweet butterfly of my youth, one last wish, Never fly away from these fond recollections. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
I think I could turn and live with animals, they are so placid and self-contain’d, I stand and look at them long and long. They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God, Not one is dissatisfied, not one is demented with the mania of owning things, Not one kneels to another, nor to his kind that lived thousands of years ago, Not one is respectable or unhappy over the whole earth. So they show their relations to me and I accept them, They bring me tokens of myself, they evince them plainly in their possession. I wonder where they get those tokens, Did I pass that way huge times ago and negligently drop them? Myself moving forward then and now and forever, Gathering and showing more always and with velocity, Infinite and omnigenous, and the like of these among them, Not too exclusive toward the reachers of my remembrancers, Picking out here one that I love, and now go with him on brotherly terms.
Walt Whitman (Leaves of Grass: The Complete Edition)
I then invited the mother of the handicapped son to imagine herself similarly looking back over her life. Let us listen to what she had to say as recorded on the tape: “I wished to have children and this wish has been granted to me; one boy died; the other, however, the crippled one, would have been sent to an institution if I had not taken over his care. Though he is crippled and helpless, he is after all my boy. And so I have made a fuller life possible for him; I have made a better human being out of my son.” At this moment, there was an outburst of tears and, crying, she continued: “As for myself, I can look back peacefully on my life; for I can say my life is full of meaning, and I have tried hard to fulfill it; I have done my best - I have done the best for my son. My life was no failure!” Viewing her life as if from her deathbed, she had suddenly been able to see a meaning in it, meaning which even included all of her sufferings. By the same token, however, it has become clear as well that a life of short duration, like that, for example, of her dead boy, could be so rich in joy and love that it could contain more meaning than a life lasting eighty years.
Viktor E. Frankl (Man’s Search for Meaning)
I look at the marks of my past family every day, the visible ones, the ones that live on my skin. They’ve long since healed over; they no longer open me to anything. But they’re a part of me, of my experience, as much a record of what has come before as any of the others and in some ways more so since I took them on purposefully. They’re choices I made. Even if it is true that we’re counselled to pack away our love letters and our old photos of our lost loves if we want to truly heal from breakups or divorce, my wearing the tokens I couldn’t just pack away ensured that I have struggled and mourned until I healed. That’s worth something. It’s also worth something to remember that even if things ended (and not even all that well), I loved and was loved, risked and was safely caught. In the end, I don’t want to cover that or erase it—I want to celebrate it and carry it forward. The tattoo of Stanley’s left foot on my right thigh is a centimetre at most from the constellation on the same thigh. Like an old tree, I wear every year that I’ve lived inside me, drought or flood, long winter or warm fall, all of them legible in my rings and—like on any old tree—once they become part of the whole, they’re beautiful.
S. Bear Bergman (Blood, Marriage, Wine, & Glitter)
There it lay in the early sunshine of spring. It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this. Never had the house looked more noble and humane.
Virginia Woolf (Orlando)
I thought I should ask of thee---but I dared not---the rose wreath thou hadst on thy neck. Thus I waited for the morning, when thou didst depart, to find a few fragments on the bed. And like a beggar I searched in the dawn only for a stray petal or two. Ah me, what is it I find? What token left of thy love? It is no flower, no spices, no vase of perfumed water. It is thy mighty sword, flashing as a flame, heavy as a bolt of thunder. The young light of morning comes through the window and spread itself upon thy bed. The morning bird twitters and asks, `Woman, what hast thou got?' No, it is no flower, nor spices, nor vase of perfumed water---it is thy dreadful sword. I sit and muse in wonder, what gift is this of thine. I can find no place to hide it. I am ashamed to wear it, frail as I am, and it hurts me when press it to my bosom. Yet shall I bear in my heart this honour of the burden of pain, this gift of thine. From now there shall be no fear left for me in this world, and thou shalt be victorious in all my strife. Thou hast left death for my companion and I shall crown him with my life. Thy sword is with me to cut asunder my bonds, and there shall be no fear left for me in the world. From now I leave off all petty decorations. Lord of my heart, no more shall there be for me waiting and weeping in corners, no more coyness and sweetness of demeanour. Thou hast given me thy sword for adornment. No more doll's decorations for me!
Rabindranath Tagore (Gitanjali)
I think I could turn and live with animals, they are so placid and self-contain’d, I stand and look at them long and long.   They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God, Not one is dissatisfied, not one is demented with the mania of owning things, Not one kneels to another, nor to his kind that lived thousands of years ago, Not one is respectable or unhappy over the whole earth.   So they show their relations to me and I accept them, They bring me tokens of myself, they evince them plainly in their possession.   I wonder where they get those tokens, Did I pass that way huge times ago and negligently drop them?   Myself moving forward then and now and forever, Gathering and showing more always and with velocity, Infinite and omnigenous, and the like of these among them, Not too exclusive toward the reachers of my remembrancers, Picking out here one that I love, and now go with him on brotherly terms.   A gigantic beauty of a stallion, fresh and responsive to my caresses, Head high in the forehead, wide between the ears, Limbs glossy and supple, tail dusting the ground, Eyes full of sparkling wickedness, ears finely cut, flexibly moving.   His nostrils dilate as my heels embrace him, His well-built limbs tremble with pleasure as we race around and return.   I but use you a minute, then I resign you, stallion, Why do I need your paces when I myself out-gallop them? Even as I stand or sit passing faster than you.
Walt Whitman (Leaves of Grass [Annotated] (The Reader's Library Book 9))
Being exception isn't revolutionary, it's lonely. It separates you from your community. Who are you, really, without community? I have been held up consistently as a token, as the "right" kind of trans woman (educated, able-bodied, attractive, articulate, heteronormative). It promotes the delusion that because I "made it," that level of success is easily accessible to all young trans women. Let's be clear: It is not.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love So Much More)
If thou art indeed my father, then hast thou stained thy sword in the life-blood of thy son. And thou didst it of thine obstinacy. For I sought to turn thee unto love, and I implored of thee thy name, for I thought to behold in thee the tokens recounted of my mother. But I appealed unto thy heart in vain, and now is the time gone for meeting...
Anonymous
Did she cry from gratitude or perhaps sob from the awful memory? A hug or royal kiss? Promises of wealth?” “You don’t know the First Mother very well,” Gen answered. “Oh, come now! Don’t be so close-mouthed. It should be recorded for history!” “It was a private conversation. Suffice it to say that she thanked me and we shared a bit of sweetbread.” “You have sweetbread?” Fenna asked. “From whom?” “Marna.” Gen answered. “Who is Marna?” Geoff inquired, scribbling quickly. “Is she the beautiful daughter of a Duke or Regent giving you a token to remember her sweet embrace by?” “Well, no, Geoff,” Gen grated, starting to feel irritated. “She is the rather plump cook of the castle. She has five children and a husband who love her dearly. I really must be about my duty.
Brian Fuller (Duty (The Trysmoon Saga, #2))
I left the altar rail and went back to the pew where the others were kneeling like four shadows, four unrealities, and I hid my face in my hands. In the temple of God that I had just become, the once eternal and pure sacrifice was offered up to the God dwelling in me. The sacrifice of God to God. Now, Christ born in me, a new Bethlehem, and sacrificed in me his new Calvary, and risen in me: offering me to the Father, in himself, asking the Father, my Father and his, to receive me into his infinite and special love — not the love he has for all things that exist, for mere existence is a token of God’s love, but the love of those creatures who are drawn to him in and with the power of his own love for himself.3
Ravi Zacharias (The Grand Weaver: How God Shapes Us Through the Events of Our Lives)
My eyes roved over each and every one of the horses, approximating their age and probably stage in training, assessing their form and temperament and noting their reproductive potential. Eventually it dawned on me that silence had fallen. I turned toward Grayden to offer some excuse, but to my surprise, he was gazing at me with affection and sympathy in his green eyes. He smiled and produced a small box, which he extended to me. “What’s this?” I asked, thoroughly confused. He shrugged. “A token of friendship. I would be honored if you would accept it.” Curiously, I took the box from his hand. Anticipating jewelry, I prepared for a show of fake enthusiasm. Such a gift would be a sweet gesture, and undoubtedly beautiful, but I was not one for baubles. The box did contain jewelry, but not of the type I supposed. On a lovely chain of gold hung a small, golden horse, head high, legs outstretched in a gallop. I looked at Grayden, stupefied, although I didn’t need to feign my pleasure. “As I said, your uncle told me of your love for horses,” he explained almost shyly. “That it was a love you shared with your father.” “But I…I don’t understand. What are you…?” Seeing how flustered I was, he reached out and took my hand. “I’m not asking for anything, Shaselle. I just…I think you’re used to being seen as a problem. Maybe it’s presumptuous of me to say that, but your family apologized for so many things about you that I can’t help drawing the conclusion.” Not sure how to react, I opted to remain silent. “I think you’re only a problem for those people who are trying to turn you into something you’re not.” “A lady?” I wryly suggested, regaining my sense of humor. I leaned back on the fence, certain he would agree. “No,” he said, and there was conviction in his voice. “They need to stop trying to turn a free spirit into a traditional wife.” I couldn’t move, couldn’t speak. Could he truly believe what he was saying? Men played games to placate women. But I knew of no man other than my father who would enjoy seeing a horse pendant around the neck of the woman he was courting. “I do have a question for you,” Grayden said, leaning against the fence next to me. He hesitated, obviously uncertain about where our relationship stood. “The Harvest Festical is approaching. If you have no other plans to attend, would you consider accompanying me?” My eyes again filled with tears. There was no good reason--why should I be breaking down now, when Grayden was being so understanding, so tolerant of my eccentricities? “Come,” he said softly. “I’ll take you back to your cousin.” I let him escort me into the house, feeling like an ungrateful fool. I hadn’t even thanked him for his gift, and I desperately wanted to do so. But I couldn’t conjure the words to convey how I was feeling, and so I murmured farewell at the door.
Cayla Kluver (Sacrifice (Legacy, #3))
If you had to put my love life into a genre, it would probably be horror. By the same token, I’m not even sure that the master of scary shit, Stephen King, could adequately express it on paper.
Katie Ashley (Drop Dead Sexy)
If the discovered Golden Scarab was designed to impress Akhenaten himself resembling a token of recognition and love towards his legacy, then one cannot overlook the possibility that there were more of those which were produced by the institution itself or its faithful adherents; this indicates the existence of polarizing elements in Egypt back in those days between a Black Scarab and a Golden Scarab traditions; better said, between the new paradigm of Akhenaten and the legacy of Khufu.
Ibrahim Ibrahim (Quotable: My Worldview)
Anal sex was my least favorite bedroom activity. Even through half a bottle of lube, the whole charade felt like pooping backwards. It was a negotiation token- something I begrudgingly did in exchange for backrubs and switching the television from football to Sex in the City. Anal sex was something I tolerated in order to be a cool girlfriend, because it was and still is common knowledge that that men love shoving their dicks in buttholes. Male buttholes, however, had their own rules and regulations. Everyone knew that men who allowed rectal access were gay. I didn’t question it. I didn’t analyze it. I only knew to treat the male asshole as if it had a grenade buried inside of it that could ignite a deadly explosion of anger, trauma, and sexual confusion.
Maggie Georgiana Young
I HAVE A BOX where I keep all of the holiday and birthday and just-because cards that my friends and family send me. They are memories, tokens of love and thoughtfulness, and there is a part of me that can’t bear to throw them out. I don’t need these cards. I hardly ever open that box, and so they don’t add anything to my life, but there is a part of me that thinks that maybe, just maybe, one day I will need to remember the moments and people they represent. This
Kimberly Rae Miller (Coming Clean)
Token of Love You give me the kind of feelings great poets write about, but since I'm not a great poet, please accept this fire hydrant cap, that I pinched with you in mind, to use as a paperweight to hold the gazillion love letters I've sent. I pray thee, let not the weight of this cumbersome token undermine the gravity of my forthright intent. My love for thee is that of a wanton child, splashing puddles in the summer's rain, and therefore procures its pleasure in Nature's simple bounty, not in chattels vain. Consider this red fire hydrant cap a blushing rose, Should Heaven smile upon this union, then consider me the hose.
Beryl Dov
I asked my daughter how many kids would come to her birthday party if all we offered was cake. No games, no entertainment. They could come to the house to spend time with her and bring gifts to celebrate her, but we wouldn’t have anything else for them. She thought for a minute and said, “Maybe just a couple.” Then I asked her how many would come if I rented out Dave & Buster’s and let them have unlimited tokens, food, and prizes. She laughed and said confidently that the whole school would show up. So let’s say that for her birthday party I rent out the arcade and her whole school comes. They’re all going nuts, having the time of their lives. Imagine if I pulled her aside during the party, put my arm around her, and said, “Look at all the people who came to be with you!” Would she actually believe those people were there because they love her and want to spend time with her? Or would my comment actually be insulting? Isn’t this basically what we do with God? We have learned that we can fill church buildings if we bring in the right speaker or band. Make things exciting enough and people will come. We say, “God, look how many people are coming because they love being with You!” But do we really think God is fooled by this? Do we think God is pleased? He knows how many would show up if it was just Him. He knows there might be only a few if all we offered was Communion or prayer.
Francis Chan (Letters to the Church)
Being a token can be misleading at first. It can make you feel wanted, admired, and special. Who doesn’t want to feel that way, especially after a lifetime of not feeling seen or validated? You hear the message “We really value your unique perspective,” which really means “You have something we want from you!” I have to admit that I’ve been lured in by this message, along with my own savior complex and sense of overresponsibility. When you become a token, it’s hard not feel owned by a system that continually pats itself on the back for being so open-minded and progressive for hiring you while simultaneously putting you in your place. Good intentions say nothing about a system’s capacity to change. For me, even monetary compensation is no longer the main motivator for being cast as the token because I know there are many hidden, unacknowledged costs, and I choose self-love and self-respect.
Micah Rajunov (Nonbinary: Memoirs of Gender and Identity)
I had worn that gold ring for nearly thirty years; token of vows taken, forsaken, renewed, and at last absolved. A token of marriage, of family; of a large part of my life. And the last trace of Frank—whom, in spite of everything, I had loved. Jamie
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Dear Christopher, This is the perfume of March: rain, loam, feathers, mint. Every morning and afternoon I drink fresh mint tea sweetened with honey. I’ve done a great deal of walking lately. I seem to think better outdoors. Last night was remarkably clear. I looked up at the sky to find the Argo. I’m terrible at constellations. I can never make out any of them except for Orion and his belt. But the longer I stared, the more the sky seemed like an ocean, and then I saw an entire fleet of ships made of stars. A flotilla was anchored at the moon, while others were casting off. I imagined we were on one of those ships, sailing on moonlight. In truth, I find the ocean unnerving. Too vast. I must prefer the forests around Stony Cross. They’re always fascinating, and full of commonplace miracles…spiderwebs glittering with rain, new trees growing from the trunks of fallen oaks. I wish you could see them with me. And together we would listen to the wind rushing through the leaves overhead, a lovely swooshy melody…tree music! As I sit here writing to you, I have propped my stocking feet much too close to the hearth. I’ve actually singed my stockings on occasion, and once I had to stomp out my feet when they started smoking. Even after that, I still can’t seem to rid myself of the habit. There, now you could pick me out of a crowd blindfolded. Simply follow the scent of scorched stockings. Enclosed is a robin’s feather that I found during my walk this morning. It’s for luck. Keep it in your pocket. Just now I had the oddest feeling while writing this letter, as if you were standing in the room with me. As if my pen had become a magic wand, and I had conjured you right here. If I wish hard enough… Dearest Prudence, I have the robin’s feather in my pocket. How did you know I needed token to carry into battle? For the past two weeks I’ve been in a rifle pit, sniping back and forth with the Russians. It’s no longer a cavalry war, it’s all engineers and artillery. Albert stayed in the trench with me, only going out to carry messages up and down the line. During the lulls, I try to imagine being in some other place. I imagine you with your feet propped near the hearth, and your breath sweet with mint tea. I imagine walking through the Stony Cross forests with you. I would love to see some commonplace miracles, but I don’t think I could find them without you. I need your help, Pru. I think you might be my only chance of becoming part of the world again. I feel as if I have more memories of you than I actually do. I was with you on only a handful of occasions. A dance. A conversation. A kiss. I wish I could relive those moments. I would appreciate them more. I would appreciate everything more. Last night I dreamed of you again. I couldn’t see your face, but I felt you near me. You were whispering to me. The last time I held you, I didn’t know who you truly were. Or who I was, for that matter. We never looked beneath the surface. Perhaps it’s better we didn’t--I don’t think I could have left you, had I felt for you then what I do now. I’ll tell you what I’m fighting for. Not for England, nor her allies, nor any patriotic cause. It’s all come down to the hope of being with you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Dearest Prudence, I have the robin’s feather in my pocket. How did you know I needed token to carry into battle? For the past two weeks I’ve been in a rifle pit, sniping back and forth with the Russians. It’s no longer a cavalry war, it’s all engineers and artillery. Albert stayed in the trench with me, only going out to carry messages up and down the line. During the lulls, I try to imagine being in some other place. I imagine you with your feet propped near the hearth, and your breath sweet with mint tea. I imagine walking through the Stony Cross forests with you. I would love to see some commonplace miracles, but I don’t think I could find them without you. I need your help, Pru. I think you might be my only chance of becoming part of the world again. I feel as if I have more memories of you than I actually do. I was with you on only a handful of occasions. A dance. A conversation. A kiss. I wish I could relive those moments. I would appreciate them more. I would appreciate everything more. Last night I dreamed of you again. I couldn’t see your face, but I felt you near me. You were whispering to me. The last time I held you, I didn’t know who you truly were. Or who I was, for that matter. We never looked beneath the surface. Perhaps it’s better we didn’t--I don’t think I could have left you, had I felt for you then what I do now. I’ll tell you what I’m fighting for. Not for England, nor her allies, nor any patriotic cause. It’s all come down to the hope of being with you. Dear Christopher, You’ve made me realize that words are the most important things in the world. And never so much as now. The moment Audrey gave me your last letter, my heart started beating faster, and I had to run to my secret house to read it in private. I haven’t yet told you…last spring on one of my rambles, I found the oddest structure in the forest, a lone tower of brick and stonework, all covered with ivy and moss. It was on a distant portion of the Stony Cross estate that belongs to Lord Westcliff. Later when I asked Lady Westcliff about it, she said that keeping a secret house was a local custom in medieval times. The lord of the manor might have used it as a place to keep his mistress. Once a Westcliff ancestor actually hid there from his own bloodthirsty retainers. Lady Westcliff said I could visit the secret house whenever I wanted, since it has long been abandoned. I go there often. It’s my hiding place, my sanctuary…and now that you know about it, it’s yours as well. I’ve just lit a candle and set it in a window. A very tiny lodestar, for you to follow home.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Obviously you have no liking for Prudence,” he began, “but if you--” “I’ve tried my best to like her. I thought if one peeled away the layers of artifice, one would find the real Prudence beneath. But there’s nothing beneath. And I doubt there ever will be.” “And you find Beatrix Hathaway superior to her?” “In every regard, except perhaps beauty.” “There you have it wrong,” he informed her. “Miss Hathaway is a beauty.” Audrey’s brows lifted. “Do you think so?” she asked idly, lifting the teacup to her lips. “It’s obvious. Regardless of what I think of her character, Miss Hathaway is an exceptionally attractive woman.” “Oh, I don’t know…” Audrey devoted careful attention to her tea, adding a tiny lump of sugar. “She’s rather tall.” “She has the ideal height and form.” “And brown hair is so common…” “It’s not the usual shade of brown, it’s as dark as sable. And those eyes…” “Blue,” Audrey said with a dismissive wave. “The deepest, purest blue I’ve ever seen. No artist could capture--” Christopher broke off abruptly. “Never mind. I’m straying from the point.” “What is your point?” Audrey asked sweetly. “That it is of no significance to me whether Miss Hathaway is a beauty or not. She’s peculiar, and so is her family, and I have no interest in any of them. By the same token, I don’t give a damn if Prudence Mercer is beautiful--I’m interested in the workings of her mind. Her lovely, original, absolutely compelling mind.” “I see. Beatrix’s mind is peculiar, and Prudence’s is original and compelling.” “Just so.” Audrey shook her head slowly. “There is something I want to tell you. But it’s going to become more obvious over time. And you wouldn’t believe it if I told you, or at least you wouldn’t want to believe it. This is one of those things that must be discovered for oneself.” “Audrey, what the devil are you talking about?” Folding her narrow arms across her chest, his sister-in-law contemplated him sternly. And yet a strange little smile kept tugging at the corners of her lips. “If you are at all a gentleman,” she finally said, “you will call on Beatrix tomorrow and apologize for hurting her feelings. Go during one of your walks with Albert--she’ll be glad to see him, if not you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
When dusk fell, my family, along with what appeared to be all the citizens of Hytanica, gathered at the military training field, where the Captain of the Guard’s body had been placed on a litter above a stack of firewood, ready to be burned, his soul already committed to God by our priests. Soldiers had stood guard around the site all day, and people had been coming in a steady stream to pay their respects. Many of them had left tokens of esteem at the base of the pyre--weapons of various types, coins, embroidered handkerchiefs, trophies won in battle or at tournaments, military medals and insignia. Even small children came forward, laying flowers, notes, toys and other items that had some special meaning to them among the other gifts. It made me both sad and proud when Celdrid walked forward and added his sword to the growing mound of mementos, the one that had originally been given to Steldor by our father, to be passed on by Steldor to my brother. It was perhaps Celdrid’s most coveted possession. He looked to Steldor as he came back to stand by us, and our cousin gave him a salute. When all the individuals who wanted to do so had paid homage to the captain, everyone stood in silence, the stillness of the large crowd itself a potent tribute. Grief could be a powerful, uniting force. Off to the side, separated from the masses, stood Steldor and Galen, their faces stoic, both wearing their military uniforms and holding lighted torches in preparation for setting the wood ablaze. King Adrik finally broke the silence, stepping forward as the appropriate representative of the royal family to say a few words. Queen Alera had not yet returned from Cokyri, another source of worry for the subdued throng. The former King cleared his throat and then began to speak, his deep voice easily carrying across the field. “We come together to honor a man of duty and devotion, strength and compassion, courage and wisdom. A man who put kingdom and family before all else, but who included within his family every citizen in need. A man of unwavering allegiance who steadfastly served his King and Queen for over thirty years. A man whose legacy will live on in his son and in every life he touched. A man I was proud to name my Captain of the Guard and to call my friend. And who, while serving the kingdom he loved, made the ultimate sacrifice. Let us celebrate his life this night, and may his funeral pyre burn as a bright beacon of hope in the darkness, letting the entire Recorah River Valley know that Hytanica is free once more.” Cheers went up from the crowd, then Steldor and Galen stepped forward and touched their torches to the pitch-soaked firewood. With a roar, flames shot into the air, befitting the man who had lived with an equally fiery passion.
Cayla Kluver (Sacrifice (Legacy, #3))
My lover’s alluring propensities took on a vivacity I had difficulty conceding. His passion magnified a thousand-fold within my consciousness as I closed my eyes to this wanton dexterity. I desired him, and he wanted me. Under this euphoric ecstasy, I relinquished my person to his coveted demands.               My Apollo, my Phoebus, who never failed to brighten my person and radiate my soul, had coiled me into his solicitous web of ardent devotion. My coverings fell away with every inhalation of his loving elixir. My lover had exposed my nakedness to the gazing eyes of the unseen voyeur and stalker. They alone were granted dispensation to witness the audacity between my lover and me.               Our fiery gazes never left or strayed from each other. Bewitched by his blueish-green eyes, my soul was bare to him. His oral stimulation had fostered me to arch my back in a balletic pose as his hands supported the small of my back. Watched through the submerged glass, we felt like Poseidon’s pleasure slaves, performing solely for his gratification. I was awed by our agility and reminded of a supple aquatic dance performance I had witnessed during my extensive travels. My former ballet training surged through me as I saw myself swirling and pirouetting across the room, and Andy’s thickness gyrated within the core of my being. The ecstasy and the agony of my dance pedagogy had transformed into the art of intercourse. The grace of movement and the beauty of love had merged into a seraphic epiphany – a unity of the Godhead within and without.               At the precise moment of our orgasmic exultations, I finally grasped my chaperone’s universal knowledge: that the divine and I are but one and the same. It was then I comprehended my guardian’s god-like comportment. Andy knew his birth-right, and he wore his divinity with pride and honour. All of that I saw in him as it came gushing to the forefront. He was indeed a Phoebus Apollo, a sun god beheld in a darkened chamber. There and then, I made a secret covenant to myself, like an apostle to the Son of God - I would follow in his footsteps.               My Valet’s sanctity swirled within me, flooding my kernel with beatific sows of celestial grace. Overjoyed by his tokens of affection, I too released my passion into his garnering gulf. Streams of my succulent splendour oozed from his enticing lips. It was only when we shared the final droplets of my luscious deposits that he liberated his engorgement from my sopping honeycomb. I supped at his dripping remains before sharing my fill with him, so we could both partake in this sexual liturgy of heavenly Eucharist.               We did not relinquish our performance after the lights and music had disappeared, but remained entwined in darkness, savouring the inseparable devotion that had once been the domain of Apollo and his beloved Hyacinth.
Young (Turpitude (A Harem Boy's Saga Book 4))
ORIGINAL RECIPE: An other [Sallets for fish days] Salmon cut long waies with slices of onyons upon it layd and upon that to cast Violets, Oyle and Vineger. THE GOOD HUSWIFES JEWELL, 1587 Spring Pea Tortellini SERVES 8 TO 10 (APPROXIMATELY 80 TORTELLINI) … and I remember the wooing of a peascod instead of her, from whom I took two cods and, giving her them again, said with weeping tears ‘Wear these for my sake.’ AS YOU LIKE IT, 2.4 PEASCODS, OR PEA PODS, usually gathered in springtime, were exchanged as a token of love. An old English proverb states, “Winter time for shoeing, peascod time for wooing.” According to Elizabethans, if you tugged a pea pod off the vine and it stayed intact, it meant someone was in love with you. If you don’t want to make the tortellini, you can get almost the same taste combination by tossing one pound of cooked spaghetti with the pea mixture and sprinkling on the delicious and unusual Parmesan-cinnamon topping. 2 large eggs
Francine Segan (Shakespeare's Kitchen: Renaissance Recipes for the Contemporary Cook)
Spring Pea Tortellini SERVES 8 TO 10 (APPROXIMATELY 80 TORTELLINI) … and I remember the wooing of a peascod instead of her, from whom I took two cods and, giving her them again, said with weeping tears ‘Wear these for my sake.’ AS YOU LIKE IT, 2.4 PEASCODS, OR PEA PODS, usually gathered in springtime, were exchanged as a token of love. An old English proverb states, “Winter time for shoeing, peascod time for wooing.” According to Elizabethans, if you tugged a pea pod off the vine and it stayed intact, it meant someone was in love with you. If you don’t want to make the tortellini, you can get almost the same taste combination by tossing one pound of cooked spaghetti with the pea mixture and sprinkling on the delicious and unusual Parmesan-cinnamon topping.
Francine Segan (Shakespeare's Kitchen: Renaissance Recipes for the Contemporary Cook)
Poem For Laura" Now come the bright prophets across my life. The solemn fl esh, the miracles, and the pain. Across the simple meadows of my heart, splendidly you come promising sorrow. And knowing, I bless your coming with trees of love, singing, singing even to the night. The princely mornings will fail when you go, and night will come like animals. Yet I open my cautious life and sing thanksgiving of yes, oh yes to love, even while the tireless crows of pain and the diligent fever-ticks of sorrow are somehow privileged in my flowering heart. For you fashion such rivers in my soon unable heart as are focused to paradise by the crippling night. Such terraced waters as are cheap at only sorrow. And to have cargoes of hyacinths sail once more my life I will freely undertake any debt of pain. I will break these hands for tokens, oh my love.
Jack Gilbert (Collected Poems)
lot. But she never could keep off the hard drugs, she was hooked. She’d be off for a year and then bingo. She got through the Plague, but when she was thirty-eight she got a dirty needle, and it killed her. And damn if her family didn’t show up and take me over. I’d never even seen them! And they put me through college and law school. And I go up there for Christmas Eve dinner every year. I’m their token Negro. But I’ll tell you, what really gets me is, I can’t decide which color I am. I mean, my father was a black, a real black—oh, he had some white blood, but he was a black—and my mother was a white, and I’m neither one. See, my father really hated my mother because she was white. But he also loved her. But I think she loved his being black much more than she loved him. Well, where does that leave me? I never have figured out.” “Brown,” he said gently, standing behind her chair. “Shit color.” “The color of the earth.
Ursula K. Le Guin (The Lathe of Heaven)
It’s for good luck more than romance.’ He grins when he catches my confused look. ‘We have this story in Norway about the origin of a kiss under the mistletoe. It starts with Frigga, the goddess of love. Her son was killed by an arrow made from the mistletoe plant, and as she sat underneath the tree where the mistletoe grew and cried over his body, the tears dropped onto the arrow and turned into little white berries that took away the poison and brought him back to life. She was so happy that she started kissing everyone who passed, and she declared that from then on, no one who stood under a mistletoe branch would come to any harm, and would instead receive a token of love – a kiss.
Jaimie Admans (The Post Box at the North Pole)
I’m just offering up my honesty as a final love token,
Rebecca Ley (For When I'm Gone)
For you,” I say, handing her the wrapped box. After thanking me, Laila rips open the paper . . . and immediately bursts into tears when she beholds the token of my affection inside. It’s a rose encased in glass. The real-life version of the enchanted rose from Beauty and the Beast. “Oh, Adrian.
Lauren Rowe (Falling Into Love with You (The Hate-Love Duet #2))
I promise to honor you both and the sanctity of this union. I promise to serve you and do your every bidding. I vow to love you forever. I accept this collar as a token of your love and respect. I do this with all my heart.
J.J. Harper (Our Kind of Man (HeavyLoad! #4))
If It Were Possible For a loving Mother If it were possible I would write you a letter Send it to the Heavens Just so you could read And realise how much I love you If it were possible I would get you flowers As a token of appreciation For all the great things you have done for me And the difference you made in my life If it were possible I would sit down next to you Have a deep conversation Perhaps to hear your current thoughts And listen to your guidance again If it were possible I would spend time with you Celebrate your presence Miss no precious moment And make sure it counts the most However, it is not possible Hence, I have no choice But to accept that you are gone
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
I am in love with you. I don’t know how long I’ve been in love with you, but it started before I even saw you. Every move I’ve made since your voice illuminated my token and my whole world has been to retrieve you from your prison so I can have you.
Elizabeth Stephens (Taken to Kor (Xiveri Mates #5))
As far as I was concerned, presents were the best part of Christmas. Not in a greedy Scrooge way, it didn’t really matter to me what was inside the presents, what mattered was the fact someone had taken the time, effort, and their hard-earned cash to go out and pick something with you in mind, wrap it up and give it to you as a token of their affection. A present was confirmation that you mattered, that you were loved, whether it was a bottle of bubble bath or a diamond ring. Not that anyone had ever given me a diamond ring, but obviously that was still something of a sore subject. Gift-giving was one of my love languages (along with physical affection, acts of service and a never-ending exchange of cat gifs) and Christmas gifts were the best kinds of gifts, because everyone gave and received at the same time. It was impossible to be unhappy when you were handing out and unwrapping presents, that was an indisputable scientific fact. Probably.
Lindsey Kelk (The Christmas Wish)
I went to door; an’ out vrom trees above My head, upon the blast by me, Sweet blossoms wer a-cast by me, As if my Love, a-past by me, Did fling em down—a token ov her love.
William Barnes
I love clothing… for the ways it allowed me to construct an idealized version of myself and my life… I could build myself into a new person with each outfit… Being better dressed helped me establish my worthiness. This is an ugly thing to admit so no one does.
Danielle Prescod (Token Black Girl)
I do not want to tell this story about my grandmother because I am afraid it is the only story I am allowed to tell. Brown woman locked up, hidden away, uneducated, and married off. The moral of the story is: look how much better off we are. Look at me, the granddaughter, free to pursue her Western education, free to marry the white man she loves. The first time I met my mother-in-law she asked, How are women treated in your culture? I am the woman who has emerged from my great-grandmother's house to answer this question, to tell my grandmother's story. After seven years and two generations, after crossing oceans and nations, I have emerged so I can be put on display, proudly, as a token of civilization and progress. Look at how much better I am.
Thirii Myo Kyaw Myint (Names for Light: A Family History)
She’d left me her husband, who didn’t expect much from me. He’d had his great love. And now he was willing, determined even, to be amused, to belly laugh at the slightest provocation, to appreciate heart-shaped pieces of toast as tokens of my affection.
Helen Oyeyemi (Boy, Snow, Bird)
The morning of the surgery, I wrote a little ode to my soon-to-be ex, the screws. To my dearest screws: You came into my life, abruptly. Holding me together, firmly. While we started out slow, It was only until I got into the flow; And I’ve certainly tried my best, Putting you both to the test. Now one of you is broken, So I’m taking you both out as a token Of my gratitude and faith. That this operation will help me rise above, So I can return to what I love.
Hillary Allen (Out and Back)
Take it,” he said. “As a token of my faith. And I ask that if ever I prove false to you, strike me down yourself as a faithless and untrustworthy coward, not worthy of the respect of men, or the love of a woman.
Alisa Adams (Seduced By Her Highland Prisoner (Highland Brutes #2))
I never understood why we give cut flowers as gifts, like ‘Here, take this flower I killed and watch it slowly shrivel up as a token of my love.
Amanda Aggie (The Demon Prince (Dark Halos, #1))
What about Millie?" "Millie?" he says, spinning back around to face me. "Oh yes, Millie Vagaboss. Let's definitely talk about her." His sarcasm really isn't bad for a Midwestern boy. "It's none of my business, really," I say as I realize I don't actually want to hear this, most likely. "No, no, it's your business, especially since you gave her your blessing to basically dry hump me in the van last night." "What the hell?" I think I feel my nostrils flaring, but I really hope not. "I did?" "Yeah, thanks for that," he says. "She told me you said there's nothing going on between us, and you were cool if she hooked up with me, like I'm some guy in your personal boy harem and you're giving me to her as a token of your appreciation." "It was so not like that! Are you kidding me?" "She was really drunk," he says. "But that was the gist of it, yeah." Now I'm mad. I have no idea why, since I basically did tell Millie she was free to go for it with Bean. "What's wrong?" he says. "Did you really expect to find her hiding in my closet? Were you going to fight for my honor or something?" "Stop making fun of me." "Stop giving me to your friends like I'm some kind of manslut.
Mercy Brown (Loud is How I Love You (Hub City, #1))
But on the same token,” my mother continued, “if a man is showing himself to be a standup guy, treating you well, all of that… unless something changes, you act accordingly.
Christina C. Jones (Love You Forever (Serendipitous Love, #5))
The Wind at the Door As day did darken on the dewless grass, There, still, wi’ nwone a-come by me To stay a-while at hwome by me Within the house, all dumb by me, I zot me sad as the eventide did pass. An’ there a win’blast shook the rattlèn door, An’ seemed, as win’ did mwoan without, As if my Jeäne, alwone without, A-stannèn on the stwone without, Wer there a-come wi’ happiness oonce mwore. I went to door; an’ out vrom trees above My head, upon the blast by me, Sweet blossoms wer a-cast by me, As if my Love, a-past by me, Did fling em down—a token ov her love. “Sweet blossoms o’ the tree where I do murn,” I thought, “if you did blow vor her, Vor apples that should grow vor her, A-vallèn down below vor her, O then how happy I should zee you kern!” But no. Too soon I voun my charm a-broke. Noo comely soul in white like her— Noo soul a-steppèn light like her— An’ nwone o’ comely height like her Went by; but all my grief ageän awoke.
William Barnes
Tuesday and Wednesday flew by. Dylan from 5B came over on Thursday. I didn’t smoke any pot, but I let him hotbox my apartment so I was even more completely stoned than I was the time before, except this time my eyebrows remained intact. We watched three episodes of Whose Line Is It Anyway? and laughed our asses off. Dylan was actually pretty cute. He was tall and skinny and pale with buzzed hair, but he had these really blue eyes. That night he helped me carry my laundry to the basement. “Hey Kate, you wanna go to the skate park with me tomorrow night?” “I can’t, I have a date with a lesbian.” His eyes shot open. “Oh, cool.” “It’s not what you think.” He smiled and shrugged. “It’s your business. Aren’t you still dating that douche wad in 9A?” “Stephen? No, he dumped me last week. He’s dating someone else already.” “His loss.” He said it so quickly and nonchalantly that I almost believed him. We got to the basement door. Dylan pushed it open and walked in but paused in front of me. I leaned around his body and saw Stephen making out with a different girl than he had been with earlier that week. At first I didn’t recognize her, and then I saw her token pink scrunchie bobbing above her head. It was the bimbo from the sixth floor. Every time I saw her she was with a different guy. Stephen turned and spotted me. “Kate, I thought you did your laundry on Mondays?” I contemplated sharing my thoughts on women in their thirties who still wear colorful hair pretties, but I chose to take the high road. Anyway, one or both of them would undoubtedly have a venereal disease by the end of the week, and that was my silver lining. “Don’t talk to me, Stephen.” I coughed and mumbled, “Pencil dick” at the same time. Dylan stayed near the door. Everyone in the room watched me as I emptied my laundry bag into a washer. I added soap, stuck some quarters in, closed the lid, and turned to walk out. Just as I reached the opening, Dylan pushed me against the doorjamb and kissed me like he had just come back from war. I let him put on a full show until he moved his hand up and cupped my breast. I very discreetly said, “Uh-uh” through our mouths, and he pulled his hand away and slowed the kiss. When we pulled apart, I turned toward Stephen and the bimbo and shot them an ear-splitting smile. “Hey, Steve”—I’d never called him Steve—“Will you text me when the washer is done? I’ll be busy in my apartment for a while.” He nodded, still looking stunned. I grabbed Dylan’s hand and pulled him into the elevator. Once the doors were closed, we both burst into laughter. “You didn’t have to do that,” I said. “I wanted to. That asshole had it coming.” “Well, thank you. You live with your mom, right?” “Yeah.” “Please don’t tell her about this. I can’t imagine what she would think of me.” “I’m not that much younger than you, Kate.” He jabbed me in the arm playfully and smirked. “You need to lighten up. Anyway, my mom would be cool with it.” “Well, I hope I didn’t give you the wrong idea.” “Nah. We’re buddies, I get it. I’m kind of in love with that Ashley chick from the fourth floor. I just have to wait until next month when she turns eighteen, you know?” He wiggled his eyebrows. I laughed. “You two would make a cute couple.” If only it were that simple.
Renee Carlino (Nowhere but Here)
Oh, Matthew," she whispered, moved to tears. "I called it Grace. I hope you don't mind." For the first time, his manner held a hint of shyness, disconcerting in a man who had just made love to her without hesitation or reticence. Gently, she curled her hand around what was inside the box and lifted it to the light. "It's your rose." "No, it's your rose." A heady fragrance filled the air. With one shaking finger, Grace touched a flawless pink petal. The color was unforgettable. It was the most beautiful rose she'd ever seen. Impossible to credit that those unpromising stalks in his courtyard had produced this exquisite bloom. "It's perfect," she whispered. "It's a miracle." He was a miracle. How could she not love the man who conjured this beauty with hands and imagination? The faint smile broadened. Had he worried that she'd reject his gift? Foolish, darling Matthew. The question was whether the rose was a promise of a future or a token of parting. "I worked on it whenever I could. This last year has been busy." An understatement, she knew. The Marquess of Sheene had been a ubiquitous presence in London since his release. Everywhere he went, society feted him as a hero. She'd read of the string of honors he'd received, the friendship with the king, the invitations to join scientific boards and societies. Echoing her gesture, he reached out to touch the petals. The sensitivity of his fingers on the flower reminded her of his hands on her skin. "I did most of the basic experiments when I was a prisoner, but I couldn't get it right." He glanced up with an expression that combined pride and diffidence in a breathtakingly attractive mixture. "This is the first bud, Grace. It appeared almost a year to the day after I promised to wait. It seemed a sign." "And you brought it to me," she said softly, staring at the flower. The anniversary of his release didn't occur for two more days. That date was etched on her longing heart. Then she noticed something else. "My glove," she said blankly. With unsteady hands, she reached in and withdrew a light green kidskin glove from a recess carved away from the damp. The buttery leather was crushed and worn from incessant handling. "Have you kept it all this time?" "Of course." He wasn't smiling anymore and his eyes deepened to a rich, rare gold. Beautiful, unwavering, somber. "You make me want to cry." Her voice emerged so thickly, she didn't sound like herself. She laid the box on the bench and tightened her grip on the soft leather until her knuckles whitened. What was he trying to tell her? What did the rose mean? The glove? Had he carried her glove into his new life like a knight wore his lady's favor into battle? The thought sent choking emotion to her throat.
Anna Campbell (Untouched)
in Solitude; also James Martin’s introduction to Merton and others, Becoming Who You Are), Henri Nouwen (The Inner Voice of Love), Gregory Mayers (Listen to the Desert), Rowan Williams (Tokens of Trust), J. Keith Miller (Compelled to Control) and David Benner (Spirituality and the Awakening Self). Let me also include here Frederica Matthews-Green (The Jesus Prayer and At the Corner of East and Now) for gentle and compelling introductions to Eastern Orthodoxy, a direction to which I never once nodded throughout my entire seminary career, and James Fowler’s classic Stages of Faith. Others I want to mention are M. Holmes Hartshorne (The Faith to Doubt) and Daniel Taylor (The Myth of Certainty and The Skeptical Believer). I could go on, but each of these were one ah-ha moment after another, encouraging in me a different perspective on what the life of faith can look like, which I found both unsettling and also healing and freeing. These books have become old friends.
Peter Enns (The Sin of Certainty: Why God Desires Our Trust More Than Our "Correct" Beliefs)
I began to loosen the reins on the ideology that your work friends are family. It started to feel like cheapening the concept of family by including coworkers. My family, lucky for me, is stable, supportive, and loving. And using that kind of family terminology at work is emotional manipulation, simply a tactic of capitalism to get employees to feel guilty about having personal boundaries and taking days off.
Danielle Prescod (Token Black Girl)