Toilet Graffiti Quotes

We've searched our database for all the quotes and captions related to Toilet Graffiti. Here they are! All 10 of them:

Go along with it, Ed. I am begging. I am on the ground begging you." "You're standing at a urinal about to take a piss." "Don't make me get on the ground. Do you know how many germs there are in a toilet?
Cath Crowley (Graffiti Moon)
The walls of her stall were covered with graffiti. If it had been funny (“Pull here for MFA Degree” right below the toilet paper dispenser) she would’ve stayed longer, but it was mostly weird random names and dates.
Grady Hendrix (Horrorstör)
The window logs Kilburn’s skyline. Ungentrified, ungentrifiable. Boom and bust never come here. Here bust is permanent. Empty State Empire, empty Odeon, graffiti-streaked sidings rising and falling like a rickety roller coaster. Higgledy-piggledy rooftops and chimneys, some high, some low, packed tightly, shaken fags in a box. Behind the opposite window, retreating Willesden. Number 37. In the 1880s or thereabouts the whole thing went up at once – houses, churches, schools, cemeteries – an optimistic vision of Metroland. Little terraces, faux-Tudor piles. All the mod cons! Indoor toilet, hot water. Well-appointed country living for those tired of the city. Fast-forward. Disappointed city living for those tired of their countries.
Zadie Smith (NW)
I'm up for a Shadow hunt." She tries to let us out, but the lock's stuck. "That's weird." "Is this like an omen?" Daisy asks. Jazz unzips her boot and takes it off so she can slam it at the lock. "It's not an omen." Slam. "Tonight." Slam. "Is going to be great." Slam. "I've got a feeling." Slam. She puts her book back on and looks at us. "Okay, we'll have to climb out of here." She stands on the toilet seat and from there to the toilet-roll holder and then heaves herself over the wall. "Impresive," I say, and then we hear her slam to the ground. "Less impressive," Daisy says. "It doesn't mean anything," Jazz calls. "Trust me. I'm a psychic.
Cath Crowley (Graffiti Moon)
Why can't unemployed people clean toilets, remove graffiti from vandalised war memorials, clear wasteland or derelict areas, or even decorate public buildings such as community centres. They could work in charity shops or down the local tip, sorting people’s rubbish out. They could even look after cemeteries, cutting the grass, hedges and shrubs, keeping gravestones clean, or maybe even laying paving slabs for a new path. Or how about putting in raised flower beds in the park?
Karl Wiggins (100 Common Sense Policies to make BRITAIN GREAT again)
It was in this last job that Osman formed most of his convictions about his fellow human beings. No one should try to philosophize on the nature of humanity until they had worked in a public toilet for a couple of weeks and seen the things that people did, simply because they could – destroying the water hose on the wall, breaking the door handle, drawing nasty graffiti everywhere, peeing on the hand towels, depositing every kind of filth and muck all over the place, knowing that someone else would have to clean it up.
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
The photographer was taking pictures with a small pocket camera but the sergeant sent him back to the car for his big Bertillon camera. Grave Digger and Coffin Ed left the cellar to look around. The apartment was only one room wide but four storeys high. The front was flush with the sidewalk, and the front entrance elevated by two recessed steps. The alleyway at the side slanted down from the sidewalk sufficiently to drop the level of the door six feet below the ground-floor level. The cellar, which could only be entered by the door at the side, was directly below the ground-floor rooms. There were no apartments. Each of the four floors had three bedrooms opening on to the public hall, and to the rear was a kitchen and a bath and a separate toilet to serve each floor. There were three tenants on each floor, their doors secured by hasps and staples to be padlocked when they were absent, bolts and chains and floor locks and angle bars to protect them from intruders when they were present. The doors were pitted and scarred either because of lost keys or attempted burglary, indicating a continuous warfare between the residents and enemies from without, rapists, robbers, homicidal husbands and lovers, or the landlord after his rent. The walls were covered with obscene graffiti, mammoth sexual organs, vulgar limericks, opened legs, telephone numbers, outright boasting, insidious suggestions, and impertinent or pertinent comments about various tenants’ love habits, their mothers and fathers, the legitimacy of their children. “And people live here,” Grave Digger said, his eyes sad. “That’s what it was made for.” “Like maggots in rotten meat.” “It’s rotten enough.” Twelve mailboxes were nailed to the wall in the front hall. Narrow stairs climbed to the top floor. The ground-floor hallway ran through a small back courtyard where four overflowing garbage cans leaned against the wall. “Anybody can come in here day or night,” Grave Digger said. “Good for the whores but hard on the children.” “I wouldn’t want to live here if I had any enemies,” Coffin Ed said. “I’d be scared to go to the john.” “Yeah, but you’d have central heating.” “Personally, I’d rather live in the cellar. It’s private with its own private entrance and I could control the heat.” “But you’d have to put out the garbage cans,” Grave Digger said. “Whoever occupied that whore’s crib ain’t been putting out any garbage cans.” “Well, let’s wake up the brothers on the ground floor.” “If they ain’t already awake.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
If anything, the LAPD had long and famously been guilty of overreaction, as they had shown, for example, during the infamous 1988 raid on two small, adjacent apartment buildings on South Central’s Dalton Avenue. There, eighty LAPD officers had stormed the buildings looking for drugs on a bullshit tip. After handcuffing the terrorized residents—including small children and their grandparents—they then spent the next several hours tearing all the toilets from the floors; smashing in walls, stairwells, bedroom sets, and televisions with sledgehammers; slashing open furniture; and then sending it all crashing through windows into the front yard and arresting anyone who happened by to watch. As they were leaving, the officers spray-painted a large board located down the street with some graffiti. “LAPD Rules,” read one message; “Rolling 30s Die” read another. So completely uninhabitable were the apartments rendered that the Red Cross had to provide the occupants with temporary shelter, as if some kind of natural disaster had occurred. No gang members lived there, no charges were ever filed. In the end, the city paid $3.8 million to the victims of the destruction. A report later written by LAPD assistant chief Robert Vernon called it “a poorly planned and executed field operation [that] involved . . . an improperly focused and supervised aggressive attitude of police officers, supervisors and managers toward being ‘at war’ with gang members.” The
Joe Domanick (Blue: The LAPD and the Battle to Redeem American Policing)
Life isn't always burritos and strippers my friend
Toilet graffiti
The single drop of pee made a pitiful splash. Fred sighed as he stood over the cracked toilet bowl that, like him, had seen better days. The public restrooms at Wattle River Reserve weren’t as dirty as he’d feared, though the walls hosted a colorful array of aging graffiti. Another couple of measly drips. Was there a job in the armed forces for people who could urinate in Morse code? If so, he’d be an ideal candidate, though it was unlikely they’d accept eighty-two-year-olds.
Anna Johnston (The Borrowed Life of Frederick Fife)