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I would have come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting.
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Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
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We're staying together," he promised. "You're not getting away from me. Never again.
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Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
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It's okay,” he said. “We're together.” He didn't say you're okay, or we're alive. After all they'd been through over the last year, he knew that the most important thing was that they were together. She loved him for saying that.
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Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
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The Colonel led all the cheers.
Cornbread!" he screamed.
CHICKEN!" the crowd responded.
Rice!"
PEAS!"
And then, all together: "WE GOT HIGHER SATs."
Hip Hip Hip Hooray!" the Colonel cried.
YOU'LL BE WORKIN' FOR US SOMEDAY!
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John Green (Looking for Alaska)
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I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I'd catch myself just walking around to find you, not for any reason, just out of habit, because I'd seen something that I wanted to tell you about or because I wanted to hear your voice. And then I'd realize that you weren't there anymore, and every time, every single time, it was like having the wind knocked out of me. I've risked my life for you. I've walked half the length of Ravka for you, and I'd do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don't tell me why we don't belong together," he said fiercely.
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Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
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Daemon pressed his forehead against mine. "Oh, I still want to strangle you. But I'm insane. You're crazy. Maybe that's why. We just make crazy together.
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Jennifer L. Armentrout (Onyx (Lux, #2))
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The white man is very clever. He came quietly and peaceably with his religion. We were amused at his foolishness and allowed him to stay. Now he has won our brothers, and our clan can no longer act like one. He has put a knife on the things that held us together and we have fallen apart.
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Chinua Achebe (Things Fall Apart (The African Trilogy, #1))
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Percy, let me go" she croaked. "You can't pull me up."
His face was white with effort. She could see in his eyes that he knew it was hopeless.
"Never," he said. He looked up at Nico, fifteen feet above.
"The other side, Nico! We'll see you there. Understand?"
Nico's eyes widened. "But-"
"Lead them!" Percy shouted. "Promise me!"
"I-I will."
Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess.
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A one-way trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see.
Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
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Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
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It is also then that I wish I believed in some sort of life after life, that in another universe, maybe on a small red planet where we have not legs but tails, where we paddle through the atmosphere like seals, where the air itself is sustenance, composed of trillions of molecules of protein and sugar and all one has to do is open one's mouth and inhale in order to remain alive and healthy, maybe you two are there together, floating through the climate. Or maybe he is closer still: maybe he is that gray cat that has begun to sit outside our neighbor's house, purring when I reach out my hand to it; maybe he is that new puppy I see tugging at the end of my other neighbor's leash; maybe he is that toddler I saw running through the square a few months ago, shrieking with joy, his parents huffing after him; maybe he is that flower that suddenly bloomed on the rhododendron bush I thought had died long ago; maybe he is that cloud, that wave, that rain, that mist. It isn't only that he died, or how he died; it is what he died believing. And so I try to be kind to everything I see, and in everything I see, I see him.
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Hanya Yanagihara (A Little Life)
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Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..."
"No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..."
"Everyone except us! And you and I could live here forever and just love each other."
"I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..."
"I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..."
They lay side by side, hand in hand, looking at the sky.
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Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
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I don’t want to leave. I’m not sure how to carry on without you. We’ve always been together.
“And that will never change. You’ll still be able to watch over me and keep me safe.”
I’m not going to say goodbye then. See you later?
“You bet,” Karlee said. “But not for another sixty years or so.
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Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
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This is Detective Ashford Ishikawa. Who am I speaking with?”
“My name is Jack Ludefance. I’m a private investigator from Santa Rosaria and I’ve been retained by Cindy Hastings through her lawyer, Mr. Hooks, to investigate her father’s murder. Is there way we can get together to talk?”
“Why? What are we going to talk about, Mr. Ludefance?”
“As I said, Detective Ishikawa, I’ve been hired to investigate the case. I’ve read the police reports. My hat is off to you. Very thorough work.”
“Just doing my job. If you’ve read them, and I won’t ask how you got them, I’ll ask you again, what is there for us to talk about?”
“Detective, I’m not trying to do your job and I’m not asking you to do my job. This is of mutual interest to both of us. The sooner we solve the crime the better, yes? Think of it this way. I’m your helper.
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Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
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How can I explain to you, my happiness, my golden wonderful happiness, how much I am all yours — with all my memories, poems, outbursts, inner whirlwinds? Or explain that I cannot write a word without hearing how you will pronounce it — and can’t recall a single trifle I’ve lived through without regret — so sharp! — that we haven’t lived through it together — whether it’s the most, the most personal, intransmissible — or only some sunset or other at the bend of a road — you see what I mean, my happiness?
And I know: I can’t tell you anything in words — and when I do on the phone then it comes out completely wrong. Because with you one needs to talk wonderfully, the way we talk with people long gone… in terms of purity and lightness and spiritual precision… You can be bruised by an ugly diminutive — because you are so absolutely resonant — like seawater, my lovely.
I swear — and the inkblot has nothing to do with it — I swear by all that’s dear to me, all I believe in — I swear that I have never loved before as I love you, — with such tenderness — to the point of tears — and with such a sense of radiance.
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Vladimir Nabokov (Letters to Vera)
“
I sought a soul that might resemble mine, and I could not find it. I scanned all the crannies of the earth: my perseverance was useless. Yet I could not remain alone. There had to be someone who would approve of my character; there had to be someone with the same ideas as myself. It was morning. The sun in all his magnificence rose on the horizon, and behold, there also appeared before my eyes a young man whose presence made flowers grow as he passed. He approached me and held out his hand: “I have come to you, you who seek me. Let us give thanks for this happy day.” But I replied: “Go! I did not summon you. I do not need your friendship… .” It was evening. Night was beginning to spread the blackness of her veil over nature. A beautiful woman whom I could scarcely discern also exerted her bewitching sway upon me and looked at me with compassion. She did not, however, dare speak to me. I said: “Come closer that I may discern your features clearly, for at this distance the starlight is not strong enough to illumine them.” Then, with modest demeanour, eyes lowered, she crossed the greensward and reached my side. I said as soon as I saw her: “I perceive that goodness and justice have dwelt in your heart: we could not live together. Now you are admiring my good looks which have bowled over more than one woman. But sooner or later you would regret having consecrated your love to me, for you do not know my soul. Not that I shall be unfaithful to you: she who devotes herself to me with so much abandon and trust — with the same trust and abandon do I devote myself to her. But get this into your head and never forget it: wolves and lambs look not on one another with gentle eyes.” What then did I need, I who rejected with disgust what was most beautiful in humanity!
”
”
Comte de Lautréamont (Maldoror and the Complete Works)
“
Maybe we’re two mangled, jagged pieces who could click together, despite all the fires burning around us.
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Nyla K. (Distorted (Alabaster Penitentiary, #1))
“
Henry is a human being, just as you are a human being. Consider yourself for a moment—everything you’ve overcome, everything you’ve survived. Think of the people who loved you up into your now. Think of how hard school is or was, how you were lucky or blessed to meet people you could love and who could love you. Think about how rare and precious humans are, and how many of them you get to worry for and care about. Then, if you can, find a way to multiply that times 1,250,000. That is why we must work together to end tuberculosis and all other diseases of injustice.
”
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John Green (Everything Is Tuberculosis: The History and Persistence of Our Deadliest Infection)
“
To unmask is to lay bare a proud face of noncompliance, to refuse to be silenced, to stop being compartmentalized and hidden away, and to stand powerfully in our wholeness alongside other disabled and marginalized folks. Together we can stand strong and free, shielded by the powerful, radical acceptance that comes only when we know who we are, and with the recognition that we never had anything to hide.
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Devon Price (Unmasking Autism: Discovering the New Faces of Neurodiversity)
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To work with others, invite them to your repository. Go to your repo settings. Find the “Collaborators” section. Enter the username of the person. Click “Add collaborator”. They will receive an email. They need to accept the invite. Now, they can help you with the code. This makes working together easy and smooth.
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I love you. I’m sorry you got wrapped up in all this madness, but the other part of me is glad you’re by my side. We’re better together.
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It just keeps getting better. The more you know and love and respect your partner, the more vulnerable you are together, the better everything gets. And I do mean everything.
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Why is he using so many identities?” Sarah asks what I’m wondering out loud, her voice barely audible. “Why did you tell me about a Robbie and not a Robert?” “Robert is Robbie and Bo,” Caleb clarifies, as if we haven’t put that together. “Cora insisted on calling him Robert. My dad started calling him Robbie, so I did too. I think he mostly goes by Bo these days.” “So this is Robert who left his fiancée out of the blue? That Robert?” Sarah asks, pacing in small circles.
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Hannah Bonam-Young (Out on a Limb)