“
May the hair on your toes never fall out!
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
I cannot go to school today"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry.
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox.
And there's one more - that's seventeen,
And don't you think my face looks green?
My leg is cut, my eyes are blue,
It might be the instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke.
My hip hurts when I move my chin,
My belly button's caving in.
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My toes are cold, my toes are numb,
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There's a hole inside my ear.
I have a hangnail, and my heart is ...
What? What's that? What's that you say?
You say today is .............. Saturday?
G'bye, I'm going out to play!
”
”
Shel Silverstein
“
I've always found that the most beautiful people, truly beautiful inside and out, are the ones who are quietly unaware of their effect." His eyes searched mine intently, and for a moment we stood there toe to toe. "The ones who throw their beauty around, waste what they have? Their beauty is only passing. It's just a shell hiding nothing but shadows and emptiness.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Speak in French when you can’t think of the English for a thing--
turn your toes out when you walk---
And remember who you are!
”
”
Lewis Carroll (Through The Looking Glass)
“
FROZEN DREAM
I'll take the dream I had last night
And put it in my freezer,
So someday long and far away
When I'm an old grey geezer,
I'll take it out and thaw it out,
This lovely dream I've frozen,
And boil it up and sit me down
A dip my old cold toes in.
”
”
Shel Silverstein (A Light in the Attic)
“
Argh!" Thalia pushed me, and a shock went through my body that blew me backward ten feet into the water. Some of the campers gasped. A couple of the Hunters stifled laughs.
"Sorry!" Thalia said, turning pale. "I didn't mean to—"
Anger roared in my ears. A wave erupted from the creek, blasting into Thalia's face and dousing her from head to toe.
I stood up. "Yeah," I growled. "I didn't mean to, either."
Thalia was breathing heavily.
"Enough!" Chiron ordered.
But Thalia held out her spear. "You want some, Seaweed Brain?"
Somehow, it was okay when Annabeth called me that — at least, I'd gotten used to it — but hearing it from Thalia was not cool.
"Bring it on, Pinecone Face!
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
My body becomes a raft and there's this part of me that wants just literally to go with the flow. To close my eyes and let it take me. But I know sooner or later I will have to get out, that I need to feel the earth beneath my feet, between my toes - the splinters, the bindi-eyes, the burning sensation of hot dirt, the sting of cuts, the twigs, the bites, the heat, the discomfort, the everything. I need desperately to feel it all, so when something wonderful happens, the contrast will be so massive that I will bottle the impact and keep it for the rest of my life.
”
”
Melina Marchetta (On the Jellicoe Road)
“
Gandalf, dwarves and Mr. Baggins! We are met together in the house of our friend and fellow conspirator, this most excellent and audacious hobbit—may the hair on his toes never fall out!
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
Did you ever, when you were little, endure your parents’ warnings, then wait for them to leave the room, pry loose protective covers and consider inserting some metal object into an electrical outlet?
Did you wonder if for once you might light up the room?
When you were big enough to cross the street on your own, did you ever wait for a signal, hear the frenzied approach of a fire truck and feel like stepping out in front of it?
Did you wonder just how far that rocket ride might take you?
When you were almost grown, did you ever sit in a bubble bath, perspiration pooling, notice a blow dryer plugged in within easy reach, and think about dropping it into the water?
Did you wonder if the expected rush might somehow fail you?
And now, do you ever dangle your toes over the precipice, dare the cliff to crumble, defy the frozen deity to suffer the sun, thaw feather and bone, take wing to fly you home?
”
”
Ellen Hopkins (Burned (Burned, #1))
“
Wait a second," Four says. I turn toward him, wondering which version of Four I'll see now-the one who scolds me, or the one who climbs Ferris wheels with me. He smiles a little, but the smile doesn't spread to his eyes, which look less tense and worried.
"You belong here, you know that?" he says. "You belong with us. It'll be over soon, so just hold on, okay?"
He scratches behind his ear and looks away, like he's embarrassed by what he said.
I stare at him. I feel my heartbeat everywhere, even in my toes. I feel like doing something bold, but I could just as easily walk away. I am not sure which option is smarter, or better. I am not sure that I care.
I reach out and take his hand. His fingers slide between mine. I can't breathe.
I stare up at him, and he stares down at me. For a long moment, we stay that way. Then I pull my hand away and run after Uriah and Lynn and Marlene. Maybe now he thinks I'm stupid, or strange. Maybe it was worth it.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
There's nothing to stop a man from writing unless that man
stops himself. If a man truly desires to write, then he will.
Rejection and ridicule will only strengthen him. And the longer
he is held back the stronger he will become, like a mass of rising
water against a dam. There is no losing in writing, it will make your toes laugh
as you sleep, it will make you stride like a tiger, it will fire
the eye and put you face to face with death. You will die a fighter,
you will be honored in hell. The luck of the word. Go with it, send it.
”
”
Charles Bukowski (The Captain is Out to Lunch and the Sailors Have Taken Over the Ship)
“
You should dress her better, you know."
"I'm not interested in putting clothes on her," Adrian called as he steered me away.
"Watch it," I warned through gritted teeth, "or you might be the one with the wineglass in your face."
"I'm playing a part, little dhampir. One that's going to make sure you stay out of trouble." Adrian gave me a head-to-toe assessment. "That guy was right about the clothes, though.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Sometimes, Gansey forgot how much he liked school and how good he was at it. But he couldn't forget it on mornings like this one—fall fog rising out of the fields and lifting in front of the mountains, the Pig running cool and loud, Ronan climbing out of the passenger seat and knocking knuckles on the roof with teeth flashing, dewy grass misting the black toes of his shoes, bag slung over his blazer, narrow-eyed Adam bumping fists as they met on the sidewalk, boys around them laughing and calling to one another, making space for the three of them because this had been a thing for so long: Gansey-Lynch-Parrish.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
A sleepy smile pulled at my lips as I rolled onto my stomach, stretching my legs out and pointing my toes. The sheets slipped over my bare skin and ended up somewhere at the foot of my bed. There was either a perverted ghost in my bedroom or Cam was wide awake.
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
Ron's ears turned bright red and he become engrossed in a tuft of grass at his feet, which he prodded with his toe 'he must've known I'd run out on you'.
'No', Harry corrected him, 'He must've known you'd always want to come back
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Love doesn't always curl your toes sometimes it takes a bite right out of your soul.
”
”
Stanley Victor Paskavich
“
There will be other lives.
There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands.
And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions.
And there will be other lives for fathers walking daughters down aisles.
And there will be other lives for sweet babies with skin like milk.
And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything.
Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.
”
”
Gabrielle Zevin (Elsewhere)
“
Nina threw herself into a chair at the table and wriggled her feet out of her jewelled slippers, digging her toes into the plush white carpet. “Ahhh,” she said contentedly. “So much better.” She shoved one of the cakes from the coffee service into her mouth and mumbled, “What do you want, Kaz?”
“You have crumbs on your cleavage.”
“Don’t care,” she said, taking another bite of cake. “So hungry.”
Kaz shook his head, amused and impressed at how quickly Nina dropped the wise Grisha priestess act. She’d missed her true calling on the stage.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I don’t care what color your hair is, if you’re pale or tan, if you have makeup on or just woke up all I care about is that when I look at you, you always look back and see me. You’re beautiful inside and out and if you wanted to tattoo all that pretty white skin from head to toe I would be honored to put it there for you but if not I’ll take you all smooth and milky white any chance I get.
”
”
Jay Crownover (Rule (Marked Men, #1))
“
...you, the privileged, the chosen, the pampered, with nothing to do but go to school, hang out, do a little studying, go to college, get into a money-making racket, grow into your fat forties, still whining, still complaining, when there are millions around the world who'd offer fingers and toes to be in your seats, nicely clothed, well fed, with the world by the balls.
”
”
Frank McCourt ('Tis)
“
Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.
”
”
Ian McEwan (Atonement)
“
Once upon a time,” I began. “There was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out.
“Now his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what it was for, but she didn’t know. Next he asked his father, but his father didn’t know. He asked his grandparents, but they didn’t know either.
“That settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it.
“He went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldn’t make heads or tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it.
“He went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didn’t know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didn’t know. The boy followed the road over the Stormwal to ask the witch women of the Tahl, but none of them could give him an answer.
“Eventually he went to the King of Vint, the richest king in the world. But the king didn’t know. He went to the Emperor of Atur, but even with all his power, the emperor didn’t know. He went to each of the small kingdoms, one by one, but no one could tell him anything.
“Finally the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boy’s belly button. Then the high king made a gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from around his neck, opened the box, and inside was a golden screwdriver.
“The high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boy’s belly button.”
I paused to take a long drink of water. I could feel my small audience leaning toward me. “Then the
high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boy’s ass fell off.”
There was a moment of stunned silence.
“What?” Hespe asked incredulously.
“His ass fell off.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
It is not an easy thing to do, walk away from what you’ve built and save yourself. Destroying Phoebe’s marriage felt like destroying herself. Walking out of the classroom felt like killing the twenty-two-year-old who tried to save her own life by applying to graduate school. It is so much easier to sit in things and wait for something to save us. For the past two years, Phoebe sat in the bad things the way she used to sit in the snow as a child. An hour would go by and it would be very hard for her to get back up. Eventually she looked down at her toes and became confused: Why are they frozen? It was her father who picked her up, said, It’s time to come inside. But now she has to learn when it’s time to come inside. She has to learn to check in with her toes when nobody else is looking. To care for them when no one else will.
”
”
Alison Espach (The Wedding People)
“
Time was something that largely happened to other people; he viewed it in the same way that people on the shore viewed the sea. It was big and it was out there, and sometimes it was an invigorating thing to dip a toe into, but you couldn't live in it all the time. Besides, it always made his skin wrinkle.
”
”
Terry Pratchett (Thief of Time (Discworld, #26))
“
But I will stretch my toes so that they touch the rail at the end of the bed; I will assure myself, touching the rail, of something hard. Now I cannot sink; cannot altogether fall through the thin sheet now. Now I spread my body on this frail mattress and hang suspended. I am above the earth now. I am no longer upright, to be knocked against and damaged. All is soft, and bending. Walls and cupboards whiten and bend their yellow squares on top of which a pale glass gleams. Out of me now my mind can pour.
”
”
Virginia Woolf (The Waves)
“
Standing Here
My entire world far beneath
my feet, I should be filled
with pride. Instead, I feel
overwhelmed by a sense of defeat.
Suddenly it comes to me,
toes tempted to test the ledge,
that there is a way out of this.
Clam surety flows through
my veins, and as I turn to wave
good-bye, I wonder if it will
hurt or if a single person
will cry at my funeral.
I take a deep breath, a final
taste of sweet mountain air.
I conjure Leona, Emily.
Move my feet closer. Closer
There's Grandma One, Grandma
Two, and their spouses, waiting
for me. I see Dad. Cara. Mommy.
I screw up my courage, step over
”
”
Ellen Hopkins (Impulse (Impulse, #1))
“
Whispering against her ear, he confessed, "When I'm really stressed out...I play with my toes."
Gwen leaned back a bit and stared at him. "Seriously?"
"It's really relaxing and very bearlike."
And very weird. And yet..."I'm oddly comforted by this information.
”
”
Shelly Laurenston (The Mane Squeeze (Pride, #4))
“
I tried to warn you,
But girls never listen.
Got your innocence insured?
’Cause it’s ’bout to be stolen
Right out from under your nose.
Prepare to curl your toes.
I’ve got a one-track mind.
You’ve got a nice behind.
Chorus:
I had a good thing goin’
All numb in my shell,
Then you took me by surprise
And now I’m scared as hell.
I don’t wanna feel for you,
I don’t wanna feel.
If feeling means hurting,
Then I don’t wanna be real.
You crank up my lust, girl,
You tame down my rage.
You let your inner vixen
Roam out of her cage.
The moment our lips met
I saw it in your eyes,
But you were seeing me,
too, I now realize.
Chorus
What do I want from you?
I want everything.
And I’m not gonna share—
This ain’t a casual fling.
You can be my bad girl,
I’ll even be your good boy.
How’d the tables get turned?
F*** it, I’ll be your love toy.
”
”
Wendy Higgins (Sweet Peril (Sweet, #2))
“
Two gasps rang out. The first one came from Clara, the second from Fezzo. One moment they'd been looking at a mound of concrete, and now they were staring at two human feet. They were crossed at the ankle so that tops of the feet faced each other and rested toe to toe.
”
”
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Finding a prince might mean kissing a lot of frogs. Or kicking a lot of frogs out of your house. Falling might mean running headfirst into something you always wanted. Or dipping your toe into something you've been scared of your whole life. Happily ever after could be waiting in a field a mile wide. Or a window as narrow as seven minutes.
”
”
Kiera Cass (The Crown (The Selection, #5))
“
I'll go with you," Alec said, looking at Isabelle and Simon with suspicious eyes.
"If you must," said Isabelle with exaggerated indifference.
"I should warn you we'll be making out in the dark. Big, sloppy make-outage."
Simon looked startled.
"We are -" he began, but Isabelle stomped on his toe, and he quieted.
"Make-outage?" said Clary.
"Is that a word?"
Alec looked ill.
"I suppose I could stay here.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Late in the afternoon, thunder growling, that same old green pickup rolled in and he saw Jack get out of the truck, beat up Resistol tilted back. A hot jolt scalded Ennis and he was out on the landing pulling the door closed behind him. Jack took the stairs two and two. They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack’s big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis’s straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other’s toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and his daughters, little darlin.
”
”
Annie Proulx (Brokeback Mountain)
“
What can you do if you are thirty and, turning the corner of your own street, you are overcome, suddenly, by a feeling of bliss - absolute bliss - as though you'd suddenly swallowed a bright piece of that late afternoon sun and it burned in your bosom, sending out a little shower of sparks into every particle into every finger and toe?...
”
”
Katherine Mansfield (Something Childish But Very Natural)
“
Ryder, we got a problem,” Ristan called from beyond the other side of the etched-glass shower door.
“Someone had better be dying, Ristan,” Ryder growled when he'd pulled
away from kissing me.
“They might be. You need to come see this.”
“We will be right there,” Ryder called out as I slid down his hard body.
He watched me with a smirk and then placed his hand on my arm to move me from beneath the water, so he could rinse off. I watched him, unable to pull my eyes off of his hands as they roved over his body.He was quicksand,
and I was sinking.
“Did you say we?” Ristan asked.
I blushed from my head to my Paint Your Toron-Toes Rose colored toenails. I opened the shower door and stepped out meeting Ristan's eyes. “Don't ask.”
“How the…did you sift into his shower?” he asked, bubbling with laughter.
“I said don't ask! It wasn't my fault. I was sleeping!” I shouted as both men laughed even harder.
“Real mature, just real fucking mature!
”
”
Amelia Hutchins (Taunting Destiny (The Fae Chronicles, #2))
“
Although this scouting gig sounded like a financial hit, it made Nonie extremely nervous. She feared someone slip--that someone being Buggy--and others would find out Nonie's secret. And if the wrong person caught wind that she could see and speak to the dead, word would spread through Clay Point like ants at a picnic.
”
”
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
“
May the hair on his toes never fall out! all praise to his wine and ale!
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
When I was young I found out that the big toe always ends up making a hole in a sock.
So I stopped wearing socks.
”
”
Albert Einstein
“
Don’t you two girls have something better to do, like pick out toe lint? (Acheron)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.
Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds.
Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look.
The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
”
”
Charles Dickens (Bleak House)
“
didn’t matter if she had eight toes or ten, amber eyes or blue. What mattered was what she set out to do.
”
”
Robert Beatty (Serafina and the Black Cloak (Serafina, #1))
“
You worry so much about protecting your toes that you miss out on the joy of the dance.
”
”
Georgia Cates
“
I wondered if the fire had been out to get me. I wondered if all fire was related, like Dad said all humans were related, if the fire that had burned me that day while I cooked hot dogs was somehow connected o the fire I had flushed down the toilet and the fire burning at the hotel. I didn't have the answers to those questions, but what I did know was that I lived in a world that at any moment could erupt into fire. It was the sort of knowledge that kept you on your toes.
”
”
Jeannette Walls (The Glass Castle)
“
Sean does the sweep of his eyes that he does, the one that goes from my head to my toes and back again and makes me feel that he's scanning the depths of my soul and teasing out my motivations and sins. It's worse than confession with Father Mooneyham. At the end of it, he says, "If you help, this will go faster.
”
”
Maggie Stiefvater (The Scorpio Races)
“
Oh, Lillian. Trying to make order of the chaos that is love is like trying to figure out why chocolate ice cream makes your toes curl.
”
”
Shelly Crane (Revolution (Collide, #4))
“
I let out a slow breath, wondering if someone had slipped LSD into the water. Because the past two months spent with Lachlan had felt like a trip, replete with swirling color, levitation, toe-curling pleasure and the type of madness that incites uncontrollable laughter and tears.
”
”
J.J. Sorel (A Taste of Peace)
“
We’re riders,” he says, as if that’s explanation enough. He takes hold of my hands and brings them to his chest. “So do whatever you need to get it out. You want to yell? Yell at me. You want to hit something? Hit me. I can take it.”
Hitting him is the last thing I want to do, and suddenly, I’m done fighting it.
“Come on,” he whispers. “Show me what you’ve got.”
I surge up on my toes and kiss him
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
The grass whispered under his body. He put his arm down, feeling the sheath of fuzz on it, and, far away, below, his toes creaking in his shoes. The wind sighed over his shelled ears. The world slipped bright over the glassy round of his eyeballs like images sparked in a crystal sphere. Flowers were sun and fiery spots of sky strewn through the woodland. Birds flickered like skipped stones across the vast inverted pond of heaven. His breath raked over his teeth, going in ice, coming out fire. Insects shocked the air with electric clearness. Ten thousand individual hairs grew a millionth of an inch on his head. He heard the twin hearts beating in each ear, the third heart beating in his throat, the two hearts throbbing his wrists, the real heart pounding his chest. The million pores on his body opened.
I'm really alive! he thought. I never knew it before, or if I did I don't remember!
”
”
Ray Bradbury (Dandelion Wine)
“
When you're scared - and I mean really scared, not just hearing a noise in the night, or standing toe to toe with someone twice your size who wants to pound you into the earth - it feels as if you're being injected with darkness. It's like black water as cold as ice settling in your body where your blood and marrow used to be, pushing every other feeling out as it fills you from your feet to your scalp. It leaves you with nothing.
”
”
Alexander Gordon Smith (Solitary (Escape from Furnace, #2))
“
He made me feel alive. He'd dragged me out of the gray world I'd been living in and taught me how to see colors again. In a sea of men who barely put in any effort, this man stood out for going above and beyond. He was the definition of "If he wanted to, he would." Because he'd done for me what no one else ever had: he not only met but exceeded my needs, both physically and emotionally. He kept me on my toes, never knowing what he would do next. And he did it all while making me blush and laugh, often at the same time.
”
”
Navessa Allen (Lights Out (Into Darkness, #1))
“
It’s the first thing I always say at our new employee training seminars. I gaze around the room, pick one person, and have him stand up. And this is what I say: I have some good news for you, and some bad news. The bad news first. We’re going to have to rip off either your fingernails or your toenails with pliers. I’m sorry, but it’s already decided. It can’t be changed. I pull out a huge, scary pair of pliers from my briefcase and show them to everybody. Slowly, making sure everybody gets a good look. And then I say: Here’s the good news. You have the freedom to choose which it’s going to be—your fingernails, or your toenails. So, which will it be? You have ten seconds to make up your mind. If you’re unable to decide, we’ll rip off both your fingernails and your toenails. I start the count. At about eight seconds most people say, ‘The toes.’ Okay, I say, toenails it is. I’ll use these pliers to rip them off. But before I do, I’d like you to tell me something. Why did you choose your toes and not your fingers? The person usually says, ‘I don’t know. I think they probably hurt the same. But since I had to choose one, I went with the toes.’ I turn to him and warmly applaud him. And I say, Welcome to the real world.
”
”
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
“
Look at that amazing display of sparkle! And feel that wind? It's trying to tickle your toes,
”
”
Sharon M. Draper (Out of My Mind (Out of My Mind, #1))
“
Isabelle had cut off her toes, but sometimes she could still feel them. Maman had cut out her heart. Sometimes, she could still feel that, too.
”
”
Jennifer Donnelly (Stepsister)
“
You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion empty of all perception, an astonishing farce of misperception. And yet what are we to do about this terribly significant business of "other people," which gets bled of the significance we think it has and takes on instead a significance that is ludicrous, so ill-equipped are we all to envision one another's interior workings and invisible aims? Is everyone to go off and lock the door and sit secluded like the lonely writers do, in a soundproof cell, summoning people out of words and then proposing that these word people are closer to the real thing than the real people that we mangle with our ignorance every day? The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that—well, lucky you.
”
”
Philip Roth (American Pastoral)
“
There are people who want to know about everything in the minutest detail, like accountants or lawyers. But show a toe sticking out of a hole in a sock to a poet and it is enough to produce an image of the whole world in him.
”
”
Tarkovsky (Sculpting in Time)
“
You are not a fool,” he whispered. “You can never be a fool. You’re total class from top to toe. You’re also a klutz. Own that, baby, because it’s cute and because it’s you. If you learn to accept yourself just as you are, learn to laugh at your quirks instead of hating them, show the world all that’s you without tryin’ to hide things that are not even a little unattractive, that makes you more attractive. What you got is a fuckuva lot. You own all of it and let it all hang out, you’ll go off-the-charts.
”
”
Kristen Ashley (The Will (Magdalene, #1))
“
You're going to take him on by yourself?" Curran's voice asked at my side. He sounded amused.
"If I wait any longer, I won't go in," I said. My knees tembled. My teeth chattered in my mouth.
He grabbed me and kissed me. The kiss sent a wave of heat from my lips all the way to my toes. Curran's eyes laughed. "For luck," he whispered, his breath a hot cloud on my ear.
I broke free and wiped my mouth on the back of my hand. "When we're done with the upir," I growled, "I'll give you that fight you've been wanting."
"Much better," Curran said.
"If you lovebirds are done," Nick said. "Get out of my way.
”
”
Ilona Andrews (Magic Bites (Kate Daniels, #1))
“
I bet it’s easy for you,” Celeste said, as she examined her fingers and toes.
“What? Flirting?” “Yes.” “Depends. There’s flirting,” Julie said, jokingly pushing her chest out, “and then there’s flirting.” She tapped the side of her temple. “It’s the second one that’s hard because you’re putting more of yourself out there.
”
”
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
“
Resonably neat and clean?" Adrienne said incredulously. "that man is flawless from head to toe! He makes David and the Greek gods and Pan seem all out of proportion. He is raw sex in a bottle, uncorked. And somebody should cork it! He's -accck! Bah!" Adrienne spluttered and stuttered as she belatedly realised her words. Lydia was laughing so hard tears misted her eyes.
”
”
Karen Marie Moning
“
Sean does that slow sweep of his eyes that he does, the one that goes from my head to my toes and back again and makes me feel that he's scanning the depths of my soul and teasing out my motivations and sins. It's worse than confession with Father Mooneyham.
”
”
Maggie Stiefvater (The Scorpio Races)
“
How's your foot?” Hadrian asked.
“It hurts.”
“He had a good hold.”
“Bit right through my boot.”
“Yeah, that looked painful.”
“So why exactly didn't you help?”
Hadrian shrugged. “It was a dog, Royce. A cute, little dog. What did you want me to do, kill
an innocent little animal?”
Royce tilted his head, squinting into the light of the late evening sun to focus on his friend.
“Is that a joke?”
“It was a puppy.”
“It was not a puppy, and it was eating my foot.”
“Yeah, but you were invading his home.”
....
“You know, you didn't have to throw it out the window,” Hadrian said as they walked.
Royce, who was still preoccupied with his foot, looked up. “What did you want me to do
with it? Scratch behind the little monster’s ears as it gnawed my toes off? What if it started barking?
That would have been a fine mess.”
“It's a good thing there was a moat right under the window.”
Royce stopped. “There was?
”
”
Michael J. Sullivan (The Viscount and the Witch (The Riyria Chronicles, #1.5))
“
I'm not asking you for a second chance. I know better than that. But you've got no right to ask me to settle for sex then expect me to give up the one thing that's kept me going. I gave you up, now I'm taking what's left.”
“You didn't give me up,” she tossed back. “You never wanted me.”
“I never wanted anything the way I wanted you. I loved you.” He dragged her painfully to her toes. “I've always loved you. I cut my own heart out when I sent you away.
”
”
Nora Roberts (The Reef)
“
If peace comes from seeing the whole,
then misery stems from a loss of perspective.
We begin so aware and grateful. The sun somehow hangs there in the sky. The little bird sings. The miracle of life just happens. Then we stub our toe, and in that moment of pain, the whole world is reduced to our poor little toe. Now, for a day or two, it is difficult to walk. With every step, we are reminded of our poor little toe.
Our vigilance becomes: Which defines our day—the pinch we feel in walking on a bruised toe, or the miracle still happening?
It is the giving over to smallness that opens us to misery. In truth, we begin taking nothing for granted, grateful that we have enough to eat, that we are well enough to eat. But somehow, through the living of our days, our focus narrows like a camera that shutters down, cropping out the horizon, and one day we’re miffed at a diner because the eggs are runny or the hash isn’t seasoned just the way we like.
When we narrow our focus, the problem seems everything. We forget when we were lonely, dreaming of a partner. We forget first beholding the beauty of another. We forget the comfort of first being seen and held and heard. When our view shuts down, we’re up in the night annoyed by the way our lover pulls the covers or leaves the dishes in the sink without soaking them first.
In actuality, misery is a moment of suffering allowed to become everything. So, when feeling miserable, we must look wider than what hurts. When feeling a splinter, we must, while trying to remove it, remember there is a body that is not splinter, and a spirit that is not splinter, and a world that is not splinter.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
You should climb around inside my brain, Dan. It's like this dark room surrounded by quicksand."
"I know what you mean," her brother said quietly. "I hate being in my brain sometimes. I have to get out."
"What do you do?" Amy asked.
Dan shrugged "I go to other places. My toes. My shoulders. But mostly here." He tapped his chest and immediately reddened. "I know. It's stupid."
"Not really," Amy said. "I wish I could do that, too.
”
”
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
“
A young man and woman walked past - a handsome young man and pretty young woman, the man in a seersucker suit and the woman in an old-fashioned summer dress - and they were walking a bit apart from one another with a space between them, and the man was looking straight ahead and the woman had her arms crossed against her chest, hugging herself, looking down at her feet, at her toes that peeked out the open fronts of her shoes, and they both had the same gleefully suppressed smile on their faces, and I knew that they were freshly in love, perhaps they had fallen in love having dinner in some restaurant with a garden or tables on the sidewalk, perhaps they had not even kissed yet, and they walked apart because they thought they had their whole lives to walk close together, touching, and wanted to anticipate the moment they touched for as long as possible, and they passed my without noticing me and Miro. Something about watching them made me sad. I think it was too lovely: the summer night, the open-toed shoes, their faces rapt with momentarily ramped-down joy. I felt I had witnessed their happiest moment, the pinnacle, and they were already walking away from it, but they did not know it.
”
”
Peter Cameron (Someday This Pain Will Be Useful to You)
“
Sometimes I’d get mad because things didn’t work out so well, I’d spoil a flapjack, or slip in the snowfield while getting water, or one time my shovel went sailing down into the gorge, and I’d be so mad I’d want to bite the mountaintops and would come in the shack and kick the cupboard and hurt my toe. But let the mind beware, though the flesh be bugged, the circumstances of existence are pretty glorious.
”
”
Jack Kerouac (The Dharma Bums)
“
Give him the most toe-curling, leg-shaking, dick-throbbing, sheet-gripping, soul-sucking, ball-draining head of his life.
”
”
Navessa Allen (Lights Out)
“
I felt as if the Milky Way, hovering above our heads like a celestial pitcher, had suddenly overturned, pouring suns and planets down my throat. Stars seemed to be shooting out of my finger and toes, the ends of my hair.
”
”
Meg Cabot (Abandon (Abandon, #1))
“
We can see through all your disguises: the paths of day, the paths of darkness, whichever paths you take - we're right behind you, following you like a trail of smoke, like a long tail, a tail made of girls, heavy as memory, light as air: twelve accusations, toes skimming the ground, hands tied behind our backs, tongues sticking out, eyes bulging, songs choked in our throats.
”
”
Margaret Atwood (The Penelopiad)
“
Breathing in, let golden light come into you through your head, because it is there that the Golden Flower is waiting. That golden light will help. It will cleanse your whole body and will make it absolutely full of creativity. This is male energy. Then when you exhale, let darkness, the darkest you can conceive, like a dark night, river-like, come from your toes upwards—this is feminine energy: it will soothe you, it will make you receptive, it will calm you, it will give you rest—and let it go out of the head. Then inhale again, and golden light enters in.
”
”
Osho (The secret of secrets)
“
Dearest creature in creation,
Study English pronunciation.
I will teach you in my verse
Sounds like corpse, corps, horse, and worse.
I will keep you, Suzy, busy,
Make your head with heat grow dizzy.
Tear in eye, your dress will tear.
So shall I! Oh hear my prayer.
Just compare heart, beard, and heard,
Dies and diet, lord and word,
Sword and sward, retain and Britain.
(Mind the latter, how it’s written.)
Now I surely will not plague you
With such words as plaque and ague.
But be careful how you speak:
Say break and steak, but bleak and streak;
Cloven, oven, how and low,
Script, receipt, show, poem, and toe.
Hear me say, devoid of trickery,
Daughter, laughter, and Terpsichore,
Typhoid, measles, topsails, aisles,
Exiles, similes, and reviles;
Scholar, vicar, and cigar,
Solar, mica, war and far;
One, anemone, Balmoral,
Kitchen, lichen, laundry, laurel;
Gertrude, German, wind and mind,
Scene, Melpomene, mankind.
Billet does not rhyme with ballet,
Bouquet, wallet, mallet, chalet.
Blood and flood are not like food,
Nor is mould like should and would.
Viscous, viscount, load and broad,
Toward, to forward, to reward.
And your pronunciation’s OK
When you correctly say croquet,
Rounded, wounded, grieve and sieve,
Friend and fiend, alive and live.
Ivy, privy, famous; clamour
And enamour rhyme with hammer.
River, rival, tomb, bomb, comb,
Doll and roll and some and home.
Stranger does not rhyme with anger,
Neither does devour with clangour.
Souls but foul, haunt but aunt,
Font, front, wont, want, grand, and grant,
Shoes, goes, does. Now first say finger,
And then singer, ginger, linger,
Real, zeal, mauve, gauze, gouge and gauge,
Marriage, foliage, mirage, and age.
Query does not rhyme with very,
Nor does fury sound like bury.
Dost, lost, post and doth, cloth, loth.
Job, nob, bosom, transom, oath.
Though the differences seem little,
We say actual but victual.
Refer does not rhyme with deafer.
Foeffer does, and zephyr, heifer.
Mint, pint, senate and sedate;
Dull, bull, and George ate late.
Scenic, Arabic, Pacific,
Science, conscience, scientific.
Liberty, library, heave and heaven,
Rachel, ache, moustache, eleven.
We say hallowed, but allowed,
People, leopard, towed, but vowed.
Mark the differences, moreover,
Between mover, cover, clover;
Leeches, breeches, wise, precise,
Chalice, but police and lice;
Camel, constable, unstable,
Principle, disciple, label.
Petal, panel, and canal,
Wait, surprise, plait, promise, pal.
Worm and storm, chaise, chaos, chair,
Senator, spectator, mayor.
Tour, but our and succour, four.
Gas, alas, and Arkansas.
Sea, idea, Korea, area,
Psalm, Maria, but malaria.
Youth, south, southern, cleanse and clean.
Doctrine, turpentine, marine.
Compare alien with Italian,
Dandelion and battalion.
Sally with ally, yea, ye,
Eye, I, ay, aye, whey, and key.
Say aver, but ever, fever,
Neither, leisure, skein, deceiver.
Heron, granary, canary.
Crevice and device and aerie.
Face, but preface, not efface.
Phlegm, phlegmatic, ass, glass, bass.
Large, but target, gin, give, verging,
Ought, out, joust and scour, scourging.
Ear, but earn and wear and tear
Do not rhyme with here but ere.
Seven is right, but so is even,
Hyphen, roughen, nephew Stephen,
Monkey, donkey, Turk and jerk,
Ask, grasp, wasp, and cork and work.
Pronunciation (think of Psyche!)
Is a paling stout and spikey?
Won’t it make you lose your wits,
Writing groats and saying grits?
It’s a dark abyss or tunnel:
Strewn with stones, stowed, solace, gunwale,
Islington and Isle of Wight,
Housewife, verdict and indict.
Finally, which rhymes with enough,
Though, through, plough, or dough, or cough?
Hiccough has the sound of cup.
My advice is to give up!!!
”
”
Gerard Nolst Trenité (Drop your Foreign Accent)
“
Because there's no way I can do that."
"Yes, there is." He reached out, startling me, and pressed his palm to my cheek.
Almost immediately, a sense of well-being flooded through me, a blissful numbness that started at the top of my head and spread all the way down to my toes. "Seriously, best powers ever," I mumbled drowsily.
"Go to bed, Sophie," he said, dropping his hand as if my skin had burned him.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Hey Jade?' He called out holding two packages of maxi pads.
I shook my head violently to stop Dad from talking, but from where he stood, I doubted he could see I was talking to a boy. A mildly annoying, but nonetheless cute boy.
'Do you want wings or no wings?'
It was official.
This was shaping up to be the Most. Embarrassing. Day. Ever.
”
”
Helene Boudreau (Real Mermaids Don’t Wear Toe Rings (Real Mermaids, #1))
“
I don’t need to change my shape to make myself worthy of someone’s love. I don’t need any words or looks or comments from a man to believe I’m visible; to believe I am here. (...) Because I am enough. My heart is enough. The stories and sentences twisting around my mind are enough. My early morning walks and light night baths are enough. My singing in the shower, my double jointed toes and my loud laugh in the pub is enough. I am my own universe. I am the warm up act, the main event and the backing singers. And if this is it, if this is all there is - just me, the trees, the sky and the sea- I know now that that’s enough. I am whole. I am complete. I will never run out.
”
”
Dolly Alderton (Everything I Know About Love)
“
Most people do not mind dying, as long as that does not happen today.
”
”
Mokokoma Mokhonoana
“
I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over the dreadful abyss, face down with his cloak spreading out around him like great wings. At first I could not believe my eyes. I thought it was some trick of the moonlight, some weird effect of shadow, but I kept looking, and it could be no delusion. I saw the fingers and toes grasp the corners of the stones, worn clear of the mortar by the stress of years, and by thus using every projection and inequality move downwards with considerable speed, just as a lizard moves along a wall.
”
”
Bram Stoker (Dracula)
“
It's a strange feeling, when you hear a good piece of music. It starts out kind of shaky, this hot, heavy knot in your chest. At first it's tiny, like a spot of light in a dark room, but then it builds, pouring through you. And the next thing you know, everything from your forehead down to your fingers and toes is on fire. You feel like the hot, heavy knot in your chest is turning into a bubble. It's full of everything good in the world, and if you don't do something--if you don't run or dance or shout to everyone in the world about this music you've just heard--it'll explode.
”
”
Claire Legrand (The Year of Shadows)
“
The Happy Trinity is her home: nothing can trouble her joy.
She is the bird that evades every net: the wild deer that leaps every pitfall.
Like the mother bird to its chickens or a shield to the armed knight: so is the Lord to her mind, in His unchanging lucidity.
Bogies will not scare her in the dark: bullets will not frighten her in the day.
Falsehoods tricked out as truths assail her in vain: she sees through the lie as if it were glass.
The invisible germ will not harm her: nor yet the glittering sunstroke.
A thousand fail to solve the problem, ten thousand choose the wrong turning: but she passes safely through.
He details immortal gods to attend her: upon every road where she must travel.
They take her hand at hard places: she will not stub her toes in the dark.
She may walk among lions and rattlesnakes: among dinosaurs and nurseries of lionettes.
He fills her brim full with immensity of life: he leads her to see the world’s desire.
”
”
C.S. Lewis (The Great Divorce)
“
When we start being too impressed by the results of our work, we slowly come to the erroneous conviction that life is one large scoreboard where someone is listing the points to measure our worth. And before we are fully aware of it, we have sold our soul to the many grade-givers. That means we are not only in the world, but also of the world. Then we become what the world makes us. We are intelligent because someone gives us a high grade. We are helpful because someone says thanks. We are likable because someone likes us. And we are important because someone considers us indispensable. In short, we are worthwhile because we have successes. And the more we allow our accomplishments — the results of our actions — to become the criteria of our self-esteem, the more we are going to walk on our mental and spiritual toes, never sure if we will be able to live up to the expectations which we created by our last successes. In many people’s lives, there is a nearly diabolic chain in which their anxieties grow according to their successes. This dark power has driven many of the greatest artists into self-destruction.
”
”
Henri J.M. Nouwen (Out of Solitude: Three Meditations on the Christian Life)
“
My head was emptying and emptying, and in the end it sat light and void on my shoulders. I percieved this gaping emptiness in my head with my whole body, I felt hollowed out from top to toe.
”
”
Knut Hamsun (Hunger)
“
He lifted my foot and placed a kiss on the tip of my big toe. That toe had never been kissed in its life. I wondered if it was smart enough to know what had just happened. Would it lord it over the other toes now that it had been singled out and kissed by Frank Wells, or was it just a fucking toe and didn’t know what the hell was going on? Like me.
”
”
John Inman (Shy)
“
It was a laugh that came from the tip of his toes, gaining force and soul as it traveled through his body and out into the world in mirthful bursts. There wasn't anything fake about it; it was an amusement park of a laugh, and when it appeared, you wanted to jump on board.
”
”
David Levithan (Marly's Ghost)
“
You cannot seriously think you’re going to fight this guy. He could kick your ass with one arm tied behind his back, much less with all his voluminous vampire powers. He’s probably stronger than you, faster than you. He can probably jump higher. Hell, he can probably glamour you into making out with him right there on the mats.”
We simultaneously looked over to where Ethan, half naked, was toeing off his black leather loafers. The muscles in his abdomen clenched as he moved. So did the lines of corded muscle across his shoulders.
God, but he was beautiful.
I narrowed my gaze.
Beautiful but evil. Wicked. The repugnant dregs of foul malevolence. Or something.
“Jesus,” Mallory whispered. “I want to support your quest for revenge and all, but maybe you should just let him glamour you.” She looked at me, and I could tell she was trying not to laugh. “Either you’re fucked, or you’re fucked, right?
”
”
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
“
Oh," Sally brightened proud of herself for deciphering his sign language, "you're telling me not to leave my room."
Costin nodded his big wolf head again. His eyes had begun glowing back in the party and even now they continued to emit an eerie shade of green.
Sally's inner Jen had been triggered as soon as she got the words out. So naturally she did what her inner Jen told her to. She stepped forward putting one toe outside her door. Costin growled, so she stepped back. Watching him coyly she put her other toe outside her door and he growled again. She was inwardly scolding herself for taunting him and allowing her inner Jen to control her actions, but she had discovered long ago that sometimes inner Jen is just more fun.
When Sally stuck her foot out for the third time, she giggled when Costin snapped at her. She could tell that he was playing by the way his tail wagged and his eyes lightened, but had not stopped glowing all together.
”
”
Quinn Loftis
“
At last we heard Father's footsteps winding up the stairs. It was the best moment in every day, when he came up to tuck us in. We never fell asleep until he had arranged the balnkets in his special way and laid his hand for a moment on each head. Then we tried not to move even a toe.
But that night as he stepped through the door I burst into tears. "I need you!" I sobbed. "You can't die! You can't!"
Father sat down on the edge of the narrow bed. "Corrie," he began gently, "when you and I go to Amsterdam, when do I give you your ticket?" I sniffed a few times, considering this. "Why, just before we get on the train."
"Exactly. And our wise Father in Heaven knows when we're going to need things too. Don't run out ahead of Him, Corrie. When the time comes that some of us will have to die, you will look into your heart and find the strength you need--just in time.
”
”
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
“
When you got captured, I didn't know..." He trailed off, had to chug whiskey before he could continue. "If it'd be like..."
"What?"
"Like it was with Clotile."
"Oh, Jackson, no. I was okay. I'm unharmed."
"Didn't know if I'd get there too late," he said with a shudder. Then he crossed over to me, until we stood toe-to-toe. "Evie, if you ever get taken from me again, you better know that I'll be coming for you." He cupped my face with a bloodstained hand. "So you stay the hell alive! You don't do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance."--his voice broke lower "just give me a chance to get to you." He buried his face in my hair, inhaling deeply. "There is nothing that can happen to you that we can't get past."
...
"When you say we...?"
He pulled back, gazing down at me, his eyes blazing. "I'm goan to lay it all out there for you. Laugh in my face--I don't care. But I'm goan to get this off my chest."
"I won't laugh. I'm listening."
"Evie, I've wanted you from the first time I saw you. Even when I hated you, I wanted you." He raked his fingers through his hair. "I got it bad, me."
My heart felt like it'd stopped--so that I could hear him better.
"For as long as you've been looking down your nose at me, I've been craving you, an envie like I've never known."
"I don't look down at you! I'm too busy looking up to you."
...
"The corners of his lips curled for an instant before he grew serious again. "You asked me if I had that phone with your pictures, if I'd looked at it. Damn right, I did! I saw you playing with a dog at the beach, and doing a crazy-ass flip off a high dive, and making faces for the camera. I learned about you"- his voice grew hoarse -"and I wanted more of you. To see you every day." With a humourless laugh, he admitted, "After the Flash, I was constantly sourcing ways to charge a goddamned phone--that would never make a call."
I murmured, "I didn't know...I couldn't be sure."
"It's you for me, peekon.
”
”
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
“
I figured it out eventually," she says. She's sitting on the edge of the gurney again; her features slowly materialize as my vision clears. "It's momentum."
"What?" I whisper. The feeling returning to my lips, spreading out to my fingertips and toes.
"Momentum," she repeats. "You can't just stand there if you want something to fly. You have to run.
”
”
Lauren DeStefano (Fever (The Chemical Garden, #2))
“
I love everything about him. I love that he cares so much about honor and duty. I love how, when he’s working hardest to mask his feelings, they’re actually leaking out all over the place. I love the way his hair curls when it gets wet, his slightly crooked smile, the way he smells. When he laughs, I feel it in my toes.
”
”
Rae Carson (The Crown of Embers (Fire and Thorns, #2))
“
STEALING THE CAR, I WOULDN’T HAVE BEEN SURPRISED IF THEY’D EXPELLED YOU, YOU WAIT TILL I GET HOLD OF YOU, I DON’T SUPPOSE YOU STOPPED TO THINK WHAT YOUR FATHER AND I WENT THROUGH
WHEN WE SAW IT WAS GONE —”
Mrs. Weasley’s yells, a hundred times louder than usual, made the plates and spoons rattle on the table, and echoed deafeningly off the stone walls. People throughout the hall were swiveling around to see who had received the Howler, and Ron sank so low in his chair that only his crimson forehead could be seen.
“— LETTER FROM DUMBLEDORE LAST NIGHT, I THOUGHT YOUR FATHER WOULD DIE OF SHAME, WE DIDN’T BRING YOU UP TO BEHAVE LIKE THIS, YOU AND HARRY COULD BOTH HAVE DIED —”
Harry had been wondering when his name was going to crop up. He tried very hard to look as though he couldn’t hear the voice that was making his eardrums throb.
“— ABSOLUTELY DISGUSTED — YOUR FATHER’S FACING AN INQUIRY AT WORK, IT’S ENTIRELY YOUR FAULT AND IF YOU PUT ANOTHER TOE OUT OF LINE WE’LL BRING YOU STRAIGHT BACK HOME.”
A ringing silence fell.
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
What's happening here?" This last bit was hissed to Ronan and Noah.
"Noah took a personal day."
"I lost..." Noah struggled for words. "There wasn't air. It went away. The - the line!"
"The ley line?" Gansey asked.
Noah nodded once, a sloppy thing that was sort of a shrug at the same time. "There was nothing ... left for me." Releasing Ronan, he shook out his hands.
"You're welcome, man," Ronan snarled. He still couldn't feel his toes.
"Thanks. I didn't mean to ... you were there. Oh, the glitter."
"Yes," Ronan replied crossly. "The glitter.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
So you don’t fancy meeting up again?’ Max persisted, though Neve didn’t know why, because she thought she’d made her position perfectly clear. ‘Swap war stories?’
‘I don’t have any war stories,’ Neve said, and in that moment she felt that she never would. That every night would be spent creeping round her flat in her socks with the telly turned down so low that she could barely hear it, so in the end she’d have no other option but to escape into the pages of books where there were other girls falling in and out of love but not her. Never her. She stared down at the scuffed toes of her faux Ugg boots in sudden and tired defeat.
‘If you don’t have any war stories, then at least you don’t have any war wounds,’ Max said, so quietly that Neve had to strain her ears to catch his words. ‘Take my number.
”
”
Sarra Manning (You Don't Have to Say You Love Me)
“
Sitting at his desk Remy filled out two forms and then played a few games of Tic-Tac-Toe against himself. Playing the “X’s”, he lost a seven game tournament four games to one.
”
”
Hank Quense (The King Who Disappeared)
“
…When you love someone, you love them head-to-toe and inside out because… well, because you can’t help it? I love you for a reason, Natalie. You’re mine and I’m yours.
”
”
Andrea Randall (In the Stillness)
“
I dropped the head and kicked it into the crowd. I say “kicked” but in truth it’s a bad idea to kick a head. I learned that years ago, a lesson that cost me two broken toes. What you want to do is shove the head with the side of your foot, like you’re throwing it. It’s going to roll anyhow so you don’t need that much force. See, the thing about severed heads is the owner no longer has any interest in minimizing the force of the blow, or any ability to do so for that matter. When you kick somebody in the head as you do from time to time, they tend to be actively trying to move themselves out of the way and the contact is lessened. A severed head is a dead weight, even if it’s watching you.
And that exhausts my insights into the kicking of severed heads. Admittedly it’s more than most people have to offer on the subject but there were Mayans who knew a lot more than I do. That of course is a whole different ball-game.
”
”
Mark Lawrence
“
There is the image of the man who imagines himself to be a prisoner in a cell. He stands at one end of this small, dark, barren room, on his toes, with arms stretched upward, hands grasping for support onto a small, barred window, the room's only apparent source of light. If he holds on tight, straining toward the window, turning his head just so, he can see a bit of bright sunlight barely visible between the uppermost bars. This light is his only hope. He will not risk losing it. And so he continues to staring toward that bit of light, holding tightly to the bars. So committed is his effort not to lose sight of that glimmer of life-giving light, that it never occurs to him to let go and explore the darkness of the rest of the cell. So it is that he never discovers that the door at the other end of the cell is open, that he is free. He has always been free to walk out into the brightness of the day, if only he would let go. (192)
”
”
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
“
It's kind of like this," Decker said: "You wake up in the middle of the night and you're dying for a glass of milk. So you stumble out of bed, stub your toe in the darkness, scream with pain, and limp your way to the refrigerator. You open it up and the light is brilliant. You're saved. Then you fold back the paper container, open up the milk, take a deep breath, and put it to your lips. Only --- yhrch! --- the milk is spoiled. Sure, you're bummed. You fold the thing close and put it back in the fridge. It's dark again. But as you're making your way to your lonely old bed, you think to yourself, Wait a minute, maybe that milk wasn't so bad. And I am still thirsty? So you do an about-face and go back to the fridge. The light warms you up again. You take a sip and yup, it's still spoiled. That, to me, is the fitting metaphor for most every relationship I've ever been in.
”
”
Ethan Hawke (The Hottest State)
“
Tom found himself writing "BECKY" in the sand with his big toe; he scratched it out, and was angry with himself for his weakness. But he wrote it again, nevertheless; he could not help it.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
Mort drove one of those little hybrid cars that, when not running on gasoline, was fueled by idealism. It was made out of crepe paper and duct tape and boasted a computer system that looked like it could have run the NYSE and NORAD, with enough attention left over to play tic-tac-toe. Or possibly Global Thermonuclear War.
”
”
Jim Butcher (Ghost Story (The Dresden Files, #13))
“
I broke away from Samedi and sprinted down the gangplank, screaming out Bram's name. His head turned, and he started limping toward me.
"Nora!" I heard someone yell.
Bram met me halfway. He scooped me up with one arm and pulled my head toward his. I didn't fight it in the least. He kissed me harshly, and I returned it, leaping up on my toes, seeking out his chapped, broken lips with my own, inexpertly, needfully. And then he just held me as I cried, soaking his dirty T-shirt with my tears, his cheek on my head.
"I thought you were gone," I managed to get out. "I thought you were really gone..."
"I thought I was, too," he said, laughing weakly. "But I'd never leave you if I had the choice. I was going to get back to you, or grind to dust trying.
”
”
Lia Habel (Dearly, Departed (Gone with the Respiration, #1))
“
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate.
"I'm here to tell you I'm suing you," he announced.
Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate.
Tate stared at Brad then he said, "Come again?"
"I'm suing you," Brad repeated.
"For what?" Tate asked.
"Alienation of affection," Brad answered.
Without hesitation, Tate threw his head back and burst out laughing.
Then he looked at me and remarked, "You're right, babe, this is fun."
Ignoring Tate's comment, Brad declared, "You stole my wife."
Tate looked back at Brad. "Yeah, bud, I did."
Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses."
"Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine."
Sorry, it's just too long; I have to cut it off. But it continues…like that:
"This is the good life?" (Brad)
"Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?"
I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong.
"Jesus, you're disgusting," Brad muttered, calling up revulsion to save face.
"She does that to me," Tate continued.
"Fuck off," Brad snapped.
"All the fuckin' time," Tate pushed.
"Fuck off," Brad repeated.
"It's fuckin' magnificent," Tate declared.
"Thanks, honey," I whispered and grinned at him when his eyes came to me.
I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face.
Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
I'd rather hang out with five people that I love than with 400 strangers at a club who are all doing the up-and-down inspection thing. They appraise everybody from head to toe - the outfit, the handbag, the shoes, how much they weigh... I can't stand it!
”
”
Sophia Bush
“
She smiled from ear to ear at the thought of knowing his name. She perched herself up onto her tip toes to try to be able to get a good look at him. He was smiling a charming smile and he escorted his bridesmaid through the manmade aisle. Again, like before as his proximity got closer, so did the intense feelings she felt burning inside of her body. She tried really hard to not feel them. She wished she had something stronger to drink to dull the uncomfortable and scary emotions he was bringing out in her.
”
”
J.B. McGee (Broken (This, #1))
“
My desire, my sincere and heartfelt desire is to rip that surprisingly sheer garment from your body, toss you onto that bed, and indeed ravish you from head to toe. I wish to make love to you until you are too exhausted to do so much as stand without support. Until you call out my name in your dreams and reach for me in your sleep. Until you can think of no one and nothing beyond the touch of my hand, the caress of my lips.
”
”
Victoria Alexander (What A Lady Wants (Last Man Standing, #2))
“
Ting. Tingle, tingle, tremble toes,
She’s a good fisherman, catches hens, puts ‘em inna pens
Wire blier, limber lock, three geese inna flock
One flew east, one flew west
One flew over the cuckoo’s nest
O-U-T- spells out… goose swoops down and plucks you out.
”
”
Ken Kesey
“
Have you ever noticed that all four of the greatest poets in the world are Muslim? And yet all the Muslims you meet are illiterate or covered head to toe in black burkas or looking for buildings to blow up? It’s a puzzle, isn’t it? If you ever figure these people out, send me an e-mail.
”
”
Aravind Adiga (The White Tiger)
“
I am the woman at the water’s edge,
offering you oranges for the peeling,
knife glistening in the sun.
This is the scent and taste
of my skin: citon and sweet.
Touch me and your life will unfold
before you, easily as this skirt
billows then sinks,
lapping against my legs, my toes
filtering through the rivers silt.
Following the current out to sea,
I am the kind of woman
who will come back to haunt
your dreams, move through your
humid nights the way honey
swirls through a cup of hot tea
”
”
Shara McCallum
“
...if true love breaks as easily as a delusion, on what can we rely? What will people pin their hopes on?" [Nilima]
"They'll have the sweet, intimate memories of a lost paradise, and beside it a sea of sorrow.... People looking on from outside think all is lost... What remains when everything is lost can be held in the palm, like a jewel. It can't be flaunted in a pageant, so the lookers-on are disappointed and jeer as they return home.." [Kamal]
"...Jewels are not meant for everybody, certainly not for the rabble. People who're only happy when decked out with gold and silver from top to toe won't understand the value of your tiny diamonds and gems. Those who want a lot feel secure only after tying knot upon knot. They put a price on something only by its weight and show and bulk. But it's useless to try and show the sunrise from a western window..[Nilima]
”
”
Sarat Chandra Chattopadhyay
“
But what struck me was the book-madness of the place--books lay scattered across the unmade bed and the top of a battered-looking desk, books stood in knee-high piles on the floor, books were crammed sideways and right side up in a narrow bookcase that rose higher than my head and leaned dangerously from the wall, books sat in stacks on top of a dingy dresser. The closet door was propped open by a pile of books, and from beneath the bed a book stuck out beside the toe of a maroon slipper.
”
”
Steven Millhauser (Dangerous Laughter)
“
Everyone gets killed in the shower. Don't you go to the movies? Psycho. Dead in shower. The MExican in No country for Old Men. Dead in shower. Michelle Pfeiffer in What Lies Beneath. Almost dead in shower, or in the bath, anyway. But she did that thing with her toe and got out OD. Still the shower, though...Glen Close in Fatal Attraction. Dead in shower. John Travolta in Pulp Fiction. Very dead in shower. But never closets. I can't think of anyone shot in a closet. This is why I hide in closets.
”
”
Derek B. Miller (Norwegian by Night (Sheldon Horowitz #2))
“
If you had to listen to a lawyer read the email or text out loud in a courtroom, would you change the tone? When I was a teenager, my mom used to tell me not to put anything in writing that I would feel uncomfortable seeing published on the front page of the New York Times. I understood, even then, what she was suggesting: Engage only in behavior that you’re prepared to stand by and defend. Be on your toes to be your best self at all times, even when no one is watching.
”
”
James J. Sexton (How to Stay in Love: A Divorce Lawyer's Guide to Staying Together)
“
Although Bertha Young was thirty she still had moments like this when she wanted to run instead of walk, to take dancing steps on and off the pavement, to bowl a hoop, to throw something up in the air and catch it again, or to stand still and laugh at - nothing - at nothing, simply.
What can you do if you are thirty and, turning the corner of your own street, you are overcome, suddenly by a feeling of bliss - absolute bliss! - as though you'd suddenly swallowed a bright piece of that late afternoon sun and it burned in your bosom, sending out a little shower of sparks into every particle, into every finger and toe?
”
”
Katherine Mansfield
“
I reached out and touched a tiny pink toe that peeked from Kaden’s swaddling shirt. “He’s beautiful,” I said. “How are you feeling?”
“Well enough,” she answered, rolling her eyes, “considering I just paraded my lady parts to a killer barbarian.” She sighed. “But I suppose, compared to what you’ve been through, it’s a small indignity to bear.
”
”
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
“
We need to talk about the hierarchy of grief. You hear it all the time—no grief is worse than any other. I don’t think that’s one bit true. There is a hierarchy of grief. Divorce is not the same as the death of a partner. Death of a grandparent is not
the same as the death of a child. Losing your job is not the same as losing a limb.
Here’s the thing: every loss is valid. And every loss is not the same. You can’t flatten the landscape of grief and say that
everything is equal. It isn’t.
It’s easier to see when we take it out of the intensely personal: stubbing your toe hurts. It totally hurts. For a moment, the pain can be all-consuming. You might even hobble for a while. Having your foot ripped off by a passing
freight train hurts, too. Differently. The pain lasts longer. The injury needs recovery time, which may be uncertain or complicated. It affects and impacts your life moving forward. You can’t go back to the life you had before you became a
one-footed person. No one would say these two injuries are exactly the same.
”
”
Megan Devine (It's OK That You're Not OK)
“
Running in the rain steals my breath. Ruins it. Smashes it. Nearly eradicates it. When I arrive home, my soaked clothes are stuck to my skin. My shoes are slouching. My toes are cold and stiff. Erratic strands of my hair stick to my temples and forehead, dripping all over me. I stand in our small garden, catching my breath, and press a shaky palm to my chest. My heart’s palpitations grow uneven and out of beat as if protesting. I close my eyes and tip my head back, letting the rain beat down on me. Soak me. Rinse me. The droplets pound on my closed lids almost like a soothing caress. I’ve always loved the rain. The rain camouflaged everything. No one saw the tears. No one noticed the shame or the humiliation. It was just me, the clouds, and the pouring water. But that’s the thing about the rain, isn’t it? It’s only a camouflage, a temporary solution. It can only rinse the outside. It can’t seep under my skin and wash away my shaky insides. Wiping away my memories isn’t an option either. It’s been barely an hour since Aiden had his hands on me – all over me. I can still feel it. His breath. His nearness. His psychotic eyes.
”
”
Rina Kent (Deviant King (Royal Elite, #1))
“
We've done so much together, wherever I go and whatever I see, I think of you. Newborn babies; the pattern on the plate that you can see under a paper-thin slice of sashimi; fireworks in August. The moon hidden behind the clouds over the ocean at night. When I'm sitting down someplace, inadvertently stepping on someone's toes, and have to apologize. And when someone picks up something I've dropped, and I thank him. When I see an elderly man tottering along,and wonder how much longer he has to live. Dogs and cats peeking out from alleyways. A beautiful view from a tall building. The warm blast of air you feel when you go down into a subway station. The phone ringing in the middle of the night. Even when I have crushes on other men, I always see you in the curve of their eyebrows."
"Yet I must remain calm, detached. It's a little like trying to ignore a plate of delicious food when you're really hungry. When it beckons you, there's no problem with enjoying the aroma and appreciating it with your eyes, but at some point you have to separate yourself and realize, like a professional waiter does, that it's not your own. It's my job to ignore those plates heaped with delicious morsels and just carry them where they need to go.
”
”
Banana Yoshimoto
“
Okay, that really shouldn't have happened. And we’re not going to talk about that, right? Ever?”
“Right,” she said. She felt like there was light dripping from her fingertips. Spilling out of her toes. She felt full of light, in fact, warm buttery sunlight. “Never happened.”
He opened his mouth, then closed it, and closed his eyes. “Claire—”
“I know.”
“Lock the door,” he said.
”
”
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
“
I leaned down and kissed her mouth. It tasted salty, like her tears. This time, not warmth, but electricity shot from my mouth to my toes. I could feel tingling in my fingertips. It was like shoving a pen into an electrical outlet, which Link had dared me to do when I was eight years old. She closed her eyes and pulled me into her, and for a minute, everything was perfect. She kissed me, her lips beneath mine, and I knew she had been waiting for me, maybe just as long as I have been waiting for her. But then, as quickly as she had opened herself up to me, she shut me out. Or more accurately, pushed me back.
”
”
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
“
Four of Dan's sisters had made it. They wore white sundresses they'd altered so three spelled out FOX. The fourth sported a fox paw that was already starting to lose a toe pad. They practically crushed Dan, smothering her with a group hug before fawning over her.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Hades finally smiles and, good gods, it’s like being hit by a laser beam. Heat strong enough to make my fingertips tingle and curl my toes. I stare up at him, caught in the intensity of those dark eyes. And then he’s shaking his head, smothering the rush of strangeness through my body. “No.” “What do you mean, no?” “I’m aware that you’ve likely not heard the word often in your privileged life, so I’ll spell it out for you. No. Nein. Nyet. Non. Absolutely not.
”
”
Katee Robert (Neon Gods (Dark Olympus, #1))
“
Sorry about Bender," Lula said, letting the Trans Am idle at the curb. "Maybe we could tell Vinnie he died. We could say we were all set to bring Bender in, and he died. Bang. Dead as a doorknob."
"Better yet, why don't we just go back and kill him," I said. I opened the door to leave, caught my toe in the floor mat, and fell out of the car, face first. I rolled onto my back and stared up at the stars. "I'm fine," I said to Lula. "Maybe I'll sleep here tonight.
”
”
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
“
He emphasized the word toes, stretching out his feet a little more. This was now officially getting weird.
Jack's voice buzzed in my head more forcefully. Compliment. His. Feet.
"You have beautiful feet, Grand- er, Njord."
The god beamed. "Oh, these old things? Well, you're kind. Did you know I once won a beauty contest with my feet? The prize was my wife!"
I glanced at Blitz and Hearth, to see if I was imagining this entire conversation.
”
”
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
“
My mom says, "Do you know what the AIDS memorial quilt is all about?"
Jump to how much I hate my brother at this moment.
I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it."
Give me amnesia.
Flash.
Give me new parents.
Flash.
Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea."
My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind."
Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things."
The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does."
My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute."
My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which."
Yellow," my father says, "means watersports."
A lighter shade of blue," Mom says, "would mean just regular oral sex."
Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which."
My mother passes me the quilted chicken with the rolls still warm inside.
We're supposed to sit and eat with Shane dead all over the table in front of us.
Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material."
Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?"
I know it isn't table talk.
And fisting?" my mom asks.
I say, I know. I don't mention Manus and his vocational porno magazines.
We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray.
Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
”
”
Chuck Palahniuk (Invisible Monsters)
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour--landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard...
But after life. The slow pulling down of thick green stalks so that the cup of the flower, as it turns over, deluges one with purple and red light. Why, after all, should one not be born there as one is born here, helpless, speechless, unable to focus one's eyesight, groping at the roots of the grass, at the toes of the Giants?
”
”
Virginia Woolf
“
Because we are human we have a long childhood, and one of the jobs of that childhood is to sculpt our brains. We have years--about twelve of them--to draw outlines of the shape we want our sculpted brain to take. Some of the parts must be sculpted at critical times. One cannot, after all, carve out toes unless he knows where the foot will go. We need tools to do some of the fine work. The tools are our childhood experiences. And I'm convinced that one of those experiences must be children's books. And they must be experienced within the early years of our long childhood.
”
”
E.L. Konigsburg (Talk, Talk : A Children's Book Author Speaks to Grown-Ups)
“
Watch out for love
(unless it is true,
and every part of you says yes including the toes) ,
it will wrap you up like a mummy,
and your scream won't be heard
and none of your running will end.
Love? Be it man. Be it woman.
It must be a wave you want to glide in on,
give your body to it, give your laugh to it,
give, when the gravelly sand takes you,
your tears to the land. To love another is something
like prayer and can't be planned, you just fall
into its arms because your belief undoes your disbelief.
”
”
Anne Sexton
“
He leans his face next to my ear, his breath smelling of chocolate making me want him more. I moan, my body defying the warnings in my mind. “You can try and act like you don’t want me, that you have control,” he breathes into my ear as he thrusts his groin harder against me. He's still pulling my hair, making me arch my back. He slowly pulls his hips away and my ass thrusts itself against his groin trying to regain contact. The action takes me by surprise. Shadow lets out a vicious laugh. 'But your body can’t lie,' he nips my earlobe making me practically come on the spot, the pain shooting to my toes making them curl with pleasure, 'you have no power.'
”
”
M.N. Forgy (What Doesn't Destroy Us (The Devil's Dust, #1))
“
What is true of the natural qualities of the soul is preeminently true of faith. So long as we are quietly at rest amid favorable and undisturbed surroundings, faith sleeps as an undeveloped sinew within us. But when we are pushed out from all these surroundings, with nothing but God to look to, then faith grows suddenly into a cable, a monarch oak, a master-principle of the life. As long as the bird lingers by the nest, it will not know the luxury of flight. As long as the trembling boy holds to the bank, or toes the bottom, he will not learn the ecstasy of battling with the ocean wave.
”
”
F.B. Meyer
“
She was perfect. I knew this the moment she emerged from my body, white and wet and wailing. Beyond the requisite ten fingers and ten toes, the beating heart, the lungs inhaling and exhaling oxygen, my daughter knew how to scream. She knew how to make herself heard. She knew how to reach out and latch on. She knew what she needed to do to survive. I didn’t know how it was possible that such perfection could have developed within a body as flawed as my own, but when I looked into her face, I saw that it clearly was.
”
”
Vanessa Diffenbaugh (The Language of Flowers)
“
She pressed her hands against my chest and tried to push me away. "I can't think straight when you 're this close."
I backed her up against the wall. "I don't like the thoughts running through your head. I plan on staying here until you look me in the eye and tell me you 're mine."
"This isn't going to work. It never would have."
"Bullshit. We belong together." Echo sniffed and the sound tore at me. I softened my voice. "Look at me, baby. I know you love me. Three nights ago you were willing to offer everything to me. There is no way you can walk away from us."
"God Noah..." Her voice broke. "I'm a mess."
A mess? "You 're beautiful."
"I'm a mental mess. In two months you 're going to face some judge and convince him that you are the best person to raise your brothers. I'm a liability."
"Not true. My brothers will love you and you 'll love them. You are not a liability."
"But how will the judge see me? Are you really willing too take that risk? [...] What happens if the judge find out about me? What if he discovers what a mess you 're dating?"
Breathing became a painful chore. Her lips turned down while her warm fingers caressed my cheek. That touch typically brought me to knees, but now it cut me open.
"Did you know that when you stop being stubborn and accept i may be right on something, your eyes widen a little and you tilt your head to the side?" she asked.
I forced my head straight and narrowed my eyes. "I love you."
She flashed her glorious smile and then it became the saddest smile in the world. "You love your brothers more. I'm okay with that. In fact, it's one of the things i love about you. You were right the other day. I do want to be a part of a family. But i'd never forgive myself if i was the reason you didn't get yours."
To my horror, tears pricked my eyes and my throat swelled shut. "No, you 're not pulling this sacrificial bullshit on me. I love you and you love me and we 're supposed to be together."
Echo pressed her body to mine and her fingers clung to my hair. Water glistened in her eyes. "I love you enough to never make you choose."
She pushed off her toes toward me, guiding my head down, and gently kissed my lips. No. This wouldn't be goudbye. I'd fill her up and make her realize she'd always be empty without me.
I made Echo mine. My hands claimed her hair, her back. My lips claimed her mouth, her tongue. Her body shook against mine and i tasted salty wetness on her skin. She forced her lips away and i latched tighter to her. "No, baby, no," i whispered into her hair.
She pushed her palms against my chest, then became a blur as she ran past. "I'm sorry.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
England once there lived a big
And wonderfully clever pig.
To everybody it was plain
That Piggy had a massive brain.
He worked out sums inside his head,
There was no book he hadn't read.
He knew what made an airplane fly,
He knew how engines worked and why.
He knew all this, but in the end
One question drove him round the bend:
He simply couldn't puzzle out
What LIFE was really all about.
What was the reason for his birth?
Why was he placed upon this earth?
His giant brain went round and round.
Alas, no answer could be found.
Till suddenly one wondrous night.
All in a flash he saw the light.
He jumped up like a ballet dancer
And yelled, "By gum, I've got the answer!"
"They want my bacon slice by slice
"To sell at a tremendous price!
"They want my tender juicy chops
"To put in all the butcher's shops!
"They want my pork to make a roast
"And that's the part'll cost the most!
"They want my sausages in strings!
"They even want my chitterlings!
"The butcher's shop! The carving knife!
"That is the reason for my life!"
Such thoughts as these are not designed
To give a pig great piece of mind.
Next morning, in comes Farmer Bland,
A pail of pigswill in his hand,
And piggy with a mighty roar,
Bashes the farmer to the floor…
Now comes the rather grizzly bit
So let's not make too much of it,
Except that you must understand
That Piggy did eat Farmer Bland,
He ate him up from head to toe,
Chewing the pieces nice and slow.
It took an hour to reach the feet,
Because there was so much to eat,
And when he finished, Pig, of course,
Felt absolutely no remorse.
Slowly he scratched his brainy head
And with a little smile he said,
"I had a fairly powerful hunch
"That he might have me for his lunch.
"And so, because I feared the worst,
"I thought I'd better eat him first.
”
”
Roald Dahl
“
Out of absolutely nowhere I felt a sudden, sweet shot of joy, piercing and distilled as the jolt I imagine heroin users get when the fix hits the vein. It was my partner bracing herself on her hands as she slid fluidly off the desk, it was the neat practiced movement of flipping my notebook shut one-handed, it was my superintendent wriggling into his suit jacket and covertly checking his shoulders for dandruff, it was the garishly lit office with a stack of marker-labeled case files sagging in the corner and evening rubbing up against the window. It was the realization, all over again, that this was real and it was my life. Maybe Katy Devlin, if she had made it that far, would have felt this way about blisters on her toes, the pungent smell of sweat and floor wax in the dance studios, the early-morning breakfast bells raced down echoing corridors. Maybe she, like me, would have loved the tiny details and the inconveniences even more dearly than the wonders, because they are the things that prove you belong.
”
”
Tana French (In the Woods)
“
The year is done. I spread the past three hundred sixty-five days before me on the living room carpet. Here is the month I decided to shed everything not deeply committed to my dreams. The day I refused to be a victim to the self-pity. Here is the week I slept in the garden. The spring I wrung the self-doubt by its neck. Hung your kindness up. Took down the calendar. The week I danced so hard my heart learned to float above water again. The summer I unscrewed all the mirrors from their walls. No longer needed to see myself to feel seen. Combed the weight out of my hair. I fold the good days up and place them in my back pocket for safekeeping. Draw the match. Cremate the unnecessary. The light of the fire warms my toes. I pour myself a glass of warm water to cleanse myself for january. Here I go. Stronger and wiser into the new.
”
”
Rupi Kaur (The Sun and Her Flowers)
“
We live in a modern society. Husbands and wives don't
grow on trees, like in the old days. So where
does one find love? When you're sixteen it's easy,
like being unleashed with a credit card
in a department store of kisses. There's the first kiss.
The sloppy kiss. The peck.
The sympathy kiss. The backseat smooch. The we
shouldn't be doing this kiss. The but your lips
taste so good kiss. The bury me in an avalanche of tingles kiss.
The I wish you'd quit smoking kiss.
The I accept your apology, but you make me really mad
sometimes kiss. The I know
your tongue like the back of my hand kiss. As you get
older, kisses become scarce. You'll be driving
home and see a damaged kiss on the side of the road,
with its purple thumb out. If you
were younger, you'd pull over, slide open the mouth's
red door just to see how it fits. Oh where
does one find love? If you rub two glances, you get a smile.
Rub two smiles, you get a warm feeling.
Rub two warm feelings and presto-you have a kiss.
Now what? Don't invite the kiss over
and answer the door in your underwear. It'll get suspicious
and stare at your toes. Don't water the kiss with whiskey.
It'll turn bright pink and explode into a thousand luscious splinters,
but in the morning it'll be ashamed and sneak out of
your body without saying good-bye,
and you'll remember that kiss forever by all the little cuts it left
on the inside of your mouth. You must
nurture the kiss. Turn out the lights. Notice how it
illuminates the room. Hold it to your chest
and wonder if the sand inside hourglasses comes from a
special beach. Place it on the tongue's pillow,
then look up the first recorded kiss in an encyclopedia: beneath
a Babylonian olive tree in 1200 B.C.
But one kiss levitates above all the others. The
intersection of function and desire. The I do kiss.
The I'll love you through a brick wall kiss.
Even when I'm dead, I'll swim through the Earth,
like a mermaid of the soil, just to be next to your bones.
”
”
Jeffrey McDaniel
“
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A.
The last words I ever carved into myself, sixteen years after I started: vanish.
Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck.
Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist.
Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving.
For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
”
”
Gillian Flynn (Sharp Objects)
“
He was a baby once. He must have been sweet and clean and his mother kissed his little pink toes. Maybe when it thundered at night she came to his crib and fixed his blanket better and whispered that he mustn't be afraid, that mother was here. Then she picked him up and put her cheek on his head and said that he was her own sweet baby. He might have been a boy like my brother, running in and out of the house and slamming the door. And while his mother scolded him she was thinking that maybe he'll be president some day. Then he was a young man, strong and happy. When he walked down the street, the girls smiled and turned to watch him. He smiled back and maybe he winked at the prettiest one. I guess he must have married and had children and they thought he was the most wonderful papa in the world the way he worked hard and bought them toys for Christmas. Now his children are getting old too, like him, and they have children and nobody wants the old man any more and they are waiting for him to die. But he don't want to die. He wants to keep living even though he's so old and there's nothing to be happy about anymore.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
We were in the middle of a game of cards when I noticed a figure out of the corner of my eye. It was Maxon, standing at the open door, looking amused. As our eyes met, I could see that his expression was clearly asking what in the world I was doing. I stood, smiling, and walked over to him.
"Oh, sweet Lord," Anne muttered as she realized the prince was at the door. She immediately swept the cards into a sewing basket and stood, Mary and Lucy following suit.
"Ladies," Maxon said.
"Your Majesty," she said with a curtsy. "Such an honor, sir."
"For me as well," he answered with a smile.
The maids looked back and forth to one another, flattered. We were all silent for a moment, not quite sure what to do.
Mary suddenly piped up. "We were just leaving."
"Yes! That's right," Lucy added. "We were-uh-just..." She looked to Anne for help.
"Going to finish Lady America's dress for Friday," Anna concluded.
"That's right," Mary said. "Only two days left.
They slowly circled us to get out of the room, huge smiles plastered on their faces.
"Wouldn't want to keep you from your work," Maxon said, following them with his eyes, completely fascinated with their behavior.
Once in the hall, they gave awkwardly mistimed curtsies and walked away at a feverish pace. Immediately after they rounded the corner, Lucy's giggles echoed down the corridor, followed by Anne's intense hushing.
"Quite a group you have," Maxon said, walking into my room, surveying the space.
"They keep me on my toes," I answered with a smile.
"It's clear they have affection for you. That's hard to find." He stopped looking at my room and faced me. "This isn't what I imagined your room would look like."
I raised an arm and let it fall. "It's not really my room, is it? It belongs to you, and I just happen to be borrowing it.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Bianca, Since you keep running away from me at school, and, if I remember correctly, the sound of my voice causes you to have suicidal thoughts, I decided a letter might be the best way to tell you how I feel. Just hear me out. I’m not going to deny that you were right. Everything you said the other day was true. But my fear of being alone is not the reason I’m pursuing you. I know how cynical you are, and you’re probably going to come up with some snarky reply when you read this, but the truth is, I’m chasing you because I really think I am falling in love with you. You are the first girl who has ever seen right through me. You’re the only girl who has ever called me on my bullshit. You put me in my place, but, at the same time, you understand me better than anyone ever has. You are the only person brave enough to criticize me. Maybe the only person who looks close enough to find my faults—and, clearly, you’ve found many. I called my parents. They’re coming home this weekend to talk to Amy and me. I was afraid to do this at first, but you inspired me. Without you, I never could have done that. I think about you much more than any self-respecting man would like to admit, and I’m insanely jealous of Tucker—something I never thought I’d say. Moving on after you is impossible. No other girl can keep me on my toes the way you can. No one else makes me WANT to embarrass myself by writing sappy letters like this one. Only you. But I know that I’m right, too. I know you’re in love with me, even if you are dating Tucker. You can lie to yourself if you want, but reality is going to catch up with you. I’ll be waiting when it does… whether you like it or not. Love, Wesley p.s.: I know you’re rolling your eyes right now, but I don’t care. Honestly, it’s always been kind of a turn-on.
”
”
Kody Keplinger (The DUFF (Hamilton High, #1))
“
In a nutshell, mindfulness is the ability to recognize what is happening in your mind right now—anger, jealousy, sadness, the pain of a stubbed toe, whatever—without getting carried away by it. According to the Buddha, we have three habitual responses to everything we experience. We want it, reject it, or we zone out. Cookies: I want. Mosquitoes: I reject. The safety instructions the flight attendants read aloud on an airplane: I zone out. Mindfulness is a fourth option, a way to view the contents of our mind with nonjudgmental remove.
”
”
Dan Harris (10% Happier)
“
I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, "Running Scared," exploded into the room.
Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, "Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, "Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him.
”
”
Bob Dylan (Chronicles, Volume One)
“
I’ve always found that the most beautiful people, truly beautiful inside and out, are the ones who are quietly unaware of their effect.” His eyes searched mine intently, and for a moment we stood there toe to toe. “The ones who throw their beauty around, waste what they have? Their beauty is only passing. It’s just a shell hiding nothing but shadows and emptiness.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Her heart pounded as the door lifted and Hunter got out dressed in faded jeans, a gray and black v-neck sweater, and a black leather jacket, the man was drop-dead stunning.
And that deadly stagger of his made her weak in the knees. "Oh baby," she heard Tammy whisper as he came around the car.
Hunter stopped in front of Amanda and raked a hungry look over her body. "Hi, luscious," he said in that deep, evocative voice. "Sorry I'm late."
Before Amanda knew what he was doing, he pulled her into his arms and gave her a sizzling hot kiss. Her body burned in response to his tongue tasting hers as he fisted his hands against her back. Then, he dipped down and picked her up in his arms.
"Hunter!" she gasped as he carried her effortlessly toward the car.
He gave her that devilish tight-lipped smile. His midnight eyes were warm and alive with humor and hunger. With the toe of his boot, he opened the passenger-side door and set her inside. He retrieved her briefcase and purse from the sidewalk where she had dropped them and handed them to her. Then, he turned and gave a knowing smile to Cliff. "You really have to love a woman who lives to see you naked.
”
”
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
“
What?” he asked, finishing the second of his nine-ounce steaks, medium rare. “Why are you looking at me that way?”
[...]
I sighed theatrically, resting my chin on my cupped hands and bracing my elbows on the table. “You are too gorgeous, you know?”
I said it just loud enough that the people who’d been watching us surreptitiously could hear me.
Unholy laughter lit his eyes—telling me he’d been noticing the looks we’d been getting. But his face was completely serious, as he purred, “So. Am I worth what you paid for me, baby?”
I loved it when he played along with me.
I sighed again, a sound that I drew up from my toes, a contented, happy sound. I’d get him back for that “baby.” Just see if I didn’t.
“Oh, yes,” I told our audience. “I’ll tell Jesse that she was right. Go for the sexy beast, she told me. If you’re going to shell out the money, don’t settle.”
He threw back his head and laughed until he had to wipe tears of hilarity off his face. “Jeez, Mercy,” he said. “The things you say.” Then he leaned across the table and kissed me.
A while later he pulled back, grinned at me, and sat back in his chair.
I had to catch my breath before I spoke. “Best five bucks I ever spent,” I told him fervently.
”
”
Patricia Briggs (River Marked (Mercy Thompson, #6))
“
What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they'd think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present. For example, the father of a family might go out for a walk, and, across the street, he'll see something like a red rag, blown towards him by the wind. And when the rag has gotten close to him he'll see that it is a side of rotten meat, grimy with dust, dragging itself along by crawling, skipping, a piece of writhing flesh rolling in the gutter, spasmodically shooting out spurts of blood. Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. And someone might be sleeping in his comfortable bed, in his quiet, warm room, and wake up naked on a bluish earth, in a forest of rustling birch trees, rising red and white towards the sky like the smokestacks of Jouxtebouville, with big bumps half way out of the ground, hairy and bulbous like onions. And birds will fly around these birch trees and pick at them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, warm and glassy with little bubbles.
”
”
Jean-Paul Sartre (Nausea)
“
Little did they know that the place they were about to burgle -- the shop, and the flat above it -- had already been burgled the week before: yes, and the week before that. And the week before that. It was all burgled out. Indeed, burgling, when viewed in Darwinian terms, was clearly approaching a crisis. Burglars were finding that almost everywhere had been burgled. Burglars were forever bumping into one another, stepping on the toes of other burglars. There were burglar jams on rooftops and stairways, on groaning fire-escapes. Burglars were being burgled by fellow burglars, and were doing the same thing back. Burgled goods jigged from flat to flat. Returning from burgling, burglars would discover that they themselves had just been burgled, sometimes by the very burglar that they themselves had just burgled! How would this crisis in burgling be resolved? It would be resolved when enough burglars found burgling a waste of time, and stopped doing it. Then, for a while, burgling would become worth doing again. But burglars had plenty of time to waste -- it was all they had plenty of, and there was nothing else to do with it -- so they just went on burgling.
”
”
Martin Amis
“
You must make a choice,” the Goddess said.
“Is that my only choice – to choose between men?” I asked. “I want what Mother had!”
“Your mother chose two men,” she said with light laughter.
“No! She chose independence for her country. She chose power and freedom,” I yelled.
Almost as if in response, a pulsating energy moved up from the ground into my bare feet. It thrummed up my body and radiated out in a bright light, first from my toes, then from my fingertips, then the top of my head.
“I choose power,” I said. “I choose freedom.
”
”
Vicky Alvear Shecter (Cleopatra's Moon)
“
He tried to think of something to say but could not. He's had this feeling before, beyond the numbness and the dull despair. The world shrinking down about a raw core of parsible entities. The names of things slowly following those things into oblivion. Colors. The names of birds. Things toe eat. Finally the names of things one believed to be true. More fragile than he would have thought. How much was gone already? The sacred idiom shorn of its referents and so of its reality. Drawing down like something trying to preserve heat. In time to wink out forever.
”
”
Cormac McCarthy
“
Dimity said, "I wrote him poetry!"
(...) "Dimity," Sophronia said, horrified by such an admission, "you didn't give him the poetry, did you?"
"Certainly not."
Sidheag tilted back in her chair, grinning. "Well, let's hear it."
"Oh, no. I don't think that's a good idea at all."
But Dimity was already dipping into her reticule and pulling out a scrap of paper. She gave it to Sidheag, who read it with a perfectly straight face, her tawny eyes dancing, and then passed it Sophronia.
"My love is like a red red rose
Occasionally he has a red red nose
He could keep me warm in the snows
I wager he has very nice toes."
Sophronia could think of nothing to say except, "Oh, Dimity.
”
”
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
“
I can text in complete sentences. Oh, yeah, it’s a skill.” He smiled, proud of his accomplishments. “And, thanks to my mom being a competitive dancer as a teen, I know how to do the Lindy hop and the jitterbug.”
I sat bolt upright, and Akinli rolled his eyes.
“I swear, if you tell me you can jitterbug, I’m going to . . . I don’t even know. Set something on fire. No one can dance like that.”
I pursed my lips and dusted off my shoulder, a thing I’d seen Elizabeth do when she was bragging.
As if he was accepting a challenge, he shrugged off his backpack and stood, holding out a hand for me.
I took it and positioned myself in front of him as he shook his head, grinning.
“All right, we’ll take this slow. Five, six, seven, eight.”
In unison, we rock stepped and triple stepped, falling into the rhythm in our head. After a minute, he got brave and swung me around, lining me up for those peppy kicks I loved so much.
People walked by, pointing and laughing, but it was one of those moments when I knew we weren’t being mocked; we were being envied.
We stepped on each other’s toes more than once, and after he accidentally knocked his head into my shoulder, he threw his hands up.
“Unbelievable,” he said, almost as if he was complaining. “I can’t wait to tell my mom this. She’s gonna think I’m lying. All those years dancing in the kitchen thinking I was special, and then I run across a master.
”
”
Kiera Cass (The Siren)
“
It’s a funny thing to be the product of a fairy-tale romance. It’s another thing to think you might find one yourself. You can read the stories and watch the movies, and you can think you know how it’s all supposed to unfold.
But the truth is, love is as much fate as it is planning, as much a beauty as it is a disaster.
Finding a prince might mean kissing a lot of frogs. Or kicking a lot of frogs out of your house. Falling might mean running headfirst into something you always wanted. Or dipping your toe into something you’ve been scared of your whole life. Happily ever after could be waiting in a field a mile wide. Or a window as narrow as seven minutes.
”
”
Kiera Cass (The Crown (The Selection, #5))
“
IT’S A FUNNY THING TO be the product of a fairy-tale romance. It’s another thing to think you might find one yourself. You can read the stories and watch the movies, and you can think you know how it’s all supposed to unfold.
But the truth is, love is as much fate as it is planning, as much a beauty as it is a disaster.
Finding a prince might mean kissing a lot of frogs. Or kicking a lot of frogs out of your house. Falling might mean running headfirst into something you always wanted. Or dipping your toe into something you’ve been scared of your whole life. Happily ever after could be waiting in a field a mile wide. Or a window as narrow as seven minutes'.
”
”
Kiera Cass
“
He said, I won't have one of those things in the house. It gives a young girl a false notion of beauty, not to mention anatomy. If a real woman was built like that she'd fall on her face.
She said, If we don't let her have one like all the other girls she'll feel singled out. It'll become an issue. She'll long for one and she'll long to turn into one. Repression breeds sublimation. You know that.
He said, It's not just the pointy plastic tits, it's the wardrobes. The wardrobes and that stupid male doll, what's his name, the one with the underwear glued on.
She said, Better to get it over with when she's young. He said, All right but don't let me see it.
She came whizzing down the stairs, thrown like a dart. She was stark naked. Her hair had been chopped off, her head was turned back to front, she was missing some toes and she'd been tattooed all over her body with purple ink, in a scrollwork design. She hit the potted azalea, trembled there for a moment like a botched angel, and fell.
He said, I guess we're safe.
”
”
Margaret Atwood (The Female Body)
“
Mathematicians still don’t understand
the ball our hands made, or how
your electrocuted grandparents made it possible
for you to light my cigarettes with your eyes.
It isn’t as simple as me climbing into the window
to leave six ounces of orange juice
and a doughnut by the bed, or me becoming
the sand you dug your toes in,
on the beach, when you wished
to hide them from the sun and the fixed eyes
of strangers, and your breath broke in waves
over my earlobe, splashing through my head, spilling out
over the opposite lobe, and my first poems
under your door in the unshaven light of dawn:
Your eyes remind me of a brick wall
about to be hammered by a drunk
driver. I’m that driver. All night
I’ve swallowed you in the bar.
Once I kissed the scar, stretching its sealed
eyelid along your inner arm, dried
raining strands of hair, full of pheromones, discovered
all your idiosyncratic passageways, so I’d know
where to run when the cops came.
Your body is the country I’ll never return to.
The man in charge of what crosses my mind
will lose fingernails, for not turning you
away at the border. But at this moment
when sweat tingles from me, and
blame is as meaningless as shooting up a cow with milk,
I realise my kisses filled the halls of your body
with smoke, and the lies came
like a season. Most drunks don’t die in accidents
they orchestrate, and I swallowed
a hand grenade that never stops exploding.
”
”
Jeffrey McDaniel
“
I took a sip of my purple drink and almost spat it out. It was so sweet. I covered it up by trying one of the fries. My mouth exploded with flavor, and I froze, eyes wide. I practically melted into a puddle. I’d had fried algae before, but it had been nowhere near as good as this. What were those spices? “Spin?” Arturo asked. “You look like someone just stepped on your toe.” I held up a fry, fingers trembling. “So. GOOD.” “She’s been living on rats for the last few months,” FM pointed out. “Her taste buds are undergoing serious atrophy.
”
”
Brandon Sanderson (Skyward (Skyward, #1))
“
Sick"
"I cannot go to school today,"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry,
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox
And there's one more--that's seventeen,
And don't you think my face looks green?
My leg is cut--my eyes are blue--
It might be instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke--
My hip hurts when I move my chin,
My belly button's caving in,
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My nose is cold, my toes are numb.
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There is a hole inside my ear.
I have a hangnail, and my heart is--what?
What's that? What's that you say?
You say today is. . .Saturday?
G'bye, I'm going out to play!
”
”
Shel Silverstein
“
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze.
The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine.
And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too.
How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me.
But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it.
Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—”
Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me.
When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?”
“Nothing—”
“Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!”
His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.”
Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.”
“Lee—”
“I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.”
“We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
We may see a Creature with forty-nine heads
Who lives in the desolate snow,
And whenever he catches a cold (which he dreads)
He has forty-nine noses to blow.
'We may see the venomous Pink-Spotted Scrunch
Who can chew up a man with one bite.
It likes to eat five of them roasted for lunch
And eighteen for its supper at night.
'We may see a Dragon, and nobody knows
That we won't see a Unicorn there.
We may see a terrible Monster with toes
Growing out of the tufts of his hair.
'We may see the sweet little Biddy-Bright Hen
So playful, so kind and well-bred;
And such beautiful eggs! You just boil them and then
They explode and they blow off your head.
'A Gnu and a Gnocerous surely you'll see
And that gnormous and gnorrible Gnat
Whose sting when it stings you goes in at the knee
And comes out through the top of your hat.
'We may even get lost and be frozen by frost.
We may die in an earthquake or tremor.
Or nastier still, we may even be tossed
On the horns of a furious Dilemma.
'But who cares! Let us go from this horrible hill!
Let us roll! Let us bowl! Let us plunge!
Let's go rolling and bowling and spinning until
We're away from old Spiker and Sponge!
”
”
Roald Dahl (James and the Giant Peach)
“
Poems are bullshit unless they are
teeth or trees or lemons piled
on a step. Or black ladies dying
of men leaving nickel hearts
beating them down. Fuck poems
and they are useful, wd they shoot
come at you, love what you are,
breathe like wrestlers, or shudder
strangely after pissing. We want live
words of the hip world live flesh &
coursing blood. Hearts Brains
Souls splintering fire. We want poems
like fists beating niggers out of Jocks
or dagger poems in the slimy bellies
of the owner-jews. Black poems to
smear on girdlemamma mulatto bitches
whose brains are red jelly stuck
between ‘lizabeth taylor’s toes. Stinking
Whores! we want “poems that kill.
”
”
Amiri Baraka
“
The Hearse Song
Don't you ever laugh as the hearse goes by,
For you may be the next to die.
They wrap you up in a big white sheet
From your head down to your feet.
They put you in a big black box
And cover you up with dirt and rocks.
All goes well for about a week,
Then your coffin begins to leak.
The worms crawl in, the worms crawl out,
The worms play pinochle on your snout.
They eat your eyes, they eat your nose,
They eat the jelly between your toes.
A big green worm with rolling eyes
Crawls in your stomach and out your eyes.
Your stomach turns a slimy green,
And pus pours out like whipping cream.
You spread it on a slice of bread,
And that's what you eat when you're dead.
”
”
Alvin Schwartz (Scary Stories to Tell in the Dark (Scary Stories, #1))
“
Sometimes I can't tell the difference between living and dead. Sometimes I look at a pretty little girlie and I think to myself, Is she a living, breathing thing? Or is she just a doll? Are those actualy tears she's crying? Are those real creams coming out of her mouth? And it's like a fog in my mind, like I get all confused and frustrated and mixed up, so I start doing things. Start small at first, like maybe with the ears or the lips or the toes. And then move on to the bigger things, and there's blood, so I keeping going and my hands are wet and my mouth is warm and I keep going and then something magical happens, Jasper. It's real magical and special and beautiful. See, they stop moving. They stop struggiling. All the fight just goes away and that's when it's all clear to me: She's dead. And if she's dead, then that means that she used to be alive. So then I know: This was a living one, a real one. And I feel good after that 'cause I figured it out.
”
”
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
“
Jase had seen me, restless, walking, organizing supplies that were already ordered. Everyone else was asleep on their bedrolls. He came up behind me, his hands circling my waist. "I can't sleep either," he said. His lips grazed my neck, and he whispered, "Tell me a riddle, Kazi." We laid out a blanket on a bed of grass, the stars of Hetisha's Chariot, Eagle's Nest, and Thieves' Gold lighting our way, far from everyone else. I settled in next to him, laying my head in the crook of his shoulder, his arm wrapping around me, pulling me close.
"Listen carefully now, Jase Ballenger. I won't repeat myself."
"I'm a good listener."
I know you are. I've known that since our first night together. That's what makes you dangerous. You make me want to share everything with you. I cleared my throat, signaling I was ready to begin.
"If I were a color, I'd be red as a rose,
I make your blood rush, and tingle your toes,
I taste of honey and spring, and a good bit of trouble,
But I make the birds sing, and all the stars double.
I can be quick, a mere peck, or slow and divine,
And that is probably, the very best kind."
"Hmm..." he said, as if stumped. "Let me think for a minute..." He rolled up on one elbow, looking down at me, the stars dusting his cheekbones. "Honey?" He kissed my forehead. "Spring?" He kissed my chin. "You are a good bit of trouble, Kazi of Brightmist." "I try my best." "I may have to take this one slowly..." His hand traveled leisurely from my waist, across my ribs, to my neck, until he was cupping my cheek. My blood rushed; the stars blurred. "Very slowly...to figure it all out." And then his lips pressed, warm and demanding onto mine, and I hoped it would take him an eternity to solve the riddle.
”
”
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
“
You?" I start to laugh. "Look at you. You're a knock-out. You're smarter than I am. You're on a career track and you're family-centered and you probably even can balance your checkbook."
"And I'm lonely, Cambell." Jewel adds. Why do you think I had to learn to act so independent? I also get mad too quickly, and I hog the covers, and my second toe is longer than my big one. My hair has its own zipcode. Plus, I get certifiably crazy when I've got PSM. You don't love someone because they're perfect," she says. "You love them in spite of the fact that they're not.
”
”
Jodi Picoult (My Sister's Keeper)
“
I jumped up from the bed and paced the small space in front of Romeo. He was absolutely nuts.
"Why the hell would you do that?" I asked.
Then I stubbed my toe on the edge of my desk.
"Ow!" I hissed and doubled over while bouncing around on one foot.
"You're like a one-woman show," Romeo remarked from behind me. His voice was clearly amused.
"I need my glasses," I muttered, hopping around and reaching for them somewhere near my bed. I knocked something over and it fell to the floor.
"Whoa there, graceful," Romeo said and scooped me up in his arms.
I let out a little squeak in surprise. "Put me down."
"No," he said mildly. "You are a danger to yourself."
I made a hmph sound and he snickered.
- Rimmel & Romeo
”
”
Cambria Hebert (#Nerd (Hashtag, #1))
“
Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps.
That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.
”
”
Toni Morrison (Jazz (Beloved Trilogy, #2))
“
Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.
”
”
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
“
There,' said Wednesday, 'is one who "does not have the faith and will not have the fun". Chesterton. Pagan indeed. So. Shall we go out onto the street, Easter my dear, and repeat the exercise? Find out how many passers-by know that their Easter festival takes its name from Eostre of the Dawn? Let's see - I have it. We shall ask a hundred people. For every one that knows the truth, you may cut off one of my fingers, and when I run out of them, toes; for every twenty who don't know you spend a night making love to me. And the odds are certainly in your favour here - this is San Francisco, after all. There are heathens and pagans and Wiccans aplenty on these precipitous streets.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
Are you jealous?" She has a half-smile, a laugh waiting to escape.
"No. Not jealous." I squeeze her to me, lifting her off the ground back onto her tip-toes. "Possessive. You belong to me." I push her away. "Take off that dress." I allow some anger into my voice. "Now!" She jumps in place a little and reaches behind her to unzip. I grab her shoulders and twist her around. Putting my hands at the base of her neck, I rip the dress down the middle, tearing the zipper apart. She half gasps, half cries out. "You won't be wearing that again.
”
”
Willow Madison (True Nature (True, #1))
“
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane.
“I’m cold,” Snowden had whimpered. “I’m cold.”
“There, there,” Yossarian had tried to comfort him. “There, there.”
They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
”
”
Joseph Heller (Catch-22)
“
January?
The month is dumb.
It is fraudulent.
It does not cleanse itself.
The hens lay blood-stained eggs.
Do not lend your bread to anyone
lest it nevermore rise.
Do not eat lentils or your hair will fall out.
Do not rely on February
except when your cat has kittens,
throbbing into the snow.
Do not use knives and forks
unless there is a thaw,
like the yawn of a baby.
The sun in this month
begets a headache
like an angel slapping you in the face.
Earthquakes mean March.
The dragon will move,
and the earth will open like a wound.
There will be great rain or snow
so save some coal for your uncle.
The sun of this month cures all.
Therefore, old women say:
Let the sun of March shine on my daughter,
but let the sun of February shine on my daughter-in-law.
However, if you go to a party
dressed as the anti-Christ
you will be frozen to death by morning.
During the rainstorms of April
the oyster rises from the sea
and opens its shell —
rain enters it —
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
June and July?
These are the months
we call Boiling Water.
There is sweat on the cat but the grape
marries herself to the sun.
Hesitate in August.
Be shy.
Let your toes tremble in their sandals.
However, pick the grape
and eat with confidence.
The grape is the blood of God.
Watch out when holding a knife
or you will behead St. John the Baptist.
Touch the Cross in September,
knock on it three times
and say aloud the name of the Lord.
Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain.
Do not faint in September
or you will wake up in a dead city.
If someone dies in October
do not sweep the house for three days
or the rest of you will go.
Also do not step on a boy's head
for the devil will enter your ears
like music.
November?
Shave,
whether you have hair or not.
Hair is not good,
nothing is allowed to grow,
all is allowed to die.
Because nothing grows
you may be tempted to count the stars
but beware,
in November counting the stars
gives you boils.
Beware of tall people,
they will go mad.
Don't harm the turtle dove
because he is a great shoe
that has swallowed Christ's blood.
December?
On December fourth
water spurts out of the mouse.
Put herbs in its eyes and boil corn
and put the corn away for the night
so that the Lord may trample on it
and bring you luck.
For many days the Lord has been
shut up in the oven.
After that He is boiled,
but He never dies, never dies.
”
”
Anne Sexton
“
A man sleeps through most of his life, even when awake. You get so little time, yet still you spend it utterly oblivious. Angry, frustrated, fixated on meaningless nothings. That drawer does not close flush with the front of my desk. What cards does my opponent hold, and how much money can I win from him? I wish I were taller. What will I have for dinner, for I am not fond of parsnips?’ Shenkt rolled a mangled corpse out of his way with the toe of one boot. ‘It takes a moment like this to jerk us to our senses, to draw our eyes from the mud to the heavens, to root our attention in the present. Now you realise how precious is each moment. That is my gift to you.
”
”
Joe Abercrombie (Best Served Cold (First Law World #4))
“
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
On the black earth on which the ice plants bloomed, hundreds of black stink bugs crawled. And many of them stuck their tails up in the air. "Look at all them stink bugs," Hazel remarked, grateful to the bugs for being there.
"They're interesting," said Doc.
"Well, what they got their asses up in the air for?"
Doc rolled up his wool socks and put them in the rubber boots and from his pocket he brought out dry socks and a pair of thin moccasins. "I don't know why," he said. "I looked them up recently--they're very common animals and one of the commonest things they do is put their tails up in the air. And in all the books there isn't one mention of the fact that they put their tails up in the air or why."
Hazel turned one of the stink bugs over with the toe of his wet tennis shoe and the shining black beetle strove madly with floundering legs to get upright again. "Well, why do you think they do it?"
"I think they're praying," said Doc.
"What!" Hazel was shocked.
"The remarkable thing," said Doc, "isn't that they put their tails up in the air--the really incredibly remarkable thing is that we find it remarkable. We can only use ourselves as yardsticks. If we did something as inexplicable and strange we'd probably be praying--so maybe they're praying."
"Let's get the hell out of here," said Hazel.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
I have a dream.
And in this dream I’m under the covers in bed, just a few scant inches away from Carter’s body. I stare at his prone form lying next to me, the greenish-blue glow from the alarm clock on the bedside table providing just enough illumination for me to see the shallow rise and fall of his chest. The sheet is draped low over his hips as he sleeps peacefully with one arm flung over his eyes and the other resting on his taut, naked stomach. I slide my body ever so slowly across the bed, careful not to disturb him, until I’m so close I can feel the heat from his skin warming me from head to toe. I pull my arms out from under the sheet and my hands reach out towards him. I connect with his smooth, muscular chest, slide my fingers up his body, and…choke the ever living shit out of him.
”
”
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
“
What are you so angry about?" my mother had asked me the last time I had gone home to visit.
Why aren't you more angry, I had wanted to ask her. But I couldn't talk to my mother that way. She understood that I did not want to live her life, to work as a waitress, until my toes curled in and my feet hurt all the time, to marry a man who would beat my children and treat me as if I had no right to object to object to anything he chose to do. She didn't want that life for me either. She wanted me happy and successful, to live unafraid among people who loved me, and to do things she had never been able to do and tell her all about them.
So I told her, about the shelter, the magazine, readings and discussion groups. I told her about trying to write stories, though I hesitated to send send her all that I wrote. And there were far too many times when I would sit down to write my mama and stare at the paper unable to puzzle out how to explain how urgent and unimportant it was to change how women's lives were shaped. Not only that we should be paid equal money for equally difficult work, but that we should genuinely begin to think about what word we might choose to undertake, how we might live our daily lives. Why should I have to marry at all? Or explain myself if I chose to love a woman? Why could I not spend my hours writing stories instead of raising children or keeping house or working some deadly boring job just to cover the rent of an apartments where I was not safe anyway.
”
”
Dorothy Allison (The Women's Room)
“
You have the lovers,
they are nameless, their histories only for each other,
and you have the room, the bed, and the windows.
Pretend it is a ritual.
Unfurl the bed, bury the lovers, blacken the windows,
let them live in that house for a generation or two.
No one dares disturb them.
Visitors in the corridor tip-toe past the long closed door,
they listen for sounds, for a moan, for a song:
nothing is heard, not even breathing.
You know they are not dead,
you can feel the presence of their intense love.
Your children grow up, they leave you,
they have become soldiers and riders.
Your mate dies after a life of service.
Who knows you? Who remembers you?
But in your house a ritual is in progress:
It is not finished: it needs more people.
One day the door is opened to the lover's chamber.
The room has become a dense garden,
full of colours, smells, sounds you have never known.
The bed is smooth as a wafer of sunlight,
in the midst of the garden it stands alone.
In the bed the lovers, slowly and deliberately and silently,
perform the act of love.
Their eyes are closed,
as tightly as if heavy coins of flesh lay on them.
Their lips are bruised with new and old bruises.
Her hair and his beard are hopelessly tangled.
When he puts his mouth against her shoulder
she is uncertain whether her shoulder
has given or received the kiss.
All her flesh is like a mouth.
He carries his fingers along her waist
and feels his own waist caressed.
She holds him closer and his own arms tighten around her.
She kisses the hand besider her mouth.
It is his hand or her hand, it hardly matters,
there are so many more kisses.
You stand beside the bed, weeping with happiness,
you carefully peel away the sheets
from the slow-moving bodies.
Your eyes filled with tears, you barely make out the lovers,
As you undress you sing out, and your voice is magnificent
because now you believe it is the first human voice
heard in that room.
The garments you let fall grow into vines.
You climb into bed and recover the flesh.
You close your eyes and allow them to be sewn shut.
You create an embrace and fall into it.
There is only one moment of pain or doubt
as you wonder how many multitudes are lying beside your body,
but a mouth kisses and a hand soothes the moment away.
”
”
Leonard Cohen
“
Regret nothing. Not the cruel novels you read
to the end just to find out who killed the cook.
Not the insipid movies that made you cry in the dark,
in spite of your intelligence, your sophistication.
Not the lover you left quivering in a hotel parking lot,
the one you beat to the punchline, the door, or the one
who left you in your red dress and shoes, the ones
that crimped your toes, don’t regret those.
Not the nights you called god names and cursed
your mother, sunk like a dog in the livingroom couch,b
chewing your nails and crushed by loneliness.
You were meant to inhale those smoky nights
over a bottle of flat beer, to sweep stuck onion rings
across the dirty restaurant floor, to wear the frayed
coat with its loose buttons, its pockets full of struck matches.
You’ve walked those streets a thousand times and still
you end up here. Regret none of it, not one
of the wasted days you wanted to know nothing,
when the lights from the carnival rides
were the only stars you believed in, loving them
for their uselessness, not wanting to be saved.
You’ve traveled this far on the back of every mistake,
ridden in dark-eyed and morose but calm as a house
after the TV set has been pitched out the upstairs
window. Harmless as a broken ax. Emptied
of expectation. Relax. Don’t bother remembering any of it.
Let’s stop here, under the lit sign
on the corner, and watch all the people walk by.
”
”
Dorianne Laux (The Book of Men)
“
I stared down at the white bikini in horror. My cleavage was out in full form, while the bikini bottoms hugged my hips, tinier than anything I’d ever dare buy for myself. What the hell was Gavin Fletcher thinking putting me in something like this? And he wanted me to go outside in it, much less get my picture taken?
Yeah, right! That was absolutely not happening.
“We haven’t got all day, Lani,” Martin barked from on deck.
I put my head in my hands, sighing deeply before brushing my hair back from my eyes. What the hell had I gotten myself into?
There was a gentle rapping on the bedroom door, and I opened it, wishing I had a towel to cover up with. Gavin’s gold-flecked eyes met mine, and I stepped back to let him in. He sucked in a breath, looking me over in that brash way of his, his lips curling into a grin.
“Now that’s what I’ve been hoping for,” he said.
I laughed nervously and crossed my arms in front of my body. “I don’t know if I can do this. You heard Martin out there.”
Gavin reached forward and put a hand on my arm, smoothing his large palm over my skin. I shivered beneath his touch, feeling the heat from a connection I wondered if he felt, too. Judging by the heat in his gaze, he did, but how was that even possible? I couldn’t be reading him right.
“You look stunning, Aolani,” he said, that dangerous, bad-boy smile of his making my toes curl. “You’re exactly what I’ve been waiting for. Exactly what this campaign needs. Please say you’ll try? For me?
”
”
Delilah Fawkes (Lush Curves (Lush Curves , #1))
“
You,” he snarled, closing his fingers around the front of her jacket again, pulling her against his body and up onto her toes, holding her there as he lowered his mouth to hers. But Sid wasn’t ready to kiss and make up, so she bit his lip angrily.
“Look,” she snapped, trying without success to push him away. “I get the whole alpha male, vampire lord-of-all-he-surveys thing, okay? I kind of even like it in the bedroom. But out in the real world, you are not the boss of me. I don’t forfeit my brain just because we have sex. And I’ll do whatever I think necessary to get my story. Besides, it’s not like most of what I do is dangerous. I’m not exactly Woodward and Bernstein material. But I’m not stupid either. I don’t take unnecessary risks, and I’m careful with the risks I do take.”
Aden was eyeing her with very little expression on his face, which made it difficult to tell how he was receiving her liberated woman speech. Whatever his reaction was, however, it didn’t extend to his body which was hard and ready to fuck, and no question about it.
“Kind of like it?” he asked finally, a corner of his mouth curling upward with amusement as he focused on the one part of her speech that she’d thought he’d have no problem with. “I think I can do better than that.
”
”
D.B. Reynolds (Aden (Vampires in America, #7))
“
It is nearly impossible to believe: God shrinking down to the size of a zygote, implanted in the soft lining of a woman’s womb. God growing fingers and toes. God kicking and hiccupping in utero. God inching down the birth canal and entering this world covered in blood, perhaps into the steady, waiting arms of a midwife. God crying out in hunger. God reaching for his mother’s breasts. God totally relaxed, eyes closed, his chubby little arms raised over his head in a posture of complete trust. God resting in his mother’s lap.
“On the days and nights when I believe this story that we call Christianity, I cannot entirely make sense of the storyline: God trusted God’s very self, totally and completely and in full bodily form, to the care of a woman. God needed women for survival. Before Jesus fed us with the bread and the wine, the body and the blood, Jesus himself needed to be fed, by a woman. He needed a woman to say: ‘This is my body, given for you.
”
”
Rachel Held Evans (Wholehearted Faith)
“
But maybe this is what Hannah has always wanted: a man who will deny her. A man of her own who isn't hers. Isn't it the real reason she broke up with Mike--not because he moved to North Carolina for law school (he wanted her to go with him, and she said no) but because he adored her? If she asked him to get out of bed and bring her a glass of water, he did. If she was in a bad mood, he tried to soothe her. It didn't bother him if she cried, or if she didn't wash her hair or shave her legs or have anything interesting to say. He forgave it all, he always thought she was beautiful, he always wanted to be around her. It became so boring! She'd been raised, after all, not to be accommodated but to accommodate, and if she was his world, then his world was small, he was easily satisfied. After a while, when he parted her lips with his tongue, she'd think, Thrash, thrash, here we go. She wanted to feel like she was striving cleanly forward, walking into a bracing wind and learning from her mistakes, and she felt instead like she was sitting in a deep, squishy sofa, eating Cheetos, in an overheated room. With Oliver, there is always contrast to shape their days, tension to keep them on their toes: You are far form me, you are close to me. We are fighting, we are getting along.
”
”
Curtis Sittenfeld (The Man of My Dreams)
“
Nick and the Candlestick
I am a miner. The light burns blue.
Waxy stalactites
Drip and thicken, tears
The earthen womb
Exudes from its dead boredom.
Black bat airs
Wrap me, raggy shawls,
Cold homicides.
They weld to me like plums.
Old cave of calcium
Icicles, old echoer.
Even the newts are white,
Those holy Joes.
And the fish, the fish ----
Christ! they are panes of ice,
A vice of knives,
A piranha
Religion, drinking
Its first communion out of my live toes.
The candle
Gulps and recovers its small altitude,
Its yellows hearten.
O love, how did you get here?
O embryo
Remembering, even in sleep,
Your crossed position.
The blood blooms clean
In you, ruby.
The pain
You wake to is not yours.
Love, love,
I have hung our cave with roses,
With soft rugs ----
The last of Victoriana.
Let the stars
Plummet to their dark address,
Let the mercuric
Atoms that cripple drip
Into the terrible well,
You are the one
Solid the spaces lean on, envious.
You are the baby in the barn.
”
”
Sylvia Plath (Ariel)
“
Judas: I’ll tell you what I know: I watched you trip over your own dusty feet to heal the sick, the blind, the lame, the unclean, any two-bit stranger stubbed their fuckin’ toe! When some lowly distant relative - too cheap to buy enough wine for his own fuckin’ wedding - suddenly runs out of booze - no problem, you just presto change-o and it was fuckin’ Miller time in ol’ Canaan again, wasn’t it, bro? But when I fuckin’ needed you - where the fuck were you, huh?!
Jesus: Judas-
Judas: You forgave Peter and bullshit Thomas - you knocked Paul of Tarsus off a horse - you raised Lazarus from the fuckin’ dead- but me? Me? Your ‘heart’? What about me? What about me, Jesus? Huh? You just, you just - I made a mistake! And if that was wrong, then you should have told me! And if a broken heart wasn’t sufficient reason to hang, THEN YOU SHOULD HAVE TOLD ME THAT, TOO!
Jesus: Don’t you think that if I knew that it would have changed your mind… That I would have?
Judas: All I know is that you broke me unfixable […]
”
”
Stephen Adly Guirgis (The Last Days of Judas Iscariot)
“
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Ohhhhh."
A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed.
She's not thinking such a thought! Not her.
She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath.
"Oh! Ohhhhh."
It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch.
"Ohhhhhh."
Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
”
”
Joyce Carol Oates (Blonde)
“
The people came out of their houses and smelled the hot stinging air and covered their noses from it. And the children came out of the houses, but they did not run or shout as they would have done after a rain. Men stood by their fences and looked at the ruined corn, drying fast now, only a little green showing through the film of dust. The men were silent and they did not move often. And the women came out of the houses to stand beside their men - to feel whether this time the men would break. The women studied the men's faces secretly, for the corn could go, as long as something else remained. The children stood near by drawing figures in the dust with bare toes, and the children sent exploring senses out to see whether men and women would break. The children peeked at the faces of the men and women, and then drew careful lines in the dust with their toes. Horses came to the watering troughs and nuzzled the water to clear the surface dust. After a while the faces of the watching men lost their bemused perplexity and became hard and angry and resistant. Then the women knew that they were safe and that there was no break. Then they asked, Whta'll we do? And the men replied, I don't know. but it was all right. The women knew it was all right, and the watching children knew it was all right. Women and children knew deep in themselves that no misfortune was too great to bear if their men were whole. The women went into the houses to their work, and the children began to play, but cautiously at first. As the day went forward the sun became less red. It flared down on the dust-blanketed land. The men sat in the doorways of their houses; their hands were busy with sticks and little rocks. The men sat still - thinking - figuring.
”
”
John Steinbeck (The Grapes of Wrath)
“
As I look back on my own life, I recognize that some of the greatest gifts I received from my parents stemmed not from what they did for me—but rather from what they didn’t do for me. One such example: my mother never mended my clothes. I remember going to her when I was in the early grades of elementary school, with holes in both socks of my favorite pair. My mom had just had her sixth child and was deeply involved in our church activities. She was very, very busy. Our family had no extra money anywhere, so buying new socks was just out of the question. So she told me to go string thread through a needle, and to come back when I had done it. That accomplished—it took me about ten minutes, whereas I’m sure she could have done it in ten seconds—she took one of the socks and showed me how to run the needle in and out around the periphery of the hole, rather than back and forth across the hole, and then simply to draw the hole closed. This took her about thirty seconds. Finally, she showed me how to cut and knot the thread. She then handed me the second sock, and went on her way. A year or so later—I probably was in third grade—I fell down on the playground at school and ripped my Levi’s. This was serious, because I had the standard family ration of two pairs of school trousers. So I took them to my mom and asked if she could repair them. She showed me how to set up and operate her sewing machine, including switching it to a zigzag stitch; gave me an idea or two about how she might try to repair it if it were she who was going to do the repair, and then went on her way. I sat there clueless at first, but eventually figured it out. Although in retrospect these were very simple things, they represent a defining point in my life. They helped me to learn that I should solve my own problems whenever possible; they gave me the confidence that I could solve my own problems; and they helped me experience pride in that achievement. It’s funny, but every time I put those socks on until they were threadbare, I looked at that repair in the toe and thought, “I did that.” I have no memory now of what the repair to the knee of those Levi’s looked like, but I’m sure it wasn’t pretty. When I looked at it, however, it didn’t occur to me that I might not have done a perfect mending job. I only felt pride that I had done it. As for my mom, I have wondered what
”
”
Clayton M. Christensen (How Will You Measure Your Life?)
“
Being sick is supposed to come along with grand realizations about What Really Matters, but I don't know. I think deep down, we're already aware of what's important and what's not. Which isn't to say that we always live our lives accordingly. We snap at our spouses and curse the traffic and miss the buds pushing up from the ground. But we know. We just forget to know sometimes.
Near-death forces us to remember. It pushes us into a state of aggressive gratitude that throws what's big and what's small into the sharpest relief. It's awfully hard to worry about the puddle of milk when you're just glad to be here to spill it.
Aggressive gratitude, though, is no way to live. It's too easy. We're meant to work at these things. To strive to know. Our task is to seek out what's essential, get distracted by the fluff, and still know, feel annoyed by annoyances, and find our way back. The so-called small stuff actually matters very much. It's what we push against on our way to figuring out how much we wish to think and be. We need that dialectic, and illness snatches it away. A stubbed toe, a too-long line at the post office, these things and the fluster they bring are signifiers of a healthy life, and I craved them.
”
”
Jessica Fechtor (Stir: My Broken Brain and the Meals That Brought Me Home)
“
But to be clear, I had not, at any age, desired a specific male body in the way I did now. While all my boyfriends and crushes had been reasonably good-looking, my attraction hovered up near their face, where they kept their talent and power. Lusting for the whole length of a person, head to toe, was what body-rooted fuckers did, Jordi, and men. Now, for the first time, I understood what all the fuss was about. How something beautiful could strike your heart, move you, bring you down on your knees and then, somewhat perversely, you wanted to fuck that pure, beautiful thing. Sex was a way to have it, to not just look at it but to be with it. I suddenly understood all of classical art. The endless carved nudes, Venus in her shell, David. And sexy clothes. I had worn them without really understanding why, thinking of sexy as one of many styles, not realizing it was the only style. You should always be emerging from a shell if possible. Without knowing it, without really understanding it, I had been a body for other people but I had not gotten to have one myself. I had not participated in the infuriating pleasure of wanting a real and specific body on Earth. I lay in the center of the bed, unblinking. Wanting a body had a seriousness to it. When you said you might never recover, you really meant it. This kind of desire made a wound you just had to carry with you for the rest of your life. But this was still better than never knowing. Or I hoped it was. Because in truth it was like a bad dream, a nightmare. Life didn’t just get better and better. You could actually miss out on something and that was that. That was your chance and now it was over. I wondered if I would continue with my work and then I realized that my work was all I had now. I had gotten it completely wrong—I thought I was laboring toward a prize, but the prize was right there, I already had it, and work was something I could do afterward, after I was no longer young enough to be beautiful and could no longer be wanted by someone beautiful. — How’s
”
”
Miranda July (All Fours)
“
Wylan—and the obliging Kuwei—will get the weevil working,” Kaz continued. “Once we have Inej, we can move on Van Eck’s silos.”
Nina rolled her eyes. “Good thing this is all about getting our money and not about saving Inej. Definitely not about that.”
“If you don’t care about money, Nina dear, call it by its other names.”
“Kruge? Scrub? Kaz’s one true love?”
“Freedom, security, retribution.”
“You can’t put a price on those things.”
“No? I bet Jesper can. It’s the price of the lien on his father’s farm.” The sharpshooter looked at the toes of his boots. “What about you, Wylan? Can you put a price on the chance to walk away from Ketterdam and live your own life? And Nina, I suspect you and your Fjerdan may want something more to subsist on than patriotism and longing glances. Inej might have a number in mind too. It’s the price of a future, and it’s Van Eck’s turn to pay.”
Matthias was not fooled. Kaz always spoke logic, but that didn’t mean he always told truth. “The Wraith’s life is worth more than that,” said Matthias. “To all of us.”
“We get Inej. We get our money. It’s as simple as that.”
“Simple as that,” said Nina. “Did you know I’m next in line for the Fjerdan throne? They call me Princess Ilse of Engelsberg.”
“There is no princess of Engelsberg,” said Matthias. “It’s a fishing town.”
Nina shrugged. “If we’re going to lie to ourselves, we might as well be grand about it.”
Kaz ignored her, spreading a map of the city over the table, and Matthias heard Wylan murmur to Jesper, “Why won’t he just say he wants her back?”
“You’ve met Kaz, right?”
“But she’s one of us.”
Jesper’s brows rose again. “One of us? Does that mean she knows the secret handshake? Does that mean you’re ready to get a tattoo?” He ran a finger up Wylan’s forearm, and Wylan flushed a vibrant pink. Matthias couldn’t help but sympathize with the boy. He knew what it was to be out of your depth, and he sometimes suspected they could forgo all of Kaz’s planning and simply let Jesper and Nina flirt the entirety of Ketterdam into submission.
Wylan pulled his sleeve down self-consciously. “Inej is part of the crew.”
“Just don’t push it.”
“Why not?”
“Because the practical thing would be for Kaz to auction Kuwei to the highest bidder and forget about Inej entirely.”
“He wouldn’t—” Wylan broke off abruptly, doubt creeping over his features.
None of them really knew what Kaz would or wouldn’t do. Sometimes Matthias wondered if even Kaz was sure.
“Okay, Kaz,” said Nina, slipping off her shoes and wiggling her toes. “Since this is about the almighty plan, how about you stop meditating over that map and tell us just what we’re in for.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.”
“John,” I said, whirling around to clutch his arm again.
“Don’t get too excited,” he warned. “You haven’t heard the condition.”
“Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?”
John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly.
“You’re giving blankets away to keep them warm while they wait. When did this start happening?”
“You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.”
My eyes widened. “Things I said?”
“About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.”
It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart.
“Oh, John,” I said, and rose onto my toes to kiss his cheek.
He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks.
“What was that for?” he asked.
“Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.”
John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet.
“Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.”
I beamed up at him.
Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable.
It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all.
I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph.
“Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John.
The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat.
“Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards.
“No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
Remembering Mom's Clothesline -- There is one thing that's left out. We had a long wooden pole (clothes pole) that was used to push the clotheslines up so that longer items (sheets/pants/etc.) didn't brush the ground and get dirty.
I can hear my mother now...
THE BASIC RULES FOR CLOTHESLINES:
(If you don't even know what clotheslines are, better skip this.)
1. You had to hang the socks by the toes... NOT the top.
2. You hung pants by the BOTTOM/cuffs... NOT the waistbands.
3. You had to WASH the clothesline(s) before hanging any clothes - Walk the entire length of each line with a damp cloth around the lines.
4. You had to hang the clothes in a certain order, and always hang "whites" with "whites," And hang them first.
5. You NEVER hung a shirt by the shoulders - always by the tail! What would the neighbors think?
6. Wash day on a Monday! NEVER hang clothes on the weekend, Or on Sunday, for Heaven's sake!
7. Hang the sheets and towels on the OUTSIDE lines so you could Hide your "unmentionables" in the middle perverts & busybodies, y'know!)
8. It didn't matter if it was sub-zero weather... Clothes would "freeze-dry."
9. ALWAYS gather the clothes pins when taking down dry clothes! Pins left on the lines were "tacky"!
10. If you were efficient, you would line the clothes up so that each item. Did not need two clothes pins, but shared one of the clothes pins with the next washed item.
11. Clothes off of the line before dinner time, neatly folded in the clothes basket, and ready to be ironed.
12. IRONED??!! Well, that's a whole OTHER subject!
”
”
Unnown
“
Do you think, little flower, that there will ever come a day when you regret meeting me?” he asked quietly.
“Yes,” she said simply.
“I see,” he said tightly.
“Would you like a specific date?”
“You are teasing me,” he realized suddenly.
“No, I’m dead serious. I have an exact date in mind.”
Jacob pulled back to see her eyes, looking utterly perplexed as her pupils sparkled with mischief.
“What date is that? And why are you thinking of pink elephants?”
“The date is September 8, because, according to Gideon, that’s possibly the day I will go into labor. I say ‘possibly,’ because combining all this human/Druid and Demon DNA ‘may make for a longer period of gestation than usual for a human,’ as the Ancient medic recently quoted. Now, as I understand it, women always regret ever letting a man touch them on that day.”
Jacob lurched to his feet, dropping her onto her toes, grabbing her by the arms, and holding her still as he raked a wild, inspecting gaze over her body.
“You are pregnant?” he demanded, shaking her a little. “How long have you known? You went into battle with that monster while you are carrying my child?”
“Our child,” she corrected indignantly, her fists landing firmly on her hips, “and Gideon only just told me, like, five seconds ago, so I didn’t know I was pregnant when I was fighting that thing!”
“But . . . he healed you just a few days ago! Why not tell you then?”
“Because I wasn’t pregnant then, Jacob. If you recall, we did make love between then and now.”
“Oh . . . oh Bella . . .” he said, his breath rushing from him all of a sudden.
He looked as if he needed to sit down and put a paper bag over his head. She reached to steady him as he sat back awkwardly on the altar. He leaned his forearms on his thighs, bending over them as he tried to catch his breath. Bella had the strangest urge to giggle, but she bit her lower lip to repress to impulse.
So much for the calm, cool, collected Enforcer who struck terror into the hearts of Demons everywhere.
“That is not funny,” he grumbled indignantly.
“Yeah? You should see what you look like from over here,” she teased.
“If you laugh at me I swear I am going to take you over my knee.”
“Promises, promises,” she laughed, hugging him with delight. Finally, Jacob laughed as well, his arm snaking out to circle her waist and draw her back into his lap.
“Did you ask . . . I mean, does he know what it is?”
“It’s a baby. I told him I didn’t want to know what it is. And don’t you dare find out, because you know the minute you do I’ll know, and if you spoil the surprise I’ll murder you.”
“Damn . . . she kills a couple of Demons and suddenly thinks she can order all of us around,” he taunted, pulling her close until he was nuzzling her neck, wondering if it was possible for such an underused heart as his to contain so much happiness.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
During those days before the girl from the lake was finally buried in her hometown, Jay had been the one who kept Violet sane. He slipped candy bars into her backpack for her to find and left little notes in her locker just to let her know he was thinking about her. She leaned on him every step of the way, and he never once complained. And afterward, when she felt back to her old self again, at least mostly anyway, he was still there.
She wondered what she’d done to deserve a friend like him, someone who never wavered and never questioned. Someone who was always there . . . being supportive, and funny, and thoughtful.
Violet stood in the hallway and watched him. He was digging through his locker looking for his math book, and even though she knew it wasn’t there, Violet just let him search, smiling to herself. Crumpled wads of paper fell out onto the floor at his feet.
He seemed to sense that she was staring and he looked back at her. “What?” he asked.
“Nothing,” she responded, the smile finding her lips.
He narrowed his eyes, realizing that he was the butt of some private joke. “What?”
She sighed and kicked a toe at his backpack, which was lying crookedly against the wall of lockers. “Your book’s in your bag, dumbass,” she announced as she turned away and started walking toward class.
She heard him groan, followed by the sound of his locket slamming, before he finally caught up with her.
“Why didn’t you say anything? Sometimes you really piss me off.”
It was easy to ignore the harsh words when his tone was anything but scolding.
She shrugged. “It’s fun to watch you scramble.”
“Yeah, fun. That’s what I was thinking.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Well,” I said, trying to keep my tone light as I walked over to put my arms around his neck, though I had to stand on my toes to do so. “That wasn’t so bad, was it? You told me something about yourself that I didn’t know before-that you didn’t, er, care for your family, except for your mother. But that didn’t make me hate you…it made me love you a bit more, because now I know we have even more in common.”
He stared down at him, a wary look in his eyes. “If you knew the truth,” he said, “you wouldn’t be saying that. You’d be running.”
“Where would I go?” I asked, with a laugh I hoped didn’t sound as nervous to him as it did to me. “You bolted all the doors, remember? Now, since you shared something I didn’t know about you, may I share something you don’t know about me?”
Those dark eyebrows rose as he pulled me close. “I can’t even begin to imagine what this could be.”
“It’s just,” I said, “that I’m a little worried about rushing into this consort thing…especially the cohabitation part.”
“Cohabitation?” he echoed. He was clearly unfamiliar with the word.
“Cohabitation means living together,” I explained, feeling my cheeks heat up. “Like married people.”
“You said last night that these days no one your age thinks of getting married,” he said, holding me even closer and suddenly looking much more eager to stick around for the conversation, even though I heard the marina horn blow again. “And that your father would never approve it. But if you’ve changed your mind, I’m sure I could convince Mr. Smith to perform the ceremony-“
“No,” I said hastily. Of course Mr. Smith was somehow authorized to marry people in the state of Florida. Why not? I decided not to think about that right now, or how John had come across this piece of information. “That isn’t what I meant. My mom would kill me if I got married before I graduated from high school.”
Not, of course, that my mom was going to know about any of this. Which was probably just as well, since her head would explode at the idea of my moving in with a guy before I’d even applied to college, let alone at the fact that I most likely wasn’t going to college. Not that there was any school that would have accepted me with my grades, not to mention my disciplinary record.
“What I meant was that maybe we should take it more slowly,” I explained. “The past couple years, while all my friends were going out with boys, I was home, trying to figure out how this necklace you gave me worked. I wasn’t exactly dating.”
“Pierce,” he said. He wore a slightly quizzical expression on his face. “Is this the thing you think I didn’t know about you? Because for one thing, I do know it, and for another, I don’t understand why you think I’d have a problem with it.”
I’d forgotten he’d been born in the eighteen hundreds, when the only time proper ladies and gentlemen ever spent together before they were married was at heavily chaperoned balls…and that for most of the past two centuries, he’d been hanging out in a cemetery.
Did he even know that these days, a lot of people hooked up on first dates, or that the average age at which girls-and boys as well-lost their virginity in the United States was seventeen…my age?
Apparently not.
“What I’m trying to say,” I said, my cheeks burning brighter, “is that I’m not very experienced with men. So this morning when I woke up and found you in bed beside me, while it was really, super nice-don’t get me wrong, I enjoyed it very much-it kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was…
”
”
Meg Cabot (Underworld (Abandon, #2))
“
He did atrocious things, but it was him I wanted. Always, only him.
Troy stopped when we were nose to nose. Toe to toe. I loved watching those eyes from up-close. They were so ocean blue, no wonder they made my head swim.
“I love you, Red. I love you determined, tough, innocent, resilient…” His brows furrowed as he drank me in, stroking the curve of my face with his calloused fingertips. “I love you broken, insecure, scared, furious and pissed off…” He let a small smile loose.
I actually felt it, even though it was on his lips.
“I love every part of you, the good and the bad, the hopeless and the assertive. We don’t just love. We heal each other with every touch and complete each other with ever kiss. And fuck, I know it’s corny as hell, but that’s what I need. You’re what I need.”
My eyes fluttered shut, a lone tear hanging from the tip of my eyelash.
“We don’t have ordinary words between us. You always set my fucking brain on fire when you talk to me. We don’t even have ordinary moments of silence. I always feel like I’m playing with you or being played by you when you’re around. And I refuse to let you walk out on this, on us.”
He cupped my cheeks and I locked his palms in place, tightening my grip. I never wanted him to let go. He dipped his head down, tilting his forehead against mine. I knew he was right. Knew that I’d already forgiven him. Probably before I even knew what he did, when we were still living together. Hell, probably on that dance floor, when I was nine.
My capturer.
My monster.
My savior.
“I’m an asshole, was an asshole, and have every intention of staying an asshole. It’s the makeup of my fucking DNA. But I want to be your asshole. To you, I can be good. Maybe even great. For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And yes, I sure as hell knew you’d come back. You came straight back into my arms, flew back to your nest, lovebird. Now why would you do that if you didn’t love the shit out of me?”
My eyes roamed his face. His hands felt delicious on my skin. It was like he was pumping life into me with his fingertips. Like he made me whole before I even knew parts of me were missing.
”
”
L.J. Shen (Sparrow)
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
You don’t know,” Anthony said, his voice low and nearly shaking with rage. “You don’t know what he has done.”
“No more than what you have done, I’m sure,” Violet said slyly.
“Precisely!” Anthony roared. “Good God, I know exactly what is going on in his brain right now, and it has nothing to do with poetry and roses.”
Simon pictured laying Daphne down on a bed of rose petals. “Well, maybe roses,” he murmured.
“I’m going to kill him,” Anthony announced.
“These are tulips, anyway,” Violet said primly, “from Holland. And Anthony, you really must summon control of your emotions. This is most unseemly.”
“He is not fit to lick Daphne’s boots.”
Simon’s head filled with more erotic images, this time of himself licking her toes. He decided not to comment.
Besides, he had already decided that he wasn’t going to allow his thoughts to wander in such directions. Daphne was Anthony’s sister, for God’s sake. He couldn’t seduce her.
“I refuse to listen to another disparaging word about his grace,” Violet stated emphatically, “and that is the end of the subject.”
“But—”
“I don’t like your tone, Anthony Bridgerton!”
Simon thought he heard Daphne choke on a chuckle, and he wondered what that was all about.
“If it would please Your Motherhood,” Anthony said in excruciatingly even tones, “I would like a private word with his grace.”
“This time I’m really going to get that vase,” Daphne announced, and dashed from the room.
Violet crossed her arms, and said to Anthony, “I will not have you mistreat a guest in my home.”
“I shan’t lay so much as a hand on him,” Anthony replied. “I give you my word.”
Having never had a mother, Simon was finding this exchange fascinating. Bridgerton House was, after all, technically Anthony’s house, not his mother’s, and Simon was impressed that Anthony had refrained from pointing this out.
“It’s quite all right, Lady Bridgerton,” he interjected. “I’m sure Anthony and I have much to discuss.”
Anthony’s eyes narrowed. “Much.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
Every now and then, I'm lucky enough to teach a kindergarten or first-grade class. Many of these children are natural-born scientists -
although heavy on the wonder side, and light on skepticism. They're curious, intellectually vigorous. Provocative and insightful questions bubble out of them. They exhibit enormous enthusiasm. I'm asked follow-up questions. They've never heard of the notion of a 'dumb question'.
But when I talk to high school seniors, I find something different. They memorize 'facts'. By and large, though, the joy of discovery, the life behind those facts has gone out of them. They've lost much of the wonder and gained very little skepticism. They're worried about asking 'dumb' questions; they are willing to accept inadequate answers, they don't pose follow-up questions, the room is awash with sidelong glances to judge, second-by-second, the approval of their peers. They come to class with their questions written out on pieces of paper, which they surreptitiously examine, waiting their turn and oblivious of whatever discussion their peers are at this moment engaged in.
Something has happened between first and twelfth grade. And it's not just puberty. I'd guess that it's partly peer pressure not to excel - except in sports, partly that the society teaches short-term gratification, partly the impression that science or mathematics won't buy you a sports car, partly that so little is expected of students, and partly that there are few rewards or role-models for intelligent discussion of science and technology - or even for learning for it's own sake. Those few who remain interested are vilified as nerds or geeks or grinds. But there's something else. I find many adults are put off when young children pose scientific questions. 'Why is the Moon round?', the children ask. 'Why is grass green?', 'What is a dream?', 'How deep can you dig a hole?', 'When is the world's birthday?', 'Why do we have toes?'. Too many teachers and parents answer with irritation, or ridicule, or quickly move on to something else. 'What did you expect the Moon to be? Square?' Children soon recognize that somehow this kind of question annoys the grown-ups. A few more experiences like it, and another child has been lost to science.
”
”
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
“
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/needs/schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/train operators/tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
”
”
Kristin Newman (What I Was Doing While You Were Breeding)
“
AUTHOR’S NOTE
Dear reader:
This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard.
My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm.
My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight.
The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn.
Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering.
It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents.
Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own.
No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends.
This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared.
I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
”
”
Suzanne Redfearn (In an Instant)