Today Tonight Tomorrow Quotes

We've searched our database for all the quotes and captions related to Today Tonight Tomorrow. Here they are! All 100 of them:

You want me as much as I want you. And all I want is you." My tongue warred with my mind. "Today," I whispered. Noah stood slowly, his body skimming mine as he rose. "Today. Tonight. Tomorrow. Forever.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Je t'aime. Aujourd'hui. Ce soir. Demain. Pour toujours. Si je vivais mille ans, je t'appartiendrais pour tous. Si je vivais mille vies, je te ferais mienne dans chacune d'elles. I love you. Today. Tonight. Tomorrow. Forever. If I were to live a thousand years, I would belong to you for all of them. If I were to live a thousand lives, I would want to make you mine in each one.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
There’s this word in Japanese: tsundoku,” Neil says suddenly. “It’s my favorite word in any language.” “What does it mean?” He grins. “It means acquiring more books than you could ever realistically read.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
There's only one day at a time here, then it's tonight and then tomorrow will be today again.
Bob Dylan (Chronicles, Volume One)
Today is filled with anger, fueled with hidden hate. Scared of being outkast, afraid of common fate. Today is build on tragedies which no one want's to face. Nightmares to humanity and morally disgraced. Tonight is filled with Rage, violence in the air. Children bred with ruthlessness cause no one at home cares. Tonight I lay my head down but the pressure never stops, knowing that my sanity content when I'm droped. But tomorrow I see change, a chance to build a new, build on spirit intent of heart and ideas based on truth. Tomorrow I wake with second wind and strong because of pride. I know I fought with all my heart to keep the dream alive.
Tupac Shakur
Maybe that’s the definition of nostalgia: getting sappy about things that are supposed to be insignificant.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Today. Tonight. Tomorrow. Forever.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
I’ve given this boy the messiest parts of me, and he’s done nothing but convince me he’ll be careful with them.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Maybe it's the whole concept of a guilty pleasure," Neil says gently. "Why should we feel guilty about something that brings us - pleasure?
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
But in the meantime all the life you have or ever will have is today, tonight, tomorrow, today, tonight, tomorrow, over and over again (I hope), ...
Ernest Hemingway (For Whom the Bell Tolls)
My favourite books got happily-ever-afters— why couldn’t I?
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Noah stood slowly, his body skimming mine as he rose. "Today. Tonight. Tomorrow. Forever." Noah's eyes held mind. his stare was infinite. "I was made for you, Mara.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Crush’ is too weak a word to describe how I feel. It doesn’t do you justice, but maybe it works for me. I am the one who is crushed. I’m crushed that we have only ever regarded each other as enemies. I’m crushed when the day ends and I haven’t said anything to you that isn’t cloaked in five layers of sarcasm.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
When he grins, it’s bright enough to light up the night sky. It’s kind of beautiful.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
How do you tell the person you’ve spent four years trying to destroy that you have a crush on them?
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
HAPPY EVER AFTER is a concept I'll never believe in. I would be content to sample some little taste of happiness today, tonight, right now. Though I know without a doubt that tomorrow will come saturated with pain. Life is like that. At least my life. And honestly, I cant think of anyone whose life is any different. The price tag for joy is misery. [...]
Ellen Hopkins (Identical)
Today isn’t my epilogue with Neil—it’s a beginning. I’ll leave the happily-ever-afters in the books.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Neil McNair has become my alarm clock, if alarm clocks had freckles and knew all your insecurities.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
But sometimes I get this strange feeling, an ache not for something I miss, but for something I've never known" -Rowan
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I’m in love with you. You are the most interesting person I know, and I’ve never been able to talk to anyone the way I can talk to you. I’ve devoted the past four years to leaving Seattle, but you...You are the best thing about this city. You are going to be the hardest to leave. I love you so much.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
While I love romance, I’ve never believed in the concept of soul mates, which has always seemed a little like men’s rights activism: not a real thing. Love isn’t immediate or automatic; it takes effort and time and patience. The truth of it was that I’d probably never have the kind of luck with love the women who live in fictional seaside towns do. But sometimes I get this strange feeling, an ache not for something I miss, but for something I’ve never known.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Love isn't immediate or automatic; it takes effort and time and patience." -Rowan
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Boy bands, fan fiction, soap operas, reality TV, most shows and movies with female main characters . . . We’re still so rarely front and center, even rarer when you consider race and sexuality, and then when we do get something that’s just for us, we’re made to feel bad for liking it. We can’t win.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
You wrote a fucking book. Do you know how many people wish they could do that, or how many people talk about doing it and never do?
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
The love that I wanted so desperately: this isn’t what I thought it would feel like. It’s made me dizzy and it’s grounded me. It’s made me laugh when nothing is funny. It shimmers and it sparks, but it can be comfortable, too, a sleepy smile and a soft touch and a quiet, steady breath. Of course this boy—my rival, my alarm clock, my unexpected ally—is at the center of it. And somehow, it’s even better than I imagined.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Yeah. Like every moment you're with them, your head is spinning and you cant catch your breath and you just know that this person is changing your life for the better. Someone who challenges you to be better.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Opposites attract is my favorite trope, so it made sense to start there. Because, of course, the thing about opposites: they always have a lot more in common than they think
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
You like it,” he says. There’s a glint in his eyes, like he understands something I don’t. “You like that nickname." And . . . I kind of do. It hasn’t felt irritating in a while. It’s only his, a language only we have, even if it’s a reference I don’t understand.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I am living today as someone I had not yet become yesterday And tonight I'll only borrow pieces of who I am today To carry with me to tomorrow
Andrea Gibson
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
Its real. Neil loves me.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
You're never too anything for books. We like what we like" -Rowan
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Four years of sparring when we could have had this: his awful singing voice, his hip bumping mine to encourage me to sing along, the scarlet on his cheeks when I attacked him with icing. While I was so focused on destroying him, I missed so much.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
People change, Rowan. Thank God they do.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Maybe this version of you would have been cool. But...you’re kind of great now, too
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
What do we talk about? Just ordinary things. What happened today, or books we've read, or tomorrow's weather, you know. Don't tell me you're wondering if people jump to their feet and shout stuff like 'It'll rain tomorrow if a polar bear eats the stars tonight!
Haruki Murakami (Norwegian Wood)
He glances down at his arms. “I didn’t even realize—am I expos-ing too much skin? I don’t want to be parading myself in front of you, taunting you with what you can’t have. I have a hoodie in my backpack. I can put it on if you’re—” “You’re definitely better. We’re leaving.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I know you can do this. You’re the person who revolutionized garbage collection at Westview, remember?
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I, um, I read what you wrote in my yearbook. In my defense, it was tomorrow, and I thought you hated me. But I’m in love with you, Neil McNair -Neil Perlman- and I think maybe I’ve been in love with you for a long time. It just took my brain a while to catch up to my heart. I don’t know how I missed it, but you are pretty fucking great.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
If being cold makes him inch closer, then I am fucking Antartica.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
All th ebooks in the world couldn’t prepare me for this moment.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
But you like it. It’s possibly the boldest thing he’s said all day, and when he takes a step forward, I can feel the heat radiating off him. No wonder he was fine parting with his hoodie—the boy is a human sauna. You like being infuriated. By me.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I guess it’s like, in my head, my writing can be as great as I want it to be. But as soon as I declare I’m a writer, I’ll have something to prove. It’s hard to admit that you think you’re good at something creative. And then it’s so much worse for women. We’re told to shrug off compliments, to scoff when someone tells us we’re good at something. We shrink ourselves, convincing ourselves what we’re creating doesn’t actually matter.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Maybe this is how I’m supposed to say goodbye to high school: not with an arbitrary list or a preconceived notion of the way things are supposed to be, but by realizing we’re actually better together.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
It could be yesterday when I was less in love I think For I didn’t see you in the mirror behind me while getting dressed. The way your hands couldn’t stay away and our bodies always found their ways back to each other as if they were meant to be together Close. But then it was today and I saw you again in the mirror behind me while getting dressed So I go to sleep tonight alone without actually falling asleep because I’m scared of the moment I will wake up and realise it was just a dream You’re actually gone. Now all I can do is get through to another tomorrow hoping that I will be less in love again Like yesterday But not today. I was never really well with things at all.
Charlotte Eriksson
I tug his hoodie closer. We’re not soaking wet anymore, just a little damp. Now that we’re outside again, I’m convinced the smell of his hoodie had to be the rain. I’m not still thinking about it, but if I were, its just...petrichor.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
And just so you know, we might be having dinner together, but this isn’t a date,” Neil says, completely straight-faced. “I just don’t want you to get too excited. I mean, your parents are going to be there, so it would be really awkward if you were fawning over me the whole time.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
You and I have to always be the best, right? So we’ll be the best at long distance, if thats what we decide to do.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Neil is softer than I realized, and I’m a barbed-wire fence. Every time he gets too close, I make myself sharper.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Is there a word for what happens after your sworn nemesis lets you into their room and tells you their secrets?
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
He’s waiting on a bricked street with a rickety staircase that leads to the museum. His hair mussed, his posture slightly hunched. Why did I ever tease him about those freckles? I love them. I love every single one of them. I love his freckles and and his red hair and the too-short legs of his suit pants and the too-long sleeves, the way he laughs, the way he pushes up his glasses to rub his eyes.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
There's this word in Japanese: tsundoku. It's my favorite word in any language. It mean acquiring more books than you could ever realistically read. There's not direct translation." -Neil
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Did you know the world ‘clue’ comes from Greek Mythology? A clew, C-L-E-W, was a ball of yarn. Ariadne gave Theseus a clew to help him out of the Minotaur’s labyrinth. He unraveled it as he went so he could find his way back.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Will you finally sign my yearbook now?” he asks when we quiet down. “I have to have a Rowan Roth autograph for when you get famous.
Rachel Lynn Solomon (Today Tonight Tomorrow)
From all the books I’ve read, I thought I understood the concept of love, but wow, I knew nothing.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Are relationships supposed to feel that way?" "Earth-shattering?" "Yeah. Like every moment you're with them, your head is spinning and you can't catch your breath and you just know that this person is changing your life for the better. Someone who challenges you to be better.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I say seduce her, seduce her tonight. Break the door down if you have to. Tell her all those things you said to me about her. You will love her more tomorrow than today and how you want to die with her hand in yours–which is an excellent line, by the way, that I fully intend to borrow when the time comes.
Victoria Alexander (His Mistress by Christmas (Mistress Trio, #2; Sinful Family Secrets, #1))
But sometimes I get this strange feeling, an ache not for something i miss, but for something I've never known.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
It, uh. It doesn’t look bad, ya know. You’ve been playing with it all day, but. It always looks nice.’ This. This is the hair that always looks nice.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Wow’ is not an adjective.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
« But I do want something big and wild, (..) I’m convinced that when you’re with the right person, every date, every day feels that way. »
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I love words, and that’s what I want to do. There’s no better satisfaction than using precisely the right word in a conversation. I love the challenge of learning a new language, and I love discovering patterns. And I find it fascinating that words in other languages have crept into our vocabulary. ‘Cul-de-sac,’ ‘aficionado,’ tattoo...
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Love isn't immediate or automatic; it takes effort and time and patience.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Neil being this good a dancer-its kind of hot. Neil. Hot.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Now I’m even more certain why I couldn’t picture him kissing anyone else: because it was always supposed to be like this. With us.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
But if it were an essay, here's the thesis statement: I am in love with you, Rowan Roth
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
earth-shattering" "what just happened? Agreed." "Well, yes, but I meant you.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
...who is looking at my mouth like he has just discovered the perfect synonym for a word that doesn't have any.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I just want to make sure-I don’t know. That you realized its me.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
That swipe deserves its own romance novel.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Time. That's what I've been chasing all day, this notion that after tonight, after graduation, none of us will be in the same city again. The things that mattered to us for the past four years will shift and evolve, and I imagine they'll keep doing that forever. It's terrifying.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
(Quidquid latine dictum, altum videtur.) "It means 'anything sounds profound in Latin.' The literal translation is 'everything said in Latin seems deep.' But that sounds like Yoda-speak.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Artoo. Maybe you didn’t do everything on that list, but you did a lot. You were president of three clubs, editor of the yearbook, copresident of student council...’ The smirk returns as he adds: ‘...salutatorian.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Most parents send their children off to school with little bromides like "Have a great day! I can't wait to see you later!" or "Do your best at school today. We're having your favorite pizza for dinner tonight!" My mother would send me off with "Enjoy yourself. We could all be dead tomorrow.
Melissa Rivers (The Book of Joan: Tales of Mirth, Mischief, and Manipulation)
When he grins, it’s bright enough to light up the night sky. It’s kind of beautiful.
Rachel Lynn Solomon (Today Tonight Tomorrow)
i've given this boy the messiest parts of me, and he's done nothing but convince me he'll be careful with them
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Then I take a deep breath...and I let it all go.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
God bless my rigorous workout routine.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
All these years, we were fighting when we could have been...not fighting.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I have to get off this fucking Ferris wheel.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Artoo. Hey. We’ll figure it out.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
The fantasy: that my perfect high school boyfriend would be the epitome of romance. The reality: Neil McNair has been here all along.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
The first time with someone is usually imperfect. That's part of what makes it fun: figuring out together how to make it good.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Maybe this is how I'm supposed to say goodbye to high school: not with an arbitrary list or a preconceived notion of the way things are supposed to be, but by realizing we're actually better together.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
You realize how wrong and outdated that is, right? Good girls aren’t supposed to have sex, but if they don’t, they’re prudes, and if they do, they’re sluts. And of course, none of that takes the spectrum of gender or sexuality into account. Things are starting to change slowly, but the fact is, it’s still completely different for guys.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
...and then I’m spiraling again. In the light, his freckles are almost glowing, his hair is a golden amber. Everything about him is softer nearly to the point of appearing blurry, like I cant tell who this new version of Neil McNair is, leaving me more uncertain than ever.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Here, let me explain it to you in Jenny-speak. You know that movie we watched earlier tonight? Ajeossi. There's a quote Won Bin's character says that roughly translates to, 'People who live for tomorrow should fear the people who live for today.' Do you know why that is?" "No," I drawl, "but you're going to tell me." "Because the people who live for tomorrow don't take risks. They're afraid of the consequences. while the people who live for today have nothing to lose, so they fight tooth and nail. I'm saying that maybe you should stop caring so much about your future, about getting into music school, about what'll come after, and . . . live a little. Have new experiences, make new friends. I promise you can get the life you want now, if you just live in it.
Axie Oh (XOXO)
People think it’s harmless. They think it’s funny. That’s why they do it,” I say, trying to ignore the strange shiver where he touched my arm. Must be static electricity. “And sure. I guess it’s harmless until something bad happens. It’s harmless, and then there are security guards at your synagogue because someone called in a bomb threat. It’s harmless, and you’re terrified to get out of bed Saturday morning and go to services.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
So never be afraid, never be afraid to raise your voice for honesty and truth and compassion; against injustice, lying and greed. If you, not just you in this room tonight, but in all the other thousands of rooms like this one today and tomorrow and next week will do this, not as a class or classes, but as individuals, men and women, you will change the earth.
William Faulkner
Every story began with the same claim: "If you hear the first part, you'll want to hear the second. If you hear the story today, you'll come back tomorrow for another. If you hear the story tonight, you'll think about it as you sleep.
Donna Jo Napoli (Bound)
There’s this word in Japanese: tsundoku,” Neil says suddenly. “It’s my favorite word in any language.” “What does it mean?” He grins. “It means acquiring more books than you could ever realistically read. There’s no direct translation.
Rachel Lynn Solomon (Today Tonight Tomorrow)
The love that I wanted so desperately: this isn’t what I thought it would feel like. Its made me dizzy and grounded me. Its made me laugh when nothing is funny. It shimmers and its sparks, but it can be uncomfortable, too, a sleepy smile and a soft touch and a quiet, steady breath. Of course this boy -my rival, my alarm clock, my unexpected ally- is at the center of it. And somehow, its even better than I imagined.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
But still I was curious to know what sort of an explanation she would have given me—or would give now, if I pressed her for it—how much she would confess, and how she would endeavour to excuse herself. I longed to know what to despise, and what to admire in her; how much to pity, and how much to hate;—and, what was more, I would know. I would see her once more, and fairly satisfy myself in what light to regard her, before we parted. Lost to me she was, for ever, of course; but still I could not bear to think that we had parted, for the last time, with so much unkindness and misery on both sides. That last look of hers had sunk into my heart; I could not forget it. But what a fool I was! Had she not deceived me, injured me—blighted my happiness for life? ‘Well, I’ll see her, however,’ was my concluding resolve, ‘but not to-day: to-day and to-night she may think upon her sins, and be as miserable as she will: to-morrow I will see her once again, and know something more about her. The interview may be serviceable to her, or it may not. At any rate, it will give a breath of excitement to the life she has doomed to stagnation, and may calm with certainty some agitating thoughts.
Anne Brontë (The Tenant of Wildfell Hall)
What is hope? Is it the ambition of discovering for the first time what the carnal definition of physical love is without understanding the concept of true passion? Or is it imagination running wild and free fueled by the dram that tonight will last forever and tomorrows will always come as you are blinded by the brilliance of another's smile? Is it a theory of inevitability that relies on fate or destiny bringing two souls together for their one shot at true and unbridled happiness? Or is it a plea to erase a past that used to hold the potential for limitless smiles and endless laughs? I define hope as a narcotic. It courses through our veins, igniting ideas and feelings and emotions that all work in collaboration to produce a better tomorrow, while leaving today, but a distant memory. The essence of its unknown and unseen promise is beautiful and addicting to those who are in need of its satiating grace. The dependence on the idea of possibility can become a crutch however; an excuse for ignoring the here and now. It can swiftly morph from a therapeutic escape to an addictive obsession that somewhere over the rainbow lies the answer that will make everything right again. I am thankful to call myself a true addict to hope's mind altering panacea. It's blissful nirvana can seem both inconceivably irrational yet entirely fathomable to anyone lost in a sea of uncertainty. Just as age brings wisdom, experience brings the understanding that no matter what pot of gold lies at the end of your hopeful rainbow, the relief it casts over tragedy and heartache is the power behind it's true magic. To the hope that resides in the depths of my being, thank you.......
Ivan Rusilko (Entrée (The Winemaker's Dinner, #2))
Artoo, I'm switching back to regular handwriting. Calligraphy is hard, and I didn't bring my good pens. Or I need more practice. Right now you're sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I'm just going to do it. First of all, I need you to know I'm not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It's the last day of school, and therefore my last chance. "Crush" is too weak a word to describe how I feel. It doesn't do you justice, but maybe it works for me. I am the one who is crushed. I'm crushed that we have only ever regarded each other as enemies. I'm crushed when the day ends and I haven't said anything to you that isn't coated in five layers of sarcasm. I'm crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you're nervous, as though you're worried they look bad. (They never do.) You're ambitious, clever, interesting, and beautiful. I put "beautiful" last because for some reason, I have a feeling you'd roll your eyes if I wrote it first. But you are. You're beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You're looking at me like you can't believe I'm not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if this were an essay, here's the thesis statement: I'm in love with you, Rowan Roth. Please don't make too much fun of me at graduation? Yours, Neil P. McNair
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
It’s in that moment that pity is the overwhelming thing I feel. I feel sorry for this troglodyte because he has no idea that love doesn’t have to sour over time. I don’t need to be whisked away in a horse-drawn carriage, and I fully believe both partners are responsible for making a relationship romantic, if that’s what they want. Not whatever heteronormative bullshit that tells us guys are supposed to make the first move and pay for dinner and get down on one knee. But I do want something big and wild, something that fills my heart completely. I want a fraction of what Emma and Charlie or Lindley and Josef or Trisha and Rose have, even though they’re fictional. I’m convinced that when you’re with the right person, every date, every day feels that way.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
This is one of those moments when I wish I could be young forever. Not just stop time for a second, but for an eternity. The old paradox that youth is wasted on the young is not true for us. Neither I nor my friends take our youth for granted. In fact, all of the young people I know are all too aware that someday soon time and gravity won’t be on their side anymore. And there’s nothing we can do about it. So the young do the only thing they can do. They live and they love and they dance and they sing, they dream and they scheme, they ponder and they plan. Like there’s no tomorrow. For tomorrow brings us one day closer to the inevitable and one day further from the impossible. And being young is all about achieving the impossible. Or at least believing you can. The old mistake our denial for ignorance, our immaturity for irresponsibility. We understand the rules of life, we just don’t want to play by them. Not yet. Not today. Not tonight. Because tonight is a good night to be young and alive.
A.J. Compton (The Counting-Downers)
Baudelaire" When I fall asleep, and even during sleep, I hear, quite distinctly, voices speaking Whole phrases, commonplace and trivial, Having no relation to my affairs. Dear Mother, is any time left to us In which to be happy? My debts are immense. My bank account is subject to the court’s judgment. I know nothing. I cannot know anything. I have lost the ability to make an effort. But now as before my love for you increases. You are always armed to stone me, always: It is true. It dates from childhood. For the first time in my long life I am almost happy. The book, almost finished, Almost seems good. It will endure, a monument To my obsessions, my hatred, my disgust. Debts and inquietude persist and weaken me. Satan glides before me, saying sweetly: “Rest for a day! You can rest and play today. Tonight you will work.” When night comes, My mind, terrified by the arrears, Bored by sadness, paralyzed by impotence, Promises: “Tomorrow: I will tomorrow.” Tomorrow the same comedy enacts itself With the same resolution, the same weakness. I am sick of this life of furnished rooms. I am sick of having colds and headaches: You know my strange life. Every day brings Its quota of wrath. You little know A poet’s life, dear Mother: I must write poems, The most fatiguing of occupations. I am sad this morning. Do not reproach me. I write from a café near the post office, Amid the click of billiard balls, the clatter of dishes, The pounding of my heart. I have been asked to write “A History of Caricature.” I have been asked to write “A History of Sculpture.” Shall I write a history Of the caricatures of the sculptures of you in my heart? Although it costs you countless agony, Although you cannot believe it necessary, And doubt that the sum is accurate, Please send me money enough for at least three weeks.
Delmore Schwartz
Artoo, I'm switching back to regular handwriting. Calligraphy is hard, and I didn't bring my good pens. Or I need more practice. Right now you're sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I'm just going to do it. First of all, I need you to know I'm not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It's the last day of school, and therefore my last chance. "Crush" is too weak a word to describe how I feel. It doesn't do you justice, but maybe it works for me. I am the one who is crushed. I'm crushed that we have only ever regarded each other as enemies. I"m crushed when the day ends and I haven't said anything to you that isn't cloaked in five layers of sarcasm. I'm crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you're nervous, as though you're worried they look bad. (They never do.) You're ambitious, clever, interesting, and beautiful. I put "beautiful" last because for some reason, I have a feeling you'd roll your eyes if I wrote it first. But you are. You're beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You're looking at me like you can't believe I'm not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if it were an essay, here's the thesis statement. I am in love with you, Rowan Roth Please don't make too much fun of me at graduation? Yours, Neil P. McNair
Rachel Lynn Solomon
On this particular day her father, the vicar of a parish on the sea-swept outskirts of Lower Wessex, and a widower, was suffering from an attack of gout. After finishing her household supervision Elfride became restless, and several times left the room, ascended the staircase, and knocked at her father's chamber-door. 'Come in!' was always answered in a heart out-of-door voice from the inside. 'Papa,' she said on one occasion to the fine, red-faced, handsome man of forty, who, puffing and fizzing like a bursting bottle, lay on the bed wrapped in a dressing-gown, and every now and then enunciating, in spite of himself, about one letter of some word or words that were almost oaths; 'papa, will you not come downstairs this evening?' She spoke distinctly: he was rather deaf. 'Afraid not - eh-h-h! - very much afraid I shall not, Elfride. Piph-ph-ph! I can't bear even a handkerchief upon this deuced toe of mine, much less a stocking or slipper - piph-ph-ph! There 'tis again! No, I shan't get up till tomorrow.' 'Then I hope this London man won't come; for I don't know what I should do, papa.' 'Well, it would be awkward, certainly.' 'I should hardly think he would come today.' 'Why?' 'Because the wind blows so.' 'Wind! What ideas you have, Elfride! Who ever heard of wind stopping a man from doing his business? The idea of this toe of mine coming on so suddenly!... If he should come, you must send him up to me, I suppose, and then give him some food and put him to bed in some way. Dear me, what a nuisance all this is!' 'Must he have dinner?' 'Too heavy for a tired man at the end of a tedious journey.' 'Tea, then?' 'Not substantial enough.' 'High tea, then? There is cold fowl, rabbit-pie, some pasties, and things of that kind.' 'Yes, high tea.' 'Must I pour out his tea, papa?' 'Of course; you are the mistress of the house.' 'What! sit there all the time with a stranger, just as if I knew him, and not anybody to introduce us?' 'Nonsense, child, about introducing; you know better than that. A practical professional man, tired and hungry, who has been travelling ever since daylight this morning, will hardly be inclined to talk and air courtesies tonight. He wants food and shelter, and you must see that he has it, simply because I am suddenly laid up and cannot. There is nothing so dreadful in that, I hope? You get all kinds of stuff into your head from reading so many of those novels.
Thomas Hardy (A Pair of Blue Eyes)