Toadstool Quotes

We've searched our database for all the quotes and captions related to Toadstool. Here they are! All 85 of them:

Few humans see fairies or hear their music, but many find fairy rings of dark grass, scattered with toadstools, left by their dancing feet.
Judy Allen (Fantasy Encyclopedia)
The prince's robes and beggar's rags, Are toadstools on the miser's bags. A truth that's told with bad intent, Beats all the lies you can invent
William Blake (Auguries of Innocence)
Your brother Trent. And Travis. And you’re Thomas. Who am I missing? Tiger and Toadstool?
Jamie McGuire (Beautiful Redemption (The Maddox Brothers, #2))
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
This was a dank, sinister chill: the chill of shadows where poison toadstools grown, their ruddy colors beckoning a child to come, come take a taste of candy.
Robert McCammon (Swan Song)
Black wizards don't just grow up like toadstools, you know. Someone has to teach them complicated things like summoning demons, ritual magic, and clichéd villain dialogue.
Jim Butcher (Fool Moon (The Dresden Files, #2))
I thought about how unlikely it was I would ever meet any guy,fall in love, get married, have babies. Especially since I was going to spend the rest of my life in the cellar, where, in the not too distant future, I'd turn into a toadstool. I hoped I'd be the poisonous variety.
Susan Beth Pfeffer (This World We Live In (Last Survivors, #3))
The damp floor of the Internet sprouted Lecter theories like toadstools and sightings of the doctor rivaled those of Elvis in number.
Thomas Harris (Hannibal (Hannibal Lecter, #3))
Perhaps in time, Ella, the words we have lost will fade, and we will all stop summoning them by habit, only to stamp them out like unwanted toadstools when they appear. Perhaps they will eventually disappear altogether, and the accompanying halts and stammers as well: those troublesome, maddening pauses that at present invade and punctuate through caesura all manner of discourse. Trying so desperately we all are, to be ever so careful.
Mark Dunn (Ella Minnow Pea: A Novel in Letters)
You may think a mushroom is a fungus. This is exactly like believing that a penis is a man. Every toadstool... is merely a sex organ that is attached to something more whole, complex, and hidden.
Hope Jahren (Lab Girl)
Seattle, the mild green queen: wet and willing, cedar-scented, and crowned with slough grass, her toadstool scepter tilted toward Asia, her face turned ever upward in the rain; the sovereign who washes her hands more persistently than the most fastidious proctologist.
Tom Robbins (Tibetan Peach Pie: A True Account of an Imaginative Life)
Alas, love turns the human heart into a mildewed garden, a lush and shameless garden in which grow mysterious, obscene toadstools.
Knut Hamsun (Victoria)
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, seals, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
In fact, without a specification of a creature's goals, the very idea of intelligence is meaningless. A toadstool could be given a genius award for accomplishing with pinpoint precision and unerring reliability, the feat of sitting exactly where it is sitting. Nothing would prevent us from agreeing with the cognitive scientist Zenon Pylyshyn that rocks are smarter than cats because rocks have the sense to go away when you kick them.
Steven Pinker (How the Mind Works)
We’ll be untouched, forever, folded into the roots. We’ll have toadstools in our arteries and ant nests in our mouths. We’ll sprout roses in our eyes, and we’ll be knitted together, and I will never leave you, and you will never leave me—
Roshani Chokshi (The Last Tale of the Flower Bride)
I sang out the words unflinchingly though, as I stomped around the toadstool in clouds of church-basement dust, with a damp Gnome hand clutched in each of mine.
Margaret Atwood (Lady Oracle)
A machine, now, to help boys change from peach fuzz to briar bramble, girls from toadstools to nectarine.
Ray Bradbury (Dandelion Wine)
for I cherish the greatest respect towards everybody’s religious obligations, never mind how comical, and could not find it in my heart to undervalue even a congregation of ants worshipping a toad-stool...
Herman Melville (Moby-Dick or, The Whale)
Song" Observe the cautious toadstools still on the lawn today though they grow over-evening; sun shrinks them away. Pale and proper and rootless, they righteously extort their living from the living. I have been their sort. See by our blocked foundation the cold, archaic clay, stiff and clinging and sterile as children mold at play or as the Lord God fashioned before He breathed it breath. The earth we dig and carry for flowers, is strong in death. Woman, we are the rich soil, friable and humble, where all our murders rot, where our old deaths crumble and fortify my reach far from you, wide and free, though I have set my root in you and am your tree.
W.D. Snodgrass
Poor Cinderpaw’ll think she’s being stalked by toadstools,” Lionpaw mewed.
Erin Hunter (Eclipse (Warriors: Power of Three, #4))
It seems to be a kind of lounge,' she added, tripping over a small footstool. The floor seemed to be littered with them, like toadstools.
Barbara Pym (No Fond Return of Love)
Poisonous toadstools don't change their spots.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
And indeed he had no sooner come to the field than he saw all the toadstools leaning over one way, and that the way he was going; for just as thorn trees all lean away from the sea, so toadstools and every plant that has any touch of mystery, such as foxgloves, mulleins and certain kinds of orchis, when growing anywhere near it, all lean towards Elfland. By this one may know before one has heard a murmur of waves, or before one has guessed an influence of magical things, that one comes, as the case may be, to the sea or the border of Elfland.
Lord Dunsany (The King of Elfland's Daughter)
I said, "Who are you really? Why are you giving people money?" "Everybody wants money," she said, as if it were self-evident. "It makes them happy. It will make you happy, if you let it." We had come out by the heap of grass clippings, behind the circle of green grass that we called the fairy ring: sometimes, when the weather was wet, it filled with vivid yellow toadstools.
Neil Gaiman (The Ocean at the End of the Lane)
Toadstools The toadstools are starting to come up, circular and dry. Nothing will touch them, Gophers or chipmunks, wasps or swallows. They glow in the twilight like rooted will-o’-the-wisps. Nothing will touch them. As though little roundabouts from the bunched unburiable, Powers, dominions, As though orphans rode herd in the short grass, as though they had heard the call, They will always be with us, transcenders of the world. Someone will try to stick his beak into their otherworldly styrofoam. Someone may try to taste a taste of forever. For some it’s a refuge, for some a shady place to fall down. Grief is a floating barge-boat, who knows where it’s going to moor?
Charles Wright
You see when he forgot his Self his mother took care of his Self, and loved and praised his Self. Our own praises poison our Selves, and puff and swell them up, till they lose all shape and beauty, and become like great toadstools. But the praises of father or mother do our Selves good, and comfort them and make them beautiful. They never do them any harm. If they do any harm, it comes of our mixing some of our own praises with them, and that turns them nasty and slimy and poisonous.
George MacDonald (At the Back of the North Wind)
What child could resist the allure of such magic? The images of fae creatures dancing on toadstools and water sprites bathing in brooks and songbirds with glowing feathers alighting on the branches overhead.
Marissa Meyer (Gilded (Gilded, #1))
Let me write about an Icelandic road trip; a running man; backflashes galore; and slowly disclose what it is he’s running from. Bring him to Ásbyrgi; mention how the ravine was formed by a slammed-down hoof of Odin’s horse. Mention how it’s the Parliament of the Hidden Folk. Have him stare at the rock faces until the rock’s faces stare back. Breathe deep the resinous tang of the spruces. Let him meet a ghost from his past. Hear the bird, luring me in, ever deeper ever tighter circles. Where are you? There. On the toadstool-frilled tree stump.
David Mitchell (The Bone Clocks)
There is a revisionist theory, one of those depth-psychology distortions or half-truths that crop up like toadstools whenever the emotions get infected by the mind, that says we hate worst those who have done the most for us. According
Wallace Stegner (Crossing to Safety (Modern Library Classics))
The reaction on the part of the apes, limited as it was to about one subject in every three or four, has just that character of being common, yet individual, that belongs to aesthetic experiences. Some are sensitive to the sight, and the rest are not; to some of them it seems to convey something -- to others it is just a thing, a toadstool or what you will.
Susanne K. Langer
soul of man, when it gets fairly rotten, will bear you all sorts of poisonous toad-stools, and no eye can see whence came the seed thereof.
George Eliot (Middlemarch)
It’s not his girlfriend. It’s Princess Toadstool. And it’s not a gorilla,” I stress. “It’s Lemmy Koopa of the evil Koopa clan. And baby, as usual, you’re missing the point.” “Please enlighten me.” “The whole point of Super Mario Bros. is that it mirrors life.
Bret Easton Ellis (Glamorama)
Nothing grows among its pinnacles; there is no shade except under great toadstools of sandstone whose bases have been eaten to the shape of wine glasses by the wind. Everything is flaking, cracking, disintegrating, wearing away in the long, inperceptible weather of time. The ash of ancient volcanic outbursts still sterilizes its soil, and its colors in that waste are the colors that flame in the lonely sunsets on dead planets.
Loren Eiseley
A pretty vampire woman in a cheongsam came flying down the hallway, ribbons waving from her purple-streaked hair like a silken flag. Her face was familiar. Alec had seen her at Taki’s, and around the city more generally, usually with Raphael. “Save us, oh fearless leader,” said Raphael’s lady friend. “Elliott’s in a huge aquarium puking blue and green. He tried to drink mermaid blood. He tried to drink selkie blood. He tried to—” “Ahem,” said Raphael, with a savage jerk of his head in Alec’s direction. Alec waved. “Shadowhunter,” he said. “Right here. Hi.” “He tried to keep to the Accords and obey all the known Laws!” the woman declared. “Because that’s the New York clan’s idea of a truly festive good time.” Alec remembered Magnus and tried not to look like he was here to ruin the Downworlder party. There was one thing he and this woman had in common. He recognized the bright purple she was wearing. “I think I saw you earlier,” said Alec hesitantly. “You were—making out with a faerie girl?” “Yeah, you’re gonna have to be more specific than that,” said the vampire woman. “This is a party. I’ve made out with six faerie girls, four faerie boys, and a talking toadstool whose gender I’m unsure about. Pretty sexy for a toadstool, though.” Raphael covered his face briefly with his non-texting hand. “Why, you want to make something of it?” The woman bristled. “How happy I am to see the Nephilim constantly crashing our parties. Were you even invited?” “I’m a plus-one,” said Alec. The vampire girl relaxed slightly. “Oh, right, you’re Magnus’s latest disaster,” she said. “That’s what Raphael calls you. I’m Lily.” She lifted a hand in a halfhearted wave. Alec glanced at Raphael, who arched his eyebrow at Alec in an unfriendly way. “Didn’t realize Raphael and I were on pet name terms,” said Alec. He continued to study Raphael. “Do you know Magnus well?” “Hardly at all,” said Raphael. “Barely acquainted. I don’t think much of his personality. Or his dress sense. Or the company he keeps. Come away, Lily. Alexander, I hope I never see you again.” “I’ve decided I detest you,” Lily told Alec. “It’s mutual,” Alec said dryly. Unexpectedly, that made Lily smile, before Raphael dragged her away.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Every time you find an answer you find six questions under it, like leprechauns under a toadstool.
William S. Burroughs
In Europe, what seems to bond toads and toadstools strongly is their shared role as potentially toxic "agents of death", and their close associations with magic and the supernatural. In Christian thought, both were seen to represent the dark and evil threads of nature's tapestry. Both appeared in late medieval art in representations of hell, particularly in the work of Flemish artists.
Adrian Morgan
And they say, if ever a traveler plucks the wild parsley, and takes the bark of the hazel tree, and the secret toadstools, and mixes them with crocus from the patch of forest where the hero's last bones lie, a powerful spell will come to life. The hero will be reborn, not as he was before his destruction, but many times stronger in body and spirit; for he will be filled with the strength of earth, sea, and air. I think of the seven of us as the parts of one body. We may be torn asunder, and it may seem as if there is no tomorrow for us. We may each travel our own path, and we may fall and be broken and mend again. But in the end, as surely as the sun and moon make their way across the arch of the heavens, the strength of one is the strength of seven.
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
Evan ran his finger across the faded leather spines. He laughed at how silly some of the names were: Paint Your Roses Red, Edelweiss and Me, World of Mushrooms and Fungi, The Toadstool Diaries, Daffodils Unseen and Exotic Plants Unleashed, to name but a few.
H.B. Bolton (The Serpent's Ring (Relics of Mysticus, #1))
Chaos who, with a massive heave, or a great shrug, or hiccup, vomit, or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea lions, seals, lions, human beings, and daffodils and murder and art and love and confusion and death and madness and biscuits.
Stephen Fry (Mythos: The Greek Myths Reimagined (Stephen Fry's Great Mythology, #1))
He reached down and pulled something from the ground, then held it out in his hand so that we could see. “A toadstool?” I said. He shook his head. “A morel, tastiest mushroom there is. Been a long while since I went hunting morels. Here,” he said to me. “Take this and go see if you can find any more along the river.
William Kent Krueger (This Tender Land)
But it were folly to lay any stress on stories of this kind, which are sure to spring up around such an event as that now related, and which, as in the present case, sometimes prolong themselves for ages afterwards, like the toadstools that indicate where the fallen and buried trunk of a tree has long since mouldered into the earth.
Nathaniel Hawthorne (The Complete Works of Nathaniel Hawthorne: Novels, Short Stories, Poetry, Essays, Letters and Memoirs)
How can a nation speak with one voice if they are not one? Don’t forget, now. If you do, you encourage all the stupid but greedy and ambitious to sprout like toadstools and that’s the end of right and reason in the state. Coddling and wheedling is not going to stop these destroyers. To a haughty belly, kindness is hard to swallow and harder to digest.
Zora Neale Hurston (Moses, Man of the Mountain)
The soul of man, when it gets fairly rotten, will bear you all sorts of poisonous toad-stools, and no eye can see whence came the seed thereof.
George Eliot (Middlemarch: A Study Of Provincial Life)
In the relative cool of the timber stands, possum grapes and muscadine flourish with a cynical fecundity, and the floor of the forest — littered with old mossbacked logs, peopled with toadstools strange and solemn among the ferns and creepers and leaning to show their delicate livercolored gills — has about it a primordial quality, some steamy carboniferous swamp where ancient saurians lurk in feigned sleep.
Cormac McCarthy (The Orchard Keeper)
Fly agaric mushrooms are the pretty, red-capped, candy-like toadstools that innocently illustrate many children’s books. Despite their alarming don’t-eat-me colours, reindeer do eat them and get as high as kites. Since most of the toxins are filtered by the animals’ kidneys, drinking their urine is apparently safer than eating the mushrooms. And that is what high-seeking herders in Northern Europe and Asia do.
Janaki Lenin (My Husband & Other Animals)
In the years following daysdeath, most of the green places of the empire had withered, starved of the sun that had once gifted them life. But that wasn’t to say nothing grew in Elidaen anymore. There’s no end of successors waiting for old monarchs to fall, and in the breach left by those towering giants in their robes of whispering green, a new king had risen. “Fungus. “Luminous flowers of maryswort. Long, strangling tendrils of asphyxia. Bloated pustules of beggarbelly and jagged, crawling runs of shadespine. These were the new sovereigns of the forest, the grand lords of decay, building castles on the rotting tombs of the kings who’d come before. Mushroom and toadstool, moldweave and whitespore, running thick across the ground or flowering on the still-standing corpses, so thick you could barely see the shape of the tree beneath.
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, seals, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits. Whatever the truth, science today agrees that everything is destined to return to Chaos. It calls this inevitable fate entropy: part of the great cycle from Chaos to order and back again to Chaos. Your
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Ultimately, though, it was Super Mario Bros. that taught me what remains perhaps the most important lesson of my life. I am being perfectly sincere. I am asking you to consider this seriously. Super Mario Bros., the 1.0 edition, is perhaps the all-time masterpiece of side-scrolling games. When the game begins, Mario is standing all the way to the left of the legendary opening screen, and he can only go in one direction: He can only move to the right, as new scenery and enemies scroll in from that side. He progresses through eight worlds of four levels each, all of them governed by time constraints, until he reaches the evil Bowser and frees the captive Princess Toadstool. Throughout all thirty-two levels, Mario exists in front of what in gaming parlance is called “an invisible wall,” which doesn’t allow him to go backward. There is no turning back, only going forward—for Mario and Luigi, for me, and for you. Life only scrolls in one direction, which is the direction of time, and no matter how far we might manage to go, that invisible wall will always be just behind us, cutting us off from the past, compelling us on into the unknown. A small kid growing up in small-town North Carolina in the 1980s has to get a sense of mortality from somewhere, so why not from two Italian-immigrant plumber brothers with an appetite for sewer mushrooms?
Edward Snowden (Permanent Record)
Maybe one reason I do not wear makeup is to scare people. If they’re close enough, they can see something is different with me, something unnerving, as if I have no features, I am embryonic, pre-eyebrows, pre-eyelids, pre-mouth, I am like a water bear talking to them, or an amniotic traveler, a vitreous floater on their own eyeball, human ectoplasm risen on its hind legs to discourse with them And such a white white girl, such a sickly toadstool, so pale, a visage of fog, a phiz of mist above a graveyard, no magenta roses, no floral tribute, no goddess, no grown-up woman, no acknowledgment of the drama of secondary sexual characteristics, just the gray matter of spirit talking, the thin features of a gray girl in a gray graveyard— granite, ash, chalk, dust.
Sharon Olds (Arias)
Whether Chaos brought life and substance out of nothing or whether Chaos yawned life up or dreamed it up, or conjured it up in some other way, I don’t know. I wasn’t there. Nor were you. And yet in a way we were, because all the bits that make us were there. It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit, or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea lions, seals, lions, human beings, and daffodils and murder and art and love and confusion and death and madness and biscuits. Whatever the truth, science today agrees that everything is destined to return to Chaos. It calls this inevitable fate entropy: part of the great cycle from Chaos to order and back again to Chaos.
Stephen Fry (Mythos: The Greek Myths Reimagined (Stephen Fry's Great Mythology, #1))
soul of man, when it gets fairly rotten, will bear you all sorts of poisonous toad-stools, and no eye can see whence came the seed thereof.’ It was one of Caleb’s quaintnesses, that in his difficulty of finding speech for his thought, he caught, as it were, snatches of diction which he associated with various points of view or states of mind; and whenever he had a feeling of awe, he was haunted by a sense of Biblical phraseology, though he could hardly have given a strict quotation.
George Eliot (Middlemarch: A Study of Provincial Life)
The road climbs curving out of wet ground thick with cedars, and up onto a plateau meadow where Jersey cows, beautiful as deer, watching them with Juno eyes. Along the trail the ferns are dense, drooping with wet, twenty kinds of them. Again he does not know them (in my experience, ferns are an exclusively feminine expertise), and she tells him: hayscented fern, wood fern, sensitive fern, cinnamon fern, ostrich fern, interrupted fern, Christmas fern, bracken, maidenhair - names that are as pleasant to his ear as the woods smells are to his nose. In the intervals between clumps of spruce, the moss spreads a green carpet, inches thick, feather-soft, with candles of ground pine and the domes of spotted orange mushrooms rising out of it... Those aren't toadstools, Those are mushrooms. Deadly Amanita mushrooms. Ne mangez pas. You know everything that grows here. That's wonderful." Not so wonderful. I grew up here. I grew up in Sewickley, Pennsylvania, too, but I couldn't tell you the name of one thing that grows there. One, maybe Lilacs. You didn't grow up with my mother.
Wallace Stegner
There was shuffling and rustling around me, then Henry Reed was giving his valedictory address, “To Be or Not to Be.” Hadn't he heard the whitefolks? We couldn't be, so the question was a waste of time. Henry's voice came out clear and strong. I feared to look at him. Hadn't he got the message? There was no “nobler in the mind” for Negroes because the world didn't think we had minds, and they let us know it. “Outrageous fortune”? Now, that was a joke. When the ceremony was over I had to tell Henry Reed some things. That is, if I still cared. Not “rub,” Henry, “erase.” “Ah, there's the erase.” Us. Henry had been a good student in elocution. His voice rose on tides of promise and fell on waves of warnings. The English teacher had helped him to create a sermon winging through Hamlet's soliloquy. To be a man, a doer, a builder, a leader, or to be a tool, an unfunny joke, a crusher of funky toadstools. I marveled that Henry could go through with the speech as if we had a choice. I had been listening and silently rebutting each sentence with my eyes closed; then there was a hush, which in an audience warns that something unplanned is happening.
Maya Angelou
Before them were soups and stews filled with various tubers, roasted venison, long hot loaves of sourdough bread, and rows of honeycakes dripped with raspberry preserve. In a bed of greens lay filleted trout garnished with parsley, and on the side, pickled eel stared forlornly at an urn of cheese, as if hoping to somehow escape back into a river. A swan sat on each table, surrounded by a flock of stuffed partridges, geese, and ducks. Mushrooms were everywhere: broiled in juicy strips, placed atop a bird’s head like a bonnet, or carved in the shape of castles amid moats of gravy. An incredible variety was on display, from puffy white mushrooms the size of Eragon’s fist, to ones he could have mistaken for gnarled bark, to delicate toadstools sliced neatly in half to showcase their blue flesh. Then the centerpiece of the feast was revealed: a gigantic roasted boar, glistening with sauce. At least Eragon thought it was a boar, for the carcass was as large as Snowfire and took six dwarves to carry. The tusks were longer than his forearms, the snout as wide as his head. And the smell, it overwhelmed all others in pungent waves that made his eyes water from their strength.
Christopher Paolini (Eldest (Inheritance, #2))
She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.
Hannah Richell (The Peacock Summer)
the Indians were far too gentle, too peaceable, positively childlike. They squatted for whole evenings in their white straw hats on the earth, motionless as toadstools, content without light, silent. The sun and moon were enough light for them, an effeminate race, eerie but innocuous.
Max Frisch (Homo Faber)
But to the last question," Zelig replied, "he probably flew to beyond the Dark Regions, where people don't go and cattle don't stray, where the sky is copper, the earth iron, and where the evil forces live under roofs of petrified toadstools and in tunnels abandoned by moles.
Isaac Bashevis Singer (Naftali the Storyteller and His Horse, Sus and Other Stories)
Ryan was a nose away from the tallest cake on display, a six-foot-high chocolate masterpiece Jesse and I had created for this year's fairs. Detailed water nymph's interspersed with insects and toadstools, all sculpted by hand in rich dark chocolate.
Anouska Knight (Since You've Been Gone (Hqn) (English Edition))
Something shiny glints on the wooden table in the meadow. The sweet smell of freshly baked bread envelops me, and my belly growls so loudly, I’m sure a galaxy far, far away can hear. “What’s that?” As we get closer, I see the table is carved out of a fallen tree that’s been cut in half. Toadstools and long grass rise up from the ground to create natural chairs. I can smell bread, but I don’t see it. Rishi
Zoraida Córdova (Labyrinth Lost (Brooklyn Brujas, #1))
Frannie was watching some elves growing toadstools. As fast as the toadstool grew, an elf laid a cloth on it and put glasses of lemonade and tiny cakes there. It was all like a strange dream. ‘Oh, I am glad we came!’ said Beth, in delight. ‘Who would have thought that the Enchanted Wood would be like this at night?’ They
Enid Blyton (The Enchanted Wood (The Faraway Tree, #1))
They're kidding themselves, of course. Our sky can go from lapis to tin in the blink of an eye. Blink again and your latte's diluted. And that's just fine with me. I thrive here on the certainty that no matter how parched my glands, how anhydrous the creek beds, how withered the weeds in the lawn, it's only a matter of time before the rains come home. The rains will steal down from the Sasquatch slopes. They will rise with the geese from the marshes and sloughs. Rain will fall in sweeps, it will fall in drones, it will fall in cascades of cheap Zen jewelry. And it will rain a fever. And it will rain a sacrifice. And it will rain sorceries and saturnine eyes of the totem. Rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy. Rain will dramatize the countryside, sewing pearls into every web, winding silk around every stump, redrawing the horizon line with a badly frayed brush dipped in tea and quicksilver. And it will rain an omen. And it will rain a trance. And it will rain a seizure. And it will rain dangers and pale eggs of the beast. Rain will pour for days unceasing. Flooding will occur. Wells will fill with drowned ants, basements with fossils. Mossy-haired lunatics will roam the dripping peninsulas. Moisture will gleam on the beak of the Raven. Ancient shamans, rained from their rest in dead tree trunks, will clack their clamshell teeth in the submerged doorways of video parlors. Rivers will swell, sloughs will ferment. Vapors will billow from the troll-infested ditches, challenging windshield wipers, disgusing intentions and golden arches. Water will stream off eaves and umbrellas. It will take on the colors of beer signs and headlamps. It will glisten on the claws of nighttime animals. And it will rain a screaming. And it will rain a rawness. And it will rain a disorder, and hair-raising hisses from the oldest snake in the world. Rain will hiss on the freeways. It will hiss around the prows of fishing boats. It will hiss in the electrical substations, on the tips of lit cigarettes, and in the trash fires of the dispossessed. Legends will wash from desecrated burial grounds, graffiti will run down alley walls. Rain will eat the old warpaths, spill the huckleberries, cause toadstools to rise like loaves. It will make poets drunk and winos sober, and polish the horns of the slugs. And it will rain a miracle. And it will rain a comfort. And it will rain a sense of salvation from the philistinic graspings of the world. Yes, I am here for the weather. And when I am lowered at last into a pit of marvelous mud, a pillow of fern and skunk cabbage beneath my skull, I want my epitaph to read, IT RAINED ON HIS PARADE, AND HE WAS GLAD!
Tom Robbins (Wild Ducks Flying Backward)
Two hours later, Nesta found herself fully clothed in a bathtub in the middle of the private library, the entire thing filled with bubbles. No water, just bubbles. In matching tubs on either side of her, Emerie and Gwyn were giggling. 'This is ridiculous,' Nesta said, even as her mouth curved upward. Each one of their requests had gotten more and more absurd, and Nesta might have felt like they were exploiting the House had it not been so... exuberant in answering their commands. Adding creative flourishes. Like the fact that each bubble held a tiny bird fluttering about inside. Silent fireworks still exploded in the far corner of the room, and a miniature pegasus- Nesta's request, made only when her friends goaded her into submitting one- fed on a small patch of grass by the shelf, content to ignore them. A cake taller than Cassian stood in the centre of the room, lit with a thousand candles. Six frogs danced circles around a red-and-white-spotted toadstool, the waltzes provided by Nesta's Symphonia. Emerie wore a diamond crown and six strings of pearls. Gwyn sported a broad-brimmed hat fit for any fine lady, perched at a rakish angle on her head. A lace parasol leaned against her other shoulder, and she twirled it idly as she surveyed the windows...
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Drug-taking, it is significant, plays an important part in almost every primitive religion. The Persians and, before them, the Greeks and probably the ancient Hindus used alcohol to produce religious ecstasy; the Mexicans procured the beatific vision by eating a poisonous cactus; a toadstool filled the Shamans of Siberia with enthusiasm and endowed them with the gift of tongues.
Aldous Huxley (Moksha: Writings on Psychedelics and the Visionary Experience)
Sei più bella del sole,” I breathed in awe. “You look like the angel you are, Elise,” Gabriel said. “Fuck me on a toadstool,” Leon sighed. “You look gorgeous, little monster.” Ryder made a strained noise, sweeping a hand over his closely cropped hair.
Caroline Peckham (Vicious Fae (Ruthless Boys of the Zodiac, #3))
No …” “Did you see her crushing toadstools or stirring things in a cauldron?” “No …” “Then how do you know she cast a spell?” asked Mary Anne triumphantly. “She’s a witch. She can do anything she w—hey!” shrieked Karen, pointing. Mary Anne’s stomach flip-flopped. She immediately looked over at Mrs. Porter’s yard, sure she was going to see the old
Ann M. Martin (Kristy's Great Idea (The Baby-Sitters Club, #1))
At last she halted at a rotted, mossy stump. “I cannot marry you,” she told the clump of toadstools flourishing at its base. “I’m so terribly sorry. I should have told you years ago, but—” “For God’s sake, Cecily.” His soft laugh startled her, and she lifted her gaze. “You can’t do this, not yet. How can a lady refuse a man, when he hasn’t even proposed? I won’t stand for it.” “It’s not right, Denny. I’ve known for some time now that we wouldn’t . . . that I couldn’t . . .” He shushed her gently, placing his hands on her shoulders. “The truth is, we know nothing of what could be or would be. We’ve been delaying this conversation for years now, haven’t we? I’ve been waiting for . . . Well, I hardly know what I’ve been waiting for. Something indefinable, I suppose. And you’ve been waiting for Luke.
Tessa Dare (The Legend of the Werestag)
I cannot marry you,” she told the clump of toadstools flourishing at its base. “I’m so terribly sorry. I should have told you years ago, but—” “For God’s sake, Cecily.” His soft laugh startled her, and she lifted her gaze. “You can’t do this, not yet. How can a lady refuse a man, when he hasn’t even proposed? I won’t stand for it.” “It’s not right, Denny. I’ve known for some time now that we wouldn’t . . . that I couldn’t . . .” He shushed her gently, placing his hands on her shoulders. “The truth is, we know nothing of what could be or would be. We’ve been delaying this conversation for years now, haven’t we? I’ve been waiting for . . . Well, I hardly know what I’ve been waiting for. Something indefinable, I suppose. And you’ve been waiting for Luke.” Her breath caught. Denny knew? Oh, dear. Perhaps she shouldn’t be so surprised. They’d grown up together. He’d known her longer than anyone. “Yes, of course I knew,” he said, as if reading her thoughts. “Why do you think I invited you both here, to my home? I wanted to know how matters stood between you.” “And how do they stand?” she asked, hoping he would understand her better than she knew herself. He sighed. “I know he has some strange hold on your heart. But I believe you’d be happier marrying me.” Cecily shook her head in disbelief. If she didn’t know better, she would think him working in concert with Luke. Their arguments were one and the same. “But, Denny . . .” She prayed these words would not hurt his pride overmuch. “But we don’t love one another, not in that way.” “Perhaps not. But you’ve been in love with Luke for four years now. Has it made you happy?” She had no answer to that. “And I’ll admit, bachelorhood is losing its charms for me.” Gently, he folded her hands in his. “I know there is no grand passion between us, Cecily. But there is genuine caring. Honesty. Respect. Lasting unions have been built on foundations far weaker than these. And in time, perhaps some deeper attachment would grow. We don’t know what could happen, if only we gave it a chance.” He brought her hands to his lips and kissed them warmly—first the knuckles, then each sensitive palm—before pressing them to either side of his face and holding them there. The sweetness in the gesture surprised her, as did the fond regard in his eyes. This was Denny’s face she held in her hands. Dear, familiar, uncomplicated Denny, with the dimple on his right cheek and the tiny pockmark on the other. She’d known this face since her childhood. Could she learn to see to him in a new light, as a husband? She did want children and companionship and a happy home—all the things Luke refused to offer her. She sighed. “I don’t know what to say.” “That’s all right. I’m not asking you to say yes, not right now. Just . . . don’t say no quite yet?” He smiled then, that crooked, endearing Denny smile. And he kissed her, still holding her hands pressed against his face. It was sweet. He tasted of tea and peppermint, and his lips felt soft and warm. Denny’s kiss was mild, tender. Comforting and comfortable. And it was wretchedly unfair to him, that even as he claimed her lips, her heart remained divided. She couldn’t stop comparing this kiss to Luke’s. It just wasn’t the same. “Do
Tessa Dare (How to Catch a Wild Viscount)
Shut up, lumpen-head,” Billy had said, setting the stage for our future amicable relationship. I remembered that very well too. That had been a first too. Nobody had called me a lumpen-head before that. Tavi had had to explain what it meant, and then I had punched Billy in the stomach. People had to help Pradyun separate us and one of the ladies had exclaimed, “But she looked like such a sweet, little girl too!” “She's not a girl,” Billy had said. “She's an ugly lumpen-head, and her parents found her under a toadstool.” Billy had been a sweet, little boy himself. Still was. Hadn't changed a bit over the years.
Sonal Panse (The Sunshine Time: Season 1 Episode 3 (The Sunshine Time, #3))
I remind myself that too much self-reflection can make even a toadstool fall into a deep slumber.
Susan Ornbratt
Toadstool mandarins are a form of toxic jellyfish whose tentacles are loaded with entheogenic venom. The effects of a mandarin sting are threefold. The first is a sharp stinging sensation; the second a nasty red welt, which may fester if not treated with a salve of toadstool mandarin doodoo. And the third is a bold of self-awareness, thanks to the entheogens in the venom. Having been stung, a victim's typical reaction will be something like: Owww. Zark, that hurts. Then: Oh no. Look at this nasty red welt. I'm in the swimsuit competition later. And finally: What? I'm a latent misogynist with father issues! If a person is allergic to mandarin venom, one sting will prompt total self-awareness, leading to either immediate catatonia or a career as a talk show pundit.
Eoin Colfer (And Another Thing... (The Hitchhiker's Guide to the Galaxy, #6))
Prepositional verbs grow like toadstools. Once there was credit in facing a problem. Now problems have to be faced up to. The prepositions add nothing of significance.
Harold Evans (Do I Make Myself Clear?: Why Writing Well Matters)
We can’t do anything about it,” said the giant toadstool. “The mist and clouds and coolness are always with us. If they weren’t, we’d all die. That’s depressing. And what’s even more depressing is that we don’t particularly like perpetual mist and clouds and fog.” Jon-Tom struggled desperately for a reply, feeling victory slipping from his grasp. “It’s not the fact that it’s cloudy and damp all the time that matters. What matters is your outlook on the fact.” “What do you mean, our outlook?” asked a newcomer, an interested slime mold. “Our outlook is glum and miserable and pointless.” “Only if you think of it that way,” Jon-Tom informed it. “Sure, you can think of yourselves as hopeless. But why not view your situation in a positive light? It’s just a matter of redirecting your outlook on life. Instead of regarding your natural state as depressing, think of the constancy of climate and terrain as stabilizing, reassuring. In mental health, attitude is everything.
Alan Dean Foster (The Day of the Dissonance (The Spellsinger Adventures Book 3))
The little girl who’d made up stories of fairies under the toadstools, who’d built a drag racer out of scrap wood and an old skateboard, who’d won the science fair four years in a row and never brought home anything less than an A?
Ivy Layne (Stolen Heart (The Hearts of Sawyers Bend, #1))
Generally, in suburban areas, you’re likely to find the ubiquitous little brown mushrooms, puffballs, shelf mushrooms (which look like shelves on tree trunks,) slime molds, or some variety of what is largely called a toadstool
Nathan M. Hall (Path of the Moonlit Hedge: Discovering the Magick of Animistic Witchcraft)
Suppose I am God," said the voice, "and suppose I made the world in idleness. Suppose the stars, that you think eternal, are only the idiot fireworks of an everlasting schoolboy. Suppose the sun and the moon, to which you sing alternately, are only the two eyes of one vast and sneering giant, opened alternately in a never-ending wink. Suppose the trees, in my eyes, are as foolish as enormous toad-stools. Suppose Socrates and Charlemagne are only to me beasts, made funnier by walking on their hind legs. Suppose I am God, and having made things, laugh at them." "And suppose I am man," answered the other, " And suppose that I give the answer that shatters even a laugh. Suppose I do not laugh back at you, do not blaspheme you, do not curse you. But suppose, standing up straight under the sky, with every power of my being, thank you for the fools' paradise you have made. Suppose I praise you, with a literal pain of ecstasy, for the jest that has brought me so terrible a joy. If we have taken the child's games, and given them the seriousness of a crusade, if we have drenched your grotesque Dutch garden with the blood of martyrs, we have turned a nursery into a temple. I ask you, in the name of heaven, who wins?
G.K. Chesterton (The Napoleon of Notting Hill)
Young simply dismissed parts of the Genesis creation account as "baby stories" that should naturally be outgrown—this despite his frequent insistence on literally understood scripture. A free-flowing rendition of stenographic notes from an unpublished sermon of October 8, 1854 provides a useful example: When the Lord organized the world, and filled the earth with animal and vegetable life, then he created man ... . Moses made the Bible to say his wife was taken out of his side—was made of one of his ribs. As far as I know my ribs are equal on each side. The Lord knows If I had lost a rib for each wife I have, I should have had none left long ago ... . As for the Lord taking a rib out of Adam's side to make a woman of, it would be just as true to say he took one out of my side. "But, Brother Brigham, would you make it appear that Moses did not tell the truth?" No, not a particle more than I would that your mother did not tell the truth when she told you that little Billy came from a hollow toadstool. I would not accuse your mother of lying any more than I would Moses. The people in the days of Moses wanted to know things that [were] not for them, the same as your children do when they want to know where their little brother came from, and he answered them according to the level of their understandings, the same as mothers do their children.
Philip L. Barlow (Mormons and the Bible: The Place of the Latter-day Saints in American Religion (Religion in America))
I wouldn’t get into that thing,” Austin continued, ears flat, “if I still had all nine lives. Not even if I’d rescued Princess Toadstool and picked up another life. If anything goes wrong, somebody has to be around to say I told you so.
Tanya Huff (Summon the Keeper (Keeper Chronicles, #1))
Reaching for air and light the beech trees had grown very tall. One’s eyes traveled up and up the immense height of the silver trunks, past the various platforms of green leaves to where the blue of the upper air showed through them. The final platforms were so high that the blue of the blue-green pattern seemed no further away in space than the green; but one tree had decided to be content with a lowly position, had grown only a short height on a slender silver stem and then spread out her arms and wings like a dancing fairy. Below on the floor of the wood the colors showed jewel-bright above the warm russet of the beechmast. The cushions of moss about the roots of the trees were emerald and there were clumps of small bright purple toadstools, and others rose-colored on top and quilted white satin underneath.
Elizabeth Goudge (The White Witch)
Zero to sixty in four-point-three seconds. Good luck getting that with one of your crunchy, free-range, organic toadstool boyfriends. And we haven’t even gotten to the main event.
Pippa Grant (Mister McHottie (Girl Band #1))
he sees squirming roots trampled under the foliage of his mind by the holiday crowds as by the feet of the straining minister. From his eyes sparrows start and sing. His ears are toadstools, his fingers have begun to sprout leaves (his voice is drowned under the falls) . Poet, poet! sing your song, quickly! or not insects but pulpy weeds will blot out your kind.
William Carlos Williams (Paterson (Revised Edition) (New Directions Paperback 806 806))
Many African practitioners are expert herbalists and have an encyclopedic knowledge of the plants, mushrooms, toadstools, and other fungi of their region.
Steve Parker (Kill or Cure: An Illustrated History of Medicine)
But to the last question,” Zelig replied, “he probably flew to beyond the Dark Regions, where people don’t go and cattle don’t stray, where the sky is copper, the earth iron, and where the evil forces live under roofs of petrified toadstools and in tunnels abandoned by moles.” Isaac Bashevis Singer, Naftali the Storyteller and His Horse, Sus
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
Poisonous toadstools don’t change their spots,” said Ron sagely.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
The moonlight showed him something else too: he was standing in a perfectly round fairy ring of bone-white toadstools.
Lev Grossman (The Bright Sword)
As Queequeg’s Ramadan. or Fasting and Humiliation, was to continue all day, I did not choose to disturb him till towards night-fall; for I cherish the greatest respect towards everybody’s religious obligations, never mind how comical, and could not find it in my heart to undervalue even a congregation of ants worshipping a toad-stool; or those other creatures in certain parts of our earth, who with a degree of footmanism1 quite unprecedented in other planets, bow down before the torso of a deceased landed proprietor merely on account of the inordinate possessions yet owned and rented in his name.
Herman Melville (Moby-Dick: A Norton Critical Edition (Third Edition) (Norton Critical Editions))