To Get Up On Horseback Quotes

There is a cop who is both prowler and father: he comes from your block, grew up with your brothers, had certain ideals. You hardly know him in his boots and silver badge, on horseback, one hand touching his gun. You hardly know him but you have to get to know him: he has access to machinery that could kill you. He and his stallion clop like warlords among the trash, his ideals stand in the air, a frozen cloud from between his unsmiling lips. And so, when the time comes, you have to turn to him, the maniac’s sperm still greasing your thighs, your mind whirling like crazy. You have to confess to him, you are guilty of the crime of having been forced. And you see his blue eyes, the blue eyes of all the family whom you used to know, grow narrow and glisten, his hand types out the details and he wants them all but the hysteria in your voice pleases him best. You hardly know him but now he thinks he knows you: he has taken down you worst moment on a machine and filed it in a file. He knows, or thinks he knows, how much you imagined; he knows, or thinks he knows, what you secretly wanted. He has access to machinery that could get you put away; and if, in the sickening light of the precinct, and if, in the sickening light of the precinct, your details sound like a portrait of your confessor, will you swallow, will you deny them, will you lie your way home?

There were worse things than death. There would be a leap and a moment suspended, then a long hopeless curve to the rocks and river below. They would fall like leaves between clouds of swifts and then be washed away by the thundering rapids. Bramble clung to that thought. If their bodies washed away then there could be no identification, no danger of reprisals on her family. She hung on tighter. The roan's hindquarters bunched under her and they were in the air. It was like she had imagined: the leap, and then the moment suspended in air that seemed to last forever. Below her the swifts boiled up through the river mist, swerving and swooping, while she and the roan seemed to stay frozen above them. Bramble felt, like a rush of air, the presence of the gods surround her. The shock made her lose her balance and begin to slide sideways. She felt herself falling. With an impossible flick of both legs, the roan shrugged her back onto his shoulders. Then the long curve downward and she braced herself to see the cliffs rushing past as they fell. Time to die. Instead she felt a thumping jolt that flung her from the roan's back and tossed her among the rocks at the cliff's edge on the other side. On the other side. Her sight cleared, although the light still seemed dim. Her hearing came back a little. On the other side of the abyss a jumble of men and hounds were milling, shouting, astonished and very angry. "You can't do that!" one yelled. "It's impossible!" "Well, he shagging did it!" another said. "Can't be impossible!" "Head for the bridge!" Beck shouted. "We can still get him! I want that horse!

I gesture to his jacket. “Do you really think you’re qualified to give fashion advice?” He laughs, rubbing the back of his neck. “I thought I looked like an absolute tool—now I’m sure of it.” “Did the producers pick that out for you?” “Yes. I’m supposed to ride down to the castle on horseback. Make my grand entrance.” Briskly, his long fingers unbutton the jacket. He shrugs it off, dropping it on the ground, revealing a snug white T-shirt and gloriously sculpted arms. “Better?” “Yes,” I squeak. The teasing smirk comes back, then he grips the back of his T-shirt, pulling it off. And my mouth falls open at the sight of warm skin, perfect brown nipples, and the ridges and swells of muscles up and down his torso. “What do you think of this?” he asks. I think this is worse than I thought. Henry Pembrook isn’t a Fiyero—he’s a Willoughby. A John Willoughby from Sense and Sensibility—thrilling, charming, unpredictable, and seductive. Marianne Dashwood learned the hard way that if you play with a heartbreaker, you can’t be surprised when your heart gets shattered into a thousand pieces. I shrug, trying to seem cool and unaffected. “Might look a bit too ‘Putin’ on the horse.” He nods, then puts his shirt back on, and my stomach swirls with a strange mix of relief and disappointment.

THE GHOST OF THE AUTHOR'S MOTHER HAS A CONVERSATION WITH HIS FIANCÉE ABOUT HIGHWAYS ...and down south, honey. When the side of the road began to swell with dead and dying things, that's when us black children knew it was summer. Daddy didn't keep clocks in the house. Ain't no use when the sky round those parts always had some flames runnin' to horizon, lookin' like the sun was always out. back when I was a little girl, I swear, them white folk down south would do anything to stop another dark thing from touching the land, even the nighttime. We ain't have streetlights, or some grandmotherly voice riding through the fields on horseback tellin' us when to come inside. What we had was the stomach of a deer, split open on route 59. What we had was flies resting on the exposed insides of animals with their tongues touching the pavement. What we had was the smell of gunpowder and the promise of more to come, and, child, that'll get you home before the old folks would break out the moonshine and celebrate another day they didn't have to pull the body of someone they loved from the river. I say 'river' because I want you to always be able to look at the trees without crying. When we moved east, I learned how a night sky can cup a black girl in its hands and ask for forgiveness. My daddy sold the pistol he kept in the sock drawer and took me to the park. Those days, I used to ask him what he feared, and he always said "the bottom of a good glass." And then he stopped answering. And then he stopped coming home altogether. Something about the first day of a season, honey. Something always gotta sacrifice its blood. Everything that has its time must be lifted from the earth. My boys don't bother with seasons anymore. My sons went to sleep in the spring once and woke up to a motherless summer. All they know now is that it always be colder than it should be. I wish I could fix this for you. I'm sorry none of my children wear suits anymore. I wish ties didn't remind my boys of shovels, and dirt, and an empty living room. They all used to look so nice in ties. I'm sorry that you may come home one day to the smell of rotting meat, every calendar you own, torn off the walls, burning in a trashcan. And it will be the end of spring. And you will know.

HST: Yeah, I’d do almost anything after that, even run for President—although I wouldn’t really want to be President. As a matter of fact, early on in the ’72 campaign, I remember telling John Lindsay that the time had come to abolish the whole concept of the presidency as it exists now, and get a sort of City Managertype President…. We’ve come to the point where every four years this national fever rises up—this hunger for the Saviour, the White Knight, the Man on Horseback—and whoever wins becomes so immensely powerful, like Nixon is now, that when you vote for President today you’re talking about giving a man dictatorial power for four years. I think it might be better to have the President sort of like the King of England—or the Queen—and have the real business of the presidency conducted by… a City Manager-type, a Prime Minister, somebody who’s directly answerable to Congress, rather than a person who moves all his friends into the White House and does whatever he wants for four years. The whole framework of the presidency is getting out of hand. It’s come to the point where you almost can’t run unless you can cause people to salivate and whip on each other with big sticks. You almost have to be a rock star to get the kind of fever you need to survive in American politics. Ed:

a brief history of art Cave paintings. Clay then bronze statues. Then for about 1,400 years, people painted nothing except bold but rudimentary pictures of either the Virgin Mary and Child or the Crucifixion. Some bright spark realised that things in the distance looked smaller and the pictures of the Virgin Mary and the Crucifixion improved hugely. Suddenly everyone was good at hands and facial expression and now the statues were in marble. Fat cherubs started appearing, while elsewhere there was a craze for domestic interiors and women standing by windows doing needlework. Dead pheasants and bunches of grapes and lots of detail. Cherubs disappeared and instead there were fanciful, idealised landscapes, then portraits of aristocrats on horseback, then huge canvasses of battles and shipwrecks. Then it was back to women lying on sofas or getting out of the bath, murkier this time, less detailed then a great many wine bottles and apples, then ballet dancers. Paintings developed a certain splodginess - critical term - so that they barely resembled what they were meant to be. Someone signed a urinal, and it all went mad. Neat squares of primary colour were followed by great blocks of emulsion, then soup cans, then someone picked up a video camera, someone else poured concrete, and the whole thing became hopelessly fractured into a kind of confusing, anything-goes free for all.

The emphasis was on “soft.” No matter what else happened, the wranglers were to stay soft while riding the horses. Soft hands, soft seat, and soft legs. There was to be absolutely no hitting, kicking, slapping, or yelling at any time for any reason. The penalty for doing such things was to be placed on a two-day suspension. A second offense would lead to termination. Neither penalty was ever needed. At times it wasn’t easy to stay quiet with the horses because so many of them had been “used up” over the years, dulled to any form of cue. However, we remained consistent in our focus and the horses responded. The wranglers were instructed to ride the horses with the softest cues possible, often using nothing more than a light squeeze to get forward movement and a shift of weight in the saddle, along with light pressure on the reins, for a stop. They were also instructed to look for, find, and then release their cues at the slightest try from the horse—something they all became very adept at doing. With everyone riding in the same manner from one day to the next, all the horses began to respond within a few weeks. Before we knew it, all of our horses, including the very old ones that had been in the program for years and years, became responsive to the lightest of cues. We’d taught our horses to be responsive to these light cues, but a question remained. How could we keep them that way, particularly with the hundreds of different people who would be riding each horse over the summer? The answer was simple. Everyone needed to remain consistent. So, instead of expecting our horses to respond to the conflicting cues that each new rider was bound to give, we taught each rider how to communicate with our horses. Each week when a new batch of guests arrived at the ranch, we held an orientation in the riding arena. During this orientation, we explained how our horses were trained and what was expected of them as a rider of one of our horses. We gave them a demonstration in the saddle of proper seat and hand position, so they could keep their balance. We showed them the cues for walk, stop, trot, lope, and turn, using a horse right out of the string. Once we had demonstrated how our horses worked, we got everyone on horseback in the arena and helped them to practice giving the cues, allowing the horse to respond, and releasing the cues so that the horse would remain responsive. Of note is the fact that after

It had taken Cyrus a while to come out of his shell. One of those “aw shucks, ma’am” kind of cowboys, he was so darned shy she thought she was going to have to throw herself on the floor at his boots for him to notice her. But once he had opened up a little, they’d started talking, joking around, getting to know each other. Before he left, they’d gone for a horseback ride through the snowy foothills up into the towering pines of the forest. It had been Cyrus’s idea. They’d ridden up into one of the four mountain ranges that surrounded the town of Gilt Edge – and the Cahill Ranch. It was when they’d stopped to admire the view from the mountaintop that overlooked the small western town that AJ had hoped Cyrus would kiss her. He sure looked as if he’d wanted to as they’d walked their horses to the edge of the overlook. The sun warming them while the breeze whispered through the boughs of the nearby snow-laden pines, it was one of those priceless Montana January days between snowstorms. That’s why Cyrus had said they should take advantage of the beautiful day before he left for Denver. Standing on a bared-off spot on the edge of the mountain, he’d reached over and taken her hand in his. “Beautiful,” he’d said. For a moment she thought he was talking about the view, but when she met his gaze she’d seen that he’d meant her. Her heart had begun to pound. This was it. This was what she’d been hoping for. He drew her closer. His mouth was just a breath away from hers – when his mare nudged him with her nose. She could laugh about it now. But if she hadn’t grabbed Cyrus he would have fallen down the mountainside. “She’s just jealous,” Cyrus had said of his horse as he’d rubbed the beast’s neck after getting his footing under himself again. But the moment had been lost. They’d saddled up and ridden back to Cahill Ranch. AJ still wanted that kiss more than anything.

He bows to the two of us, and when he speaks, his voice fills the room, far louder and more booming than a voice should be before noon. “I intend to ride the estate today, if you two would like to join me.” I open my mouth to give him a quick, No thanks, I’d rather pull out my own hair, but Emily beats me to it. “How kind of you to offer! We would love to.” Huh? I can’t figure out why Emily doesn’t hate Alex. He’s a jerk and he’s done nothing to help her out of her engagement. And now she’s volunteering to hang out with him? An excuse…I need some kind of excuse to get out of this. Alex walks to the window and looks out, offering a rather flattering view of the back of his riding pants. “Did you enjoy the dance last evening?” Is he making small talk? That’s a first. “Yes, very much so,” Emily says. “It was delightful.” I nod. “Yeah. I guess so.” I won’t say I had fun because I don’t want him to get the wrong idea. I don’t want him to know dancing with him was the most exciting part of my evening and the most agonizingly long half hour of my life. Alex looks at me for a long silent moment. You’d think he’d bring up the big “lady” versus “miss” debacle. Or just that we’d danced. But he doesn’t. “Yes, I rather enjoyed myself as well,” he says. Seriously, what does that mean? I was the only girl he danced with. The entire night. Is he trying to tell me something? Ha. Right. He probably means that it was all sorts of fun to insult me. And that’s when Emily starts rubbing her temple. She sets her needlepoint down and frowns, massaging in circular motions on the side of her face. Oh, no, she’s not-- “Dear cousin, I am coming down with a headache. Perhaps you and Rebecca ought to ride without me.” I get a twinge when I hear Rebecca. Every day it feels more like we’re friends--and more like I’m betraying her. And then she turns to me, knowing Alex can’t see her, and winks. “Oh, no, I--” I start to say, because I suddenly realize what she’s trying to do. This can not happen. A horseback ride alone with Alex? No thank you! But Alex cuts in before I can stop her. “Yes, I would not have you overexerting yourself. We shall check on you when we return.” Okay, this is not how I want to spend my afternoon. Alone with Alex? I’d rather get a root canal. But…maybe it’s my chance to talk to him about Emily. Maybe he doesn’t know about Trent. Emily said Trent was wealthy, right? He’s not titled, but he has money. If Alex knew about him…maybe he would get Emily off the hook with Denworth. Maybe that’s why Emily is trying to arrange for me to spend time with Alex. She so owes me after this. I can do this. I can hang out with him for a couple hours--long enough to talk him into helping us. Emily jumps up from her chair far too quickly for someone with a headache and leaves the room before I can do anything. I rub my eyes. It’s going to be a long afternoon.

It’s only an hour later that a servant comes to my room. And when she tells me the duke has invited me out for a horseback ride, I’m flooded with the strangest mix of emotions. I can’t believe that after running off like that, he still wants to hang out. What is going on between us? And why do I want so desperately for it to be something? I shouldn’t want anything. Not with a guy like him. I mean, yeah, I might have been wrong about the illegitimate kid and Lord Brimmon, but the dude still thinks I don’t have opinions or options because I’m a girl. He thinks I have a “place, my place” and that it’s behind a guy. And worse, I keep thinking about our kiss. The part where I bash into the wall in my haste to get away is a particular highlight on the reel I keep playing over and over again in my head. When I walk out the back of the house and he turns to look at me, it’s impossible to fight the burn in my cheeks as he steps up beside me and the horse. I can’t look at him. I’m so embarrassed I stare at the stirrup as if it will take all concentration to get my foot into it. Is he going to say anything? Is he going to apologize for just…kissing me like that? Maybe if he brings it up…Maybe if he apologizes, I can apologize too. For running off. It was so sudden all I could do was react. But he says nothing. He just steps up beside me and gives me a boost. I’m up on the first try and feeling rather proud of myself as I situate my pretty skirts so they drape over my ankles. Until, that is, I see him swing aboard and am reminded of how graceful and easy he makes it look, even when his horse swings away from him when he’s only halfway on. We ride past the stable, and when I glance in, I see one of the stable boys showing the other how to do the robot, his arms stuck out at odd angles, his hands dangling. I have to bite the inside of my cheek to keep from laughing when I see Alex’s eyebrows shoot up so high they’re nearly to his hairline. It’s nice seeing him caught off-guard. I like it. It makes me want to do something totally crazy, just to see his expression.

A study of advertising found that the average person in Shanghai saw three times as many advertisements in a typical day as a consumer in London. The market was flooded with new brands seeking to distinguish themselves, and Chinese consumers were relatively comfortable with bold efforts to get their attention. Ads were so abundant that fashion magazines ran up against physical constraints: editors of the Chinese edition of Cosmopolitan once had to split an issue into two volumes because a single magazine was too thick to handle. My cell phone was barraged by spam offering a vast range of consumption choices. “Attention aspiring horseback riders,” read a message from Beijing’s “largest indoor equestrian arena.” In a single morning, I received word of a “giant hundred-year-old building made with English craftsmanship” and a “palace-level baroque villa with fifty-four thousand square meters of private gardens.” Most of the messages sold counterfeit receipts to help people file false expense reports. I liked to imagine the archetypal Chinese man of the moment, waking each morning in a giant English building and mounting his horse to cross his private garden, on the way to buy some fake receipts.

But the San Juan fight was entirely different. The Spaniards had a hard position to attack, it is true, but we could see them, and I knew exactly how to proceed. I kept on horseback, merely because I found it difficult to convey orders along the line, as the men were lying down; and it is always hard to get men to start when they cannot see whether their comrades are also going. So I rode up and down the lines, keeping them straightened out, and gradually worked through line after line until I found myself at the head of the regiment. By the time I had reached the lines of the regulars of the first brigade I had come to the conclusion that it was silly to stay in the valley firing at the hills, because that was really where we were most exposed, and that the thing to do was to try to rush the intrenchments. Where I struck the regulars there was no one of superior rank to mine, and after asking why they did not charge, and being answered that they had no orders, I said I would give the order. There was naturally a little reluctance shown by the elderly officer in command to accept my order, so I said, "Then let my men through, sir," and I marched through, followed by my grinning men. The younger officers and the enlisted men of the regulars jumped up and joined us. I waved my hat, and we went up the hill with a rush.

One of the most ambitious men to exploit the timber trade was Hugh F. McDanield, a railroad builder and tie contractor who had come to Fayetteville along with the Frisco. He bought thousands of acres of land within hauling distance of the railroad and sent out teams of men to cut the timber. By the mid-1880s, after a frenzy of cutting in south Washington County, he turned his gaze to the untapped fortune of timber on the steep hillsides of southeast Washington County and southern Madison County, territory most readily accessed along a wide valley long since leveled by the east fork of White River. Mr. McDanield gathered a group of backers and the state granted a charter September 4, 1886, giving authority to issue capital stock valued at $1.5 million, which was the estimated cost to build a rail line through St. Paul and on to Lewisburg, which was a riverboat town on the Arkansas River near Morrilton. McDanield began surveys while local businessman J. F. Mayes worked with property owners to secure rights of way. “On December 4, 1886, a switch was installed in the Frisco main line about a mile south of Fayetteville, and the spot was named Fayette Junction.” Within six months, 25 miles of track had been laid east by southeast through Baldwin, Harris, Elkins, Durham, Thompson, Crosses, Delaney, Patrick, Combs, and finally St. Paul. Soon after, in 1887, the Frisco bought the so-called “Fayetteville and Little Rock” line from McDanield. It was estimated that in the first year McDanield and partners shipped out more than $2,000,000 worth of hand-hacked white oak railroad ties at an approximate value of twenty-five cents each. Mills ran day and night as people arrived “by train, wagon, on horseback, even afoot” to get a piece of the action along the new track, commonly referred to as the “St. Paul line.” Saloons, hotels, banks, stores, and services from smithing to tailoring sprang up in rail stop communities.

Once again Hunter had come to mark her home. Loretta no sooner realized that than she also realized that Hunter wouldn’t mark the property if he intended to take her with him. He was leaving her. She bolted into a run. “Hunter! Hunter, please…” She gained the gate and watched in helpless despair as the warriors sped past on their mounts, sending up such a cloud of dust that she couldn’t tell which man was Hunter. “Hunter, at least talk to me!” If Hunter heard her, he paid her no heed. Moments later the war party withdrew and rode over the rise. Loretta stood there, staring. Was Hunter divorcing her because of the tosi tivo attack? As hurt as she was, Loretta could muster no anger. It was her own fault he was leaving her. The night before the attack, she had vowed to leave him if he wouldn’t go away with her. She had insisted he choose between her and the People. He had done just that. His father and countless others had been killed. His honor demanded that he avenge them. She pressed her hand to her chest, over the medallion that bore his mark. Throwing back her head, she screamed his name, praying he would hear her and return. She waited, and she prayed. But he didn’t come. “Loretta! Get back in the yard,” Rachel called. Loretta turned, hugging her waist, her body bent slightly to contain the sobs that tried to escape her. “Aunt Rachel, he’s leaving me. He’s leaving me!” Rachel came running. Wrapping both arms around Loretta, she cried, “Oh, honey…” “He’s leaving me!” Loretta once again threw back her head. “Hunter-rrr!” The cry carried on the wind, shrill and mournful. Suddenly he crested the hill, a lone figure on horseback, etched in black against the sky. For a moment Loretta thought she was imagining him because she had wanted him to return so badly. Then he lifted his arm in a silent tribute, saluting her as one warrior would another. Honoring her. Loretta jerked from Rachel’s grasp, staggering toward him, drinking in the sight of him. She wanted to be beside him. She had to make him understand that. He needn’t choose between her and his people. She had been wrong, so horribly wrong.

Don’t shoot,” Tom cautioned again. “That brave in the lead has a crooked lance with a white flag. Whatever it is they’re wantin’, it ain’t a fight. You speak any Comanch’?” “Not a word,” Henry replied. “I don’t know much. If they do a lot of tradin’, they can probably talk English, but if they don’t--all we can do is hope my Injun will get us by.” Tom spat a glob of chew onto Rachel’s bleached floor. Then he bellowed, “What do you want?” Loretta’s nerves were strung so taut, she leaped. Nausea surged into her throat as the brown tobacco juice soaked into the floor. Was she losing her mind? Who cared if the puncheon got stained? Before this was over, the house might be burned to the ground. She heard Rachel crying, a soft, irregular whimpering. Terror. The metallic taste of it shriveled her tongue. “What brings you here?” Tom cried again. “Hites!” a deep voice called back. “We come as friends, White-Eyes.” The lead warrior moved some twenty feet in front of his comrades, holding the crooked lance high so the dusty white rag was clearly visible. He sat proudly on his black stallion, gleaming brown shoulders straight, leather-sheathed legs pressed snugly to his mount. A rush of wind lifted his mahogany hair, wisping it across his bronzed, sharply chiseled face. Loretta’s first thought when she saw him was that he seemed different from the others. A closer look told her why. He was unquestionably a half-breed, taller on horseback than the rest, lighter-skinned. If not for his sun-darkened complexion and long hair, he might have passed for a white man. Everything else about him was savage, though, from the cruel sneer on his mouth to the expert way he balanced on his horse, as if he and the animal were one entity. Tom Weaver stiffened. “Son of a--Henry, you know who that is?” “I was hopin’ I was wrong.” Loretta inched closer to get a better look. Then it hit her. Hunter. She had heard his name whispered with dread, heard tales. But until this moment she hadn’t believed he existed. A blue-eyed half-breed, one of the most cunning and treacherous adversaries the U.S. Army had run across. Now that the war had pitted North against South, the homesteaders had no cavalry to keep Hunter and his marauders at bay, and his raiders struck ever deeper into settled country, advancing east. Some claimed he was far more dangerous than a full-blooded Comanche because he had a white man’s intelligence. As vicious as he was, there were stories that he spared women and children. Whether that was coincidence, design, or a lie some Indian lover had dreamed up, no one knew. Loretta opted for the latter.

Lucky for me, all four of his hooves missed my body as they found the ground. I picked my head up, thankful I didn't get stomped, and watched the steer run off along the fence. Mental note: cows are not like horses. Don't let the big brown eyes fool you.

You aren’t going to die,” Kiernan whispered through the darkness. We sat in one of the bedchambers for pilgrims, me on the cot and Kiernan on the floor. He was sitting with his knees bent, elbows resting on them. If I looked at him, I knew I would see his eyes flash even in the dark. So I leaned my head back against the stone wall and said nothing. “She might not have meant you,” he continued. “It could be Orianne, or even the real Nalia.” That did make me look at him. “Great,” I said sarcastically. “So we find the real Nalia and then somehow get her killed. That would certainly be doing the kingdom a favor.” Kiernan huffed in irritation, then took a breath. “I didn’t mean it that way. And besides, not all of those visions come true. The one that started this whole mess didn’t.” I didn’t answer. I felt numb, had felt that way since stumbling out of the temple. Even the key hidden inside my fist hadn’t been enough to bring me back to myself. I had allowed Kiernan to lead me to the pilgrims’ quarters, overheard him tell Brother Paxson that I was too weary with study to leave that night. I had eaten the food brought to us, nodding mechanically in thanks, then sat down on the cot and let my mind wander. A triangle. One side crumbled away, leaving only two. Try as I might, I could think of nothing else it could mean. Only that if I found the real princess, one of us--Nalia, Orianne, or me--would die. “And even if it was a true prophecy, we can fight it. We know about it now, so we can be…alert, careful. We can keep them safe. We’ll keep you safe--I’ll keep you safe.” Kiernan pushed himself up off the bed and came to sit next to me. “Come on,” he said, reaching out a tentative arm and putting it around my shoulders. “I just got you back. I’m not going to let you die.” Closing my eyes, I let myself lean against him. He smelled nice, even after days of travel on horseback. And he was warm and solid, and my friend. We stayed like that long enough that I felt a little of the numbness leave, melted away by Kiernan’s warmth. “Sorry,” I said finally. My voice sounded a little choked, which made me pull away from him in embarrassment. “It’s a strange thing to hear, that’s all.” Kiernan had let his arm drop from my shoulders, but his fingers now brushed my arm nearest to him. “I’m sure it is,” he said. He was gazing into my eyes as he said it, though more deeply than seemed necessary. My heart was suddenly hammering in my ears, and I was overly aware of how close we were. “It must be near midnight,” I stuttered. “We should…We should probably try the, uh, library.” Kiernan blinked, then pushed himself up, one corner of his mouth pulled in. “Of course,” he said. Then a mischievous grin broke across his face. “Now, this should be fun.

So you’re stubborn, then? Have a bit of a temper?” I saw Maxon covering his mouth with his hands, laughing. “Sometimes.” “If you have a temper, would you happen to be the one who yelled at our prince?” I sighed. “Yes, it was me. And right now, my mother is having a heart attack.” Maxon called out to Gavril, “Get her to tell the whole story!” Gavril whipped his head back and forth quickly. “Oh! What’s the whole story?” I tried to glare at Maxon, but the whole situation was so silly, it didn’t quite work. “I got a little . . . claustrophobic the first night, and I was desperate to get outside. The guards wouldn’t let me through the doors. I was actually about to faint in this one guard’s arms, but Prince Maxon was walking by and made them open the doors for me.” “Aw,” Gavril said, tilting his head to one side. “Yes, and then he followed to make sure I was all right.... But I was stressed out, so when he spoke to me, I basically ended up accusing him of being stuck-up and shallow.” Gavril chuckled deeply at this. I looked past him to Maxon, who was shaking with laughter. But the more embarrassing thing was that the king and queen were laughing along with him. I didn’t turn to look at the girls, but I heard some of them giggling, too. Well, good. Maybe now they would finally stop seeing me as any sort of threat. I was just someone Maxon found entertaining. “And he forgave you?” Gavril asked in a slightly more sober tone. “Oddly enough.” I shrugged. “Well, since the two of you are on good terms again, what sort of activities have you been doing together?” Gavril was back to business. “We usually just go for walks around the garden. He knows I like it outside. And we talk.” It sounded pathetic after what some of the other girls had said. Trips to the theater, going hunting, horseback riding—those were impressive next to my story. But I suddenly understood why he had been speed dating over the last week. The girls needed something to tell Gavril, so he had to provide it. It still seemed weird that he hadn’t mentioned any of it to me, but at least I knew why he had been away. “That sounds very relaxing. Would you say the garden is your favorite thing about the palace?” I smiled. “Maybe. But the food is exquisite, so. . .” Gavril laughed again.

protests. A wound like that was incredibly dangerous. If he didn’t get her to a healer soon, he knew Mara would die. If anything happened to her, he’d never forgive himself. After a long while, he was too tired to carry her, so he rested for a bit, his breath heaving and stiff arms and legs protesting. Even though it was almost dark, Talis could see that Mara’s face looked white as chalk. He had to keep going, no matter what, no matter how much his legs and back burned from carrying her. By the time he spotted the City of Naru from afar, moonlight sent long, wiry shadows across the hillside leading up to the towering stone walls. He told himself he could do it. No matter how hard it was to continue carrying her, he was determined to bring her home alive. Lights flickered from countless braziers mounted hundreds of feet high on the upper part of the city. Naru stood ominous under the garish light of the four moon sisters and as the evening gong sounded from atop a watchtower, Talis knew he had made it. He stumbled toward the main gates, barely able to stand. A group of soldiers making their rounds noticed and ran over to help. “Young Master Talis, what’s wrong?” said Baratis, the captain of the guard. His eyes blazed in fear at the sight of Mara. “Is she alive?” “I can’t talk now… open the gates… she’s hurt!” “Carem and Jorem! Help them,” Baratis shouted. “You! Ride and fetch a healer. Have them run straightaway to House Lei. Now go!” Two soldiers lifted Mara from Talis' arms and carried her while another raced atop a horse into the city. Massive steel shafts stared down at them from inside the stone walls as they jogged past. If they weren’t quick about it, she would die. Ahead, Talis could see a soldier speed off on horseback. He prayed that the healer would arrive in time. He ran ahead, urging them to run faster. Past the gate was the Arena of the Sej Elders, formed of gigantic white granite blocks, rising over everything in the lower part of the city. Stone towers lined the wide avenue leading up to the arena. They had to move faster. The soldiers’ boots clapped against the cobblestone streets as they marched past the arena, finally winding up and around until they reached the gates of the upper city. Up the snaking rise, they charged past merchant shops and eyes that gawked at the soldiers carrying Mara. They continued on to the highest part of the city, beneath the Temple of the Goddess Nestria, the Goddess of the Sky. To Mara’s house, the House of Viceroy Lei and Lady Malvia, daughter of the king and second in line to the throne. They were going to be furious; Talis knew he was in serious trouble for going with Mara out on the hunt. But he couldn’t think of that, all that mattered was Mara’s life. As the soldiers carried her into the white marble mansion, Talis worried her wounds were too grave to cure. Today was the worst day and he blamed himself. Why hadn’t he stopped Mara from going after the boar? He could have scared it off. She would have been angry at him, but at least she wouldn’t be injured. Two servants ran up and gasped when they noticed Mara. They quickly helped her inside, shouting for help.