Titus Quotes

All religions are equally sublime to the ignorant, useful to the politician, and ridiculous to the philosopher.

Villain, what hast thou done? Aaron: That which thou canst not undo. Chiron: Thou hast undone our mother. Aaron: Villain, I have done thy mother.

We are all imprisoned by the dictionary. We choose out of that vast, paper-walled prison our convicts, the little black printed words, when in truth we need fresh sounds to utter, new enfranchised noises which would produce a new effect.

And now, my poor old woman, why are you crying so bitterly? It is autumn. The leaves are falling from the trees like burning tears- the wind howls. Why must you mimic them?

This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.

Lingering is so very lonely when one lingers all alone.

We fear things in proportion to our ignorance of them.

Vengeance is in my heart, death in my hand, Blood and revenge are hammering in my head

In the presence of real tragedy you feel neither pain nor joy nor hatred, only a sense of enormous space and time suspended, the great doors open to black eternity, the rising across the terrible field of that last enormous, unanswerable question.

There is nothing that exists so great or marvelous that over time mankind does not admire it less and less.

A is for Amy who fell down the stairs. B is for Basil assaulted by bears. C is for Clara who wasted away. D is for Desmond thrown out of a sleigh. E is for Ernest who choked on a peach. F is for Fanny sucked dry by a leech. G is for George smothered under a rug. H is for Hector done in by a thug. I is for Ida who drowned in a lake. J is for James who took lye by mistake. K is for Kate who was struck with an axe. L is for Leo who choked on some tacks. M is for Maud who was swept out to sea. N is for Neville who died of ennui. O is for Olive run through with an awl. P is for Prue trampled flat in a brawl. Q is for Quentin who sank on a mire. R is for Rhoda consumed by a fire. S is for Susan who perished of fits. T is for Titus who flew into bits. U is for Una who slipped down a drain. V is for Victor squashed under a train. W is for Winnie embedded in ice. X is for Xerxes devoured by mice. Y is for Yorick whose head was bashed in. Z is for Zillah who drank too much gin.

Why break the heart that never beat from love?

His was not the hatred that arises suddenly like a storm and as suddenly abates. It was, once the initial shock of anger and pain was over, a calculated thing that grew in a bloodless way.

To fear death, then, is foolish, since death is the final and complete annihilation of personal identity, the ultimate release from anxiety and pain.

I am clever enough to know that I am clever.

Oh how I hate people!

If one good deed in all my life I did, I do repent it from my very soul.

Therefore I tell my sorrows to the stones; Who, though they cannot answer my distress, Yet in some sort they are better than the tribunes, For that they will not intercept my tale: When I do weep, they humbly at my feet Receive my tears and seem to weep with me; And, were they but attired in grave weeds, Rome could afford no tribune like to these.

For death is life. It is only living that is lifeless.

He saw in happiness the seeds of independence, and in independence the seeds of revolt.

Things turn out best for the people who make the best out of the way things turn out.

Life is too fleet for onomatopoeia.

Something to remember, that: cats for missiles.

And there shall be a flame-green daybreak soon. And love itself will cry for insurrection! For tomorrow is also a day - and Titus has entered his stronghold.

Nothing can dwindle to nothing, as Nature restores one thing from the stuff of another, nor does she allow a birth, without a corresponding death.

Is it good? It ain't Shakespeare, but then, Shakespeare wrote Titus Andronicus, so you tell me.

Come and take choice of all my library and so beguile thy sorrow.

Men of outstanding ability are more likely to lack the power of controlling their own people than of defeating an enemy in battle.

You might be the scariest girl I've ever met," he told her. "Let's not be dramatic," she said drily. "I'm the only girl you can remember ever meeting.

This light of history is pitiless; it has a strange and divine quality that, luminous as it is, and precisely because it is luminous, often casts a shadow just where we saw a radiance; out of the same man it makes two different phantoms, and the one attacks and punishes the other, the darkness of the despot struggles with the splendor of the captain. Hence a truer measure in the final judgment of the nations. Babylon violated diminishes Alexander; Rome enslaved diminishes Caesar; massacred Jerusalem diminishes Titus. Tyranny follows the tyrant. Woe to the man who leaves behind a shadow that bears his form.

It was not certain what significance the ceremony held... but the formality was no less sacred for it being unintelligible

They all three threw up shields at the same time, Titus for Iolanthe, Iolanthe for Titus, and Lady Wintervale for them both.

The absolute ruler may be a Nero, but he is sometimes Titus or Marcus Aurelius; the people is often Nero, and never Marcus Aurelius.

To me the Zionists, who want to go back to the Jewish state of A.D. 70 (destruction of Jerusalem by Titus) are just as offensive as the Nazis. With their nosing after blood, their ancient "cultural roots," their partly canting, partly obtuse winding back of the world they are altogether a match for the National Socialists. That is the fantastic thing about the National Socialists, that they simultaneously share in a community of ideas with Soviet Russia and with Zion.

Thus the sum of things is ever being renewed, and mortals live dependent one upon another. Some nations increase, others diminish, and in a short space the generations of living creatures are changed and like runners pass on the torch of life.

Let no man, therefore, lose heart from thinking that he cannot do what others have done before him; for, as I said in my Preface, men are born, and live, and die, always in accordance with the same rules.

The prince set her down and dismissed his valet. The latter left with a bow and closed the door. Leaning against the wall, the prince pulled off his stockings. As he walked toward the amethyst tub, he yanked his shirt over his head. He was lean and tightly sinewed. Her little bird heart thudded. He glanced at her, his lips curved in not quite a smile. The next thing she knew, his shirt had flown through the air and landed on the cage, blocking her view toward the bathtub. “Sorry, sweetheart. I am shy.” She chirped indignantly. It was not as if she would have continued to watch him disrobe beyond a certain point.

I'll find a day to massacre them all And raze their faction and their family, The cruel father and his traitorous sons, To whom I sued for my dear son's life, And make them know what 'tis to let a queen Kneel in the streets and beg for grace in vain.

Coal-black is better than another hue, In that it scorns to bear another hue; For all the water in the ocean Can never turn the swan's black legs to white, Although she lave them hourly in the flood.

The sun sank with a sob and darkness waded in from all horizons so that the sky contracted and there was no more light left in the world, when, at this very moment of annihilation, the moon, as though she had been waiting for her cue, sailed up the night.

O, why should nature build so foul a den, Unless the gods delight in tragedies?

O, why should wrath be mute, and fury dumb? I am no baby, I, that with base prayers I should repent the evils I have done: Ten thousand worse than ever yet I did Would I perform, if I might have my will; If one good deed in all my life I did, I do repent it from my very soul.

Art thou not sorry for these heinous deeds? AARON. Ay, that I had not done a thousand more. Even now I curse the day- and yet, I think, Few come within the compass of my curse- Wherein I did not some notorious ill; As kill a man, or else devise his death; Ravish a maid, or plot the way to do it; Accuse some innocent, and forswear myself; Set deadly enmity between two friends; Make poor men's cattle break their necks; Set fire on barns and hay-stacks in the night, And bid the owners quench them with their tears. Oft have I digg'd up dead men from their graves, And set them upright at their dear friends' door Even when their sorrows almost was forgot, And on their skins, as on the bark of trees, Have with my knife carved in Roman letters 'Let not your sorrow die, though I am dead.' Tut, I have done a thousand dreadful things As willingly as one would kill a fly; And nothing grieves me heartily indeed But that I cannot do ten thousand more.

Hark, villains! I will grind your bones to dust. (Act V, Scene 2, 2503)

The Inquisitor stared at him. “Your Highness, where is Iolanthe Seabourne?” Right here in this room. He was on guard, very, very much on guard. Yet he still felt his lips part and form the shape necessary to pronounce the first syllable of the truth. “I thought we had already established that I have neither interest in nor knowledge of your elemental mage.” “Why are you protecting her, Your Highness?” Because she is mine. You will have her over my dead body.

There is no murky pit of hell awaiting anyone ... Mind cannot arise alone without body, or apart from sinews and blood ... You must admit, therefore, that when then body has perished, there is an end also of the spirit diffused through it. It is surely crazy to couple a mortal object with an eternal...

Years on end, and swords on end - where will it end, if our ears unbend - what shall I spend on a wrinkled friend in a pair of tights like a bunch of lights?

If the world is the product of nothing but natural forces and natural law, divine intervention is impossible.

Pleasant it is, when over a great sea the winds trouble the waters, to gaze from shore upon another's tribulation: not because any man's troubles are a delectable joy, but because to perceive from what ills you are free yourself is pleasant.

Did this mean he was about to tell her something he wouldn’t normally? Her ears perked—figuratively, since her ears were now feather-covered holes in the sides of her head. He laughed softly. “You know, you are almost enjoyable to talk to, when you do not say anything back.” She willed the water in the tub to strike him in the face. There was a loud splash. “Hey!” He sounded surprised, but not unpleasantly so. “Interesting. You are still capable of elemental powers. But stop—or I will feed you to the castle cats.” She struck him again.

For a Monarchy readily becomes a Tyranny, an Aristocracy an Oligarchy, while a Democracy tends to degenerate into Anarchy. So that if the founder of a State should establish any one of these three forms of Government, he establishes it for a short time only, since no precaution he may take can prevent it from sliding into its contrary, by reason of the close resemblance which, in this case, the virtue bears to the vice.

The moon slid inexorably into its zenith, the shadows shrivelling to the feet of all that cast them, and as Rantel approached the hollow at the hem of the Twisted Woods he was treading in a pool of his own midnight.

There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame. The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love. The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love. The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.

Magdalena pulls me away by the arm. “I am the stronger one of Titus and I,” she says over the marketplace din. “Woman are always the stronger sex.” She smiles to herself. “The trick is not appearing to be so.

For as children tremble and fear everything in the blind darkness, so we in the light sometimes fear what is no more to be feared than the things children in the dark hold in terror and imagine will come true.

For a Monarchy readily becomes a Tyranny, an Aristocracy an Oligarchy, while a Democracy tends to degenerate into Anarchy.

Seeing an Earl as an owl on a mantelpiece, and having part of one's face removed by a cat, both on the same morning, can temporarily undermine the self-control of any man.

When he at least reached the door the handle had cease to vibrate. Lowering himself suddenly to his knees he placed his head and the vagaries of his left eye (which was for ever trying to dash up and down the vertical surface of the door), he was able by dint of concentration to observe, within three inches of his keyholed eye, an eye which was not his, being not only of a different colour to his own iron marble, but being, which is more convincing, on the other side of the door.

Your life is death already, though you live And though you see, except that half your time You waste in sleep, and the other half you snore With eyes wide open, forever seeing dreams, Forever in panic, forever lacking wit To find out what the trouble is, depressed, Or drunk, or drifting aimlessly around.

Ay, that I had not done a thousand more. Even now I curse the day—and yet, I think, Few come within the compass of my curse,— Wherein I did not some notorious ill, As kill a man, or else devise his death, Ravish a maid, or plot the way to do it, Accuse some innocent and forswear myself, Set deadly enmity between two friends, Make poor men's cattle break their necks; Set fire on barns and hay-stacks in the night, And bid the owners quench them with their tears. Oft have I digg'd up dead men from their graves, And set them upright at their dear friends' doors, Even when their sorrows almost were forgot; And on their skins, as on the bark of trees, Have with my knife carved in Roman letters, 'Let not your sorrow die, though I am dead.' Tut, I have done a thousand dreadful things As willingly as one would kill a fly, And nothing grieves me heartily indeed But that I cannot do ten thousand more.

Every person tries to flee himself—yet despite ourselves, we remain attached to this self which we hate.

Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.

The atoms in it must be used over and over again; thus the death of one thing becomes necessary for the birth of another.

Only religion can lead to such evil.

Life is one long struggle in the dark.

But, soft! methinks I do digress too much,

The Cascade happens and Neha calls fire and ice, Elena said into his mind at the same instant. Titus moves the earth, Astaad the sea, while creepy Lijuan brings the dead back to life. Meanwhile, my gorgeous archangel, not satisfied with, I don't know, shooting lightning bolts or something, actually taps into the energy of the planet and calls an army of bogeymen from the bottom of the ocean. Of course you do. The dry commentary made him wonder how he'd ever walked through life without the wit and laughter of his hunter by his side. He could no longer imagine such a cold, remote existence, the idea of it spawning an immediate repudiation in his bloodstream.

Are you lishening, my pretty vermin, are you lishening?

Be normal, and the crowd will accept you. Be deranged, and they will make you their leader.

Pray to the devils; the gods have given us over.

Prunesquallor, as urbane as ever, had nevertheless something in his fish-like eyes that might almost be described as determination. One glance at his sister was sufficient to make him realize that to attempt to reason with her would be about as fruitful as to try to christianize a vulture.

I said she was wicked, and she said that everyone was – everyone and everything except rivers, clouds, and some rabbits.

How strange! This bed on which I shall lie has been slept on by more than one dying man, but today it does not repel me! Who knows what corpses have lain on it and for how long? But is a corpse any worse than I? A corpse too knows nothing of its father, mother or sisters or Titus. Nor has a corpse a sweetheart. A corpse, too, is pale, like me. A corpse is cold, just as I am cold and indifferent to everything. A corpse has ceased to live, and I too have had enough of life…. Why do we live on through this wretched life which only devours us and serves to turn us into corpses? The clocks in the Stuttgart belfries strike the midnight hour. Oh how many people have become corpses at this moment! Mothers have been torn from their children, children from their mothers - how many plans have come to nothing, how much sorrow has sprung from these depths, and how much relief!… Virtue and vice have come in the end to the same thing! It seems that to die is man’s finest action - and what might be his worst? To be born, since that is the exact opposite of his best deed. It is therefore right of me to be angry that I was ever born into this world! Why was I not prevented from remaining in a world where I am utterly useless? What good can my existence bring to anyone? … But wait, wait! What’s this? Tears? How long it is since they flowed! How is this, seeing that an arid melancholy has held me for so long in its grip? How good it feels - and sorrowful. Sad but kindly tears! What a strange emotion! Sad but blessed. It is not good for one to be sad, and yet how pleasant it is - a strange state…

It was not often that Flay approved of happiness in others. He saw in happiness the seeds of independence, and in independence the seeds of revolt. But on an occasion such as this it was different, for the spirit of convention was being rigorously adhered to, and in between his ribs Mr. Flay experienced twinges of pleasure.

Swelter's eyes meet those of his enemy, and never has there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl's door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred - broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and reentrenched themselves in startled sockets.

But Fuchsia might as well have been carved from dark marble. Only her tears moved.

Truths kindle light for truths.

He whom the Gods love dies young.

What begg’st thou then? fond woman, let me go. Lav: ’Tis present death I beg; and one thing more That womanhood denies my tongue to tell. O! keep me from their worse than killing lust, And tumble me into some loathsome pit, Where never man’s eye may behold my body: Do this, and be a charitable murderer. Tam: So should I rob my sweet sons of their fee: No, let them satisfy their lust on thee. Dem: Away! for thou hast stay’d us here too long. Lav: No grace! no womanhood! Ah, beastly creature, The blot and enemy to our general name. Confusion fall—

She could feel the blood flowing within her and she felt that she must die or break forth into leaves and flowers. It was not passion she felt: not the passion of the body, though that was there, but rather an exultation, a reaching for life, for the whole of the life which she was capable, and in that life which she but dimly divined was centered love, the love for a man. She was not in love with Rantel: she was in love with what he meant to her as someone she could love.

She tossed her long hair and it flapped down her back like a pirate's flag. She stood in about as awkward a manner as could be concieved. Utterly un-feminine – no man couldd have invented it.

She feels a splash of water on her hand and, turning, sees that the sky has become overcast with a blanket of ominous dark rose-colored cloud, and of a sudden the light fades from the lawn and the cedars. Steerpike, who is on his way back to the Earl's bedroom, stops a moment at a staircase window to see the first decent of the rain. It is falling from the sky in long, upright, and seemingly motionless lines of rosy silver that stand rigidly upon the ground as though there were a million harp strings strung vertically between the solids of earth and sky.

With what characters she had filled this lost stage of emptiness! It was here that she would see the people of her imagination, the fierce figures of her making, as they strolled from corner to corner, brooded like monsters or flew through the air like seraphs with burning wings, or danced, or fought, or laughed, or cried. This was her attic of make-believe, where she would watch her mind's companions advancing or retreating across the dusty floor.

But there were also times when she cried out in the darkness biting her lips - cried out against the substance of her age: for it was now that she should be young; now above all other times, with the wisdom in her, the wisdom that was frittered away in her 'teens', set aside in her twenties, now, lying there, palpable and with forty summers gone. She clenched her hands together. What good was wisdom; what good was anything when the fawn is fled from the grove?

Linger now with me, thou Beauty, On the sharp archaic shore. Surely 'tis a wastrel's duty And the gods could ask no more. If thou lingerest when I linger, If thou tread'st the stones I tread, Thou wilt stay my spirit's hunger And dispel the dreams I dread. Come thou, love, my own, my only, Through the battlements of Groan; Lingering becomes so lonely When one lingers on one's own. I have lingered in the cloisters Of the Northern Wing at night, As the sky unclasped its oysters On the midnight pearls of light; For the long remorseless shadows Chilled me with exquisite fear. I have lingered in cold meadows Through a month of rain, my dear. Come, my Love, my sweet, my Only, Through the parapets of Groan. Lingering can be very lonely When one lingers on one's own. In dark alcoves I have lingered Conscious of dead dynasties; I have lingered in blue cellars And in hollow trunks of trees. Many a traveler through moonlight Passing by a winding stair Or a cold and crumbling archway Has been shocked to see me there. I have longed for thee, my Only, Hark! the footsteps of the Groan! Lingering is so very lonely When one lingers all alone. Will thou come with me, and linger? And discourse with me of those Secret things the mystic finger Points to, but will not disclose? When I'm all alone, my glory Always fades, because I find Being lonely drives the splendour Of my vision from my mind. Come, oh, come, my own! my Only! Through the Gormenghast of Groan. Lingering has become so lonely As I linger all alone!

نلاحظ أنّ متطلّبات طبيعتنا الجسدية قليلةٌ فعلًا، وهي لا تزيد عن ما هو لازم لتبديد الألم، وكذلك لإبعاد الكثير من الملذات عنا. لا تسعى الطبيعة عادةً إلى شيءٍ أكثر إشباعاً، أو تتذمّر إنْ لم يكن ثمة صور ذهبيّة للشبّان قرب المنزل وهم يحملون مصابيح متألقة في أيديهم اليمنى لإضاءة الولائم التي تجري طوال الليل. ما الذي سيختلف لو لم تبرق الكرة بأضواء فضيّة برّاقة إلى جانب الذهبيّة، أو يكن ثمة عوارض منقوشة ومطليّة تهتز بفعل موسيقى آلة اللوت؟ لن تُضيّع الطبيعة هذه المباهج لو استلقى الناس مع رفاقهم على العشب الرطب قرب جدولٍ يجري تحت أغصان شجرة عالية، فيُنعشون أجسادهم بلذائذ ذات تكلفة ضئيلة. وستزداد روعة الأمر لو كان الطقس مبتسماً لهم، وصار ثوب العشب مرقّطاً بالأزهار.

Irma, my dear sister,' said Prunesquallor, 'I have two things to say. Firstly, why in the name of discomfort are we hanging around in the hall and probably dying of a draught that as far as I'm concerned runs up my right trouser leg and sets my gluteous maximus twtiching; and secondly, what is wrong, when you boil the matter down - with feet? I have always found mine singularly useful, especially for walking with. In fact, ha, ha, ha, one might almost imagine that they have been designed for that very purpose.

I shall live alone. Always alone. In a house or a tree.' Fuchsia started to chew at a fresh grass blade. 'Someone will come then, if I live alone. Someone from another kind of world - a new world - not from this world, but someone who is different, and he will fall in love with me at once because I live alone and aren't like the other beastly things in this world, and he'll enjoy having me because of my pride.

The crumbling castle, looming among the mists, exhaled the season, and every cold stone breathed it out. The tortured trees by the dark lake burned and dripped, their leaves snatched by the wind were whirled in wild circles through the towers. The clouds mouldered as they lay coiled, or shifted themselves uneasily upon the stone skyfield, sending up wreathes that drifted through the turrets and swarmed up hidden walls.

...it is a mistake to reduce every decision about Christian living to a "Heaven-or-Hell issue." For example, some ask if the Bible specifically says a certain action is a "sin" or will send them to "Hell." If not, they feel free to indulge in that action unreservedly and ignore any scriptural principles involved. But this approach is legalistic, which means living by rules or basing salvation on works. It treats the Bible as a law book, focusing on the letter and looking for loopholes. By contrast, the Bible tells us that we are saved by grace through faith, not by our works (Ephesians 2:8-9). Grace teaches us how to live righteously, and faith leads us into obedience. (See Titus 2:11-12; Romans1:5; Hebrews 11:7-8.)

Manon found herself walking toward the wyvern, and stopped with not five feet between them. “He’s mine,” Manon said, taking in the scars, the limp, the burning life in those eyes. The witch and the wyvern looked at each other for a moment that lasted for a heartbeat, that lasted for eternity. “You’re mine,” Manon said to him. The wyvern blinked at her, Titus’s blood still dripping from his cracked and broken teeth, and Manon had the feeling that he had come to the same decision. Perhaps he had known long before tonight, and his fight with Titus hadn’t been so much about survival as it had been a challenge to claim her. As his rider. As his mistress. As his.

Another fallacy comes creeping in whose errors you should be meticulous in trying to avoid. Don't think our eyes, our bright and shining eyes, were made for us to look ahead with. Don't suppose our thigh bones fitted our shin bones and our shins our ankles so that we might take steps. Don't think that arms dangled from shoulders and branched out in hands with fingers at their ends, both right and left, for us to do whatever need required for our survival. All such argument, all such interpretation is perverse, fallacious, puts the cart before the horse. No bodily thing was born for us to use. Nature had no such aim, but what was born creates the use. There could be no such thing as sight before the eyes were formed. No speech before the tongue was made, but tongues began long before speech were uttered. and the ears were fashioned long before a sound was heard. And all the organs I feel sure, were there before their use developed. They could not evolve for the sake of use be so designed. But battling hand to hand and slashing limbs, fouling the foe in blood, these antedate the flight of shining javelins. Nature taught men out to dodge a wound before they learned the fit of shield to arm. Rest certainly is older in the history of man than coverlets or mattresses, and thirst was quenched before the days of cups or goblets. Need has created use as man contrives device for his comfort. but all these cunning inventions are far different from all those things much older, which supply their function from their form. The limbs, the sense, came first, their usage afterwards. Never think they could have been created for the sake of being used.

In January 1821, Thomas Jefferson wrote John Adams to “encourage a hope that the human mind will some day get back to the freedom it enjoyed 2000 years ago.” This wish for a return to the era of philosophy would put Jefferson in the same period as Titus Lucretius Carus, thanks to whose six-volume poem De Rerum Naturum (On the Nature of Things) we have a distillation of the work of the first true materialists: Leucippus, Democritus, and Epicurus. These men concluded that the world was composed of atoms in perpetual motion, and Epicurus, in particular, went on to argue that the gods, if they existed, played no part in human affairs. It followed that events like thunderstorms were natural and not supernatural, that ceremonies of worship and propitiation were a waste of time, and that there was nothing to be feared in death.

All right, my hope—but I am not saying the rest of it—I have something you need to feel.” She feigned the sound of outrage. “But we barely know each other, sir!” He laughed softly. “But you must hold it in your hand and feel it change,” he urged, in her ear. “I insist. I can wait no longer.” She knew they were on a serious subject, but the flutter of his breath on her skin, the low drawl of his words—heat raced along all her nerve endings. “Will I like it?” “Well, I do have to apologize for its size. It is rather small.” And with that, he pressed something rather small into her hand.

Considering thus how much honor is awarded to antiquity, and how many times—letting pass infinite other examples—a fragment of an ancient statue has been bought at high price because someone wants to have it near oneself, to honor his house with it, and to be able to have it imitated by those who delight in that art, and how the latter then strive with all industry to represent it in all their works; and seeing, on the other hand, that the most virtuous works the histories show us, which have been done by ancient kingdoms and republics, by kings, captains, citizens, legislators, and others who have labored for their fatherland, are rather admired than imitated—indeed they are so much shunned by everyone in every least thing that no sign of that ancient virtue remains with us—I can do no other than marvel and grieve… From this it arises that the infinite number who read [the histories] take pleasure in hearing of the variety of accidents contained within them without thinking of imitating them, judging that imitation is not only difficult but impossible—as if heaven, sun, elements, men had varied in motion, order, and power from what they were in antiquity. Wishing, therefore, to turn men from this error, I have judged it necessary to write on all those books of Titus Livy...

There are some who are still weak in faith, who ought to be instructed, and who would gladly believe as we do. But their ignorance prevents them...we must bear patiently with these people and not use our liberty; since it brings to peril or harm to body or soul...but if we use our liberty unnecessarily, and deliberately cause offense to our neighbor, we drive away the very one who in time would come to our faith. Thus St. Paul circumcised Timothy (Acts 16:3) because simple minded Jews had taken offense; he thought: what harm can it do, since they are offended because of ignorance? But when, in Antioch, they insisted that he out and must circumcise Titus (Gal. 2:3) Paul withstood them all and to spite them refused to have Titus circumcised... He did the same when St. Peter...it happened in this way: when Peter was with the Gentiles he ate pork and sausages with them, but when the Jews came in, he abstained from this food and did not eat as he did before. Then the Gentiles who had become Christians though: Alas! we, too, must be like the Jews, eat no pork, and live according to the law of Moses. But when Paul learned that they were acting to the injury of evangelical freedom, he reproved Peter publicly and read him an apostolic lecture, saying: "If you, though a Jew, live like a Gentile, how can you compel the Gentiles to live like Jews?" (Gal. 2:14). Thus we, too, should order our lives and use our liberty at the proper time, so that Christian liberty may suffer no injury, and no offense be given to our weak brothers and sisters who are still without the knowledge of this liberty.

The aroma of chicken broth and beef pie wafted into the parlor. She set down the tray of food on the low table next to him. “Are you all right?” He grunted. “You don’t want to eat anything?” “No.” He did not want to tax his stomach for the next twelve hours. “So what now? Are we going on the run?” He removed his arm from his face and opened his eyes. She was sitting on the carpet before the low table, wearing his gray, hooded tunic, but not his trousers. Her legs were bare below mid-thigh. The sight jolted him out of his lethargy. “Where are your trousers?” “They had no braces and won’t stay up. Besides, it’s warm enough in here.” He was feeling quite hot. It was not unusual to see girls in short robes come summertime in Delamer. But in England skirts always skimmed the ground and men went mad for a glimpse of feminine ankles. So much skin—boys at school would faint from overexcitement. He might have been a bit unsteady too, if he were not already lying down. “You never answered my question,” she said, as if the view of long, shapely legs should not scramble his thoughts at all.

Glorious,' said Steerpike, 'is a dictionary word. We are all imprisoned by the dictionary. We choose out of that vast, paper-walled prison our convicts, the little black printed words, when in truth we need fresh sounds to utter, new enfranchised noises which would produce a new effect. In dead and shackled language, my dears, you *are* glorious, but oh, to give vent to a brand new sounds that might convince you of what I really think of you, as you sit there in your purple splendour, side by side! But no, it is impossible. Life is too fleet for onomatopoeia. Dead words defy me. I can make no sound, dear ladies, that is apt.' 'You could try,' said Clarice. 'We aren't busy.' She smoothed the shining fabric of her dress with her long, lifeless fingers. 'Impossible,' replied the youth, rubbing his chin. 'Quite impossible. Only believe in my admiration for your beauty that will one day be recognized by the whole castle. Meanwhile, preserve all dignity and silent power in your twin bosoms.

And the days move on and the names of the months change and the four seasons bury one another and it is spring again and yet again and the small streams that run over the rough sides of Gormenghast Mountain are big with rain while the days lengthen and summer sprawls across the countryside, sprawls in all the swathes of its green, with its gold and sticky head, with its slumber and the drone of doves and with its butterflies and its lizards and its sunflowers, over and over again, its doves, its butterflies, its lizards, its sunflowers, each one an echo-child while the fruit ripens and the grotesque boles of the ancient apple trees are dappled in the low rays of the sun and the air smells of such rotten sweetness as brings a hunger to the breast, and makes of the heart a sea-bed, and a tear, the fruit of salt and water, ripens, fed by a summer sorrow, ripens and falls … falls gradually along the cheekbones, wanders over the wastelands listlessly, the loveliest emblem of the heart’s condition. And the days move on and the names of the months change and the four seasons bury one another and the field-mice draw upon their granaries. The air is murky, and the sun is like a raw wound in the grimy flesh of a beggar, and the rags of the clouds are clotted. The sky has been stabbed and has been left to die above the world, filthy, vast and bloody. And then the great winds come and the sky is blown naked, and a wild bird screams across the glittering land. And the Countess stands at the window of her room with the white cats at her feet and stares at the frozen landscape spread below her, and a year later she is standing there again but the cats are abroad in the valleys and a raven sits upon her heavy shoulder. And every day the myriad happenings. A loosened stone falls from a high tower. A fly drops lifeless from a broken pane. A sparrow twitters in a cave of ivy. The days wear out the months and the months wear out the years, and a flux of moments, like an unquiet tide, eats at the black coast of futurity. And Titus Groan is wading through his boyhood.

Defining philosophy as “an activity, attempting by means of discussion and reasoning, to make life happy,” he believed that happiness is gained through the achievement of moral self-sufficiency (autarkeia) and freedom from disturbance (ataraxia). The main obstacles to the goal of tranquillity of mind are our unnecessary fears and desires, and the only way to eliminate these is to study natural science. The most serious disturbances of all are fear of death, including fear of punishment after death, and fear of the gods. Scientific inquiry removes fear of death by showing that the mind and spirit are material and mortal, so that they cannot live on after we die: as Epicurus neatly and logically puts it: “Death…is nothing to us: when we exist, death is not present; and when death is present, we do not exist. Consequently it does not concern either the living or the dead, since for the living it is non-existent and the dead no longer exist” (Letter to Menoeceus 125). As for fear of the gods, that disappears when scientific investigation proves that the world was formed by a fortuitous concourse of atoms, that the gods live outside the world and have no inclination or power to intervene in its affairs, and that irregular phenomena such as lightning, thunder, volcanic eruptions, and earthquakes have natural causes and are not manifestations of divine anger. Every Epicurean would have agreed with Katisha in the Mikado when she sings: But to him who’s scientific There’s nothing that’s terrific In the falling of a flight of thunderbolts! So the study of natural science is the necessary means whereby the ethical end is attained. And that is its only justification: Epicurus is not interested in scientific knowledge for its own sake, as is clear from his statement that “if we were not disturbed by our suspicions concerning celestial phenomena, and by our fear that death concerns us, and also by our failure to understand the limits of pains and desires, we should have no need of natural science” (Principal Doctrines 11). Lucretius’ attitude is precisely the same as his master’s: all the scientific information in his poem is presented with the aim of removing the disturbances, especially fear of death and fear of the gods, that prevent the attainment of tranquillity of mind. It is very important for the reader of On the Nature of Things to bear this in mind all the time, particularly since the content of the work is predominantly scientific and no systematic exposition of Epicurean ethics is provided.25 Epicurus despised philosophers who do not make it their business to improve people’s moral condition: “Vain is the word of a philosopher by whom no human suffering is cured. For just as medicine is of no use if it fails to banish the diseases of the body, so philosophy is of no use if it fails to banish the suffering of the mind” (Usener fr. 221). It is evident that he would have condemned the majority of modern philosophers and scientists.