Tis Short Quotes

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Lines I die but when the grave shall press The heart so long endeared to thee When earthy cares no more distress And earthy joys are nought to me. Weep not, but think that I have past Before thee o'er the sea of gloom. Have anchored safe and rest at last Where tears and mouring can not come. 'Tis I should weep to leave thee here On that dark ocean sailing drear With storms around and fears before And no kind light to point the shore. But long or short though life may be 'Tis nothing to eternity. We part below to meet on high Where blissful ages never die.
Emily Brontë
As I approached my fiftieth birthday, I had become more and more enraged and mystified by the idiot decisions made by my countrymen. And then I had come suddenly to pity them, for I understood how innocent and natural it was for them to behave so abominably, and with such abominable results: They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: It was a convenient literary device for ending short stories and books. Why were so many Americans treated by their government as though their lives were as disposable as paper facial tis-sues? Because that was the way authors customarily treated bit-part players in their made-up tales. And so on.Once I understood what was making America such a dangerous, unhappy nation of people who had nothing to do with real life, I resolved to shun storytelling. I would write about life. Every person would be exactly as important as any other. All facts would also be given equal weightiness. Nothing would be left out. Let others bring order to chaos. I would bring chaos to order, instead, which I think I have done. If all writers would do that, then perhaps citizens not in the literary trades will understand that there is no order in the world around us, that we must adapt ourselves to the requirements of chaos instead. It is hard to adapt to chaos, but it can be done. I am living proof of that: It can be done.
Kurt Vonnegut Jr. (Breakfast of Champions)
People say life is short, but it's not. It's long, so damn long – ye can't help but make a mess of it. ‘Tis like roulette. You sit at that table for an hour, you might just come away a winner. You sit there long enough, and the house always wins.
Caimh McDonnell (The Day That Never Comes (Dublin Trilogy publication order, #2; Dublin Trilogy chronological order, #6))
The world...is too full of real evil for me at least, to cause one moment of unnecessary uneasiness to any of its poor pilgrims. 'Tis strange...that this is not more generally considered, since the advantage would be so reciprocal from man to man. But wrapt up in our own short moment, we forget our neighbour's long hour! and existence is ultimately embittered to all, by the refined susceptibility for ourselves that monopolizes our feelings.
Frances Burney (Camilla)
A 'Bummel', I explained, I should describe as a journey, long or short, without an end; the only thing regulating it being the necessity of getting back within a given time to the point from which one started. Sometimes it is through busy streets, and sometimes through the fields and lanes; sometimes we can be spared for a few hours, and sometimes for a few days. But long or short, but here or there, our thoughts are ever on the running of the sand. We nod and smile to many as we pass; with some we stop and talk awhile; and with a few we walk a little way. We have been much interested, and often a little tired. But on the whole we have had a pleasant time, and are sorry when 'tis over.
Jerome K. Jerome (Three Men on the Bummel)
Gavroche had fallen only to rise again; he remained in a sitting posture, a long thread of blood streaked his face, he raised both arms in the air, glanced in the direction whence the shot had come, and began to sing: "Je suis tombe par terre, "I have fallen to the earth, C'est la faute a Voltaire; 'Tis the fault of Voltaire; Le nez dans le ruisseau, With my nose in the gutter, C'est la faute a . . . " 'Tis the fault of . . . " He did not finish. A second bullet from the same marksman stopped him short. This time he fell face downward on the pavement, and moved no more. This grand little soul had taken its flight.
Victor Hugo (Les Misérables)
Farewell, ungrateful traitor, Farewell, my perjured swain; Let never injured creature Believe a man again. The pleasure of possessing Surpasses all expressing, But 'tis too short a blessing, And love too long a pain. 'Tis easy to deceive us In pity of your pain; But when we love you leave us To rail at you in vain. Before we have descried it There is no bliss beside it, But she that once has tried it Will never love again. The passion we pretended Was only to obtain, But when the charm is ended The charmer you disdain. Your love by ours we measure Till we have lost our treasure, But dying is a pleasure When living is a pain.
John Dryden (The Spanish Fryar, Or, The Double Discovery: A Tragi-comedy)
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
The whispers you hear in your ear that you fear in the air everywhere, they are ghosts. The moans and the groans in the lowest of tones no one owns or condones, they are ghosts. You might deem them gremlins or water or wind, while others say shadows or rodents or sin. But oh! I say no! ‘Tis not so, child, for lo! The chills that you feel in a thrill that proves goose bumps are frightfully real, they are ghosts!
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Be thou the first true merit to befriend; His praise is lost, who stays till all commend. Short is the date, alas, of modern rhymes, And 'tis but just to let 'em live betimes. No longer now that golden age appears, When patriarch wits surviv'd a thousand years: Now length of Fame (our second life) is lost, And bare threescore is all ev'n that can boast; Our sons their fathers' failing language see, And such as Chaucer is, shall Dryden be.
Alexander Pope (An Essay On Criticism)
Sound. Noise the air employs. Melodies sweet. Tweet, tweet, tweet. Soft. Loud. A roaring crowd. Cluck. Caw. Crow. Tet, tet. Tis, tis. Guttural growl. Harrowing howl. Drip, drip, drip. Tap, tap, tap. Moan and groan. Endless drone. Ding, dang, dong. A church bell song. Vibrations in my ear to hear. Sound.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
There is not an oath, or at least a curse amongst them, which has not been copied over and over again out of Ernulphus a thousand times but, like all other copies, how infinitely short of the force and spirit of the original! It is thought to be no bad oath - and by itself passes very well - "God damn you" - Set it beside Ernulphus's - "God Almighty the Father damn you - God the Son damn you - God the Holy Ghost damn you" - you see 'tis nothing. - There is an orientality in his, we cannot rise up to.
Laurence Sterne (The Life and Opinions of Tristram Shandy, Gentleman)
In my own shire, if I was sad Homely comforters I had: The earth, because my heart was sore, Sorrowed for the son she bore; And standing hills, long to remain, Shared their short-lived comrade's pain. And bound for the same bourn as I, On every road I wandered by, Trod beside me, close and dear, The beautiful and death-struck year: Whether in the woodland brown I heard the beechnut rustle down, And saw the purple crocus pale Flower about the autumn dale; Or littering far the fields of May Lady-smocks a-bleaching lay, And like a skylit water stood The bluebells in the azured wood. Yonder, lightening other loads, The season range the country roads, But here in London streets I ken No such helpmates, only men; And these are not in plight to bear, If they would, another's care. They have enough as 'tis: I see In many an eye that measures me The mortal sickness of a mind Too unhappy to be kind. Undone with misery, all they can Is to hate their fellow man; And till they drop they needs must still Look at you and wish you ill.
A.E. Housman (A Shropshire Lad)
In short, if ignorance is bliss, 'tis folly to look at your phone.
Catherine Price (How to Break Up with Your Phone: The 30-Day Plan to Take Back Your Life)
In short, monarchy and succession have laid (not this or that kingdom only) but the world in blood and ashes. 'Tis a form of government which the word of God bears testimony against, and blood will attend it.
Thomas Paine (Common Sense)
So study evermore is overshot. While it doth study to have what it would, It doth forget to do the thing it should; And when it hath the thing it hunteth most, ’Tis won as towns with fire—so won, so lost.
William Shakespeare (Love's Labour's Lost)
I coax my palm into his lapel in search of my wish, returning his feverish kiss. "Checkmate, you son of a bug," I say against his mouth two seconds before my fingers find an empty pocket. "Sleight of hand, blossom," he says right back. "'Tis in fact in my pants pocket, if you'd like to search there." I shove him off and drop to the floor, wiping my mouth. "It's mine!" "And you'll receive it when the time is right." His lips, all I can look at, tilt into that smug smile that I've come to detest. He motions toward the chair. "Sit. You've just been soundly kissed. No doubt you're short of breath." "Don't flatter yourself." I huff in an effort to hide the gulp of air and hold the teddy bear against my chest. "That kiss meant nothing. It had underlying motivation." "Oh, to be sure. That kiss was nothing if not motivational.
A.G. Howard (Splintered (Splintered, #1))
Land is the only thing in the world that amounts to anything,” he shouted, his thick, short arms making wide gestures of indignation, “for ’tis the only thing in this world that lasts, and don’t you be forgetting it! ’Tis the only thing worth working for, worth fighting for — worth dying for.
Margaret Mitchell (Gone with the Wind)
Keltar mates ne’er come easily to their men. Some travel distances too vast and strange to fathom, others travel but a short path, though a far distance in their hearts. Most resist every step of the way, yet for each Keltar, one woman will make that journey. ’Tis up to the Keltar to claim her.
Karen Marie Moning (The Dark Highlander (Highlander, #5))
All in the world know the beauty of the beautiful, and in doing this they have what ugliness is; they all know the skill of the skillful, and in doing this they have what the want of skill is. So it is that existence and non-existence give birth the one to the other; that difficulty and ease produce the one the other; that length and shortness fashion out the one the figure of the other; that height and lowness arise from the contrast of the one with the other; that the musical notes and tones become harmonious through the relation of one with another; and that being before and behind give the idea of one following another. Therefore the enlightened security guard manages affairs without doing anything. All things spring up, and there is not one which declines to show itself; they grow, and there is no claim made for their ownership; they go through their processes, and there is no expectation. The work is accomplished, and there is no resting in it. The work is done, but how no one can see; 'Tis this that makes the power not cease to be
Lao Tzu
Stay, shadow of contentment too short-lived, illusion of enchantment I most prize, fair image for whom I happily die, sweet fiction for whom I painfully live. If to your sweet charms attracted I submit, obedient, like steel to magnet fly, by what logic do you flatter and entice, only to flee, a taunting fugitive? 'Tis no triumph that you so smugly boast that I fell victim to your tyranny; though from encircling bonds that held you fast your elusive form too readily slipped free, and though to my arms you are forever lost, you are a prisoner in my fantasy.
Juana Inés de la Cruz
Every one of us feeble creatures is excusable in thinking that to be his own which is comprised under this measure; but withal, beyond these limits, 'tis nothing but confusion; 'tis the largest extent we can grant to our own claims. The more we amplify our need and our possession, so much the more do we expose ourselves to the blows of Fortune and adversities. The career of our desires ought to be circumscribed and restrained to a short limit of the nearest and most contiguous commodities; and their course ought, moreover, to be performed not in a right line, that ends elsewhere, but in a circle, of which the two points, by a short wheel, meet and terminate in ourselves.
Michel de Montaigne (The Complete Essays of Michel de Montaigne (100 Copy Collector's Edition))
LADY TEAZLE. O to be sure she has herself the oddest countenance that ever was seen— ’tis a collection of Features from all the different Countries of the globe. SIR BENJAMIN. So she has indeed — an Irish Front —— CRABTREE. Caledonian Locks —— SIR BENJAMIN. Dutch Nose —— CRABTREE. Austrian Lips —— SIR BENJAMIN. Complexion of a Spaniard —— CRABTREE. And Teeth a la Chinoise —— SIR BENJAMIN. In short, her Face resembles a table d’hote at Spa — where no two guests are of a nation —— CRABTREE. Or a Congress at the close of a general War — wherein all the members even to her eyes appear to have a different interest and her Nose and Chin are the only Parties likely to join issue.
Richard Brinsley Sheridan (Delphi Complete Works of Richard Brinsley Sheridan (Illustrated) (Delphi Series Eight Book 13))
Tisn't life that matters! 'Tis the courage you bring to it" … this from old Frosted Moses in the warm corner by the door. There might have been an answer, but Dicky Tasset, the Town Idiot, filled in the pause with the tale that he was telling Mother Figgis. "And I ran—a mile or more with the stars dotted all over the ground for yer pickin', as yer might say…." A little boy, Peter Westcott, heard what old Frosted Moses had said, and turned it over in his mind. He was twelve years old, was short and thick-necked, and just now looked very small because he was perched on so high a chair. It was one of the four ancient chairs that Sam Figgis always kept in the great kitchen behind the taproom.
Hugh Walpole (Fortitude)
But now 'tis the modern ole Coast Division S.P. and begins at those dead end blocks and at 4:30 the frantic Market Street and Sansome Street commuters as I say come hysterically running for ther 112 to get home on time for the 5:30 televisions Howdy Doody of their gun toting Neal Cassady'd Hopalong childrens. 1.9 miles to 23rd Street, another 1.2 Newcomb, another 1.0 to Paul Avenue and etcetera these being the little piss stops on that 5 miles short run thru 4 tunnels to mighty Bayshore, Bayshore at milepost 5.2 shows you as I say that gigantic valley wall sloping in with sometimes in extinct winter dusks the huge fogs milking furling meerolling in without a sound but as if you could hear the radar hum, the oldfashioned dullmasks mouth of Potato Patch Jack London old scrollwaves crawling in across the gray bleak North Pacific with a wild fleck, a fish, the wall of a cabin, the old arranged wallworks of a sunken ship, the fish swimming in the pelvic bones of old lovers lay tangled ath the bottom of the sea like slugs no longer discernible bone by bone but melted into one squid of time that fog, that terrible and bleak Seattlish fog that potatopatch wise comes bringing messages from Alaska and from the Aleutian mongol, and from the seal, and from the wave, and from the smiling porpoise, that fog at Bayshore you can see waving in and filling in rills and rolling down and making milk on hillsides and you think, "It's hypocricy of men makes these hills grim.
Jack Kerouac (Lonesome Traveler)
The Farmer's Bride Three Summers since I chose a maid, Too young maybe - but more's to do At harvest-time than bide and woo. When us was wed she turned afraid Of love and me and all things human; Like the shut of a winter's day Her smile went out, and 'twasn't a woman - More like a little frightened fay. One night, in the Fall, she runned away. 'Out 'mong the sheep, her be,' they said, Should properly have been abed; But sure enough she wasn't there Lying awake with her wide brown stare. So over seven-acre field and up-along across the down We chased her, flying like a hare Before our lanterns. To Church-Town All in a shiver and a scare We caught her, fetched her home at last And turned the key upon her, fast. She does the work about the house As well as most, but like a mouse: Happy enough to chat and play With birds and rabbits and such as they, So long as men-folk keep away. 'Not near, not near!' her eyes beseech When one of us comes within reach. The women say that beasts in stall Look round like children at her call. I've hardly heard her speak at all. Shy as a leveret, swift as he, Straight and slight as a young larch tree, Sweet as the first wild violets, she, To her wild self. But what to me? The short days shorten and the oaks are brown, The blue smoke rises to the low grey sky, One leaf in the still air falls slowly down, A magpie's spotted feathers lie On the black earth spread white with rime, The berries redden up to Christmas-time. What's Christmas-time without there be Some other in the house than we! She sleeps up in the attic there Alone, poor maid. 'Tis but a stair Betwixt us. Oh! my God! the down, The soft young down of her; the brown, The brown of her - her eyes, her hair, her hair!
Charlotte Mew
As I have thus suggested that the Devil himself has politically spread about this Notion[Pg 269] concerning his appearing with a Cloven-Foot, so I doubt not that he has thought it for his Purpose to paint this Cloven-Foot so lively in the Imaginations of many of our People, and especially of those clear sighted Folks who see the Devil when he is not to be seen, that they would make no Scruple to say, nay and to make Affidavit too, even before Satan himself, whenever he sat upon the Bench, that they had seen his Worship’s Foot at such and such a Time; this I advance the rather because ’tis very much for his Interest to do this, for if we had not many Witnesses, viva voce, to testify it, we should have had some obstinate Fellows always among us, who would have denied the Fact, or at least have spoken doubtfully of it, and so have rais’d Disputes and Objections against it, as impossible, or at least as improbable; buzzing one ridiculous Notion or other into our Ears, as if the Devil was not so black as he was painted, that he had no more a Cloven-Foot than a Pope, whose Apostolical Toes have so often been reverentially kiss’d by Kings and Emperors: but now alas this Part is out of the Question, not the Man in the Moon, not the Groaning-Board, not the speaking of Fryar Bacon’s Brazen-Head, not the Inspiration of Mother Shipton, or the Miracles of Dr. Faustus, Things as certain as Death and Taxes, can be more firmly believ’d: The Devil not have a Cloven-Foot! I doubt not but I could, in a short Time, bring you a thousand old Women together, that would as soon believe there was no Devil at all; nay, they will tell you, he could not be a Devil without it, any more than he could come into the Room, and the Candles not burn blue, or go out and not leave a smell of Brimstone behind him.
Daniel Defoe (The History of the Devil, as Well Ancient as Modern: In Two Parts)
Fragment of the Elegy on the Death of Adonis Prom the Greek of Bion Published by Forman, "Poetical Works of P. B. S.", 1876. I mourn Adonis dead—loveliest Adonis— Dead, dead Adonis—and the Loves lament. Sleep no more, Venus, wrapped in purple woof— Wake violet-stoled queen, and weave the crown Of Death,—'tis Misery calls,—for he is dead. The lovely one lies wounded in the mountains, His white thigh struck with the white tooth; he scarce Yet breathes; and Venus hangs in agony there. The dark blood wanders o'er his snowy limbs, His eyes beneath their lids are lustreless, The rose has fled from his wan lips, and there That kiss is dead, which Venus gathers yet. A deep, deep wound Adonis... A deeper Venus bears upon her heart. See, his beloved dogs are gathering round— The Oread nymphs are weeping—Aphrodite With hair unbound is wandering through the woods, 'Wildered, ungirt, unsandalled—the thorns pierce Her hastening feet and drink her sacred blood. Bitterly screaming out, she is driven on Through the long vales; and her Assyrian boy, Her love, her husband, calls—the purple blood From his struck thigh stains her white navel now, Her bosom, and her neck before like snow. Alas for Cytherea—the Loves mourn— The lovely, the beloved is gone!—and now Her sacred beauty vanishes away. For Venus whilst Adonis lived was fair— Alas! her loveliness is dead with him. The oaks and mountains cry, Ai! ai! Adonis! The springs their waters change to tears and weep— The flowers are withered up with grief... Ai! ai! ... Adonis is dead Echo resounds ... Adonis dead. Who will weep not thy dreadful woe. O Venus? Soon as she saw and knew the mortal wound Of her Adonis—saw the life-blood flow From his fair thigh, now wasting,—wailing loud She clasped him, and cried ... 'Stay, Adonis! Stay, dearest one,... and mix my lips with thine— Wake yet a while, Adonis—oh, but once, That I may kiss thee now for the last time— But for as long as one short kiss may live— Oh, let thy breath flow from thy dying soul Even to my mouth and heart, that I may suck That...' NOTE: _23 his Rossetti, Dowden, Woodberry; her Boscombe manuscript, Forman
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Thus that Upright Judge, whose three Letters my Friend having read, did well approve of 'em, acknowledging, that with great Exactness he had distinguished between Religion and Priest-craft: And he added, If you will shew me, Sir, any Christian Church where that distinction is observed, I will become a Member of it. I recommended the Church of England; he presently told me that he had read the 39 Articles, and observed that 3 of them were wholly design'd to uphold the Power of the Clergy over the People. And then he bad me only compare the Design, which has been, and still is, carrying on under the Name of the Church of England, with the Design of the Christian Religion, as 'tis described by Sir Matthew Hale; and I should find one in all its parts a Contradiction to the other. 'Tis plain (said he) the Clergy do not allow of Sir Matthew's Notions, nor will they suffer us to take any thing for Religion, that is distinguished from their particular Interest. To what end have so many Persecutions and Penal Laws been set a foot by the Clergy in Christendom? was it to bring Men to any one Point of that full Description of Christian Religion, which you cited from Sir Matthew Hale? or only to bring them to that short Article of their Clergy Religion, i.e. to submit to their Power?
William Stephens (An account of the growth of deism in England)
Bells Screamed all off key, wrangling together as they collided in midair, horns and whistles mingled shrilly with cries of human distress; sulphur-colored light ex-ploded through the black windowpane and flashed away in darkness. Miranda waking from a dreamless sleep asked without expecting an answer, “What is happening?” for there was a bustle of voices and footsteps in the corridor, and a sharpness in the air; the far clamour went on, a furious exasperated shrieking like a mob in revolt. The light came on, and Miss Tanner said in a furry voice, “Hear that? They’re celebrating . It’s the Armistice. The war is over, my dear.” Her hands trembled. She rattled a spoon in a cup, stopped to listen, held the cup out to Miranda. From the ward for old bedridden women down the hall floated a ragged chorus of cracked voices singing, “My country, ’tis of thee…” Sweet land… oh terrible land of this bitter world where the sound of rejoicing was a clamour of pain, where ragged tuneless old women, sitting up waiting for their evening bowl of cocoa, were singing, “Sweet land of Liberty-” “Oh, say, can you see?” their hopeless voices were asking next, the hammer strokes of metal tongues drowning them out. “The war is over,” said Miss Tanner, her underlap held firmly, her eyes blurred. Miranda said, “Please open the window, please, I smell death in here.
Katherine Anne Porter (Pale Horse, Pale Rider)
Tis the middle of night by the castle clock" 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit!—Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud. Is the night chilly and dark? The night is chilly, but not dark. The thin gray cloud is spread on high, It covers but not hides the sky. The moon is behind, and at the full; And yet she looks both small and dull. The night is chill, the cloud is gray: 'Tis a month before the month of May, And the Spring comes slowly up this way. The lovely lady, Christabel, Whom her father loves so well, What makes her in the wood so late, A furlong from the castle gate? She had dreams all yesternight Of her own betrothèd knight; And she in the midnight wood will pray For the weal of her lover that's far away. She stole along, she nothing spoke, The sighs she heaved were soft and low, And naught was green upon the oak But moss and rarest mistletoe: She kneels beneath the huge oak tree, And in silence prayeth she. The lady sprang up suddenly, The lovely lady, Christabel! It moaned as near, as near can be, But what it is she cannot tell.— On the other side it seems to be, Of the huge, broad-breasted, old oak tree. The night is chill; the forest bare; Is it the wind that moaneth bleak? There is not wind enough in the air To move away the ringlet curl From the lovely lady's cheek— There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky …
Samuel Taylor Coleridge (Christabel)
The seventh day, and no wind—the burning sun Blister’d and scorch’d, and, stagnant on the sea, They lay like carcasses; and hope was none, Save in the breeze that came not; savagely They glared upon each other—all was done, Water, and wine, and food,—and you might see The longings of the cannibal arise (Although they spoke not) in their wolfish eyes. At length one whisper’d his companion, who Whisper’d another, and thus it went round, And then into a hoarser murmur grew, An ominous, and wild, and desperate sound; And when his comrade’s thought each sufferer knew, ’Twas but his own, suppress’d till now, he found: And out they spoke of lots for flesh and blood, And who should die to be his fellow’s food. But ere they came to this, they that day shared Some leathern caps, and what remain’d of shoes; And then they look’d around them and despair’d, And none to be the sacrifice would choose; At length the lots were torn up, and prepared, But of materials that much shock the Muse— Having no paper, for the want of better, They took by force from Juan Julia’s letter. The lots were made, and mark’d, and mix’d, and handed, In silent horror, and their distribution Lull’d even the savage hunger which demanded, Like the Promethean vulture, this pollution; None in particular had sought or plann’d it, ’Twas nature gnaw’d them to this resolution, By which none were permitted to be neuter— And the lot fell on Juan’s luckless tutor. He but requested to be bled to death: The surgeon had his instruments, and bled Pedrillo, and so gently ebb’d his breath, You hardly could perceive when he was dead. He died as born, a Catholic in faith, Like most in the belief in which they’re bred, And first a little crucifix he kiss’d, And then held out his jugular and wrist. The surgeon, as there was no other fee, Had his first choice of morsels for his pains; But being thirstiest at the moment, he Preferr’d a draught from the fast-flowing veins: Part was divided, part thrown in the sea, And such things as the entrails and the brains Regaled two sharks, who follow’d o’er the billow The sailors ate the rest of poor Pedrillo. The sailors ate him, all save three or four, Who were not quite so fond of animal food; To these was added Juan, who, before Refusing his own spaniel, hardly could Feel now his appetite increased much more; ’Twas not to be expected that he should, Even in extremity of their disaster, Dine with them on his pastor and his master. ’Twas better that he did not; for, in fact, The consequence was awful in the extreme; For they, who were most ravenous in the act, Went raging mad—Lord! how they did blaspheme! And foam and roll, with strange convulsions rack’d, Drinking salt water like a mountain-stream, Tearing, and grinning, howling, screeching, swearing, And, with hyaena-laughter, died despairing. Their numbers were much thinn’d by this infliction, And all the rest were thin enough, Heaven knows; And some of them had lost their recollection, Happier than they who still perceived their woes; But others ponder’d on a new dissection, As if not warn’d sufficiently by those Who had already perish’d, suffering madly, For having used their appetites so sadly. And if Pedrillo’s fate should shocking be, Remember Ugolino condescends To eat the head of his arch-enemy The moment after he politely ends His tale: if foes be food in hell, at sea ’Tis surely fair to dine upon our friends, When shipwreck’s short allowance grows too scanty, Without being much more horrible than Dante.
Lord Byron (Don Juan)
If authority be required, let us appeal to Plutarch, the prince of ancient biographers. [Greek: Oute tais epiphanestatais praxesi pantos enesti daelosis aretaes ae kakias, alla pragma brachu pollakis, kai raema, kai paidia tis emphasin aethous epoiaesen mallon ae machai murionekroi, kai parataxeis ai megistai, kai poliorkiai poleon.] Nor is it always in the most distinguished atchievements that men’s virtues or vices may be best discerned; but very often an action of small note, a short saying, or a jest, shall distinguish a person’s real character more than the greatest sieges, or the most important battles.
Samuel Johnson (Complete Works of Samuel Johnson)
The Kiss ‘I saw you take his kiss!’ “Tis true.’ ‘O modesty!’ “Twas strictly kept: He thought me asleep—at least, I knew He thought I thought he thought I slept.
Paul Negri (Great Short Poems)
The heart out of the bosom Was never given in vain; ‘Tis paid with sighs a plenty And sold for endless rue.” And I am two-and-twenty, And oh, ‘tis true, ’tis true. Into
Paul Negri (Great Short Poems)
An infection or inflammation of the larynx is known as laryngitis (lar-in-JI .-tis). It commonly affects the vibrational qualities of the vocal folds. Hoarseness is the most familiar result. Mild cases are temporary and seldom serious. However, bacterial or viral infections of the epiglottis can be very dangerous. The resulting swelling may close the glottis and cause suffocation. This condition, acute epiglottitis (ep-ih-glot-TI .-tis), can develop rapidly after a bacterial infection of the throat. Young children are most likely to be affected. The Trachea The trachea (TRA .-ke.-uh), or windpipe, is a tough, flexible tube with a diameter of about 2.5 cm (1 in.) and a length of about 11 cm (4.33 in.) (Figure 23–6). The trachea begins anterior to vertebra C6 in a ligamentous attachment to the cricoid cartilage. It ends in the mediastinum, at the level of vertebra T5, where it branches to form the right and left main bronchi. The epithelium of the trachea is continuous with that of the larynx. The mucosa of the trachea resembles that of the nasal cavity and nasopharynx (look back at Figure 23–2a). The submucosa (sub-mu.-KO .-suh), a thick layer of connective tissue, surrounds the mucosa. The submucosa contains tracheal glands whose mucous secretions reach the tracheal lumen through a number of short ducts. The trachea contains 15–20 tracheal cartilages that stiffen the tracheal walls and protect the airway (see Figure 23–6a). They also prevent it from collapsing or overexpanding as pressure changes in the respiratory system. Each tracheal cartilage is C-shaped. The closed portion of the C protects the anterior and lateral surfaces of the trachea. The open portion of the C faces posteriorly, toward the esophagus (see Figure 23–6b). Because these cartilages are not continuous, the posterior tracheal wall can easily distort when you swallow, allowing large masses of food to pass through the esophagus. An elastic anular ligament and the trachealis, a band of smooth muscle, connect the ends of each tracheal cartilage (see Figure 23–6b). Contraction of the trachealis reduces the diameter of the trachea. This narrowing increases the tube’s resistance to airflow. The normal diameter of the trachea changes from moment to moment, primarily under the control of the sympathetic division of the ANS. Sympathetic stimulation increases the diameter of the trachea and makes it easier to move large volumes of air along the respiratory passageways.
Frederic H. Martini (Fundamentals of Anatomy & Physiology)
My host at Richmond ... could not sufficiently express his surprise that I intended to venture to walk as far as Oxford, and still farther ... When I was on the other side of the water, I came to a house and asked a man who was standing at the door if I was on the right road to Oxford. "Yes," he said, "but you want a carriage to carry you tither". When I answered him that I intended walking it, he looked at me significantly, shook his head, and went into the house again. I was not on the road to Oxford. It was a charming fine broad road, and I met on it carriages without number ... The fine green hedges, which boarder roads in England, contribute greatly to render them pleasant. This was the case in the road I now travelled ... I sat down in the shade under one of these hedges and read Milton. But this relief was soon rendered disagreeable to me, for those who road or drove past me, stared at me with astonishment, and made many significant gestures as if they thought my head deranged ... When I again walked, many of the coachmen who drove by called out to me, ever and anon, and asked if I would not ride on the outside ... a farmer on horseback ... said, and seemingly with an air of pity for me, " 'Tis warm walking, sir;" and when I passed thorugh a village, every old woman testified her pity ... The short English miles are delightful for walking. You are always pleased to find, every now and then, in how short a time you have walked a mile, though, no doubt, a mile is everywhere a mile, I walk but a moderate pace, and can accomplish four English miles in an hour
Karl Philipp Moritz (Travels in England in 1782)
O God, our help in ages past, Our hope for years to come, Our shelter from the stormy blast, And our eternal home. Under the shadow of Thy throne Thy saints have dwelt secure; Sufficient is Thine arm alone, And our defense is sure. Before the hills in order stood, Or earth received her frame, From everlasting Thou art God, To endless years the same. Thy Word commands our flesh to dust, “Return, ye sons of men”: All nations rose from earth at first, And turn to earth again. A thousand ages in Thy sight Are like an evening gone; Short as the watch that ends the night Before the rising sun. The busy tribes of flesh and blood, With all their lives and cares, Are carried downwards by the flood, And lost in foll’wing years. Time, like an ever-rolling stream, Bears all its sons away; They fly, forgotten, as a dream Dies at the op’ning day. Like flow’ry fields the nations stand Pleased with the morning light; The flow’rs beneath the mower’s hand Lie with’ring ere ’tis night. O God, our help in ages past, Our hope for years to come, Be Thou our guard while troubles last, And our eternal home.
Isaac Watts (Psalms of David)
O God, our help in ages past, Our hope for years to come, Our shelter from the stormy blast, And our eternal home. Under the shadow of Thy throne Thy saints have dwelt secure; Sufficient is Thine arm alone, And our defense is sure. Before the hills in order stood, Or earth received her frame, From everlasting Thou art God, To endless years the same. Thy Word commands our flesh to dust, “Return, ye sons of men”: All nations rose from earth at first, And turn to earth again. A thousand ages in Thy sight Are like an evening gone; Short as the watch that ends the night Before the rising sun. The busy tribes of flesh and blood, With all their lives and cares, Are carried downwards by the flood, And lost in foll’wing years. Time, like an ever-rolling stream, Bears all its sons away; They fly, forgotten, as a dream Dies at the op’ning day. Like flow’ry fields the nations stand Pleased with the morning light; The flow’rs beneath the mower’s hand Lie with’ring ere ’tis night. O God, our help in ages past, Our hope for years to come, Be Thou our guard while troubles last, And our eternal home.
Isaac Watts (Psalms of David)
The door opened and Kitty jerked free from the remaining bands of sleep, hurling back to the dank night that surrounded her. Struggling to her feet, she gripped her stomach as the soldier entered. Closing the door, he stalked forward. Fear raged through her like a rabid animal.  She pressed harder against the wood. “Don’t touch me!” He lunged and covered her mouth. “Quiet!” Kitty writhed under his strong hands, struggling to get free. She tried to scream but his grasp was too tight. “Be still, Kitty, please!” All fight left her limbs in an instant and she dropped her arms to her sides. Blinking, she tried to clear the dream from her vision. It couldn’t be… He removed his hand from her mouth and stroked her cheek, his husky tone warm with concern. “Are you hurt?” She could hardly breathe. “I... I don’t believe it.” Her words quivered as much as her body.  “Believe.” Nathaniel studied her face and tucked a lock of hair behind her ear. “’Tis I.” Kitty took in quick short bursts of air and her voice cracked as tears burned her eyes. “I thought... I thought...”  “I was a fool.” He tugged her to him, holding her hard against his chest. His deep whisper caressed her heart. “Forgive me.” “Nay.” She pushed away from him, gazing up into his shadowed face. The words she harbored for so many weeks suddenly poured from her mouth like a river surging beyond its banks. “’Tis I who must beg forgiveness—” “Shhh.” He placed a finger to her lips. “There isn’t time, my love.” “But I must explain—” “Later. Come, we must take you away from here.” He tugged her toward the door.  “Not yet.” Kitty tugged at his arm. “I must get to Plymouth. They must know what’s coming.” “Nay, you mustn’t worry about Plymouth.” Nathaniel’s tone dropped. “The British believe you are the second courier.” A smile tilted one side of his mouth. “But you are not.” The meaning of his words settled upon her like dew. “So, the message has gotten through.” Nathaniel nodded and the solemn expression in his eyes softened to longing as his gaze lowered to her mouth. ***
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
an Over-value of our selves, gives us but a dangerous Security in many Respects. 113. We expect more than belongs to us; take all that’s given us though never meant us; and fall out with those that are not as full of us as we are of our selves. 114. In short, ’tis a Passion that abuses our Judgment, and makes us both Unsafe and Ridiculous.
Various (The Harvard Classics Collection [140 Books])
Suddenly she sensed the presence of someone moving stealthily behind her, and without hesitation she instinctively whirled around, grabbing the large man by the shoulders and wrenching him backward while taking his legs from beneath him. His body landed with a heavy thud. She quickly straddled him, placing her dagger to his throat. "Lady Genevieve, 'tis I, Christopher Sinclair!" With the blood roaring in her ears, Genny paused to take a deep, calming breath. "I almost killed you! What are you doing stealing about in the darkness?" she demanded. "Had I known you hid weapons under your bedgown, I would not have been so foolish, milady," he replied wryly. He was still short of breath, partly due to the fall and partly because she was atop his chest. "Please call my Genny. We are family now, Christopher," she said matter-of-factly. "Indeed! And are we to expect you to topple all the men of the family and sit astride their chests? Dressed in your bedclothes?" he asked, grinning mischievously.
Sheryl Sage (Passionate Surrender)
With that mouth I’m bettin’ ye’re a good kisser, aren’t ye, lass?” Nerissa gasped and this time Captain Lord, his gray eyes going frosty, relinquished both women into the care of Andrew who, flushed with success over the reception his explosive had received, was just joining them. “Outside,” Captain Lord snapped. “What, fisticuffs in the garden?” the Irishman asked, raising one brow and flashing an amused grin at Nerissa. “Saints above, Christian, ’tis beneath ye, don’t ye think?” Sir Elliott, who’d lingered at the stage looking at Andrew’s notes, was frowning as he joined them. “What is this?” “My brother was just leaving,” Deirdre said hurriedly, seizing the tall stranger’s arm. “Aren’t you, Ro—I mean, Ruaidri?” “Actually, I was rather lookin’ forward to watchin’ things go boom in the night.” “What?” the admiral demanded. “Fireworks.” He cocked his head and again, Nerissa felt the heat of his bold gaze as it moved over her lips, her throat, the swell of her breasts, and a strange and not unpleasant sensation centered itself between her legs and spread upwards into her belly, outwards into her blood. “With the pretty lass here, of course.” Andrew came alive. “Now see here! How dare you speak to my sister like—” “Enough! All of you!” Deirdre was losing her patience. “Ruaidri, you told us ye were goin’ out for the evenin’ and ’tis time ye left. Christian and Elliott, ye’re drawin’ the attention of our guests and I won’t let this evenin’ be spoiled by such nonsense. Lord Andrew, I have this situation well under control. Go on out to the garden with our guests and we’ll join ye shortly.” She transferred the sleepy toddler to her other hip. “Lady Nerissa, I apologize for me brother—he’s a rogue and at the moment, a drunken fool. Don’t take him seriously.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
Here is a nature-picture (attributed to Oisin) as vivid as ancient: “A tale for you: oxen lowing: winter snowing: summer passed away: wind from the north, high and cold: low the sun and short his course: wildly tossing the wave of the sea. The fern burns deep red. Men wrap themselves closely: the wild goose raises her wonted cry: cold seizes the wing of the bird: ‘tis the season of ice: sad my tale.
Seumas MacManus (The Story of the Irish Race: A Popular History of Ireland)
Without Claray blocking the view, he could see that the beast was a good six feet long, perhaps four or five inches short of three feet high at the shoulders, and looked like he weighed a good ten stone. He'd never seen a wolf so big. But it had some damned fine coloring, Its fur was a combination of gray and white with black on the tip of the tail and around the face and ears. "I guess 'tis fitting," Roderick said suddenly. "The name?" Conall asked with amazement, thinking there was no damned way he was calling the great beast Lovey. "Nay. That she has a wolf," Roderick explained, and when he didn't comprehend right away added, "She married you, the Wolf, and she has one fer a pet. 'Tis fitting.
Lynsay Sands (Highland Wolf (Highland Brides, #10))
We cannot hope to live so long in our names, as some have done in their persons, one face of Janus holds no proportion unto the other. ’Tis too late to be ambitious. The great mutations of the world are acted, or time may be too short for our designes...We whose generations are ordained in this setting part of time, are providentially taken off from such imaginations.
Thomas Browne (Religio Medici / Urne-Buriall)
Now, there’s nothing wrong with a short man. Nothing at all. The issue becomes when the man puts so much thought into how tall he is that it starts to impact who he’s with.
Morgan Elizabeth (Tis the Season for Revenge (Seasons of Revenge, #1))
Has the Second Coming come and I missed it? If so, I need to find a priest quickly.” Adara looked up from her food to find Corryn watching her from a short distance away. As always, Corryn was dressed as a bony man in a white tunic and brown leather breeches. “Nay. Why do you ask?” Corryn shrugged as she drew near to take a seat across the table from her. “You look as if it came and passed you by.” She pulled a piece of bread from the loaf on a wooden trencher near Adara’s elbow. “So what has happened to cause you to look so miserable?” Sighing, Adara set down her knife. “I was merely trying to understand why it is that my husband runs from me as if I’m a leper.” Corryn swallowed the bread she was chewing and gave her an arch stare. “Are you?” “Nothing’s fallen from me yet.” Corryn laughed as she reached to share Adara’s wine cup. “Men are ever woman’s bane. ’Tis a pity they look so delectable in armor, otherwise I would say good riddance and be gladly done with them.” Her outspokenness was startling to Adara, who would never speak of such things…Of course, she might think it, but she would never say such. Then again, Corryn spent a great deal of time in male company. “Does Ioan know you think in this manner?” “Ioan?” Corryn asked with a laugh. “He still thinks I’m ten-and-three in age. Would you believe he told the men that the reason they can’t ever let me see them naked is that I was once a prisoner in the Holy Land and that the Saracens…” She paused as if trying to think of a way to phrase her thoughts. “Well, please don’t be offended, but that my male member was cut off for spite and that if I saw any of theirs, it would either devastate me or cause me to go insane and kill them while they sleep. More like, Ioan would kill them while they slept, but he would blame me for it nonetheless.” “Are you serious?” “Aye. The man is most mad. He claims ’tis also the reason my voice is so high and unchanged.” She rolled her eyes as if even the merest thought of Ioan were too much to bear. “But let us return to your problem with Christian. I think you should tie him down until he learns not to flee from you anymore. From what I hear of our men, a lot of them like that.
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
Life is like a journey on a train With passengers sitting at each window pane. We may sit far apart the whole journey through. You may never know me, I may never know you. But if, by chance, we sit side by side Let’s be pleasant companions—’tis so short a ride. Then there are Jan Struther’s words from her poem “Eulogy”: She was twice blessed: She was happy; She knew it. I want those sentences on my tombstone.
Kathryn Tucker Windham (She: The Old Woman Who Took Over My Life)
Thank god the three of them had hit retirement age just in time! Who’d want to teach at a university these days? Didn’t the students rat the professors out at the slightest verbal misstep? Weren’t the beleaguered profs routinely mobbed on social media—as Chrissy had been just before she left for daring to teach ’Tis Pity She’s a Whore, that disgusting, incestuous Jacobean bloodbath with such a demeaning word in the title? How could she have been so tone-deaf? So anti-woman? Not a good look! “But I chose it as an example of misogyny,” Chrissy had wailed at the time. “You aren’t supposed to like it!
Margaret Atwood (Cut and Thirst)