Tis Pity Quotes

That he's mad, 'tis true, 'tis true 'tis pity, And pity 'tis, 'tis true —a foolish figure,

She dreams of him that has forgot her love; You dote on her that cares not for your love. 'Tis pity love should be so contrary; And thinking of it makes me cry 'alas!

[The Old Astronomer to His Pupil] Reach me down my Tycho Brahe, I would know him when we meet, When I share my later science, sitting humbly at his feet; He may know the law of all things, yet be ignorant of how We are working to completion, working on from then to now. Pray remember that I leave you all my theory complete, Lacking only certain data for your adding, as is meet, And remember men will scorn it, 'tis original and true, And the obloquy of newness may fall bitterly on you. But, my pupil, as my pupil you have learned the worth of scorn, You have laughed with me at pity, we have joyed to be forlorn, What for us are all distractions of men's fellowship and smiles; What for us the Goddess Pleasure with her meretricious smiles. You may tell that German College that their honor comes too late, But they must not waste repentance on the grizzly savant's fate. Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night. What, my boy, you are not weeping? You should save your eyes for sight; You will need them, mine observer, yet for many another night. I leave none but you, my pupil, unto whom my plans are known. You 'have none but me,' you murmur, and I 'leave you quite alone'? Well then, kiss me, -- since my mother left her blessing on my brow, There has been a something wanting in my nature until now; I can dimly comprehend it, -- that I might have been more kind, Might have cherished you more wisely, as the one I leave behind. I 'have never failed in kindness'? No, we lived too high for strife,-- Calmest coldness was the error which has crept into our life; But your spirit is untainted, I can dedicate you still To the service of our science: you will further it? you will! There are certain calculations I should like to make with you, To be sure that your deductions will be logical and true; And remember, 'Patience, Patience,' is the watchword of a sage, Not to-day nor yet to-morrow can complete a perfect age. I have sown, like Tycho Brahe, that a greater man may reap; But if none should do my reaping, 'twill disturb me in my sleep So be careful and be faithful, though, like me, you leave no name; See, my boy, that nothing turn you to the mere pursuit of fame. I must say Good-bye, my pupil, for I cannot longer speak; Draw the curtain back for Venus, ere my vision grows too weak: It is strange the pearly planet should look red as fiery Mars,-- God will mercifully guide me on my way amongst the stars.

As I approached my fiftieth birthday, I had become more and more enraged and mystified by the idiot decisions made by my countrymen. And then I had come suddenly to pity them, for I understood how innocent and natural it was for them to behave so abominably, and with such abominable results: They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: It was a convenient literary device for ending short stories and books. Why were so many Americans treated by their government as though their lives were as disposable as paper facial tis-sues? Because that was the way authors customarily treated bit-part players in their made-up tales. And so on.Once I understood what was making America such a dangerous, unhappy nation of people who had nothing to do with real life, I resolved to shun storytelling. I would write about life. Every person would be exactly as important as any other. All facts would also be given equal weightiness. Nothing would be left out. Let others bring order to chaos. I would bring chaos to order, instead, which I think I have done. If all writers would do that, then perhaps citizens not in the literary trades will understand that there is no order in the world around us, that we must adapt ourselves to the requirements of chaos instead. It is hard to adapt to chaos, but it can be done. I am living proof of that: It can be done.

Aye, you're neither one thing nor yet quite t'other. Pity, but there 'tis.

Revelation WE make ourselves a place apart Behind light words that tease and flout, But oh, the agitated heart Till someone find us really out. ’Tis pity if the case require (Or so we say) that in the end We speak the literal to inspire The understanding of a friend. But so with all, from babes that play At hide-and-seek to God afar, So all who hide too well away Must speak and tell us where they are

tis true, 'tis pity, and 'tis pity, 'tis true.' what delightful things we might do were it not for Mrs. Harmon Andrews!

Lost, I am Lost! My fates have doomed my death. The more I strive, I love; the more I love, The less I hope. I see my ruin, certain. What judgement or endeavors could apply To my incurable and restless wounds I throughly have examined, but in vain. Oh, that it were not in religion sin To make our love a god and worship it! I have even wearied heaven with prayers, dried up The spring of my continual tears, even starved My veins with daily fasts; what wit or art Could counsel, I have practiced. But, alas, I find all these but dreams and old men's tales To fright unsteady youth; I'm still the same. Or I must speak or burst. Tis not, I know, My lust, but tis my fate that leads me on. Keep fear and low fainthearted shame with slaves! I'll tell her that I love her, through my heart Were rated at the price of that attempt.

a tragi-comedy, telling of an impoverished minister’s desperate attempts to gain money by any means, beginning with a mercenary marriage and ending with sorcery. I should think it might be received very well. I believe I shall call it, ’ Tis Pity She’s a Corpse.

I pity the man who can travel from Dan to Beersheba, and cry, ‘Tis all barren—and so it is; and so is all the world to him who will not cultivate the fruits it offers. I declare, said I, clapping my hands chearily together, that was I in a desart, I would find out wherewith in it to call forth my affections—If I could not do better, I would fasten them upon some sweet myrtle, or seek some melancholy cypress to connect myself to—I would court their shade, and greet them kindly for their protection—I would cut my name upon them, and swear they were the loveliest trees throughout the desert: if their leaves wither’d, I would teach myself to mourn, and when they rejoiced, I would rejoice along with them.

Oh, say, how call ye this, To face, and smile, the comrade whom his kiss Betrayed? Scorn? Insult? Courage? None of these: 'Tis but of all man's inward sicknesses The vilest, that he knoweth not of shame Nor pity! Yet I praise him that he came . . . To me it shall bring comfort, once to clear My heart on thee, and thou shalt wince to hear.

Doubt swells and surges, with swelling doubt behind! My soul in storm is but a tattered sail, Streaming its ribbons on the torrent gale; In calm, 'tis but a limp and flapping thing: Oh! swell it with thy breath; make it a wing, To sweep through thee the ocean, with thee the wind Nor rest until in thee its haven it shall find. Roses are scentless, hopeless are the morns, Rest is but weakness, laughter crackling thorns, But love is life. To die of love is then The only pass to higher life than this. All love is death to loving, living men; All deaths are leaps across clefts to the abyss. Weakness needs pity, sometimes love's rebuke; Strength only sympathy deserves and draws - And grows by every faithful loving look. Ripeness must always come with loss of might.

I, that have neither pity, love, nor fear. Indeed, 'tis true that Henry told me of; For I have often heard my mother say I came into the world with my legs forward: Had I not reason, think ye, to make haste, And seek their ruin that usurp'd our right? The midwife wonder'd and the women cried 'O, Jesus bless us, he is born with teeth!' And so I was; which plainly signified That I should snarl and bite and play the dog. Then, since the heavens have shaped my body so, Let hell make crook'd my mind to answer it. I have no brother, I am like no brother; And this word 'love,' which graybeards call divine, Be resident in men like one another And not in me: I am myself alone.

O, she was foul!— I scarce did know you, uncle; there lies your niece, Whose breath, indeed, these hands have newly stopp'd: I know this act shows horrible and grim. GRATIANO Poor Desdemona! I am glad thy father's dead: Thy match was mortal to him, and pure grief Shore his old thread in twain: did he live now, This sight would make him do a desperate turn, Yea, curse his better angel from his side, And fall to reprobance. OTHELLO 'Tis pitiful; but yet Iago knows That she with Cassio hath

Also, I ken you have a good heart. ’Tis thoroughly hidden, but ’tis good.” “For pity’s sake, don’t tell anyone. My reputation will be in ruins.

Farewell, ungrateful traitor, Farewell, my perjured swain; Let never injured creature Believe a man again. The pleasure of possessing Surpasses all expressing, But 'tis too short a blessing, And love too long a pain. 'Tis easy to deceive us In pity of your pain; But when we love you leave us To rail at you in vain. Before we have descried it There is no bliss beside it, But she that once has tried it Will never love again. The passion we pretended Was only to obtain, But when the charm is ended The charmer you disdain. Your love by ours we measure Till we have lost our treasure, But dying is a pleasure When living is a pain.

Why, you'll be 'changed, m'dear. We'll just swap you for a human child who'll make a good servant to the Band. Half Humans never work out 'mongst the Folk. No, never do." "But--I'm half Folk too... What if I never work out 'mongst the humans?" "Aye, you're neither one thing nor yet quite t'other. Pity, but there 'tis.

The blue face! The obscene protrusion of the tongue! The tumefaction of the penis! The penis, well now, that's a surprise, I'd forgotten I had one. What a pity I have no arms, there might still be something to be wrung from it. No, 'tis better thus. At my age, to start manstuprating again, it would be indecent. And fruitless. And yet one can never tell. With a yo heave yo, concentrating with all my might on a horse's rump, at the moment when the tail raises, who knows, I might not go altogether empty-handed away. Heaven, I almost felt it flutter!

If it were done when 'tis done, then 'twere well It were done quickly: if the assassination Could trammel up the consequence, and catch With his surcease success; that but this blow Might be the be-all and the end-all here, But here, upon this bank and shoal of time, We'ld jump the life to come. But in these cases We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: this even-handed justice Commends the ingredients of our poison'd chalice To our own lips. He's here in double trust; First, as I am his kinsman and his subject, Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself. Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off; And pity, like a naked new-born babe, Striding the blast, or heaven's cherubim, horsed Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other.

Beauty that clothes the outside of our face, is cursed if it not be clothed with grace.

Rarely, rarely comest thou, Spirit of Delight! Wherefore hast thou left me now Many a day and night? Many a weary night and day 'Tis since thou art fled away. How shall ever one like me Win thee back again? With the joyous and the free Thou wilt scoff at pain. Spirit false! thou hast forgot All but those who need thee not. As a lizard with the shade Of a trembling leaf, Thou with sorrow art dismayed; Even the sighs of grief Reproach thee, that thou art not near, And reproach thou wilt not hear. Let me set my mournful ditty To a merry measure;-- Thou wilt never come for pity, Thou wilt come for pleasure; Pity then will cut away Those cruel wings, and thou wilt stay. I love all that thou lovest, Spirit of Delight! The fresh Earth in new leaves dressed, And the starry night; Autumn evening, and the morn When the golden mists are born. I love snow and all the forms Of the radiant frost; I love waves, and winds, and storms, Everything almost Which is Nature's, and may be Untainted by man's misery. I love tranquil solitude, And such society As is quiet, wise, and good; Between thee and me What difference? but thou dost possess The things I seek, not love them less. I love Love--though he has wings, And like light can flee, But above all other things, Spirit, I love thee-- Thou art love and life! O come! Make once more my heart thy home!

Nay, 'twill be this hour ere I have done weeping. All the kind of the Launces have this very fault. I have received my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial's court. I think Crab, my dog, be the sourest-natured dog that lives. My mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pebble stone, and has no more pity in him than a dog. A Jew would have wept to have seen our parting. Why, my grandam, having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it. This shoe is my father. No, this left shoe is my father. No, no, this left shoe is my mother. Nay, that cannot be so neither. Yes, it is so, it is so -- it hath the worser sole. This shoe with the hole in it is my mother, and this my father. A vengeance on't! There 'tis. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand. This hat is Nan, our maid. I am the dog. No, the dog is himself, and I am the dog -- O, the dog is me, and I am myself. Ay, so, so. Now come I to my father: 'Father, your blessing.' Now should not the shoe speak a word for weeping. Now should I kiss my father -- well, he weeps on. Now come I to my mother. O, that she could speak now like a wood woman! Well, I kiss her -- why, there 'tis: here's my mother's breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear nor speaks a word!

God's forgot that ever I lived... He's forgot...and He never cared, nohow...." He smoothed her brown, rough-palmed hand; he held her hands to keep her from jerking herself away from his admonishing: "Oh, 'tis not true, the words yere a-sayin', Cean Smith; and well ye know it. Never does He forget a child o' His'n. 'Tis His children that forget that He is rememberin'. Get on yere knees and climb on them up to the shelter o' His arms. Knock on His ears with yere prayers. Creep into His arms, Cean Smith, and lay yere head on His bosom, and He'll hold ye closer than inny man ye ever love can ever hold ye. He'll lay His hand on yere head and ye'll stop yere restless fightin' against His will. He'll shut yere pitiful little mouth from complainin' against Him. Ye'll hush and be comforted...." She dared him to prove his saying: "Then pray fer Him to do them things fer me!" He prayed; and when he had finished, Cean's will was as water to God's will, and Cean's tears were softening and healing to her heart.

Why did you come back? ’Tis not safe.” “I came back to finish what we last started.” Did he mean their near embrace in the barn? Before Pa came in? His mouth was warm against her ear, his fingers stroking her hair, which frayed at the touch of his callused hand. “I came back to ask you to be my wife.” The words, so long wished for, were every bit as sweet as she’d hoped they’d be. But here in this shadowed corner, with Pa so ill . . . “Do you love me? Or do you feel pity for me, alone, almost fatherless?” “Not pity, Morrow. Love. The love between a man and a woman.” Her lips parted in a sort of wonder. “Have you ever been in love?” “Not till now . . . not till you.” “Then how can you be . . . sure?” “I know my mind, my heart.

A little child, a limber elf, Singing, dancing to itself, A fairy thing with red round cheeks, That always finds, and never seeks, Makes such a vision to the sight As fills a father's eyes with light ; And pleasures flow in so thick and fast Upon his heart, that he at last Must needs express his love's excess With words of unmeant bitterness. Perhaps 'tis pretty to force together Thoughts so all unlike each other ; To mutter and mock a broken charm, To dally with wrong that does no harm. Perhaps 'tis tender too and pretty At each wild word to feel within A sweet recoil of love and pity. And what, if in a world of sin (O sorrow and shame should this be true !) Such giddiness of heart and brain Comes seldom save from rage and pain, So talks as it's most used to do.

Only one thing, in those years, drew from her a cry of fury. This was the publication, in 1563, of a single, stout book. It was known as Foxe’s Book of Martyrs; and it was an astonishing feat of propaganda. For this book, carefully written to evoke every man’s pity and rage, described in detail the martyrs of England – by which it meant those Protestants who had perished under Bloody Mary. Of the Catholics who had suffered martyrdom before then, it said not a word. That some of these Protestants, like vicious old Latimer, had been burners and torturers themselves, it conveniently forgot. The sale of the book was prodigious. Soon, it seemed, only Catholic persecution of Protestants had ever existed. “ ’Tis a lie,” Susan would protest. “And I fear it will persist.” It would indeed. Foxe’s Book of Martyrs was destined to be read in families, to give warning to children, and to shape English people’s perception of the Catholic Church for generations.

Epilogue to Book I. Alas! the forbidden fruits were eaten, And thereby the warm life of reason was congealed. A grain of wheat eclipsed the sun Of Adam, l Like as the Dragon's tail 2 dulls the brightness of the moon. Behold how delicate is the heart, that a morsel of dust Clouded its moon with foul obscurity! When bread is "substance," to eat it nourishes us; When 'tis empty "form," it profits nothing. Like as the green thorn which is cropped by the camel, And then yields him pleasure and nutriment; When its greenness has gone and it becomes dry, If the camel crops that same thorn in the desert, It wounds his palate and mouth without pity, As if conserve of roses should turn to sharp swords. When bread is "substance," it is as a green thorn; When 'tis "form," 'tis as the dry and coarse thorn. And thou eatest it in the same way as of yore Thou wert wont to eat it, O helpless being, Eatest this dry thing in the same manner, After the real "substance" is mingled with dust; It has become mingled with dust, dry in pith and rind. O camel, now beware of that herb! The Word is become foul with mingled earth; The water is become muddy; close the mouth of the well, Till God makes it again pure and sweet; Yea, till He purifies what He has made foul. Patience will accomplish thy desire, not haste. Be patient, God knows what is best.

We are all of us dreamers of dreams; On visions our childhood is fed; And the heart of the child is unhaunted, it seems, By the ghosts of dreams that are dead. From childhood to youth's but a span And the years of our youth are soon sped; Yet the youth is no longer a youth, but a man, When the first of his dreams is dead. There's no sadder sight this side the grave Than the shroud o'er a fond dream spread, And the heart should be stern and the eyes be brave To gaze on a dream that is dead. 'Tis a cup as of wormwood and gall When the doom of a great dream is said, And the best of a man is under the pall When the best of his dreams is dead. He may live on by compact and plan When the fine bloom of living is shed, But God pity the little that's left of a man When the last of his dreams is dead. Let him show a brave face if he can, Let him woo fame or fortune instead, Yet there's not much to do but bury a man When the last of his dreams is dead.

A tall, well-muscled blond man drew alongside Christian. He inclined his head to them. “Abbot,” he said to Christian in greeting. Christian seemed pleased to see him. “Falcon. It’s been a long time.” “Aye. I’m sorry I didn’t get a chance to greet you yester eve when you arrived.” Christian offered him a lopsided grin. “’Tis well understood. I heard about your escapade with the butcher’s daughter and your near miss with her father’s cleaver.” Falcon laughed. “Lies all. ’Twas the tanner’s daughter and her father’s ax.” Christian joined his laughter. “One day, my friend, you will meet the one father who can run faster than you.” “’Tis why God gave us horses.” He winked at Christian, then tilted his head so that he could see Adara. “’Tis a pleasure to meet you, Queen Adara. I am Lord Quentin of Adelsbury and my sword is ever at your disposal.” Christian gave him a meaningful stare. “And your sword had best stay sheathed, Falcon, until you’re on the battlefield.” “Your warning is well taken into consideration, Abbot, along with your sword skill and horsemanship. Have no fear of me. Your wife is ever safe from my designs. But no woman is safe from my charm.” Adara couldn’t help teasing the man who seemed of remarkable good spirit and cheer. “However some women might find themselves immune from it, my Lord Falcon.” “What, ho?” he said with a laugh. “Congratulations, Christian. You have found a woman as intelligent as she is beautiful. Tell me, Your Majesty, have you a sister who is fashioned in your image?” “Nay, my lord. I fear I am one of a kind.” He looked sincerely despondent at the news. “’Tis a pity, then. I shall just have to pray for Christian to lay aside his duties and become a monk in earnest.” Christian snorted at that prospect. “You would have a better chance courting my horse.” “Then I shall take my charm and work it on a woman who isn’t immune to it. Good day to you both.” Adara glanced over her shoulder as he fell back into the ranks with the other knights. “Don’t look at him,” Christian said in a teasing tone. “You’ll only play into his overbloated self-esteem.” She gave him a meaningful look. “In that regard, he reminds me of someone else I know.” “Ouch, my lady, you wound me.” “Never, Christian. I would never wound you.

Very justly and modestly said,” remarked Peterkin, with an approving nod. “’Tis a pity that men are not more generally animated with your spirit, Mak. Most people, when they do wrong or make a mistake, are too apt to try to excuse themselves.

So here you are again. Can’t get enough of me, eh?” “Do you know, Captain, I think you take a great and perverse delight in irritating me.” “Aye, I might indeed.” “And so, because I have an equal desire to irritate you, I am not going to respond to your baiting.” “’ Tis a pity, that. I rather like it when ye’re irritated. The way yer eyes flash. The way yer mouth makes a tight line and the roses bloom in yer cheeks.” “All the more reason not to let your odious presence affect me.” “You accuse me of not thinkin’, Lady Nerissa. But I can’t help it. Thinkin’, that is. Thinkin’ that if ye found me so objectionable, ye’d have stayed in the cabin and not sought me out here on deck, eh?” “Yes, well, I am bored.” “’ Tis a pity, that. I have no balls, soirees, fancy dinners or silken sheets to offer ye. Ye’ll have to make do until ye get back to yer fancy lifestyle.” “And how am I supposed to ‘make do’? I have no maid. I have no change of clothing. I am a prisoner.” “Life’s what ye make of it. Ever been on a ship before, Sunshine?” She snorted in contempt. “Of course not.” “Why not?” “What reason would I have to be on a ship? I live out in the country. I do not go anywhere, except to London once in a while or for the Season. I have no need to go anywhere.” “That’s yer life?” “It is a very good life,” she said defensively. “Ah, well, then. I can see why ye’re bored, I can.

4. Random examples of items which are part of the canon of Camp: Zuleika Dobson Tiffany lamps Scopitone films The Brown Derby restaurant on Sunset Boulevard in LA The Enquirer, headlines and stories Aubrey Beardsley drawings Swan Lake Bellini's operas Visconti's direction of Salome and 'Tis Pity She's a Whore certain turn-of-the-century picture postcards Schoedsack's King Kong the Cuban pop singer La Lupe Lynn Ward's novel in woodcuts, God's Man the old Flash Gordon comics women's clothes of the twenties (feather boas, fringed and beaded dresses, etc.) the novels of Ronald Firbank and Ivy Compton-Burnett stag movies seen without lust

ANTONIO. 'Tis great pity He should be thus neglected: I have heard He 's very valiant. This foul melancholy Will poison all his goodness; for, I 'll tell you, If too immoderate sleep be truly said To be an inward rust unto the soul, If then doth follow want of action Breeds all black malcontents; and their close rearing, Like moths in cloth, do hurt for want of wearing.

Has the Second Coming come and I missed it? If so, I need to find a priest quickly.” Adara looked up from her food to find Corryn watching her from a short distance away. As always, Corryn was dressed as a bony man in a white tunic and brown leather breeches. “Nay. Why do you ask?” Corryn shrugged as she drew near to take a seat across the table from her. “You look as if it came and passed you by.” She pulled a piece of bread from the loaf on a wooden trencher near Adara’s elbow. “So what has happened to cause you to look so miserable?” Sighing, Adara set down her knife. “I was merely trying to understand why it is that my husband runs from me as if I’m a leper.” Corryn swallowed the bread she was chewing and gave her an arch stare. “Are you?” “Nothing’s fallen from me yet.” Corryn laughed as she reached to share Adara’s wine cup. “Men are ever woman’s bane. ’Tis a pity they look so delectable in armor, otherwise I would say good riddance and be gladly done with them.” Her outspokenness was startling to Adara, who would never speak of such things…Of course, she might think it, but she would never say such. Then again, Corryn spent a great deal of time in male company. “Does Ioan know you think in this manner?” “Ioan?” Corryn asked with a laugh. “He still thinks I’m ten-and-three in age. Would you believe he told the men that the reason they can’t ever let me see them naked is that I was once a prisoner in the Holy Land and that the Saracens…” She paused as if trying to think of a way to phrase her thoughts. “Well, please don’t be offended, but that my male member was cut off for spite and that if I saw any of theirs, it would either devastate me or cause me to go insane and kill them while they sleep. More like, Ioan would kill them while they slept, but he would blame me for it nonetheless.” “Are you serious?” “Aye. The man is most mad. He claims ’tis also the reason my voice is so high and unchanged.” She rolled her eyes as if even the merest thought of Ioan were too much to bear. “But let us return to your problem with Christian. I think you should tie him down until he learns not to flee from you anymore. From what I hear of our men, a lot of them like that.

Are you all right, my queen?” Lutian asked as he drew near her “I am crushed, Lutian. Crushed. There’s nothing to be done for it, I fear. Christian has broken my heart.” “What has he done? Say the word and I shall go and…well, he will beat my posterior all the way back to this tent. But I shall muss his clothes for the effort and bleed on him for spite.” Adara smiled at his noble words. “I told him that I’m with child and he wasn’t happy to hear my news. Should he not be overjoyed?” She never expected Lutian to disagree with her. “Perhaps not, my queen.” “Excuse me?” Lutian looked a bit sheepish. “’Tis quite a burden to place on any man. Even I would be fretful over it.” “Why should one baby be worth fretting over when he leads hundreds of men? You don’t see me fretting, do you?” “Actually, my queen, I do.” She narrowed her eyes on him. “What is it with you men, that you take up for each other on such a matter? May you roast for eternity, too!” Adara immediately reversed course and left the tent, only to run headlong into Phantom. She glared at him. “Out of my way, male, and to the devil with you and all of your ilk.” Phantom arched a single brow as she pushed past him. Completely amused, he watched her walk away. “My queen!” Lutian said as he left his tent. She didn’t pause. “So when is she expecting the child?” Phantom asked. Lutian paused. “How did you know she’s pregnant?” “An emotional outburst for no apparent reason, in which she curses all men? Pregnant, no doubt.” He shook his head. “Poor Christian. I pity any man who has a pregnant wife to contend with. They can be most irrational.” “As would you if you had something kicking you every time you moved.” They turned to see Corryn behind them. She gave both men a chiding glare. “You should both be ashamed of yourselves. ’Tis a fearful time when a woman finds herself in such a condition. Know either of you how many women die in childbirth?” That sobered both men instantly. Phantom felt his gullet knot over the realization and he wondered if the same thing had occurred to Christian.

Never Trust A Shepherdess Never trust a shepherdess Although she may look pretty Beneath her lacy frilly dress A heart beats without pity. There’s furtive tales of Miss Bo Peep Told behind closed doors And just what happened to her sheep Upon those silent moors They never did return, you see Though many tried to find them They disappeared in mystery Complete with tails behind them. Dark doings lurk in hill and dale Untold in nursery rhymes ‘Tis best that we should draw a veil Across these rural crimes. Don’t think of cruelty in the grass Don’t think of woolly plight Don’t think those thoughts that will not pass Or let you sleep at night So do not think of Miss Bo Peep Or of that crook she wields Or of those dark deeds buried deep In England’s pleasant fields. Unknowing we can only guess The horrors that went down Beware the Wicked Shepherdess Who stalks Old London Town.

Thank god the three of them had hit retirement age just in time! Who’d want to teach at a university these days? Didn’t the students rat the professors out at the slightest verbal misstep? Weren’t the beleaguered profs routinely mobbed on social media—as Chrissy had been just before she left for daring to teach ’Tis Pity She’s a Whore, that disgusting, incestuous Jacobean bloodbath with such a demeaning word in the title? How could she have been so tone-deaf? So anti-woman? Not a good look! “But I chose it as an example of misogyny,” Chrissy had wailed at the time. “You aren’t supposed to like it!

Weren’t the beleaguered profs routinely mobbed on social media—as Chrissy had been just before she left for daring to teach ’Tis Pity She’s a Whore, that disgusting, incestuous Jacobean bloodbath with such a demeaning word in the title? How could she have been so tone-deaf? So anti-woman? Not a good look! “But I chose it as an example of misogyny,” Chrissy had wailed at the time. “You aren’t supposed to like it!

Swift as thought, Hawkeye seized the advantage and discharged his fatal weapon into the top of the oak. The leaves were unusually agitated; the dangerous rifle fell from its commanding elevation, and after a few moments of vain struggling, the form of the savage was seen swinging in the wind, while he still grasped a ragged and naked branch of the tree, with hands clenched in desperation. “Give him, in pity give him — the contents of another rifle!” cried Duncan, turning away his eyes in horror from the spectacle of a fellow-creature in such awful jeopardy. “Not a karnel!” exclaimed the obdurate Hawkeye; “his death is certain, and we have no powder to spare, for Indian fights sometimes last for days; ’tis their scalps or ours! — and God, who made us, has put into our natures the craving to keep the skin on the head!

Twas a dangerous cliff, as they freely confessed, Though to walk near its crest was so pleasant; But over its terrible edge there had slipped A duke, and full many a peasant; So the people said something would have to be done, But their projects did not all tally. Some said, “Put a fence around the edge of the cliff;” Some, “An ambulance down in the valley.” But the cry for the ambulance carried the day, For it spread through the neighboring city, A fence may be useful or not, it is true, But each heart became brimful of pity For those who slipped over that dangerous cliff; And the dwellers in highway and alley Gave pounds or gave pence, not to put up a fence, But an ambulance down in the valley. Then an old sage remarked, “It’s a marvel to me That people give far more attention To repairing the results than to stopping the cause, When they’d much better aim at prevention. Let us stop at its source all this mischief,” cried he. “Come, neighbors and friends let us rally: If the cliff we will fence we might almost dispense With the ambulance down in the valley.” Better guide well the young than reclaim them when old, For the voice of true wisdom is calling: “To rescue the fallen is good, but ‘tis best To prevent other people from falling.” Better close up the source of temptation and crime Than to deliver from dungeon or galley; Better put a strong fence ‘round the top of the cliff, Than an ambulance down in the valley!

My host at Richmond ... could not sufficiently express his surprise that I intended to venture to walk as far as Oxford, and still farther ... When I was on the other side of the water, I came to a house and asked a man who was standing at the door if I was on the right road to Oxford. "Yes," he said, "but you want a carriage to carry you tither". When I answered him that I intended walking it, he looked at me significantly, shook his head, and went into the house again. I was not on the road to Oxford. It was a charming fine broad road, and I met on it carriages without number ... The fine green hedges, which boarder roads in England, contribute greatly to render them pleasant. This was the case in the road I now travelled ... I sat down in the shade under one of these hedges and read Milton. But this relief was soon rendered disagreeable to me, for those who road or drove past me, stared at me with astonishment, and made many significant gestures as if they thought my head deranged ... When I again walked, many of the coachmen who drove by called out to me, ever and anon, and asked if I would not ride on the outside ... a farmer on horseback ... said, and seemingly with an air of pity for me, " 'Tis warm walking, sir;" and when I passed thorugh a village, every old woman testified her pity ... The short English miles are delightful for walking. You are always pleased to find, every now and then, in how short a time you have walked a mile, though, no doubt, a mile is everywhere a mile, I walk but a moderate pace, and can accomplish four English miles in an hour

Tis therefore on my ascendant Star, and not on the Count de Gabalis, that the Virtuosi ought to lay the Blame, if I love rather to divulge their Secrets, than to practise them. If the Stars don't do their Duty, the Count is not the Cause of it; and if I have not a Soul great enough to attempt the Mastery of Nature, to overturn the Elements, to maintain Supream Intelligences, to command the Daemons, to beget Giants, to crete new Worlds, to speak to God on his tremendous Throne, and to oblige the Cherubim who guards the terrestrial Paradise to let me take a Turn or two in those delicious Walks; 'tis myself alone that is to be blam'd or pity'd; you must not, for that, insult the Memory of that rare Man, and say he came by his Death for having inform'd me of these Things.

GIOVANNI - L'opinione comune è una vana stolidità, che spaventa l'inesperta tempra della mente come il regolo del maestro tiene in rispetto un bambino: così fu di me; così io, prima che la mia impareggiabile sorella fosse sposata, pensavo che ogni diletto d'amore dovesse ricevere la morte da quel contratto: ma io non trovo alcun mutamento di voluttà in questa rituale legge di sollazzo. Per me è ancor quella, e ogni bacio non meno dolce e delizioso del primo ch'io colsi, quando il privilegio della giovinezza ancora le dava diritto al nome di vergine. Oh, la fulgida bellezza dell'unione di due cuori come il suo e il mio! Sognino pure di altri mondi gli uomini che vivono sui libri; il mio mondo, e di perfetta felicità, è qui, e non lo cambierei per il migliore dei mondi futuri: una vita di piacere è l'Eliso.

I said to ’em both: “There’s no one disputes that ’tis a pity the old crafts is dying, but you never hears people say how clever the youngsters has been picking up all the new ones. I bet old Burton couldn’t drive a combine-harvester, or a tractor, and dry the corn or milk the cow by electric, like his boy can!” That’s true, you know, Miss. There’s new skill taking the place of the old, all the time, and I don’t like to hear the youngsters becalled, just because they does different!’ said Mr Willet sturdily.