Tis But A Scratch Quotes

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Tis but a scratch!" "A scratch? Your arm's off!" "No it isn't." "Then what's that?" "Oh come on, pansy!
Graham Chapman (Monty Python and the Holy Grail (Book): Mønti Pythøn Ik Den Hølie Gräilen (Bøk))
Reason is, and ought only to be the slave of the passions, and can never pretend to any other office than to serve and obey them. …'Tis not contrary to reason to prefer the destruction of the whole world to the scratching of my finger.
David Hume
Tis not unreasonable for me to prefer the destruction of the whole world to the scratching of my finger.
David Hume (A Treatise of Human Nature)
I’ve had worse,” Michael said, his voice strained. He shifted his weight, testing the leg, and made a hissing sound—but it supported his weight. “Only a flesh wound.” “Yeah,” I said. “’Tis but a scratch. Come on, ya pansy.” He blinked and looked at me. “Pansy?” “Oh,” I said. “You weren’t quoting the movie. Sorry.” “Movie?” “Holy Grail?” “Nicodemus still has it.” I sighed. “Never mind.
Jim Butcher (Skin Game (The Dresden Files, #15))
Gimme a minute,” I said, and felt myself baring my teeth in a grin. “How does the leg feel?” “I’ve had worse,” Michael said, his voice strained. He shifted his weight, testing the leg, and made a hissing sound—but it supported his weight. “Only a flesh wound.” “Yeah,” I said. “’Tis but a scratch. Come on, ya pansy.” He blinked and looked at me. “Pansy?” “Oh,” I said. “You weren’t quoting the movie. Sorry.” “Movie?” “Holy Grail?” “Nicodemus still has it.” I sighed. “Never mind.
Jim Butcher (Skin Game (The Dresden Files, #15))
Eating be eating, b'ain't it, Birdie?' 'Nay, Uncle Bear: In Caermelor, at the Royal Court, they be so-oh, so much more advanced than anywhere else. 'Tis not done to wipe your fingers on your hair or the tablecloth, or belch, or speak with your mouth full of food, or scratch, or pick your teeth at table. Ye have to use little forks to pick up the food. Ye not allowed to pour wine for your betters or for yourself, but to wait for them to deign to pour it for ye, if they be feeling generous. And the carving of the meats must be done a certain way, and as for the toasts-it would take ye a whole day just to learn the complications. 'Takes the fun out of eating,' observed Sianadh.
Cecilia Dart-Thornton (The Ill-Made Mute (The Bitterbynde, #1))
Greta's cedar hope chest Is full of pamphlets Glass shelves of romantic vignettes A journal laced with sedimentary prose Norma gathers and collects vintage photoplays Hair combs valentines Lillian allows the animals to scratch And the leather crack And the mail collect in the box as coatings peel Agnes veiled cathedral dweller Smiles with benevolent pain But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Marguerite vigilant She dwells upon frigid casements Sarah's thoughts in high velocity Accusations always pierce and pass Clara abandons her passions for distastes A Miss Lenora P. Sinclair Early for coffee in the pool "I'm resituating all your words" Capital Space Colon Paragraph Sylvia keeps beasts in jars labeled by Kingdom Phylum Class Order Family Genus Species But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Down the way a silk design This face is mine Tis I, Katrina! Katrina, I.
Natalie Merchant
I ran to Sailor’s hutch to see if he’d made it through alive. He was backed into the corner, shivering, and in the most wretched condition: he had become so malnourished that his fur had grown horribly long, his body’s attempt to compensate for his slow metabolism and low temperature. His claws were an inch long, and worse, his front teeth had curled over his lower lip so he could hardly open his mouth. Apparently, rabbits need to be chewing on hard things like carrots; otherwise their teeth will grow. Terrified, I opened the cage door to hug little Sailor, but, in a spastic fury, he started scratching my face and neck. I still have the scars. Without anyone attending to him, he had gone feral. That’s what’s happened to me, in Seattle. Come at me, even in love, and I’ll scratch the hell out of you. ’Tis a piteous fate to have befallen a MacArthur genius, wouldn’t you say? Poof. But I do love you, Bernadette TUESDAY, DECEMBER 14 From Paul Jellinek Bernadette, Are you done?
Maria Semple (Where'd You Go, Bernadette)
The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.
Douglas M. Laurent
Tis not contrary to reason to prefer the destruction of the whole world to the scratching of my finger.
Alex Rosenberg (The Girl from Krakow)
THE ABRIDGED RULES OF CIVILITY NUMBER RULE 2 When in Company, put not your Hands to any Part of the Body, not usualy Discovered. 7 Put not off your Cloths in the presence of Others, nor go out your Chambers half Drest. 24 Do not laugh too loud or too much at any Publick [Spectacle]. 54 Play not the Peacock, looking every where about you, to See if you be well Deck’t, if your Shoes fit well if your Stockings sit neatly, and Cloths handsomely. 56 Associate yourself with Men of good Quality if you Esteem your own Reputation; for ’tis better to be alone than in bad Company. 73 Think before you Speak pronounce not imperfectly nor bring ou[t] your Words too hastily but orderly & distinctly. 82 Undertake not what you cannot Perform but be Carefull to keep your Promise. 90 Being Set at meal Scratch not neither Spit Cough or blow your Nose except there’s a Necessity for it. 92 Take no Salt or cut Bread with your Knife Greasy. 100 Cleanse not your teeth with the Table Cloth Napkin Fork or Knife but if Others do it let it be done wt. a Pick Tooth.
Alexis Coe (You Never Forget Your First: A Biography of George Washington)
Seneca scratched his head and looked uncomfortable. “The introspective and the unaware both die the same way, my friend.” He took a pull from his drinking skin, then offered it to Golgoth. Taking it, Golgoth leaned back and took a hard pull as well. Handing it back, he said, “Yes, tis true, Ol’ bastard.
Robert Day (Mongruxx Starship Umbra: Book 2)
Odd in what way?” “She hisses and verra weel, too. She scratches, swipes at one with those verra sharp nails of hers when ye startle her. Ye didnae see her run, but, trust me, she is verra swift and sure of foot. E’en with the full moon, most Outsiders move cautiously. The night and the shadows didnae slow her down at all. She kenned I was there ere she saw me. And, the fact that she saw me in the shadows is, weel, unusual. She dances in the moonlight. E’en though there was no sound to warn her, she kenned something had happened to her people. I watched her tense, crouch, and look about. Tis as if she scented danger upon the air.” And she purrs, Cathal thought, but only said, “Some people have keener senses about such things.” “There
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
She has a temper,” murmured Jankyn. “She set Edmee back on her heels for a moment.” “Aye,” agreed Cathal. “If Lady Bridget was frightened, she hid it weel. Tis good. She will need courage and strength to be my wife.” “I think she will try to escape.” Cathal nodded. “We will watch for it.” “What if she continues to refuse you? Ye cannae want an unwilling bride.” “She willnae be unwilling.” “Ye sound verra sure of that.” “I am. There is an attraction. I feel it and, when I held her hand, I kenned that she felt it, too. Twill take but a wee while for her to understand and accept it.” “Then I hope ye listened carefully to what she said as she left. There were two words ye must needs remember.” “Aye, woo and dance.” “Exactly. Woo and dance. Do ye ken how to dance?” Cathal grimaced. “Nay, but if my wooing isnae enough, I suspect I can learn. Lady Bridget can hiss and scratch all she likes, but, in the end, she will be my wife.
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
Tis a foolish man, who complains of the hole in his pocket. A wise man uses it to scratch his balls!
Peter Hackshaw (The Shadow Sect (Netherdei #1))
tis but a scratch.
Jonathan Smidt (Dungeon Core Online: Remastered Edition - Book One)
 ’Tis not contrary to reason to prefer the destruction of the whole world to the scratching of my finger.
Alex Rosenberg (The Girl from Krakow)