Tipping The Velvet Book Quotes

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There were about thirty of them, I think - all women; all seated at tables, bearing drinks and books and papers. You might have passed any one of them upon the street, and thought nothing; but the effect of their appearance all combined was rather queer. They were dressed, not strangely, but somehow distinctly. They wore skirts - but the kind of skirts a tailor might design if he were set, for a dare, to sew a bustle for a gent. Many seemed clad in walking-suits or riding-habits. Many wore pince-nez, or carried monocles on ribbons. There were one or two rather startling coiffures; and there were more neckties than I had ever seen brought together at any exclusively female ensemble.
Sarah Waters (Tipping the Velvet)
I cast my gangly body into the shadow of the stable and watched them, curious to see my uncle with a triumphant smile on his mouth. He called for Jedha, the Master-at-Arms, and they spoke in low, swift voices before turning in to the house. I stayed in the shadows and trailed them through the hall into the mahogany library, the wooden doors left slightly ajar. I can’t remember what they said to one another—how my uncle had gotten the Providence Card away from the highwaymen—only that they were consumed with excitement. I waited for them to leave, my uncle fool enough not to lock the Card away, and I stole into the heart of the room. Writ on the top of the Card were two words: The Nightmare. My mouth opened, my childish eyes round. I knew enough of The Old Book of Alders to know this particular Providence Card was one of only two of its kind, its magic formidable, fearsome. Use it, and one had the power to speak into the minds of others. Use it too long, and the Card would reveal one’s darkest fears. But it wasn’t the Card’s reputation that ensnared me—it was the monster. I stood over the desk, unable to tear my eyes away from the ghastly creature depicted on the Card’s face. Its fur was coarse, traveling across its limbs and down its hunched spine to the top of its bristled tail. Its fingers were eerily long, hairless and gray, tipped by great, vicious claws. Its face was neither man nor beast, but something in between. I leaned closer to the Card, drawn by the creature’s snarl, its teeth jagged beneath a curled lip. Its eyes captured me. Yellow, bright as a torch, slit by long, catlike pupils. The creature stared up at me, unmoving, unblinking, and though it was made of ink and paper, I could not shake the feeling it was watching me as intently as I was watching it. Trying to grasp what happened next was like mending a shattered mirror. Even if I could realign the pieces, cracks in my memory still remained. All I’m certain of was the feel of the burgundy velvet—the unbelievable softness along the ridges of the Nightmare Card as my finger slipped across it. I remember the smell of salt and the white-hot pain that followed. I must have fallen or fainted, because it was dark outside when I awoke on the library floor. The hair on the back of my neck bristled, and when I sat up, I was somehow aware I was no longer alone in the library. That’s when I first heard it, the sound of those long, vicious claws tapping together. Click. Click. Click. I jumped to my feet, searching the library for an intruder. But I was alone. It wasn’t until it happened again—click, click, click—that I realized the library was empty. The intruder was in my mind.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Perhaps I could help,” Marcus suggested pleasantly, stopping beside her. “If you would tell me what you’re looking for.” “Something romantic. Something with a happy ending. There should always be a happy ending, shouldn’ there?” Marcus reached out to finger a trailing lock of her hair, his thumb sliding along the glowing satin filaments. He had never thought of himself as a particularly tactile man, but it seemed impossible to keep from touching her when she was near. The pleasure he derived from the simplest contact with her set all his nerves alight. “Not always,” he said in reply to her question. Lillian let out a bubbling laugh. “How very English of you. How you all love to suffer, with your stiff…stiff…” She peered at the book in her hands, distracted by the gilt on its cover. “…upper lips,” she finished absently. “We don’t like to suffer.” “Yes, you do. At the very least, you go out of your way to avoid enjoying something.” By now Marcus was becoming accustomed to the unique mixture of lust and amusement that she always managed to arouse in him. “There’s nothing wrong with keeping one’s enjoyments private.” Dropping the book in her hands, Lillian turned to face him. The abruptness of the movement resulted in a sharp wobble, and she swayed back against the shelves even as he moved to steady her with his hands at her waist. Her tip-tilted eyes sparkled like an array of diamonds scattered over brown velvet. “It has nothing to do with privacy,” she informed him. “The truth is that you don’t want to be happy, bec—” She hiccupped gently. “Because it would undermine your dignity. Poor Wes’cliff.” She regarded him compassionately. At the moment, preserving his dignity was the last thing on Marcus’s mind. He grasped the frame of the bookcase on either side of her, encompassing her in the half circle of his arms. As he caught a whiff of her breath, he shook his head and murmured, “Little one…what have you been drinking?” “Oh…” She ducked beneath his arm and careened to the sideboard a few feet away. “I’ll show you…wonderful, wonderful stuff…this.” Triumphantly she plucked a nearly empty brandy bottle from the edge of the sideboard and held it by the neck. “Look what someone did…a pear, right inside! Isn’ that clever?” Bringing the bottle close to her face, she squinted at the imprisoned fruit. “It wasn’ very good at first. But it improved after a while. I suppose it’s an ac”—another delicate hiccup— “acquired taste.” “It appears you’ve succeeded in acquiring it,” Marcus remarked, following her. “You won’ tell anyone, will you?” “No,” he promised gravely. “But I’m afraid they’re going to know regardless. Unless we can sober you in the next two or three hours before they return. Lillian, my angel…how much was in the bottle when you started?” Showing him the bottle, she put her finger a third of the way from the bottom. “It was there when I started. I think. Or maybe there.” She frowned sadly at the bottle. “Now all that’s left is the pear.” She swirled the bottle, making the plump fruit slosh juicily at the bottom. “I want to eat it,” she announced. “It’s not meant to be eaten. It’s only there to infuse the—Lillian, give the damned thing to me.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Tapping Bill’s chest, Franny glided off him and lay on her side, her breath stroking his week-old whiskers. “Our morning of lovemaking in the Magnolia mansion will keep me satisfied until you’re ready. When we do tip the velvet, I know you’ll leave me exhausted but begging for more.” “I’m so lucky to have you.” “Indeed, you are, Bill Stamford.” Franny toyed with Bill’s whiskers. “You know I don’t like a beard. You’re going to have to shave it.” ‘I know. I just didn’t feel like shaving since the wedding.” He kissed her. “Then you’re not angry that we haven’t joined giblets?
Michael Staton (Deepening Homefront Shadows (Love Amid the Carnage Book 2))
for water. Without taking his eyes from her, he twitches a little at the knee, then the shoulder, where a fly devils him. Finally he surrenders his surprise, looks away, and drinks. She can feel the touch of his long, curled tongue on the water’s skin, as if he were lapping from her hand. His head bobs gently, nodding small, velvet horns lit white from behind like new leaves. It lasted just a moment, whatever that is. One held breath? An ant’s afternoon? It was brief, I can promise that much, for although it’s been many years now since my children ruled my life, a mother recalls the measure of the silences. I never had more than five minutes’ peace unbroken. I was that woman on the stream bank, of course. Orleanna Price, Southern Baptist by marriage, mother of children living and dead. That one time and no other the okapi came to the stream, and I was the only one to see it. I didn’t know any name for what I’d seen until some years afterward in Atlanta, when I attempted briefly to consecrate myself in the public library, believing every crack in my soul could be chinked with a book. I read that the male okapi is smaller than the female, and more shy, and that hardly anything else is known about them. For hundreds of years people in the Congo Valley spoke of this beautiful, strange beast. When European explorers got wind of it, they declared it legendary: a unicorn. Another fabulous tale from the dark domain of poison-tipped arrows and bone-pierced lips. Then, in the 1920s, when elsewhere in the world the menfolk took a break between wars to perfect the airplane and the automobile, a white man finally did set eyes on the okapi. I can picture him spying on it with binoculars, raising up the cross-haired rifle sight, taking it for his own. A family of them now reside in the New York Museum
Barbara Kingsolver (The Poisonwood Bible)
The Books Lucia’s birthday gifts for September 1st: The Very Hungry Caterpillar by Eric Carle and Peter Pan and Wendy by J. M. Barrie 2nd: Burglar Bill by Janet and Allan Ahlberg 3rd: Dogger by Shirley Hughes 4th: Alice’s Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll 5th: Pollyanna by Eleanor H. Porter 6th: The Wind in the Willows by Kenneth Grahame 7th: The Borrowers by Mary Norton 8th: A Little Princess by Frances Hodgson Burnett 9th: Black Beauty by Anna Sewell 10th: Matilda by Roald Dahl 11th: Little Women by Louisa M. Alcott 12th: To Kill a Mockingbird by Harper Lee 13th: Jane Eyre by Charlotte Brontë 14th: Noughts and Crosses by Malorie Blackman 15th: Fingersmith by Sarah Waters 16th: Northanger Abbey by Jane Austen 17th: Behind the Scenes at the Museum by Kate Atkinson 18th: The Yellow Wallpaper by Charlotte Perkins Gilman 19th: Interpreter of Maladies by Jhumpa Lahiri 20th: Passing by Nella Larsen 21st: Wuthering Heights by Emily Brontë 22nd: The Handmaid’s Tale by Margaret Atwood 23rd: The Vanishing Act of Esme Lennox by Maggie O’Farrell 24th: The Murder of Roger Ackroyd by Agatha Christie 25th: The Other Side of the Story by Marian Keyes 26th: Atonement by Ian McEwan 27th: Small Island by Andrea Levy 28th: Vanity Fair by William Makepeace Thackeray 29th: Why Be Happy When You Could Be Normal? by Jeanette Winterson 30th: Harvest by Jim Crace 31st: A Secret Garden by Katie Fforde 32nd: Beyond Black by Hilary Mantel From Lucia’s life Bird at My Window by Rosa Guy Of Love and Dust by Ernest J. Gaines Ring of Bright Water by Gavin Maxwell A Wrinkle in Time by Madeleine L’Engle The Owl Service by Alan Garner The L-Shaped Room by Lynne Reid Banks I Know Why the Caged Bird Sings by Maya Angelou Fire from Heaven by Mary Renault Story of O by Pauline Réage Illustrated Peter Pan by Arthur Rackham Peter Pan in Kensington Gardens by J. M. Barrie Marina’s recommendation Little House on the Prairie by Laura Ingalls Wilder The book club at September’s house The Color Purple by Alice Walker Rebecca by Daphne du Maurier Silas Marner by George Eliot (The Mill on the Floss also mentioned) Oliver Twist by Charles Dickens The Prime of Miss Jean Brodie by Muriel Spark A Thousand Splendid Suns by Khaled Hosseini Ethan Frome by Edith Wharton A Tree Grows in Brooklyn by Betty Smith The book club’s birthday books for September’s 34th birthday Tipping the Velvet by Sarah Waters We Are Displaced by Malala Yousafzai To Sir, With Love by E. R. Braithwaite Boy Swallows Universe by Trent Dalton Ready Player One by Ernest Cline Treasure Island by Robert Louis Stevenson
Stephanie Butland (The Book of Kindness)