Tipping Hat Quotes

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Chivalry: It's the little boy that kisses my hand, the young man who holds the door open for me, and the old man who tips his hat to me. None of it is a reflection of me, but a reflection of them.
Donna Lynn Hope
This is the problem with even lesser demons. They come to your doorstep in velvet coats and polished shoes. They tip their hats and smile and demonstrate good table manners. They never show you their tails.
Leigh Bardugo (The Language of Thorns: Midnight Tales and Dangerous Magic (Grishaverse, #0.5, 2.5, 2.6))
Nash Hawthorne would probably tip his cowboy hat to Death herself.
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
I hate rude behavior in a man,' he explained in his quiet, unassuming drawl. 'I won't tolerate it.' He politely tipped his hat, and rode away.
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
She turned to Jin now, sprawled by the fire, his hat pulled over his eyes. “I can tell you’re awake. Are you coming with us?” He sighed, tipping his hat backward. “Yeah, yeah. Just trying to get some sleep before going to near certain death.
Alwyn Hamilton (Rebel of the Sands (Rebel of the Sands, #1))
Doc tips his hat to dogs as he drives by and the dogs look up and smile at him.
John Steinbeck (Cannery Row (Cannery Row, #1))
If someone ever says you’re weird, say thank you. And then curtsy. No, don’t curtsy. That might be too weird. Bow. And tip your imaginary hat. That’ll show them.
Ellen DeGeneres (Seriously...I'm Kidding)
Halloween is a celebration of the inversion of reality and a necessary Gothic hat-tip to the darker aspects of life, death and ourselves.
Stewart Stafford
Sean pushes up to his feet and stands there. I look at his dirty boots. Now I've offended him, I think. He says, "Other people have never been important to me, Kate Connolly. Puck Connolly." I tip my face up to look at him, finally. The blanket falls off my shoulders, and my hat, too, loosened by the wind. I can't read his expression--his narrow eyes make it difficult. I say, "And now?" Kendrick reaches to turn up the collar on his jacket. He doesn't smile, but he's not as close to frowning as usual. "Thanks for the cake.
Maggie Stiefvater (The Scorpio Races)
it’s not our place to question God’s will, and it is clearly God’s will that the two of us become man and wife.” It’s a testament to my fine character that I don’t smash that Bible right into his nose. “You wouldn’t know God’s will if it tipped its hat and said howdy.
Rae Carson (Walk on Earth a Stranger (The Gold Seer Trilogy #1))
MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.
Daphne Gottlieb (Final Girl)
I still have your handkerchief, from the Yuletide." "Raspberries, do you really?" He produced a crumpled, clean handkerchief, and gave it to Azalea. She tried to hand him the watch, but he wouldn't take it. "It's still for ransom, is it not?" he said. "I'll collect it when I set the tower again." Azalea smiled, warmth rising to her cheeks. "Well, it has been awfully useful. Thank you, Lord Bradford." He mounted with ease, even with the books, and smiled a crooked smile. "Mr. Bradford," he said sheepishly. "Mr. Bradford," said Azalea. And now, her cheeks burned. It wasn't unpleasant. "Thank you," he said, tipping his hat. "For the pleasant evening.
Heather Dixon Wallwork (Entwined)
Mal adjusted his hood to better hide his face and tipped up his mask, then reached forward and did the same with mine. He leaned in. Our jackal masks bumped snouts. I started to laugh. "Next time, different costumes," he grumbled. "Bigger hats?
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
I tip my hat to the new constitution, I take a bow for the new revolution, smile and grin at the change all around me.
The Who
We're all different people and we're allowed to be different from one another. If someone ever says you're weird, say thank you. And then curtsy. No, don't curtsy. That might be too weird. Bow. And tip your imaginary hat. That'll show them.
Ellen DeGeneres (Seriously... I'm Kidding)
The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking as it seemed from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the Coarch and Horses, more dead than alive as it seemed, and flung his portmanteau down. "A fire," he cried, "in the name of human charity! A room and a fire!" He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlour to strike his bargain. And with that much introduction, that and a ready acquiescence to terms and a couple of sovereigns flung upon the table, he took up his quarters in the inn.
H.G. Wells (The Invisible Man)
To Summarize briefly: A white rabbit is pulled out of a top hat. Because it is an extremely large rabbit, the trick takes many billions of years. All mortals are born at the very tip of the rabbit's fine hairs. where they are in a position to wonder at the impossibility of the trick. But as they grow older they work themselves even deeper into the fur. And there they stay. They become so comfortable they never risk crawling back up the fragile hairs again. Only philosophers embark on this perilous expedition to the outermost reaches of language and existence. Some of the fall off, but other cling on desperately and yell at the people nestling deep in the snug softness, stuffing themselves with delicious food and drink. 'Ladies and gentlemen,' they yell, 'we are floating in space!' but none of the people down there care. 'What a bunch of troublemakers!' they say. And they keep on chatting: Would you pass the butter, please? How much have our stocks risen today? What is the price of tomatoes? Have you heard that Princes Di is expecting again?
Jostein Gaarder (Sophie’s World)
He sighed and opened the black box and took out his rings and slipped them on. Another box held a set of knives and Klatchian steel, their blades darkened with lamp black. Various cunning and intricate devices were taken from velvet bags and dropped into pockets. A couple of long-bladed throwing tlingas were slipped into their sheaths inside his boots. A thin silk line and folding grapnel were wound around his waist, over the chain-mail shirt. A blowpipe was attached to its leather thong and dropped down the back of his cloak; Teppic picked a slim tin container with an assortment of darts, their tips corked and their stems braille-coded for ease of selection in the dark. He winced, checked the blade of his rapier and slung the baldric over his right shoulder, to balance the bag of lead slingshot ammunition. As an afterthought he opened his sock drawer and took a pistol crossbow, a flask of oil, a roll of lockpicks and, after some consideration, a punch dagger, a bag of assorted caltrops and a set of brass knuckles. Teppic picked up his hat and checked it's lining for the coil of cheesewire. He placed it on his head at a jaunty angle, took a last satisfied look at himself in the mirror, turned on his heel and, very slowly, fell over.
Terry Pratchett (Pyramids (Discworld, #7))
He was a secretive man, who kept his own counsel. He was an ambitious man of humble origins, with colossal designs on the future. And it would always be advantageous not to be closely known, never to be transparent. Passing a farmer on a day, he would tip his hat and grin. Everybody knew him. Nobody knew him. He would play the fool, the clown, the melancholy poet dying for love, the bumpkin. He would take the world by stealth and not by storm. He would disarm enemies by his apparent naiveté, by seeming pleasantly harmless. He would go to such lengths in making fun of his own appearance that others felt obliged to defend it. -Daniel Mark Epstein.
Daniel Mark Epstein (The Lincolns: Portrait of a Marriage)
Me I was always lucky. My whole life. I wouldnt be here otherwise. Scrapes I been in. But the day I seen her come out of Kerr’s Mercantile and cross the street and she passed me and I tipped my hat to her and got just almost a smile back, that was the luckiest.
Cormac McCarthy (No Country for Old Men)
But you know what I think? I think you're looking for excuses to not let go. This thing, it's who you are. And no mansion, no marriage, and no mere title is going to change that." Wayne tipped his hat. "You're meant to be helping people, mate. It's what you do.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
protection, and everybody got tuh tip dey hat
Zora Neale Hurston (Their Eyes Were Watching God)
I look at words as if they were entities, sacred beings. There are words to which I tip my hat when I see them sitting on a page.
William Luce (The Belle of Amherst)
A lot of the names in Talon reference other people or events. For example Amelia, the giant Eagle, was a “tip of my hat” to the extraordinary aviator Amelia Earhart. Both love(d) to fly!
Christopher Gerard (Talon: A Jack Rawson Saga)
If I have to give her an Aussie kiss with my hat on, then that’s what I’ll do.” “Aussie kiss?” He grinned, the tips of his fangs giving me a preview. “It’s like a French kiss… only down under.” A
Dannika Dark (Ravenheart (Crossbreed, #2; Mageriverse, #18))
Someday, the lady would not be imaginary. The clothes would not be borrowed and ill-fitting. Someday she would stride down the street and women would fall at her feet (not failing to notice the perfectly polished brogues) and men would tip their hats to a lady-killer more accomplished than they.
Cassandra Clare (Every Exquisite Thing (Ghosts of the Shadow Market, #3))
Howdy, ma'am. You always talk to yourself?” Velia glanced up into bright eyes, as blue as the flame on a cigarette lighter, belonging to a man standing in front of her desk wearing a cowboy hat tipped back on his head.
Mary J. McCoy-Dressel (Howdy, Ma'am (Bull Rider, #1))
Be hard but fair. Shoot straight. Never cheat, in sports or at work. Show up to your job early and do the best you can at it. Kill anyone that tries to blackmail you, ever. Refuse anyone who gives you an ultimatum, they’re never worth it. Leave a fair tip when you eat somewhere, and take your hat off in someone’s home. And always, always, keep your word.
Russell Zimmerman (Neat)
But you know what I think? I think you're looking for excuses to not let go. This ting, it's who you are. And no mansion, no marriage, and no mere title is going to change that." Wayne tipped his hat. "You're meant to be helping people, mate. It's what you do.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
You really believe all that? About how there’s only one end in sight for people like you?” Amity said, tipping her chin back toward the sky and pulling her hat partway down her face, so only her nose and mouth were visible. “Horseshit. You only think that because you’ve never seen different.” Esther started to reply, but Amity held up a still-bloody finger. “Don’t interrupt me, pup. You know I’m right. You’re a woman and you love people who aren’t men, is that right?” Esther hesitated to make sure she wasn’t interrupting. “That’s right,” she said, “but—” “No but, it’s just true,” Amity said, proving that her rule about interruptions only ran in one direction. “And you’ve only ever read stories about people like you, right? You’ve never met one of your kind before now. Well, except for Beatriz,” she added. “Ain’t that so?” “Yeah,” Esther answered reluctantly. She sensed a trap coming, but she couldn’t figure out how to step around it. “All those stories you’ve read,” Amity said softly, pulling her hat back off her eyes by a few degrees. “Who gave ’em to you?
Sarah Gailey (Upright Women Wanted)
Then we were at the fountain - we stop and look up at the many illuminated windows of number 2. "This is as far as you can walk me," she says. "Thanks for taking me home." I bowed, not daring to say a word. I doffed my hat and stood bareheaded. I wondered if she would give me her hand. "Why don't you ask me to walk back with you part of the way?" She says playfully. But she looks down at the tip of her shoe. "Gee," I answer, "if only you would!" "Sure, but only a little way." And we turned around. I was utterly bewildered, I didn't know which way was up anymore; this person turned all my thinking topsy-turvy. I was enchanted, wonderfully glad; I felt as though I were dying from happiness. She had expressly wanted to go back with me, it wasn't my idea, it was her own wish. I gaze and gaze at her, growing more and more cocky, and she encourages me, drawing me toward her by every word she speaks. I forget for a moment my poverty, my humble self, my whole miserable existence, I feel the blood coursing warmly through my body as in the old days, before I broke down.
Knut Hamsun (Hunger (Dover Literature: Literary Fiction))
Rage swallowed remorse. Rage drop-kicked self-pity. Rage murdered sorrow. And then, like blood-red wine tucked into the refrigerator, rage chilled to become cold, calculating anger. Anger was a creature that arrived on her doorstep with a suitcase full of strategy and vengeance. It tipped its hat at her and hopped into her brain. It knocked on the Logic Department's door. It found a broken mirror somewhere in the crevices between her hippocampus and her hypothalamus, and it was wondering if somebody had misplaced it. No retaliation? It scoffed. Think again, missy.
Angela Panayotopulos (The Wake Up)
A little sadness is good for everyone. It's da only way ya gets to happiness. If you happy all da time, you gots nuttin' to compare it wit. No, sorrow is a gift, Charlotte. You takes it, you tip your hat to it, an' den ya moves on. But ya gots to acknoledge it or else it will have ya fo breakfast. Give sadness its due and move on.
Robin Schwarz (Night Swimming)
We all tip our lonely hats in one un-lonely sound.
Ada Limon (Bright Dead Things)
It’s as the old Bray saying goes... Don’t underestimate what you don’t know, and once you do, tear it to pieces or tip your fuckin’ hat.
Meagan Brandy (Break Me (Brayshaw, #5))
A rooster stood before me in the road, looking for a fight; I tipped my hat to him and he scooted away over the puddles, all brawn and feathers and brainlessness.
Patrick deWitt (The Sisters Brothers)
of the boys, and very thin. Though Charlie could not see her whole outfit, she was wearing a loose white shirt with an embroidered vest, and she had a brimmed hat perched on her glossy, shoulder-length brown hair, with an enormous flower threatening to tip it off her head. She was gesturing excitedly about something as she spoke.               The two boys were sitting next to each other, facing her. Carlton looked like an older version of his red-headed childhood self. He still had a bit of a baby face, but his features had refined, and
Scott Cawthon (The Silver Eyes (Five Nights at Freddy's, #1))
Singing at the Edge of Need by Susan Laughter Meyers (fragment) Three things I turned my back to: light, the past, the trunk of an old tree. One by one each unfastened itself. To sit is to present when the roll is called. I knew that. I wore my hat of straw, fringed like fingers sifting a breeze. My hat collecting a thousand thoughts… …I had no map and few lessons yet to guide me. I was a study of questions. O Grandmother, I was small, sitting in the midst of wildness, a child thrilling at the boss of thunder. A rustle of leaves, moss tipping at me- I was small, I was hunger, I was thirst- wings flitting in a brush pile. O Grandmother, I was small, kneeling in the midst of wonder, quaking and singing at the edge of need.
Susan Laughter Meyers
Sounds charming,' I said impatiently. But I didn't come here to talk about the end of the world.' 'Really?' He tipped his hat up and looked at me. 'By the expression on that pretty face of yours, I'd have thought it was at least that.' I snorted impatiently. 'If you're going to be flippant-' 'What? You'll give me a kiss? Then I'll be as flippant as I can possibly be.
Sophie Masson (The Understudy's Revenge)
After he tipped his hat and left, Jillian watched him stride down the hallway. Yeah, Big-brotherly overprotection aside, fortysomething looked good on the police captain from this view, too.
Julie Miller (Takedown (The Precinct #12))
She touched the back of his hand, tracing with one finger the curving course of a vein from knuckle to wrist. Then she took his wrist and squeezed it hard, and the feel of him in her hand made her wonder what the rest of him would be like. Neither of them, for a moment, could look the other in the face. Then Inman pulled his hand away and took his hat off and spun it by the brim into the air. He caught it and flipped his wrist and sent it skimming through the door to land inside where it would. They both smiled, and Inman put one hand to Ada's waist and the other to the back of her head. Her hair was in a loose upsweep, held with a clasp, and it was the cold nacre that Inman's fingers touched as he tipped her head to him for the kiss that had eluded them the day before.
Charles Frazier (Cold Mountain)
There were opera cloaks stitched of myriad, many-colored silks and furs; there were jewels dripping from arms and throats and ear-tips of white and rose; there were innumerable broad shimmers down the middles of innumerable silk hats; there were shoes of gold and bronze and red and shining black; there were the high-piled, tight-packed coiffures of many women and the slick, watered hair of well-kept men—most of all there was the ebbing, flowing, chattering, chuckling, foaming, slow-rolling wave effect of this cheerful sea of people as to-night it poured its glittering torrent into the artificial lake of laughter…. After
F. Scott Fitzgerald (The Beautiful and Damned)
When you are writing a novel, you as the author will wear many hats. You are the writer, reader, and most importantly you are the character. If you can do those things your book will become reality to readers.
LaQuita Cameron
His heart is weak, but his will is strong-more so now than ever,” he continued, shrugging into the light cape Ormsley was putting over his shoulders. “What do you mean, ‘more now than ever’?” The physician smiled in surprise. “Why, I meant that your coming here has meant a great deal to him, my lord. It’s had an amazing effect on him-well, not amazing, really. I should say a miraculous effect. Normally he rails at me when he’s ill. Today he almost hugged me in his eagerness to tell me you were here, and why. Actually, I was ordered to “have a look at you,” he continued in the confiding tone of an old family friend, “although I wasn’t supposed to tell you I was doing so, of course.” Grinning, he added, “He thinks you are a ‘handsome devil.’” Ian refused to react to that admonishing information with any emotion whatsoever. “Good day, my lord,” the doctor said. Turning to the duke’s sisters, who’d been hovering worriedly in the hall, he tipped his hat. “Ladies,” he said, and he departed. “I’ll just go up and look in on him,” Hortense announced. Turning to Charity, she said sternly, “Do not bore Ian with too much chatter,” she admonished, already climbing the stairs. In an odd, dire voice, she added, “And do not meddle.” For the next hour Ian paced the floor, with Charity watching him with great interest. The one thing he did not have was time, and time was what he was losing. At this rate Elizabeth would be giving birth to her first child before he got back to London.
Judith McNaught (Almost Heaven (Sequels, #3))
Too soon for dinner with the parents?" I teased. "You really didn't have to feel obligated to stay, but Lil does cook some amazing Indian food." Gabriel just kissed the back of my hand and smiled slyly. "What is it you Westerners say? This isn't my first rodeo, darling!" He mocked tipping a hat. "Well that may be true, but this is a very different kind of bull," I retorted, almost jealous. "And how many rodeos exactly have you been to, sir?
Tania Penn (The Morning Star)
Bitch" Now, when he and I meet, after all these years, I say to the bitch inside me, don’t start growling. He isn’t a trespasser anymore, Just an old acquaintance tipping his hat. My voice says, “Nice to see you,” As the bitch starts to bark hysterically. He isn’t an enemy now, Where are your manners, I say, as I say, “How are the children? They must be growing up.” At a kind word from him, a look like the old days, The bitch changes her tone; she begins to whimper. She wants to snuggle up to him, to cringe. Down, girl! Keep your distance Or I’ll give you a taste of the choke-chain. “Fine, I’m just fine,” I tell him. She slobbers and grovels. After all, I am her mistress. She is basically loyal. It’s just that she remembers how she came running Each evening, when she heard his step; How she lay at his feet and looked up adoringly Though he was absorbed in his paper; Or, bored with her devotion, ordered her to the kitchen Until he was ready to play. But the small careless kindnesses When he’d had a good day, or a couple of drinks, Come back to her now, seem more important Than the casual cruelties, the ultimate dismissal. “It’s nice to know you are doing so well,” I say. He couldn’t have taken you with him; You were too demonstrative, too clumsy, Not like the well-groomed pets of his new friends. “Give my regards to your wife,” I say. You gag As I drag you off by the scruff, Saying, “Goodbye! Goodbye! Nice to have seen you again.
Carolyn Kizer
had been of the opinion that the whole karaoke evening was going to be an utter bust; but then the little old man had sashayed into the room, walked past the table of several blonde women with the fresh sunburns and smiles of tourists, who were sitting by the little makeshift stage in the corner. He had tipped his hat to them, for he wore a hat, a spotless green fedora, and lemon-yellow gloves, and then he walked over to their table. They giggled. “Are you enjoyin’ yourselves, ladies?” he asked. They continued to giggle and
Neil Gaiman (Anansi Boys)
So many of the men who came to the West were southerners— men looking for work and a new life after the Civil War—that chivalrousness and strict codes of honor were soon thought of as western traits. There were very few women in Wyoming during territorial days, so when they did arrive (some as mail-order brides from places like Philadelphia) there was a standoffishness between the sexes and a formality that persists now. Ranchers still tip their hats and say, "Howdy, ma'am" instead of shaking hands with me. Even young cowboys are often evasive with women. It's not that they're Jekyll and Hyde creatures—gentle with animals and rough on women—but rather, that they don't know how to bring their tenderness into the house and lack the vocabulary to express the complexity of what they feel.
Gretel Ehrlich
The impotence of liberal humanism is a symptom of its essentially contradictory relationship to modern capitalism. For although it forms part of the ‘official’ ideology of such society, and the ‘humanities’ exist to reproduce it, the social order within which it exists has in one sense very little time for it at all. Who is concerned with the uniqueness of the individual, the imperishable truths of the human condition or the sensuous textures of lived experience in the Foreign Office or the boardroom of Standard Oil? Capitalism’s reverential hat-tipping to the arts is obvious hypocrisy, except when it can hang them on its walls as a sound investment. Yet capitalist states have continued to direct funds into higher education humanities departments, and though such departments are usually the first in line for savage cutting when capitalism enters on one of its periodic crises, it is doubtful that it is only hypocrisy, a fear of appearing in its true philistine colours, which compels this grudging support. The truth is that liberal humanism is at once largely ineffectual, and the best ideology of the ‘human’ that present bourgeois society can muster. The ‘unique individual’ is indeed important when it comes to defending the business entrepreneur’s right to make profit while throwing men and women out of work; the individual must at all costs have the ‘right to choose’, provided this means the right to buy one’s child an expensive private education while other children are deprived of their school meals, rather than the rights of women to decide whether to have children in the first place.
Terry Eagleton (Literary Theory: An Introduction)
She wanted one last peek at him. No, she shouldn’t— She had to. Couldn’t resist. Meg glanced back and found him standing exactly where he had been, stock-still, watching her. He tipped the front of his hat. Oh, cowboy, she thought. What in the world am I going to do with you?
Becky Wade (Undeniably Yours (Porter Family #1))
Miss Velvet." "Lord, darlin'. You're the only man in this state who would tip his hat to a whore." She ushered the other women along and stopped beside Jake. "You haven't been back to see me, darlin'." "No, ma'am." "You won't be coming back to see me, will you?" He shook his head. "No, ma'am. I won't." She smiled, a warm, pretty smile. "It's just as well. A man like you, darlin', shouldn't have to pay a woman. You take care of yourself now, you hear?" He returned her smile. "Yes, ma'am. I will." She reached out, touching the raised comer of his mouth with the tip of her finger. "Lord, darlin', I don't know how any woman could walk away from that smile.
Lorraine Heath (Sweet Lullaby)
We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.
Hilary Mantel (An Experiment in Love: A Novel)
Good evening, Lady Maccon.” The vampire tipped his top hat with one hand, holding the door with the other. He occupied the entrance in an ominous, looming manner. “Ah, how do you do, Lord Ambrose?” “Tolerably well, tolerably well. It is a lovely night, don’t you find? And how is your”—he glanced at her engorged belly—“health?” “Exceedingly abundant,” Alexia replied with a self-effacing shrug, “although, I suspect, unlikely to remain so.” “Have you been eating figs?” Alexia was startled by this odd question. “Figs?” “Terribly beneficial in preventing biliousness in newborns, I understand.” Alexia had been in receipt of a good deal of unwanted pregnancy advice over the last several months, so she ignored this and got on to the business at hand. “If you don’t feel that it is forward of me to ask, are you here to kill me, Lord Ambrose?” She inched away from the carriage door, reaching for Ethel. The gun lay behind her on the coach seat. She had not had time to put it back into its reticule with the pineapple cut siding. The reticule was a perfect match to her gray plaid carriage dress with green lace trim. Lady Alexia Maccon was a woman who liked to see a thing done properly or not at all. The vampire tilted his head to one side in acknowledgment. “Sadly, yes. I do apologize for the inconvenience.” “Oh, really, must you? I’d much rather you didn’t.” “That’s what they all say.
Gail Carriger (Heartless (Parasol Protectorate, #4))
He could have been married last year, but for his fascination with Lydia Charingford. The mornings when he tipped his hat to her on the street were always the brightest. He smiled when he saw her. He saw so little hope in the world, and she saw far too much. There were days he wanted to sit and watch her, to figure out where all that good cheer came from.
Courtney Milan (A Kiss for Midwinter (Brothers Sinister, #1.5))
Out of the blue, a veteran named Charles Wood, manager of a brush factory in upstate New York, sent Grant a $500 check and offered him a $1,000 interest-free loan for a year, renewable if necessary. Grant accepted this charity with everlasting relief. In his note, Wood tipped his hat to Grant by saying the payment was “for services ending about April 1865.
Ron Chernow (Grant)
Helen took an uneasy breath. "I didn't think you would remember. You were so very ill." "I'll remember it to my last hour of life." His palm coasted gently over the curve of her breast, lingering until the tip tightened. The hat dropped from Helen's nerveless fingers. Shocked, she stayed emotionless while he whispered, "I've never fought sleep as fiercely as I did at that moment, trying to stay awake in your arms. No dream could have given me more pleasure." His head bent, and he kissed the side of her neck. "Why did no one stop you?" She quivered at the feel of his mouth on her skin, the erotic gaze of warmth. "From taking care of you?" she asked dazedly. "Aye, a rough-mannered stranger, common-born, and half-clothed in the bargain. I could have harmed you before anyone realized what was happening." "You weren't a stranger, you were a family friend. And you were in no condition to harm anyone." "You should have kept your distance from me," he insisted. "Someone had to help you," Helen said pragmatically. "And you had already frightened the rest of the household." "So you dared to walk into the lion's den.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose;
H.G. Wells (The Invisible Man)
Come again?" He turned and looked at her from under his hat. "You called me madam." Her cheeks turned pink from more than the sun. "But I’m not married." To her immense surprise, the American finally raised his hat and smiled, hitting her with green, green eyes and a beautiful flash of white teeth against his dark beard. She heated unexpectedly, grappling with a surge of instantaneous recognition. This was it. The face of every man she’d ever read about that made her heart skip— princes and pirates and heroes, both dashing and dastardly. She hadn’t realized until she turned into a human candlewick: that’s what they all looked like. "Well, thank you very much, Miss." "What… are you thanking me for?" Her voice sounded strange to her ears. He tipped his hat. "The first good news I’ve had since I arrived in London.
Erin Langston (The Finest Print)
In Plain Sight by Stewart Stafford How can I show the real me? My voice breaking as I speak, Parched hope's cracked lips, Delphic in this solitary chic. Vitriol cannot reach my shore, The purge reveals little to hide, Or does rage fester within me? A cannibal cheerleader inside. No father around guiding me, Burnt by mother's acid divide, Cataracts of persona non grata, A transient hat tipped in a lie. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
street just outside his Crown Victoria, leaned up against the passenger’s side door. In his hands are coffee and a cinnamon roll, just a stone’s throw away from the stereotypical doughnut cops are notorious for eating, though slightly more refined. As he waves at me, I get the sense that he’s been watching me the entire time, watching as I watch Otto leave. He tips his hat at me. I wave at him through the car window. What I usually do at this point in
Mary Kubica (The Other Mrs.)
Names etched on the head of a pin, one name spanning a bridge, another undergoing a tunnel. A blue name needled into the skin, names of citizens, workers, mothers and fathers, the bright-eyed daughter, the quick son; alphabet of names in a green field, names in the small tracks of birds, names lifted from a hat or balanced on the tip of the tongue, names wheeled into the dim warehouse of memory. So many names, there is barely room on the walls of the heart.
Billy Collins
Guess this means I’m stuck warming your backside tonight,” Ira said to Oscar as they reached their rooms, directly across the hall from one another. Oscar unlocked the door. “Let me give you some advice. Warming my backside will get you killed.” Ira bobbed his head. “Good advice.” He tipped his hat to Camille. “If you need anyone to warm your backside, love, I’d be honored.” Oscar shoved Ira into their room. “Good night, Camille,” he said. Camille laughed and unlocked her door. “Good night, Oscar.
Angie Frazier (Everlasting (Everlasting, #1))
You’re leaving me alone?” she squeaked. “You’ll be fine.” He handed her the pistol. “Shoot if you have to.” His eyes gleamed at her. “I know you know how.” He headed for the door, and she cried, “Wait!” When he paused to look at her questioningly, she hurried up to hand him his surtout. “You’ll need this. It’s freezing out there.” As she helped him into it, she whispered, “Be careful.” He tipped his hat. “Always, my lady,” he said in that husky rasp that never failed to make her heart turn over. Then he walked out.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
The god of the prosperity gospelists is a pathetic doormat, a genie. The god of the cutesy coffee mugs and Joel Osteen tweets is a milquetoast doofus like the guys in the Austen novels you hope the girls don’t end up with, holding their hats limply in hand and minding their manners to follow your lead like a butler—or the doormat he stands on. The god of the American Dream is Santa Claus. The god of the open theists is not sovereignly omniscient, declaring the end from the beginning, but just a really good guesser playing the odds. The god of our therapeutic culture is ourselves, we, the “forgivers” of ourselves, navel-haloed morons with “baggage” but not sin. None of these pathetic gods could provoke fear and trembling. But the God of the Scriptures is a consuming fire (Deut. 4:24). “It is a fearful thing to fall into the hands of the living God” (Heb. 10:31). He stirs up the oceans with the tip of his finger, and they sizzle rolling clouds of steam into the sky. He shoots lightning from his fists. This is the God who leads his children by a pillar of cloud and a pillar of fire. This is the God who makes war, sends plagues, and sits enthroned in majesty and glory in his heavens, doing what he pleases. This is the God who, in the flesh, turned tables over in the temple as if he owned the place. This Lord God Jesus Christ was pushed to the edge of the cliff and declared, “This is not happening today,” and walked right back through the crowd like a boss. This Lord says, “No one takes my life; I give it willingly,” as if to say, “You couldn’t kill me unless I let you.” This Lord calms the storms, casts out demons, binds and looses, and has the authority to grant us the ability to do the same. The Devil is this God’s lapdog. And it is this God who has summoned us, apprehended us, saved us. It is this God who has come humbly, meekly, lowly, pouring out his blood in infinite conquest to set the captives free, cancel the record of debt against us, conquer sin and Satan, and swallow up death forever. Let us, then, advance the gospel of the kingdom out into the perimeter of our hearts and lives with affectionate meekness and humble submission. Let us repent of our nonchalance. Let us embrace the wonder of Christ.
Jared C. Wilson (The Wonder-Working God: Seeing the Glory of Jesus in His Miracles)
Captain Owen Hartford, at your service.” He tipped his hat. Oh, so it was going to be like this, was it? She searched her memory for a good name. “Patience Corntower. Of Thorny Hollow way.” His grin went wide. “We are well acquainted. You may not recollect me.” “But I do, sir. Quite clearly.” Something flickered in his gaze. “Would the miss be available for a short walk on the pier?” “In the middle of a battle?” She tried not to laugh. “Aren’t you supposed to be getting something amputated?” “Shhh.” He held up a finger, eyes crinkled at the corners. “Don’t break character.
Mary Jane Hathaway (Emma, Mr. Knightley, and Chili-Slaw Dogs (Jane Austen Takes the South, #2))
A few folks say the man mumbles to himself all the while he’s doing whatever it is he’s doing. Keeping time, could be. If he notices anyone watching him, he tips his hat to them, then returns to his work. That gesture, that tip of the hat, bothers whoever’s on the receiving end of it. There’s mockery in the touch of hand to hat, not enough to be insulting, but more than enough to make a person self-conscious. There’s a kind of warning to it, too, as if the man is saying, “Okay, you’ve seen me: now run along.” There are few who see it who don’t leave off their viewing and go straight home.
John Langan (The Fisherman)
Captain Owen Hartford, at your service.” He tipped his hat. Oh, so it was going to be like this, was it? She searched her memory for a good name. “Patience Corntower. Of Thorny Hollow way.” His grin went wide. “We are well acquainted. You may not recollect me.” “But I do, sir. Quite clearly.” Something flickered in his gaze. “Would the miss be available for a short walk on the pier?” “In the middle of a battle?” Her eyes went wide and she tried not to laugh. “Aren’t you supposed to be getting something amputated?” “Shhh.” He held up a finger, eyes crinkled at the corners. “Don’t break character.
Mary Jane Hathaway (Emma, Mr. Knightley, and Chili-Slaw Dogs (Jane Austen Takes the South, #2))
Wendy still enjoyed it when Mrs. Darling included her in some of her "feminine rituals," which usually involved the proper application of powders and creams, tips on how to polish her nails, or ideas for sprucing up an old bow. She loved it when they had enough extra house money to go for a fancy tea out at Saxelbrees, just the two of them. Wendy would admire her mother smiling and laughing beneath her many-times-renewed hat, and would think once again that she was the most beautiful mother in the world. She wondered when she herself would attain that delicate beauty, confidence, and perfection of manner.
Liz Braswell (Straight On Till Morning)
My Ma, she wanted me to take up a trade. Make your life count for something, she said. Go where the Dwarves are. Now you just try and outwork a dwarf. Might as well dig your own grave!” Trapper tipped up his hat and scratched his greasy head. “I done like she said. I went to Thorbarten. Those Dwarves, they got more-n-enough busy work to go around. But them mountains—always loomin’ in the distance.” Trapper swiped the ragged hat from his head and held it over his heart. “I took to the mountains. Was the splendor—drew me in. Don’t regret it. Never will. But I do find myself wishin’ I had done more while I had the chance. Time is short for my kind. Not so with the Dwarves and the Gnomes.
C.A. Tedeschi (Fen and the Every Path)
You know, I've never known much about fashion, living in the country and all," she said innocently. "What sort of hat would a lady like myself wear to an afternoon tea outside, in the garden, with other ladies? Assuming I'm ever invited, of course." "Oh, that's easy... a lovely straw number, with a wide brim, en grecque curls if you're dining amongst the ruins, or piles of flowers and feathers, and tipped, just so..." Belle allowed herself a little smile. "No one has worn hats like that, even in this remote part of the world, for at lest ten years. Not even Madame Bussard has pulled one out of her own wardrobe recently. And she is very thrifty with her accessories. So whatever happened here must have happened at least a decade ago.
Liz Braswell (As Old as Time)
Max fumbled for the prostitute’s genitals, alarmed at his own instant arousal, and without thinking, stepped into the shadowed doorway. A shiver of shock and pure, unambiguous desire flooded through his arse and legs as he clasped two swinging testicles and a hardening penis. The creature before him, both woman and man, looked up into his face, offering a challenging flash of gold, the lower lip pierced. Max’s hat slipped back and wedged between his head and the wall as he sucked the dark mouth and smooth cheeks. The prostitute flicked the un-smoked cigarette into the narrow channel of water, unbuttoned the client’s trousers with three swift tugs, then rubbed the engorged pink tip of his sex up to a groaning climax, as rapid as it was intense. Max’s mind clung to the last sane thought he had. I should walk on now.
Patricia Duncker (Sophie and the Sibyl: A Victorian Romance)
When Lillian left work in the early evening the streets were slick and shiny with rain and the lamps flared yellow giving her the melancholy feeling that always came with the rain and the dark. She’d just struggled to push up her umbrella when the farmer from Saskatchewan came out of the shadows and tipped his hat again, very politely, and said could he escort her home? She put her small hand on his broad arm and held the umbrella over both their heads (he was very tall) and he walked her all the way back to her lodging-house where the landlady, Mrs Raicevic, looked after Edmund after school. By then, Lillian had learned the farmer’s name and she said, ‘Edmund, this is Mr Donner,’ and Pete Donner squatted right down and said, ‘Hello there, Edmund, you can call me Pete.’ Although he never did, preferring to call him ‘Pop’ almost from the day his mother married him.
Kate Atkinson (Behind the Scenes at the Museum)
An optimist is not just someone with high hopes. Even a pessimist can feel positive on a particular issue, whatever his or her habitual gloom. One can have hope without feeling that things in general are likely to turn out well. An optimist is rather someone who is bullish about life simply because he is an optimist. He anticipates congenial conclusions because this is the way it is with him. As such, he fails to take the point that one must have reasons to be happy.4 Unlike hope, then, professional optimism is not a virtue, any more than having freckles or flat feet is a virtue. It is not a disposition one attains through deep reflection or disciplined study. It is simply a quirk of temperament. “Always look on the bright side of life” has about as much rational force as “always part your hair in the middle, ” or “always tip your hat obsequiously to an Irish wolfhound.
Terry Eagleton (Hope without Optimism)
What is Chad short for?" she found herself asking out of pure nervousness. "Short for?" "It's a nickname,isn't it?" "No,darlin',it doesn't get any longer." She heard the humor in his tone,which annoyed her.It had been a natural mistake. The name didn't usually stand on its own.And she should take him to task over that "darlin'," except she'd heard for herself how common the use of that word was out here,no different than the old-timers calling her "missy," or the train attendant calling her "ma'am." It meant nothing. There wasn't a speck of endearment in it. "Thank you for clearing that up for me," she said a bit stiffly. "My pleasure." She had a feeling he would have tipped his hat if he'd been wearing it just then rather than holding it in his hand. She'd like to tip his rocker over. He could be so damn irritating-no,it probably wasn't even him, it was her reaction to him,her nervousness, her-wanting him when she knew she couldn't have him.
Johanna Lindsey (A Man to Call My Own)
Somebody had been doing some major league tampering to my car. The brake lines were cut. The tires were on fire. There was carbon monoxide coming out of everything. And the radio was tuned to a station I didn’t like. I had to tip my booby-trapped hat to whoever tampered with this car. I was late with my payments on the car anyway, and it looked like a lot of repair work was going to have to be done no matter how this came out, so I figured let the finance company worry about it. I called them up on my cell phone, told them where the car was, and jumped out. I was going over sixty at the time, but luckily I didn't hit the ground. There was a cliff there and I just went harmlessly over that. But just when you’re sailing along, thinking everything is going to be okay, something unexpected comes along to jar you out of your complacency. For me, in this case, it was the bottom of the cliff. I got bruised up pretty bad – they say I bounced for an hour - but luckily no bones were broken. That's where that protective layer of fat I was telling you about comes in.
John Swartzwelder (The Time Machine Did It)
How many times do we take credit for the work of our own hands, believing we are working harder and smarter than everyone else, and that somehow we deserve the success we have achieved? Like Nebuchadnezzar, I have basked in my own success and declared my perceived value with only a mere hat-tip to the Creator of it all. I've been full of myself, full of my pride. And like King Nebuchadnezzar, I have stood on the brink of disaster without a worry in the world. "While the word was in the king's mouth, a voice came from heaven, saying, 'King Nebuchadnezzar, to you it is declared: sovereignty has been removed from you'" (Daniel 4:31). The word sovereignty here means the ability to rule the kingdom. The verse is startling. While the boastful words are still in the kings mouth, God takes Nebuchadnezzar's kingdom away from him. In an instant . Wow! Most of my failures have taken some time for the consequences to kick in, but I wonder if there was an instant, while the words were still in my mouth, when the Father determined--at that very moment--so strip me of my kingdom. Perhaps you have witnessed (or experienced) a similar kingdom-stripping.
Dave Samples (Messed Up Men of the Bible)
In good truth he had started in London with some vague idea that as his life in it would not be of long continuance, the pace at which he elected to travel would be of little consequence; but the years since his first entry into the Metropolis were now piled one on top of another, his youth was behind him, his chances of longevity, spite of the way he had striven to injure his constitution, quite as good as ever. He had come to that period of existence, to that narrow strip of tableland, whence the ascent of youth and the descent of age are equally discernible - when, simply because he has lived for so many years, it strikes a man as possible he may have to live for just as many more, with the ability for hard work gone, with the boon companions scattered, with the capacity for enjoying convivial meetings a mere memory, with small means perhaps, with no bright hopes, with the pomp and the circumstance and the fairy carriages, and the glamour which youth flings over earthly objects, faded away like the pageant of yesterday, while the dreary ceremony of living has to be gone through today and tomorrow and the morrow after, as though the gay cavalcade and the martial music, and the glittering helmets and the prancing steeds were still accompanying the wayfarer to his journey's end. Ah! my friends, there comes a moment when we must all leave the coach with its four bright bays, its pleasant outside freight, its cheery company, its guard who blows the horn so merrily through villages and along lonely country roads. Long before we reach that final stage, where the black business claims us for its own speecial property, we have to bid goodbye to all easy, thoughtless journeying and betake ourselves, with what zest we may, to traversing the common of reality. There is no royal road across it that ever I heard of. From the king on his throne to the laborer who vaguely imagines what manner of being a king is, we have all to tramp across that desert at one period of our lives, at all events; and that period is usually when, as I have said, a man starts to find the hopes, and the strength, and the buoyancy of youth left behind, while years and years of life lie stretching out before him. The coach he has travelled by drops him here. There is no appeal, there is no help; therefore, let him take off his hat and wish the new passengers good speed without either envy or repining. Behld, he has had his turn, and let whosoever will, mount on the box-seat of life again, and tip the coachman and handle the ribbons - he shall take that journey no more, no more for ever. ("The Banshee's Warning")
Charlotte Riddell
Rider's head snapped up at the sound of gravel crunching under Willow's boots. The sight of the girl in boy's garb birthed an oath. Beneath her cotton shirt, her breasts bounced freely with each step. And within the tight mannish pants, her hips swung in an unconscious rhythm, clearly proclaiming her all woman. Hell, she might as well be naked! His body's reaction was immediate. Cursing his lack of control, he turned sideways, facing her horse, and pretended to adjust the saddle straps. Willow took Sugar's reins and waited for Rider to move aside. He didn't budge an inch. Instead, he tipped his hat back on his head, revealing undisguised disapproval. "Is that the way you always dress?" he bit out. Willow stiffened, immediately defensive. Criticizing herself was one thing; putting up with Sinclair's disdain was another! "If you were expecting a dress, you're crazy!" she snapped. "It would be suicide in this country." "Haven't you ever heard of riding skirts?" "Yes. I'm not as dumb as you seem to think. But fancy riding skirts cost money I don't have. 'Sides, pants are a hell of a lot more useful on the ranch than some damn riding skirt! Now, if you're done jawing about my clothes, I'd like to get a move on before dark." "Somebody ought to wash that barnyard mouth of yours,woman." Willow rested her hand on her gun. "You can try, if you dare." As if I'd draw on a woman, Rider cursed silently, stepping out of her way. As she hoisted herself into the saddle, he was perversely captivated by the way the faded demin stretched over her round bottom. He imagined her long slender legs wrapped around him and how her perfect heart-shaped buttocks would fill his hands and...Oh,hell, what was he doing standing here, gaping like some callow youth? Maybe the girl was right.Maybe he was crazy. One moment he was giving the little witch hell for wearing men's pants; the next he was ogling her in them. He started to turn away, then reached out and gave her booted ankle an angry jerk. "Now what?" Icy turquoise eyes met his, dark and searing. "Do you have any idea what you look like in that get-up? No self-respecting lady would dress like that. It's an open invitation to a man. And if you think that gun you're wearing is going to protect you, you're badly mistaken." Willow gritted her teeth in mounting ire. "So what's it to you, Sinclair? You ain't my pa and you ain't my brother. Hell,my clothes cover me just as good as yours cover you!" She slapped his hand from her ankle, jerked Sugar around, and spurred the mare into a brisk gallop. Before the fine red dust settled, Rider was on his horse, racing after her. Dammit, she's right.Why should I care how she dresses? Heaven knows it certainly has no bearing on my mission. No, agreed a little voice in his head, but it sure is distacting as hell! He'd always prided himself on his cool control; it had saved his backside more than once. But staying in any kind of control around Willow Vaughn was like trying to tame a whimsical March wind-impossible!
Charlotte McPherren (Song of the Willow)
I ran into him at the library one other time, with my mother, as he was coming out and we were walking past on our way to the post office. He tipped his hat to her, and she nodded, and though I wanted to tell my mother who he was, my stomach went cold, and all I managed was a meek hello. For the rest of the afternoon I felt like crying without knowing why. It wasn’t until later that I realized that I couldn’t picture Dr. Young walking into Mr. Awad’s store—how could I, when Mr. Awad warns us to always check for the back of a cloche hat or a curl of yellow hair before we step out to dress a mannequin, so that the American women won’t see our dirty hands? The white Americans might be ajanib, but my parents say we’re white, too, or we must be something close to it if we are both Christians, and I think they really believe that if we keep our noses in our work, a day will come when we’ll earn more than their disdain. In the meantime, my mother whispers about the widow Haddad and scrubs my face with turmeric, and my father warns me against dating like the American girls, saying, Do you know how hard we worked to get you here? Neither of them know what Mrs. Theodore taught me about my color in the back of that Rolls-Royce. In that moment with my mother and Dr. Young, little wing, when I felt the cold drip of fear in my stomach, I realized that an infinite number of moments had instilled in me a reflex as potent and inescapable as a sneeze. It was like seeing the shape of something large coming toward you in the dark.
Zeyn Joukhadar (The Thirty Names of Night)
When you buy from an independent, locally owned business, as opposed to nationally owned businesses, you strengthen the economic base of our city. And of course there’s no doubt that you’ll receive a better quality product or service. I share John Roeser’s amazement that people today tend to prefer saving a dollar or too two on a birthday cake, for example, by purchasing a sub-par cake made with artificial, cheap ingredients from a mass retailer, when Roeser’s Bakery offers some of the most delectable, housemade cakes in the world. How could anyone step into a fast food joint when we live in a city that has Lem’s barbecque rib tips, Kurowski’s kielbasa, Manny’s matzo ball soup, and Lindy’s chili within reach? You can’t even compare the products and services of the businesses featured in this book with those of mass retailers, either: Jjust try putting an Optimo hat on your head—you’ll ooze with elegance. Burn a beeswax lambathe from Athenian Candle and watch it glow longer than any candle you’ve ever lit. Bite into an Andersonville coffeecake from the Swedish Bakery—and you’ll have a hard time returning to the artificial ingredient– laden cakes found at most grocers. Equally important, local, family- owned businesses keep our city unique. In our increasingly homogenized and globalized world, cities that hold on tightly to their family-owned, distinctive businesses are more likely to attract visitors, entrepreneurs, and new investment. Chicago just wouldn’t be Chicago without these historic, one-of-a-kind places, and the people that run them from behind the scenes with nothing but love, hard work, and pride.
Amy Bizzarri (Discovering Vintage Chicago: A Guide to the City's Timeless Shops, Bars, Delis & More)
The Venetians catalogue everything, including themselves. ‘These grapes are brown,’ I complain to the young vegetable-dealer in Santa Maria Formosa. ‘What is wrong with that ? I am brown,’ he replies. ‘I am the housemaid of the painter Vedova,’ says a maid, answering the telephone. ‘I am a Jew,’ begins a cross-eyed stranger who is next in line in a bookshop. ‘Would you care to see the synagogue?’ Almost any Venetian, even a child, will abandon whatever he is doing in order to show you something. They do not merely give directions; they lead, or in some cases follow, to make sure you are still on the right way. Their great fear is that you will miss an artistic or ‘typical’ sight. A sacristan, who has already been tipped, will not let you leave until you have seen the last Palma Giovane. The ‘pope’ of the Chiesa dei Greci calls up to his housekeeper to throw his black hat out the window and settles it firmly on his broad brow so that he can lead us personally to the Archaeological Museum in the Piazza San Marco; he is afraid that, if he does not see to it, we shall miss the Greek statuary there. This is Venetian courtesy. Foreigners who have lived here a long time dismiss it with observation : ‘They have nothing else to do.’ But idleness here is alert, on the qui vive for the opportunity of sightseeing; nothing delights a born Venetian so much as a free gondola ride. When the funeral gondola, a great black-and-gold ornate hearse, draws up beside a fondamenta, it is an occasion for aesthetic pleasure. My neighbourhood was especially favoured this way, because across the campo was the Old Men’s Home. Everyone has noticed the Venetian taste in shop displays, which extends down to the poorest bargeman, who cuts his watermelons in half and shows them, pale pink, with green rims against the green side-canal, in which a pink palace with oleanders is reflected. Che bello, che magnifici, che luce, che colore! - they are all professori delle Belle Arti. And throughout the Veneto, in the old Venetian possessions, this internal tourism, this expertise, is rife. In Bassano, at the Civic Museum, I took the Mayor for the local art-critic until he interupted his discourse on the jewel-tones (‘like Murano glass’) in the Bassani pastorals to look at his watch and cry out: ‘My citizens are calling me.’ Near by, in a Paladian villa, a Venetian lasy suspired, ‘Ah, bellissima,’ on being shown a hearthstool in the shape of a life-size stuffed leather pig. Harry’s bar has a drink called a Tiziano, made of grapefruit juice and champagne and coloured pink with grenadine or bitters. ‘You ought to have a Tintoretto,’ someone remonstrated, and the proprietor regretted that he had not yet invented that drink, but he had a Bellini and a Giorgione. When the Venetians stroll out in the evening, they do not avoid the Piazza San Marco, where the tourists are, as Romans do with Doney’s on the Via Veneto. The Venetians go to look at the tourists, and the tourists look back at them. It is all for the ear and eye, this city, but primarily for the eye. Built on water, it is an endless succession of reflections and echoes, a mirroring. Contrary to popular belief, there are no back canals where tourist will not meet himself, with a camera, in the person of the another tourist crossing the little bridge. And no word can be spoken in this city that is not an echo of something said before. ‘Mais c’est aussi cher que Paris!’ exclaims a Frenchman in a restaurant, unaware that he repeats Montaigne. The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St. Mark’s Square filled with ‘Turks, Libyans, Parthians, and other monsters of the sea’. Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words.
Mary McCarthy
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of
Emma Scott (Endless Possibility (Rush, #1.5))
You’re one of those guys who sit back and wait for the guy to screw up. When she’s hurting or lonely, you guys swoop in. Hell, I should tip my hat to you guys. I couldn’t do it. I couldn’t wait around and watch the woman I wanted be with another guy, waiting until there’s a break with them, until she’s vulnerable.” He mocked him. “Yeah, it must take a special kind of guy to do that.
Tijan (The Fallen Crest Series (Fallen Crest High, #0.5-3))
from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the “Coach and Horses” more dead than alive, and flung his portmanteau down. “A fire,” he cried, “in the name of human charity! A room and a fire!” He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlour to strike his bargain. And with that much introduction, that and a couple of sovereigns flung upon the table, he took up his quarters in the inn. Mrs. Hall lit the fire and left him there while she went to prepare him a meal with her own hands. A guest to stop at Iping in the wintertime was an unheard-of piece of luck, let alone a guest who was no “haggler,” and she was resolved to show herself worthy of her good fortune.
H.G. Wells (The Invisible Man)
I suppose there’s no better place to be than an island in southern Florida. Sand, sunsets . . . in fact, I was telling Louise earlier just how blessed we all were to be here. To have one another. We might not be blood, but we’re kin, just the same.” Charity gave him an appreciative smile. With great effort, Daisy looked up slowly and met his eyes. He winked and pointed a crooked finger at her. “Family, girlie, is the people who stick by you. Thick or thin. And real family, well, nothing can keep them from you. Not even a hurricane.” He tipped his fishing hat and started back toward the house, then
Heather Burch (In the Light of the Garden)
Moreover, the crowd in the mysterious room at the bottom of the basin was comprised of adults, and Harry knew there were not nearly that many teachers at Hogwarts. They seemed, he thought, to be waiting for something; even though he could only see the tops of their hats, all of their faces seemed to be pointing in one direction, and none of them were talking to one another. The basin being circular, and the room he was observing square, Harry could not make out what was going on in the corners of it. He leaned even closer, tilting his head, trying to see . . . The tip of his nose touched the strange substance into which he was staring. Dumbledore’s office gave an almighty lurch — Harry was thrown forward and pitched headfirst into the substance inside the basin — But his head did not hit the stone bottom. He was falling through something icy-cold and black; it was like being sucked into a dark whirlpool — And suddenly, Harry found himself sitting on a bench at the end of the room inside the basin, a bench raised high above the others. He looked up at the high stone ceiling, expecting to see the circular window through which
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
From there he saw Fermina Daza walk in on her son's arm, dressed in an unadorned long-sleeved black velvet dress buttoned all the way from her neck to the tips of her shoes, like a bishop's cassock, and a narrow scarf of Castilian lace instead of the veiled hat worn by other widows, and even by many other ladies who longed for that condition
Gabriel García Márquez (Love in the Time of Cholera)
What in Hades were you doing, lady? I almost hit you." Remington rose to confront him, but before he could say a word, Madeline came up like an infuriated wasp. "What was I doing? What were you doing? You almost hit this dog." Her cheeks and the tip of her nose glowed scarlet with fury. Her eyes sparked with brilliant blue. She had a smudge on one cheek and her hat was askew, but that didn't matter, for all the passion she had revealed in the morning's kiss she put into the defense of a mutt she had never before seen. Surly with guilt, the youth said, "It was just a flea-ridden stray." Then her loveliness registered. He jerked to attention, back straight, shoulders back. He stared with avid fascination into her face. "I believe we may have met, although I can't quite remember-" She rampaged on, "Is that the way you were taught? To run over defenseless animals?" Stepping back, Remington folded his arms. This youth didn't stand a chance. Her eyes narrowed. "Wait a minute. I recognize you. You're Lord Mauger!" "Yes, I... I am. Viscount Mauger, humbly at your service." Whipping his hat from his head, the youth bowed, eager to make a belated good impression on the beauty before him. "And you are...?" She wasn't impressed or interested. "I know your mother, and she would box your ears for this." Dull red rose in Mauger's cheeks. "You won't tell her." "Not if you promise to be more careful in the future. I won't be around to rescue the next dog, and I remember what a fine lad you were. You love animals, and you'd feel guilty if you killed one." "You're... you're right." Mauger's pleading eyes looked much like the dog's. "I just bought the chestnut, and came into town, and I wanted to show him off, but that's no excuse..." As Mauger dug his toe into the dirt, Remington realized he was observing a master at work. She had taken the young man from fury, to infatuation, to guilt in one smooth journey, and Mauger adored her for it.
Christina Dodd (One Kiss From You (Switching Places, #2))
I see this book as a simultaneous hat tip and counterpoint to some of the great success and innovation literature out there (check out shanesnow.com/ booklist for my recommendations). It’s a re-analysis and first codification of the ways rapid success has happened throughout history. The step-by-step advice that made an ancient Greek hero rapidly prosperous will be entirely different from what makes a 21st-century businesswoman successful, just as the exact methods an Internet startup uses to grow today will be irrelevant in five years. But the patterns of lateral thinking (smartcuts) behind each of their success stories can be harnessed by anyone who seeks an edge—at work, at the gym, in the arts or education, from social enterprise to personal development, from big companies to small startups.
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
Becca watched Tucker bend at the waist. Mmm, mmm. He was sure built nice. From the top of his felt hat to the tips of his worn leather boots. Those leather chaps he'd just slung around his hips weren't too bad, either. He reached back to buckle the chap straps first around one jean-clad thigh, and then the other. And she'd thought the rodeo would be boring. Ha! She could watch Tucker do this all day. Buckle and unbuckle. Bend and stand. She let out a sign filled with pure contentment. "All right, Em. I'll admit it. Cowboys are hot." Next to her, Emma laughed. "Oh, yeah.
Cat Johnson (One Night with a Cowboy (Oklahoma Nights, #1))
Smile, tip your traditional hat, and enjoy your time by the water.
Fennel Hudson (Traditional Angling: Fennel's Journal No. 6)
Tex’ forearm twitched before he snarled again; “Lay…the…fuck…off.” Each word dripped with venom. “We will but first I want to make sure you take my meaning – take it as gospel. Play your little game, fuck her bow-legged but when it comes down to a choice between you or her getting hurt, I’ll put a bullet in her pretty little head so fast you’ll think you imagined her.” With that, he walked off. Cy following behind. They tipped their hats to Elena as they passed her.
Keshia Harris (Tex (Lord & Master, #2))
She seemed to take herself less seriously than did Parsons, though she was considered more accurate and more willing to personally check out her tips. “On the radio, Miss Hopper cheerfully admits her errors by giving herself the bird with a gold-plated mechanical canary,” wrote Current Biography in 1942. Her feud with Parsons was real, and in most popularity contests she came out the winner, pronounced by Life “infinitely more liked by the movie colony than her ruthless rival.” Her personal demeanor was highlighted by a colorful vocabulary and outrageous hats. She died Feb. 1, 1966.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
He got out of the car and looked around, then spat in the general direction of the sign reading COUNTY JAIL. He called out to the two guys sucking on their Marlboros, “That shit’ll kill ya, y’know,” then tipped his hat and grinned at them. “Just sayin’.
Scott Hawkins (The Library at Mount Char)
Then, three years ago, on a night very like tonight, the Prime Minister had been alone in his office when the portrait had once again announced the imminent arrival of Fudge, who had burst out of the fireplace, sopping wet and in a state of considerable panic. Before the Prime Minister could ask why he was dripping all over the Axminster, Fudge had started ranting about a prison the Prime Minister had never heard of, a man named “Serious” Black, something that sounded like “Hogwarts,” and a boy called Harry Potter, none of which made the remotest sense to the Prime Minister. “. . . I’ve just come from Azkaban,” Fudge had panted, tipping a large amount of water out of the rim of his bowler hat into his pocket. “Middle of the North
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Keep your weak hand up by your face, so that you can easily defend your head if a punch is unexpectedly thrown. Use the weak hand to scratch your head or cheek, brush your hair, wipe your brow, adjust your hat, etc., but keep that hand up. Remember that you will most likely be reacting to an assault, and therefore it will take too long to bring a hand up from your waist to your head to defend yourself against a sneak attack. Cover This block/cover comes from boxing, and is identical to the one taught in my book The Cook Method of the Sap for Law Enforcement and Civilians. The weak (left) hand comes up and brings the hand to the ear as though you are talking on the phone. The upraised elbow and bent arm create a large, strong defense against any type of blow, especially a hook punch, which is difficult to defend against by trying to parry or block with the hand. You can also think of this move as raising the left elbow upward. In close, this shielding move can be used as a strike, hitting the attacker with an upward elbow strike. Train this move by having a partner slowly and lightly swing with his right hand at your head. If you get boxing headgear and gloves, you can gradually increase the speed and power of this strike. It is also possible for your partner to swing at your head using the punch mitts. Hammerfist As the left elbow comes up and the left hand is placed just off your ear, your right hand –which has been resting near your left armpit-- snaps outward, striking with the bottom of the fist. Aim for the opponent's jawline. A problem with punching on the street is that it's easy to damage your knuckles when hitting someone's skull or teeth. The bottom-of-the-fist blow, also known as a hammerfist, is a very powerful blow that can be delivered with little risk of injury to the knuckles or wrist. It has proven itself to be devastatingly effective in the full-contact cage matches of the mixed martial arts. Practice doing both motions at the same time; raising the left elbow up to cover the head while striking out with the right hammerfist. Practice slowly at first, then move to the heavy bag. You can also have a partner with the focus mitts swing the right mitt while holding the left mitt up as a target for you to hit with the right hand. Once you have the form down, make the move explosive. Burst outward with the elbow and hammerfist simultaneously. Snap the hammerfist, bringing it quickly back to the start position. Another tip as you practice this move is to drop your head down, so that your chin and the side of your face are not exposed. With your chin down, the striking right hand and arm will help to shield your head from attacks with the opponent's left hand. This is how you defend yourself when an opponent has surprised you with a flurry of punches –not by trying to block a rain of blows, but by striking while protecting your head.
Darrin Cook (Steel Baton EDC: 2nd Edition)
DO NOT ASK ME Some people ask me that human affairs with names, surnames, and laments not be dealt with in the pages of my books, not to give them space in my verses: they say poetry died here, some say I should not do it: the truth is I do not want to please them. I greet them, I tip my hat to them, and I leave them voyaging in Parnassus like happy rats in cheese. I belong to another category, I am only a man of flesh and bones, therefore if they beat my brother I defend him with what I have in hand and each one of my lines carries the threat of gunpowder or steel, that will fall over the inhuman, over the cruel and over the arrogant. But the punishment of my furious peace
Pablo Neruda (The Poetry of Pablo Neruda)
You can fuck right off into the Canyon," Esther said, trying to keep the grin out of her voice. Amity tipped her hat. "I've just been waiting for an invitation," she said. "I'll go let the boss know about it. Wouldn't want to fuck off into the Canyon without giving notice.
Sarah Gailey (Upright Women Wanted)