Tiny Insects Quotes

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Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Politics. The word is taken from the Ancient Greek. “Poly” means “many.” And ticks are tiny, bloodsucking insects.
Michael Dobbs (House of Cards: The dark political thriller that inspired the hit Netflix series)
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Humans by ANN DRUYAN' 'CARL SAGAN (1992-05-03))
The fighters are tiny. Insects, really. But ants can slay an elephant, if there are enough of them.
Amie Kaufman (Illuminae (The Illuminae Files, #1))
Nothing is more humbling than to look with a strong magnifying glass at an insect so tiny that the naked eye sees only the barest speck and to discover that nevertheless it is sculpted and articulated and striped with the same care and imagination as a zebra. Apparently it does not occur to nature whether or not a creature is within our range of vision, and the suspicion arises that even the zebra was not designed for our benefit.
Rudolf Arnheim
THE FIGHTERS ARE TINY. INSECTS, REALLY. BUT ANTS CAN SLAY AN ELEPHANT, IF THERE ARE ENOUGH OF THEM. ESPECIALLY ANTS ARMED WITH HIGH-YIELD EXPLOSIVES AND DEPLETED URANIUM.
Amie Kaufman (Illuminae (The Illuminae Files, #1))
Maybe it’s not metaphysics. Maybe it’s existential. I’m talking about the individual US citizen’s deep fear, the same basic fear that you and I have and that everybody has except nobody ever talks about it except existentialists in convoluted French prose. Or Pascal. Our smallness, our insignificance and mortality, yours and mine, the thing that we all spend all our time not thinking about directly, that we are tiny and at the mercy of large forces and that time is always passing and that every day we’ve lost one more day that will never come back and our childhoods are over and our adolescence and the vigor of youth and soon our adulthood, that everything we see around us all the time is decaying and passing, it’s all passing away, and so are we, so am I, and given how fast the first forty-two years have shot by it’s not going to be long before I too pass away, whoever imagined that there was a more truthful way to put it than “die,” “pass away,” the very sound of it makes me feel the way I feel at dusk on a wintry Sunday—’ ‘And not only that, but everybody who knows me or even knows I exist will die, and then everybody who knows those people and might even conceivably have even heard of me will die, and so on, and the gravestones and monuments we spend money to have put in to make sure we’re remembered, these’ll last what—a hundred years? two hundred?—and they’ll crumble, and the grass and insects my decomposition will go to feed will die, and their offspring, or if I’m cremated the trees that are nourished by my windblown ash will die or get cut down and decay, and my urn will decay, and before maybe three or four generations it will be like I never existed, not only will I have passed away but it will be like I was never here, and people in 2104 or whatever will no more think of Stuart A. Nichols Jr. than you or I think of John T. Smith, 1790 to 1864, of Livingston, Virginia, or some such. That everything is on fire, slow fire, and we’re all less than a million breaths away from an oblivion more total than we can even bring ourselves to even try to imagine, in fact, probably that’s why the manic US obsession with production, produce, produce, impact the world, contribute, shape things, to help distract us from how little and totally insignificant and temporary we are.
David Foster Wallace (The Pale King)
A young tree was bothered by the fact that a lot of tiny insects were living in its trunk. An old tree advised, “Focus on your larger self - roots, trunk, branches, leaves. The tiny insects will stop bothering you. Don’t let a woodpecker destroy you on the pretext of killing your insects.
Shunya
Carl sat musing until the sun leaped above the prairie, and in the grass about him all the small creatures of day began to tune their tiny instruments. Birds and insects without number began to chirp, to twitter, to snap and whistle, to make all manner of fresh shrill noises. The pasture was flooded with light; every clump of ironweed and snow-on-the-mountain threw a long shadow, and the golden light seemed to be rippling through the curly grass like the tide racing in.
Willa Cather (O Pioneers!)
She returned many years later. So much time had passed that the smell of musk in the room had blended in with the smell of the dust, with the dry and tiny breath of the insects. I was alone in the house, sitting in the corner, waiting. And I had learned to make out the sound of rotting wood, the flutter of the air becoming old in the closed bedrooms. That was when she came.
Gabriel García Márquez (Innocent Erendira and Other Stories)
Old people only say that life happens quickly to make themselves feel better. The truth is that it all happens in tiny increments like now now now now now now and it only takes twenty to thirty consecutive nows to realize that you’re aimed straight at a bench in Singleton Park. Fair play though, if I was old and had forgotten to do something worthwhile with my life, I would spend those final few years on a bench in the botanical gardens, convincing myself that time is so quick that even plants – who have no responsibilities whatsoever – hardly get a chance to do anything decent with their lives except, perhaps, produce one or two red or yellow flowers and, with a bit of luck and insects, reproduce. If the old man manages to get the words father and husband on his bench plaque then he thinks he can be reasonably proud of himself.
Joe Dunthorne (Submarine)
Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers. Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.
David Foster Wallace (The Pale King)
During daylight hours, they (Anna's Hummingbirds) feed every 15 minutes, be it tiny insects or nectar from flowers or feeders. If they don't consume food often enough, they can die during the day. If they have not eaten enough before nightfall, they can die while asleep as they hang in suspended animation with tiny feet clutched to a thin branch.
Amy Tan (The Backyard Bird Chronicles)
You humans are so good at ignoring things. You are almost blind and almost deaf. You look at a tree and see…just a tree, a stiff weed. You don’t see its history, feel the pumping of the sap, hear every insect in the bark, sense the chemistry of the leaves, notice the hundred shades of green, the tiny movements to follow the sun, the subtle growth of wood...
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
TIME THERE SEEMED TO PASS DIFFERENTLY. WHEN YOU ARE shut off from the world, every day is exactly the same as the one before. This sameness has a way of wearing down your soul until you become nothing but a breathing, toiling, consuming thing that awakes to the sun and sleeps at the dawning of the dark. The emptiness runs deep, deeper with each slowing day, and you become increasingly invisible and inconsequential. That’s how I felt at times, a tiny insect circling itself, only to continue, and continue. There, in that relentless vacuum, nothing moved. No news came in or out. No phone calls to or from anyone.
Suki Kim (Without You, There Is No Us: My Time with the Sons of North Korea's Elite)
Some flies and gnats were sitting on my paper and this disturbed me; I breathed on them to make them go, then blew harder and harder, but it did no good. The tiny beasts lowered their behinds, made themselves heavy, and struggled against the wind until their thin legs were bent. They were absolutely not going to leave the place. They would always find something to get hold of, bracing their heels against a comma or an unevenness in the paper, and they intended to stay exactly where they were until they themselves decided it was the right time to go.
Knut Hamsun (Hunger)
The greatest gift that humans have is the ability to think. Of all the creatures in the world, humans are physically the most ill-equipped. A human cannot fly like a bird, outrun a leopard, swim like an alligator, nor climb trees like a monkey. A human doesn’t have the eyes of an eagle, nor the claws and teeth of a wild cat. Physically, humans are helpless and defenseless; a tiny insect can kill them. But nature is reasonable and kind. Nature’s greatest gift to humankind is the ability to think. Humans can create their own environment, whereas animals have to adapt to their environment.
Shiv Khera (You Can Win: A Step-by-Step Tool for Top Achievers)
While most of the flowers in the garden had rich scents and colors, we also had two magnolia trees, with huge but pale and scentless flowers. The magnolia flowers, when ripe, would be crawling with tiny insects, little beetles. Magnolias, my mother explained, were among the most ancient of flowering plants and had appeared nearly a hundred million years ago, at a time when “modern” insects like bees had not yet evolved, so they had to rely on a more ancient insect, a beetle, for pollination. Bees and butterflies, flowers with colors and scents, were not preordained, waiting in the wings—and they might never have appeared. They would develop together, in infinitesimal stages, over millions of years. The idea of a world without bees or butterflies, without scent or color, affected me with a sense of awe.
Oliver Sacks (The River of Consciousness)
As far as we know, our planet is the only place in the universe where there is life. Many would say that we humans have a moral duty to rein in our dominance of the Earth and give our millions of fellow creatures a chance to live out their tiny, wonderful lives, too.
Anne Sverdrup-Thygeson (Buzz, Sting, Bite: Why We Need Insects)
There were other words at the back of his throat, words that a normal person would have said, about not wanting to crush her hope, about not wanting to pull her into this life. They remained there, frozen, each one a tiny insect trapped inside amber, testimony to the fact that once upon a time he might have been the kind of person to say words like those.
Frankie Rose (Sovereign Hope (Hope, #1))
At best, Franks respected me a tiny bit more than he did most people, but as far as I could tell, he thought of most people as insects, so that wasn’t saying much.
Larry Correia (Monster Hunter Legion (Monster Hunter International, #4))
I fail to understand why men think violence will intimidate women. Women, who bleed all over themselves every month, who rub blood clots between their fingers and burst them like insects, and sometimes can't because they're not blood clots, they're tongue-coloured strings of meat from the womb. Women who burst open in childbirth, vagina splitting and anus sagging, tiny, hardening fingernails clawing inside of them, placentas like thick filet mignon.
Virginia Feito (Victorian Psycho)
At first I couldn't see anything. I fumbled along the cobblestone street. I lit a cigarette. Suddenly the moon appeared from behind a black cloud, lighting a white wall that was crumbled in places. I stopped, blinded by such whiteness. Wind whistled slightly. I breathed the air of the tamarinds. The night hummed, full of leaves and insects. Crickets bivouacked in the tall grass. I raised my head: up there the stars too had set up camp. I thought that the universe was a vast system of signs, a conversation between giant beings. My actions, the cricket's saw, the star's blink, were nothing but pauses and syllables, scattered phrases from that dialogue. What word could it be, of which I was only a syllable? Who speaks the word? To whom is it spoken? I threw my cigarette down on the sidewalk. Falling, it drew a shining curve, shooting out brief sparks like a tiny comet. I walked a long time, slowly. I felt free, secure between the lips that were at that moment speaking me with such happiness. The night was a garden of eyes.
Octavio Paz (The Blue Bouquet)
What do these forests make you feel? Their weight and density, their crowded orderliness. There is scarcely room for another tree and yet there is space around each. They are profoundly solemn yet upliftingly joyous; like the Bible, you can find strength in them that you look for. How absolutely full of truth they are, how full of reality. The juice and essence of life are in them; they teem with life, growth and expansion. They are a refuge for myriads of living things. As the breezes blow among them, they quiver, yet how still they stand developing with the universe. God is among them. He has breathed with them the breath of life, might and patience. They stand developing, springing from tiny seeds, pushing close to Mother Earth. Fluffy baby things first, sheltering beneath their parents, mounting higher, spreading brave braches, pushing with mighty strength not to be denied skywards. Tossing in the breezes, glowing in the sunshine, bathing in the showers, bending below the snow piled on their branches, drinking the dew, rejoicing in creation, bracing each other, sheltering the birds and beasts, the myriad insects.
Emily Carr (Opposite Contraries: The Unknown Journals of Emily Carr and Other Writings)
Tendrils of vine and fern fell from both sides of the gully, like green waterfalls spilling from rocks. Sunlight beamed through the trees, illuminating every tiny insect and mote in the air...
Sumi Hahn (The Mermaid from Jeju)
As soon as Wang left the Research Center building, the nightmarelike feeling caught up to him. He felt like the starry sky was a magnifying glass that covered the world, and he was a tiny insect below the lens with nowhere to hide.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
dear samantha i’m sorry we have to get a divorce i know that seems like an odd way to start a love letter but let me explain: it’s not you it sure as hell isn’t me it’s just human beings don’t love as well as insects do i love you.. far too much to let what we have be ruined by the failings of our species i saw the way you looked at the waiter last night i know you would never DO anything, you never do but.. i saw the way you looked at the waiter last night did you know that when a female fly accepts the pheromones put off by a male fly, it re-writes her brain, destroys the receptors that receive pheromones, sensing the change, the male fly does the same. when two flies love each other they do it so hard, they will never love anything else ever again. if either one of them dies before procreation can happen both sets of genetic code are lost forever. now that… is dedication. after Elizabeth and i broke up we spent three days dividing everything we had bought together like if i knew what pots were mine like if i knew which drapes were mine somehow the pain would go away this is not true after two praying mantises mate, the nervous system of the male begins to shut down while he still has control over his motor functions he flops onto his back, exposing his soft underbelly up to his lover like a gift she then proceeds to lovingly dice him into tiny cubes spooning every morsel into her mouth she wastes nothing even the exoskeleton goes she does this so that once their children are born she has something to regurgitate to feed them now that.. is selflessness i could never do that for you so i have a new plan i’m gonna leave you now i’m gonna spend the rest of my life committing petty injustices i hope you do the same i will jay walk at every opportunity i will steal things i could easily afford i will be rude to strangers i hope you do the same i hope reincarnation is real i hope our petty crimes are enough to cause us to be reborn as lesser creatures i hope we are reborn as flies so that we can love each other as hard as we were meant to.
Jared Singer
Numerous animals, from Douglas squirrels to an assortment of tiny insects, as well as mosses, lichens, ferns, and other plants and fungi, all make their homes in living Douglas fir trees. When one of these mighty trees dies and falls to the forest floor, it becomes a nurse log—that is, a huge decaying hunk of wood that feeds countless living beings with its fibers and the nutrients therein. A tree sucks up a lot of resources in its lifetime, and when it dies, all those resources are released back into the ecosystem at large to be used by other beings.
Lupa (Nature Spirituality From the Ground Up: Connect with Totems in Your Ecosystem)
Yet there is no gainsaying but that it must have been somewhat sweeter in that dewy morning of creation, when it was young and fresh, when the feet of the tramping millions had not trodden its grass to dust, nor the din of the myriad cities chased the silence forever away. Life must have been noble and solemn to those free-footed, loose-robed fathers of the human race, walking hand in hand with God under the great sky. They lived in sunkissed tents amid the lowing herds. They took their simple wants from the loving hand of Nature. They toiled and talked and thought; and the great earth rolled around in stillness, not yet laden with trouble and wrong. Those days are past now. The quiet childhood of Humanity, spent in the far-off forest glades and by the murmuring rivers, is gone forever; and human life is deepening down to manhood amid tumult, doubt, and hope. Its age of restful peace is past. It has its work to finish and must hasten on. What that work may be—what this world's share is in the great design—we know not, though our unconscious hands are helping to accomplish it. Like the tiny coral insect working deep under the dark waters, we strive and struggle each for our own little ends, nor dream of the vast fabric we are building up for God.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
In the warmer months of the year one or other of those nocturnal insects quite often strays indoors from the small garden behind my house. When I get up early in the morning, I find them clinging to the wall, motionless. I believe, said Austerlitz, they know they have lost their way, since if you do not put them out again carefully they will stay where they are, never moving, until the last breath is out of their bodies, and indeed they will remain in the place where they came to grief even after death, held fast by the tiny claws that stiffened in their last agony, until a draft of air detaches them and blows them into a dusty corner. Sometimes, seeing one of these moths that have met their end in my house, I wonder what kind of fear and pain they feel while they are lost.
W.G. Sebald
While the moon smoothly shifted the shadows from one side of Edgewood to the other, Daily Alice dreamed that she stood in a flower-starred field where on a hill there grew an oak tree and a thorn in deep embrace, their branches intertwined like fingers. Far down the hall, Sophie dreamed that there was a tiny door in her elbow, open a crack, through which the wind blew, blowing on her heart. Dr. Drinkwater dreamed he sat before his typewriter and wrote this: 'There is an aged, aged insect who lives in a hole in the ground. One June he puts on his summer straw, and takes his pipe and his staff and his lamp in half his hands, and follows the worm and the root to the stair that leads up to the door into blue summer.' This seemed immensely significant to him, but when he awoke he wouldn't be able to remember a word of it, try as he might. Mother beside him dreamed her husband wasn't in his study at all, but with her in the kitchen, where she drew tin cookie-sheets endlessly out of the oven; the baked things on them were brown and round, and when he asked her what they were, she said 'Years'.
John Crowley (Little, Big)
I have always thought of urban gardens - most gardens - as islands, where we create our own kingdoms, acting out our need for land, nurture and nature. On this weekend all these tiny islands wake again, each one crammed with insects, birdsong (often far better in town than country) and slow-moving people emerging into this gift of extra light.
Montagu Don (My Roots: A Decade in the Garden)
Outside, the garden shimmered with heat. She waded through the helleborine, its flowers leaving crimson smears on her dress. The air hummed with insects, the sun catching on the wings of a damselfly. Violet smiled, remembering the words from her mother's letter. Walls painted yellow as tansy flowers. It was as if she was reaching out to her from beyond the grave, guiding her. She found the plant under the sycamore, bobbing with yellow flowers, each one comprised of tiny buds clustered together like a beetle's eggs.
Emilia Hart (Weyward)
Politics. The word is taken from the Ancient Greek. “Poly” means “many.” And ticks are tiny, bloodsucking insects. Monday,
Michael Dobbs (House of Cards: The dark political thriller that inspired the hit Netflix series)
Fears were learned, but they were also inherited. Natural Selection. Run from the lion. Jump away from the tiny, poisonous insects. They exist for a reason--we survive because of them.
Megan Miranda (The Safest Lies)
An infinity of these tiny animals defoliate our plants, our trees, our fruits... they attack our houses, our fabrics, our furniture, our clothing, our furs ... He who in studying all the different species of insects that are injurious to us, would seek means of preventing them from harming us, would seek to cause them to perish, proposes for his goal important tasks indeed.
René-Antoine Ferchault de Réaumur
And the sun on the wall of her room, the block of sun with all the tiny flying things in it. When she was little she thought they were the souls of dead insects, still buzzing in the light.
Tim Winton (The Riders)
dear samantha i’m sorry we have to get a divorce i know that seems like an odd way to start a love letter but let me explain: it’s not you it sure as hell isn’t me it’s just human beings don’t love as well as insects do i love you.. far too much to let what we have be ruined by the failings of our species i saw the way you looked at the waiter last night i know you would never DO anything, you never do but.. i saw the way you looked at the waiter last night did you know that when a female fly accepts the pheromones put off by a male fly, it re-writes her brain, destroys the receptors that receive pheromones, sensing the change, the male fly does the same. when two flies love each other they do it so hard, they will never love anything else ever again. if either one of them dies before procreation can happen both sets of genetic code are lost forever. now that… is dedication. after Elizabeth and i broke up we spent three days dividing everything we had bought together like if i knew what pots were mine like if i knew which drapes were mine somehow the pain would go away this is not true after two praying mantises mate, the nervous system of the male begins to shut down while he still has control over his motor functions he flops onto his back, exposing his soft underbelly up to his lover like a gift she then proceeds to lovingly dice him into tiny cubes spooning every morsel into her mouth she wastes nothing even the exoskeleton goes she does this so that once their children are born she has something to regurgitate to feed them now that.. is selflessness i could never do that for you so i have a new plan i’m gonna leave you now i’m gonna spend the rest of my life committing petty injustices i hope you do the same i will jay walk at every opportunity i will steal things i could easily afford i will be rude to strangers i hope you do the same i hope reincarnation is real i hope our petty crimes are enough to cause us to be reborn as lesser creatures i hope we are reborn as flies so that we can love each other as hard as we were meant to
Jared Singer
Agnes shut her eyes, clenched her fists, opened her mouth and screamed. It started low. Plaster dust drifted down from the ceiling. The prisms on the chandelier chimed gently as they shook. It rose, passing quickly through the mysterious pitch at fourteen cycles per second where the human spirit begins to feel distinctly uncomfortable about the universe and the place in it of the bowels. Small items around the Opera House vibrated off shelves and smashed on the floor. The note climbed, rang like a bell, climbed again. In the Pit, all the violin strings snapped, one by one. As the tone rose, the crystal prisms shook in the chandelier. In the bar, champagne corks fired a salvo. Ice jingled and shattered in its bucket. A line of wine-glasses joined in the chorus, blurred around the rims, and then exploded like hazardous thistledown with attitude. There were harmonics and echoes that caused strange effects. In the dressing-rooms the No. 3 greasepaint melted. Mirrors cracked, filling the ballet school with a million fractured images. Dust rose, insects fell. In the stones of the Opera House tiny particles of quartz danced briefly... Then there was silence, broken by the occasional thud and tinkle. Nanny grinned. 'Ah,' she said, 'now the opera's over.
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below. The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello. It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
Jainas have always taken vegetarianism to the greatest extremes, taking pains to avoid injuring even tiny insects, and this too heavily influenced Hindus. The breakaway groups not only abhorred sacrifice but also rejected the Veda as revelation and disregarded Brahminical teachings and Brahminical claims to divine authority,32 three more crucial points that distinguished them from Hindus, even from those Hindus who were beginning to take up some of the new doctrines and practices.
Wendy Doniger (The Hindus: An Alternative History)
The transmission of SARS, Dwyer said, seems to depend much on super spreaders—and their behavior, not to mention the behavior of people around them, can be various. The mathematical ecologist’s term for variousness of behavior is “heterogeneity,” and Dwyer’s models have shown that heterogeneity of behavior, even among forest insects, let alone among humans, can be very important in damping the spread of infectious disease. “If you hold mean transmission rate constant,” he told me, “just adding heterogeneity by itself will tend to reduce the overall infection rate.” That sounds dry. What it means is that individual effort, individual discernment, individual choice can have huge effects in averting the catastrophes that might otherwise sweep through a herd. An individual gypsy moth may inherit a slightly superior ability to avoid smears of NPV as it grazes on a leaf. An individual human may choose not to drink the palm sap, not to eat the chimpanzee, not to pen the pig beneath mango trees, not to clear the horse’s windpipe with his bare hand, not to have unprotected sex with the prostitute, not to share the needle in a shooting gallery, not to cough without covering her mouth, not to board a plane while feeling ill, or not to coop his chickens along with his ducks. “Any tiny little thing that people do,” Dwyer said, if it makes them different from one another, from the idealized standard of herd behavior, “is going to reduce infection rates.
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
Perhaps more importantly, the ants used all the sugar lumps they could steal to build a small sugar pyramid in one of the hollow halls, in which, with great ceremony, they entombed the mummified body of a dead queen. On the wall of one tiny hidden chamber they inscribed, in insect hyeroglyps, the true secret of longevity. They got it absolutely right and it would probably have important implications for the universe if it hadn't, next time the University flooded, been completely washed away.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
Last and crowning torture of all the tortures of that awful place is the eternity of hell. Eternity! O, dread and dire word. Eternity! What mind of man can understand it? And remember, it is an eternity of pain. Even though the pain of hell were not so terrible as they are, yet they would become infinite, as they are destined to last for ever. But while they are everlasting they are at the some times, as you know, intolerably intense, unbearably extensive. To bear even the sting of an insect for all eternity would be a dreadful torment. What must it be, then, to bear the manifold tortures of hell for ever? For ever! For all eternity! Not for a year or for an age but for ever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny little grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness; and imagine such an enormous mass of countless particles of sand multiplies as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of the air: and imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many million upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all? Yet at the end of that immense stretch of time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been all carried away, and i f the bird came again and carried it all away again grain by grain, and if it sop rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals, at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time the mere thought of which makes our very brain reel dizzily, eternity would scarcely have begun.
James Joyce (A Portrait of the Artist as a Young Man)
But how can a series of reasonable intermediate forms be constructed? Of what value could the first tiny step toward an eye be to its possessor? The dung-mimicking insect is well protected, but can there be any edge in looking only 5 percent like a turd?
Stephen Jay Gould (Ever Since Darwin: Reflections in Natural History)
Before researchers become researchers they should become philosophers. They should consider what the human goal is, what it is that humanity should create.Doctors should first determine at the fundamental level what it is that human beings depend on for life... Modern scientific agriculture, on the other hand, has no such vision. Research wanders about aimlessly, each researcher seeing just one part of the infinite array of natural factors which affect harvest yields. Even though it is the same quarter acre, the farmer must grow his crops differently each year in accordance with variations in weather, insect populations, the condition of the soil, and many other natural factors. Nature is everywhere in perpetual motion; conditions are never exactly the same in any two years. Modern research divides nature into tiny pieces and conducts tests that conform neither with natural law nor with practical experiences. The results are arranged for the convenience of research, not according to the needs of the farmer.
Masanobu Fukuoka (The One-Straw Revolution)
Some male insects like the scorpion fly, gift the females tiny packets containing food. At times these packets are empty. They just serve as a clever distraction.while the female tries to open the gift, the male proceeds to mate with her.The rogue – how clever is that?!
Preeti Shenoy (Love A Little Stronger)
So it was that the Red Tower put into production its new, more terrible and perplexing, line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stages of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight and insistently grew back should one attempt to clip them. Numerous natural objects, mostly bulbous gourds, were designed to produce a long, deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough, igneous forms were sent a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in a gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling 'hands' were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of a kind which might pass through a fever-stricken or even permanently damaged brain.
Thomas Ligotti (Teatro Grottesco)
She is a Weyward. And she carries another Weyward inside her. She gathers herself together, every cell blazing, and thinks: Now. The window breaks, a waterfall of sharp sounds. The room grows dark with feathered bodies, shooting through the broken window, the fireplace. Beaks, claws, and eyes flashing. Feathers brushing her skin. Simon yells, his hand loosening on her throat. She sucks in the air, falling to her knees, one hand cradling her stomach. Something touches her foot, and she sees a dark tide of spiders spreading across the floor. Birds continue to stream through the window. Insects, too: the azure flicker of damselflies, moths with orange eyes on their wings. Tiny, gossamer mayflies. Bees in a ferocious golden swarm. She feels something sharp on her shoulder, its claws digging into her flesh. She looks up at blue-black feathers, streaked with white. A crow. The same crow that has watched over her since she arrived. Tears fill her eyes, and she knows in that moment that she is not alone in the cottage. Altha is there, in the spiders that dance across the floor. Violet is there, in the mayflies that glisten and undulate like some great silver snake. And all the other Weyward women, from the first of the line, are there, too. They have always been with her, and always will be.
Emilia Hart (Weyward)
Each one was naked, and bloated around the torso and belly with gaseous buboes and grotesque sores that wept thick pus. Heads were shrunken balls of flaking skin over rictus-grinning skulls. All of them had trains of buzzing insects following behind them, tiny bottle-green flies that dived in and out of the invaders’ open wounds.
James Swallow (The Flight of the Eisenstein (The Horus Heresy #4))
Any adaptive change that occurs in one area of the bacterial universe can spread to any other. It’s rather as if a human could go to an insect to get the necessary genetic coding to sprout wings or walk on ceilings. It means that from a genetic point of view bacteria have become a single superorganism—tiny, dispersed, but invincible.
Bill Bryson (A Short History of Nearly Everything)
Wait—no, not drifting. Following us. “We have an audience,” I said to Reth, nodding at the clusters of flying insects. “I suppose we can’t make the Dark Queen any angrier with us than she already is,” he said, then his perfect mouth moved, silently forming words, and he gracefully waved his hands through the air in a semicircle. The warm breeze suddenly froze, and I saw frost eat across the nearest butterflies’ wings. They stopped midair, then dropped to the ground with tiny clinking noises, frozen solid. A serene smile spread across Reth’s face. “I’ve always disliked insects.” “If the whole being-a-faerie thing doesn’t work out for you, you definitely have a future in pest control.
Kiersten White (Endlessly (Paranormalcy, #3))
declared you could see buds unsheath themselves. Also you could make the acquaintance of strange busy insect things running about on various unknown but evidently serious errands, sometimes carrying tiny scraps of straw or feather or food or climbing blades of grass as if they were trees from whose tops one could look out to explore the country.
Frances Hodgson Burnett (The Secret Garden)
If you’ve heard the deafening wall of sound cicadas create in southern climes, bear in mind that it would be twice as loud if the ladies joined in. But as an ancient Greek saying has it, “Blessed are the cicadas, for they have voiceless wives.” Controversial as we may find this statement in modern society, let me just add that it may be pretty smart of the females to keep their lips zipped. Lovesick fellow cicadas aren’t the only ones attracted by the song. Scary parasites lie in wait listening, then sneak up to lay a tiny egg on the soloist. And although it might look quite innocent, it’s game over for the singer. The egg hatches into a hungry larva, which eats up the cicada from the inside out.
Anne Sverdrup-Thygeson (Extraordinary Insects: The Fabulous, Indispensable Creatures Who Run Our World)
Boston. Fucking horrible. I remember, when 9/11 went down, my reaction was, "Well, I've had it with humanity." But I was wrong. I don't know what's going to be revealed to be behind all of this mayhem. One human insect or a poisonous mass of broken sociopaths. But here's what I DO know. If it's one person or a HUNDRED people, that number is not even a fraction of a fraction of a fraction of a percent of the population on this planet. You watch the videos of the carnage and there are people running TOWARDS the destruction to help out. (Thanks FAKE Gallery founder and owner Paul Kozlowski for pointing this out to me). This is a giant planet and we're lucky to live on it but there are prices and penalties incurred for the daily miracle of existence. One of them is, every once in awhile, the wiring of a tiny sliver of the species gets snarled and they're pointed towards darkness. But the vast majority stands against that darkness and, like white blood cells attacking a virus, they dilute and weaken and eventually wash away the evil doers and, more importantly, the damage they wreak. This is beyond religion or creed or nation. We would not be here if humanity were inherently evil. We'd have eaten ourselves alive long ago. So when you spot violence, or bigotry, or intolerance or fear or just garden-variety misogyny, hatred or ignorance, just look it in the eye and think, "The good outnumber you, and we always will.
Patton Oswalt
Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.
Jay Griffiths (A Country Called Childhood: Children and the Exuberant World)
Trees, little animals, a multitude of insects were sharing their dreams with me. There we all were, dreaming in chorus, like a crowd, in a tiny room, exchanging ideas and smells and caresses. I remember I was a spider advancing toward its prey and the fly caught in the web of that spider. I felt flowers blossoming in the sun, breezes carrying pollen. I awoke and was alone.
José Eduardo Agualusa (A General Theory of Oblivion)
Foolishness had never been an option in his life. He hadn’t acquired the knack for it. He should have known. Kisses, he’d learned through hard experience, complicated things, unless they were a means to a foregone conclusion or part of an ongoing sensual entanglement. He’d never had a kiss quite like that one. One he hadn’t planned. One that had seemed so . . . necessary. One that had nevertheless solved nothing. One that had led to him flattening himself behind a shrubbery and later, sneezing a tiny winged insect out of his nose on the walk back to the house. It had lodged there while he lay flat on his back, staring up at the crisp blue Autumn sky, contemplating his folly, listening to Miss Vale prevaricate wildly. He was almost sorry he hadn’t heard her invent a bawdy new verse to the Colin Eversea song.
Julie Anne Long (How the Marquess Was Won (Pennyroyal Green, #6))
Zadig ...stared in wonder at these vast globes of light which seem to us mere feeble sparks, while the Earth, which is in reality but an imperceptible point in the scheme of things, appears to our covetous eyes something so noble and grand. He saw men then for what they really are, insects devouring each other upon a tiny speck of dirt. This telling image seemed to blot out his misfortunes by reminding him of the nullity of his own being and of that of Babylon.
Voltaire (Zadig and L'Ingénu)
The air was cool and soft. The desert looked empty from our great height, enough to believe the geographers and travel writers who tell of the terrible desert life, the stillness, harshness, and death. I lay against the cold sand, tiny grains dancing fast and furious across my skin. I saw insects and scorpions, the line of a snake. Mohammed said the dunes moved millimeters a day. They inched across the desert floor toward the ocean. I smiled. The geographers were blind.
C. Lynn Murphy (The First Noble Truth)
Paradox is any self-contradictory proposition that, when investigated, may prove to be well-founded or true. Once understood, it opens the gateway to higher wisdom. But how can contradictory principles both be true? As the Buddhist Riddle of Five Truths puts it: “It is right. It is wrong. It is both right and wrong. It is neither right nor wrong. All exist simultaneously.” Charles Dickens expressed the paradox of his era, equally true today, when he wrote, “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness,” going on to describe that time as one of belief and incredulity, light and darkness, hope and despair. Two opposing statements can each be true depending on the observer: it’s true that spiders are merciless killers from the viewpoint of tiny insects caught in their webs—but for most humans, nearly all spiders are harmless creatures. A story of the Sufi sage Mullah Nasruddin expresses the nature of paradox when he’s asked to arbitrate between two men with opposing views. Hearing the first man, he remarks, “You’re right.” When he hears the second man, he also says, “You’re right.” When a bystander points out, “They can’t both be right,” the mullah scratches his head and says, “You’re right.” Let’s go deeper and consider four central sets of paradoxical truths: * Time is real. It moves from past to present to future. * There is no time, no past, no future—only the eternal present. * You possess free will and can thus take responsibility for your choices. * Free will is an illusion—your choices are influenced, even predetermined, by all that preceded them. * You are, or possess, a separate inner self existing within a body. * No separation exists—you are a part of the same Consciousness shining through billions of eyes. * Death is an inevitable reality you’ll meet at the end of life. * The death of the inner self is an illusion. Life is eternal. Must you choose one assertion and reject the other? Or is there a way to meaningfully resolve and even reconcile such apparent contradictions?
Dan Millman (The Hidden School: Return of the Peaceful Warrior)
But I know this and it's what all people know now, that every particle of life explodes from mutation, from the accidental combining of elements on every level, that accident is the indispensable nuclear power of the universe, that nothing advances without it, without a reckless and random blundering, whether it is seeds ripped from a dying flower by the wind, or pollen carried on the tiny feet of winged insects or blind fish tunneling into caverns of the deep to consume life forms undreamt of by those on the surface of the planet above.
Anne Rice
Scraps of skin and fur and feathers swung as he moved; tiny limbs clutched; eyes rolled from obscure niches; antlers and protrusions of bone jutted precariously; feelers twitched and mouths glistened. Many-coloured skeins of skin collided. A cloven hoof thumped gently against the wood floor. Tides of flesh washed against each other in violent currents. Muscles tethered by alien tendons to alien bones worked together in uneasy truce, in slow, tense motion. Scales gleamed. Fins quivered. Wings fluttered brokenly. Insect claws folded and unfolded.
China Miéville (Perdido Street Station (New Crobuzon, #1))
So it was that the Red Tower put into production its terrible and perplexing line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stage of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight, every night like clockwork. Numerous natural objects, mostly bulbous gourds, were designed to produce a long deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough igneous forms were set a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling "hands" were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of the kind which might pass through a fever-stricken or even permanently damaged brain.
Thomas Ligotti (The Nightmare Factory)
There's mountain snow. And polar snow. And ski-snow, and deep snow, and snow in flutters like tiny moths, and snow in flurries like moths in a hurry, and snow in flakes like someone (it?) is grating the sky. And show sharp as insect bites and snow as soft as lather and wet snow that doesn't stick and dry snow that does, and wraps the world like an installation to the point in the night where you wake up and the sound is gone, to the point in the night where you turn deeper into the bed, to the point in the night where there's snow in your sleep and your sleep is deep as snow.
Jeanette Winterson (Christmas Days: 12 Stories and 12 Feasts for 12 Days)
(William) Hamilton recast the central ideas (of the evolutionary theory of aging) in mathematical form. Though this work tells us a good deal about why human lives take the course they do, Hamilton was a biologist whose great love was insects and their relatives, especially insects which make both our lives and an octopus’s life seem rather humdrum. Hamilton found mites in which the females hang suspended in the air with their swollen bodies packed with newly hatched young, and the males in the brood search out and copulate with their sisters there inside the mother. He found tiny beetles in which the males produce “and manhandle sperm cells longer than their whole bodies. Hamilton died in 2000, after catching malaria on a trip to Africa to investigate the origins of HIV. About a decade before his death, he wrote about how he would like his own burial to go. He wanted his body carried to the forests of Brazil and laid out to be eaten from the inside by an enormous winged Coprophanaeus beetle using his body to nurture its young, who would emerge from him and fly off. 'No worm for me nor sordid fly, I will buzz in the dusk like a huge bumble bee. I will be many, buzz even as a swarm of motorbikes, be borne, body by flying body out into the Brazilian wilderness beneath the stars, lofted under those beautiful and un-fused elytra [wing covers] which we will all hold over our “backs. So finally I too will shine like a violet ground beetle under a stone.
Peter Godfrey-Smith (Other Minds)
Bumblebees detect the polarization of sunlight, invisible to uninstrumented humans; put vipers sense infrared radiation and detect temperature differences of 0.01C at a distance of half a meter; many insects can see ultraviolet light; some African freshwater fish generate a static electric field around themselves and sense intruders by slight perturbations induced in the field; dogs, sharks, and cicadas detect sounds wholly inaudible to humans; ordinary scorpions have micro--seismometers on their legs so they can detect in darkness the footsteps of a small insect a meter away; water scorpions sense their depth by measuring the hydrostatic pressure; a nubile female silkworm moth releases ten billionths of a gram of sex attractant per second, and draws to her every male for miles around; dolphins, whales, and bats use a kind of sonar for precision echo-location. The direction, range, and amplitude of sounds reflected by to echo-locating bats are systematically mapped onto adjacent areas of the bat brain. How does the bat perceive its echo-world? Carp and catfish have taste buds distributed over most of their bodies, as well as in their mouths; the nerves from all these sensors converge on massive sensory processing lobes in the brain, lobes unknown in other animals. how does a catfish view the world? What does it feel like to be inside its brain? There are reported cases in which a dog wags its tail and greets with joy a man it has never met before; he turns out to be the long-lost identical twin of the dog's "master", recognizable by his odor. What is the smell-world of a dog like? Magnetotactic bacteria contain within them tiny crystals of magnetite - an iron mineral known to early sailing ship navigators as lodenstone. The bacteria literally have internal compasses that align them along the Earth's magnetic field. The great churning dynamo of molten iron in the Earth's core - as far as we know, entirely unknown to uninstrumented humans - is a guiding reality for these microscopic beings. How does the Earth's magnetism feel to them? All these creatures may be automatons, or nearly so, but what astounding special powers they have, never granted to humans, or even to comic book superheroes. How different their view of the world must be, perceiving so much that we miss.
Carl Sagan (Shadows of Forgotten Ancestors)
Have you ever seen a hawk catch a bird in your back garden? I’ve not, but I know it’s happened. I’ve found evidence. Out on the patio flagstones, sometimes, tiny fragments: a little, insect-like songbird leg, with a foot clenched tight where the sinews have pulled it; or – even more gruesomely – a disarticulated beak, a house-sparrow beak top, or bottom, a little conical bead of blushed gunmetal, slightly translucent, with a few faint maxillary feathers adhering to it. But maybe you have: maybe you’ve glanced out of the window and seen there, on the lawn, a bloody great hawk murdering a pigeon, or a blackbird, or a magpie, and it looks the hugest, most impressive piece of wildness you’ve ever seen, like someone’s tipped a snow leopard into your kitchen and you find it eating the cat.
Helen Macdonald (H is for Hawk)
Without sight to get in the way of things, the whole world was suddenly alive with sound: the lapping of water as it washed around the posts below her, the splashing and skimming of ducks as they landed on the lake's surface, the wooden planks stretching beneath the sun's glare. As she listened, Sadie became aware of a thick blanketing hum behind it all, like hundreds of tiny motors whirring at once. It was a sound synonymous with summer, difficult to place at first, but then she realized. Insects, a hell of a lot of insects. Sadie sat up, blinking into the brightness. The world was briefly white before everything righted itself. Lily pads glistened, heart-shaped tiles on the water's surface, flowers reaching for the sky like pretty, grasping hands. The air surrounding them was filled with hundreds of small winged creatures.
Kate Morton (The Lake House)
My own heartbeat was slowing under my hand, under the deep rose silk, the color of a baby’s sleep-flushed cheek. When you hold a child to your breast to nurse, the curve of the little head echoes exactly the curve of the breast it suckles, as though this new person truly mirrors the flesh from which it sprang. Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
I have had a big experience of body vermin of various kinds, and for sheer beastliness the louse beats everything I have encountered. Other insects, mosquitoes for instance, make you suffer more, but at least they aren’t resident vermin. The human louse somewhat resembles a tiny lobster, and he lives chiefly in your trousers. Short of burning all your clothes there is no known way of getting rid of him. Down the seams of your trousers he lays his glittering white eggs, like tiny grains of rice, which hatch out and breed families of their own at horrible speed. I think the pacifists might find it helpful to illustrate their pamphlets with enlarged photographs of lice. Glory of war, indeed! In war all soldiers are lousy, at least when it is warm enough. The men who fought at Verdun, at Waterloo, at Flodden, at Senlac, at Thermopylae—every one of them had lice crawling over his testicles.
George Orwell (Homage to Catalonia)
When the Nautilus returned to the surface of the ocean, I could take in Reao Island over its whole flat, wooded expanse. Obviously its madreporic rocks had been made fertile by tornadoes and thunderstorms. One day, carried off by a hurricane from neighboring shores, some seed fell onto these limestone beds, mixing with decomposed particles of fish and marine plants to form vegetable humus. Propelled by the waves, a coconut arrived on this new coast. Its germ took root. Its tree grew tall, catching steam off the water. A brook was born. Little by little, vegetation spread. Tiny animals – worms, insects – rode ashore on tree trunks snatched from islands to windward. Turtles came to lay their eggs. Birds nested in the young trees. In this way animal life developed, and drawn by the greenery and fertile soil, man appeared. And that’s how these islands were formed, the immense achievement of microscopic animals.
Jules Verne (Twenty Thousand Leagues Under the Sea)
There are tiny mites living in our eyelashes. Hal Roach was a famous director who used to hire drunk and insane people to generate creative ideas. To attract female goats, Billy goats urinate on their own heads. Jewish people do not eat pork. Khazaria was a medieval Turkic kingdom that adopted Judaism as its official religion; it was the only non-Semitic state to become Jewish after Israel. The largest economy in the United States is California. More deer are killed by drivers than by hunters. The automotive center of the world is in Detroit. If the earth were ever to stop spinning, all the oceans would flow to the north and south poles. Around 16 to 20 percent of the terms searched on Google are said to have been never searched before. Bamboo can grow 35 inches per day making it the fastest growing woody plant in the world. The heaviest insect found on the earth is ‘Giant Weta’. It weighs more than a pound and is found in New Zealand. The CIA is expected to release the JFK assassination records to the public no later than 10/26/2017.
Nazar Shevchenko (Random Facts: 1869 Facts To Make You Want To Learn More)
That rim of blond cyprus wood had become a frontier where this world ended and another began. Since this ceremony during his fifteenth year was to determine his lifetime fortune, Kiyoaki felt as though his very soul, naked, had been set there on the wet grass. The wooden sides of the basin expressed his outer self; the disk of water, which they in turn defined, expressed his inner. Everyone was silent, so the sounds of insects throughout the garden filled his ears as never before. He gazed earnestly into the basin. The water within was dark at first, shadowed by clouds as thick as clustered seaweed. A moment later the seaweed seemed to wave and he thought he had seen a faint glow suffuse the water, but then it faded. He could not remember how long he had waited after that. Then all of a sudden the black water in the basin, which had seemed impenetrably obscure, cleared, and there directly in its center shone a tiny image of the full moon. Everyone broke into exclamations of pleasure, and his mother, rigid all this time, was greatly relieved and began to wave her fan to drive away the mosquitos swarming around her skirt.
Yukio Mishima (Spring Snow)
Pandora looked dully at the red wax seal on the envelope, stamped with an elaborate family crest. If Gabriel had written something nice to her, she didn’t want to read it. If he’d written something not nice, she didn’t want to read that either. “By the holy poker,” Ida exclaimed, “just open it!” Reluctantly Pandora complied. As she pulled a small folded note from the envelope, a tiny, fuzzy object fell out. Reflexively she yelped, thinking it was an insect. But at second glance, she realized it was a bit of fabric. Picking it up gingerly, she saw that it was one of the decorative felt leaves from her missing Berlin wool slipper. It had been carefully snipped off. My lady, Your slipper is being held for ransom. If you ever want to see it again, come alone to the formal drawing room. For every hour you delay, an additional embellishment will be removed. —St. Vincent Now Pandora was exasperated. Why was he doing this? Was he trying to draw her into another argument? “What does it say?” Ida asked. “I have to go downstairs for a hostage negotiation,” Pandora said shortly. “Would you help put me to rights?” “Yes, milady.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Creed by Abigail Carroll, p.196-197 I believe in the life of the word, the diplomacy of food. I believe in salt-thick ancient seas and the absoluteness of blue. A poem is an ark, a suitcase in which to pack the universe—I believe in the universality of art, of human thirst for a place. I believe in Adam's work of naming breath and weather—all manner of wind and stillness, humidity and heat. I believe in the audacity of light, the patience of cedars, the innocence of weeds. I believe in apologies, soliloquies, speaking in tongues; the underwater operas of whales, the secret prayer rituals of bees. As for miracles— the perfection of cells, the integrity of wings—I believe. Bones know the dust from which they come; all music spins through space on just a breath. I believe in that grand economy of love that counts the tiny death of every fern and white-tailed fox. I believe in the healing ministry of phlox, the holy brokenness of saints, the fortuity of faults—of making and then redeeming mistakes. Who dares brush off the auguries of a storm, disdain the lilting eulogies of the moon? To dance is nothing less than an act of faith in what the prophets sang. I believe in the genius of children and the goodness of sleep, the eternal impulse to create. For love of God and the human race, I believe in the elegance of insects, the imminence of winter, the free enterprise of grace.
Sarah Arthur (Between Midnight and Dawn: A Literary Guide to Prayer for Lent, Holy Week, and Eastertide)
He turned about to the orchard side of his garden and began to whistle—a low soft whistle. She could not understand how such a surly man could make such a coaxing sound. Almost the next moment a wonderful thing happened. She heard a soft little rushing flight through the air—and it was the bird with the red breast flying to them, and he actually alighted on the big clod of earth quite near to the gardener’s foot. “Here he is,” chuckled the old man, and then he spoke to the bird as if he were speaking to a child. “Where has tha’ been, tha’ cheeky little beggar?” he said. “I’ve not seen thee before today. Has tha begun tha’ courtin’ this early in th’ season? Tha’rt too forrad.” The bird put his tiny head on one side and looked up at him with his soft bright eye which was like a black dewdrop. He seemed quite familiar and not the least afraid. He hopped about and pecked the earth briskly, looking for seeds and insects. It actually gave Mary a queer feeling in her heart, because he was so pretty and cheerful and seemed so like a person. He had a tiny plump body and a delicate beak, and slender delicate legs. “Will he always come when you call him?” she asked almost in a whisper. “Aye, that he will. I’ve knowed him ever since he was a fledgling. He come out of th’ nest in th’ other garden an’ when first he flew over th’ wall he was too weak to fly back for a few days an’ we got friendly. When he went over th’ wall again th’ rest of th’ brood was gone an’ he was lonely an’ he come back to me.
Frances Hodgson Burnett (The Secret Garden)
The Sailor-boy’s Gossip You say, dear mamma, it is good to be talking With those who will kindly endeavour to teach. And I think I have learnt something while I was walking Along with the sailor-boy down on the beach. He told me of lands where he soon will be going, Where humming-birds scarcely are bigger than bees, Where the mace and the nutmeg together are growing, And cinnamon formeth the bark of some trees. He told me that islands far out in the ocean Are mountains of coral that insects have made, And I freely confess I had hardly a notion That insects could world in the way that he said. He spoke of wide deserts where the sand-clouds are flying. No shade for the brow, and no grass for the feet; Where camels and travelers often lie dying, Gasping for water and scorching with heat. He told me of places away in the East, Where topaz, and ruby, and sapphires are found: Where you never are safe from the snake and the beast, For the serpent and tiger and jackal abound. I thought our own Thames was a very great stream, With its waters so fresh and its currents so strong; But how tiny our largest of rivers must seem To those he had sailed on, three thousand miles long. He speaks, dear mamma, of so many strange places, With people who neither have cities nor kings. Who wear skins on their shoulders, paint on their faces, And live on the spoils which their hunting-field brings. Oh! I long, dear mamma, to learn more of these stories, From books that are written to please and to teach, And I wish I could see half the curious glories The sailor-boy told me of down on the beach. Eliza Cook.
Charlotte M. Mason (Elementary Geography: Full Illustrations & Study Guides!)
Trash first. Then supplies. Stepping forward, I kicked a pile of takeout containers to one side, wanting to clear a path to the cabinets so I could look for latex gloves. But then I stopped, stiffening, an odd scratching sound coming from the pile I’d just nudged with my foot. Turning back to it, I crouched on the ground and lifted a greasy paper at the top of the mess. And that’s when I saw it. A cockroach. In Ireland. A giant behemoth of a bug, the likes I’d only ever seen on nature programs about prehistoric insects. Okay, perhaps I was overexaggerating its size. Perhaps not. Honestly, I didn’t get a chance to dwell on the matter, because the roach-shaped locust of Satan hopped onto my hand. I screamed. Obviously. Jumping back and swatting at my hand, I screamed again. But evil incarnate had somehow crawled up and into the sleeve of my shirt. The sensation of its tiny, hairy legs skittering along my arm had me screaming a third time and I whipped off my shirt, tossing it to the other side of the room as though it was on fire. “What the hell is going on?” I spun toward the door, finding Ronan Fitzpatrick and Bryan Leech hovering at the entrance, their eyes darting around the room as though they were searching for a perpetrator. Meanwhile, I was frantically brushing my hands over my arms and torso. I felt the echo of that spawn of the devil’s touch all over my body. “Cockroach!” I screeched. “Do you see it? Is it still on me?” I twisted back and forth, searching. Bryan and Ronan were joined in the doorway by more team members, but I barely saw them in my panic. God, I could still feel it. I. Could. Still. Feel. It. Now I knew what those hapless women felt like in horror movies when they realized the serial killer was still inside the house.
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
March 11 MORNING “Sin . . . exceeding sinful.” — Romans 7:13 BEWARE of light thoughts of sin. At the time of conversion, the conscience is so tender, that we are afraid of the slightest sin. Young converts have a holy timidity, a godly fear lest they should offend against God. But alas! very soon the fine bloom upon these first ripe fruits is removed by the rough handling of the surrounding world: the sensitive plant of young piety turns into a willow in after life, too pliant, too easily yielding. It is sadly true, that even a Christian may grow by degrees so callous, that the sin which once startled him does not alarm him in the least. By degrees men get familiar with sin. The ear in which the cannon has been booming will not notice slight sounds. At first a little sin startles us; but soon we say, “Is it not a little one?” Then there comes another, larger, and then another, until by degrees we begin to regard sin as but a little ill; and then follows an unholy presumption: “We have not fallen into open sin. True, we tripped a little, but we stood upright in the main. We may have uttered one unholy word, but as for the most of our conversation, it has been consistent.” So we palliate sin; we throw a cloak over it; we call it by dainty names. Christian, beware how thou thinkest lightly of sin. Take heed lest thou fall by little and little. Sin, a little thing? Is it not a poison? Who knows its deadliness? Sin, a little thing? Do not the little foxes spoil the grapes? Doth not the tiny coral insect build a rock which wrecks a navy? Do not little strokes fell lofty oaks? Will not continual droppings wear away stones? Sin, a little thing? It girded the Redeemer’s head with thorns, and pierced His heart! It made Him suffer anguish, bitterness, and woe. Could you weigh the least sin in the scales of eternity, you would fly from it as from a serpent, and abhor the least appearance of evil. Look upon all sin as that which crucified the Saviour, and you will see it to be “exceeding
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
In Russia in 1839, Custine wrote that Tsar Nicholas I was both eagle and insect: eagle because he soared over society surveying it with a sharp raptor’s eye from above, and insect because he bored himself into every tiny crack and crevice of society from below. Nothing was either too large or too small for his attention; and sometimes one feels that political correctness is rather like that. For the politically correct, nothing is too large or too small to escape their puritanical attention. As a consequence, we suspect that we are living an authoritarian prelude to a totalitarian future.
Theodore Dalrymple
Oh, God—” “Don’t move.” Rohan’s voice was astonishingly calm. “Don’t swat at them.” She had never known such primal fear, welling up from beneath her skin, leaking through every pore. No part of her body seemed to be under her control. The air was boiling with them, bees and more bees. It was not going to be a pleasant way to die. Closing her eyes tightly, Amelia willed herself to be still, when every muscle strained and screamed for action. Insects moved in sinuous patterns around her, tiny bodies touching her sleeves, hands, shoulders. “They’re more afraid of you than you are of them,” she heard Rohan say. Amelia highly doubted that. “These are not f-frightened bees.” Her voice didn’t sound like her own. “These are f-furious bees.” “They do seem a bit annoyed,” Rohan conceded, approaching her slowly. “It could be the dress you’re wearing—they tend not to like dark colors.” A short pause. “Or it could be the fact that you just ripped down half their hive.” “If you h-have the nerve to be amused by this—” She broke off and covered her face with her hands, trembling all over. His soothing voice undercut the buzzing around them. “Be still. Everything’s fine. I’m right here with you.” “Take me away,” she whispered desperately. Her heart was pounding too hard, making her bones shake, driving every coherent thought from her head. She felt him brush a few inquisitive insects from her hair and back. His arms went around her, his shoulder sturdy beneath her cheek. “I will, sweetheart. Put your arms around my neck.” She groped for him blindly, feeling sick and weak and disoriented. The flat muscles at the back of his neck shifted as he bent toward her, gathering her up as easily as if she were a child. “There,” he murmured. “I’ve got you.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
of the cup. “Mmmfff!” “Swallow,” he said, clapping a hand tightly across my mouth and ignoring both my frenzied squirming and the muffled sounds of protest I was making. He was a lot stronger than I was, and he didn’t mean to let go. It was swallow or strangle. I swallowed. “Good as new.” Jamie finished polishing the silver ring on his shirttail and held it up, admiring it in the glow of the lantern. “That is somewhat better than can be said of me,” I replied coldly. I lay in a crumpled heap on the deck, which in spite of the placid current, seemed still to be heaving very slightly under me. “You are a grade-A, double-dyed, sadistic fucking bastard, Jamie Fraser!” He bent over me and smoothed the damp hair off my face. “I expect so. If ye feel well enough to call me names, Sassenach, you’ll do. Rest a bit, aye?” He kissed me gently on the forehead and sat back. Excitement over and order restored to the ravaged decks, the other men had gone back to the cabin to restore themselves with the aid of a bottle of applejack that Captain Freeman had contrived to save from the pirates by dropping it into the water barrel. A small cup of this beverage rested on the deck near my head; I was still too queasy to countenance swallowing anything, but the warm, fruity smell was mildly comforting. We were under sail; everyone was eager to get away, as though some danger still lingered over the place of the attack. We were moving faster, now; the usual small cloud of insects that hovered near the lanterns had dispersed, reduced to no more than a few lacewings resting on the beam above, their delicate green bodies casting tiny streaks of shadow. Inside the cabin, there was a small burst of laughter, and an answering growl
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Dierdre was one of a pair of enormous common toads that I had found, tamed with comparative ease, and established in the tiny walled garden below the veranda. Here they lived a blameless life among the geraniums and tangerine trees, venturing up onto the veranda when the lights were lit to take their share of the insect life.
Gerald Durrell (The Corfu Trilogy (The Corfu Trilogy #1-3))
Roses Four roses drinking from a blue vase. The first one I name Moment of Gladness, the second, Wresting Beauty from Fear. All year I watched her disappearing, the sweet fat of her hips, her laughter, her will, as though a whelk had drilled through her shell, sucked out the flesh. Death woke me each morning with its bird impersonation. But now she has cut these Clouds of Glory and a honeyed musk sublimes from their petals, veined fine as an infant’s eyelids, and spiraling like any embryo—fish, snake, or human. And she has carried them to me, saturated in the colors they have not swallowed, the blush and gold, the razzle-dazzle red. Riven from the dirt to cling here briefly. And now, as though to signify our fortune, a tiny insect journeys across the kingdom of one ivory petal and into the heart of the blossom. O, Small Mercies sliced from the root. I listen as they sip the blue water.
Ellen Bass
the driest inhabited continent on Earth.
Oliver Milman (The Insect Crisis: The Fall of the Tiny Empires That Run the World)
They seemed to skitter past her like living creatures. Their movements were purposeful, organic, just the slightest bit unsteady. It was as if instead of rubber tires, each wheel comprised thousands of tiny insectoid limbs, all black and chitinous with cruel hooked claws for feet.
Cliff Jones Jr. (Dreck)
The long route took us through all these old neighborhoods and shopping streets and finally past a tiny little temple in the middle of a bunch of ugly concrete office buildings. The temple was a special place. There was the smell of moss and incense, and sounds, too—you could actually hear the insects and birds and even some frogs—and you could almost feel the plants and other things growing. We were right in the middle of Tokyo, but when you got close to the temple, it was like stepping into a pocket of ancient humid air, which had somehow gotten preserved like a bubble in ice, with all the sounds and smells still trapped inside it. I read about how the scientists in the Arctic, or the Antarctic, or somewhere really cold, can drill way down and take ice core samples of the ancient atmosphere that are hundreds of thousands or even millions of years old. And even though this is totally cool, it makes me sad to think of those plugs of ice, melting and releasing their ancient bubbles like tiny sighs into our polluted twenty-first-century air. Stupid, I know, but that’s the way the temple felt to me, like a core sample from another time, and I really liked it, and I told my dad so, and this was way before I even knew Jiko, or had spent the summer at her temple on the mountainside, or anything like that. I didn’t even know she existed.
Ruth Ozeki (A Tale for the Time Being)
Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
maybe she should take out a book and read, for it don’t make no sense to just lean against the shop front, doing nothing, and she start to search in her bag, when she hear Pansy shout, “Lord Jesus! Oh God, help me!” Pansy bawling for help louder and louder, so Grace get frighten. She drop her schoolbag, run quick into the shop, and push on the door to the back room with all her might. After a couple tries, it fly open. Staring at her are one pair of feet with brown socks, one pair of feet with no socks, four legs with no covering and Mortimer’s bare bottom rising and falling with a motion that remind her of when he was using the saw. Grace look, turn right around, march out, pick up her school bag, and start walking home. First she is furious with Pansy, but then she start to laugh. Mortimer have a nice body, but he is short. Pansy is a good-sized girl. Grace remember Gramps say, “Tiny insects pollinate sizeable flowers,
Pamela Mordecai (Red Jacket)
Anxious to demonstrate her competence, Amelia strode to the other window and began jerking at the closed draperies. “Thank you, Mr. Rohan, but as you can see, I have the situation well in hand.” “I think I’ll stay. Having stopped you from falling through one window, I’d hate for you to go out the other.” “I won’t. I’ll be fine. I have everything under—” She tugged harder, and the rod clattered to the floor, just as the other had done. But unlike the other curtain, which had been lined with aged velvet, this one was lined with some kind of shimmering rippling fabric, some kind of— Amelia froze in horror. The underside of the curtain was covered with bees. Bees. Hundreds, no, thousands of them, their iridescent wings beating in an angry relentless hum. They lifted in a mass from the crumpled velvet, while more flew from a crevice in the wall, where an enormous hive simmered. They must have found their way into a hollow space from a decayed spot in the outer wall. The insects swarmed like tongues of flame around Amelia’s paralyzed form. She felt the blood drain from her face. “Oh, God—” “Don’t move.” Rohan’s voice was astonishingly calm. “Don’t swat at them.” She had never known such primal fear, welling up from beneath her skin, leaking through every pore. No part of her body seemed to be under her control. The air was boiling with them, bees and more bees. It was not going to be a pleasant way to die. Closing her eyes tightly, Amelia willed herself to be still, when every muscle strained and screamed for action. Insects moved in sinuous patterns around her, tiny bodies touching her sleeves, hands, shoulders. “They’re more afraid of you than you are of them,” she heard Rohan say. Amelia highly doubted that. “These are not f-frightened bees.” Her voice didn’t sound like her own. “These are f-furious bees.” “They do seem a bit annoyed,” Rohan conceded, approaching her slowly. “It could be the dress you’re wearing—they tend not to like dark colors.” A short pause. “Or it could be the fact that you just ripped down half their hive.” “If you h-have the nerve to be amused by this—” She broke off and covered her face with her hands, trembling all over. His soothing voice undercut the buzzing around them. “Be still. Everything’s fine. I’m right here with you.” “Take me away,” she whispered desperately. Her heart was pounding too hard, making her bones shake, driving every coherent thought from her head. She felt him brush a few inquisitive insects from her hair and back. His arms went around her, his shoulder sturdy beneath her cheek. “I will, sweetheart.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Learn from the ants- how a tiny heart is big enough to love, help and care about another living existence.
Munia Khan
The night-sylphs, all of them, were armed with what looked like swords of glass. The pixies and the tiny ones were armed too, if not with knives and miniature swords , then with their own long claws. The pixies were creatures the size of dolls, but with strange attenuated bodies and long limbs, mostly clothed in colourful rags, and with dragonfly wings. Their joints were knobby, and their faces more animalistic. The smaller ones were also winged, but looked half-human and half-insect, with touches of bat and bird.
Mercedes Lackey (From a High Tower (Elemental Masters, #10))
In an instant, he felt pain and dropped the bug. It had bitten him. Pulling his hand to his face, he saw a tiny, bloody cut, the skin torn. When he looked down, the insects were gone, scattering into the brush. He scoured the area for them, overturning limbs and driftwood and kicking the underbrush, but to no avail. They had disappeared. Duncan
John Koloen (Insects)
I'd be left in solitary bliss to contemplate nothing more exacting than the strange golden colour of my once-snowy Scottish knees. Then, as dusk beckoned, I'd be surrounded by a million dancing lights - a flying ballet of insects, hovering and flitting between the orange trees, their tiny wings radiating the glow of thesetting sun.
Peter Kerr (Manana Manana: One Mallorcan Summer (Snowball Oranges))
Spiders are by no means the only creatures that need to fear the parasitic wasps’ coercive tactics. And drugs are not the wasps’ only weapons for gaining the compliance of their victims. Ampulex compressa, better known as the jewel wasp because of its iridescent blue-green sheen, performs neurosurgery to achieve its aims. Its quarry is the annoyingly familiar American cockroach (Periplaneta americana). Not to be confused with the comparatively diminutive German roach common up north, this species prefers warmer climes and can grow as big as a mouse. Though dwarfed in stature by its prey, a female jewel wasp that has caught the scent of an American roach will aggressively pursue and attack it—even if that means following the fleeing insect into a house. The roach puts up a mighty struggle, flailing its legs and tucking in its head to fend off the attack, but usually to no avail. With lightning speed, the wasp stings the roach’s midsection, injecting an agent that will temporarily paralyze it so that the behemoth will stay still for the delicate procedure to follow. Like an evil doctor wielding a syringe, she again inserts her stinger, this time into the roach’s brain, and gingerly moves it around for half a minute or so until she finds exactly the right spot, whereupon she injects a venom. Shortly thereafter, the paralytic agent delivered by the first sting wears off. In spite of having full use of its limbs and the same ability to sense its surroundings as any normal roach, it’s strangely submissive. The venom, according to Frederic Libersat, a neuroethologist at Ben-Gurion University in Israel, has turned the roach into a “zombie” that will henceforth take its orders from the wasp and willingly tolerate her abuse. Indeed, the roach doesn’t protest in the least when she twists off part of one of its antennae with her powerful mandible and proceeds to suck the liquid oozing from it like soda from a straw. The wasp then does the same thing to its other antenna and, assured that the roach will go nowhere, leaves it alone for about twenty minutes as she searches for a burrow where she’ll lay an egg to be nourished by the roach. Meanwhile, her brainwashed slave busies itself grooming—picking fungal spores, tiny worms, and other parasites off itself—providing a sterile surface for the wasp to glue its egg. When the wasp returns, she seizes the roach by the stump of one of its antennae and “walks it like a dog on a leash to her burrow,” said Libersat. Thanks to its cooperation, she doesn’t have to waste energy dragging the massive roach. Equally important, he said, she doesn’t “need to paralyze all the respiratory system, so the thing will stay alive and fresh. Her larvae need to feed five or six days on this fresh meat, which you don’t want to rot.” The
Kathleen McAuliffe (This Is Your Brain On Parasites: How Tiny Creatures Manipulate Our Behavior and Shape Society)
Justin Schmidt, an entomologist who studies venomous stings, created the Schmidt Sting Pain Index to quantify the pain inflicted by ants and other stinging creatures. His surprisingly poetic descriptions give some order to the hierarchy of ant stings as compared to those of bees and wasps: 1.0 Sweat bee: Light, ephemeral, almost fruity. A tiny spark has singed a single hair on your arm. 1.2 Fire ant: Sharp, sudden, mildly alarming. Like walking across a shag carpet & reaching for the light switch. 1.8 Bullhorn acacia ant: A rare, piercing, elevated sort of pain. Someone has fired a staple into your cheek. 2.0 Bald-faced hornet: Rich, hearty, slightly crunchy. Similar to getting your hand mashed in a revolving door. 2.0 Yellowjacket: Hot and smoky, almost irreverent. Imagine W. C. Fields extinguishing a cigar on tongue. 2.x Honey bee and European hornet: Like a matchhead that flips off and burns on your skin. 3.0 Red harvester ant: Bold and unrelenting. Somebody is using a drill to excavate your ingrown toenail. 3.0 Paper wasp: Caustic & burning. Distinctly bitter aftertaste. Like spilling a beaker of hydrochloric acid on a paper cut. 4.0 Tarantula hawk: Blinding, fierce, shockingly electric. A running hair drier has been dropped into your bubble bath. 4.0+ Bullet ant: Pure, intense, brilliant pain. Like fire-walking over flaming charcoal with a 3-inch rusty nail in your heel.
Amy Stewart (Wicked Bugs: The Louse That Conquered Napoleon's Army and Other Diabolical Insects)
The idea of a monkey, albeit a slightly more sophisticated than average one, probing inside of my mind as though she were looking for tiny insects to pick out and pop into her mouth disgusted me.
David Simpson (Post-Human Omnibus)
Each and every tiny thing, every human, animal, bird, fish, insect, plant and stones on Earth Mother vibrate to their own individual frequency that creates its own language. Learning to listen and feel each vibration is not easy if all we hear is our own voice. We must be sensitive to the vibrations of the Earth so that we may understand nature and her needs.
Lee Standing Bear Moore
No wonder the sky had to be blotted out by advertisements. The stars drowned with lights. If everyone could see beyond Coalition horizons, perhaps they'd see the titans of humanity for what they were: tiny creatures, smaller than insects, and in the scale of things, every bit as insignificant.
S.J. Kincaid