Timber Wall Quotes

I pictured a low timber house with a shingled roof, caulked against storms, with blazing log fires inside and the walls lined with all the best books, somewhere to live when the rest of the world blew up.

All living is storm chasing. Every good heart has lost its roof. Let the walls collapse at your feet. Scream, 'Timber,' when they ask how you are. 'Fine' is the suckiest word. It is the opposite of 'here.

What if I told you, I’m a sliver of a breath away from hauling you behind that barricade.” He indicated a low wall away from the crowds with a thrust of his chin. His voice thickened. “Hitching your skirts and taking you against the timbers.” “I would tell you to remember to cover my mouth so I don’t embarrass us both by screeching your name from the pleasure of it.

My vantage point must have been somewhere between our little house and the steamer jetty. The sea was exceptionally calm. Lit up by a sun that you could have taken down and put in your knapsack. Everything: Mooring rings on the harbor wall, piles of timber, the arches of the houses, caiques, windows – all of them were faithful, in the way we describe a dog being faithful.

The rapacious white tribe who were arriving in increasing numbers, not only as convicts but also as settlers, wanted to own everything they touched. They slashed and burned the wilderness so that they might graze their sheep and grow their corn. They erected fences around the land they now called their own and which henceforth they were prepared to defend with muskets and sometimes even their lives. They built church steeples and prison walls and homes of granite hewn from the virgin rock and timber cut from the umbrageous mountain forests. They possessed everything upon the island, the wild beasts that grazed upon its surface, the birds that flew over it, the fish that swam in its rushing river torrents and the barking seals resting in the quiet bays and secluded inlets. Everything they thought worthwhile was attached to the notion of ownership.

The Otherworld does not supply the meaning of life. Rather, the Otherworld describes being alive. Life, in all its glory - warts and all, so to speak. The Otherworld provides meaning by example, by exhibition, by illustration if you will. ... Through the Otherworld we learn what it is be be alive, to be human: good and evil, heartbreak and ecstasy, victory and defeat, everything. ... where does one first learn loyalty? Or honor? Or any higher value, for that matter? ... Where does one learn to value the beauty of a forest and to revere it?' In nature?' Not at all. This can easily be proven by the fact that so many among us do not revere the forests at all - do not even see them, in fact. You know the people I am talking about. You have seen them and their works in the world. They are the ones who rape the land, who cut down forests and despoil oceans, who oppress the poor and tyrannize the helpless, who live their lives as if nothing lay beyond the horizon of their own limited earth-bound visions. But I digress. The question before us is this: where does one first learn to see a forest as a thing of beauty, to honor it, to hold it dear for its own sake, to recognize its true value as a forest, and not just see it as a source of timber to be exploited, or a barrier to be hacked down in order to make room for a motorway? ... the mere presence of the Otherworld kindles in us the spark of higher consciousness, or imagination. It is the stories and tale and visions of the Otherworld - that magical, enchanted land just beyond the walls of the manifest world - which awaken and expand in human beings the very notion of beauty, of reverence, of love and nobility, and all the higher virtues.

THE ROUGH TIMBERS of the monastery wall were aged and warped, and there were numerous gaps and holes in the wood. Covered in pitch, they were a poor defensive barrier, if they had ever been intended as such. Cnán and Finn approached the wood cautiously and dared to peek through the gaps. Whereupon

Inside the narrow skull of the miner pinned beneath the fallen timber, there lives a world. Parents, friends, a home, the hot soup of evening, songs sung on feast days, loving kindness and anger, perhaps even a social consciousness and a great universal love, inhabit that skull. By what are we to measure the value of a man? His ancestor once drew a reindeer on the wall of a cave; and two hundred thousand years later that gesture still radiates. It stirs us, prolongs itself in us. Man's gestures are an eternal spring. Though we [may] die for it, we shall bring up that miner from his shaft. Solitary he may be, universal he surely is.

Friends, Grecian Heroes, Ministers of Mars! Grievous, and all unlook’d for, is the blow Which Jove hath dealt me; by his promise led I hop’d to raze the strong-built walls of Troy, And home return in safety; but it seems 130 He falsifies his word, and bids me now Return to Argos, frustrate of my hope, Dishonour’d, and with grievous loss of men. Such now appears th’ o’er-ruling sov’reign will Of Saturn’s son; who oft hath sunk the heads 135 Of many a lofty city in the dust, And yet will sink; for mighty is his hand. ’Tis shame indeed that future days should hear How such a force as ours, so great, so brave, Hath thus been baffled, fighting, as we do, 140 ’Gainst numbers far inferior to our own, And see no end of all our warlike toil. For should we choose, on terms of plighted truce, Trojans and Greeks, to number our array; Of Trojans, all that dwell within the town, 145 And we, by tens disposed, to every ten, To crown our cups, one Trojan should assign, Full many a ten no cup-bearer would find: So far the sons of Greece outnumber all That dwell within the town; but to their aid 150 Bold warriors come from all the cities round, Who greatly harass me, and render vain My hope to storm the strong-built walls of Troy. Already now nine weary years have pass’d; The timbers of our ships are all decay’d, 155 The cordage rotted; in our homes the while Our wives and helpless children sit, in vain Expecting our return; and still the work, For which we hither came, remains undone. Hear then my counsel; let us all agree 160 Home to direct our course, since here in vain We strive to take the well-built walls of Troy.” Thus as he spoke, the crowd, that had not heard The secret council, by his words was mov’d; So sway’d and heav’d the multitude, as when 165 O’er the vast billows of th’ Icarian sea Eurus and Notus from the clouds of Heav’n Pour forth their fury; or as some deep field Of wavy corn, when sweeping o’er the plain The ruffling west wind sways the

No picture of a medieval library can be complete unless it be remembered that in many cases beauty was no less an object than utility. The bookcases were fine specimens of carpentry-work, carved and decorated; the pavement was of encaustic tiles worked in patterns; the walls were decorated with plaster-work in relief; the windows were filled with stained glass; and the roof-timbers were ornamented with the coat-armour of benefactors.

Hair" There is great mystery, Simone, In the forest of your hair. It smells of hay, and of the stone Cattle have been lying on; Of timber, and of new-baked bread Brought to be one’s breakfast fare; And of the flowers that have grown Along a wall abandonèd; Of leather and of winnowed grain; Of briers and ivy washed by rain; You smell of rushes and of ferns Reaped when day to evening turns; You smell of withering grasses red Whose seed is under hedges shed; You smell of nettles and of broom; Of milk, and fields in clover-bloom; You smell of nuts, and fruits that one Gathers in the ripe season; And of the willow and the lime Covered in their flowering time; You smell of honey, of desire, You smell of air the noon makes shiver: You smell of earth and of the river; You smell of love, you smell of fire. There is great mystery, Simone, In the forest of your hair. Contemporary French Poetry, edited by Jethro Bithell (Wentworth Press March 4th 2019) reply | edit | delete | flag *

Darius the king: 7 They sent a letter unto him, wherein was written thus; Unto Darius the king, all peace. 8 Be it known unto the aking, that we went into the province of Judea, to the house of the great God, which is builded with great stones, and timber is laid in the walls, and this work goeth fast on, and prospereth in their hands. 9 Then asked we those elders, and said unto them thus, Who commanded you to build this house, and to make up these walls? 10 We asked their names also, to certify thee,

Then, as though she held a dandelion blowball in her hand, she simply blew away the nightmare that dominated her life for so many long years. She released each painful memory to dance on the wind, to soar high with each tiny propeller from the seed head. With the last puff of breath, she found a measure of forgiveness for her father. With that act, the cell imprisoning her mind fractured. The walls split and fell apart, the roof slid to one side, and the terrified girl was freed. As bricks and timber disintegrated into dust, she stood in a meadow surrounded by tall trees. One half bathed in sunlight, the other wrapped in shadows and dark. "You are free to walk whatever path you chose,

Gallic walls are always built more or less on the following plan. Balks of timber are laid on the ground at regular intervals of two feet along the whole line on which the wall is to be built, at right angles to it. These are made fast to one another by long beams running across them at their centre points, and are covered with a quantity of rubble; and the two-foot intervals between them are faced with large stones fitted tightly in. When this first course has been placed in position and fastened together, another course is laid on top. The same interval of two feet is kept between the balks of the second course, but they are not in contact with those of the first course, being separated from them by a course of stones two feet high; thus every balk is separated from each of its neighbours by one large stone, and so held firmly in position. By the addition of further courses the fabric is raised to the required height. This style of building presents a diversified appearance that is not unsightly, with its alternation of balks and stones each preserving their own straight lines. It is also very serviceable and well adapted for defending a town: the masonry protects it from fire, the timber from destruction by the battering-ram, which cannot either pierce or knock to pieces a structure braced internally by beams running generally to a length of forty feet in one piece.

Despite increasing committee interference and intensified conflict between Burnham and Director-General Davis, and with the threat of labor strikes ever present, the main buildings rose. Workers laid foundations of immense timbers in crisscrossed layers in accord with Root’s grillage principle, then used steam-powered derricks to raise the tall posts of iron and steel that formed each building’s frame. They cocooned the frames in scaffolds of wood and faced each frame with hundreds of thousands of wooden planks to create walls capable of accepting two thick layers of staff. As workers piled mountains of fresh lumber beside each building, jagged foothills of sawdust and scrap rose nearby. The air smelled of cut wood and Christmas

By human standards, I know far more than the dogs do. But Luke and June can do what I cannot. In a millisecond, forty feet from just encountered range Rambouillets the dogs see, big as a Wall Drug bill board, which sheep is the leader. They immediately understand the complex social order in this particular miniflock. they know whether the sheep are ready to fight, split up, or break for the tall timber, because the sheep tell them what they mean to do. For the sake of that instant, for that millisecond, that's why the Mister and Missus have put so many miles beneath their paws. Luke and June have developed an all-sheep, all-breed, all-terrain method that doesn't give them an edge over dogs who've been working these sheep on this terrain all their lives, but does help them transmute the novel into the manageable

Our father was a rumor, an echo, something only to be seen out of the corner of your eye. Our father was a woodsman, arms like tree limbs, beard as if born from bear, disappearing for days, for weeks, returning with so many things—tiny bird skulls, beads on a string, flowers for mother with purple blossoms and veiny leaves. The wood was stacked along one side of the cabin as high as it could go, the steady chop, the split of the timber, just part of the day, or so we were told. Our father was the cold creek that ran south of our home, filled with silver-backed fish with blood-orange meat, whispering every time we neared it, quenching our thirst, promises of sleepy peace if only we'd step a bit closer. Our father was the frosty moon that pasted the land with silence as our breath formed clouds of pain, feet bruised and bleeding, his laughter running over the mountain, guiding us down one ravine and up the other, wandering from hill to valley and back, some elusive destination always out of reach. Our father was time, stretched in every direction, elastic as a rubber band, as slow and anchored as a wall of granite, our eyes closing, waking up sore, grey where black had been. All lies. Everything she had ever told us was a lie. She never loved us, or it wouldn't be like this. (from "Asking for Forgiveness.")

So often have I studied the views of Florence, that I was familiar with the city before I ever set foot within its walls; I found that I could thread my way through the streets without a guide. Turning to the left I passed before a bookseller's shop, where I bought a couple of descriptive surveys of the city (guide). Twice only was I forced to inquire my way of passers by, who answered me with politeness which was wholly French and with a most singular accent; and at last I found myself before the facade of Santa Croce. Within, upon the right of the doorway, rises the tomb of Michelangelo; lo! There stands Canova's effigy of Alfieri; I needed no cicerone to recognise the features of the great Italian writer. Further still, I discovered the tomb of Machiavelli; while facing Michelangelo lies Galileo. What a race of men! And to these already named, Tuscany might further add Dante, Boccaccio and Petrarch. What a fantastic gathering! The tide of emotion which overwhelmed me flowed so deep that it scarce was to be distinguished from religious awe. The mystic dimness which filled the church, its plain, timbered roof, its unfinished facade – all these things spoke volumes to my soul. Ah! Could I but forget...! A Friar moved silently towards me; and I, in the place of that sense of revulsion all but bordering on physical horror which usually possesses me in such circumstances, discovered in my heart a feeling which was almost friendship. Was not he likewise a Friar, Fra Bartolomeo di San Marco, that great painter who invented the art of chiaroscuro, and showed it to Raphael, and was the forefather of Correggio? I spoke to my tonsured acquaintance, and found in him an exquisite degree of politeness. Indeed, he was delighted to meet a Frenchman. I begged him to unlock for me the chapel in the north-east corner of the church, where are preserved the frescoes of Volterrano. He introduced me to the place, then left me to my own devices. There, seated upon the step of a folds tool, with my head thrown back to rest upon the desk, so that I might let my gaze dwell on the ceiling, I underwent, through the medium of Volterrano's Sybills, the profoundest experience of ecstasy that, as far as I am aware, I ever encountered through the painter's art. My soul, affected by the very notion of being in Florence, and by proximity of those great men whose tombs I had just beheld, was already in a state of trance. Absorbed in the contemplation of sublime beauty, I could perceive its very essence close at hand; I could, as it were, feel the stuff of it beneath my fingertips. I had attained to that supreme degree of sensibility where the divine intimations of art merge with the impassioned sensuality of emotion. As I emerged from the porch of Santa Croce, I was seized with a fierce palpitations of the heart (that same symptom which, in Berlin, is referred to as an attack of nerves); the well-spring of life was dried up within me, and I walked in constant fear of falling to the ground. I sat down on one of the benches which line the piazza di Santa Croce; in my wallet, I discovered the following lines by Ugo Foscolo, which I re-read now with a great surge of pleasure; I could find no fault with such poetry; I desperately needed to hear the voice of a friend who shared my own emotion (…)

I’ll find out who’s inside. Wait here and keep alert!’ Hallam rasped. He skirted the main path to skulk towards one of the shuttered windows on the building’s eastern wall. There was a crack in the wood and he gently inched closer to peer inside. There was a hearth-fire with a pot bubbling away and a battered table made of a length of wood over two pieces of cut timber. A small ham hung from the rafters, away from the rats and mice. He couldn’t see anyone but there was a murmur of voices. Hallam leaned in even closer and a young boy with hair the colour of straw saw the movement to stare. It was Little Jim. Thank God, the child was safe. Snot hung from his nose and he was pale. Hallam put a finger to his lips, but the boy, not even four, did not understand, and just gaped innocently back. Movement near the window. A man wearing a blue jacket took up a stone bottle and wiped his long flowing moustache afterwards. His hair was shoulder-length, falling unruly over the red collar of his jacket. Tied around his neck was a filthy red neckerchief. A woman moaned and the man grinned with tobacco stained teeth at the sound. Laughter and French voices. The woman whimpered and Little Jim turned to watch unseen figures. His eyes glistened and his bottom lip dropped. The woman began to plead and Hallam instinctively growled. The Frenchman, hearing the noise, pushed the shutter open and the pistol’s cold muzzle pressed against his forehead. Hallam watched the man’s eyes narrow and then widen, before his mouth opened. Whatever he intended to shout was never heard, because the ball smashed through his skull to erupt in a bloody spray as it exited the back of the Frenchman’s head. There was a brief moment of silence. ‘28th!’ Hallam shouted, as he stepped back against the wall. ‘Make ready!

We ran back, he first and I following him, between the beds and downstairs, and we picked up an armful of wood from the pile by the wall and the knife for whittling and ran up again, we couldn’t be quick enough. He knelt down in front of the stove, and it wasn’t long before he had done the trick again. Outside the window it was night now, and the wind blew vaporous white milk against the panes, milk over the forest and the fjord, but in here there were just the two of us and the stoves and the sound of wood burning behind the black iron and sending waves of heat out into the rooms and into the walls and timbers that sucked it in. I smelt the scent of wood growing warm, and it made me as white in my head as the whirling night outside, and hungry. We stood in the kitchen with our coats on eating the contents of two tins with one spoon we took it in turns to use, and we laughed, I didn’t even notice what I was eating. Soon it was warm enough for us to take off some clothes, his overcoat and my coat, and while he hung his on a hook, I let mine fall to the floor. I took off the sweater I wore underneath and dropped that on the floor too, I unbuttoned my blouse and still felt the cold against my neck. But the heat rose to the ceiling and up to the first floor and there was another stove there. Then I calmly walked across the room and upstairs with his eyes on my back, and at first he stood still, and then he followed, and when he got to the top my blouse was off and my stockings on the floor. I slowly turned round and stood there, me inside my skin, while he was fully clothed, and I cleared my head of every thought I had ever had and let them sink out into my skin till it was painfully taut and shinning all over my body, and he saw it and did not know what it was he saw. I put my arms round my back and unfastened my bra and slid the straps over my shoulders, and I thought he might be going to weep, but his voice sounded hoarse as he whispered: “You’re lovely,” and I answered “Yes”, and didn’t know if that was true. But it did not matter, for I knew what I wanted and what to say, and his hands were as I’d thought they would be, his skins as soft and his body as hard, and it was so warm around us, and the whole time I smelt the dampness of the bedclothes like the ones at Vrangbæk, and then I just shut my eyes and floated away.

Our team’s vision for the facility was a cross between a shooting range and a country club for special forces personnel. Clients would be able to schedule all manner of training courses in advance, and the gear and support personnel would be waiting when they arrived. There’d be seven shooting ranges with high gravel berms to cut down noise and absorb bullets, and we’d carve a grass airstrip, and have a special driving track to practice high-speed chases and real “defensive driving”—the stuff that happens when your convoy is ambushed. There would be a bunkhouse to sleep seventy. And nearby, the main headquarters would have the feel of a hunting lodge, with timber framing and high stone walls, with a large central fireplace where people could gather after a day on the ranges. This was the community I enjoyed; we never intended to send anyone oversees. This chunk of the Tar Heel State was my “Field of Dreams.” I bought thirty-one hundred acres—roughly five square miles of land, plenty of territory to catch even the most wayward bullets—for $900,000. We broke ground in June 1997, and immediately began learning about do-it-yourself entrepreneurship. That land was ugly: Logging the previous year had left a moonscape of tree stumps and tangled roots lorded over by mosquitoes and poisonous creatures. I killed a snake the first twelve times I went to the property. The heat was miserable. While a local construction company carved the shooting ranges and the lake, our small team installed the culverts and forged new roads and planted the Southern pine utility poles to support the electrical wiring. The basic site work was done in about ninety days—and then we had to figure out what to call the place. The leading contender, “Hampton Roads Tactical Shooting Center,” was professional, but pretty uptight. “Tidewater Institute for Tactical Shooting” had legs, but the acronym wouldn’t have helped us much. But then, as we slogged across the property and excavated ditches, an incessant charcoal mud covered our boots and machinery, and we watched as each new hole was swallowed by that relentless peat-stained black water. Blackwater, we agreed, was a name. Meanwhile, within days of being installed, the Southern pine poles had been slashed by massive black bears marking their territory, as the animals had done there since long before the Europeans settled the New World. We were part of this land now, and from that heritage we took our original logo: a bear paw surrounded by the stylized crosshairs of a rifle scope.

For a few moments he indulged his old joy in range and mountain, stretching, rising on his right, away into the purple distance. Something had heightened its beauty. How softly gray the rolling range land—how black the timbered slopes! The town before him sat like a hideous blotch on a fair landscape. It forced his gaze over and beyond toward the west, where the late afternoon sun had begun to mellow and redden, edging the clouds with exquisite light. To the southward lay Arizona, land of painted mesas and storied canyon walls, of thundering streams and wild pine forests, of purple-saged valleys and grassy parks, set like mosaics between the stark desert mountains.

Not homes with beautiful roofs, nor walls of permanent stone, nor canals and piers for ships make the city—but men of strength. Not stone and timber, nor skill of carpenter—but men brave who will handle sword and spear. With these you have a city and walls.

All living is storm chasing Every good heart has lost its roof Let all the walls collapse at your feet. Scream “timber” when they ask you how you are. “Fine” is the suckiest word, it’s the opposite of “here.

Aubry Park was a glorious Elizabethan manor, lovingly restored in the last century and equipped with numerous gothic undertones- enough to send Charlotte's mother into a ghost-seeking frenzy. The massive, cream-colored stone house sat hidden in a forest like some romantic woodland folly. Upon first approach, it seemed rather modest, enclosed in a small courtyard, the upper floors timbered and gabled, but after one ventured a look past the facade, the manor sprawled onward, connecting to a myriad of wings, towers hidden by tall trees and climbing vines and private walled gardens. "Enchanting," Charlotte murmured, running her fingertips along the soft bristles of an ivory-handled brush.

Grateful for their generosity, Muhammad orders the land to be leveled, the graves dug up, and the palm trees cut down for timber to build a modest home. He envisions a courtyard roofed in palm leaves, with living quarters made of wood and mud lining the walls. But this will be more than a home. This converted drying-ground and cemetery will serve as the first masjid, or mosque, of a new kind of community, one so revolutionary that many years later, when Muslim scholars seek to establish a distinctly Islamic calendar, they will begin not with the birth of the Prophet, nor with the onset of Revelation, but with the year Muhammad and his band of Emigrants came to this small federation of villages to start a new society. That year, 622 C.E., will forever be known as Year 1 A.H. (After Hijra); and the oasis that for centuries had been called Yathrib will henceforth be celebrated as Medinat an-Nabi: “The City of the Prophet,” or more simply, Medina. There

According to the World Monuments Fund, “The present state of the church is worrying. Many roof timbers are rotting, and have not been replaced since the 19th century. The rainwater that seeps into the building not only accelerates the rotting of the wood and damages the structural integrity of the building, but also damages the 12th-century wall mosaics and paintings. The influx of water also means that there is an ever-present chance of an electrical fire. If another earthquake were to occur on the scale of the one of 1834, the result would most likely be catastrophic. ... It is hoped that the listing will encourage its preservation, including getting the three custodians of the church – the Greek Orthodox Church, the Armenian Orthodox Church, and the Franciscan order – to work together, which has not happened for hundreds of years. The Israeli government and the Palestinian Authority would also have to work together to protect it.

The simple labourer’s cottage could be said to be Britain’s indigenous, vernacular building. It was always built with materials specific to the region, but was predominantly made out of stone and mud from the fields to make up the foundations and walls. Local trees were used for the roof timbers, and the grasses and reeds from the surrounding area for the thatch roof. It was generally built by its owner with the help of the pooled labour resources of the community, which comprised the poor, rural workforce that served the local estate, owned by the landed gentry. These made up the homes of the ordinary people in pre-industrial Britain.

Imagine a room you could go to for some time out, to switch off or to meditate. What would you find there?... - Windows and natural light - Views out onto greenery (or add some window planters) - A timber-clad wall or timber furniture to make the space feel warm and rich - Artwork containing biophilic fractals - An immersive planting arrangement where you can sit among the foliage - Soft, natural fabrics and textures - Adjustable lighting (salt lamps give off a lovely warm glow) - A scent diffuser - Carefully considered colors to suit the mood you wish to create - A lock on the door if you need it - Your favorite things that help you relax: perhaps a TV, a selection of things to read, or whatever you need in order to feel as though you've given yourself a break.

Those impenetrable walls of iron and ice, those unyielding pillars of resilence and strength, those unbending shoulders of steel that held up the world. Crumbling, tumbling, tearing down. With every drop that fell like shards of glass and ice, unto the timber floor

At times she could barely speak in response to the rabbi’s questions. Other times she could hardly find enough breath for all the words she needed to utter, though the rabbi listened with great patience. On those days the new thoughts so brimmed in her that she felt the white plaster ceiling and the timbers and the brickwork walls couldn’t contain her—should she raise her head to speak once more, she’d shake the house down.

Brightly lit inside, the mullioned windows glowed attractively against the stuccoed walls of the timber-framed tavern, casting pools of warm yellow light onto the gleaming cobbles of the yard.

But alas, I’m here, drunk off my ass, boobs practically spilling out of my shirt, and my mascara slowly melting off my eyelashes and onto my face, morphing me from new-in-town college girl, to trash panda from the raccoon clan. “Dottie, Lindsay,” I say weakly, moving my head from side to side. “Where art thou?” “You need help?” a deep voice slurs next to me. I look to my right through very blurry vision and make out what I’m going to assume is an incredibly attractive man. But then again, I’m drunk—the whole mascara melting off my eyes in full swing—and I’ve been fooled once before. But hey, I think those are blue eyes. Can’t go wrong with that . . . reasoning that will be thought better of in the morning. “Have you seen Dottie or Lindsay?” “Can’t say that I have,” he answers, resting against the wall with me. “Damn it. I think they’re making out with some baseball players. Have you seen any of those around?” “Baseball players?” “Mm-hmm.” I nod, shutting my eyes for a second but then shooting them back open when I feel myself wobble to the side. The guy catches me by the hand before I topple over, but thanks to his alcohol intake, he’s not steady enough to hold us up and . . . timber . . . we fall to the couch next to me. “Whoa, great placement of furniture,” I say, as the guy topples on top of me. “Damn near saved our lives.” I rub my face against the scratchy and worn-out fabric. “How many people do you think have had sex on this thing?” “Probably less than what you’re thinking.” The couch is deep, giving me enough room to lie on my side with the guy in front of me, so we’re both facing each other. He smells nice, like vodka and cupcakes. “So, have you seen any baseball players around? I’m looking for my friends.” “Nah, but if you see any, let me know. I can’t find my room.” “You live here?” I ask, eyes wide. “Yup,” he answers, enunciating the P. “For two years now.” “And you don’t remember where your room is?” “It has a yellow door. If the damn room would stop spinning I’d be able to find it.” “Well . . . maybe if we find your room, we’ll find my friends,” I say, my drunk mind making complete sense. “That’s a great idea.” He rolls off the couch and then stands to his feet, wobbling from side to side as he holds out his hand to me. Without even blinking, I take it in mine and let him help me to my feet. “Yellow door, let’s go,” I say, raising my crumpled cup to the air. “We’re on the move.” He keeps my hand clasped in his and we stumble together past beer pong, people making out against walls, the kitchen, to an open space full of doors. “Yellow door, do you see one?” I blink a few times and then see a flash of sunshine. “There.” I point with force. “Yellow, right there.” His head snaps to where I’m pointing. A beam of light illuminates the color of the door, making it seem like we’re about to walk right into the sun. I’m a little chilly, so I welcome the heat. “Fuck, there it is. You’re good.” 

No matter how far she ventured from this farm, she would always be the monster created within its walls of timber and shame. They would see what she really was. She was a murderer, a psychopath and a victim. She was all three of those things. 

When he had ate his fill, and proceeded from the urgent first cup and necessary second to the voluntary third which might be toyed with at leisure, without any particular outcry seeming to suggest he should be on his guard, he leant back, spread the city’s news before him, and, by glances between the items, took a longer survey of the room. Session of the Common Council. Vinegars, Malts, and Spirituous Liquors, Available on Best Terms. Had he been on familiar ground, he would have been able to tell at a glance what particular group of citizens in the great empire of coffee this house aspired to serve: whether it was the place for poetry or gluttony, philosophy or marine insurance, the Indies trade or the meat-porters’ burial club. Ships Landing. Ships Departed. Long Island Estate of Mr De Kyper, with Standing Timber, to be Sold at Auction. But the prints on the yellowed walls were a mixture. Some maps, some satires, some ballads, some bawdy, alongside the inevitable picture of the King: pop-eyed George reigning over a lukewarm graphical gruel, neither one thing nor t’other. Albany Letter, Relating to the Behaviour of the Mohawks. Sermon, Upon the Dedication of the Monument to the Late Revd. Vesey. Leases to be Let: Bouwerij, Out Ward, Environs of Rutgers’ Farm. And the company? River Cargos Landed. Escaped Negro Wench: Reward Offered. – All he could glean was an impression generally businesslike, perhaps intersown with law. Dramatic Rendition of the Classics, to be Performed by the Celebrated Mrs Tomlinson. Poem, ‘Hail Liberty, Sweet Succor of a Briton’s Breast’, Offered by ‘Urbanus’ on the Occasion of His Majesty’s Birthday. Over there there were maps on the table, and a contract a-signing; and a ring of men in merchants’ buff-and-grey quizzing one in advocate’s black-and-bands. But some of the clients had the wind-scoured countenance of mariners, and some were boys joshing one another. Proceedings of the Court of Judicature of the Province of New-York. Poor Law Assessment. Carriage Rates. Principal Goods at Mart, Prices Current. Here he pulled out a printed paper of his own from an inner pocket, and made comparison of certain figures, running his left and right forefingers down the columns together. Telescopes and Spy-Glasses Ground. Regimental Orders. Dinner of the Hungarian Club. Perhaps there were simply too few temples here to coffee, for them to specialise as he was used.

It's done, isn't it?"   I nodded.  I gave him his letter.  He didn't seem interested in opening it.  He tossed it on the side table without a second look.” “the furniture began.  Cut timber sat in a bin next to the hearth.  I couldn't see much of the walls, but they smelled musty, like they hadn't been cleaned in a long while.  Mr. Black Day lit a lamp; I saw the dust sitting on the walls like carpets.   "It's done, isn't it?"   I nodded.  I gave him his letter.  He didn't seem interested in opening it.  He tossed it on the side table without a second look.   Should I leave?  I gestured over my shoulder to the door.   "What's wrong with you?  Say something."   Apologetic, I pointed at my throat.   "Oh.  Sorry.” “He had nothing to be sorry about.  I wanted to let him know that.  But before I could so much as a smile, he slumped over at the table and started crying.   Alarmed, I did the only thing I could think of doing:  I set my basket on the floor and squeezed Mr. Black Day's shoulders.   "My wife," he said.  His voice was so quiet, I could barely hear him; I had to hold my breath and strain my ears.  "My wife...